The Night Bus: Difference between revisions
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[[Image:The Night Bus (film).jpg|thumb|220px|right| <span style="font-size:90%;">(Source: [http://www.film-international.com/filmmarket/?id=3 ''Iranian Film Quarterly''])</span>]] |
[[Image:The Night Bus (film).jpg|thumb|220px|right| <span style="font-size:90%;">(Source: [http://www.film-international.com/filmmarket/?id=3 ''Iranian Film Quarterly''])</span>]] |
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⚫ | '''''The Night Bus''''' ({{langx|fa|اتوبوس شب}}; [[Transliteration]]: ''Otobus-e Shab'') is a 2007 [[Iran]]ian film directed by [[Kiomars Pourahmad|Kiumars Pourahmad]]. The film, which is in sharp [[monochrome]], relates the story of a twenty-four-hour-long journey of two young Iranian soldiers (''Issā'' and ''Emād'') and a civilian driver (''Amu Rahim'') transporting thirty-eight [[Iraq]]i prisoners of war, taken from behind the Iraqi line, to a [[garrison]] inside [[Iran]]. From the details one is informed that the [[Iran–Iraq War]] has entered into its third year. The film masterfully depicts the deep inhumanity of acts of war amongst nations by showing the shared humanity of the combatants on both sides. Some scenes of the above-mentioned garrison are reminiscent of those of the 1965 [[United Kingdom|British]] film ''[[The Hill (1965 film)|The Hill]]''. |
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'''''The Night Bus''''' ({{lang-fa|اتوبوس شب}}; [[Transliteration]]: ''Otobus-e Shab'') is an [[Iran]]ian motion picture [[Film director|directed]] by [[Kiomars Pourahmad|Kiumars Pourahmad]]. It was made in 2006 and released in 2007. |
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⚫ | The film, which is in sharp [[monochrome]], relates the story of a twenty-four-hour-long journey of two young Iranian soldiers (''Issā'' and ''Emād'') and a civilian driver (''Amu Rahim'') transporting thirty-eight [[Iraq]]i prisoners of war, taken from behind the Iraqi line, to a [[garrison]] inside [[Iran]]. From the details one is informed that the [[Iran–Iraq War]] has entered into its third year. The film masterfully depicts the deep inhumanity of acts of war amongst nations by showing the shared humanity of the combatants on both sides. Some scenes of the above-mentioned garrison are reminiscent of those of the 1965 [[United Kingdom|British]] film ''[[The Hill (film)|The Hill]]''. |
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In the film, the Iranian characters speak [[Persian language|Persian]] amongst themselves, with a variety of regional accents — emphasising the national character of the war effort, but broken [[Arabic language|Arabic]], comprehensible to a Persian-speaking person, when addressing the Iraqi prisoners. The Arabic dialogues of the film, by the prisoners, are accompanied by Persian subtitles. |
In the film, the Iranian characters speak [[Persian language|Persian]] amongst themselves, with a variety of regional accents — emphasising the national character of the war effort, but broken [[Arabic language|Arabic]], comprehensible to a Persian-speaking person, when addressing the Iraqi prisoners. The Arabic dialogues of the film, by the prisoners, are accompanied by Persian subtitles. |
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==Cast== |
==Cast== |
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[[Image:Khosrow Shakibai in The Night Bus.jpg|thumb|220px|right|Shakibā'í in the role of ''Amu Rahim'' <br /><span style="font-size:90%;">(Source: [http://www.iran.no/filmfestival.html ''Film fra sør festivalen 2007''])</span>]] |
[[Image:Khosrow Shakibai in The Night Bus.jpg|thumb|220px|right|Shakibā'í in the role of ''Amu Rahim'' <br /><span style="font-size:90%;">(Source: [http://www.iran.no/filmfestival.html ''Film fra sør festivalen 2007''])</span>]] |
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* [[Khosrow Shakibai|Khosrow Shakibā'í]]: ''Amu'' (Uncle), and at times ''Amu Rahim'' (Uncle Rahim) and ''Āghā Joon'' (Sir my soul), the bus driver. Although it is never stated, the film suggests that ''Amu Rahim's'' own son is an Iranian [[POW]] in Iraqi hands. |
* [[Khosrow Shakibai|Khosrow Shakibā'í]]: ''Amu'' (Uncle), and at times ''Amu Rahim'' (Uncle Rahim) and ''Āghā Joon'' (Sir my soul), the bus driver. Although it is never stated, the film suggests that ''Amu Rahim's'' own son is an Iranian [[POW]] in Iraqi hands. |
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* Mehrdād Sedighiān: ''Issā'' ([[Jesus]]), the 18-year-old Iranian soldier from [[Abadan]]; he is often called by ''Amu Rahim'', somewhat derogatorily, as ''Bach'cheh'' (Child, Juvenile); as the emotional bond between the two strengthens, ''Amu'' calls ''Issā'' once as ''Issā Jān'' (''Issā'' my soul). ''Issā'' has entered into military service at the age of 16, when his father was killed while defending Abadan; at the outset of the War, the father had sent his entire family, with the exception of ''Issā'', to his brother's home in another Iranian city for safety. Won the [[Asia Pacific Screen Award]] for Best Performance by an Actor for this role<ref>https://www.asiapacificscreenawards.com/apsa-nominees-winners?nomination-winner-name=nominee&apsa-year-name=2017</ref> |
* Mehrdād Sedighiān: ''Issā'' ([[Jesus]]), the 18-year-old Iranian soldier from [[Abadan]]; he is often called by ''Amu Rahim'', somewhat derogatorily, as ''Bach'cheh'' (Child, Juvenile); as the emotional bond between the two strengthens, ''Amu'' calls ''Issā'' once as ''Issā Jān'' (''Issā'' my soul). ''Issā'' has entered into military service at the age of 16, when his father was killed while defending Abadan; at the outset of the War, the father had sent his entire family, with the exception of ''Issā'', to his brother's home in another Iranian city for safety. Won the [[Asia Pacific Screen Award]] for Best Performance by an Actor for this role.<ref>{{Cite web|url=https://www.asiapacificscreenawards.com/apsa-nominees-winners?nomination-winner-name=nominee&apsa-year-name=2017|title = APSA Nominees & Winners}}</ref> |
