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{{Short description|Japanese animation director}}
{{Short description|Japanese animation director}}
{{Expand Japanese|topic=bio|date=February 2024}}
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| name = Naoko Yamada
| name = Naoko Yamada
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| native_name = 山田 尚子
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| signature = Naoko Yamada signature.svg
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{{Nihongo|'''Naoko Yamada'''|山田 尚子|Yamada Naoko}} is a Japanese [[animator]], [[television director|television]] and [[film director]]. Working at [[Kyoto Animation]], she directed the [[anime]] series ''[[K-On!]]'' (2009-2010) and ''[[Tamako Market]]'' (2013), and the anime films ''[[A Silent Voice (film)|A Silent Voice]]'' (2016) and ''[[Liz and the Blue Bird]]'' (2018).
{{Nihongo|'''Naoko Yamada''' ({{Audio|Naoko Yamada.ogg|pronunciation}}) |山田 尚子|Yamada Naoko}} is a Japanese animator and director. Working at [[Kyoto Animation]], she directed the [[anime]] series ''[[K-On!]]'' (2009–2010) and ''[[Tamako Market]]'' (2013), and the anime films ''[[A Silent Voice (film)|A Silent Voice]]'' (2016), ''[[Liz and the Blue Bird]]'' (2018) and ''[[The Colors Within]]'' (2024).


In 2021, she directed the [[original net animation]] ''[[The Heike Story]]'' under [[Science Saru|Science SARU]]. The series premiered on Japanese television in January 2022.<ref name="ann-heike-announcement">{{cite web|url=https://www.animenewsnetwork.com/news/2021-09-02/science-saru-reveals-the-heike-story-tv-anime-by-naoko-yamada/.176956|title=Science SARU Reveals ''The Heike Story'' TV Anime by Naoko Yamada|work=[[Anime News Network]]|date=September 2, 2021|access-date=September 2, 2021|last=Pineda|first=Rafael Antonio}}</ref><ref>{{cite web|url=https://www.animenewsnetwork.com/news/2021-09-15/the-heike-story-tv-anime-posts-short-video-visual-before-premiere/.177402|title=''The Heike Story'' TV Anime Posts Short Video, Visual Before Premiere|work=[[Anime News Network]]|date=September 15, 2021|access-date=October 21, 2021|last=Mateo|first=Alex}}</ref> She has won multiple awards for her work, as well as become world renowned for her stylistic choices in anime. She was also one of the youngest people to be made a director with Kyoto Animation, getting her first directing opportunity around 4 years after finishing college and starting work for the studio.<ref name="interview-naoko-yamada">{{cite web|url=https://animeuknews.net/2022/11/interview-naoko-yamada/|title=Interview: Anime Director Naoko Yamada on Science SARU and LGBTQ+ Inclusion|work=Anime UK News|date=November 4, 2022|access-date=November 4, 2022|last=Stevens|first=Josh A.}}</ref>
In 2021, she directed the [[original net animation]] (ONA) ''[[The Heike Story (anime)|The Heike Story]]'' under [[Science Saru]]. The series premiered on Japanese television in January 2022.<ref name="ann-heike-announcement">{{cite web|url=https://www.animenewsnetwork.com/news/2021-09-02/science-saru-reveals-the-heike-story-tv-anime-by-naoko-yamada/.176956|title=Science SARU Reveals ''The Heike Story'' TV Anime by Naoko Yamada|work=[[Anime News Network]]|date=September 2, 2021|access-date=September 2, 2021|last=Pineda|first=Rafael Antonio}}</ref><ref>{{cite web|url=https://www.animenewsnetwork.com/news/2021-09-15/the-heike-story-tv-anime-posts-short-video-visual-before-premiere/.177402|title=''The Heike Story'' TV Anime Posts Short Video, Visual Before Premiere|work=[[Anime News Network]]|date=September 15, 2021|access-date=October 21, 2021|last=Mateo|first=Alex}}</ref> She has won multiple awards for her work, as well as become world renowned for her stylistic choices in anime. She was also one of the youngest people to be made a director with Kyoto Animation, getting her first directing opportunity around 4 years after finishing college and starting work for the studio.<ref name="interview-naoko-yamada">{{cite web|url=https://animeuknews.net/2022/11/interview-naoko-yamada/|title=Interview: Anime Director Naoko Yamada on Science SARU and LGBTQ+ Inclusion|work=Anime UK News|date=November 4, 2022|access-date=November 4, 2022|last=Stevens|first=Josh A.}}</ref>


