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{{Infobox artist
{{Infobox artist


| name = Mohammed Rasem
| name = Mohammed Racim
| image = Portrait-racim.jpg
| image = Portrait-racim.jpg
| caption = Mohammed Rasem in 1919
| caption = Mohammed Racim
| alt =
| alt =
| birth_name =
| birth_name =
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}}
}}


'''Mohammed Rasem''' ({{lang-ar|محمد راسم}}, 24 June 1896{{spaced ndash}}30 March 1975) was an [[Algeria|Algerian]] [[artist]] who founded the Algerian School for Miniature Painting with his brother, [[Omar Rasem|Omar]]. It still exists to this day.<ref name="Benjamin 2004 loc=100">{{Harvnb|Benjamin|2004|loc=100}}.</ref>
'''Mohammed Racim''' ({{langx|ar|محمد راسم}}, 24 June 1896{{spaced ndash}}30 March 1975) was an [[Algeria|Algerian]] [[artist]] who founded the Algerian School for Miniature Painting with his brother, [[Omar Racim|Omar]]. It still exists to this day.<ref name="Benjamin 2004 loc=100">{{Harvnb|Benjamin|2004|loc=100}}.</ref>


==Biography==
==Biography==
Racim was born in The Casbah of Algiers in 1896 into a distinguished family of artists of [[Turkish people|Turkish]] descent<ref name="Benjamin 2004 loc=100"/><ref name="Thornton 1985 loc=250">{{Harvnb|Thornton|1985|loc=250}}.</ref>, whose pre-colonial prosperity had been undermined by the [[French Algeria|French]] regime's confiscation of property.<ref name="Benjamin 2004 loc=100"/><ref name="Benjamin 2002 loc=59">{{Harvnb|Benjamin|2002|loc=59}}.</ref> In 1880, Racim's father had re-established a wood-carving and copper-working workshop in the [[Casbah]] of Algiers, where his brother, [[Omar Racim]], engraved decorated tombstones. The Racim family won commissions for decorating public buildings and the [[pavilions]] of [[French colonialism|French colonial exhibitions]].<ref name="Benjamin 2002 loc=60">{{Harvnb|Benjamin|2002|loc=60}}.</ref>
Racim was born in The Casbah of Algiers in 1896 into a distinguished family of artists,<ref name="Benjamin 2004 loc=100"/><ref name="Thornton 1985 loc=250">{{Harvnb|Thornton|1985|loc=250}}.</ref> whose pre-colonial prosperity had been undermined by the [[French Algeria|French]] regime's confiscation of property.<ref name="Benjamin 2004 loc=100"/><ref name="Benjamin 2002 loc=59">{{Harvnb|Benjamin|2002|loc=59}}.</ref> In 1880, Racim's father had re-established a wood-carving and copper-working workshop in the [[Casbah]] of Algiers, where his brother, [[Omar Racim]], engraved decorated tombstones. The Racim family won commissions for decorating public buildings and the [[pavilions]] of [[French colonialism|French colonial exhibitions]].<ref name="Benjamin 2002 loc=60">{{Harvnb|Benjamin|2002|loc=60}}.</ref>


His talent for drawing was recognised during his [[primary education]] when he was given work copying [[Islamic Art|Islamic decorative motifs]] for the state workshops set up by the Governor [[Charles Jonnart]]. By about 1914, Racim discovered the works of the [[Persian miniature|Persian]], [[Mughal miniature|Mughal]] and [[Andalusia]]n [[Miniature (illuminated manuscript)|miniatures]] made for the private use of the Muslim nobility.<ref name="Benjamin 2004 loc=100"/> He evolved a personal hybrid form of expression through the miniature whereby he would use traditional materials and classical [[arabesque (Islamic art)|arabesque]] and [[calligraphic]] styles, yet use them to frame figurative inserts that had some modern features. As a teenager Racim befriended [[Nasreddine Dinet]], who advised him on painting the figure and helped him obtain commissions to decorate books with calligraphic plates. Racim's main patrons were businessmen and government officials who valued his re-creation of the milieu of old Algeris.<ref name="Benjamin 2004 loc=100"/>
His talent for drawing was recognised during his [[primary education]] when he was given work copying [[Islamic Art|Islamic decorative motifs]] for the state workshops set up by the Governor [[Charles Jonnart]]. By about 1914, Racim discovered the works of the [[Persian miniature|Persian]], [[Mughal miniature|Mughal]] and [[Andalusia]]n [[Miniature (illuminated manuscript)|miniatures]] made for the private use of the Muslim nobility.<ref name="Benjamin 2004 loc=100"/> He evolved a personal hybrid form of expression through the miniature whereby he would use traditional materials and classical [[arabesque (Islamic art)|arabesque]] and [[calligraphic]] styles, yet use them to frame figurative inserts that had some modern features. [[File:Mohamed Racim.jpg|thumb|left|''Algerine qasba at night in the month of [[Ramadan]]'', by [[Mohammed Racim]] (1896-1975). Arabic inscription says: "Memory of old islamic Algeria, Night of the middle of the month of Ramadan" (Sidi Mohammed El-Sharif naighborhood)]]


