Enrique Bátiz Campbell: Difference between revisions
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{{Short description|Mexican conductor and concert pianist}} |
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[[File:Enrique Bátiz (cropped).jpg|thumb|Enrique Bátiz in 2019.]] |
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'''Enrique Bátiz Campbell''' (born May 4, 1942) is a Mexican [[conducting|conductor]] and concert [[piano|pianist]]. |
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Bátiz began piano studies at age 8 with Francisco Agea. He continued studies 10 years later with [[Gyorgy Sandor|György Sándor]]. After two years at [[Southern Methodist University]] in [[Dallas]], he became a student of [[Adele Marcus]] at the [[Juilliard School]], where he also studied conducting. In 1964, he made several national tours as a pianist, and in 1965 was a semifinalist in the [[Marguerite Long]] International Piano Competition in Paris. From 1967 to 1970, he continued his piano studies in Poland with [[Zbigniew Drzewiecki]], where he also studied orchestral conducting with [[Stanislaw Wislocki]]. In 1970, he was a finalist in the [[Ferruccio Busoni International Piano Competition]] in Italy. |
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A 1967 concert tour featured performances with the Łodz and Szczecin Philharmonics. He returned to Mexico in 1969. His debut as a conductor was in the [[Palacio de Bellas Artes]] in 1969 with the [[Xalapa Symphony Orchestra]]. In 1970, he made a series of piano recordings for the Polish and Salzburg Broadcast Companies. In April 1971, he was named director, conductor, and founder of the [[Orquesta Sinfónica del Estado de México|State of Mexico Symphony Orchestra]] (OSEM). He continued in the post until 1983. He then was music director of the [[Mexico City Philharmonic Orchestra]] from 1983 to 1989. Outside of Mexico, in 1984, Bátiz was named guest conductor of the [[Royal Philharmonic Orchestra]]. In 1990, he resumed his directorship of the OSEM, |
A 1967 concert tour featured performances with the [[Łódź Philharmonic|Łodz]] and [[Szczecin Philharmonic|Szczecin]] Philharmonics. He returned to Mexico in 1969. His debut as a conductor was in the [[Palacio de Bellas Artes]] in 1969 with the [[Xalapa Symphony Orchestra]]. In 1970, he made a series of piano recordings for the Polish and Salzburg Broadcast Companies. In April 1971, he was named director, conductor, and founder of the [[Orquesta Sinfónica del Estado de México|State of Mexico Symphony Orchestra]] (OSEM). He continued in the post until 1983. He then was music director of the [[Mexico City Philharmonic Orchestra]] from 1983 to 1989. Outside of Mexico, in 1984, Bátiz was named guest conductor of the [[Royal Philharmonic Orchestra]]. In 1990, he resumed his directorship of the OSEM, remaining until 2017; Bátiz then stood down as music director, nominally for health reasons related to Parkinson's Disease. |
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| ⚫ | He has recorded for such labels as [[EMI]] International, [[ASV Records]], [[Musical Heritage Society]], [[Naxos Records|Naxos]], [[Pickwick Records|Pickwick]], and RPO Records. He has made some 145 recordings: 58 with the State of Mexico Symphony, 41 with the Royal Philharmonic, 19 with the Mexico City Philharmonic, 12 with the [[London Philharmonic Orchestra|London Philharmonic]], nine with the [[London Symphony Orchestra|London Symphony]], three with the [[Philharmonia Orchestra|Philharmonia]], two with the [[Royal Liverpool Philharmonic]], and one with the Orchestra della Toscana. He has recorded the complete nine symphonies by [[Beethoven]], the complete pieces for orchestra by [[Joaquin Rodrigo]], [[Manuel M. Ponce]], and [[Georges Bizet]], and eight volumes of Mexican music. In 1997, Bátiz and the OSEM recorded the six symphonies and other works of [[Tchaikovsky]], the four [[Brahms]] symphonies and the four symphonies of [[Robert Schumann]]. |
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| ⚫ | Throughout his career, Bátiz has received numerous awards. These include ''La primera Presea Bienal'' in Art from the State of Mexico Confederation of Professionals, Rome's [[International Gold Mercury award]] (the first given to a Latin American artist), and the Jose Marti and Tlatelolco's Eagle medals. In 1986, Brazil awarded him the Rio Branco medal for making the first digital recording of the nine [[Bachianas Brasileiras]] by [[Heitor Villa-Lobos]]. The Mexican Union of Theatrical and Musical Broadcasters named him the most distinguished artist of the year four times (1971, 1981, 1983, and 1996). In 1991, he received the [[Mozart Medal (Mexico)|Mozart medal]] given by the Domecq Cultural Institute. In 1995, he won the “State of Mexico” Prize. In 1994, because of his contribution to the musical culture of the State of Mexico and the musical world, he received the [[Sor Juana Ines de la Cruz]] award for Arts and Letters. In recognition of his achievements, he has been declared ''Mexiquense Destacado'', or “Outstanding Mexican.” |
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| ⚫ | He has recorded for such labels as |
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| ⚫ | Throughout his career, Bátiz has received |
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In 2017, the violinist Silvia Crastan accused Bátiz of rape and sexual misconduct.<ref name="Gutierrez"/><ref>{{cite news | url=http://www.eluniversal.com.mx/cultura/musica/violinista-reconoce-cartas-enrique-batiz-quien-acusa-de-violacion| title=Violinista reconoce cartas a Enrique Bátiz, a quien acusa de violación | work=El Universal | author=Alida Piñón | date=2018-02-12 | accessdate=2018-02-25}}</ref> |
