Tarasara Upanishad: Difference between revisions

Tarasara Upanishad
Tarasara Upanishad
	The text discusses major characters in the epic Ramayana with Rama as Narayana (Vishnu)
Devanagari	तारसार
IAST	Tārasāra
Title means	Essence of mystical syllables
Date	Medieval
Type	Mantra
Linked Veda	Shukla Yajurveda
Chapters	3
Philosophy	Vaishnavism

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The Tarasara Upanishad (Sanskrit: तारसार उपनिषत्, IAST: Tārasāra Upaniṣad) is a minor Upanishad of Hinduism. This Sanskrit text is classified as one of 14 Vaishnava Upanishads,^[3] and a Mantra Upanishad.^[2] It is one of the 19 Upanishads attached to the Shukla Yajurveda.^[4]^[3]

The text is notable for its discussion of Om for yogic meditation as Taraka or that which helps one cross from mundane into spiritual world.^[5] It is one of the texts which mentions the "Om Namo Narayana" mantra of Vaishnavism.^[5] The Upanishad discusses the Om mantra, and integrates into its sound, the central characters of the epic Ramayana such as Rama, Sita, Lakshmana, Hanuman, Bharata, Shatrughna and Jambavan.^[6] It also asserts that Hanuman is a manifestation of Shiva.^[6]

History

The date or author of Tarasara Upanishad is unknown. The first chapter of this Upanishad is identical with the influential and ancient Jabala Upanishad.^[7] Thereafter the text of both Upanishads are different.^[7]

The Tarasara Upanishad, according to Deussen, incorporates partly an elaborated text from sections 5 and 6 of the Ramottaratapaniya Upanishad.^[8] The text assumes the existence of Ramottaratapaniya Upanishad, suggesting a relative chronology. Instead of a mantra focussed entirely on King Rama as in Ramottaratapaniya, the Tarasara text incorporates the mantra "Om Namo Narayanaya", as a 'tarakam' meaning "deliverer."^[8]

Manuscripts of this text are also found titled as Tarasaropanisad.^[9]^[7] In the Telugu language anthology of 108 Upanishads of the Muktika canon, narrated by Rama to Hanuman, it is listed at number 91.^[10] It appears in the collection of Upanishads under the title "Oupanekhat", put together by Sultan Mohammed Dara Shikhoh in 1656, consisting of a Persian translation of 50 Upanishads and who prefaced it as the best book on religion, the Tarasara or Taraka Upanishad is listed at number 46 as “Tark”.^[11] Dara Shikoh's collection was in the same order as found in Upanishad anthologies popular in north India. But it does not find mention in the 52 Upanishads version of Colebrooke ^[12] or in compilation of Upanishads by Narayana – an Indian scholar who lived sometime after the 14th-century CE, and republished in the modern era as the Bibliothica Indica edition.^[13]

Just like the Jabala Upanishad,^[15]^[16] the chapter 1 of the Upanishad, is structured as a conversation between Brihaspati and Yajnavalkya. The latter states that true Kurukshetra is Avimuktam – a place that Shiva never left and a part of Varanasi (Banaras).^[17]^[18] This place, recommends the text, is for all those renouncers who after having wandered places, can stay in.^[19] This is the place, asserts the Upanishad, where Rudra imparts the moksha knowledge just when the last vital breaths of the dying are departing, leading one to videhamukti.^[4]^[18] This place is a spiritual seat of all living beings (holy), asserts the text, a place to revere and not leave.^[4]

The Upanishad thereafter glorifies Narayana, by stating that "Om Namo Narayana" is the means to cross from mundane world into spiritual world (Taraka).^[4] Om in this mantra is Atman (self, soul) asserts the text, Namah represents Prakriti (nature, changing reality), and Narayana is the nature of Parabrahman (supreme Brahman).^[4]

The text further describes how the sound fragments of the mantra "Om Namo Narayanaya" includes Brahma, Vishnu, Rudra, Ishvara, all of the universe, Purusha, Bhagavan and Param-atman (supreme self).^[5] Om is also the indestructible, unchanging reality (Brahman), states the text, which alone ought to be worshipped.^[14] The "Om" mantra has eight subtle sound elements,^[20] describes the Upanishad, "A", "U", "M", bindu, nada, kala (era, present time), kalatita (beyond present era, or future), and the last subtle sound element is what is beyond kalatita.^[14]^[20]^[21]

