Jump to content

Gary Graffman: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Category:American musicians with disabilities
Remove supercategory of existing diffusing subcategory per WP:CATSPECIFIC, WP:CAT#Articles
 
(9 intermediate revisions by 8 users not shown)
Line 1: Line 1:
{{Short description|American musician}}
{{Short description|American musician (born 1928)}}
{{BLP sources|date=July 2019}}
{{BLP sources|date=July 2019}}
{{Use mdy dates|date=January 2015}}
{{Use mdy dates|date=January 2015}}
Line 5: Line 5:


==Early life==
==Early life==
Graffman was born in [[New York City]]<ref name=":0" /> to [[Russia]]n-[[Jewish]] parents. Having started piano at age 3, Graffman entered the [[Curtis Institute of Music]] at age 7 in 1936 as a piano student of [[Isabelle Vengerova]].<ref name=":0" /> After graduating from Curtis in 1946, he made his professional solo debut with conductor [[Eugene Ormandy]] and the [[Philadelphia Orchestra]].<ref name="grove" /> From 1946 to 1948, he studied at [[Columbia University]]. In 1949, Graffman won the [[Leventritt Competition]]. He then furthered his piano studies with [[Rudolf Serkin]] at the [[Marlboro Music School and Festival|Marlboro Music Festival]] and informally with [[Vladimir Horowitz]]. In 1954, he returned to Columbia to perform [[Edward MacDowell]]'s [[Piano Concerto No. 2 (MacDowell)|Piano Concerto No. 2]] under [[Leopold Stokowski]] at [[Columbia University bicentennial|the university's bicentennial concert]].<ref>{{Cite news |last=Downes |first=Olin |date=October 27, 1954 |title=Stokowski Leads Columbia Concert |work=The New York Times |url=https://timesmachine.nytimes.com/timesmachine/1954/10/27/85672413.html?pageNumber=34 |access-date=July 17, 2022}}</ref>
Graffman was born in New York City<ref name=":0" /> to Russian-Jewish parents. Having started piano at age 3, Graffman entered the [[Curtis Institute of Music]] at age 7 in 1936 as a piano student of [[Isabelle Vengerova]].<ref name=":0" /> After graduating from Curtis in 1946, he made his professional solo debut with conductor [[Eugene Ormandy]] and the [[Philadelphia Orchestra]].<ref name="grove" /> From 1946 to 1948, he studied at [[Columbia University]]. In 1949, Graffman won the [[Leventritt Competition]]. He then furthered his piano studies with [[Rudolf Serkin]] at the [[Marlboro Music School and Festival|Marlboro Music Festival]] and informally with [[Vladimir Horowitz]]. In 1954, he returned to Columbia to perform [[Edward MacDowell]]'s [[Piano Concerto No. 2 (MacDowell)|Piano Concerto No. 2]] under [[Leopold Stokowski]] at [[Columbia University bicentennial|the university's bicentennial concert]].<ref>{{Cite news |last=Downes |first=Olin |date=October 27, 1954 |title=Stokowski Leads Columbia Concert |work=The New York Times |url=https://timesmachine.nytimes.com/timesmachine/1954/10/27/85672413.html?pageNumber=34 |access-date=July 17, 2022}}</ref>


==Initial work==
==Initial work==
Upon graduation he played with numerous orchestras and performed concerts and recitals internationally. Over the next three decades, he toured and recorded extensively, performing solo and with orchestras around the globe. In 1964, he recorded [[Sergei Rachmaninoff]]'s ''[[Rhapsody on a Theme of Paganini]]'' with [[Leonard Bernstein]] conducting the [[New York Philharmonic]]. He also made a classic recording of [[Sergei Prokofiev]]'s [[Piano Concerto No. 3 (Prokofiev)|Third Piano Concerto]] with [[George Szell]] and the [[Cleveland Orchestra]] in 1966; it was reissued on CD as part of Sony Classical's "Great Performances" series in 2006. In the 1970s, Graffman appeared with the [[Guarneri Quartet]] and the [[Juilliard String Quartet]] in performances of chamber music.<ref name="grove" />
Upon graduation he played with numerous orchestras and performed concerts and recitals internationally. Over the next three decades, he toured and recorded extensively, performing solo and with orchestras around the globe. He revived the Tchaikovsky 2nd and 3rd Piano Concertos, recorded by CBS with Eugene Ormandy and the Philadelphia Orchestra, and several of his students play these works. In 1964, he recorded [[Sergei Rachmaninoff]]'s ''[[Rhapsody on a Theme of Paganini]]'' with [[Leonard Bernstein]] conducting the [[New York Philharmonic]]. He also made a classic recording of [[Sergei Prokofiev]]'s [[Piano Concerto No. 3 (Prokofiev)|Third Piano Concerto]] with [[George Szell]] and the [[Cleveland Orchestra]] in 1966; it was reissued on CD as part of Sony Classical's "Great Performances" series in 2006. In the 1970s, Graffman appeared with the [[Guarneri Quartet]] and the [[Juilliard String Quartet]] in performances of chamber music.<ref name="grove" />


