Siglind Bruhn: Difference between revisions
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{{Short description|German musician and musicologist (born 1951)}} |
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'''Siglind Bruhn''' (* [[11 October]] [[1951]] in [[Hamburg]]) is a |
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{{primary sources|date=May 2023}} |
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German musicologist and concert pianist. |
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[[File:Siglind Bruhn.jpg|thumb|Siglind Bruhn]] |
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==Biographical Sketch== |
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Siglind Bruhn grew up in Hamburg. Her father was the engineer Ernst Bruhn, her mother the interpreter Leonore Bruhn née Kieberger. During the last two years before her high-school graduation (Abitur 1970), she was a student in the piano class of professor Eckart Besch at the Musikhochschule Hamburg. She completed her studies in the master class of [[Wladimir Horbowski]] [http://de.wikipedia.org/wiki/Wladimir_Horbowski] at the Musikhochschule Stuttgart; 1975 State Examen (equivalent to a Master of Music) majoring in piano. Concurrently she read Romance Literature, Comparative Literature, and Philosophy at Munich University; 1976 Magister Artium (M.A.) with a thesis on the drama of Ramón del Valle-Inclán. During this time she met her future husband, the philosopher [[Gerhold K. Becker]]. In 1976-78 Siglind Bruhn wrote her first book, which links the pedagogical |
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heritage of her teacher Horbowski with first attempts at her own research. After another four years of teaching she entered the university and music university of Vienna for doctoral studies; 1985 Dr. phil. summa cum laude with an interdisciplinary dissertation in music analysis and psychoanalysis. Two years later she followed her husband, who had accepted a position in Hong Kong, and taught for six years at The University of Hong Kong. During her first sabbatical (1993-1994), which she spent at the University of Michigan, USA, she was invited to the Institute for the Humanities, where she is currently a Life Research Associate. |
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'''Siglind Bruhn''' (born October 11, 1951, in [[Hamburg]]) is a German musicologist, writer and concert pianist. |
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==Positions== |
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* 1975-1976 Piano Teacher, City of Stuttgart Music School |
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==Biography and career== |
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* 1977-1978 Piano Teacher, Conservatoire de Musique, Geneva |
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Siglind Bruhn was born in [[Hamburg]]. Her father was the engineer Ernst Bruhn, her mother the interpreter Leonore Bruhn née Kieberger. She made her first solo concerts and performances with orchestras as a soloist at the age of 14. During the last two years before her high school graduation (Abitur 1970), she was a student in the piano class of Professor Eckart Besch at the [[Hochschule für Musik und Theater Hamburg|Musikhochschule Hamburg]]. She completed her studies in the master class of [[Vladimir Horbowski]] at the [[State University of Music and Performing Arts Stuttgart|Musikhochschule Stuttgart]]; 1975 State Examen (equivalent to a Master of [[Music]]) in [[piano]] performance and piano pedagogy. Concurrently she read [[Romance studies]], [[Comparative Literature]], and [[Philosophy]] at [[Ludwig Maximilian University of Munich|Munich University]]; 1976 Magister Artium (M.A.) with a thesis on the drama of Ramón del Valle-Inclán. During this time she met her future husband, the philosopher [[Gerhold K. Becker]]. In 1976–78, Siglind Bruhn wrote her first book, which links the pedagogical heritage of her teacher Horbowski with first attempts at her own research. After another four years of teaching she enrolled in the [[University of Vienna]] and the University of Music and Performing Arts Vienna for doctoral studies; 1985 Dr. phil. summa cum laude with an interdisciplinary dissertation in [[musical analysis]] and [[psychoanalysis]]. Two years later she followed her husband, who had accepted a position in [[Hong Kong]], and taught for six years at The [[University of Hong Kong]]. During her first sabbatical (1993–1994), which she spent at the [[University of Michigan]], USA, she was invited to join the university's Institute for the Humanities, where she is currently a Life Research Associate for Music and Modern Literatures / Music in Interdisciplinary Dialogue. In 1993 her book concerning Bach's [[The Well-Tempered Clavier|Well-Tempered Clavier]] was published.<ref name=wtc>{{Cite book |last=Bruhn |first=Siglind |url=https://books.google.com/books?id=sq0R93T4vPAC&q=siglind+bruhn |title=J.S. Bach's Well-tempered Clavier: In-depth Analysis and Interpretation |date=1993 |publisher=Siglind Bruhn |isbn=978-962-580-018-9 |language=en}}</ref> Since 2007 she has been the musical director of an annual series of chamber music concerts in the Southwest German town of [[Waldkirch]].<ref>[http://siglind-bruhn.de/Kammerkonzerte-am-Bruckwald.html Kammerkonzerte am Bruckwald, organized by Siglind Bruhn]</ref> |