In chapter 2, the Upanishad describes the same Om mantra in terms of the characters of the Hindu epic Ramayana. The "A" is the source of Brahma who became Jambavat, from "U" came Vishnu who became Surgriva, from "M" of AUM mantra came Shiva who manifested as Hanuman, states the text.^[22] The bindu of Om became Shatrughna (third brother of Rama), the nada became Bharata (elder brother of Rama), kala resonance became Lakshmana (younger brother of Rama), the kalatita became Lakshmi who manifested as goddess Sita (a Shakti, wife of Rama), and beyond all this is the last subtle part of Om which is Supreme Self manifesting as Rama.^[22]^[23]

The text next presents eight mantras, asserting them to be a means to realize the Atman. These repeat the mapping of elements of Om mantra to the characters of the Ramayana,^[23] calling Rama as Paramatman, Narayana and supreme Purusha (cosmic man),^[22] the ancient Purushottama, the eternal, the liberated, the true, the highest bliss, the one without a second.^[24] The mantra reciter should meditate, states the text, "Brahman is myself, I am Rama". A mastery of this Ashtakshara mantra, the Upanishad states, is equivalent to uttering the Gayatri mantra a hundred thousand times and to learning Itihasas, Puranas, and Rudra Mantras.^[24] This is the path of inner purification, this is the way to see the supreme seat of Vishnu, states Tarasara Upanishad.^[25]^[26]

References

^ Sir Monier Monier-Williams, A Sanskrit-English Dictionary: Etymologically and Philologically Arranged with Special Reference to Cognate Indo-European Languages, Oxford University Press (Reprinted: Motilal Banarsidass), ISBN 978-8120831056, Article on Tarasara
^ ^a ^b Aiyar 1914, p. viii.
^ ^a ^b ^c ^d Tinoco 1996, p. 88.
^ ^a ^b ^c ^d ^e Aiyar 1914, p. 124.
^ ^a ^b ^c Aiyar 1914, pp. 124–125.
^ ^a ^b ^c Aiyar 1914, pp. 124–127.
^ ^a ^b ^c ^d Vedic Literature, Volume 1, A Descriptive Catalogue of the Sanskrit Manuscripts, p. PA385, at Google Books, Government of Tamil Nadu, Madras, India, pages 270, 385
^ ^a ^b Deussen 1997, pp. 879 with footnote 1.
^ ^a ^b Hattangadi 2000.
^ Deussen 1997, pp. 556–557.
^ Deussen 1997, pp. 558–559.
^ Deussen 1997, p. 561.
^ Deussen 1997, pp. 563.
^ ^a ^b ^c Aiyar 1914, p. 125.
^ Hattangadi 2000, p. section 1.
^ Jabala Upanishad, Tr: Sunder Harrangadi (2000), SanskritDocuments.Org Archive, Section 1
^ Aiyar 1914, p. 124 with footnote 2.
^ ^a ^b Olivelle 1992, pp. 141–142 with footnotes.
^ Deussen 1997, p. 758.
^ ^a ^b Daniélou 1991, p. 339.
^ Hattangadi 2000, p. part 2, प्रथमः पादः.
^ ^a ^b ^c Daniélou 1991, p. 174.
^ ^a ^b Aiyar 1914, pp. 125–126.
^ ^a ^b Aiyar 1914, p. 126.
^ Aiyar 1914, pp. 126–127.
^ Hattangadi 2000, p. chapter 3.

Bibliography

Aiyar, Narayanasvami (1914). "Thirty minor Upanishads". Archive Organization. Retrieved 16 January 2016.
Daniélou, Alain (1991). The Myths and Gods of India: The Classic Work on Hindu Polytheism from the Princeton Bollingen Series. Inner Traditions. ISBN 978-0-89281-354-4.
Deussen, Paul (1997). Sixty Upanishads of the Veda, Volume 1. Motilal Banarsidass Publishers. ISBN 978-8120814677.
Hattangadi, Sunder (2000). "तारसारोपनिषत् (Tarasara Upanishad)" (PDF) (in Sanskrit). Retrieved 6 February 2016.
Olivelle, Patrick (1992). The Samnyasa Upanisads. Oxford University Press. ISBN 978-0-19-507045-3.
Tinoco, Carlos Alberto (1996). Upanishads. IBRASA. ISBN 978-85-348-0040-2.

