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{{Short description|American jazz trumpeter and bandleader (1908–1942)}}
{{Refimprove|article|date=July 2011}}
{{Infobox musical artist
{{Infobox musical artist
| name = Bunny Berigan
| name = Bunny Berigan
| image = Bunny Berrigan.jpg
| image = Bunny Berrigan.jpg
| caption =
| caption =
| image_size =
| image_size =
| background = solo_singer
| birth_name = Roland Bernard Berigan
| birth_name = Roland Bernard Berigan
| alias =
| alias =
| birth_date = {{Birth date|1908|11|2}}
⚫
| birth_place = [[Hilbert, Wisconsin]], U.S.
| birth_date = {{Birth date|1908|11|2}}
| death_date = {{Death date and age|1942|6|2|1908|11|2}}
⚫
| birth_place = [[Hilbert, Wisconsin]], United States
| death_place = New York City, U.S.
| death_date = {{Death date and age|1942|6|2|1908|11|2}}
| death_place = [[New York City]], United States
| origin =
| origin =
| instrument = Trumpet, vocals
| instrument = Trumpet, vocals
| genre = [[Jazz]]
| genre = [[Jazz]]
| occupation = Musician, bandleader
| years_active = 1930–1942
| occupation = Musician, bandleader
| years_active = 1930-1942
| label =
| associated_acts =
| label =
| associated_acts =
| website =
| website =
| notable_instruments =
}}
}}

'''Roland Bernard''' "'''Bunny'''" '''Berigan''' (November 2, 1908 – June 2, 1942) was an American [[jazz]] trumpeter and bandleader who rose to fame during the [[swing era]], but whose career and influence were shortened by a losing battle with [[alcoholism]] that ended with his early death at age 33 from [[cirrhosis]]. Although he composed some jazz instrumentals such as "Chicken and Waffles" and "Blues", Berigan was best known for his virtuoso jazz trumpeting. His 1937 classic recording "[[I Can't Get Started]]" was inducted into the [[Grammy Hall of Fame Award|Grammy Hall of Fame]] in 1975.
'''Roland Bernard''' "'''Bunny'''" '''Berigan''' (November 2, 1908 – June 2, 1942) was an American [[jazz]] trumpeter and bandleader who rose to fame during the [[swing era]].<ref name="LarkinJazz">{{cite book|title=[[Encyclopedia of Popular Music|The Guinness Who's Who of Jazz]]|editor=[[Colin Larkin (writer)|Colin Larkin]]|publisher=[[Guinness Publishing]]|date=1992|edition=First|isbn=0-85112-580-8|pages=44/5}}</ref> His career and influence were shortened by alcoholism, and ended with his early demise at the age of 33 from [[cirrhosis]]. Although he composed some jazz instrumentals such as "Chicken and Waffles" and "Blues", Berigan was best known for his virtuoso jazz trumpeting. His 1937 classic recording "[[I Can't Get Started]]" was inducted into the [[Grammy Hall of Fame Award|Grammy Hall of Fame]] in 1975.


==Early life and career==
==Early life and career==
Berigan was born in [[Hilbert, Wisconsin]],<ref>[http://www.oldies.com/artist-view/Bunny-Berigan.html Bunny Berigan : OLDIES.com<!-- bot-generated title -->] at www.oldies.com</ref> the son of William Patrick Berigan and Mary Catherine (Mayme) Schlitzberg, and raised in [[Fox Lake, Wisconsin|Fox Lake]].<ref name="Bunny Berigan Jazz Jubilee">{{cite web|url= http://www.bunnyberiganjazzjubilee.com/|title= Bunny Berigan Jazz Jubilee|publisher= Bunny Berigan Jazz Jubilee|accessdate= May 19, 2014}}</ref> Having learned the violin and trumpet by 14, Berigan played in local orchestras by his mid-teens. He attended the University of Wisconsin, teaching trumpet and playing in dance bands after school hours before joining the successful [[Hal Kemp]] orchestra in 1930{{Citation needed|reason=Reliable source needed for the whole sentence|date=November 2016}}. His first recorded trumpet solos came with it, which toured England and a few other European countries later that year. He also appeared as featured soloist with bands fronted by [[Rudy Vallee]], [[Tommy Dorsey]], [[Abe Lyman]], [[Paul Whiteman]] and [[Benny Goodman]].{{citation needed|date=February 2016}}
Berigan was born in [[Hilbert, Wisconsin]],<ref>[http://www.oldies.com/artist-view/Bunny-Berigan.html Bunny Berigan], Oldies.com</ref> the son of William Patrick Berigan and Mary Catherine (Mayme) Schlitzberg, and raised in [[Fox Lake, Wisconsin|Fox Lake]].<ref name="Bunny Berigan Jazz Jubilee">{{cite web|url= http://www.bunnyberiganjazzjubilee.com/|title= Bunny Berigan Jazz Jubilee|website= Bunnyberiganjazzjubilee.com|access-date= May 19, 2014}}</ref> Having learned the violin and trumpet, Berigan started his career playing with local bands as a teenager, including the University of Wisconsin's jazz ensemble (although he never actually went to college). After first trying out for the Hal Kemp Orchestra and being rejected he joined the band in late 1929.<ref name="Yanow">{{Cite news|url=https://syncopatedtimes.com/bunny-berigan-profiles-in-jazz/|title=Bunny Berigan: Profiles in Jazz|last=Yanow|first=Scott|newspaper=The Syncopated Times|access-date=2019-11-01}}</ref> His first recorded trumpet solos were with the orchestra, which toured England and a few other European countries in 1930. He also appeared as featured soloist with bands fronted by [[Rudy Vallee]], [[Tommy Dorsey]], [[Abe Lyman]], [[Paul Whiteman]] and [[Benny Goodman]].<ref name="LarkinJazz"/>