==Early life and education==
==Early life and education==
Yamada was born in [[Kyoto Prefecture]].<ref>{{cite news | author = 増田弘道 | date = 26 June 2012 | title = 宮崎駿氏は71歳だけど……アニメ監督の高齢化は進んでいるか?| language= ja| trans-title= Mr. Hayao Miyazaki is 71 years old ... Are animation directors getting older?| work = ITmedia | access-date = 8 April 2015 | url = http://bizmakoto.jp/makoto/articles/1206/26/news011_2.html}}</ref><ref name= noel>{{cite web | author = Noel, John | date = 14 October 2012 | title = Scotland Loves Anime 2012: Day 3, Naoko Yamada Q&A session | work = chaostangent | access-date = 8 April 2015 | url = https://chaostangent.com/2012/10/scotland-loves-anime-2012-day-3-naoko-yamada-qa-session/}}</ref><ref name="Profile" /> She enjoyed drawing as a child and would copy images from the ''[[Patlabor]]'' and ''[[Dragon Ball]]'' series.<ref name= noel /> Always showing an interest in film, Yamada would stay up late as a child just to catch what ever film might be playing in the evening slot. She showed interest in extracurricular activities as well, joining the volleyball club in primary school and the tennis and photography clubs in high school.<ref name=noel /> At the [[Kyoto University of Art and Design]],<ref>{{cite web | publisher = 京都造形芸術大学 (Kyoto Art and Design University) |language= ja| trans-title= Career+: Entering University | title= キャリタス進学 | access-date = 8 April 2015 | url = http://daigaku.shingakunavi.jp/p/school/top/top.aspx?scl_no=7584800}}</ref> she studied [[oil painting]] and was a member of the [[special effects]] club.<ref name="noel" />
Yamada was born in [[Kyoto Prefecture]].<ref>{{cite news | author = 増田弘道 | date = 26 June 2012 | title = 宮崎駿氏は71歳だけど……アニメ監督の高齢化は進んでいるか?| language= ja| trans-title= Mr. Hayao Miyazaki is 71 years old ... Are animation directors getting older?| work = ITmedia | access-date = 8 April 2015 | url = http://bizmakoto.jp/makoto/articles/1206/26/news011_2.html}}</ref><ref name= noel>{{cite web | author = Noel, John | date = 14 October 2012 | title = Scotland Loves Anime 2012: Day 3, Naoko Yamada Q&A session | work = chaostangent | access-date = 8 April 2015 | url = https://chaostangent.com/2012/10/scotland-loves-anime-2012-day-3-naoko-yamada-qa-session/}}</ref><ref name="Profile" /> She enjoyed drawing as a child and would copy images from the ''[[Patlabor]]'' and ''[[Dragon Ball]]'' series.<ref name= noel /> Always showing an interest in film, Yamada would stay up late as a child just to catch whatever film might be playing in the evening slot. She showed interest in extracurricular activities as well, joining the volleyball club in primary school and the tennis and photography clubs in high school.<ref name=noel /> At the [[Kyoto University of Art and Design]],<ref>{{cite web | publisher = 京都造形芸術大学 (Kyoto Art and Design University) |language= ja| trans-title= Career+: Entering University | title= キャリタス進学 | access-date = 8 April 2015 | url = http://daigaku.shingakunavi.jp/p/school/top/top.aspx?scl_no=7584800}}</ref> she studied [[oil painting]] and was a member of the [[special effects]] club.<ref name="noel" />


==Career==
==Career==
Yamada originally intended to work in [[film industry|film]] after graduating from university, but she decided to join [[Kyoto Animation]] after seeing an advertisement the company had posted at her school.<ref name= noel /> She first worked as an [[inbetweening|inbetweener]] for the very popular anime ''[[Inuyasha]]'' (2000-2004), which was outsourced to the studio at that time.<ref name= noel /><ref name=harding>{{cite web|title=Celebrating Kyoto Animation's Naoko Yamada's Growth as a Director|website=[[Crunchyroll]]|author=Harding, Daryl|date=29 November 2019|access-date=17 October 2021|url=https://www.crunchyroll.com/anime-feature/2019/11/28/celebrating-kyoto-animations-naoko-yamadas-growth-as-a-director}}</ref> She was eventually promoted as a [[Animator|key animator]] for TV adaptation of ''[[Air (visual novel)|Air]]'' (2005).<ref name= noel /> From there she would work as the Key Animator on a number of other shows including [[The Melancholy Of Haruhi Suzumiya|''The Melancholy of Haruhi Suzumiya'']], [[Kanon (video game)|''Kanon'']], and [[Lucky Star (manga)|''Lucky Star'']]. She would then be mentored by one of the directors already working at Kyoto Animation, Tatsuya Ishihara. When asked about his initial thoughts on Yamada, Ishihara said " I thought she was a weird subculture girl who went to an arts university."<ref>{{Cite web|last=kViN|date=2016-10-03|title=Hibike! Euphonium Movie Stage Greetings – Tatsuya Ishihara x Naoko Yamada|url=https://blog.sakugabooru.com/2016/10/03/hibike-euphonium-movie-stage-greetings-tatsuya-ishihara-naoko-yamada/|access-date=2021-12-04|website=Sakuga Blog|language=en-US}}</ref>
Yamada originally intended to work in [[film industry|film]] after graduating from university, but she decided to join [[Kyoto Animation]] after seeing an advertisement the company had posted at her school.<ref name= noel /> She first worked as an [[inbetweening|inbetweener]] for the very popular anime ''[[Inuyasha]]'' (2000-2004), which was outsourced to the studio at that time.<ref name= noel /><ref name=harding>{{cite web|title=Celebrating Kyoto Animation's Naoko Yamada's Growth as a Director|website=[[Crunchyroll]]|author=Harding, Daryl|date=29 November 2019|access-date=17 October 2021|url=https://www.crunchyroll.com/anime-feature/2019/11/28/celebrating-kyoto-animations-naoko-yamadas-growth-as-a-director}}</ref> She was eventually promoted as a [[Animator|key animator]] for a TV adaptation of ''[[Air (visual novel)|Air]]'' (2005).<ref name= noel /> From there she would work as the Key Animator on a number of other shows including [[The Melancholy Of Haruhi Suzumiya|''The Melancholy of Haruhi Suzumiya'']], [[Kanon (video game)|''Kanon'']], and [[Lucky Star (manga)|''Lucky Star'']]. She would then be mentored by one of the directors already working at Kyoto Animation, Tatsuya Ishihara. When asked about his initial thoughts on Yamada, Ishihara said " I thought she was a weird subculture girl who went to an arts university."<ref>{{Cite web|last=kViN|date=2016-10-03|title=Hibike! Euphonium Movie Stage Greetings – Tatsuya Ishihara x Naoko Yamada|url=https://blog.sakugabooru.com/2016/10/03/hibike-euphonium-movie-stage-greetings-tatsuya-ishihara-naoko-yamada/|access-date=2021-12-04|website=Sakuga Blog|language=en-US}}</ref>


