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{{Short description|Russian poet}}
{{unreferenced|date=August 2011}}
{{more citations needed|date=February 2022}}

{{Infobox poet
'''Anna Vasilyevna Timiryova''' ({{lang-ru|Тимирёва, Анна Васильевна}}) (July 18, 1893 [[Kislovodsk]] - January 31, 1975 [[Moscow]]) was a Russian poet. Born Anna Safonova, she was the daughter of composer [[Vasily Ilyich Safonov]]. At age 19 she married admiral Sergey Nikolayevich Timiryov, whom she divorced in 1918 to join her lover, Admiral [[Alexander Kolchak]]. After Kolchak's execution, she was arrested several times. In 1923 she married Vsevolod Kniper. She was the mother of the painter [[Vladimir Sergeyevich Timiryov]]
| name = Anna Timiryova
| native_name = Анна Васильевна Тимирёва
| native_name_lang = ru
| image = Anna Timiriova 1954.jpg
| birth_date = {{birth date|df=y|1893|07|18}}
| death_date = {{death date and age|df=y|1975|01|31|1893|07|18}}
| parents = [[Vasily Safonov]]
| children = [[Vladimir Timiryov]]
}}
[[File:Колчак, Нокс и английские офицеры восточного фронта.jpg|300px|thumb|right|Anna Timiryova and Admiral Kolchak (seated) observing military exercises in 1919.]]
'''Anna Vasilyevna Timiryova''' ({{langx|ru|Анна Васильевна Тимирёва}}; 18 July 1893 31 January 1975) was a Russian poet. Born '''Anna Safonova''', she was the daughter of composer [[Vasily Ilyich Safonov]]. At the age of 19 she married then Captain (and future Admiral) Sergey Nikolayevich Timiryov with whom she soon had a son, but whom she divorced in 1918 to join [[Alexander Kolchak]].<ref>{{cite book |last=Smele |first=Jonathan |title=Civil War in Siberia: The Anti-Bolshevik Government of Admiral Kolchak 1918–1920 |publisher=Cambridge University Press |year=1996 |isbn=0-521-57335-1 }}</ref> After Kolchak's execution in 1920, she was arrested several times and served several prison and labour camp sentences. In 1923, she married Vsevolod Kniper, a railroad engineer. She was the mother of painter [[Vladimir Sergeyevich Timiryov]].


==Early life==
==Early life==
Anna Safonova was born into the family of the musician and manager of the Conservatory of Moscow, Vassily Ilyich Safonov. Kislovodsk is a Russian spa of the kraï of [[Stavropol]] in the north of the Caucasus. Another victim of [[Communism]],{{clarify|date=February 2017}} [[Alexander Solzhenitsyn]] was also born there. At the end of the 19th century and at the beginning of the 20th century, Kislovodsk welcomed many artists, musicians and members of the [[Russian nobility]].
Anna Vasilyevna Safonova was born in [[Kislovodsk]] into the family of a musician and later the manager of the Moscow Music Conservatory, [[Vasily Safonov|Vasily Ilyich Safonov]]. Kislovodsk is a spa town in the region of [[Stavropol]] in the north of the Caucasus. (Coincidentally, Kislovodsk was also the birthplace of another critic of [[Communism]],{{clarify|date=February 2017}} [[Alexander Solzhenitsyn]].) At the end of the 19th century and at the beginning of the 20th century, Kislovodsk welcomed many artists, musicians and members of the [[Russian nobility]].


==Early life==
==Education==
In 1906, the Safonov family moved to [[St. Petersburg]], where Anna studied and graduated from the school of Princess [[Anna Obolensky]], learned drawing and painting with Zeidenberg, and also became fluent in French and German. In 1911, she married a Naval officer, Sergey Timiryov (''Сергей Тимирев'', 1875–1932). In 1914, she gave birth to a son, named Vladimir.
[[File:Timirev.jpg|thumb|Sergey Timiryov]]
In 1906, the Safonov family moved to [[St. Petersburg]], where she got a certificate of the school of the Princess [[Anna Obolensky]] and learned drawing and painting with Zeidenberg, also becoming fluent in French and German. In 1911, Anna married a Navy officer, Sergey Timiryov (''Сергей Тимирев'', 1875 - 1932). In 1914, she gave birth to a son, named Vladimir.


