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{{short description|Austrian composer, pianist and organist}}
{{short description|Austrian composer, pianist and organist (1842–1924)}}
[[File:Josef labor.jpg|thumb|Labor (c. 1875)]]
[[File:Josef labor.jpg|thumb|Labor ({{Circa|1875}})]]
'''Josef Paul Labor''' (29 June 1842 – 26 April 1924) was an [[Austrians|Austrian]] [[pianist]], [[organist]], and [[composer]] of the late [[Romantic music|Romantic]] era. Labor was an influential music teacher. As a friend of some key figures in Vienna, his importance was enhanced.
'''Josef Paul Labor''' (29 June 1842{{Snd}}26 April 1924) was an [[Austrians|Austrian]] pianist, organist, and composer of the late [[Romantic music|Romantic]] era. Labor was an influential music teacher. As a friend of some key figures in Vienna, his importance was enhanced.


==Biography==
==Biography==
Labor was born in the town of [[Hořovice]] in [[Bohemia]] to Josef Labor, an administrator of ironworks, and his wife Josefa Wallner, who came from a family of doctors.<ref>{{Cite web|url=https://www.deutsche-biographie.de/sfz47279.html|title=Labor, Josef - Deutsche Biographie|last=Deutsche Biographie|website=www.deutsche-biographie.de|accessdate=Aug 4, 2020}}</ref> Both of his parents came from Viennese families. His father belonged to the circle of Schubert-Friends and had been in his younger years a composer himself.<ref>{{cite book |last1=Kundi |first1=Paul |title=Josef Labor. Sein Leben und Wirken, sein Klavier- und Orgelwerk. Nebst thematischem Katalog sämtlicher Kompositionen |date=1963 |location=Vienna}}</ref> At the age of three, he was left [[Blindness|blind]] due to contracting [[smallpox]]. He attended the Institute for the Blind in [[Vienna]] and the ''Konservatorium der Gesellschaft der Musikfreunde'' (Conservatory of the Society of Friends of Music) where he studied [[musical composition|composition]] with [[Anton Bruckner|Bruckner]]'s teacher, [[Simon Sechter]], and [[piano]] with Eduard Pickhert.
Labor was born in the town of [[Hořovice]] in [[Bohemia]] to Josef Labor, an administrator of ironworks, and his wife Josefa Wallner, who came from a family of doctors.<ref>{{Cite web|url=https://www.deutsche-biographie.de/sfz47279.html|title=Labor, Josef - Deutsche Biographie|last=Deutsche Biographie|website=www.deutsche-biographie.de|accessdate=Aug 4, 2020}}</ref> Both of his parents came from Viennese families. His father belonged to the circle of Schubert-Friends and had been in his younger years a composer himself.<ref>{{cite book |last1=Kundi |first1=Paul |title=Josef Labor. Sein Leben und Wirken, sein Klavier- und Orgelwerk. Nebst thematischem Katalog sämtlicher Kompositionen |date=1963 |location=Vienna}}</ref> At the age of three, he was left [[Blindness|blind]] due to contracting [[smallpox]]. He attended the Institute for the Blind in [[Vienna]] and the ''Konservatorium der Gesellschaft der Musikfreunde'' (Conservatory of the Society of Friends of Music) where he studied [[musical composition|composition]] with [[Simon Sechter]] (teacher of [[Bruckner]]), and piano with {{Ill|Eduard Pirkhert|ru|Пиркхерт, Эдуард}} (student of {{Ill|Anton Halm|de}} and [[Carl Czerny|Czerny]]).<ref>{{Cite book |last=Wurzbach |first=Constant von |author-link=Constant von Wurzbach |url=https://de.wikisource.org/wiki/BLK%C3%96:Pirkhert,_Eduard |title=Biographisches Lexikon des Kaiserthums Oesterreich |year=1870 |volume=22 |location= |pages=336 |language=de}}</ref>