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* [[Amir-Mohammd Zand]]: ''Emād'', the second and the more senior Iranian soldier/officer. ''Emād'' had just started studying in [[London]] when the War broke out, whereon he volunteered as an officer in the army. |
* [[Amir-Mohammd Zand]]: ''Emād'', the second and the more senior Iranian soldier/officer. ''Emād'' had just started studying in [[London]] when the War broke out, whereon he volunteered as an officer in the army. |
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* [[Elnaz Shakerdoust|Elnāz Shākerdoust]]: ''Reyhāneh'', wife of ''Emād''. She and ''Emād'', along with her parents, had been living in London. When ''Emād'' volunteered to serve in the War effort, she returned with ''Emād'' to Iran, leaving the parents in London. |
* [[Elnaz Shakerdoust|Elnāz Shākerdoust]]: ''Reyhāneh'', wife of ''Emād''. She and ''Emād'', along with her parents, had been living in London. When ''Emād'' volunteered to serve in the War effort, she returned with ''Emād'' to Iran, leaving the parents in London. |
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* [[Kourosh Soleimani]]: ''Sirvān'' (''Sirvān Foād''), an Iraqi POW from Iraq's [[Kurdistan]] and a recent medical graduate. Prior to the War, ''Sirvān'' had been studying medicine in London; he had only returned to Iraq for bringing his family into safety, but forcefully drafted into the Iraqi army. |
* [[Kourosh Soleimani]]: ''Sirvān'' (''Sirvān Foād''), an Iraqi POW from Iraq's [[Kurdistan]] and a recent medical graduate. Prior to the War, ''Sirvān'' had been studying medicine in London; he had only returned to Iraq for bringing his family into safety, but forcefully drafted into the Iraqi army. |
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* [[Ahmad Kavari]]: An Iraqi POW and a member of Iraq's [[Baath Party]]. |
* [[Ahmad Kavari]]: An Iraqi POW and a member of Iraq's [[Baath Party]]. |
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* [[Mehran |
* [[Mehran Nael]]: An Iranian [[tank]] driver from [[Esfahan]] (this as betrayed by his Esfahani accent) who despite having fought valiantly and helped capturing some tanks from Iraqis, seems to be unable to think ill of any one; he appears to live mentally in an [[Utopian]] world of his own. Although Mehrān Nātel's appearance in the film is very brief, he shows himself as another extraordinarily talented young actor of the [[Iranian cinema]]. |
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==Director== |
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* Kiumars Pourahmad |
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==Script== |
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* The film is based on a short script by Habibollah Ahmad-Zādeh (based on a true story<ref>Sayyed Mostafa Razi'i, in [[Persian language|Persian]], Mazdisa, Iranian Artists Information Center, 10 February 2008, [http://www.mazdisa.ir/News.aspx?NewsId=12a4ad46-e97f-4edd-b48e-89ed6e4a2962].</ref>), extended by Hasan Shekāri. The final script is due to Kiumars Pourahmad |
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==Camera== |
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* Mehdi Jafari (Director of Camera), Abbās Ahvāzi, Mohammad Khosravāni, Dāniāl Kamāli, Mohammad Rahimi, Ebrāhim Jafari, and Mohammd Navid |
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==Music== |
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* Fardin Khal'atbari |
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==Producer== |
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* Mehdi Homayoun-Far |
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==Production== |
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* Simā Film, 2006 (1385 AH) |
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==Run time== |
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* 90 minutes |
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==See also== |
==See also== |
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*''[[Fortune Told in Blood]]'' |
*''[[Fortune Told in Blood]]'' |
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==References== |
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==Notes and references== |
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{{reflist}} |
{{reflist}} |
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{{DEFAULTSORT:Night Bus, The}} |
{{DEFAULTSORT:Night Bus, The}} |
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[[Category:2007 films]] |
[[Category:2007 films]] |
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[[Category: |
[[Category:Films about buses]] |
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[[Category: |
[[Category:Iranian war drama films]] |
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[[Category:2000s Persian-language films]] |
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[[Category:Iran–Iraq War films]] |
[[Category:Iran–Iraq War films]] |
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[[Category:2000s war drama films]] |
Latest revision as of 20:00, 7 November 2024
The Night Bus (Persian: اتوبوس شب; Transliteration: Otobus-e Shab) is a 2007 Iranian film directed by Kiumars Pourahmad. The film, which is in sharp monochrome, relates the story of a twenty-four-hour-long journey of two young Iranian soldiers (Issā and Emād) and a civilian driver (Amu Rahim) transporting thirty-eight Iraqi prisoners of war, taken from behind the Iraqi line, to a garrison inside Iran. From the details one is informed that the Iran–Iraq War has entered into its third year. The film masterfully depicts the deep inhumanity of acts of war amongst nations by showing the shared humanity of the combatants on both sides. Some scenes of the above-mentioned garrison are reminiscent of those of the 1965 British film The Hill.