==Scandal==
==Affair==
In 1915, Anna met Rear-Admiral [[Alexander Kolchak]]. Although Kolchak was her husband's closest friend and commanding officer, and had a family of his own, they began a clandestine affair. In 1917, Anna openly left her husband for the Admiral.
In 1915, she was introduced to Rear Admiral [[Alexander Kolchak]]. Although Kolchak was her husband's closest friend and commanding officer, and had a family of his own, they began a clandestine affair. In 1917, Timiryova left her husband for Kolchak.


==Russian Civil War==
==Russian Civil War==
In years 1918-1919, Anna worked as a translator for the Department of the Business Service of the Council of Ministers - an agency within Kolchak's [[anti-communist]] [[government]] in [[Siberia]].
In years 1918–1919, Timiryova worked as a translator for the Department of Business Service at the Council of Ministers - an agency within Kolchak's [[anti-communist]] [[government]] in [[Siberia]].


After Kolchak was handed over to [[Bolsheviks]], Anna approached them and declared to them: "Arrest me. I cannot live without him." As a result, she was imprisoned in [[Irkutsk]] but was released after Kolchak's execution in February, 1920.
After Kolchak was handed over to [[Bolsheviks]], Timiryova approached them and declared: "Arrest me. I cannot live without him." As a result, she was imprisoned in [[Irkutsk]] but was released after Kolchak's execution in February 1920. This, however, was only the beginning of a long string of her arrests, prison and labour camp sentences, and years of internal exile.


==The GULAG archipelago==
==The Gulag archipelago==
After Kolchak’s death, Anna Timiryova was released as part of an [[amnesty]]. In June, 1920, however, she was sent to Omsk labor camp for forced labour. After being released, Timiryova appealed to local authorities for permission to join her first husband in [[Harbin]]. Her request was denied and she received an additional year of imprisonment. The third imprisonment followed in 1922, the fourth one – in 1925. Official charges read “accused of undesirable connections with foreigners and former White officers. She was sentenced to 3 more years in prison.
After Kolchak's death, Timiryova was released as part of an [[amnesty]]. In June 1920, however, she was arrested again and sent to a forced labor camp in Omsk. After being released from the camp, Timiryova appealed to the local authorities for permission to join her first husband in [[Harbin]]. Her request was denied and she received an additional year of imprisonment instead. The third imprisonment followed in 1922, the fourth one – in 1925. Official charges read "accused of undesirable connections with foreigners and former White officers." She was sentenced to 3 more years in prison.


After she was released, Timiryova married railway engineer Vladimir Kniper. But her sufferings continued. In spring 1935, she was arrested again for “concealment of the past”, and sent to a labor camp. Later, this was changed to [[internal exile]] in Vyshny Volochek and Maloyaroslavets. She earned her living by sewing, knitting and sweeping the streets. In 1938, the sixth arrest followed.
After she was released, Timiryova married a railway engineer Vladimir Kniper. But her sufferings continued. In the spring of 1935, she was arrested again for "concealment of the past", and sent to a labor camp again. Later, this sentence was changed to [[exile]] in Vyshny Volochek and Maloyaroslavets. There she earned her living by sewing, knitting and sweeping the streets. In 1938, however, she was arrested for the sixth time.{{fact|date=February 2023}}