As a teenager Racim befriended [[Nasreddine Dinet]], who advised him on painting the figure and helped him obtain commissions to decorate books with calligraphic plates. Racim's main patrons were businessmen and government officials who valued his re-creation of the milieu of old Algeria.<ref name="Benjamin 2004 loc=100"/>
⚫
By the late 1930s he became a major figure in [[Algerian culture]].<ref name="Benjamin 2002 loc=59"/> As with most of his work, Racim's "''Women at the Cascade''" set out an imagined past, before the arrival of the [[French Algeria|French colonizers]], when the indigenous were masters of the [[Maghreb]].<ref name="Benjamin 2004 loc=101">{{Harvnb|Benjamin|2004|loc=101}}.</ref> The people of Algeria, prior to the French arrival, appear in his works as prosperous, given to fine textiles and costumes, and the arts of music, architecture and gardening.<ref name="Benjamin 2004 loc=100"/> In fact, Roger Benjamin has argued that Racim's work could be said to wish away the presence of the foreign French settlers in his country. He celebrates a pristine Turkish city, not the industrialized port that had resulted for a century of French modernization. Nonetheless, he was not an ideologue, and recognized that his work had been enabled by the French scholarly.<ref name="Benjamin 2004 loc=105">{{Harvnb|Benjamin|2004|loc=105}}.</ref>

⚫
By the late 1930s, he became a major figure in [[Algerian culture]].<ref name="Benjamin 2002 loc=59"/> As with most of his work, Racim's "''Women at the Cascade''" set out an imagined past, before the arrival of the [[French Algeria|French colonizers]], when the indigenous were masters of the [[Maghreb]].<ref name="Benjamin 2004 loc=101">{{Harvnb|Benjamin|2004|loc=101}}.</ref> The people of Algeria, prior to the French arrival, appear in his works as prosperous, given to fine textiles and costumes, and the arts of music, architecture and gardening.<ref name="Benjamin 2004 loc=100"/> In fact, Roger Benjamin has argued that Racim's work could be said to wish away the presence of the foreign French settlers in his country. He celebrates a pristine Turkish city, not the industrialized port that had resulted for a century of French modernization. Nonetheless, he was not an ideologue, and recognized that his work had been enabled by the French scholarly.<ref name="Benjamin 2004 loc=105">{{Harvnb|Benjamin|2004|loc=105}}.</ref>


Mohammed Racim and his wife were murdered in their home on 30 March 1975. He was buried with his wife in the [[Thaalibia Cemetery]] of the [[Casbah of Algiers]].{{fact|date=June 2021}}
Mohammed Racim and his wife were murdered in their home on 30 March 1975. He was buried with his wife in the [[Thaalibia Cemetery]] of the [[Casbah of Algiers]].{{fact|date=June 2021}}

==Tribute==
On June 24, 2021, [[Google]] celebrated his 125th birthday with a [[Google Doodle]].<ref>{{cite web |url=https://doodles.google/doodle/mohammed-racims-125th-birthday/ |title=Mohammed Racim's 125th Birthday |website=Google |date=24 June 2021 }}</ref>


