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| title = Social Text
| title = Social Text
| cover = Socialtext.jpg
| cover = Socialtext.jpg
| editor = Anna McCarthy, Tavia Nyong’o, Neferti X.M. Tadiar
| editor = Jonathan Beller, Jayna Brown, David Sartorius
| discipline = [[Cultural studies]]
| discipline = [[Cultural studies]]
| former_names =
| former_names =
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| country = United States
| country = United States
| frequency = Quarterly
| frequency = Quarterly
| history = 1979-present
| history = 1979–present
| openaccess =
| openaccess =
| license =
| license =
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| eISSN = 1527-1951
| eISSN = 1527-1951
}}
}}
'''''Social Text''''' is an [[academic journal]] published by [[Duke University Press]]. Since its inception by an independent editorial collective in 1979, ''Social Text'' has addressed a wide range of social and cultural phenomena, covering questions of gender, sexuality, race, and the environment. Each issue covers subjects in the debates around [[feminism]], [[Marxism]], [[neoliberalism]], [[postcolonialism]], [[postmodernism]], [[queer theory]], and [[popular culture]]. The journal has since been run by different collectives over the years, mostly based at New York City universities. It has maintained an avowedly progressive political orientation and scholarship over these years, if also a less and less socialist or Marxist one. Since 1992, it is published by Duke University Press.<ref>{{cite web |url=http://linguafranca.mirror.theinfo.org/9607/mst.html|title=Mystery Science Theater |work=Lingua Franca |accessdate=2014-12-10}}</ref>
'''''Social Text''''' is a [[peer-reviewed]]<ref>{{cite web|url=https://read.dukeupress.edu/social-text/pages/About | title=About the Journal|work=Social Text|access-date=August 10, 2024}}</ref> [[academic journal]] published by [[Duke University Press]]. Since its inception by an independent editorial collective in 1979, ''Social Text'' has addressed a wide range of social and cultural phenomena, covering questions of gender, sexuality, race, and the environment. Each issue covers subjects in the debates around [[feminism]], [[Marxism]], [[neoliberalism]], [[postcolonialism]], [[postmodernism]], [[queer theory]], and [[popular culture]]. The journal has since been run by different collectives over the years, mostly based at New York City universities. It has maintained an avowedly progressive political orientation and scholarship over these years, if also a less Marxist one. Since 1992, it is published by Duke University Press.<ref name="MST">{{cite web |url=http://linguafranca.mirror.theinfo.org/9607/mst.html|title=Mystery Science Theater |work=Lingua Franca |access-date=2014-12-10}}</ref>


The journal gained notoriety in 1996 for the [[Sokal affair]], when it published a [[Nonsense|nonsensical]] article that physicist [[Alan Sokal]] had deliberately written as a hoax. The editors of the journal were in 1996 awarded the [[Ig Nobel Prize]] for literature by "eagerly publishing research that they could not understand, that the author said was meaningless, and which claimed that reality does not exist".<ref>{{cite web|url=http://www.improbable.com/ig/winners/#ig1996|title=The 1996 Ig Nobel Prize Winners |publisher=Improbable Research |accessdate= 15 April 2016}}</ref> At that time, the journal did not practice academic [[peer review]], and it did not submit the article for outside expert review by a physicist.<ref>{{cite web| url = http://www.physics.nyu.edu/faculty/sokal/transgress_v2/transgress_v2_singlefile.html| title = Transgressing the Boundaries: Towards a Transformative Hermeneutics of Quantum Gravity| accessdate=April 3, 2007| last = Sokal| first = Alan D.| date=November 28, 1994| work = [[Social Text]] #46/47 (spring/summer 1996)| publisher = [[Duke University]] Press| pages = 217–252}}</ref><ref name="MST">{{cite journal| journal = [[Lingua Franca (magazine)|Lingua Franca]]| url = http://linguafranca.mirror.theinfo.org/9607/mst.html| title = Mystery science theater| author1 = Bruce Robbins| author2 = Andrew Ross|date=July 1996}}. Reply by Alan Sokal.</ref>
The journal gained notoriety in 1996 for the [[Sokal affair]], when it published a [[Nonsense|nonsensical]] article that physicist [[Alan Sokal]] had deliberately written as a hoax. The editorial board, according to Editor Andrew Ross, published the article as a good faith attempt by Sokal, a well-known physicist, to develop a social theory of his field.<ref>{{Cite web |last=Editorial |first=Board |date=1996 |title=Response to the Sokal Affair |url=https://physics.nyu.edu/sokal/SocialText_reply_LF.pdf |access-date=September 25, 2024 |website=Physics.NYU.edu}}</ref> The editorial board asked Sokal to revise and resubmit his article, but he refused and the editors decided to publish the paper as a prominent physicist’s best attempt to develop theory.<ref>{{Cite web |title=Lingua Franca |url=http://linguafranca.mirror.theinfo.org/9607/mst.html |access-date=2024-09-25 |website=linguafranca.mirror.theinfo.org}}</ref>