She was released after the end of [[Second World War|WW2]]. She had no close family members left: her 24-year son, the artist [[Vladimir Timirev]] had been shot on May 17, 1938. Her husband Vladimir Kniper died from heart attack in 1942. She was still not allowed to live in Moscow, and she moved to Scherbakov (present [[Rybinsk]]) in [[Yaroslavskaya Oblast]], where she was offered a position of property manager in local drama theatre.
She was released only after the end of the [[Second World War]]. She had no close family members left: her 24 year-old son, the artist [[Vladimir Timirev]], had been shot on 17 May 1938. Her husband Vladimir Kniper died from a heart attack in 1942. She was still not allowed to live in Moscow, and she moved to Scherbakov (present [[Rybinsk]]) in [[Yaroslavskaya Oblast]], where she was offered the position of a property manager at a local drama theatre.{{fact|date=February 2023}}


At the very same time when Timiryova lived in Rybinsk, Admiral Kolchak’s niece, Olga also lived there. Several times Timiryova made attempts to meet her, but Olga refused. According to one account, she didn’t want to meet the woman who "destroyed her uncle’s family". According to another Olga was afraid of the secret police.
At the very same time as Timiryova lived in Rybinsk, Admiral Kolchak's niece, Olga, was also living there. Several times Timiryova made attempts to meet with Olga, but Olga refused. According to one account, she did not want to meet the woman who "destroyed her uncle's family". According to another, Olga was afraid of the secret police.{{citation needed|date=February 2023}}


At the end of 1949, Anna was sentenced to 9 months imprisonment in [[Yaroslavl]] and as a deported convict she was sent to [[Yeniseisk]]. Anna was said to have been denounced by her workmates – the actors of the drama theatre. They accused her of spreading [[Anti-Soviet propaganda]].
At the end of 1949, Timiryova was imprisoned for the seventh time, this time for nine months in [[Yaroslavl]], and as a deported convict she was sent to [[Yeniseisk]]. Timiryova was said to have been denounced by her coworkers (the actors at the drama theatre), who allegedly accused her of spreading [[anti-Soviet propaganda]].{{fact|date=February 2023}}


=="Khrushchev thaw"==
=="Khrushchev thaw"==
After she was released Anna returned to the Rybinsk drama theatre. She was in her 70s, but she continued working.
After Timiryova was released, she returned to the Rybinsk drama theatre. She was in her 70s, but she continued working.


Timiryova could turn her hand to anything. She was a woman of considerable talent; when she was young, she drew and painted in private studio, and while in exile, she worked as toy-painting instructor and graphic designer.
Timiryova could turn her hand to anything. She was a woman of considerable talent; when she was young, she drew and painted in private studio, and while in exile, she worked as toy-painting instructor and graphic designer.


She made beautifully carved gilded frames from paste impregnated papers covered with painter’s gold. The frames looked as if they were real. At a theatre performance, there was a huge vase on the stage. In the footlights it shone as a diamond. Actually, as theatre veterans say, Anna Vasilyevna made the vase from wire and pieces of cans.
She made beautifully carved gilded frames from paste impregnated papers covered with painter's gold. The frames looked as if they were real. At a theatre performance, there was a huge vase on the stage. In the footlights it shone as a diamond. Theatre veterans said that she made the vase from wire and pieces of cans.


Often, during the performance, Timiryova sat among the audience to note how everything looked on the stage.
Often, during the performance, Timiryova sat among the audience to note how everything looked on the stage.


Sometimes she even took part in performance, playing small parts, such as Princess Myagkaya in ''[[Anna Karenina]]''. In her letters to the loved ones she admitted "I don't like the stage and I'm bored in make-up room. I feel as a property manager, not as an actress, but it seems to me that I'm not out of the picture (it does no honour to the performing style) Please bring me a box of make-up, I can't find it here and I don't like to beg somebody for it."{{Citation needed|date=August 2011}}
"Look! How nice is this wooden gun!" she said to her nephew who stayed with her on holidays.