Probably Graffman's best known recorded performance was for the soundtrack of the 1979 [[Woody Allen]] movie ''[[Manhattan (1979 movie)|Manhattan]]'' in which he played [[George Gershwin]]'s ''[[Rhapsody In Blue]]'', accompanied by the [[New York Philharmonic]]. Portions of the Philharmonic/Graffman version have been featured countless times in TV and movies over the last quarter century.
Probably Graffman's best known recorded performance was for the soundtrack of the 1979 [[Woody Allen]] movie ''[[Manhattan (1979 movie)|Manhattan]]'' in which he played [[George Gershwin]]'s ''[[Rhapsody In Blue]]'', accompanied by the [[New York Philharmonic]]. Portions of the Philharmonic/Graffman version have been featured countless times in TV and movies over the last quarter century.
Line 20: Line 20:
Shortly after joining the Curtis faculty, he published a memoir, ''I Really Should Be Practicing''.
Shortly after joining the Curtis faculty, he published a memoir, ''I Really Should Be Practicing''.


In 1985 he gave the UK premiere of [[Erich Wolfgang Korngold]]'s [[Piano Concerto for the Left Hand (Korngold)|Piano Concerto in C-sharp for the Left Hand]]. [[Paul Wittgenstein]] had commissioned the work in the 1920s and played it many times, but it later slipped from the repertoire.<ref>[http://www.left-hand-brofeldt.dk/Catalogue_k.htm Piano Music For the Left Hand Alone]</ref>
In 1985 he gave the UK premiere of [[Erich Wolfgang Korngold]]'s [[Piano Concerto for the Left Hand (Korngold)|Piano Concerto in C-sharp for the Left Hand]]. [[Paul Wittgenstein]] had commissioned the work in the 1920s and played it many times, but it later slipped from the repertoire.<ref>{{Cite web |url=http://www.left-hand-brofeldt.dk/Catalogue_k.htm |title=Piano Music For the Left Hand Alone |access-date=December 6, 2010 |archive-date=May 2, 2010 |archive-url=https://web.archive.org/web/20100502065432/http://www.left-hand-brofeldt.dk/Catalogue_k.htm |url-status=dead }}</ref>