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* 1978-1982 Musical Director, Community of Unterhaching Music School |
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* 1982-1987 Director and Lecturer, Institut für Musikalische Interpretation, Dinkelsbühl |
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* 1984-1987 Director and Lecturer, Pianisten-Akademie, Ansbach |
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* 1987-1994 Director of Studies in Music, School for Professional and Continuing Education, The University of Hong Kong |
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* 1993-1997 Research Associate, Institute for the Humanities, The University of Michigan, Ann Arbor |
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* since 1997 Life Research Associate, Institute for the Humanities, The University of Michigan, Ann Arbor |
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==Awards== |
==Awards== |
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* 2001 |
* 2001 Elected Ordinary member of the [[European Academy of Sciences and Arts]] |
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* 2002 Distinguished Senior Research Fellow, Centre for Christianity and the Arts, University of Copenhagen |
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* 2005 Chercheur invité, Institut d’esthétique des arts contemporains, University of Paris 1–Sorbonne |
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==Books (English only)== |
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* |
*''Guidelines to Piano Interpretation'', Penerbit Muzikal Malaysia, 1989, {{ISBN|978-967-985-180-9}}. |
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* |
*''[[Johann Sebastian Bach|J. S. Bach's]] Well-Tempered Clavier: In-depth analysis and interpretation''. Mainer International, 1993. {{ISBN|978-962-580-017-2}}, {{ISBNT|978-962-580-018-9}}, {{ISBNT|978-962-580-019-6}}, {{ISBNT|978-962-580-020-2}}. |
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* |
*''Images and Ideas in Modern French Piano Music: The Extra-Musical Subtext in Piano Works by [[Maurice Ravel|Ravel]], [[Claude Debussy|Debussy]] and [[Olivier Messiaen|Messiaen]]''. Pendragon, 1997. {{ISBN|978-0-945193-95-1}}; paperback edition 2010 {{ISBN|978-1-57647-197-5}} |
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* |
*''The Temptation of [[Paul Hindemith]]: Mathis der Maler as a Spiritual Testimony''. Pendragon, 1998. {{ISBN|978-1-57647-013-8}} - |
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* |
*''Musical [[Ekphrasis]]: Composers Responding to Poetry and Painting'', Pendragon, 2000. {{ISBN|978-1-57647-036-7}} |
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* |
*''Musical [[Ekphrasis]] in [[Rainer Maria Rilke|Rilke's]] Marienleben'', Rodopi, 2000. {{ISBN|978-90-420-0800-7}} |
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* |
*''Saints in the Limelight: Representations of the Religious Quest on the Post-1945 Operatic Stage'', Pendragon, 2003. {{ISBN|978-1-57647-096-1}} |
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* |
*''The Musical Order of the World: [[Johannes Kepler|Kepler]], [[Hermann Hesse|Hesse]], [[Paul Hindemith|Hindemith]]'', Pendragon, 2005. {{ISBN|978-1-57647-117-3}} |
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* |
*''[[Olivier Messiaen|Messiaen's]] Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the two great piano cycles of the 1940s'', Pendragon, 2007. {{ISBN|978-1-57647-129-6}} |
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* |
*''[[Olivier Messiaen|Messiaen's]] Explorations of Love and Death: Musical Signification in the Tristan Trilogy and Three related song cycles'', Pendragon, 2008. {{ISBN|978-1-57647-136-4}} |
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* |
*''[[Olivier Messiaen|Messiaen's]] Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations, and Opera'', Pendragon, 2008. {{ISBN|978-1-57647-139-5}} |
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*''[[Frank Martin (composer)|Frank Martin]]'s Musical Reflections on Death'', Pendragon 2011. {{ISBN|978-1-57647-194-4}} |
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*''The Music of [[Jörg Widmann]]'', Gorz 2013. {{ISBN|978-3-938095-17-1}} |
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*''[[Johann Sebastian Bach|J. S. Bach's]] Well-Tempered Clavier: In-depth analysis and interpretation''. (Second, completely revised edition in one volume.) Gorz 2014. {{ISBN|978-3-938095-19-5}} |
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*'' [[Arnold Schoenberg]]'s Journey from Tone Poems to Kaleidoscopic Sound Colors''. Pendragon, 2015. {{ISBN|978-1-57647-248-4}} |
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*'' [[Debussy]]'s Vocal Music and its Poetic Evocations''. Pendragon, 2018. {{ISBN|978-1-57647-315-3}} |