The editors of the journal were awarded the 1996 [[Ig Nobel Prize]] for literature by "eagerly publishing research that they could not understand, that the author said was meaningless, and which claimed that reality does not exist".<ref>{{cite web|url=http://www.improbable.com/ig/winners/#ig1996|title=The 1996 Ig Nobel Prize Winners |date=August 2006 |publisher=Improbable Research |access-date= 15 April 2016}}</ref> The journal did not<ref>{{cite journal |title=Peer Review |journal=Social Text |date=2009 |volume=27 |issue=3 |pages=169–170 |doi=10.1215/01642472-2009-031 |url=https://read.dukeupress.edu/social-text/article-abstract/27/3%20(100)/169/33667/Peer-Review |access-date=28 April 2023}}</ref> practice academic [[peer review]], and it did not submit the article for outside expert review by a physicist.<ref>{{cite web| url = http://www.physics.nyu.edu/faculty/sokal/transgress_v2/transgress_v2_singlefile.html| title = Transgressing the Boundaries: Towards a Transformative Hermeneutics of Quantum Gravity| access-date=April 3, 2007| last = Sokal| first = Alan D.| date=November 28, 1994| work = Social Text #46/47 (spring/summer 1996)| publisher = [[Duke University]] Press| pages = 217–252}}</ref><ref name="MST"></ref> The Sokal article was not [[Retraction in academic publishing|retracted]] by the journal.


==See also==
==See also==
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[[Category:Critical theory]]
[[Category:Critical theory]]
[[Category:Duke University Press academic journals]]
[[Category:Duke University Press academic journals]]
[[Category:Publications established in 1979]]
[[Category:Academic journals established in 1979]]
[[Category:Quarterly journals]]
[[Category:Quarterly journals]]
[[Category:English-language journals]]
[[Category:English-language journals]]
[[Category:Ig Nobel laureates]]




{{cultural-studies-journal-stub}}
{{cultural-studies-journal-stub}}
{{critical-theory-stub}}

Latest revision as of 17:40, 5 November 2024

Social Text
DisciplineCultural studies
LanguageEnglish
Edited byJonathan Beller, Jayna Brown, David Sartorius
Publication details
History1979–present
Publisher
Duke University Press (United States)
FrequencyQuarterly
Standard abbreviations
ISO 4Soc. Text
Indexing
ISSN0164-2472 (print)
1527-1951 (web)
LCCN79644624
JSTOR01642472
OCLC no.423561805
Links

Social Text is a peer-reviewed[1] academic journal published by Duke University Press. Since its inception by an independent editorial collective in 1979, Social Text has addressed a wide range of social and cultural phenomena, covering questions of gender, sexuality, race, and the environment. Each issue covers subjects in the debates around feminism, Marxism, neoliberalism, postcolonialism, postmodernism, queer theory, and popular culture. The journal has since been run by different collectives over the years, mostly based at New York City universities. It has maintained an avowedly progressive political orientation and scholarship over these years, if also a less Marxist one. Since 1992, it is published by Duke University Press.[2]

The journal gained notoriety in 1996 for the Sokal affair, when it published a nonsensical article that physicist Alan Sokal had deliberately written as a hoax. The editorial board, according to Editor Andrew Ross, published the article as a good faith attempt by Sokal, a well-known physicist, to develop a social theory of his field.[3] The editorial board asked Sokal to revise and resubmit his article, but he refused and the editors decided to publish the paper as a prominent physicist’s best attempt to develop theory.[4]

The editors of the journal were awarded the 1996 Ig Nobel Prize for literature by "eagerly publishing research that they could not understand, that the author said was meaningless, and which claimed that reality does not exist".[5] The journal did not[6] practice academic peer review, and it did not submit the article for outside expert review by a physicist.[7][2] The Sokal article was not retracted by the journal.

See also

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References

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  1. ^ "About the Journal". Social Text. Retrieved August 10, 2024.
  2. ^ a b "Mystery Science Theater". Lingua Franca. Retrieved 2014-12-10.
  3. ^ Editorial, Board (1996). "Response to the Sokal Affair" (PDF). Physics.NYU.edu. Retrieved September 25, 2024.
  4. ^ "Lingua Franca". linguafranca.mirror.theinfo.org. Retrieved 2024-09-25.
  5. ^ "The 1996 Ig Nobel Prize Winners". Improbable Research. August 2006. Retrieved 15 April 2016.
  6. ^ "Peer Review". Social Text. 27 (3): 169–170. 2009. doi:10.1215/01642472-2009-031. Retrieved 28 April 2023.
  7. ^ Sokal, Alan D. (November 28, 1994). "Transgressing the Boundaries: Towards a Transformative Hermeneutics of Quantum Gravity". Social Text #46/47 (spring/summer 1996). Duke University Press. pp. 217–252. Retrieved April 3, 2007.
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