Alastair (artist): Difference between revisions
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[[image:Alastair illustration for red skeletons.jpg|thumb|Illustration from [[Harry Crosby]]'s book ''Red Skeletons'' published in 1927 |
[[image:Alastair illustration for red skeletons.jpg|thumb|Illustration from [[Harry Crosby]]'s book ''Red Skeletons'' published in 1927]] |
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'''Hans Henning Otto Harry Baron von Voigt''' (20 October 1887 – 30 October 1969), best known by his nickname '''Alastair''', was a German artist, composer, dancer, mime, poet, singer and translator.<ref>Hans-Gert Roloff: ''Die Deutsche Literatur: Die Deutsche literatur von 1890 bis 1990''. P. Lang 2003, p. 528</ref> |
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==Biography== |
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⚫ | Hans Henning Baron von Voight was born of German nobility in [[Karlsruhe]].<ref name=arwas>{{cite book|last=Arwas |first=Victor| year=1979|title= Alastair: Illustrator of Decadence |location=London |publisher=Thames and Hudson |isbn=9780500271520}}</ref>{{rp|5}} In his youth he joined a circus and learned mime.<ref name=arwas/> Shortly after leaving school he studied philosophy at [[Marburg University]] where he met the writer [[Boris Pasternak]].<ref name=arwas/> He was self-taught as an artist, and he was also a proficient dancer and pianist.<ref name="Souter" /> |
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He died in [[Munich]] in 1969. |
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Other books containing Alastair's illustrations include ''The Blind Bow-Boy'' (1923) by [[Carl Van Vechten]],<ref name=arwas/> ''Red Skeletons'' by [[Harry Crosby]] (1928) and a 1928 edition of "[[The Fall of the House of Usher]]" by [[Edgar Allan Poe]], the last two published by the [[Black Sun Press]].<ref name=arwas/>{{rp|19}} In ''The Blind Bow-Boy'' Alastair depicted the ‘androgynous male’. During the 1930s, he would stop drawing only to resume in 1964.<ref name=arwas/>{{rp|pp. 24–29}} He died in [[Munich]] in 1969. |
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==Art== |
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He is best known as an illustrator, under the [[pen name]] "Alastair". His career as an artist was begun in 1914, when [[John Lane (publisher)|John Lane]] published ''Forty-Three Drawings by Alastair''.<ref name="Souter">{{cite book|last=Souter, Nick and Tessa|title=The Illustration Handbook: A guide to the world's greatest illustrators|year=2012|publisher=Oceana|isbn=9781845734732|page=101}}</ref> |
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⚫ | His drawings, which are often decadent in spirit and have the look of [[Art Nouveau]], are influenced somewhat by the drawings of the English artist [[Aubrey Beardsley]], who illustrated works by [[Oscar Wilde]], as Alastair would later do. His ‘serpentine line’ often depicts characters whose outlines are lightly drawn with the main areas filled in with ‘broken dotted lines’.<ref name=arwas/>{{rp|6}} His drawings were in black and white ink, sometimes with one colour added. Alastair's illustrations show a strong influence from the [[Decadent movement]] in art and poetry that had begun decades earlier, with the "perverse and sinister"<ref name="Souter" /> a recurring theme. Intricate decorative elements and fine detail are apparent in his works. |
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Alastair’s fame spread in 1920 with the publication of Wilde's ''[[The Sphinx (poem)|The Sphinx]]'', which contained ten full-page illustrations by him, ‘printed in black and turquoise’.<ref>{{Cite book |last=Wilde |first=Oscar |url=https://archive.org/details/TheSphinxDecoratedByAlastaiOscarWilde/mode/2up |title=The Sphinx |publisher=John Lane Company |others=Illustrated by Alastair |year=1920 |language=EN}}</ref><ref name=arwas/>{{rp|12}} Many of his drawings were inspired by the poems of Wilde, and in 1922 Alastair would illustrate a book of Wilde’s play ''Salome''.<ref name=arwas/>{{rp|13}} |
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Other books containing Alastair's illustrations include: |
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* ''The Blind Bow-Boy'' (1923) by [[Carl Van Vechten]],<ref name=arwas/> |
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* ''Fifty Drawings by Alastair'' (1925) |
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* ''Red Skeletons'' by [[Harry Crosby]] (1928) (published by the [[Black Sun Press]]) <ref name=arwas/> |
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* "[[The Fall of the House of Usher]]" by [[Edgar Allan Poe]] (1928 edition, published by the [[Black Sun Press]])<ref name=arwas/>{{rp|19}} |
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* ''[[Les Liaisons dangereuses]]'' by [[Choderlos de Laclos]] (1929) |
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* ''Manon Lescaut Translated from the French of Abbé Prevost by D. C. Moylan with Eleven Illustrations by Alastair and an Introduction by [[Arthur Symons]]'' (1928) (John Lane / Dodd, Mead : London & New York, 1928.) |
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* ''The Birthday of the Infanta'' by [[Oscar Wilde]] (1928 published by the [[Black Sun Press]])<ref>{{Cite web|url=https://digital.wolfsonian.org/l/WOLF046819/00001/pageturner#page/11|title=The birthday of the Infanta|website=digital.wolfsonian.org|language=en|access-date=2017-02-28}}</ref> |