She was a neat, well-mannered old lady with short grey hair and bright lively eyes. Nobody in the drama theatre knew about her, or about her and Kolchak's tragic love story. But to the surprise of others, every time when the director, a respectable man of noble birth, saw Timiryova, he kissed her hand. People talked in corners about such attention devoted to the property manager.
Sometimes she even took part in performance, playing small parts, such as Princess Myagkaya in ''[[Anna Karenina]]''. In her letters to the loved ones she admitted "I don’t like the stage and I’m bored in make-up room. I feel as a property manager, not as an actress, but it seems to me that I’m not out of the picture (it does no honour to the performing style) Please bring me a box of make-up, I can’t find it here and I don’t like to beg somebody for it."{{Citation needed|date=August 2011}}


"I'm 65 and I'm in exile. Everything that happened 35 years ago is gone down in history. I have no idea who and why want that the last days of my life passed in such unbearable conditions. I ask you to put an end to it, do away with it and let me breathe and live that time which is left for me," she wrote to Premier [[Georgy Malenkov]] in 1954. But she was [[Rehabilitation (Soviet)|rehabilitated]] only in 1960.
She was neat, well-mannered old lady with short grey hair and bright lively eyes. Nobody in the drama theatre knew about her, or about her and Kolchak's tragic love story. But to the surprise of others, every time when the director, a respectable man of noble birth, saw Timiryova, he kissed her hand. People talked in corners about such attention devoted to the property manager.

"I’m 65 and I’m in exile. Everything that happened 35 years ago is gone down in history. I have no idea who and why want that the last days of my life passed in such unbearable conditions. I ask you to put an end to it, do away with it and let me breathe and live that time which is left for me," she wrote to Premier [[Georgy Malenkov]] in 1954. But Anna Vasilyevna was [[Rehabilitation (Soviet)|rehabilitated]] only in 1960.


She was then granted a small room in a communal flat on Pluschikha Street, [[Moscow]].
She was then granted a small room in a communal flat on Pluschikha Street, [[Moscow]].


After long efforts, [[Shostakovich]] and [[Oystrakh]] obtained a small pension for her (45 rubles) thanks to her father's services as a composer. Timiryova appeared in a crowd scene of Gaidai’s ‘Diamond hand’ playing the part of charwoman and in [[Sergei Bondarchuk]]’s ''[[War and Peace (film series)|War and Peace]]'', playing the part of noble old lady at [[Natasha Rostova]]’s first ball. She died on January 31, 1975.
After long efforts, [[Dmitri Shostakovich|Shostakovich]] and [[David Oistrakh|Oistrakh]] obtained a small pension for her (45 rubles) thanks to her father's services as a composer. Timiryova appeared in a crowd scene of Gaidai's 'Diamond hand' playing the part of charwoman and in [[Sergei Bondarchuk]]'s ''[[War and Peace (film series)|War and Peace]]'', playing the part of noble old lady at [[Natasha Rostova]]'s first ball. She died in Moscow on 31 January 1975.


==Poet==
==Poet==
In the years following the execution of her beloved, Anna Timiryova composed many poems dedicated to his memory.
In the years following the execution of her beloved, Timiryova composed many poems dedicated to his memory.


==In popular culture==
==In popular culture==
Anna was depicted onscreen by [[Veronica Izotova]] in the 1993 miniseries the ''[[The White Horse (series)|The White Horse]]'' and by [[Elizaveta Boyarskaya]] in ''[[The Admiral (2008 film)|the movie Admiral from 2008]]''.
Timiryova was depicted onscreen by [[Veronica Izotova]] in the 1993 miniseries ''[[The White Horse (series)|The White Horse]]'' and by [[Elizaveta Boyarskaya]] in the 2008 film ''[[The Admiral (2008 film)|The Admiral]].''<ref>{{cite journal |last=Youngblood |first=Denise J. |title=Film Review: ''The Admiral.'' |journal=Revolutionary Russia |volume=25 |issue=2 |year=2012 |pages=219–20 |doi=10.1080/09546545.2012.726783 |s2cid=219716462 }}</ref>