Shortly after the Kemp unit returned to the U.S. in late 1930, Berigan, like fellow trumpeter [[Manny Klein]], the [[Dorsey Brothers]] and [[Artie Shaw]], became a sought-after [[studio musician]] in New York. [[Fred Rich]], [[Freddy Martin]] and [[Ben Selvin]] were just some conductors who sought his services for record dates. He joined the staff of CBS radio network musicians in early 1931. Berigan recorded his first vocal, "[[At Your Command]]", with Rich that year. From late 1932 through early 1934, Berigan was a member of Paul Whiteman's orchestra, before playing with Abe Lyman's band briefly in 1934.
Shortly after the Kemp orchestra returned to the U.S. in late 1930, Berigan, like fellow trumpeter [[Mannie Klein]], the [[Dorsey Brothers]] and [[Artie Shaw]], became a sought-after [[studio musician]] in New York. [[Fred Rich]], [[Freddy Martin]] and [[Ben Selvin]] sought his services for record dates. He joined the staff of CBS radio network musicians in early 1931. Berigan recorded his first vocal, "[[At Your Command]]", with Rich that year. From late 1932 through early 1934, Berigan was a member of Paul Whiteman's orchestra,<ref name="LarkinJazz"/> before playing with Abe Lyman's band briefly in 1934.{{Citation needed |date=September 2021}}


He returned to freelancing in the New York recording studios and working on staff at CBS radio in 1934. He recorded as a sideman on hundreds of commercial records, most notably with the Dorsey Brothers and on [[Glenn Miller]]'s earliest recording date as a leader in 1935, playing on "[[Solo Hop]]". At the same time, however, Berigan made an association that began his ascent to fame in his own right: he joined Benny Goodman's Swing band. Legendary jazz talent scout and producer [[John Hammond (producer)|John H. Hammond]], who also became Goodman's brother-in-law in due course, later wrote that he helped persuade [[Gene Krupa]] to re-join Goodman, with whom he had had an earlier falling-out, by mentioning that Berigan, whom Krupa admired, was already committed to the new ensemble. With Berigan and Krupa both on board, the Goodman band made the legendary, often disheartening tour that ended with their unexpectedly headline-making stand at the [[Palomar Ballroom]] in [[Los Angeles]], the stand often credited with the "formal" launch of the [[swing era]].<ref name=Clarke>[[Donald Clarke (writer)|Clarke, Donald]]. [http://www.donaldclarkemusicbox.com/rise-and-fall/detail.php?c=10 ''The Rise and Fall of Popular Music (A polemical history).'' Chapter 9: The Swing Era Begins]. Retrieved on June 18, 2009.</ref> Berigan recorded a number of classic solos while with Goodman, including on "King Porter Stomp", "Sometimes I'm Happy", and "Blue Skies".
He returned to freelancing in the New York recording studios and working on staff at CBS radio in 1934. He recorded as a sideman on hundreds of commercial records, most notably with the Dorsey Brothers and on [[Glenn Miller]]'s earliest recording as a leader in 1935, playing on "[[Solo Hop]]". At the same time, Berigan joined Benny Goodman's Swing Band.<ref name="LarkinJazz"/> Jazz talent scout and producer [[John Hammond (producer)|John H. Hammond]], who also became Goodman's brother-in-law, later wrote that he helped persuade [[Gene Krupa]] to re-join Goodman, with whom he had had an earlier falling-out, by mentioning that Berigan, whom Krupa admired, was already committed to the new ensemble. With Berigan and Krupa both on board, the Goodman band made the tour that ended at the [[Palomar Ballroom]] in [[Los Angeles]],<ref name="LarkinJazz"/> the performance often credited with the launch of the [[swing era]].<ref name=Clarke>[[Donald Clarke (writer)|Clarke, Donald]]. [http://www.donaldclarkemusicbox.com/rise-and-fall/detail.php?c=10 ''The Rise and Fall of Popular Music (A polemical history)''. Chapter 9: The Swing Era Begins]. Retrieved June 18, 2009.</ref> Berigan recorded a number of solos while with Goodman, including "King Porter Stomp", "Sometimes I'm Happy", and "Blue Skies".