[1] Sir Monier Monier-Williams, A Sanskrit-English Dictionary: Etymologically and Philologically Arranged with Special Reference to Cognate Indo-European Languages, Oxford University Press (Reprinted: Motilal Banarsidass), ISBN 978-8120831056, Article on Tarasara

[FOOTNOTEAiyar1914viii-2] Aiyar 1914, p. viii.

[FOOTNOTETinoco199688-3] Tinoco 1996, p. 88.

[FOOTNOTEAiyar1914124-4] Aiyar 1914, p. 124.

[FOOTNOTEAiyar1914124–125-5] Aiyar 1914, pp. 124–125.

[FOOTNOTEAiyar1914124–127-6] Aiyar 1914, pp. 124–127.

[vediclittn385-7] Vedic Literature, Volume 1, A Descriptive Catalogue of the Sanskrit Manuscripts, p. PA385, at Google Books, Government of Tamil Nadu, Madras, India, pages 270, 385

[FOOTNOTEDeussen1997879_with_footnote_1-8] Deussen 1997, pp. 879 with footnote 1.

[FOOTNOTEHattangadi2000-9] Hattangadi 2000.

[FOOTNOTEDeussen1997556–557-10] Deussen 1997, pp. 556–557.

[FOOTNOTEDeussen1997558–559-11] Deussen 1997, pp. 558–559.

[FOOTNOTEDeussen1997561-12] Deussen 1997, p. 561.

[FOOTNOTEDeussen1997563-13] Deussen 1997, pp. 563.

[FOOTNOTEAiyar1914125-14] Aiyar 1914, p. 125.

[FOOTNOTEHattangadi2000section_1-15] Hattangadi 2000, p. section 1.

[16] Jabala Upanishad, Tr: Sunder Harrangadi (2000), SanskritDocuments.Org Archive, Section 1

[FOOTNOTEAiyar1914124_with_footnote_2-17] Aiyar 1914, p. 124 with footnote 2.

[FOOTNOTEOlivelle1992141–142_with_footnotes-18] Olivelle 1992, pp. 141–142 with footnotes.

[FOOTNOTEDeussen1997758-19] Deussen 1997, p. 758.

[FOOTNOTEDaniélou1991339-20] Daniélou 1991, p. 339.

[FOOTNOTEHattangadi2000part_2,_प्रथमः_पादः-21] Hattangadi 2000, p. part 2, प्रथमः पादः.

[FOOTNOTEDaniélou1991174-22] Daniélou 1991, p. 174.

[FOOTNOTEAiyar1914125–126-23] Aiyar 1914, pp. 125–126.

[FOOTNOTEAiyar1914126-24] Aiyar 1914, p. 126.

[FOOTNOTEAiyar1914126–127-25] Aiyar 1914, pp. 126–127.

[FOOTNOTEHattangadi2000chapter_3-26] Hattangadi 2000, p. chapter 3.