Her first directorial work was for the 17th episode of the anime series ''[[Clannad (visual novel)|Clannad]]'' (2008),<ref name=harding /> though it was ''[[K-On!]]'' (2009) that marks her chief directorial debut and the development of her unique style.<ref name=noel /> The series would become successful, breaking numerous records and spurring another season in 2010 and a film in 2011, both directed by Yamada.<ref name=noel /> In 2013, she directed ''[[Tamako Market]]'', an original work which focused on the main characters change from adolescence to adult hood. The following year, she directed its sequel film, ''[[Tamako Love Story]]'', in which she won the New Face Award at the [[Japan Media Arts Festival]].<ref>{{cite news |last=Nelkin |first=Sarah |date=28 September 2014 |title=Giovanni's Island Film Wins Media Arts Award |work=Anime News Network |url=http://www.animenewsnetwork.com/news/2014-11-28/giovanni-island-film-wins-media-arts-award/.81542 |access-date=8 April 2015}}</ref> She [[storyboard]]ed the entire film herself,<ref>{{cite web | year = 2014 | title = 監督インタビュー |language= ja| trans-title= Director interview| work = Tamako Love Story official website | access-date = 8 April 2015 | url = http://tamakolovestory.com/special/interview/}}</ref> and also wrote the lyrics for the opening [[theme song]], ''Everybody Loves Somebody''.<ref>{{cite news | date = 18 March 2015 | title = マニュエラ作家陣活躍の「たまこまーけっと」歌モノベスト |trans-title= Manual of Errors Artists' ''Tamako Market'' best musical pieces| work = 音楽ナタリー | language= ja| access-date = 8 April 2015 | url = http://natalie.mu/music/news/141305}}</ref>
Her first directorial work was for the 17th episode of the anime series ''[[Clannad (visual novel)|Clannad]]'' (2008),<ref name=harding /> though it was ''[[K-On!]]'' (2009) that marks her chief directorial debut and the development of her unique style.<ref name=noel /> The series would become successful, breaking numerous records and spurring another season in 2010 and a film in 2011, both directed by Yamada.<ref name=noel /> In 2013, she directed ''[[Tamako Market]]'', an original work which focused on the main characters change from adolescence to adult hood. The following year, she directed its sequel film, ''[[Tamako Love Story]]'', in which she won the New Face Award at the [[Japan Media Arts Festival]].<ref>{{cite news |last=Nelkin |first=Sarah |date=28 September 2014 |title=Giovanni's Island Film Wins Media Arts Award |work=Anime News Network |url=http://www.animenewsnetwork.com/news/2014-11-28/giovanni-island-film-wins-media-arts-award/.81542 |access-date=8 April 2015}}</ref> She [[storyboard]]ed the entire film herself,<ref>{{cite web | year = 2014 | title = 監督インタビュー |language= ja| trans-title= Director interview| work = Tamako Love Story official website | access-date = 8 April 2015 | url = http://tamakolovestory.com/special/interview/}}</ref> and also wrote the lyrics for the opening [[theme song]], ''Everybody Loves Somebody''.<ref>{{cite news | date = 18 March 2015 | title = マニュエラ作家陣活躍の「たまこまーけっと」歌モノベスト |trans-title= Manual of Errors Artists' ''Tamako Market'' best musical pieces| work = 音楽ナタリー | language= ja| access-date = 8 April 2015 | url = http://natalie.mu/music/news/141305}}</ref>