===Fame===
===Fame===
Berigan left Goodman to return again to freelancing as a recording and radio musician in Manhattan. During this time (late 1935 and throughout 1936), he began to record regularly under his own name, and continued to back singers such as [[Bing Crosby]], [[Mildred Bailey]], and [[Billie Holiday]]. He spend some time with [[Tommy Dorsey]]'s orchestra in late 1936 and early 1937, working as a jazz soloist on Dorsey's radio program and on several records. His solo on the Dorsey hit recording "Marie" became considered one of his signature performances. In 1937, Berigan assembled a band to record and tour under his name, picking the then-little known [[Ira Gershwin]]/[[Vernon Duke]] composition, "[[I Can't Get Started]]" as his theme song. He made three attempts to organize a band of his own, his last try meeting success, playing trumpet in nearly every number while directing the band. Berigan's bravura trumpet work and curiously attractive vocal made his recorded performance of it for Victor the biggest hit of his career. Berigan modeled his trumpet style in part on [[Louis Armstrong]]'s, and often acknowledged Armstrong as his idol. Still, his trumpet sound and jazz ideas were unique, earning Armstrong's praise both before and after Berigan's death.
Berigan left Goodman to return again to freelancing as a recording and radio musician in Manhattan. During this time (late 1935 and throughout 1936), he began to record regularly under his own name, and he continued to back singers such as [[Bing Crosby]], [[Mildred Bailey]], and [[Billie Holiday]]. He spent some time with [[Tommy Dorsey]]'s orchestra in late 1936 and early 1937, working as a jazz soloist on Dorsey's radio program and on several records. His solo on the Dorsey hit recording "Marie" became one of his signature performances. In 1937, Berigan assembled a band to record and tour under his name, picking the then-little known [[Ira Gershwin]]–[[Vernon Duke]] composition "[[I Can't Get Started]]" as his theme song.<ref name="LarkinJazz"/> He made three attempts to organize a band of his own, his last try meeting success, playing trumpet in nearly every number while directing the band. Berigan's trumpet work and vocal made his recorded performance of it for Victor the biggest hit of his career.<ref name="LarkinJazz"/> Berigan modeled his trumpet style in part on [[Louis Armstrong]]'s, and he often acknowledged Armstrong as his idol.<ref name="LarkinJazz"/> Still, his trumpet sound and jazz ideas were unique, earning Armstrong's praise both before and after Berigan's death.


==Bandleader==
==Bandleader==
Berigan got the itch to lead his own band full-time and did so from early 1937 until June 1942, with one six-month hiatus in 1940, when he became a sideman in Tommy Dorsey's band. Some of the records he made with his own bands were equal in quality to the sides he cut with Goodman and Dorsey. But a series of misfortunes as well as Berigan's alcoholism worked against his financial success as a bandleader. Bunny also began a torrid affair with singer [[Lee Wiley]] in 1936, which lasted into 1940. The various stresses of bandleading drove Berigan to drink even more heavily. Nevertheless, musicians considered him an excellent bandleader. Among the notable players who worked in the Berigan band were: drummers [[Buddy Rich]], [[Dave Tough]], [[George Wettling]], Johnny Blowers, and [[Jack Sperling]]; alto saxophonists/clarinetists [[Gus Bivona]], Joe Dixon, and Andy Fitzgerald; vocalists [[Danny Richards]], [[Ruth Bradley]] and [[Kathleen Lane]]; pianist [[Joe Bushkin]], trombonist/arranger [[Ray Conniff]], trombonist Sonny Lee; bassists [[Hank Wayland]], and [[Morty Stulmaker]], trumpeters Carl [["Bama" Warwick]], [[Steve Lipkins]], and Les Elgart; tenor saxophonists [[Georgie Auld]],and Don Lodice; and pianist/arranger [[Joe Lippman]].
Berigan led his own band full-time from early 1937 until June 1942, with a six-month hiatus in 1940 as a sideman in Tommy Dorsey's band.<ref name="LarkinJazz"/> A series of misfortunes and Berigan's alcoholism worked against his financial success as a bandleader. Berigan also began an affair with singer [[Lee Wiley]] in 1936, which lasted into 1940. The stresses of bandleading drove Berigan to drink even more heavily. Among the players who worked in the Berigan band were: drummers [[Buddy Rich]], [[Dave Tough]], [[George Wettling]], [[Johnny Blowers]] and [[Jack Sperling]]; alto saxophonists and clarinetists [[Gus Bivona]], Joe Dixon and Andy Fitzgerald; vocalists [[Danny Richards]], [[Ruth Bradley]] and [[Kathleen Lane]]; pianist [[Joe Bushkin]]; trombonist and arranger [[Ray Conniff]]; trombonist Sonny Lee; bassists [[Hank Wayland]] and Morty Stulmaker; trumpeters [[Carl Warwick (musician)|Carl Warwick]], Steve Lipkins and [[Les Elgart]]; tenor saxophonists [[Georgie Auld]] and Don Lodice; and pianist and arranger [[Joe Lipman]].<ref name="Yanow"/>


Berigan was regularly featured on [[CBS Radio]]'s ''Saturday Night Swing Club'' broadcasts from 1936 into 1937. This network radio show helped further popularize jazz as the swing era reached its apogee. For the balance of the 1930s, he sometimes appeared on this program as a guest.
Berigan was regularly featured on [[CBS Radio]]'s ''Saturday Night Swing Club'' broadcasts from 1936 into 1937. This network radio show helped further popularize jazz as the swing era reached its peak. For the balance of the 1930s, he sometimes appeared on this program as a guest.