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@@ Line 1: / Line 1: @@
+{{Short description|Vaishnava Hindu text}}
+{{italic title}}
 {{Infobox Upanishad
 | image                    = Ramapanchayan, Raja Ravi Varma (Lithograph).jpg
@@ Line 4: / Line 6: @@
 | Devanagari               = तारसार
 | Sanskrit_transliteration = Tārasāra
-| meaning                  = Essence of mystical syllables<ref>Sir Monier Monier-Williams, A Sanskrit-English Dictionary: Etymologically and Philologically Arranged with Special Reference to Cognate Indo-European Languages, Oxford University Press (Reprinted: Motilal Banarsidass), ISBN 978-8120831056, Article on ''Tarasara''</ref>
+| meaning                  = Essence of mystical syllables<ref>Sir Monier Monier-Williams, A Sanskrit-English Dictionary: Etymologically and Philologically Arranged with Special Reference to Cognate Indo-European Languages, Oxford University Press (Reprinted: Motilal Banarsidass), {{ISBN|978-8120831056}}, Article on ''Tarasara''</ref>
 | composition_date         = Medieval
 | chapters                = 3
@@ Line 11: / Line 13: @@
 | philosophy            = [[Vaishnavism]]{{Sfn| Tinoco|1996|p=88}}
 }}
+{{Vaishnavism}}
-The '''''Tarasara Upanishad''''' ({{lang-sa| तारसार उपनिषत्}}, [[IAST]]: Tārasāra Upaniṣad) is a minor [[Upanishad]] of [[Hinduism]]. This Sanskrit text is classified as one of 14 [[Vaishnava]] Upanishads,{{Sfn| Tinoco|1996|p=88}} and a [[Mantra]] Upanishad.{{Sfn|Aiyar|1914|p=viii}} It is attached to the [[Yajurveda|Shukla Yajurveda]].{{Sfn|Aiyar|1914|p=124}}{{Sfn| Tinoco|1996|p=88}}
+The '''''Tarasara Upanishad''''' ({{langx|sa| तारसार उपनिषत्}}, [[IAST]]: Tārasāra Upaniṣad) is a minor [[Upanishad]] of [[Hinduism]]. This Sanskrit text is classified as one of 14 [[Vaishnava]] Upanishads,{{Sfn| Tinoco|1996|p=88}} and a [[Mantra]] Upanishad.{{Sfn|Aiyar|1914|p=viii}} It is one of the 19 Upanishads attached to the [[Yajurveda|Shukla Yajurveda]].{{Sfn|Aiyar|1914|p=124}}{{Sfn| Tinoco|1996|p=88}}
-The text is notable for its discussion of [[Om]] for yogic meditation as ''Taraka'' or that which helps one cross from  mundane into spiritual world.{{Sfn|Aiyar|1914|pp=124-125}} It is one of the texts which mentions the "Om Namo Narayana" mantra of [[Vaishnavism]].{{Sfn|Aiyar|1914|pp=124-125}} The Upanishad integrates into its discussion of sound of mantras many of the central characters of the epic [[Ramayana]] such as [[Rama]], [[Sita]], [[Lakshmana]], [[Hanuman]], Bharata, Shatrughna and Jambavan.{{Sfn|Aiyar|1914|pp=124-127}} It also asserts that Hanuman is a manifestation of [[Shiva]].{{Sfn|Aiyar|1914|pp=124-127}}
+The text is notable for its discussion of [[Om]] for yogic meditation as ''Taraka'' or that which helps one cross from mundane into spiritual world.{{Sfn|Aiyar|1914|pp=124–125}} It is one of the texts which mentions the "Om Namo Narayana" mantra of [[Vaishnavism]].{{Sfn|Aiyar|1914|pp=124–125}} The Upanishad discusses the Om mantra, and integrates into its sound, the central characters of the epic [[Ramayana]] such as [[Rama]], [[Sita]], [[Lakshmana]], [[Hanuman]], [[Bharata (Ramayana)|Bharata]], [[Shatrughna]] and [[Jambavan]].{{Sfn|Aiyar|1914|pp=124–127}} It also asserts that Hanuman is a manifestation of [[Shiva]].{{Sfn|Aiyar|1914|pp=124–127}}
 ==History==
-The date or author of Maha Upanishad is unknown. The first chapter of this Upanishad is identical with the influential and ancient [[Jabala Upanishad]].<ref name=vediclittn385/> Thereafter the text of this Upanishad is different.<ref name=vediclittn385/>