Yamada's next project was the feature film ''[[A Silent Voice (film)|A Silent Voice]]'' (2016), an adaptation of the [[A Silent Voice (manga)|manga of the same name]]. Although it reflected on elements of bullying and physical impairment in Japan, Yamada did state that she did not want those to be the central focal point,<ref>{{Cite web |last=Doi |first=Nobuaki |date=24 October 2017 |title=INTERVIEW: Director Naoko Yamada on 'A Silent Voice,' Now in U.S. Theaters |url=https://www.cartoonbrew.com/anime/director-naoko-yamada-silent-voice-now-u-s-theaters-154199.html |website=Cartoon Brew}}</ref> but rather wanted the audience to focus on the more positive aspects of the film<ref>{{Cite web |last=Osmond |first=Andrew |date=28 September 2018 |title=Naoko Yamada interview &#124; Anime etc |url=https://anime-etc.net/107 |website=Anime etc.}}</ref> and use bullying as a means of showing Shoya's personality as a teen.<ref>{{Cite web |last=Medina |first=Nathalie |date=4 November 2017 |title='A Silent Voice' Director Talks Coming of Age Outside the Norm |url=https://www.newsweek.com/silent-voice-director-anime-movie-interview-701147 |website=[[Newsweek]]}}</ref> The film opened at #2 in the Japanese Box Office and grossed a total of ¥2.3 billion, the 19th highest-grossing film in Japan in 2016.<ref name="gross">{{cite web |last=Pineda |first=Rafael Antonio |date=December 18, 2016 |title=Top 20 Highest-Grossing Films in Japan Has 6 Anime Films |url=http://www.animenewsnetwork.com/news/2016-12-18/top-20-highest-grossing-films-in-japan-has-6-anime-films/.110076 |access-date=December 20, 2016 |work=[[Anime News Network]]}}</ref> The film also received multiple award nominations, including [[Mainichi Film Award for Best Animation Film|Best Animation Film]] in the [[Mainichi Film Awards]] and the [[Japan Academy Prize for Animation of the Year|Excellent Animation of the Year]] in the [[Japan Academy Prize (film award)|Japan Academy Prize]]. ''A Silent Voice'' is scheduled to be rereleased in North American theaters on October 12, 2022 for the film's fifth anniversary.<ref>{{Cite web |last=Lonner |first=Brenna |date=3 July 2022 |title=A Silent Voice Returns to Theaters for Anime's Fifth Anniversary |url=https://www.cbr.com/a-silent-voice-shoya-shoko-fifth-anniversary-release-movie/ |access-date=5 July 2022 |website=CBR |language=en-US}}</ref><ref>{{Cite web |last=Tan |first=Melvyn |date=2 July 2022 |title=Eleven Arts To Re-release A Silent Voice |url=https://anitrendz.net/news/2022/07/02/eleven-arts-to-re-release-a-silent-voice/ |access-date=5 July 2022 |website=Anime Trending |language=en-US}}</ref>
Yamada's next project was the feature film ''[[A Silent Voice (film)|A Silent Voice]]'' (2016), an adaptation of the [[A Silent Voice (manga)|manga of the same name]]. Although it reflected on elements of bullying and physical impairment in Japan, Yamada did state that she did not want those to be the central focal point,<ref>{{Cite web |last=Doi |first=Nobuaki |date=24 October 2017 |title=INTERVIEW: Director Naoko Yamada on 'A Silent Voice,' Now in U.S. Theaters |url=https://www.cartoonbrew.com/anime/director-naoko-yamada-silent-voice-now-u-s-theaters-154199.html |website=Cartoon Brew}}</ref> but rather wanted the audience to focus on the more positive aspects of the film<ref>{{Cite web |last=Osmond |first=Andrew |date=28 September 2018 |title=Naoko Yamada interview &#124; Anime etc |url=https://anime-etc.net/107 |website=Anime etc.}}</ref> and use bullying as a means of showing Shoya's personality as a teen.<ref>{{Cite web |last=Medina |first=Nathalie |date=4 November 2017 |title='A Silent Voice' Director Talks Coming of Age Outside the Norm |url=https://www.newsweek.com/silent-voice-director-anime-movie-interview-701147 |website=[[Newsweek]]}}</ref> The film opened at #2 in the Japanese Box Office and grossed a total of ¥2.3 billion, the 19th highest-grossing film in Japan in 2016.<ref name="gross">{{cite web |last=Pineda |first=Rafael Antonio |date=December 18, 2016 |title=Top 20 Highest-Grossing Films in Japan Has 6 Anime Films |url=http://www.animenewsnetwork.com/news/2016-12-18/top-20-highest-grossing-films-in-japan-has-6-anime-films/.110076 |access-date=December 20, 2016 |work=[[Anime News Network]]}}</ref> The film also received multiple award nominations, including [[Mainichi Film Award for Best Animation Film|Best Animation Film]] in the [[Mainichi Film Awards]] and the [[Japan Academy Prize for Animation of the Year|Excellent Animation of the Year]] in the [[Japan Academy Prize (film award)|Japan Academy Prize]]. ''A Silent Voice'' is scheduled to be re-released in North American theaters on October 12, 2022 for the film's fifth anniversary.<ref>{{Cite web |last=Lonner |first=Brenna |date=3 July 2022 |title=A Silent Voice Returns to Theaters for Anime's Fifth Anniversary |url=https://www.cbr.com/a-silent-voice-shoya-shoko-fifth-anniversary-release-movie/ |access-date=5 July 2022 |website=CBR |language=en-US}}</ref><ref>{{Cite web |last=Tan |first=Melvyn |date=2 July 2022 |title=Eleven Arts To Re-release A Silent Voice |url=https://anitrendz.net/news/2022/07/02/eleven-arts-to-re-release-a-silent-voice/ |access-date=5 July 2022 |website=Anime Trending |language=en-US}}</ref>


On July 18, 2019, [[Kyoto Animation arson attack|a man started a fire]] at the main studio of Kyoto Animation, killing 36 of Yamada's colleagues and wounding 33 others. Yamada was reported not to have been hurt in the fire.<ref>{{cite web|url=https://www.nytimes.com/2019/07/19/world/asia/japan-fire-kyoto-animation.html|title=Japan Fire Killed Mostly Women, at a Studio Known for Hiring Them|work=[[New York Times]]|author=Eimi Yamamitsu, Motoko Rich and Makiko Inoue|date=July 19, 2019|access-date=July 19, 2019}}</ref>
On July 18, 2019, [[Kyoto Animation arson attack|a man started a fire]] at the main studio of Kyoto Animation, killing 36 of Yamada's colleagues and wounding 33 others. Yamada was reported not to have been hurt in the fire.<ref>{{cite web|url=https://www.nytimes.com/2019/07/19/world/asia/japan-fire-kyoto-animation.html|title=Japan Fire Killed Mostly Women, at a Studio Known for Hiring Them|work=[[New York Times]]|author=Eimi Yamamitsu, Motoko Rich and Makiko Inoue|date=July 19, 2019|access-date=July 19, 2019}}</ref>


In 2020, Yamada departed from Kyoto Animation, and she debuted with her first work outside of her home studio. Yamada started her work on the [[original net animation]] ''[[The Heike Story]]'', at the anime studio [[Science Saru|Science SARU]], which released its first episode in September 2021.<ref name="ann-heike-announcement" />
In 2020, Yamada departed from Kyoto Animation, and she debuted with her first work outside of her home studio. Yamada started her work on the [[original net animation]] ''[[The Heike Story (anime)|The Heike Story]]'', at the anime studio [[Science Saru|Science SARU]], which released its first episode in September 2021.<ref name="ann-heike-announcement" />