In the late 1930s, Berigan's drinking and consequent health problems may have contributed to his band's chronic financial and booking difficulties.<ref>[https://bunnyberiganmrtrumpet.com/2018/11/21/change-partners-1938-bunny-berigan/ Mr. Trumpet. The Trials, Tribulation and Triumph of Bunny Berigan], ''The Scarecrow Press'', Michael P. Zirpolo. Retrieved September 26, 2021.</ref><ref>{{Citation | last1 = Zirpolo | first1 = Michael P. | title = Mr. Trumpet. The Trials, Tribulation and Triumph of Bunny Berigan | place = New York | publisher = [[The Scarecrow Press]] | pages = | date = 2011 | isbn = }}</ref>


==Final years and death==
==Final years and death==
Berigan's business troubles drove him to declare bankruptcy in 1939, and shortly after to join [[Tommy Dorsey]] as a featured jazz soloist. By September 1940, Berigan briefly led a new small group, but soon reorganized a touring big band. Berigan led moderately successful big bands from the fall of 1940 into early 1942, and was on the comeback trail when his health declined alarmingly. In April 20, 1942, while on tour, Berigan was hospitalized with [[pneumonia]] in Allegheny General Hospital [[Pittsburgh, Pennsylvania]] until May 8. But his doctors discovered worse news: that cirrhosis had severely damaged his liver. He was advised to stop drinking and stop playing the trumpet for an undetermined length of time. Berigan couldn't do either. He returned to his band on tour, and played for a few weeks before he returned to the Van Cortlandt Hotel where he made his home in [[New York City]] and suffered a massive [[hemorrhage]] on May 31, 1942. He died two days later in Polyclinic Hospital, New York, at age 33.<ref>{{cite news|title=Bunny Berigan Dies Suddenly|url=https://www.newspapers.com/clip/4369374/bunny_berigan_19081942/|newspaper=The Kane Republican|date=June 2, 1942|page=1|via = [[Newspapers.com]]|accessdate =February 20, 2016 }} {{Open access}}</ref> He was survived by his wife, Donna, and his two young daughters, Patricia, 10, and Joyce, 6.<ref>{{cite news |first= |last= |authorlink= |coauthors= |title=Bunny Berigan, Orchestra Leader. Noted Trumpet Player, Who Since 14 Supported Himself as a Performer, Dead. |url=http://select.nytimes.com/gst/abstract.html?res=F60C11FD3C5E17738DDDAA0894DE405B8288F1D3 |quote=Don Palmery manager of the Bunny Berigan band, said that in compliance with Mr. Berigan's wish, his band will be kept intact under the Berigan name, ... |work=[[New York Times]] |date=June 3, 1942|accessdate=2008-10-04 }}</ref><ref>{{cite news |first= |last= |authorlink= |coauthors= |title=Died |url=http://www.time.com/time/magazine/article/0,9171,795840,00.html |quote=Bernard ("Bunny") Berigan, 33, veteran trumpet virtuoso, topnotch tooter of the jazz and swing eras; of an intestinal ailment aggravated by trumpeting; in Manhattan. He began as a boy musician, appeared with name bands when he was 18, soloed with Paul Whiteman, Tommy Dorsey, Benny Goodman, organized his own band in 1937. |work=[[Time magazine]] |date=June 15, 1942 |accessdate=2008-10-04 }}</ref> Funeral services were conducted Jun 3 at [[Saint Malachy's Roman Catholic Church|St. Malachy's Church]], New York.<ref>Billboard, June 13, 1942</ref> He was buried in St. Mary's Cemetery south of Fox Lake.<ref>{{cite web|url=http://www.wisconsinhistory.org/dictionary/index.asp?action=view&term_id=14712&search_term=berigan|title=Term: Berigan, Bernard R. "Bunny" (1908-1942)(Historic Marker Erected 1996)|author=Wisconsin Historical Society|work=Dictionary of Wisconsin History|accessdate=2009-04-27}}</ref>
Berigan's business troubles drove him to declare [[bankruptcy]] in 1939, and shortly after to join [[Tommy Dorsey]] as a featured jazz soloist.<ref name="LarkinJazz"/> By September 1940, Berigan briefly led a new small group, but soon reorganized a touring big band. Berigan led moderately successful big bands from the fall of 1940 into early 1942, and was on the comeback trail when his health declined alarmingly. On April 20, 1942, while on tour, Berigan was hospitalized with pneumonia<ref name="LarkinJazz"/> in Allegheny General Hospital [[Pittsburgh, Pennsylvania]], until May 8. His doctors discovered that cirrhosis had severely damaged his liver. He was advised to stop drinking and stop playing the trumpet for an undetermined length of time. Berigan did not do either. He returned to his band on tour and played for a few weeks before he returned to his home at the Van Cortlandt Hotel on 49th Street, in New York City, where he suffered a massive [[Bleeding|hemorrhage]] on May 31, 1942.<ref name="LarkinJazz"/> He died two days later in [[Stuyvesant Polyclinic|Stuyvesant Polyclinic Hospital]], New York, at age 33.<ref>{{cite news|title=Bunny Berigan Dies Suddenly|url=https://www.newspapers.com/clip/4369374/bunny_berigan_19081942/|newspaper=The Kane Republican|date=June 2, 1942|page=1|via = [[Newspapers.com]]|access-date =February 20, 2016 }} {{Open access}}</ref><ref>{{cite news |title=Bunny Berigan, Orchestra Leader. Noted Trumpet Player, Who Since 14 Supported Himself as a Performer, Dead. |url=https://www.nytimes.com/1942/06/03/archives/buhnyberigana-orchestra-leader-noted-trumpet-player-who-since.html |work=[[The New York Times]] |date=June 3, 1942|access-date=2008-10-04 }}</ref><ref>{{cite news |title=Died |url=http://www.time.com/time/magazine/article/0,9171,795840,00.html |archive-url=https://web.archive.org/web/20090114074809/http://www.time.com/time/magazine/article/0,9171,795840,00.html |url-status=dead |archive-date=January 14, 2009 |work=[[Time magazine]] |date=June 15, 1942 |access-date=2008-10-04 }}</ref>
Funeral services were conducted June 3 at [[Saint Malachy's Roman Catholic Church]] in New York.<ref>Billboard, June 13, 1942</ref> He was buried in St. Mary's Cemetery south of [[Fox Lake, Wisconsin]].<ref>{{cite web|url=http://www.wisconsinhistory.org/dictionary/index.asp?action=view&term_id=14712&search_term=berigan|title=Term: Berigan, Bernard R. "Bunny" (1908-1942)(Historic Marker Erected 1996)|author=Wisconsin Historical Society|work=Dictionary of Wisconsin History|access-date=2009-04-27}}</ref>