In the film, the Iranian characters speak Persian amongst themselves, with a variety of regional accents — emphasising the national character of the war effort, but broken Arabic, comprehensible to a Persian-speaking person, when addressing the Iraqi prisoners. The Arabic dialogues of the film, by the prisoners, are accompanied by Persian subtitles.
Cast
[edit]- Khosrow Shakibā'í: Amu (Uncle), and at times Amu Rahim (Uncle Rahim) and Āghā Joon (Sir my soul), the bus driver. Although it is never stated, the film suggests that Amu Rahim's own son is an Iranian POW in Iraqi hands.
- Mehrdād Sedighiān: Issā (Jesus), the 18-year-old Iranian soldier from Abadan; he is often called by Amu Rahim, somewhat derogatorily, as Bach'cheh (Child, Juvenile); as the emotional bond between the two strengthens, Amu calls Issā once as Issā Jān (Issā my soul). Issā has entered into military service at the age of 16, when his father was killed while defending Abadan; at the outset of the War, the father had sent his entire family, with the exception of Issā, to his brother's home in another Iranian city for safety. Won the Asia Pacific Screen Award for Best Performance by an Actor for this role.[1]
- Amir-Mohammd Zand: Emād, the second and the more senior Iranian soldier/officer. Emād had just started studying in London when the War broke out, whereon he volunteered as an officer in the army.
- Elnāz Shākerdoust: Reyhāneh, wife of Emād. She and Emād, along with her parents, had been living in London. When Emād volunteered to serve in the War effort, she returned with Emād to Iran, leaving the parents in London.
- Mohammad-Reza Foroutan: Fārouq (Fārouq Abd al-Amir), an Iraqi POW whose father is Iraqi and mother Iranian. It turns out that two of Fārouq's brothers are on the run from the henchmen of Saddam Hossein and a third brother and a sister are in Saddam Hossein's jails, awaiting execution.
- Kourosh Soleimani: Sirvān (Sirvān Foād), an Iraqi POW from Iraq's Kurdistan and a recent medical graduate. Prior to the War, Sirvān had been studying medicine in London; he had only returned to Iraq for bringing his family into safety, but forcefully drafted into the Iraqi army.
- Ahmad Kavari: An Iraqi POW and a member of Iraq's Baath Party.
- Mehran Nael: An Iranian tank driver from Esfahan (this as betrayed by his Esfahani accent) who despite having fought valiantly and helped capturing some tanks from Iraqis, seems to be unable to think ill of any one; he appears to live mentally in an Utopian world of his own. Although Mehrān Nātel's appearance in the film is very brief, he shows himself as another extraordinarily talented young actor of the Iranian cinema.
See also
[edit]- Iran–Iraq War
- Persepolis (banned in Iran)
- Fortune Told in Blood
References
[edit]External links
[edit]- Elizabeth Kerr, Night Bus, The Hollywood Reporter, 8 October 2007, [1].
- Elizabeth Kerr, Night Bus, The Jameson Dublin International Film Festival, 15–24 February 2008, [2].
- 18th Annual Festival of Films from Iran, October 6 — November 5, 2007, Gene Siskel Film Center, Chicago's Premier Movie Theater, [3].
- A Photo Reportage of The Night Bus, Āftāb, Friday 9 February 2007, (1), (2).
- Travelling with Pourahmad in "The Night Bus", in Persian, Tebyan, Sunday 2 December 2007, reprinted from Ruz'nāme-ye Iran (Iran Newspaper), [4].
- Night Bus, Film International, Iranian Film Quarterly, 2007, [5].
- Night Bus (Otobus-e Shab), Flanders 35th International Film Festival, Ghent, 7–18 October 2008, [6].