== Style and themes ==
== Style and themes ==
For Yamada, the most important part of being a director is to observe people. She describes herself as a "[[Method acting|method]]" director, emphasizing the minds of the characters.<ref name="noel" /> In an interview about her work on the ''K-On!'' series, Yamada states, "It’s very important to me to treat the characters as individual people. I don’t think of them as imaginary; instead I try to come in touch with them from their perspective."<ref name=":0">{{Cite web|last=ultimatemegax|date=2015-01-31|title=Tamako Love Story/Director Naoko Yamada interview: Media Arts Festival ver|url=https://ultimatemegax.wordpress.com/2015/01/31/tamako-love-storydirector-naoko-yamada-interview-media-arts-festival-ver/|access-date=2021-12-04|website=Ultimatemegax's blog|language=en}}</ref> This desire to connect with characters' thoughts and feelings also extends to the frequent LGBTQ+ characters and themes depicted in her works, with Yamada stating that although she doesn't desire to either avoid LGBTQ+ themes or give them special treatment, she aims to depict them as a "natural course".<ref name="interview-naoko-yamada"/>
For Yamada, the most important part of being a director is to observe people. She describes herself as a "[[Method acting|method]]" director, emphasizing the minds of the characters.<ref name="noel" /> In an interview about her career at the UK premiere of "Liz and Blue Bird", Yamada states, "It’s very important to me to treat the characters as individual people. I don’t think of them as imaginary; instead I try to come in touch with them from their perspective."<ref name=":0">{{Cite web|last=ultimatemegax|date=2015-01-31|title=Tamako Love Story/Director Naoko Yamada interview: Media Arts Festival ver|url=https://ultimatemegax.wordpress.com/2015/01/31/tamako-love-storydirector-naoko-yamada-interview-media-arts-festival-ver/|access-date=2021-12-04|website=Ultimatemegax's blog|language=en}}</ref> For example, she also stated that although she doesn't desire to either avoid LGBTQ+ themes or give them special treatment, she portrays them as a "natural course".<ref name="interview-naoko-yamada"/>


Yamada's work often features low-angle shots on the legs, a stylistic choice that sets her apart from many other anime directors. When asked about this choice, she explained, "when you're nervous, you move your legs around. I think that it would be nice to express emotion like that."<ref name="harding" />
Yamada's work often features low-angle shots on the legs, a stylistic choice that sets her apart from many other anime directors. When asked about this choice, she explained, "When you're nervous, you move your legs around. I think that it would be nice to express emotion like that."<ref name="harding" />


Yamada credits the majority of her style and themes to her love of live action film. Even though she decided to work in animation, much of her shot composition and use of space is heavily influenced by film styles found in live action work.<ref name="kViN">{{Cite web|last=kViN|date=2020-07-21|title=KyoAni's Present And Future: Naoko Yamada and Haruka Fujita Interview|url=https://blog.sakugabooru.com/2020/07/21/kyoanis-present-and-future-naoko-yamada-and-haruka-fujita-interview/|access-date=2021-12-04|website=Sakuga Blog|language=en-US}}</ref> Specifically, her use of low angle shots, shallow depth of field, and varying camera movement, allows Yamada's to pull in the audience stylistically just as any live action film would.<ref name=":0" /> When it comes to how Yamada thinks about her characters, she focuses heavily on styles of communication. Yamada also focuses a lot on the color composition in each shot of her works, by using specific tones she is able to better portray the emotions the characters are going through.
Yamada credits the majority of her style and themes to her love of live action film. Even though she decided to work in animation, much of her shot composition and use of space is heavily influenced by film styles found in live action work.<ref name="kViN">{{Cite web|last=kViN|date=2020-07-21|title=KyoAni's Present And Future: Naoko Yamada and Haruka Fujita Interview|url=https://blog.sakugabooru.com/2020/07/21/kyoanis-present-and-future-naoko-yamada-and-haruka-fujita-interview/|access-date=2021-12-04|website=Sakuga Blog|language=en-US}}</ref> Specifically, her use of low angle shots, shallow depth of field, and varying camera movement, allows Yamada's to pull in the audience stylistically just as any live action film would.<ref name=":0" /> When it comes to how Yamada thinks about her characters, she focuses heavily on styles of communication. Yamada also focuses a lot on the color composition in each shot of her works, by using specific tones she can better portray the emotions the characters are going through.


While much of Yamada's work has focused on female protagonists, her work on ''A Silent Voice'' features a male protagonist. This was a difficult direction for Yamada because she had said “I love girls, so I want to depict girls from here onwards. Depicting boys is difficult. For example, I thought a lot about what to do if boys who saw the film thought a guy wouldn’t do something like that.”<ref>{{Cite web|last=kViN|date=2016-12-27|title=Koe no Katachi Comic Natalie Interview – Naoko Yamada|url=https://blog.sakugabooru.com/2016/12/27/koe-no-katachi-comic-natalie-interview-naoko-yamada/|access-date=2021-12-04|website=Sakuga Blog|language=en-US}}</ref>
While much of Yamada's work has focused on female protagonists, her work on ''A Silent Voice'' features a male protagonist. This was a difficult direction for Yamada because she had said “I love girls, so I want to depict girls from here onwards. Depicting boys is difficult. For example, I thought a lot about what to do if boys who saw the film thought a guy wouldn’t do something like that.”<ref>{{Cite web|last=kViN|date=2016-12-27|title=Koe no Katachi Comic Natalie Interview – Naoko Yamada|url=https://blog.sakugabooru.com/2016/12/27/koe-no-katachi-comic-natalie-interview-naoko-yamada/|access-date=2021-12-04|website=Sakuga Blog|language=en-US}}</ref>
Line 52: Line 50:


==Filmography==
==Filmography==
===Television series===
===Television===
*[[Air (video game)|Air]] (TV Series) (key animator - 3 episodes, 2005) (in between animator - 2 episodes, 2005)
*[[Air (video game)|Air]] (TV Series) (key animator - 3 episodes, 2005) (in between animator - 2 episodes, 2005)
*[[The Melancholy Of Haruhi Suzumiya|The Melancholy of Haruhi Suzumiya]] (key animator - 4 episodes, 2006)
*[[The Melancholy Of Haruhi Suzumiya|The Melancholy of Haruhi Suzumiya]] (key animator - 4 episodes, 2006)
Line 60: Line 58:
*[[Clannad (film)|Clannad]] (TV Series) (key animator - 27 episodes, 2008)
*[[Clannad (film)|Clannad]] (TV Series) (key animator - 27 episodes, 2008)
*''[[K-On!]]'' (director, key animator - 14 episodes, 2009)
*''[[K-On!]]'' (director, key animator - 14 episodes, 2009)
*''[[K-On!!]]'' (director - 26 episodes, 2010)
*[[Nichijou]] (animator - 13 episodes, 2011)
*[[Nichijou]] (animator - 13 episodes, 2011)
*''[[Tamako Market]]'' (2013)
*''[[Tamako Market]]'' (2013)
Line 66: Line 65:
*''[[Sound! Euphonium]]'' (2015, series unit director; with [[Tatsuya Ishihara]])
*''[[Sound! Euphonium]]'' (2015, series unit director; with [[Tatsuya Ishihara]])
*''[[Sound! Euphonium|Sound! Euphonium 2]]'' (2016, series unit director; with Tatsuya Ishihara)
*''[[Sound! Euphonium|Sound! Euphonium 2]]'' (2016, series unit director; with Tatsuya Ishihara)
*''Modern Love Tokyo'' (2022, episode 7)<ref>{{cite web |url= https://www.crank-in.net/news/111533/1|title= 榮倉奈々、前田敦子ら『モダンラブ・東京』出演 黒木華、窪田正孝は声優として参加|access-date= July 29, 2022|work= Crank-in!}}</ref>
*''[[Modern Love Tokyo]]'' (2022, episode 7)<ref>{{cite web |url= https://www.crank-in.net/news/111533/1|title= 榮倉奈々、前田敦子ら『モダンラブ・東京』出演 黒木華、窪田正孝は声優として参加|access-date= July 29, 2022|work= Crank-in!|date= 27 July 2022}}</ref>


===Films===
===Film===
*''[[K-On!|K-On! The Movie]]'' (2011)
*''[[K-On!|K-On! The Movie]]'' (2011)
*''[[Tamako Market|Tamako Love Story]]'' (2014)
*''[[Tamako Love Story]]'' (2014)
*''[[Sound! Euphonium: The Movie – Welcome to the Kitauji High School Concert Band]]'' (2016, series unit director; with Tatsuya Ishihara)
*''[[Sound! Euphonium: The Movie – Welcome to the Kitauji High School Concert Band]]'' (2016, series unit director; with Tatsuya Ishihara)
*''[[A Silent Voice (film)|A Silent Voice]]'' (2016)
*''[[A Silent Voice (film)|A Silent Voice]]'' (2016)
*''[[Sound! Euphonium: The Movie – May the Melody Reach You!]]'' (2017, series unit director; with Tatsuya Ishihara (chief director) and Taichi Ogawa)
*''[[Sound! Euphonium: The Movie – May the Melody Reach You!]]'' (2017, series unit director; with Tatsuya Ishihara (chief director) and Taichi Ogawa)
*''[[Liz and the Blue Bird]]'' (2018)
*''[[Liz and the Blue Bird]]'' (2018)
*''[[Sound! Euphonium|Sound! Euphonium: Our Promise – A Brand New Day]]'' (2019, chief unit director; with Tatsuya Ishihara)
*''[[Sound! Euphonium: The Movie Our Promise: A Brand New Day]]'' (2019, chief unit director; with Tatsuya Ishihara)
*''[[The Colors Within]]'' (2024)<ref>{{cite web|last=Pineda|first=Rafael Antonio|title=Naoko Yamada, Science Saru's Kimi no Iro Anime Film Rescheduled to 2024|url=https://www.animenewsnetwork.com/daily-briefs/2023-08-03/naoko-yamada-science-saru-kimi-no-iro-anime-film-rescheduled-to-2024/.200929|website=[[Anime News Network]]|date=August 3, 2023|access-date=August 3, 2023}}</ref>


===Original net animations===
===Original net animation===
*''[[The Heike Story]]'' (2021)<ref name="ann-heike-announcement" />
*''[[The Heike Story (anime)|The Heike Story]]'' (2021)<ref name="ann-heike-announcement" />


== Awards and nominations ==
== Awards and nominations ==
Line 132: Line 132:
*[http://www.kyotoanimation.co.jp/staff/anibaka/blog/?author=18 Official blog] {{in lang|ja}}
*[http://www.kyotoanimation.co.jp/staff/anibaka/blog/?author=18 Official blog] {{in lang|ja}}
*{{Anime News Network|people|39705}}
*{{Anime News Network|people|39705}}
*{{IMDb name|2210720}}
*[https://ultimatemegax.wordpress.com/tag/yamada/ Translated interviews with Yamada]
*[https://ultimatemegax.wordpress.com/tag/yamada/ Translated interviews with Yamada]


Line 149: Line 150:
[[Category:Women television directors]]
[[Category:Women television directors]]
[[Category:Japanese film directors]]
[[Category:Japanese film directors]]
[[Category:Japanese animated films]]
[[Category:Kyoto University of the Arts alumni]]
[[Category:Year of birth missing (living people)]]
[[Category:Year of birth missing (living people)]]
[[Category:Women animated film directors]]

Latest revision as of 20:23, 31 October 2024

Naoko Yamada
山田 尚子
BornNovember 28
Alma materKyoto University of the Arts
Occupations
  • Animator
  • director
  • storyboard artist
Years active2004–present
EmployerKyoto Animation (2004–2020)
Signature

Naoko Yamada (pronunciation) (山田 尚子, Yamada Naoko) is a Japanese animator and director. Working at Kyoto Animation, she directed the anime series K-On! (2009–2010) and Tamako Market (2013), and the anime films A Silent Voice (2016), Liz and the Blue Bird (2018) and The Colors Within (2024).