==Legacy==
==Legacy==
In compliance with Berigan's wish, the band was kept intact under his name. Mrs. Donna Berigan, his widow, maintained his financial interest in it. Tenor sax player [[Vido Musso]] became the leader.
In compliance with Berigan's wish, the band was kept intact under his name. Donna Berigan, his widow, maintained his financial interest in it. Tenor sax player [[Vido Musso]] became the leader.{{Citation needed |date=September 2021}}


In 1938, Victor Records released a [[Memorial Album (Bunny Berigan album)|compilation of Berigan's recordings]] as bandleader.<ref>{{Citation |last=Bunny Berigan and his Orchestra |title=Bunny Berigan Memorial Album |date=1938-11-22 |url=https://archive.org/details/78_frankie-and-johnnie_bunny-berigan-and-his-orchestra-ira-gershwin-vernon-duke-b-ber_gbia0020054 |access-date=2024-09-09 |others=Internet Archive |publisher=Victor |language=English |last2=Ira Gershwin |last3=Vernon Duke |last4=B. Berigan |last5=I. Goodman |last6=S. Lipkins |last7=A. George |last8=S. Lee |last9=M. Doty}}</ref>
⚫
His 1937 recording of "I Can't Get Started" was used in the film ''[[Save the Tiger]]'' (1973), the [[Roman Polanski]] film ''[[Chinatown (1974 film)|Chinatown]]'' (1974), and a [[Martin Scorsese]] short film,''[[The Big Shave]]'' (1967). [[Woody Allen]] has used Berigan's music occasionally in his films. In 2010, his Victor recording of "Heigh-Ho" was used on a [[Gap Inc.]] clothing TV commercial. Berigan's name has been used frequently in the comic strip ''[[Crankshaft (comic strip)|Crankshaft]]''. [[Fox Lake, Wisconsin]] has kept his memory and influence alive with an annual Bunny Berigan Jazz Jubilee since the early 1970s.<ref name="Bunny Berigan Jazz Jubilee"/> Most of Berigan's recordings are currently available, and two full-length biographies of him have been published.

⚫
His 1937 recording of "I Can't Get Started" was used in the film ''[[Save the Tiger]]'' (1973), the [[Roman Polanski]] film ''[[Chinatown (1974 film)|Chinatown]]'' (1974), and a [[Martin Scorsese]] short film, ''[[The Big Shave]]'' (1967). [[Woody Allen]] has used Berigan's music occasionally in his films. In 2010, his Victor recording of "Heigh-Ho" was used on a [[Gap Inc.]] clothing TV commercial. Berigan's name has been used frequently in the comic strip ''[[Crankshaft (comic strip)|Crankshaft]]''.

Starting in 1974,<ref>{{Cite web|last=Flemming|first=Julie|title=Bunny Berigan Jazz Jubilee entertains and educates|url=https://www.wiscnews.com/news/local/bunny-berigan-jazz-jubilee-entertains-and-educates/article_303abf66-a2df-5d37-a6c1-3ee2d0919b52.html|access-date=2021-03-10|website=Wiscnews.com|date=12 May 2014 |language=en}}</ref> [[Fox Lake, Wisconsin]] held an annual Bunny Berigan Jazz Jubilee originally organized by Berigan's daughter, Joyce Hansen, until she was incapacitated by Alzheimer's disease, and then by Julie Fleming. The final Jubilee was held in 2018.<ref>{{Cite web|last=Bartlett|first=Tom|title=Bunny Berigan Jazz Jubilee goes out with a Bang – The Syncopated Times|url=https://syncopatedtimes.com/bunny-berigan-jazz-jubilee-goes-out-with-a-bang/|access-date=2021-03-10|website=syncopatedtimes.com|date=30 May 2018 |language=en-US}}</ref> Most of Berigan's recordings are available, and two full-length biographies of him have been published.