+The date or author of ''Tarasara Upanishad'' is unknown. The first chapter of this Upanishad is identical with the influential and ancient ''[[Jabala Upanishad]]''.<ref name=vediclittn385/> Thereafter the text of both Upanishads are different.<ref name=vediclittn385/>
+The ''Tarasara Upanishad'', according to Deussen, incorporates partly an elaborated text from sections 5 and 6 of the ''Ramottaratapaniya Upanishad''.{{Sfn|Deussen|1997|pp=879 with footnote 1}} The text assumes the existence of ''Ramottaratapaniya Upanishad'', suggesting a relative chronology. Instead of a mantra focussed entirely on King Rama as in ''Ramottaratapaniya'', the ''Tarasara'' text incorporates the mantra "Om Namo Narayanaya", as a 'tarakam' meaning "deliverer."{{Sfn|Deussen|1997|pp=879 with footnote 1}}
-Manuscripts of this text are also found titled as Tarasaropanisad.{{Sfn|Hattangadi|1999}}<ref name=vediclittn385>Vedic Literature, Volume 1, {{Google books|2YIoAAAAYAAJ|A Descriptive Catalogue of the Sanskrit Manuscripts|page=PA385}}, Government of Tamil Nadu, Madras, India, pages 270, 385</ref> In the [[Telugu language]] [[anthology]] of 108 Upanishads of the [[Muktika]] canon, narrated by [[Rama]] to [[Hanuman]], it is listed at number 91.{{Sfn|Deussen|1997|pp=556-557}} It appears in the collection of [[Upanishads]] under the title "Oupanekhat", put together by Sultan Mohammed [[Dara Shikhoh]] in 1656, consisting of a [[Persian language|Persian]] translation of 50 Upanishads and who prefaced it as the best book on religion, the Tarasara or Taraka Upanishad is listed at number 46 as “Tark”.{{Sfn|Deussen| Bedekar | Palsule (tr.)|1997|pp=558–559}} Dara Shikoh's collection was in the same order as found in Upanishad anthologies popular in north India. But it does not find mention in the 52 Upanishads version of [[Henry Thomas Colebrooke|Colebrooke]] {{Sfn|Deussen| Bedekar | Palsule (tr.)|1997|p=561}} or in  the Bibliothica Indica edition of Narayana – an Indian scholar who lived sometime after the 14th-century Vedanta scholar Sankarananda.{{Sfn|Deussen| Bedekar | Palsule (tr.)|1997|pp=563}}
+Manuscripts of this text are also found titled as ''Tarasaropanisad''.{{Sfn|Hattangadi|2000}}<ref name=vediclittn385>Vedic Literature, Volume 1, {{Google books|2YIoAAAAYAAJ|A Descriptive Catalogue of the Sanskrit Manuscripts|page=PA385}}, Government of Tamil Nadu, Madras, India, pages 270, 385</ref> In the [[Telugu language]] [[anthology]] of 108 Upanishads of the [[Muktika]] canon, narrated by [[Rama]] to [[Hanuman]], it is listed at number 91.{{Sfn|Deussen|1997|pp=556–557}} It appears in the collection of [[Upanishads]] under the title "Oupanekhat", put together by Sultan Mohammed [[Dara Shikhoh]] in 1656, consisting of a [[Persian language|Persian]] translation of 50 Upanishads and who prefaced it as the best book on religion, the ''Tarasara'' or ''Taraka Upanishad'' is listed at number 46 as “Tark”.{{Sfn|Deussen|1997|pp=558–559}} Dara Shikoh's collection was in the same order as found in Upanishad anthologies popular in north India. But it does not find mention in the 52 Upanishads version of [[Henry Thomas Colebrooke|Colebrooke]] {{Sfn|Deussen|1997|p=561}} or in compilation of Upanishads by Narayana – an Indian scholar who lived sometime after the 14th-century CE, and republished in the modern era as the ''Bibliothica Indica'' edition.{{Sfn|Deussen|1997|pp=563}}
-This Upanishad, according to Deussen, incorporates partly an elaborated text from sections 5 and 6 of the Ramottaratapaniya Upanishad, and is not part of many manuscripts and even in [[Narayana Upanishad]]. But it finds mention in the [[Puranas]]. Instead of symbolically relating to King Rama the text emphasizes on the mantra "Om Namo Narayanaya", exemplifying it as a 'tarakam' meaning "deliverer."{{Sfn|Deussen| Bedekar | Palsule (tr.)|1997|pp=879}}