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*'' [[Debussy]]'s Instrumental Music in its Cultural Context''. Pendragon, 2019. {{ISBN|978-1-57647-318-4}} |
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==Essays and editorial work== |
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==Editorial Work== |
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Essay |
Essay collections as contributing author: |
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* |
*''[[Messiaen]]'s Language of Mystical Love''. New York: Garland 1998. {{ISBN|978-0-8153-2747-9}} |
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* |
*''Encrypted Messages in [[Alban Berg]]'s Music ''. New York: Garland 1998. {{ISBN|978-0-8153-2480-5}} |
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* |
*''Signs in Musical Hermeneutics'' [special issue of ''The American Journal of Semiotics 13/1-4''], 1998. ISSN 0277-7126 |
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* |
*''Voicing the Ineffable: Musical Representations of Religious Experience''. Hillsdale, NY: Pendragon Press 2002. {{ISBN|978-1-57647-089-3}} |
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* |
*''Sonic Transformations of Literary Texts: From Program Music to Musical [[Ekphrasis]]''. Hillsdale, NY: Pendragon Press 2008. {{ISBN|978-1-57647-140-1}} |
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==Discography== |
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⚫ | * [[Paul Hindemith]]: five sonatas for strings and piano. [a] Andrew Jennings, violin, [b] Yizhak Schotten, viola; [c] Bruce Smith, viola d'amore, [d] Anthony Elliott, violoncello; [e] Derek Weller, double bass; piano: Siglind Bruhn, [a ], [c], [e], Katherine Collier [b], Anton Nel [d]. Equilibrium 1995 |
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⚫ | * [[Paul Hindemith]]: five sonatas for piano and brass instruments. [a] Charles Darval, trumpet, [b] Bryan Kennedy, French horn, [c] Charles Darval, alto horn, [d] H. Dennis Smith, trombone, [e] Fritz Kaenzig, tuba; piano: Siglind Bruhn, [a ], [b], [e], Robert Conway [c], Anton Nel [d]. Equilibrium 1996 |
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==References== |
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{{reflist}} |
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First solo recitals and performances as soloist with orchestras at age 14. Solo and chamber music recitals in almost every major city in West Germany, as well as in 22 other countries on all five continents (e.g.: Zurich, London, Paris, Bordeaux, Lisbon, Warsaw, Budapest, Venice, |
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Athens, Beirut, Johannesburg, Cape Town, Rio de Janeiro, Quito, Manila, Hong Kong, Beijing, Shanghai, Melbourne, Adelaide, Washington). Recordings with most broadcasting companies in Western Germany and several European and Non-European stations. One LP and four CDs. |
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⚫ | * [[Paul Hindemith]]: |
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⚫ | * [[Paul Hindemith]]: |
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==External links== |
==External links== |
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* {{official|http://siglind-bruhn.de/index.html}} |
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*[http://umich.edu/~siglind homepage] at the [[University of Michigan]] |
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*[http://de.wikipedia.org/wiki/Siglind_Bruhn German-language publications] |
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{{Authority control}} |
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{{DEFAULTSORT:Bruhn, Siglind}} |
{{DEFAULTSORT:Bruhn, Siglind}} |
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[[Category:Living people]] |
[[Category:Living people]] |
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[[Category:1951 births]] |
[[Category:1951 births]] |
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[[Category:University of |
[[Category:University of Vienna alumni]] |
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[[Category:Members of the European Academy of Sciences and Arts]] |
[[Category:Members of the European Academy of Sciences and Arts]] |
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[[Category:German musicologists]] |
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[[de:Siglind Bruhn]] |
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[[Category:German women musicologists]] |
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[[Category:German classical pianists]] |
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[[Category:State University of Music and Performing Arts Stuttgart alumni]] |
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[[Category:21st-century German classical pianists]] |
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[[Category:German women classical pianists]] |
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Latest revision as of 11:25, 7 November 2024
Siglind Bruhn (born October 11, 1951, in Hamburg) is a German musicologist, writer and concert pianist.