==Top compositions==
==Top compositions==
Bunny Berigan's top compositions (really informally created jam tunes) include "Chicken and Waffles", released as Decca 18117 in 1935 as by Bunny's Blue Boys, and "Blues", released in 1935 as Decca 18116, also with the Blue Boys. (This 1935 session was produced by [[John H. Hammond|John Hammond]] at Decca for, and initially appeared only in, the UK on Parlophone. The Decca issues listed were part of a 4 pocket album set issued in the 1940s during the recording ban.)
Berigan's top compositions include "[[Chicken and waffles]]", released as Decca 18117 in 1935 as by Bunny's Blue Boys, and "Blues", released in 1935 as Decca 18116, also with the Blue Boys. (This 1935 session was produced by [[John H. Hammond]] at Decca for issue in the UK on Parlophone. The Decca releases were part of a four-pocket album set issued in the 1940s during the [[1942–44 musicians' strike]].)<ref>{{cite news |url=https://kenhagel.wordpress.com/2014/11/28/chicken-and-waffles-bunny-berigan-and-his-blue-boys-1935/ |title="Chicken And Waffles" – Bunny Berigan And His Blue Boys (1935) |date=November 28, 2014 |access-date=September 27, 2021 |last=Hagel |first=Ken |work=Jazz Between the Wars |archive-date=August 13, 2020 |archive-url=https://web.archive.org/web/20200813200711/https://kenhagel.wordpress.com/2014/11/28/chicken-and-waffles-bunny-berigan-and-his-blue-boys-1935/ |url-status=dead }}</ref><ref>{{cite web |url=https://www.discogs.com/Bunny-Berigan-And-His-Blue-Boys-You-Took-Advantage-Of-Me-Chicken-And-Waffles-/release/8355013 |title=Bunny Berigan And His Blue Boys – You Took Advantage Of Me / Chicken And Waffles |work=Discogs |publisher= Zink Media, Inc. |access-date=September 27, 2021}}</ref>


==Honors==
==Honors==
In 1975, Berigan's 1937 recording "I Can't Get Started" on Victor (25728-A) was inducted into the [[Grammy Hall of Fame]].<ref>[https://www.jazzstandards.com/compositions-0/icantgetstarted.htm I Can't Get Started (with You) (1935)], ''Jazz Standards.com'', Chis Tyle. Retrieved September 29, 2021.</ref> Berigan was inducted in the ASCAP Jazz Wall of Fame in 2008.<ref>{{Cite web|url=http://www.ascap.com/eventsawards/awards/jazzwall/2008/index.aspx|title=2008 Inductees: ASCAP Jazz Wall of Fame|website=Ascap.com|access-date=July 24, 2021}}</ref>


==Personal life==
In 1975, Bunny Berigan's 1937 recording "I Can't Get Started" on Victor (25728-A) was inducted into the Grammy Hall of Fame.
Bunny's youngest daughter, Joyce "Jo," was born on April 22, 1936, and died on July 4, 2011.<ref>[https://www.legacy.com/us/obituaries/fdlreporter/name/joyce-berigan-hansen-obituary?pid=152632927 Joyce Berigan-Hansen], ''[[The Reporter (Fond du Lac, Wisconsin)|Fond Du Lac Reporter]]'', July 19, 2011, Retrieved September 27, 2021.</ref> Her older sister, Patricia, was born in New York City on July 23, 1932, and died on December 8, 1998.<ref>[https://digicoll.library.wisc.edu/cgi-bin/WI/WI-idx Bunny Berigan of Fox Lake - Obit of Patricia Slavin], ''The State of Wisconsin Collection - Digital Archives.'' Retrieved September 26, 2021.</ref>

He was inducted in the ASCAP Jazz Wall of Fame in 2008.
<ref>[http://www.ascap.com/eventsawards/awards/jazzwall/2008/index.aspx 2008 Inductees: ASCAP Jazz Wall of Fame.]</ref>


==References==
==References==
{{reflist|2}}
{{Reflist}}


==Further reading==
==Further reading==
* "Mr. Trumpet...the Trials, Tribulations and Triumph of Bunny Berigan," by Michael P. Zirpolo, Scarecrow Press (2011).
* ''Mr. Trumpet...the Trials, Tribulations and Triumph of Bunny Berigan'', by Michael P. Zirpolo, Scarecrow Press (2011).
* "Bunny Berigan...Elusive Legend of Jazz," by Robert Dupuis, Louisiana State University Press, (1993).
* ''Bunny Berigan...Elusive Legend of Jazz'', by Robert Dupuis, Louisiana State University Press, (1993).


==External links==
==External links==
*[http://uwdc.library.wisc.edu/collections/WI/BunnyBerigan Bunny Berigan, Fox Lake's Own], historical materials from the University of Wisconsin Digital Collections
*[http://uwdc.library.wisc.edu/collections/WI/BunnyBerigan Bunny Berigan, Fox Lake's Own], historical materials from the University of Wisconsin Digital Collections
*{{Find a Grave|26017954|Bernard "Bunny" Berigan}}
*{{Find a Grave|26017954|Bernard "Bunny" Berigan}}
* [https://adp.library.ucsb.edu/names/103346 Bunny Berigan Orchestra recordings] at the [[Discography of American Historical Recordings]].