 ==Contents==
-The text has three chapters, with the first a repeat of the first chapter of the [[Jabala Upanishad]].<ref name=vediclittn385/> The second and third chapter focus on describing the Om mantra, it being the ultimate and highest reality [[Brahman]], and its relationship to [[Narayana]] (Vishnu).{{Sfn|Aiyar|1914|pp=124-127}}
+The text has three chapters, with the first a repeat of the first chapter of the ''[[Jabala Upanishad]]''.<ref name=vediclittn385/> The second and third chapter focus on describing the Om mantra, it being the ultimate and highest reality [[Brahman]], and its relationship to [[Narayana]] (Vishnu).{{Sfn|Aiyar|1914|pp=124–127}}
 {{Quote box
  |quote  = [[Image:Om symbol.svg|20px|link=Hinduism]]
@@ Line 37: / Line 40: @@
  |align  = left
 }}
-Just like the Jabala Upanishad,{{sfn|Hattangadi|2000|p=section 1}}<ref>[http://sanskritdocuments.org/doc_upanishhat/jabala.pdf Jabala Upanishad], Tr: Sunder Harrangadi (2000), SanskritDocuments.Org Archive, Section 1</ref> the chapter 1 of the Upanishad, is structured as a conversation between [[Brihaspati]] and [[Yajnavalkya]]. The latter states that true [[Kurukshetra]] is ''Avimuktam'' – a place that [[Shiva]] never left and a part of [[Varanasi]] (Banaras).{{Sfn|Aiyar|1914|p=124 with footnote 2}}{{sfn|Olivelle|1992|pp= 141–142 with footnotes}} This place, recommends the text, is for all those renouncers who after having wandered places, can stay in.{{Sfn|Deussen|Bedekar|Palsule|1997|p=758}} This is the place, asserts the Upanishad, where [[Rudra]] imparts the [[moksha]] knowledge just when the last vital breaths of the dying are departing, leading one to ''videhamukti''.{{Sfn|Aiyar|1914|p=124}}{{sfn|Olivelle|1992|pp= 141–142 with footnotes}} This place is a spiritual seat of all living beings (holy), asserts the text, a place to revere and not leave.{{Sfn|Aiyar|1914|p=124}}
+Just like the ''Jabala Upanishad'',{{sfn|Hattangadi|2000|p=section 1}}<ref>[http://sanskritdocuments.org/doc_upanishhat/jabala.pdf Jabala Upanishad], Tr: Sunder Harrangadi (2000), SanskritDocuments.Org Archive, Section 1</ref> the chapter 1 of the Upanishad, is structured as a conversation between [[Brihaspati]] and [[Yajnavalkya]]. The latter states that true [[Kurukshetra]] is ''Avimuktam'' – a place that [[Shiva]] never left and a part of [[Varanasi]] (Banaras).{{Sfn|Aiyar|1914|p=124 with footnote 2}}{{sfn|Olivelle|1992|pp= 141–142 with footnotes}} This place, recommends the text, is for all those renouncers who after having wandered places, can stay in.{{Sfn|Deussen|1997|p=758}} This is the place, asserts the Upanishad, where [[Rudra]] imparts the [[moksha]] knowledge just when the last vital breaths of the dying are departing, leading one to ''videhamukti''.{{Sfn|Aiyar|1914|p=124}}{{sfn|Olivelle|1992|pp= 141–142 with footnotes}} This place is a spiritual seat of all living beings (holy), asserts the text, a place to revere and not leave.{{Sfn|Aiyar|1914|p=124}}
 The Upanishad thereafter glorifies [[Narayana]], by stating that "Om Namo Narayana" is the means to cross from mundane world into spiritual world (''Taraka'').{{Sfn|Aiyar|1914|p=124}} ''Om'' in this mantra is [[Atman (Hinduism)|Atman]] (self, soul) asserts the text, ''Namah'' represents [[Prakriti]] (nature, changing reality), and ''Narayana'' is the nature of [[Parabrahman]] (supreme Brahman).{{Sfn|Aiyar|1914|p=124}}
