Malatily Bathhouse: Difference between revisions
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{{Short description|1973 Egyptian LGBT film by Salah Abu Seif}} |
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[[File:HammanMalatposter.jpg|right]] |
[[File:HammanMalatposter.jpg|right]] |
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'''''Malaṯily Bathhouse''''' ({{ |
'''''Malaṯily Bathhouse''''' ({{langx|ar|حمام الملاطيلي}} "Ĥamam al-Malaṯily") is a 1973 Egyptian film directed by [[Salah Abu Seif]]. The main actors are [[Shams al-Baroudi]] and [[Yusuf Shaban|Yusuf Shåban]]. It is adapted from a novel by [[Ismaeel Walieddin|Ismåeel Walieddin]]. Samar Habib, author of ''Female Homosexuality in the Middle East: Histories and Representations'', said "that the title of the film can "be easily translated" as ''Malatily Bathhouse''."<ref name=Habib120>Habib, p. [https://books.google.com/books?id=LylZ8mvsPlIC&pg=PT120 120].</ref> The opening credits of the film have the English title '''''An Egyptian Tragedy'''''. Habib said that it was "strangely translated" into ''An Egyptian Tragedy''.<ref name=Habib120/> |
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==Plot== |
==Plot== |
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| ⚫ | The beginning shows what Habib calls a "long scenic tribute" to [[Cairo]] and to the general city.<ref name=Habib120/> Habib said that the director "visually implies the polymorphous vagaries of the city in which an immoral underworld is bound to flourish.<ref>Habib, p. [https://books.google.com/books?id=LylZ8mvsPlIC&pg=PT120 120]-[https://books.google.com/books?id=LylZ8mvsPlIC&pg=PT121 121].</ref> |
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{{expand section|date=February 2013}} |
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| ⚫ | The beginning shows what Habib calls a "long scenic tribute" to [[Cairo]] and to the general city.<ref name=Habib120/> Habib said that the director "visually implies the polymorphous vagaries of the city in which an immoral underworld is bound to flourish.<ref>Habib, p. [ |
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The main character, Aĥmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, get an apartment for his parents, and obtain a law degree. He and his family are refugees from a town occupied by the [[Israeli army]], Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Aĥmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a male homosexual. Ali later has Aĥmad work as his accountant. Aĥmad eventually has sexual intercourse with Naåeema. Aĥmad finds a lack of employment opportunities and becomes associated with the bathhouse, so his original goals are not met.<ref name=Habib121/> |
The main character, Aĥmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, get an apartment for his parents, and obtain a law degree. He and his family are refugees from a town occupied by the [[Israeli army]], Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Aĥmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a male homosexual. Ali later has Aĥmad work as his accountant. Aĥmad eventually has sexual intercourse with Naåeema. Aĥmad finds a lack of employment opportunities and becomes associated with the bathhouse, so his original goals are not met.<ref name=Habib121/> |
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Habib said "There appears to be a sensitive awareness that foreign viewers of the film should not regard its content as conspiring with or approving of the morally loose behaviour<!--UK Spelling, Spelled this way in the book--> of the libertines it depicts."<ref name=Habib120/> Habib argues that this seems to depict Egyptian society in a "state of disarray" likely to be occurring during the [[Suez Crisis]]<!--Egyptian-Israeli war of 1956-->.<ref name=Habib121>Habib, p. [ |
Habib said "There appears to be a sensitive awareness that foreign viewers of the film should not regard its content as conspiring with or approving of the morally loose behaviour<!--UK Spelling, Spelled this way in the book--> of the libertines it depicts."<ref name=Habib120/> Habib argues that this seems to depict Egyptian society in a "state of disarray" likely to be occurring during the [[Suez Crisis]]<!--Egyptian-Israeli war of 1956-->.<ref name=Habib121>Habib, p. [https://books.google.com/books?id=LylZ8mvsPlIC&pg=PT121 121].</ref> |
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==Cast and characters== |
==Cast and characters== |
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{{expand section|date=February 2013}} |
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'''Aĥmad''' is the main character. |
'''Aĥmad''' is the main character. |
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One character, '''Raouf Bey''', is a male homosexual. Habib said that Raouf "subverts popular understanding of homosexuality by being unable to be brought back into the norm of heterosexual desires."<ref name=Habib120/> Raouf makes advances towards Aĥmad, who initially cannot comprehend them. He is good friends with Åli.<ref name=Habib121/> Habib wrote that Raouf is "an unsympathetic character" as he exploits men who do not willingly do homosexual acts but require him in order to make a living, and that Raouf's sexuality "initially appears" to be without emotion and only physical.<ref name=Habib122>Habib, p. [ |
One character, '''Raouf Bey''', is a male homosexual. Habib said that Raouf "subverts popular understanding of homosexuality by being unable to be brought back into the norm of heterosexual desires."<ref name=Habib120/> Raouf makes advances towards Aĥmad, who initially cannot comprehend them. He is good friends with Åli.<ref name=Habib121/> Habib wrote that Raouf is "an unsympathetic character" as he exploits men who do not willingly do homosexual acts but require him in order to make a living, and that Raouf's sexuality "initially appears" to be without emotion and only physical.<ref name=Habib122>Habib, p. [https://books.google.com/books?id=LylZ8mvsPlIC&pg=PT122 122].</ref> Habib wrote that it appears Raouf wishes to prostitute Aĥmad but in fact he truly wants Aĥmad to be his boyfriend,<ref name=Habib122123>Habib, p. [https://books.google.com/books?id=LylZ8mvsPlIC&pg=PT122 122]-[https://books.google.com/books?id=LylZ8mvsPlIC&pg=PT123 123].</ref> and while citing the works of the historian [[Jabarti]] he laments that he cannot do what he wants in the modern society despite the freedom of the past.<ref name=Habib123>Habib, p. [https://books.google.com/books?id=LylZ8mvsPlIC&pg=PT123 123].</ref> |