Veronica Izotova recalled,
Veronica Izotova recalled, <blockquote>"I put on a red make-up using a brick. My face was dirty, my sad eyes, my clothes torn, and I have to walk many hours... I wanted to play the [[The Snow Queen|Snow Queen]]. I was always more expressive and more sensitive than the average of my compatriots."</blockquote>


<blockquote>I put on a red make-up using a brick. My face was dirty, my sad eyes, my clothes torn, and I have to walk many hours... I wanted to play the [[The Snow Queen|Snow Queen]]. I was always more expressive and more sensitive than the average of my compatriots.</blockquote>
Elizaveta Boyarskaya commented, <blockquote>"She was a woman of such force, of such will, with such magnanimity... I feel an amazing resemblance to her... When I read script, I was even a bit scared: because she has the same vision of history as me. All that it can arrive at is me. And when I played Anna, I did not play, I ''was'' her. It was my epoch, my attitude regarding love.</blockquote>


Elizaveta Boyarskaya commented,
After being asked about ''[[Doctor Zhivago (film)|Doctor Zhivago]]'', she said, <blockquote>"The only thing that these two films share consists in the love which the Russian women can carry; it is a topic approached by many novels. They love up to the last drop of blood, till the most dreadful end, to the death; they are capable of leaving family and children for the love of the man which they have chosen."</blockquote>

<blockquote>She was a woman of such force, of such will, with such magnanimity... I feel an amazing resemblance to her... When I read script, I was even a bit scared: because she has the same vision of history as me. All that it can arrive at is me. And when I played Anna, I did not play, I ''was'' her. It was my epoch, my attitude regarding love.</blockquote>

After being asked about ''[[Doctor Zhivago (film)|Doctor Zhivago]]'', she said,

<blockquote>The only thing that these two films share consists in the love which the Russian women can carry; it is a topic approached by many novels. They love up to the last drop of blood, till the most dreadful end, to the death; they are capable of leaving family and children for the love of the man which they have chosen.</blockquote>


==Music==
==Music==
The main original song for the film ''Admiral'' is called Anna. She is interpreted by the Russian singer Viktoria Dayneko. The music of the song was composed by [[Igor Matvienko]] and the words were written by Anna Timiryova in memory of her lover, Admiral Kolchak.
The main original song for the film ''[[Admiral (2008 film)|Admiral]]'' is called Anna. She is interpreted by the Russian singer [[Viktoria Dayneko]]. The music of the song was composed by [[Igor Matvienko]] and the words were written by Timiryova in memory of her lover, Admiral Kolchak.

== References ==
{{Reflist}}


==External links==
==External links==
*[http://club.eomsk.ru/?gid=356&pid=84 Historical Omsk's Page on Anna Timiryova]
*[http://club.eomsk.ru/?gid=356&pid=84 Historical Omsk's Page on Anna Timiryova]

{{authority control}}


{{DEFAULTSORT:Timiryova, Anna}}
{{DEFAULTSORT:Timiryova, Anna}}
[[Category:1883 births]]
[[Category:1890s births]]
[[Category:Russian women poets]]
[[Category:Russian women poets]]
[[Category:Soviet rehabilitations]]
[[Category:Soviet rehabilitations]]

Latest revision as of 13:30, 5 November 2024

Anna Timiryova
Native name
Анна Васильевна Тимирёва
Born(1893-07-18)18 July 1893
Died31 January 1975(1975-01-31) (aged 81)
ChildrenVladimir Timiryov
ParentsVasily Safonov
Anna Timiryova and Admiral Kolchak (seated) observing military exercises in 1919.