In 2021, she directed the original net animation (ONA) The Heike Story under Science Saru. The series premiered on Japanese television in January 2022.[2][3] She has won multiple awards for her work, as well as become world renowned for her stylistic choices in anime. She was also one of the youngest people to be made a director with Kyoto Animation, getting her first directing opportunity around 4 years after finishing college and starting work for the studio.[4]

Early life and education

[edit]

Yamada was born in Kyoto Prefecture.[5][6][1] She enjoyed drawing as a child and would copy images from the Patlabor and Dragon Ball series.[6] Always showing an interest in film, Yamada would stay up late as a child just to catch whatever film might be playing in the evening slot. She showed interest in extracurricular activities as well, joining the volleyball club in primary school and the tennis and photography clubs in high school.[6] At the Kyoto University of Art and Design,[7] she studied oil painting and was a member of the special effects club.[6]

Career

[edit]

Yamada originally intended to work in film after graduating from university, but she decided to join Kyoto Animation after seeing an advertisement the company had posted at her school.[6] She first worked as an inbetweener for the very popular anime Inuyasha (2000-2004), which was outsourced to the studio at that time.[6][8] She was eventually promoted as a key animator for a TV adaptation of Air (2005).[6] From there she would work as the Key Animator on a number of other shows including The Melancholy of Haruhi Suzumiya, Kanon, and Lucky Star. She would then be mentored by one of the directors already working at Kyoto Animation, Tatsuya Ishihara. When asked about his initial thoughts on Yamada, Ishihara said " I thought she was a weird subculture girl who went to an arts university."[9]

Her first directorial work was for the 17th episode of the anime series Clannad (2008),[8] though it was K-On! (2009) that marks her chief directorial debut and the development of her unique style.[6] The series would become successful, breaking numerous records and spurring another season in 2010 and a film in 2011, both directed by Yamada.[6] In 2013, she directed Tamako Market, an original work which focused on the main characters change from adolescence to adult hood. The following year, she directed its sequel film, Tamako Love Story, in which she won the New Face Award at the Japan Media Arts Festival.[10] She storyboarded the entire film herself,[11] and also wrote the lyrics for the opening theme song, Everybody Loves Somebody.[12]

Yamada's next project was the feature film A Silent Voice (2016), an adaptation of the manga of the same name. Although it reflected on elements of bullying and physical impairment in Japan, Yamada did state that she did not want those to be the central focal point,[13] but rather wanted the audience to focus on the more positive aspects of the film[14] and use bullying as a means of showing Shoya's personality as a teen.[15] The film opened at #2 in the Japanese Box Office and grossed a total of ¥2.3 billion, the 19th highest-grossing film in Japan in 2016.[16] The film also received multiple award nominations, including Best Animation Film in the Mainichi Film Awards and the Excellent Animation of the Year in the Japan Academy Prize. A Silent Voice is scheduled to be re-released in North American theaters on October 12, 2022 for the film's fifth anniversary.[17][18]

On July 18, 2019, a man started a fire at the main studio of Kyoto Animation, killing 36 of Yamada's colleagues and wounding 33 others. Yamada was reported not to have been hurt in the fire.[19]

In 2020, Yamada departed from Kyoto Animation, and she debuted with her first work outside of her home studio. Yamada started her work on the original net animation The Heike Story, at the anime studio Science SARU, which released its first episode in September 2021.[2]

Style and themes

[edit]

For Yamada, the most important part of being a director is to observe people. She describes herself as a "method" director, emphasizing the minds of the characters.[6] In an interview about her career at the UK premiere of "Liz and Blue Bird", Yamada states, "It’s very important to me to treat the characters as individual people. I don’t think of them as imaginary; instead I try to come in touch with them from their perspective."[20] For example, she also stated that although she doesn't desire to either avoid LGBTQ+ themes or give them special treatment, she portrays them as a "natural course".[4]

Yamada's work often features low-angle shots on the legs, a stylistic choice that sets her apart from many other anime directors. When asked about this choice, she explained, "When you're nervous, you move your legs around. I think that it would be nice to express emotion like that."[8]

Yamada credits the majority of her style and themes to her love of live action film. Even though she decided to work in animation, much of her shot composition and use of space is heavily influenced by film styles found in live action work.[21] Specifically, her use of low angle shots, shallow depth of field, and varying camera movement, allows Yamada's to pull in the audience stylistically just as any live action film would.[20] When it comes to how Yamada thinks about her characters, she focuses heavily on styles of communication. Yamada also focuses a lot on the color composition in each shot of her works, by using specific tones she can better portray the emotions the characters are going through.