He toured Europe as a pianist and, in the process, formed a lasting friendship with [[George V of Hanover|King Georg V of Hanover]], who was also blind. Georg named him Royal Chamber Pianist in 1865. At Hanover he met Josef Joachim. Both men founded a lifelong friendship. The following year, Labor followed the king's exile and settled in Vienna, where Labor became a piano teacher, while continuing to compose and perform. In 1875 he took also organ lessons with Johann Evangelist Habert and became a distinguished organist himself. In 1904, Labor received the title ''Kaiserlich und Königlich Hoforganist'' (Royal and Imperial Court Organist) and is today best known for his organ works. Labor took a serious interest in early music and wrote [[Figured bass|continuo]] elaborations for [[Heinrich Ignaz Franz Biber|Heinrich Biber]]'s sonatas.
He toured Europe as a pianist and, in the process, formed lasting friendships with King [[George V of Hanover]], who was also blind, and with [[Joseph Joachim]], whom he met at Hanover. George named him Royal Chamber Pianist in 1865. The following year, Labor followed the king's exile and settled in Vienna, where he became a piano teacher, while continuing to compose and perform. In 1875 he also took organ lessons with {{Ill|Johann Evangelist Habert|de}} and became a distinguished organist himself. In 1904, Labor received the title ''Kaiserlich und Königlich Hoforganist'' (Royal and Imperial Court Organist) and is today best known for his organ works. Labor took a serious interest in early music and wrote [[Figured bass|continuo]] elaborations for [[Heinrich Biber]]'s sonatas.


Labor gave piano lessons to many notable musical personalities including [[Alma Mahler-Werfel|Alma Schindler]] (who married [[Gustav Mahler]] and others), [[Paul Wittgenstein]] and [[Arnold Schoenberg]]. Alma Schindler studied with Labor for 6 years, beginning when she was 14, and her diaries contain numerous references to her esteemed teacher.
Labor gave piano lessons to many notable musical personalities including [[Alma Schindler]] (who married [[Gustav Mahler]] and others), [[Paul Wittgenstein]], and [[Arnold Schoenberg]]. Alma Schindler studied with Labor for six years, beginning when she was 14, and her diaries contain numerous references to her esteemed teacher.


Labor was very close to Paul Wittgenstein's family. He attended many musical evenings at the Wittgenstein home with such Viennese musicians of the day as [[Johannes Brahms]], [[Clara Schumann]], [[Gustav Mahler]], [[Bruno Walter]], and [[Richard Strauss]]. As a compositional teacher he gave private lections to Julius Bittner and Rudolf Braun.
Labor was very close to Paul Wittgenstein's family. He attended many musical evenings at the Wittgenstein home with such Viennese musicians of the day as [[Johannes Brahms]], [[Clara Schumann]], Gustav Mahler, [[Bruno Walter]], and [[Richard Strauss]]. As a compositional teacher he gave private lessons to [[Julius Bittner]] and [[Rudolf Braun]].


When Paul Wittgenstein lost his right arm in [[World War I]], Josef Labor was the first person he asked to write a piece for piano left hand. Wittgenstein later commissioned works for the left hand from other composers including Strauss, [[Maurice Ravel]], [[Benjamin Britten]], [[Sergei Prokofiev]], and [[Franz Schmidt (composer)|Franz Schmidt]] (the finale of Schmidt's A major Clarinet Quintet – the last of his Wittgenstein commissions – is a set of variations on a theme by Labor from Labor's own clarinet and piano quintet, his Op. 11 published in 1901).
When Paul Wittgenstein lost his right arm in [[World War I]], Josef Labor was the first person he asked to write a piece for piano left hand. They settled on a concerto for piano left hand and orchestra, something for which there was no precedent.<ref>Alexander Waugh, ''The House of Wittgenstein: A Family at War'', 2008, ch. 27 'A Glimmer of Hope'</ref>{{Efn|[[Géza Zichy]] had actually written a [[List of works for piano left-hand and orchestra|Piano Concerto in E-flat for left hand]] in 1895, but Labor had probably not written ''his'' concerto with Zichy's in mind.}} The ground-breaking work was premiered on 12 December 1916 in the [[Musikverein]], Vienna, with the [[Wiener Tonkünstler-Orchester]] conducted by [[Oskar Nedbal]].<ref>Waugh, ch. 33, 'Paul's One-Handed Debut'</ref> Wittgenstein later commissioned works for the left hand from other composers including Strauss, [[Erich Wolfgang Korngold]], [[Maurice Ravel]], [[Sergei Prokofiev]], [[Benjamin Britten]], and [[Franz Schmidt (composer)|Franz Schmidt]] (the finale of Schmidt's A major Clarinet Quintet{{Snd}}the last of his Wittgenstein commissions{{Snd}}is a set of variations on a theme from Labor's own clarinet and piano quintet, Op. 11, published in 1901).