Biography and career
[edit]Siglind Bruhn was born in Hamburg. Her father was the engineer Ernst Bruhn, her mother the interpreter Leonore Bruhn née Kieberger. She made her first solo concerts and performances with orchestras as a soloist at the age of 14. During the last two years before her high school graduation (Abitur 1970), she was a student in the piano class of Professor Eckart Besch at the Musikhochschule Hamburg. She completed her studies in the master class of Vladimir Horbowski at the Musikhochschule Stuttgart; 1975 State Examen (equivalent to a Master of Music) in piano performance and piano pedagogy. Concurrently she read Romance studies, Comparative Literature, and Philosophy at Munich University; 1976 Magister Artium (M.A.) with a thesis on the drama of Ramón del Valle-Inclán. During this time she met her future husband, the philosopher Gerhold K. Becker. In 1976–78, Siglind Bruhn wrote her first book, which links the pedagogical heritage of her teacher Horbowski with first attempts at her own research. After another four years of teaching she enrolled in the University of Vienna and the University of Music and Performing Arts Vienna for doctoral studies; 1985 Dr. phil. summa cum laude with an interdisciplinary dissertation in musical analysis and psychoanalysis. Two years later she followed her husband, who had accepted a position in Hong Kong, and taught for six years at The University of Hong Kong. During her first sabbatical (1993–1994), which she spent at the University of Michigan, USA, she was invited to join the university's Institute for the Humanities, where she is currently a Life Research Associate for Music and Modern Literatures / Music in Interdisciplinary Dialogue. In 1993 her book concerning Bach's Well-Tempered Clavier was published.[1] Since 2007 she has been the musical director of an annual series of chamber music concerts in the Southwest German town of Waldkirch.[2]
Awards
[edit]- 2001 Elected Ordinary member of the European Academy of Sciences and Arts
- 2008 Honorary Doctorate (Dr. phil. h.c) from Linnaeus University, Sweden
Books (English only)
[edit]- Guidelines to Piano Interpretation, Penerbit Muzikal Malaysia, 1989, ISBN 978-967-985-180-9.
- J. S. Bach's Well-Tempered Clavier: In-depth analysis and interpretation. Mainer International, 1993. ISBN 978-962-580-017-2, 978-962-580-018-9, 978-962-580-019-6, 978-962-580-020-2.