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These allegations were not proven in court, nor formal complaints presented at any court. <ref>{{cite news | url=https://www.elsoldetoluca.com.mx/local/nadie-acuso-a-batiz-ante-la-codhem-por-presunta-violacion-891859.html| title=Nadie acusó a Batiz ante la Codhen ante supuesta violación | work=El Sol de Toluca | author=Sofia San Juan | date=2018-02-09 | accessdate=2018-08-05}}</ref> In her allegations, Ms. Crastan referred that she related the sexual abuse to her then teacher, Mr. Daniel Hoexter. Reached in Zurich, Mr. Hoexter, clarified to reporters that he never heard of such accusation. He noted however, that Ms. Crastan noted: "I remember that Silvia said that she met with Enrique every now and then" after the alleged encounter. Asked to comment about this specific allegation, Mr. Hoexter noted that "one have to be very careful about these type of allegations... it has become a fashion to create these kind of stories for any public figure"<ref>{{cite news | url=http://cadenapolitica.com/2018/02/14/profesor-desmiente-version-violinista-denuncio-a-batiz-violacion/| title=Profesor desmiente version de violinista que acuso a Batiz the violación | work=Cadena Political | author=RFG | date=2018-02-14 | accessdate=2018-08-05}}</ref>. Asked to comment about this information, Ms. Crastan noted that she considered the case closed, and that in 2010 Batiz apologized to her for any misunderstanding.<ref>{{cite news | url=http://cadenapolitica.com/2018/02/14/profesor-desmiente-version-violinista-denuncio-a-batiz-violacion/| title=Profesor desmiente version de violinista que acuso a Batiz the violación | work=Cadena Political | author=RFG | date=2018-02-14 | accessdate=2018-08-05}}</ref> |
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==References== |
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{{Reflist}} |
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==External links== |
==External links== |
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[[Category:Mexican conductors (music)]] |
[[Category:Mexican conductors (music)]] |
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[[Category:Mexican male conductors (music)]] |
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[[Category:1942 births]] |
[[Category:1942 births]] |
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[[Category:Mexican classical pianists]] |
[[Category:Mexican classical pianists]] |
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[[Category:Male classical pianists]] |
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[[Category:21st-century conductors (music)]] |
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[[Category:21st-century classical pianists]] |
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[[Category:21st-century Mexican male musicians]] |
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Latest revision as of 11:26, 5 November 2024
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Enrique Bátiz Campbell (born May 4, 1942) is a Mexican conductor and concert pianist.
Bátiz began piano studies at age 8 with Francisco Agea. He continued studies 10 years later with György Sándor. After two years at Southern Methodist University in Dallas, he became a student of Adele Marcus at the Juilliard School, where he also studied conducting. In 1964, he made several national tours as a pianist, and in 1965 was a semifinalist in the Marguerite Long International Piano Competition in Paris. From 1967 to 1970, he continued his piano studies in Poland with Zbigniew Drzewiecki, where he also studied orchestral conducting with Stanislaw Wislocki. In 1970, he was a finalist in the Ferruccio Busoni International Piano Competition in Italy.
A 1967 concert tour featured performances with the Łodz and Szczecin Philharmonics. He returned to Mexico in 1969. His debut as a conductor was in the Palacio de Bellas Artes in 1969 with the Xalapa Symphony Orchestra. In 1970, he made a series of piano recordings for the Polish and Salzburg Broadcast Companies. In April 1971, he was named director, conductor, and founder of the State of Mexico Symphony Orchestra (OSEM). He continued in the post until 1983. He then was music director of the Mexico City Philharmonic Orchestra from 1983 to 1989. Outside of Mexico, in 1984, Bátiz was named guest conductor of the Royal Philharmonic Orchestra. In 1990, he resumed his directorship of the OSEM, remaining until 2017; Bátiz then stood down as music director, nominally for health reasons related to Parkinson's Disease. He has recorded for such labels as EMI International, ASV Records, Musical Heritage Society, Naxos, Pickwick, and RPO Records. He has made some 145 recordings: 58 with the State of Mexico Symphony, 41 with the Royal Philharmonic, 19 with the Mexico City Philharmonic, 12 with the London Philharmonic, nine with the London Symphony, three with the Philharmonia, two with the Royal Liverpool Philharmonic, and one with the Orchestra della Toscana. He has recorded the complete nine symphonies by Beethoven, the complete pieces for orchestra by Joaquin Rodrigo, Manuel M. Ponce, and Georges Bizet, and eight volumes of Mexican music. In 1997, Bátiz and the OSEM recorded the six symphonies and other works of Tchaikovsky, the four Brahms symphonies and the four symphonies of Robert Schumann.
Throughout his career, Bátiz has received numerous awards. These include La primera Presea Bienal in Art from the State of Mexico Confederation of Professionals, Rome's International Gold Mercury award (the first given to a Latin American artist), and the Jose Marti and Tlatelolco's Eagle medals. In 1986, Brazil awarded him the Rio Branco medal for making the first digital recording of the nine Bachianas Brasileiras by Heitor Villa-Lobos. The Mexican Union of Theatrical and Musical Broadcasters named him the most distinguished artist of the year four times (1971, 1981, 1983, and 1996). In 1991, he received the Mozart medal given by the Domecq Cultural Institute. In 1995, he won the “State of Mexico” Prize. In 1994, because of his contribution to the musical culture of the State of Mexico and the musical world, he received the Sor Juana Ines de la Cruz award for Arts and Letters. In recognition of his achievements, he has been declared Mexiquense Destacado, or “Outstanding Mexican.”
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