Seven left-hand works have been commissioned for Graffman. In 1993, for example, he performed the world premiere of [[Ned Rorem]]'s [[Piano Concerto No. 4 (Rorem)|Piano Concerto No. 4]], written specifically for the left hand, and in 2001 he premiered [[Daron Hagen]]'s concerto ''Seven Last Words''. The American composer [[William Bolcom]] composed ''[[Gaea (Bolcom)|Gaea]]'', a concerto for two pianos left hand for Graffman and [[Leon Fleisher]]. It received its first performance in Baltimore in April 1996. The concerto is constructed in such a way that it can be performed in one of three ways, with either piano part alone with reduced orchestra, or with both piano parts and the two reduced orchestras combined into a full orchestra.
Seven left-hand works have been commissioned for Graffman. In 1993, for example, he performed the world premiere of [[Ned Rorem]]'s [[Piano Concerto No. 4 (Rorem)|Piano Concerto No. 4]], written specifically for the left hand, and in 2001 he premiered [[Daron Hagen]]'s concerto ''Seven Last Words''. The American composer [[William Bolcom]] composed ''[[Gaea (Bolcom)|Gaea]]'', a concerto for two pianos left hand for Graffman and [[Leon Fleisher]]. It received its first performance in Baltimore in April 1996. The concerto is constructed in such a way that it can be performed in one of three ways, with either piano part alone with reduced orchestra, or with both piano parts and the two reduced orchestras combined into a full orchestra.
Line 36: Line 36:
==External links==
==External links==
*{{cite web|url=http://www.curtis.edu/faculty/faculty-bios-by-name/gary-graffman-2.html|title=Biography at Curtis Institute of Music website|access-date=February 18, 2012|archive-url=https://web.archive.org/web/20130611062431/http://www.curtis.edu/faculty/faculty-bios-by-name/gary-graffman-2.html|archive-date=June 11, 2013|url-status=dead|df=mdy-all}}
*{{cite web|url=http://www.curtis.edu/faculty/faculty-bios-by-name/gary-graffman-2.html|title=Biography at Curtis Institute of Music website|access-date=February 18, 2012|archive-url=https://web.archive.org/web/20130611062431/http://www.curtis.edu/faculty/faculty-bios-by-name/gary-graffman-2.html|archive-date=June 11, 2013|url-status=dead|df=mdy-all}}
*{{cite web|url=https://www.youtube.com/watch?v=1eK1HJ64K0g |archive-url=https://ghostarchive.org/varchive/youtube/20211212/1eK1HJ64K0g| archive-date=2021-12-12 |url-status=live|title=David Dubal interview with Gary Graffman, WNCN-FM, October 21, 1983|website=[[YouTube]] }}{{cbignore}}
*{{cite web|url=https://www.youtube.com/watch?v=1eK1HJ64K0g |archive-url=https://ghostarchive.org/varchive/youtube/20211212/1eK1HJ64K0g| archive-date=2021-12-12 |url-status=live|title=David Dubal interview with Gary Graffman, WNCN-FM, October 21, 1983|website=[[YouTube]] |date=February 18, 2013 }}{{cbignore}}
*[https://www.lib.umd.edu/ipam/collections/gary-graffman Gary Graffman collection, International Piano Archives at Maryland, University of Maryland Libraries].
*[https://www.lib.umd.edu/ipam/collections/gary-graffman Gary Graffman collection, International Piano Archives at Maryland, University of Maryland Libraries].


Line 46: Line 46:
[[Category:20th-century American Jews]]
[[Category:20th-century American Jews]]
[[Category:20th-century American male musicians]]
[[Category:20th-century American male musicians]]
[[Category:20th-century classical pianists]]
[[Category:20th-century American classical pianists]]
[[Category:21st-century American Jews]]
[[Category:21st-century American Jews]]
[[Category:21st-century American male musicians]]
[[Category:21st-century American male musicians]]
[[Category:21st-century classical pianists]]
[[Category:21st-century American classical pianists]]
[[Category:American classical pianists]]
[[Category:American male classical pianists]]
[[Category:American male classical pianists]]
[[Category:American music educators]]
[[Category:American music educators]]
Line 69: Line 68:
[[Category:Musicians from Philadelphia]]
[[Category:Musicians from Philadelphia]]
[[Category:Musicians with dystonia]]
[[Category:Musicians with dystonia]]
[[Category:Fulbright alumni]]
[[Category:Educators with disabilities]]
[[Category:Educators with disabilities]]
[[Category:American musicians with disabilities]]
[[Category:American musicians with disabilities]]

Latest revision as of 10:31, 7 November 2024

Gary Graffman (born October 14, 1928[1][2]) is an American classical pianist, teacher and administrator.

Early life

[edit]

Graffman was born in New York City[1] to Russian-Jewish parents. Having started piano at age 3, Graffman entered the Curtis Institute of Music at age 7 in 1936 as a piano student of Isabelle Vengerova.[1] After graduating from Curtis in 1946, he made his professional solo debut with conductor Eugene Ormandy and the Philadelphia Orchestra.[2] From 1946 to 1948, he studied at Columbia University. In 1949, Graffman won the Leventritt Competition. He then furthered his piano studies with Rudolf Serkin at the Marlboro Music Festival and informally with Vladimir Horowitz. In 1954, he returned to Columbia to perform Edward MacDowell's Piano Concerto No. 2 under Leopold Stokowski at the university's bicentennial concert.[3]

Initial work

[edit]