-The text describes how the sound fragments of the mantra "Om Namo Narayana" includes [[Brahma]], [[Vishnu]], [[Rudra]], [[Ishvara]], all of the universe, [[Purusha]], [[Bhagavan]] and Param-atman (supreme self).{{Sfn|Aiyar|1914|pp=124-125}} Om is also the indestructible, unchanging reality (Brahman), states the text, which alone ought to be worshipped.{{Sfn|Aiyar|1914|p=125}} The "Om" mantra has eight subtle sound elements,{{Sfn| Daniélou|1991|p=339}} describes the Upanishad, "A", "U", "M", ''bindu'', ''nada'', ''kala'' (era, present time), ''kalatita'' (beyond present era, or future), and the last subtle sound element is what is beyond ''kalatita''.{{Sfn|Aiyar|1914|p=125}}{{Sfn| Daniélou|1991|p=339}}{{sfn|Hattangadi|2000|p=part 2, प्रथमः पादः}}
+The text further describes how the sound fragments of the mantra "Om Namo Narayanaya" includes [[Brahma]], [[Vishnu]], [[Rudra]], [[Ishvara]], all of the universe, [[Purusha]], [[Bhagavan]] and Param-atman (supreme self).{{Sfn|Aiyar|1914|pp=124–125}} Om is also the indestructible, unchanging reality (Brahman), states the text, which alone ought to be worshipped.{{Sfn|Aiyar|1914|p=125}} The "Om" mantra has eight subtle sound elements,{{Sfn| Daniélou|1991|p=339}} describes the Upanishad, "A", "U", "M", ''bindu'', ''nada'', ''kala'' (era, present time), ''kalatita'' (beyond present era, or future), and the last subtle sound element is what is beyond ''kalatita''.{{Sfn|Aiyar|1914|p=125}}{{Sfn| Daniélou|1991|p=339}}{{sfn|Hattangadi|2000|p=part 2, प्रथमः पादः}}
 [[File:Rama, from Candi Prambanan 1087.jpg|thumb|260px|Rama with bow, flanked by Lakshmi and Sri in [[Prambanan]] Hindu temple, [[Indonesia]]. They are mentioned in this text.]]
-In chapter 2, the Upanishad describes the same Om mantra in terms of the characters of the Hindu epic Ramayana. The "A" is the source of Brahma who became Jambavat, from "U" came Vishnu who became Surgriva, from "M" of AUM mantra came Shiva who manifested as Hanuman, states the text.{{Sfn| Daniélou|1991|p=174}} The bindu of Om became Shatrughna (third brother of Rama), the nada became Bharata (elder brother of Rama), kala resonance became Lakshmana (younger brother of Rama), the kalatita became [[Lakshmi]] who manifested as goddess Sita (a Shakti, wife of Rama), and beyond all this is the last subtle part of Om which is Supreme Self manifesting as Rama.{{Sfn| Daniélou|1991|p=174}}{{Sfn|Aiyar|1914|pp=125-126}}
+In chapter 2, the Upanishad describes the same Om mantra in terms of the characters of the Hindu epic Ramayana. The "A" is the source of Brahma who became Jambavat, from "U" came Vishnu who became Surgriva, from "M" of AUM mantra came Shiva who manifested as Hanuman, states the text.{{Sfn| Daniélou|1991|p=174}} The bindu of Om became Shatrughna (third brother of Rama), the nada became Bharata (elder brother of Rama), kala resonance became Lakshmana (younger brother of Rama), the kalatita became [[Lakshmi]] who manifested as goddess Sita (a Shakti, wife of Rama), and beyond all this is the last subtle part of Om which is Supreme Self manifesting as Rama.{{Sfn| Daniélou|1991|p=174}}{{Sfn|Aiyar|1914|pp=125–126}}
-The text next presents eight mantras, asserting them to be a means to realize the Atman. These repeat the mapping of elements of Om mantra to the characters of the Ramayana,{{Sfn|Aiyar|1914|pp=125-126}} calling Rama as Paramatman, Narayana and supreme Purusha (cosmic man),{{Sfn| Daniélou|1991|p=174}} the ancient [[Purushottama]], the eternal, the liberated, the true, the highest bliss, the one without a second.{{Sfn|Aiyar|1914|p=126}} The mantra reciter should meditate, states the text, "Brahman is myself, I am Rama".{{Sfn|Aiyar|1914|p=126}} This is the path of inner purification, this is the way to see the supreme seat of Vishnu, states Tarasara Upanishad.{{Sfn|Aiyar|1914|pp=126-127}}{{sfn|Hattangadi|2000|p=chapter 3}}