Paul's brother, the philosopher and writer [[Ludwig Wittgenstein]], praised Josef Labor as one of "the six truly great composers" along with [[Wolfgang Amadeus Mozart|Mozart]], [[Joseph Haydn|Haydn]], [[Ludwig van Beethoven|Beethoven]], [[Franz Schubert|Schubert]], and [[Johannes Brahms|Brahms]].<ref>{{cite book |last1=Wright |first1=James K. |title=Schoenberg, Wittgenstein and the Vienna Circle |date=2007 |publisher=Peter Lang |location=Bern |isbn=9783039112876 |page=66 |edition=2nd}}</ref>
Paul's brother, the philosopher and writer [[Ludwig Wittgenstein]], praised Josef Labor as one of "the six truly great composers" along with [[Wolfgang Amadeus Mozart|Mozart]], [[Joseph Haydn|Haydn]], [[Ludwig van Beethoven|Beethoven]], [[Franz Schubert|Schubert]], and Brahms.<ref>{{cite book |last1=Wright |first1=James K. |title=Schoenberg, Wittgenstein and the Vienna Circle |date=2007 |publisher=Peter Lang |location=Bern |isbn=9783039112876 |page=66 |edition=2nd}}</ref>


==Selected works==
==Selected works==
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*Klavierquartett Nr. 0 B-Dur (1874)
*Klavierquartett Nr. 0 B-Dur (1874)
*Streichquartett C-Dur (1888)
*Streichquartett C-Dur (1888)
*Thema, Variationen und Fuge über eine schottische Tanzweise (Sir Roger de Coverley) für Orchester (1899)
*Thema, Variationen und Fuge über eine schottische Tanzweise (Sir Roger de Coverley) für Orchester (1899)
*Big Ben Capriccio für 2 Klaviere (1901)
*Big Ben Capriccio für 2 Klaviere (1901)
*"Edward" – Ballade für Gesang und Klavier (1903)
*"Edward" – Ballade für Gesang und Klavier (1903)
Line 52: Line 52:
*Divertimento/Serenade für Flöte, Oboe, Viola, Cello, Klavier (linke Hand) (1923)
*Divertimento/Serenade für Flöte, Oboe, Viola, Cello, Klavier (linke Hand) (1923)
*Konzertstück III für Klavier (linke Hand) und Orchester (1923)
*Konzertstück III für Klavier (linke Hand) und Orchester (1923)

== Notes ==
{{Notelist}}


==References==
==References==
{{Reflist}}
{{Reflist}}

===Sources===
===Sources===
*Program notes by Bonnie H. Campbell for the Cedille Records "Twilight of the Romantics: Chamber Music by Walter Rabl and Josef Labor" (CD 90000 088)
*Program notes by Bonnie H. Campbell for the Cedille Records "Twilight of the Romantics: Chamber Music by Walter Rabl and Josef Labor" (CD 90000 088)
Line 61: Line 63:


==External links==
==External links==
* {{IMSLP|id=Labor, Josef}}
*{{IMSLP|id=Labor, Josef}}
* [http://www.editionsilvertrust.com/labor-piano-quintet-op11.htm Josef Labor Quintet for Piano, Clarinet, Violin, Viola and Cello, Op.11 Soundbites and discussion of work]
*[http://www.editionsilvertrust.com/labor-piano-quintet-op11.htm Josef Labor Quintet for Piano, Clarinet, Violin, Viola and Cello, Op.11 Soundbites and discussion of work]