Upon graduation he played with numerous orchestras and performed concerts and recitals internationally. Over the next three decades, he toured and recorded extensively, performing solo and with orchestras around the globe. He revived the Tchaikovsky 2nd and 3rd Piano Concertos, recorded by CBS with Eugene Ormandy and the Philadelphia Orchestra, and several of his students play these works. In 1964, he recorded Sergei Rachmaninoff's Rhapsody on a Theme of Paganini with Leonard Bernstein conducting the New York Philharmonic. He also made a classic recording of Sergei Prokofiev's Third Piano Concerto with George Szell and the Cleveland Orchestra in 1966; it was reissued on CD as part of Sony Classical's "Great Performances" series in 2006. In the 1970s, Graffman appeared with the Guarneri Quartet and the Juilliard String Quartet in performances of chamber music.[2]

Probably Graffman's best known recorded performance was for the soundtrack of the 1979 Woody Allen movie Manhattan in which he played George Gershwin's Rhapsody In Blue, accompanied by the New York Philharmonic. Portions of the Philharmonic/Graffman version have been featured countless times in TV and movies over the last quarter century.

Injury

[edit]

In 1977, he sprained the ring finger of his right hand. Because of this injury he began re-fingering some passages for that hand in such a way as to avoid using the affected finger. This altered technique appeared to aggravate the problem, ultimately forcing him to stop performing with his right hand altogether by around 1979. Thereafter, Graffman pursued his other interests such as writing, photography, and Oriental art. In 1980, he joined the faculty at the Curtis Institute of Music, where his career had begun. He took over as the school's director in 1986, and added the title of President in 1995, serving in both capacities through May 2006. He has also served on the piano faculty of the Manhattan School of Music.

Graffman's finger sprain may have been a trigger for focal dystonia, a neurological disorder that causes loss of function and uncontrollable curling in the fingers. The pianist Leon Fleisher, a close friend of Graffman, also had the disorder.[4][5]

Later career

[edit]

Shortly after joining the Curtis faculty, he published a memoir, I Really Should Be Practicing.

In 1985 he gave the UK premiere of Erich Wolfgang Korngold's Piano Concerto in C-sharp for the Left Hand. Paul Wittgenstein had commissioned the work in the 1920s and played it many times, but it later slipped from the repertoire.[6]

Seven left-hand works have been commissioned for Graffman. In 1993, for example, he performed the world premiere of Ned Rorem's Piano Concerto No. 4, written specifically for the left hand, and in 2001 he premiered Daron Hagen's concerto Seven Last Words. The American composer William Bolcom composed Gaea, a concerto for two pianos left hand for Graffman and Leon Fleisher. It received its first performance in Baltimore in April 1996. The concerto is constructed in such a way that it can be performed in one of three ways, with either piano part alone with reduced orchestra, or with both piano parts and the two reduced orchestras combined into a full orchestra.

Honors

[edit]

Graffman has received honorary doctoral degrees, was honored by the cities of Philadelphia and New York, and received the Governor's Arts Award by the Commonwealth of Pennsylvania. His students include pianists Lydia Artymiw, Lang Lang, Yuja Wang,[7] Haochen Zhang and Szuyu Su.[8]

References

[edit]
  1. ^ a b c "Gary Graffman Collection - IPAM | UMD Libraries". www.lib.umd.edu. Retrieved February 27, 2021.
  2. ^ a b c Bernas, Richard (2001). "Graffman, Gary". Grove Music Online. doi:10.1093/gmo/9781561592630.article.11588. Retrieved June 12, 2023.
  3. ^ Downes, Olin (October 27, 1954). "Stokowski Leads Columbia Concert". The New York Times. Retrieved July 17, 2022.
  4. ^ "Gary Graffman". The Music Show. May 20, 2006. Retrieved November 29, 2010.
  5. ^ Garnett, Shannon E. (January 4, 2005). "Maestro Leon Fleisher Uses 'Two Hands' to Thank NIH". The NIH Record. Archived from the original on May 28, 2010. Retrieved November 29, 2010.
  6. ^ "Piano Music For the Left Hand Alone". Archived from the original on May 2, 2010. Retrieved December 6, 2010.
  7. ^ Cooper, Michael (October 15, 2018). "Piano Stars Gather for a Legend's 90th". The New York Times.
  8. ^ Biography: Chopin Competition 2020. https://chopin2020.pl/en/competitors/109/szu-yu-su

Further reading

[edit]
[edit]