Anna Vasilyevna Timiryova (Russian: Анна Васильевна Тимирёва; 18 July 1893 – 31 January 1975) was a Russian poet. Born Anna Safonova, she was the daughter of composer Vasily Ilyich Safonov. At the age of 19 she married then Captain (and future Admiral) Sergey Nikolayevich Timiryov with whom she soon had a son, but whom she divorced in 1918 to join Alexander Kolchak.[1] After Kolchak's execution in 1920, she was arrested several times and served several prison and labour camp sentences. In 1923, she married Vsevolod Kniper, a railroad engineer. She was the mother of painter Vladimir Sergeyevich Timiryov.

Early life

[edit]

Anna Vasilyevna Safonova was born in Kislovodsk into the family of a musician and later the manager of the Moscow Music Conservatory, Vasily Ilyich Safonov. Kislovodsk is a spa town in the region of Stavropol in the north of the Caucasus. (Coincidentally, Kislovodsk was also the birthplace of another critic of Communism,[clarification needed] Alexander Solzhenitsyn.) At the end of the 19th century and at the beginning of the 20th century, Kislovodsk welcomed many artists, musicians and members of the Russian nobility.

Education

[edit]

In 1906, the Safonov family moved to St. Petersburg, where Anna studied and graduated from the school of Princess Anna Obolensky, learned drawing and painting with Zeidenberg, and also became fluent in French and German. In 1911, she married a Naval officer, Sergey Timiryov (Сергей Тимирев, 1875–1932). In 1914, she gave birth to a son, named Vladimir.

Affair

[edit]

In 1915, she was introduced to Rear Admiral Alexander Kolchak. Although Kolchak was her husband's closest friend and commanding officer, and had a family of his own, they began a clandestine affair. In 1917, Timiryova left her husband for Kolchak.

Russian Civil War

[edit]

In years 1918–1919, Timiryova worked as a translator for the Department of Business Service at the Council of Ministers - an agency within Kolchak's anti-communist government in Siberia.

After Kolchak was handed over to Bolsheviks, Timiryova approached them and declared: "Arrest me. I cannot live without him." As a result, she was imprisoned in Irkutsk but was released after Kolchak's execution in February 1920. This, however, was only the beginning of a long string of her arrests, prison and labour camp sentences, and years of internal exile.

The Gulag archipelago

[edit]

After Kolchak's death, Timiryova was released as part of an amnesty. In June 1920, however, she was arrested again and sent to a forced labor camp in Omsk. After being released from the camp, Timiryova appealed to the local authorities for permission to join her first husband in Harbin. Her request was denied and she received an additional year of imprisonment instead. The third imprisonment followed in 1922, the fourth one – in 1925. Official charges read "accused of undesirable connections with foreigners and former White officers." She was sentenced to 3 more years in prison.

After she was released, Timiryova married a railway engineer Vladimir Kniper. But her sufferings continued. In the spring of 1935, she was arrested again for "concealment of the past", and sent to a labor camp again. Later, this sentence was changed to exile in Vyshny Volochek and Maloyaroslavets. There she earned her living by sewing, knitting and sweeping the streets. In 1938, however, she was arrested for the sixth time.[citation needed]

She was released only after the end of the Second World War. She had no close family members left: her 24 year-old son, the artist Vladimir Timirev, had been shot on 17 May 1938. Her husband Vladimir Kniper died from a heart attack in 1942. She was still not allowed to live in Moscow, and she moved to Scherbakov (present Rybinsk) in Yaroslavskaya Oblast, where she was offered the position of a property manager at a local drama theatre.[citation needed]

At the very same time as Timiryova lived in Rybinsk, Admiral Kolchak's niece, Olga, was also living there. Several times Timiryova made attempts to meet with Olga, but Olga refused. According to one account, she did not want to meet the woman who "destroyed her uncle's family". According to another, Olga was afraid of the secret police.[citation needed]

At the end of 1949, Timiryova was imprisoned for the seventh time, this time for nine months in Yaroslavl, and as a deported convict she was sent to Yeniseisk. Timiryova was said to have been denounced by her coworkers (the actors at the drama theatre), who allegedly accused her of spreading anti-Soviet propaganda.[citation needed]

"Khrushchev thaw"

[edit]

After Timiryova was released, she returned to the Rybinsk drama theatre. She was in her 70s, but she continued working.