{{Authority control}}
{{Authority control}}


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[[Category:1842 births]]
[[Category:1842 births]]
[[Category:1924 deaths]]
[[Category:1924 deaths]]
[[Category:19th-century classical composers]]
[[Category:People from Hořovice]]
[[Category:20th-century classical composers]]
[[Category:19th-century Austrian classical composers]]
[[Category:20th-century Austrian classical composers]]
⚫
[[Category:Composers from Austria-Hungary]]
[[Category:Organists from Austria-Hungary]]
[[Category:Pianists from Austria-Hungary]]
[[Category:Blind classical musicians]]
[[Category:Blind classical musicians]]
[[Category:Male classical composers]]
[[Category:Austrian male classical composers]]
[[Category:Austrian classical organists]]
[[Category:Austrian classical organists]]
[[Category:Male classical organists]]
[[Category:Male classical organists]]
[[Category:Austrian classical pianists]]
[[Category:Austrian classical pianists]]
[[Category:Male classical pianists]]
[[Category:Austrian male classical pianists]]
⚫
[[Category:People from Beroun District]]
[[Category:Austrian Romantic composers]]
[[Category:Austrian Romantic composers]]
[[Category:19th-century classical pianists]]
[[Category:19th-century classical pianists]]
[[Category:20th-century male musicians]]
[[Category:20th-century Austrian male musicians]]
[[Category:19th-century male musicians]]
[[Category:19th-century Austrian male musicians]]

Latest revision as of 00:47, 7 November 2024

Labor (c. 1875)

Josef Paul Labor (29 June 1842 – 26 April 1924) was an Austrian pianist, organist, and composer of the late Romantic era. Labor was an influential music teacher. As a friend of some key figures in Vienna, his importance was enhanced.

Biography

[edit]

Labor was born in the town of Hořovice in Bohemia to Josef Labor, an administrator of ironworks, and his wife Josefa Wallner, who came from a family of doctors.[1] Both of his parents came from Viennese families. His father belonged to the circle of Schubert-Friends and had been in his younger years a composer himself.[2] At the age of three, he was left blind due to contracting smallpox. He attended the Institute for the Blind in Vienna and the Konservatorium der Gesellschaft der Musikfreunde (Conservatory of the Society of Friends of Music) where he studied composition with Simon Sechter (teacher of Bruckner), and piano with Eduard Pirkhert [ru] (student of Anton Halm [de] and Czerny).[3]

He toured Europe as a pianist and, in the process, formed lasting friendships with King George V of Hanover, who was also blind, and with Joseph Joachim, whom he met at Hanover. George named him Royal Chamber Pianist in 1865. The following year, Labor followed the king's exile and settled in Vienna, where he became a piano teacher, while continuing to compose and perform. In 1875 he also took organ lessons with Johann Evangelist Habert [de] and became a distinguished organist himself. In 1904, Labor received the title Kaiserlich und Königlich Hoforganist (Royal and Imperial Court Organist) and is today best known for his organ works. Labor took a serious interest in early music and wrote continuo elaborations for Heinrich Biber's sonatas.

Labor gave piano lessons to many notable musical personalities including Alma Schindler (who married Gustav Mahler and others), Paul Wittgenstein, and Arnold Schoenberg. Alma Schindler studied with Labor for six years, beginning when she was 14, and her diaries contain numerous references to her esteemed teacher.

Labor was very close to Paul Wittgenstein's family. He attended many musical evenings at the Wittgenstein home with such Viennese musicians of the day as Johannes Brahms, Clara Schumann, Gustav Mahler, Bruno Walter, and Richard Strauss. As a compositional teacher he gave private lessons to Julius Bittner and Rudolf Braun.

When Paul Wittgenstein lost his right arm in World War I, Josef Labor was the first person he asked to write a piece for piano left hand. They settled on a concerto for piano left hand and orchestra, something for which there was no precedent.[4][a] The ground-breaking work was premiered on 12 December 1916 in the Musikverein, Vienna, with the Wiener Tonkünstler-Orchester conducted by Oskar Nedbal.[5] Wittgenstein later commissioned works for the left hand from other composers including Strauss, Erich Wolfgang Korngold, Maurice Ravel, Sergei Prokofiev, Benjamin Britten, and Franz Schmidt (the finale of Schmidt's A major Clarinet Quintet – the last of his Wittgenstein commissions – is a set of variations on a theme from Labor's own clarinet and piano quintet, Op. 11, published in 1901).