While much of Yamada's work has focused on female protagonists, her work on A Silent Voice features a male protagonist. This was a difficult direction for Yamada because she had said “I love girls, so I want to depict girls from here onwards. Depicting boys is difficult. For example, I thought a lot about what to do if boys who saw the film thought a guy wouldn’t do something like that.”[22]

Yamada has been known to encourage her co-workers to have an enjoyable work environment, stating that "when I direct a title, I’m determined to do anything to make it great—so that everyone walks out of it thinking it was worthwhile, glad to have been involved."[21]

Filmography

[edit]

Television

[edit]

Film

[edit]

Original net animation

[edit]

Awards and nominations

[edit]
Year Title Japan Media Arts Festival Mainichi Film Awards Tokyo Anime Awards Sitges - Catalonian International Film Festival
2010
  • TV Category
  • K-On! (2009)
Winner
2011
  • TV Category
  • K-On! (2009)
Winner
2014
  • New Face Award
  • Tamako Love Story (2014)
Winner
2016
  • Best Animated Film
  • A Silent Voice (2016)
Nomination
2018
  • Best Feature-Length Film
  • Liz and the Blue Bird (2018)
Nomination

References

[edit]
  1. ^ a b 歴代受賞作品, 文化庁メディア芸術祭. "山田 尚子 | プロフィール一覧". 文化庁メディア芸術祭 歴代受賞作品 (in Japanese). Retrieved July 22, 2019.
  2. ^ a b c Pineda, Rafael Antonio (September 2, 2021). "Science SARU Reveals The Heike Story TV Anime by Naoko Yamada". Anime News Network. Retrieved September 2, 2021.
  3. ^ Mateo, Alex (September 15, 2021). "The Heike Story TV Anime Posts Short Video, Visual Before Premiere". Anime News Network. Retrieved October 21, 2021.
  4. ^ a b Stevens, Josh A. (November 4, 2022). "Interview: Anime Director Naoko Yamada on Science SARU and LGBTQ+ Inclusion". Anime UK News. Retrieved November 4, 2022.
  5. ^ 増田弘道 (26 June 2012). "宮崎駿氏は71歳だけど……アニメ監督の高齢化は進んでいるか?" [Mr. Hayao Miyazaki is 71 years old ... Are animation directors getting older?]. ITmedia (in Japanese). Retrieved 8 April 2015.
  6. ^ a b c d e f g h i j Noel, John (14 October 2012). "Scotland Loves Anime 2012: Day 3, Naoko Yamada Q&A session". chaostangent. Retrieved 8 April 2015.
  7. ^ "キャリタス進学" [Career+: Entering University] (in Japanese). 京都造形芸術大学 (Kyoto Art and Design University). Retrieved 8 April 2015.
  8. ^ a b c Harding, Daryl (29 November 2019). "Celebrating Kyoto Animation's Naoko Yamada's Growth as a Director". Crunchyroll. Retrieved 17 October 2021.
  9. ^ kViN (2016-10-03). "Hibike! Euphonium Movie Stage Greetings – Tatsuya Ishihara x Naoko Yamada". Sakuga Blog. Retrieved 2021-12-04.
  10. ^ Nelkin, Sarah (28 September 2014). "Giovanni's Island Film Wins Media Arts Award". Anime News Network. Retrieved 8 April 2015.
  11. ^ "監督インタビュー" [Director interview]. Tamako Love Story official website (in Japanese). 2014. Retrieved 8 April 2015.
  12. ^ "マニュエラ作家陣活躍の「たまこまーけっと」歌モノベスト" [Manual of Errors Artists' Tamako Market best musical pieces]. 音楽ナタリー (in Japanese). 18 March 2015. Retrieved 8 April 2015.
  13. ^ Doi, Nobuaki (24 October 2017). "INTERVIEW: Director Naoko Yamada on 'A Silent Voice,' Now in U.S. Theaters". Cartoon Brew.
  14. ^ Osmond, Andrew (28 September 2018). "Naoko Yamada interview | Anime etc". Anime etc.
  15. ^ Medina, Nathalie (4 November 2017). "'A Silent Voice' Director Talks Coming of Age Outside the Norm". Newsweek.
  16. ^ Pineda, Rafael Antonio (December 18, 2016). "Top 20 Highest-Grossing Films in Japan Has 6 Anime Films". Anime News Network. Retrieved December 20, 2016.
  17. ^ Lonner, Brenna (3 July 2022). "A Silent Voice Returns to Theaters for Anime's Fifth Anniversary". CBR. Retrieved 5 July 2022.
  18. ^ Tan, Melvyn (2 July 2022). "Eleven Arts To Re-release A Silent Voice". Anime Trending. Retrieved 5 July 2022.
  19. ^ Eimi Yamamitsu, Motoko Rich and Makiko Inoue (July 19, 2019). "Japan Fire Killed Mostly Women, at a Studio Known for Hiring Them". New York Times. Retrieved July 19, 2019.
  20. ^ a b ultimatemegax (2015-01-31). "Tamako Love Story/Director Naoko Yamada interview: Media Arts Festival ver". Ultimatemegax's blog. Retrieved 2021-12-04.
  21. ^ a b kViN (2020-07-21). "KyoAni's Present And Future: Naoko Yamada and Haruka Fujita Interview". Sakuga Blog. Retrieved 2021-12-04.
  22. ^ kViN (2016-12-27). "Koe no Katachi Comic Natalie Interview – Naoko Yamada". Sakuga Blog. Retrieved 2021-12-04.
  23. ^ "榮倉奈々、前田敦子ら『モダンラブ・東京』出演 黒木華、窪田正孝は声優として参加". Crank-in!. 27 July 2022. Retrieved July 29, 2022.
  24. ^ Pineda, Rafael Antonio (August 3, 2023). "Naoko Yamada, Science Saru's Kimi no Iro Anime Film Rescheduled to 2024". Anime News Network. Retrieved August 3, 2023.
[edit]