*''[https://www.mosaicrecords.com/the-great-jazz-artists/bunny-berigan/ Richard M. Sudhalter- The Complete Brunswick, Parlophone and Vocalion Bunny Berigan Sessions (Mosaic Records)]''
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{{Authority control}}


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[[Category:Benny Goodman Orchestra members]]
[[Category:Benny Goodman Orchestra members]]
[[Category:20th-century American singers]]
[[Category:20th-century American singers]]
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[[Category:20th-century American trumpeters]]
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Latest revision as of 20:11, 7 November 2024

Bunny Berigan
Background information
Birth nameRoland Bernard Berigan
Born(1908-11-02)November 2, 1908
Hilbert, Wisconsin, U.S.
DiedJune 2, 1942(1942-06-02) (aged 33)
New York City, U.S.
GenresJazz
Occupation(s)Musician, bandleader
Instrument(s)Trumpet, vocals
Years active1930–1942

Roland Bernard "Bunny" Berigan (November 2, 1908 – June 2, 1942) was an American jazz trumpeter and bandleader who rose to fame during the swing era.[1] His career and influence were shortened by alcoholism, and ended with his early demise at the age of 33 from cirrhosis. Although he composed some jazz instrumentals such as "Chicken and Waffles" and "Blues", Berigan was best known for his virtuoso jazz trumpeting. His 1937 classic recording "I Can't Get Started" was inducted into the Grammy Hall of Fame in 1975.

Early life and career

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Berigan was born in Hilbert, Wisconsin,[2] the son of William Patrick Berigan and Mary Catherine (Mayme) Schlitzberg, and raised in Fox Lake.[3] Having learned the violin and trumpet, Berigan started his career playing with local bands as a teenager, including the University of Wisconsin's jazz ensemble (although he never actually went to college). After first trying out for the Hal Kemp Orchestra and being rejected he joined the band in late 1929.[4] His first recorded trumpet solos were with the orchestra, which toured England and a few other European countries in 1930. He also appeared as featured soloist with bands fronted by Rudy Vallee, Tommy Dorsey, Abe Lyman, Paul Whiteman and Benny Goodman.[1]

Shortly after the Kemp orchestra returned to the U.S. in late 1930, Berigan, like fellow trumpeter Mannie Klein, the Dorsey Brothers and Artie Shaw, became a sought-after studio musician in New York. Fred Rich, Freddy Martin and Ben Selvin sought his services for record dates. He joined the staff of CBS radio network musicians in early 1931. Berigan recorded his first vocal, "At Your Command", with Rich that year. From late 1932 through early 1934, Berigan was a member of Paul Whiteman's orchestra,[1] before playing with Abe Lyman's band briefly in 1934.[citation needed]

He returned to freelancing in the New York recording studios and working on staff at CBS radio in 1934. He recorded as a sideman on hundreds of commercial records, most notably with the Dorsey Brothers and on Glenn Miller's earliest recording as a leader in 1935, playing on "Solo Hop". At the same time, Berigan joined Benny Goodman's Swing Band.[1] Jazz talent scout and producer John H. Hammond, who also became Goodman's brother-in-law, later wrote that he helped persuade Gene Krupa to re-join Goodman, with whom he had had an earlier falling-out, by mentioning that Berigan, whom Krupa admired, was already committed to the new ensemble. With Berigan and Krupa both on board, the Goodman band made the tour that ended at the Palomar Ballroom in Los Angeles,[1] the performance often credited with the launch of the swing era.[5] Berigan recorded a number of solos while with Goodman, including "King Porter Stomp", "Sometimes I'm Happy", and "Blue Skies".

Fame

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Berigan left Goodman to return again to freelancing as a recording and radio musician in Manhattan. During this time (late 1935 and throughout 1936), he began to record regularly under his own name, and he continued to back singers such as Bing Crosby, Mildred Bailey, and Billie Holiday. He spent some time with Tommy Dorsey's orchestra in late 1936 and early 1937, working as a jazz soloist on Dorsey's radio program and on several records. His solo on the Dorsey hit recording "Marie" became one of his signature performances. In 1937, Berigan assembled a band to record and tour under his name, picking the then-little known Ira Gershwin–Vernon Duke composition "I Can't Get Started" as his theme song.[1] He made three attempts to organize a band of his own, his last try meeting success, playing trumpet in nearly every number while directing the band. Berigan's trumpet work and vocal made his recorded performance of it for Victor the biggest hit of his career.[1] Berigan modeled his trumpet style in part on Louis Armstrong's, and he often acknowledged Armstrong as his idol.[1] Still, his trumpet sound and jazz ideas were unique, earning Armstrong's praise both before and after Berigan's death.