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In ''The Blind Bow-Boy'' Alastair depicted the ‘androgynous male’. |
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Alastair had at least two public exhibitions of his works during his lifetime, at the Leicester Galleries in 1914 and at the [[Weyhe Gallery]] in New York in 1925.<ref name="Souter" /> |
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During the 1930s, he stopped drawing, only to resume in 1964.<ref name=arwas/>{{rp|pp. 24–29}} |
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== References == |
== References == |
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{{reflist}} |
{{reflist}} |
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{{Authority control}} |
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{{Persondata |
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| NAME = Alastair |
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| ALTERNATIVE NAMES = |
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| SHORT DESCRIPTION = German artist and singer |
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| DATE OF BIRTH = 1887 |
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| PLACE OF BIRTH = |
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| DATE OF DEATH = 1969 |
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| PLACE OF DEATH = |
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}} |
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{{DEFAULTSORT:Alastair}} |
{{DEFAULTSORT:Alastair}} |
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[[Category:1887 births]] |
[[Category:1887 births]] |
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[[Category:1969 deaths]] |
[[Category:1969 deaths]] |
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[[Category:University of Marburg alumni]] |
[[Category:University of Marburg alumni]] |
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[[Category:German |
[[Category:German illustrators]] |
Latest revision as of 05:34, 31 October 2024
Hans Henning Otto Harry Baron von Voigt (20 October 1887 – 30 October 1969), best known by his nickname Alastair, was a German artist, composer, dancer, mime, poet, singer and translator.[1]
Biography
[edit]Hans Henning Baron von Voight was born of German nobility in Karlsruhe.[2]: 5 In his youth he joined a circus and learned mime.[2] Shortly after leaving school he studied philosophy at Marburg University where he met the writer Boris Pasternak.[2] He was self-taught as an artist, and he was also a proficient dancer and pianist.[3]
He died in Munich in 1969.
Art
[edit]He is best known as an illustrator, under the pen name "Alastair". His career as an artist was begun in 1914, when John Lane published Forty-Three Drawings by Alastair.[3]
His drawings, which are often decadent in spirit and have the look of Art Nouveau, are influenced somewhat by the drawings of the English artist Aubrey Beardsley, who illustrated works by Oscar Wilde, as Alastair would later do. His ‘serpentine line’ often depicts characters whose outlines are lightly drawn with the main areas filled in with ‘broken dotted lines’.[2]: 6 His drawings were in black and white ink, sometimes with one colour added. Alastair's illustrations show a strong influence from the Decadent movement in art and poetry that had begun decades earlier, with the "perverse and sinister"[3] a recurring theme. Intricate decorative elements and fine detail are apparent in his works.
Alastair’s fame spread in 1920 with the publication of Wilde's The Sphinx, which contained ten full-page illustrations by him, ‘printed in black and turquoise’.[4][2]: 12 Many of his drawings were inspired by the poems of Wilde, and in 1922 Alastair would illustrate a book of Wilde’s play Salome.[2]: 13
Other books containing Alastair's illustrations include:
- The Blind Bow-Boy (1923) by Carl Van Vechten,[2]
- Fifty Drawings by Alastair (1925)
- Red Skeletons by Harry Crosby (1928) (published by the Black Sun Press) [2]
- "The Fall of the House of Usher" by Edgar Allan Poe (1928 edition, published by the Black Sun Press)[2]: 19
- Les Liaisons dangereuses by Choderlos de Laclos (1929)
- Manon Lescaut Translated from the French of Abbé Prevost by D. C. Moylan with Eleven Illustrations by Alastair and an Introduction by Arthur Symons (1928) (John Lane / Dodd, Mead : London & New York, 1928.)
- The Birthday of the Infanta by Oscar Wilde (1928 published by the Black Sun Press)[5]
In The Blind Bow-Boy Alastair depicted the ‘androgynous male’.
Alastair had at least two public exhibitions of his works during his lifetime, at the Leicester Galleries in 1914 and at the Weyhe Gallery in New York in 1925.[3]
During the 1930s, he stopped drawing, only to resume in 1964.[2]: pp. 24–29
References
[edit]- ^ Hans-Gert Roloff: Die Deutsche Literatur: Die Deutsche literatur von 1890 bis 1990. P. Lang 2003, p. 528
- ^ a b c d e f g h i j Arwas, Victor (1979). Alastair: Illustrator of Decadence. London: Thames and Hudson. ISBN 9780500271520.
- ^ a b c d Souter, Nick and Tessa (2012). The Illustration Handbook: A guide to the world's greatest illustrators. Oceana. p. 101. ISBN 9781845734732.
- ^ Wilde, Oscar (1920). The Sphinx. Illustrated by Alastair. John Lane Company.
- ^ "The birthday of the Infanta". digital.wolfsonian.org. Retrieved 2017-02-28.