+The text next presents eight mantras, asserting them to be a means to realize the Atman. These repeat the mapping of elements of Om mantra to the characters of the Ramayana,{{Sfn|Aiyar|1914|pp=125–126}} calling Rama as Paramatman, Narayana and supreme Purusha (cosmic man),{{Sfn| Daniélou|1991|p=174}} the ancient [[Purushottama]], the eternal, the liberated, the true, the highest bliss, the one without a second.{{Sfn|Aiyar|1914|p=126}} The mantra reciter should meditate, states the text, "Brahman is myself, I am Rama". A mastery of this Ashtakshara mantra, the Upanishad states, is equivalent to uttering the [[Gayatri mantra]] a hundred thousand times and to learning [[Itihasas]], [[Puranas]], and Rudra Mantras.{{Sfn|Aiyar|1914|p=126}} This is the path of inner purification, this is the way to see the supreme seat of Vishnu, states ''Tarasara Upanishad''.{{Sfn|Aiyar|1914|pp=126–127}}{{sfn|Hattangadi|2000|p=chapter 3}}
 ==See also==
-*[[Atharvashiras Upanishad]]
+*''[[Atharvashiras Upanishad]]''
-*[[Maha Upanishad]]
+*''[[Maha Upanishad]]''
-*[[Mahanarayana Upanishad]]
+*''[[Mahanarayana Upanishad]]''
-*[[Tripura Upanishad]]
+*''[[Tripura Upanishad]]''
 ==References==
@@ Line 58: / Line 61: @@
 ===Bibliography===
+*{{Cite web|last= Aiyar |first= Narayanasvami| url=https://archive.org/stream/thirtyminorupani00xxxxuoft#page/n3/mode/2up |title=Thirty minor Upanishads|access-date=16 January 2016|year=1914|publisher=Archive Organization}}
-*{{cite book|first=Alain |last=Daniélou | title=The Myths and Gods of India: The Classic Work on Hindu Polytheism from the Princeton Bollingen Series|year = 1991|publisher=Inner Traditions | isbn=978-0-89281-354-4|ref=harv}}
+*{{cite book |first=Alain |last=Daniélou |title=The Myths and Gods of India: The Classic Work on Hindu Polytheism from the Princeton Bollingen Series |year=1991 |publisher=Inner Traditions |isbn=978-0-89281-354-4 |url-access=registration |url=https://archive.org/details/mythsgodsofindia00dani }}
-*{{cite book|last= Deussen |first=Paul |title=Sixty Upanishads of the Veda, Volume 1|url=https://books.google.com/books?id=8mSpQo9q-tIC&pg=PA247|year=1997|publisher=Motilal Banarsidass Publishers|isbn=978-8120814677|ref=harv}}
+*{{cite book|last= Deussen |first=Paul |title=Sixty Upanishads of the Veda, Volume 1|url=https://books.google.com/books?id=8mSpQo9q-tIC&pg=PA247|year=1997|publisher=Motilal Banarsidass Publishers|isbn=978-8120814677}}
-*{{Cite web|url=http://sanskritdocuments.org/doc_upanishhat/tarasara.pdf |title= तारसारोपनिषत् (Tarasara Upanishad)|accessdate=6 February 2016| language = Sanskrit|last= Hattangadi| first= Sunder| year= 2000 | ref= harv}}
+*{{Cite web|url=http://sanskritdocuments.org/doc_upanishhat/tarasara.pdf |title= तारसारोपनिषत् (Tarasara Upanishad)|access-date=6 February 2016| language = Sanskrit|last= Hattangadi| first= Sunder| year= 2000 }}
-*{{cite book|first=Patrick| last=Olivelle|year=1992|title= The Samnyasa Upanisads|publisher= Oxford University Press|isbn= 978-0-19-507045-3| ref=harv}}
-*{{cite book|last=Tinoco|first=Carlos Alberto|title=Upanishads | year=1996| url=http://books.google.com/books?id=7xoNEM63hZEC&pg=PA89 |publisher=IBRASA|isbn=978-85-348-0040-2|ref=harv}}
+*{{cite book|first=Patrick| last=Olivelle|year=1992|title= The Samnyasa Upanisads|publisher= Oxford University Press|isbn= 978-0-19-507045-3}}
+*{{cite book|last=Tinoco|first=Carlos Alberto|title=Upanishads | year=1996| url=https://books.google.com/books?id=7xoNEM63hZEC&pg=PA89 |publisher=IBRASA|isbn=978-85-348-0040-2}}
 {{Hindudharma}}
@@ Line 68: / Line 72: @@
 [[Category:Upanishads]]
-[[Category:Sanskrit texts]]