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== Work ==
== Work ==
* ''Vier Phantasiestücke'' (op.1; 1934) for piano.<ref>[https://www.worldcat.org/title/vier-fantasiestucke-op-1/oclc/488159539&referer=brief_results ''Vier Phantasiestücke''] on WorldCat</ref>
* ''Vier Phantasiestücke'' (op.1; 1934) for piano.<ref>[https://www.worldcat.org/oclc/488159539 ''Vier Phantasiestücke''] on WorldCat</ref>
*' 'Sonate a-moll''.<ref>[https://www.worldcat.org/title/sonate-a-moll-fur-klavier-zu-zwei-handen-op-2/oclc/24030992&referer=brief_results ''Sonate, A moll ... für Klavier zu zwei Händen. Op. 2.''] on WorldCat</ref> ...(op.2 1935) for piano (dedicated to August Schmid-Lindner)
* ''Sonate a-moll''.<ref>[https://www.worldcat.org/oclc/24030992 ''Sonate, A moll ... für Klavier zu zwei Händen. Op. 2.''] on WorldCat</ref> ...(op.2 1935) for piano (dedicated to August Schmid-Lindner)
* ''Vier Lieder'' (op.3 1936) with accompaniment by a small orchestra (dedicated to Hans Pfitzner). Text: ?. UA 19?? Leipzig ([[Gewandhaus]]; [[Tiana Lemnitz]] [soprano], conductor: [[Hermann Abendroth]])
* ''Vier Lieder'' (op.3 1936) with accompaniment by a small orchestra (dedicated to Hans Pfitzner). Text: ?. UA 19?? Leipzig ([[Gewandhaus]]; [[Tiana Lemnitz]] [soprano], conductor: [[Hermann Abendroth]])
* ''Lieder an die Mutter'' (op.4). Text: [[Joseph von Eichendorff]]
* ''Lieder an die Mutter'' (op.4). Text: [[Joseph von Eichendorff]]
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== Literature ==
== Literature ==
*Hans Rectanus: ''Margrit Hügel, Maria Dombrowsky und Lilo Martin – Drei Komponistinnen in Hans Pfitzners Berliner und Münchner Meisterklassen.''<ref>[https://www.worldcat.org/title/margrit-hugel-maria-dombrowsky-und-lilo-martin-drei-komponistinnen-in-hans-pfitzners-berliner-und-munchner-meisterklassen/oclc/605438620&referer=brief_results ''Margrit Hügel, Maria Dombrowsky und Lilo Martin – Drei Komponistinnen in Hans Pfitzners Berliner und Münchner Meisterklassen.''] on WorldCat</ref> In Studien zur Musikgeschichte. Festschrift für [[Ludwig Finscher]]. Kassel 1995, {{pp.|750|758}}
*Hans Rectanus: ''Margrit Hügel, Maria Dombrowsky und Lilo Martin – Drei Komponistinnen in Hans Pfitzners Berliner und Münchner Meisterklassen.''<ref>[https://www.worldcat.org/oclc/605438620 ''Margrit Hügel, Maria Dombrowsky und Lilo Martin – Drei Komponistinnen in Hans Pfitzners Berliner und Münchner Meisterklassen.''] on WorldCat</ref> In Studien zur Musikgeschichte. Festschrift für [[Ludwig Finscher]]. Kassel 1995, {{pp.|750|758}}


== References ==
== References ==
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[[Category:1908 births]]
[[Category:1908 births]]
[[Category:1986 deaths]]
[[Category:1986 deaths]]
[[Category:Musicians from Berlin]]
[[Category:Composers from Berlin]]
[[Category:20th-century classical composers]]
[[Category:20th-century German classical composers]]
[[Category:20th-century German composers]]
[[Category:German women composers]]
[[Category:German female composers]]
[[Category:20th-century German women]]
[[Category:20th-century German women]]

Latest revision as of 00:51, 6 November 2024

Lilo Martin (31 October 1908 – 9 February 1986) was a German composer.

Life

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Born in Munich, Martin studierte piano with Josef Pembaur and conducting with August Schmid-Lindner (1870–1959. Afterwards she was a composition student in the master class of Hans Pfitzner at the Hochschule für Musik und Theater München.

In 1935 she married the pianist and conductor Horand Roemer (1908-1940). In her second marriage, she was from 1943 with the painter Robert du Parc (1889-1979). With him she lived at Rubein Castle near Merano. She died there aged 77.

Work

[edit]
  • Vier Phantasiestücke (op.1; 1934) for piano.[1]
  • Sonate a-moll.[2] ...(op.2 1935) for piano (dedicated to August Schmid-Lindner)
  • Vier Lieder (op.3 1936) with accompaniment by a small orchestra (dedicated to Hans Pfitzner). Text: ?. UA 19?? Leipzig (Gewandhaus; Tiana Lemnitz [soprano], conductor: Hermann Abendroth)
  • Lieder an die Mutter (op.4). Text: Joseph von Eichendorff
1.;Es wandelt, was wir schauen (Eichendorff)

Literature

[edit]
  • Hans Rectanus: Margrit Hügel, Maria Dombrowsky und Lilo Martin – Drei Komponistinnen in Hans Pfitzners Berliner und Münchner Meisterklassen.[3] In Studien zur Musikgeschichte. Festschrift für Ludwig Finscher. Kassel 1995, pp. 750–758

References

[edit]
[edit]