- Images and Ideas in Modern French Piano Music: The Extra-Musical Subtext in Piano Works by Ravel, Debussy and Messiaen. Pendragon, 1997. ISBN 978-0-945193-95-1; paperback edition 2010 ISBN 978-1-57647-197-5
- The Temptation of Paul Hindemith: Mathis der Maler as a Spiritual Testimony. Pendragon, 1998. ISBN 978-1-57647-013-8 -
- Musical Ekphrasis: Composers Responding to Poetry and Painting, Pendragon, 2000. ISBN 978-1-57647-036-7
- Musical Ekphrasis in Rilke's Marienleben, Rodopi, 2000. ISBN 978-90-420-0800-7
- Saints in the Limelight: Representations of the Religious Quest on the Post-1945 Operatic Stage, Pendragon, 2003. ISBN 978-1-57647-096-1
- The Musical Order of the World: Kepler, Hesse, Hindemith, Pendragon, 2005. ISBN 978-1-57647-117-3
- Messiaen's Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the two great piano cycles of the 1940s, Pendragon, 2007. ISBN 978-1-57647-129-6
- Messiaen's Explorations of Love and Death: Musical Signification in the Tristan Trilogy and Three related song cycles, Pendragon, 2008. ISBN 978-1-57647-136-4
- Messiaen's Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations, and Opera, Pendragon, 2008. ISBN 978-1-57647-139-5
- Frank Martin's Musical Reflections on Death, Pendragon 2011. ISBN 978-1-57647-194-4
- The Music of Jörg Widmann, Gorz 2013. ISBN 978-3-938095-17-1
- J. S. Bach's Well-Tempered Clavier: In-depth analysis and interpretation. (Second, completely revised edition in one volume.) Gorz 2014. ISBN 978-3-938095-19-5
- Arnold Schoenberg's Journey from Tone Poems to Kaleidoscopic Sound Colors. Pendragon, 2015. ISBN 978-1-57647-248-4
- Debussy's Vocal Music and its Poetic Evocations. Pendragon, 2018. ISBN 978-1-57647-315-3
- Debussy's Instrumental Music in its Cultural Context. Pendragon, 2019. ISBN 978-1-57647-318-4
Essays and editorial work
[edit]Essay collections as contributing author:
- Messiaen's Language of Mystical Love. New York: Garland 1998. ISBN 978-0-8153-2747-9
- Encrypted Messages in Alban Berg's Music . New York: Garland 1998. ISBN 978-0-8153-2480-5
- Signs in Musical Hermeneutics [special issue of The American Journal of Semiotics 13/1-4], 1998. ISSN 0277-7126
- Voicing the Ineffable: Musical Representations of Religious Experience. Hillsdale, NY: Pendragon Press 2002. ISBN 978-1-57647-089-3
- Sonic Transformations of Literary Texts: From Program Music to Musical Ekphrasis. Hillsdale, NY: Pendragon Press 2008. ISBN 978-1-57647-140-1
- Since 2000, series editor of the book series "Interplay: Music in Interdisciplinary Dialogue" published by Pendragon Press
Discography
[edit]- Maurice Ravel: Histoires Naturelles, Modest Mussorgsky: Songs and Dances of Death. Cornelia Kallisch, mezzo-soprano; Siglind Bruhn, piano. LM-M E 2011 1984
- Paul Hindemith: five sonatas for strings and piano. [a] Andrew Jennings, violin, [b] Yizhak Schotten, viola; [c] Bruce Smith, viola d'amore, [d] Anthony Elliott, violoncello; [e] Derek Weller, double bass; piano: Siglind Bruhn, [a ], [c], [e], Katherine Collier [b], Anton Nel [d]. Equilibrium 1995
- Paul Hindemith: five sonatas for woodwinds and piano. [a] Leone Buyse, flute, [b] Harry Sargous, oboe; [c] Fred Ormand, clarinet; [d] Harry Sargous, English horn; [e] Richard Beene, bassoon; piano: Siglind Bruhn, [a], [ b], [e], Anton Nel [c] [d]. Equilibrium 1995
- Paul Hindemith: five sonatas for piano and brass instruments. [a] Charles Darval, trumpet, [b] Bryan Kennedy, French horn, [c] Charles Darval, alto horn, [d] H. Dennis Smith, trombone, [e] Fritz Kaenzig, tuba; piano: Siglind Bruhn, [a ], [b], [e], Robert Conway [c], Anton Nel [d]. Equilibrium 1996
- Paul Hindemith: Ludus tonalis and Reihe kleiner Stücke. Siglind Bruhn, piano. Equilibrium 1996
References
[edit]- ^ Bruhn, Siglind (1993). J.S. Bach's Well-tempered Clavier: In-depth Analysis and Interpretation. Siglind Bruhn. ISBN 978-962-580-018-9.
- ^ Kammerkonzerte am Bruckwald, organized by Siglind Bruhn
External links
[edit]- Living people
- 1951 births
- University of Vienna alumni
- Members of the European Academy of Sciences and Arts
- University of Michigan faculty
- German musicologists
- German women musicologists
- German classical pianists
- State University of Music and Performing Arts Stuttgart alumni
- 21st-century German classical pianists
- German women classical pianists
- Messiaen scholars
- 21st-century German women pianists