Paul's brother, the philosopher and writer Ludwig Wittgenstein, praised Josef Labor as one of "the six truly great composers" along with Mozart, Haydn, Beethoven, Schubert, and Brahms.[6]

Selected works

[edit]
  • Phantasie über ein Originalthema für 2 Klaviere op 1 (1868)
  • Scherzo in Canonform für 2 Klaviere op 2 (1880)
  • Quintett für Klavier, Violine, Viola, Violoncello und Kontrabass op 3 (1880)
  • Variationen und Fuge über ein Thema von Czerny für Klavier (1890)
  • Sonate für Violine und Klavier op. 5 (1892)
  • Klavierquartett Nr. 1 C-Dur op. 6 (1893)
  • Sonate für Violoncello und Klavier A-Dur op. 7 (1895)
  • Fünf Klavierstücke op 8 (1897)
  • Phantasie für Orgel über die österreichische Volkshymne op 9 (1898)
  • Thema und Variationen für Horn oder Violoncello und Klavier op. 10 (1896)
  • Quintett für Klarinette, Violine, Viola, Violoncello und Pianoforte op. 11 (1900)
  • Orgel-Phantasie e-moll für zwei Spieler op 12 (1903)
  • 2 Improvisationen (Benedicamus domino; Ite missa est) op 13 (?, Print 1912)
  • Choralvorspiel über "Wer nur den lieben Gott läßt walten" für Harmonium op 14 (1903)
  • Orgelsonate h-moll op. 15 (?, Print 1912)
  • Pater noster, Chor, Orgel, Streichorchester op 16 (1876, Print 1912)
  • Klavierquartett Nr. 0 B-Dur (1874)
  • Streichquartett C-Dur (1888)
  • Thema, Variationen und Fuge über eine schottische Tanzweise (Sir Roger de Coverley) für Orchester (1899)
  • Big Ben Capriccio für 2 Klaviere (1901)
  • "Edward" – Ballade für Gesang und Klavier (1903)
  • Konzert für Violine und Orchester G-Dur (1905)
  • 17 Praeludien über Intonationen der wichtigsten Choral-Offertorien nach der Editio Vaticana 1908 (1910)
  • 6 Kanons für Frauenstimmen (1912)
  • 3 Klavierstücke (1912)
  • 3 Lieder für gemischten Chor (1912)
  • 3 Interludes für Orgel 1914)
  • 2. Sonate A-Dur für Klavier und Violine (1914)
  • Konzertstück I für Klavier (linke Hand) und Orchester (1915)
  • Konzertstück II für Klavier (linke Hand) und Orchester (1916)
  • 3. Sonate E-Dur für Klavier (linke Hand) und Violine (1916)
  • Klavierquartett Nr. 2 c-moll (1916) (linke Hand)
  • Quintett für Oboe, Klarinette, Horn. Fagott und Klavier (linke Hand) (1921)
  • Divertimento/Serenade für Flöte, Oboe, Viola, Cello, Klavier (linke Hand) (1923)
  • Konzertstück III für Klavier (linke Hand) und Orchester (1923)

Notes

[edit]
  1. ^ Géza Zichy had actually written a Piano Concerto in E-flat for left hand in 1895, but Labor had probably not written his concerto with Zichy's in mind.

References

[edit]
  1. ^ Deutsche Biographie. "Labor, Josef - Deutsche Biographie". www.deutsche-biographie.de. Retrieved Aug 4, 2020.
  2. ^ Kundi, Paul (1963). Josef Labor. Sein Leben und Wirken, sein Klavier- und Orgelwerk. Nebst thematischem Katalog sämtlicher Kompositionen. Vienna.{{cite book}}: CS1 maint: location missing publisher (link)
  3. ^ Wurzbach, Constant von (1870). Biographisches Lexikon des Kaiserthums Oesterreich (in German). Vol. 22. p. 336.
  4. ^ Alexander Waugh, The House of Wittgenstein: A Family at War, 2008, ch. 27 'A Glimmer of Hope'
  5. ^ Waugh, ch. 33, 'Paul's One-Handed Debut'
  6. ^ Wright, James K. (2007). Schoenberg, Wittgenstein and the Vienna Circle (2nd ed.). Bern: Peter Lang. p. 66. ISBN 9783039112876.

Sources

[edit]
[edit]
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