==References==
==References==
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[[Category:Algerian artists]]
[[Category:Algerian artists]]
[[Category:Turkish artists]]
[[Category:Turkish artists]]
[[Category:People from Algiers]]
[[Category:Artists from Algiers]]
[[Category:Orientalist painters]]
[[Category:Orientalist painters]]
[[Category:20th-century Algerian painters]]
[[Category:20th-century Algerian painters]]

Latest revision as of 18:55, 4 November 2024

Mohammed Racim
Mohammed Racim
Born24 June 1896
Algiers, Algeria
Died30 March 1975(1975-03-30) (aged 78)
Algiers, Algeria
NationalityAlgerian
Known forPainting, drawing

Mohammed Racim (Arabic: محمد راسم, 24 June 1896 – 30 March 1975) was an Algerian artist who founded the Algerian School for Miniature Painting with his brother, Omar. It still exists to this day.[1]

Biography

[edit]

Racim was born in The Casbah of Algiers in 1896 into a distinguished family of artists,[1][2] whose pre-colonial prosperity had been undermined by the French regime's confiscation of property.[1][3] In 1880, Racim's father had re-established a wood-carving and copper-working workshop in the Casbah of Algiers, where his brother, Omar Racim, engraved decorated tombstones. The Racim family won commissions for decorating public buildings and the pavilions of French colonial exhibitions.[4]

His talent for drawing was recognised during his primary education when he was given work copying Islamic decorative motifs for the state workshops set up by the Governor Charles Jonnart. By about 1914, Racim discovered the works of the Persian, Mughal and Andalusian miniatures made for the private use of the Muslim nobility.[1] He evolved a personal hybrid form of expression through the miniature whereby he would use traditional materials and classical arabesque and calligraphic styles, yet use them to frame figurative inserts that had some modern features.

Algerine qasba at night in the month of Ramadan, by Mohammed Racim (1896-1975). Arabic inscription says: "Memory of old islamic Algeria, Night of the middle of the month of Ramadan" (Sidi Mohammed El-Sharif naighborhood)

As a teenager Racim befriended Nasreddine Dinet, who advised him on painting the figure and helped him obtain commissions to decorate books with calligraphic plates. Racim's main patrons were businessmen and government officials who valued his re-creation of the milieu of old Algeria.[1]

By the late 1930s, he became a major figure in Algerian culture.[3] As with most of his work, Racim's "Women at the Cascade" set out an imagined past, before the arrival of the French colonizers, when the indigenous were masters of the Maghreb.[5] The people of Algeria, prior to the French arrival, appear in his works as prosperous, given to fine textiles and costumes, and the arts of music, architecture and gardening.[1] In fact, Roger Benjamin has argued that Racim's work could be said to wish away the presence of the foreign French settlers in his country. He celebrates a pristine Turkish city, not the industrialized port that had resulted for a century of French modernization. Nonetheless, he was not an ideologue, and recognized that his work had been enabled by the French scholarly.[6]

Mohammed Racim and his wife were murdered in their home on 30 March 1975. He was buried with his wife in the Thaalibia Cemetery of the Casbah of Algiers.[citation needed]

Tribute

[edit]

On June 24, 2021, Google celebrated his 125th birthday with a Google Doodle.[7]

References

[edit]
  1. ^ a b c d e f Benjamin 2004, 100.
  2. ^ Thornton 1985, 250.
  3. ^ a b Benjamin 2002, 59.
  4. ^ Benjamin 2002, 60.
  5. ^ Benjamin 2004, 101.
  6. ^ Benjamin 2004, 105.
  7. ^ "Mohammed Racim's 125th Birthday". Google. 24 June 2021.

Bibliography

[edit]
  • Benjamin, Roger (2002), "Colonial Tutelage to Nationalist Affirmation: Mammeri and Racim, Painters of the Maghreb", in Beaulieu, Jill; Roberts, Mary (eds.), Orientalism's Interlocutors: Painting, Architecture, Photography, Duke University Press, ISBN 0822328747.
  • Benjamin, Roger (2004), "Orientalism, modernism and indigenous identity", in Edwards, Steve; Wood, Paul (eds.), Art of the Avant-Gardes, Yale University Press, ISBN 0300102305.
  • Thornton, Lynne (1985), "Racim, Mohammed", La femme dans la peinture Orientaliste, Art Creation Realisation, ISBN 2867700116.
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