Timiryova could turn her hand to anything. She was a woman of considerable talent; when she was young, she drew and painted in private studio, and while in exile, she worked as toy-painting instructor and graphic designer.

She made beautifully carved gilded frames from paste impregnated papers covered with painter's gold. The frames looked as if they were real. At a theatre performance, there was a huge vase on the stage. In the footlights it shone as a diamond. Theatre veterans said that she made the vase from wire and pieces of cans.

Often, during the performance, Timiryova sat among the audience to note how everything looked on the stage.

Sometimes she even took part in performance, playing small parts, such as Princess Myagkaya in Anna Karenina. In her letters to the loved ones she admitted "I don't like the stage and I'm bored in make-up room. I feel as a property manager, not as an actress, but it seems to me that I'm not out of the picture (it does no honour to the performing style) Please bring me a box of make-up, I can't find it here and I don't like to beg somebody for it."[citation needed]

She was a neat, well-mannered old lady with short grey hair and bright lively eyes. Nobody in the drama theatre knew about her, or about her and Kolchak's tragic love story. But to the surprise of others, every time when the director, a respectable man of noble birth, saw Timiryova, he kissed her hand. People talked in corners about such attention devoted to the property manager.

"I'm 65 and I'm in exile. Everything that happened 35 years ago is gone down in history. I have no idea who and why want that the last days of my life passed in such unbearable conditions. I ask you to put an end to it, do away with it and let me breathe and live that time which is left for me," she wrote to Premier Georgy Malenkov in 1954. But she was rehabilitated only in 1960.

She was then granted a small room in a communal flat on Pluschikha Street, Moscow.

After long efforts, Shostakovich and Oistrakh obtained a small pension for her (45 rubles) thanks to her father's services as a composer. Timiryova appeared in a crowd scene of Gaidai's 'Diamond hand' playing the part of charwoman and in Sergei Bondarchuk's War and Peace, playing the part of noble old lady at Natasha Rostova's first ball. She died in Moscow on 31 January 1975.

Poet

[edit]

In the years following the execution of her beloved, Timiryova composed many poems dedicated to his memory.

[edit]

Timiryova was depicted onscreen by Veronica Izotova in the 1993 miniseries The White Horse and by Elizaveta Boyarskaya in the 2008 film The Admiral.[2]

Veronica Izotova recalled,

I put on a red make-up using a brick. My face was dirty, my sad eyes, my clothes torn, and I have to walk many hours... I wanted to play the Snow Queen. I was always more expressive and more sensitive than the average of my compatriots.

Elizaveta Boyarskaya commented,

She was a woman of such force, of such will, with such magnanimity... I feel an amazing resemblance to her... When I read script, I was even a bit scared: because she has the same vision of history as me. All that it can arrive at is me. And when I played Anna, I did not play, I was her. It was my epoch, my attitude regarding love.

After being asked about Doctor Zhivago, she said,

The only thing that these two films share consists in the love which the Russian women can carry; it is a topic approached by many novels. They love up to the last drop of blood, till the most dreadful end, to the death; they are capable of leaving family and children for the love of the man which they have chosen.

Music

[edit]

The main original song for the film Admiral is called Anna. She is interpreted by the Russian singer Viktoria Dayneko. The music of the song was composed by Igor Matvienko and the words were written by Timiryova in memory of her lover, Admiral Kolchak.

References

[edit]
  1. ^ Smele, Jonathan (1996). Civil War in Siberia: The Anti-Bolshevik Government of Admiral Kolchak 1918–1920. Cambridge University Press. ISBN 0-521-57335-1.
  2. ^ Youngblood, Denise J. (2012). "Film Review: The Admiral.". Revolutionary Russia. 25 (2): 219–20. doi:10.1080/09546545.2012.726783. S2CID 219716462.
[edit]