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'''Muålim Åli''' is the owner of the bathhouse. He gives male prostitutes to Raouf.<ref name=Habib121/> Police arrest him after Kamal commits murder.<ref name=Habib122/> |
'''Muålim Åli''' is the owner of the bathhouse. He gives male prostitutes to Raouf.<ref name=Habib121/> Police arrest him after Kamal commits murder.<ref name=Habib122/> |
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==See also== |
==See also== |
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{{Portal|Egypt|Film| |
{{Portal|Egypt|Film|LGBTQ}} |
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* [[Cinema of Egypt]] |
* [[Cinema of Egypt]] |
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* ''[[All My Life (2008 film)|All My Life]]'' |
* ''[[All My Life (2008 film)|All My Life]]'' |
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==References== |
==References== |
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* Habib, Samar. ''Female Homosexuality in the Middle East: Histories and Representations''. [[Routledge]], July 18, 2007. ISBN |
* Habib, Samar. ''Female Homosexuality in the Middle East: Histories and Representations''. [[Routledge]], July 18, 2007. {{ISBN|0415956730}}, 9780415956734. |
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==Notes== |
==Notes== |
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==External links== |
==External links== |
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* {{IMDb title|0068672}} |
* {{IMDb title|0068672}} |
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{{Salah Abu Seif}} |
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[[Category:1973 films]] |
[[Category:1973 films]] |
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[[Category:Egyptian films]] |
[[Category:Egyptian LGBTQ-related films]] |
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[[Category: |
[[Category:1973 LGBTQ-related films]] |
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[[Category:Films directed by Salah Abu Seif]] |
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[[Category:1970s Egyptian films]] |
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Latest revision as of 04:27, 5 November 2024
Malaṯily Bathhouse (Arabic: حمام الملاطيلي "Ĥamam al-Malaṯily") is a 1973 Egyptian film directed by Salah Abu Seif. The main actors are Shams al-Baroudi and Yusuf Shåban. It is adapted from a novel by Ismåeel Walieddin. Samar Habib, author of Female Homosexuality in the Middle East: Histories and Representations, said "that the title of the film can "be easily translated" as Malatily Bathhouse."[1] The opening credits of the film have the English title An Egyptian Tragedy. Habib said that it was "strangely translated" into An Egyptian Tragedy.[1]
Plot
[edit]The beginning shows what Habib calls a "long scenic tribute" to Cairo and to the general city.[1] Habib said that the director "visually implies the polymorphous vagaries of the city in which an immoral underworld is bound to flourish.[2]
The main character, Aĥmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, get an apartment for his parents, and obtain a law degree. He and his family are refugees from a town occupied by the Israeli army, Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Aĥmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a male homosexual. Ali later has Aĥmad work as his accountant. Aĥmad eventually has sexual intercourse with Naåeema. Aĥmad finds a lack of employment opportunities and becomes associated with the bathhouse, so his original goals are not met.[3]
Habib said "There appears to be a sensitive awareness that foreign viewers of the film should not regard its content as conspiring with or approving of the morally loose behaviour of the libertines it depicts."[1] Habib argues that this seems to depict Egyptian society in a "state of disarray" likely to be occurring during the Suez Crisis.[3]
Cast and characters
[edit]Aĥmad is the main character.
One character, Raouf Bey, is a male homosexual. Habib said that Raouf "subverts popular understanding of homosexuality by being unable to be brought back into the norm of heterosexual desires."[1] Raouf makes advances towards Aĥmad, who initially cannot comprehend them. He is good friends with Åli.[3] Habib wrote that Raouf is "an unsympathetic character" as he exploits men who do not willingly do homosexual acts but require him in order to make a living, and that Raouf's sexuality "initially appears" to be without emotion and only physical.[4] Habib wrote that it appears Raouf wishes to prostitute Aĥmad but in fact he truly wants Aĥmad to be his boyfriend,[5] and while citing the works of the historian Jabarti he laments that he cannot do what he wants in the modern society despite the freedom of the past.[6]
Muålim Åli is the owner of the bathhouse. He gives male prostitutes to Raouf.[3] Police arrest him after Kamal commits murder.[4]
Naåeema, a female prostitute, has her first romantic sexual relation with Ahmad.[4] She comes from a poor background and prostitutes herself in order to support herself.[3]
Kamal, a male prostitute,[3] is an employee of Åli. He murders a casino director who Habib implies is a "sugar daddy" and who is the new employer of Kamal.[4] Habib wrote that the male prostitutes are "incidental to the main plot" and all originate from desperate, impoverished backgrounds.[3]
Samir is a male prostitute. Aĥmad tells him he should find a reliable job that has respectability, and Samir responds stating that he is poor and does not have the luxury of planning for the far future.[4] Through Samir and Fatĥi, Ahmad learns that some people cannot go ahead in life through perseverance, self-education, and diligence, and that some people have to be prostitutes in order to survive.[6]
Fatĥi is another male prostitute.[3] In a conversation with Aĥmad he tells him a concept similar to that given by Samir.[6]
Mohsin is an employee of the bathhouse.[4]
See also
[edit]
References
[edit]- Habib, Samar. Female Homosexuality in the Middle East: Histories and Representations. Routledge, July 18, 2007. ISBN 0415956730, 9780415956734.