Bandleader

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Berigan led his own band full-time from early 1937 until June 1942, with a six-month hiatus in 1940 as a sideman in Tommy Dorsey's band.[1] A series of misfortunes and Berigan's alcoholism worked against his financial success as a bandleader. Berigan also began an affair with singer Lee Wiley in 1936, which lasted into 1940. The stresses of bandleading drove Berigan to drink even more heavily. Among the players who worked in the Berigan band were: drummers Buddy Rich, Dave Tough, George Wettling, Johnny Blowers and Jack Sperling; alto saxophonists and clarinetists Gus Bivona, Joe Dixon and Andy Fitzgerald; vocalists Danny Richards, Ruth Bradley and Kathleen Lane; pianist Joe Bushkin; trombonist and arranger Ray Conniff; trombonist Sonny Lee; bassists Hank Wayland and Morty Stulmaker; trumpeters Carl Warwick, Steve Lipkins and Les Elgart; tenor saxophonists Georgie Auld and Don Lodice; and pianist and arranger Joe Lipman.[4]

Berigan was regularly featured on CBS Radio's Saturday Night Swing Club broadcasts from 1936 into 1937. This network radio show helped further popularize jazz as the swing era reached its peak. For the balance of the 1930s, he sometimes appeared on this program as a guest.

In the late 1930s, Berigan's drinking and consequent health problems may have contributed to his band's chronic financial and booking difficulties.[6][7]

Final years and death

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Berigan's business troubles drove him to declare bankruptcy in 1939, and shortly after to join Tommy Dorsey as a featured jazz soloist.[1] By September 1940, Berigan briefly led a new small group, but soon reorganized a touring big band. Berigan led moderately successful big bands from the fall of 1940 into early 1942, and was on the comeback trail when his health declined alarmingly. On April 20, 1942, while on tour, Berigan was hospitalized with pneumonia[1] in Allegheny General Hospital Pittsburgh, Pennsylvania, until May 8. His doctors discovered that cirrhosis had severely damaged his liver. He was advised to stop drinking and stop playing the trumpet for an undetermined length of time. Berigan did not do either. He returned to his band on tour and played for a few weeks before he returned to his home at the Van Cortlandt Hotel on 49th Street, in New York City, where he suffered a massive hemorrhage on May 31, 1942.[1] He died two days later in Stuyvesant Polyclinic Hospital, New York, at age 33.[8][9][10]

Funeral services were conducted June 3 at Saint Malachy's Roman Catholic Church in New York.[11] He was buried in St. Mary's Cemetery south of Fox Lake, Wisconsin.[12]

Legacy

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In compliance with Berigan's wish, the band was kept intact under his name. Donna Berigan, his widow, maintained his financial interest in it. Tenor sax player Vido Musso became the leader.[citation needed]

In 1938, Victor Records released a compilation of Berigan's recordings as bandleader.[13]

His 1937 recording of "I Can't Get Started" was used in the film Save the Tiger (1973), the Roman Polanski film Chinatown (1974), and a Martin Scorsese short film, The Big Shave (1967). Woody Allen has used Berigan's music occasionally in his films. In 2010, his Victor recording of "Heigh-Ho" was used on a Gap Inc. clothing TV commercial. Berigan's name has been used frequently in the comic strip Crankshaft.

Starting in 1974,[14] Fox Lake, Wisconsin held an annual Bunny Berigan Jazz Jubilee originally organized by Berigan's daughter, Joyce Hansen, until she was incapacitated by Alzheimer's disease, and then by Julie Fleming. The final Jubilee was held in 2018.[15] Most of Berigan's recordings are available, and two full-length biographies of him have been published.

Top compositions

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Berigan's top compositions include "Chicken and waffles", released as Decca 18117 in 1935 as by Bunny's Blue Boys, and "Blues", released in 1935 as Decca 18116, also with the Blue Boys. (This 1935 session was produced by John H. Hammond at Decca for issue in the UK on Parlophone. The Decca releases were part of a four-pocket album set issued in the 1940s during the 1942–44 musicians' strike.)[16][17]

Honors

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In 1975, Berigan's 1937 recording "I Can't Get Started" on Victor (25728-A) was inducted into the Grammy Hall of Fame.[18] Berigan was inducted in the ASCAP Jazz Wall of Fame in 2008.[19]

Personal life

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Bunny's youngest daughter, Joyce "Jo," was born on April 22, 1936, and died on July 4, 2011.[20] Her older sister, Patricia, was born in New York City on July 23, 1932, and died on December 8, 1998.[21]

References

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  1. ^ a b c d e f g h i j k l Colin Larkin, ed. (1992). The Guinness Who's Who of Jazz (First ed.). Guinness Publishing. pp. 44/5. ISBN 0-85112-580-8.
  2. ^ Bunny Berigan, Oldies.com
  3. ^ "Bunny Berigan Jazz Jubilee". Bunnyberiganjazzjubilee.com. Retrieved May 19, 2014.
  4. ^ a b Yanow, Scott. "Bunny Berigan: Profiles in Jazz". The Syncopated Times. Retrieved 2019-11-01.
  5. ^ Clarke, Donald. The Rise and Fall of Popular Music (A polemical history). Chapter 9: The Swing Era Begins. Retrieved June 18, 2009.
  6. ^ Mr. Trumpet. The Trials, Tribulation and Triumph of Bunny Berigan, The Scarecrow Press, Michael P. Zirpolo. Retrieved September 26, 2021.
  7. ^ Zirpolo, Michael P. (2011), Mr. Trumpet. The Trials, Tribulation and Triumph of Bunny Berigan, New York: The Scarecrow Press
  8. ^ "Bunny Berigan Dies Suddenly". The Kane Republican. June 2, 1942. p. 1. Retrieved February 20, 2016 – via Newspapers.com. Open access icon
  9. ^ "Bunny Berigan, Orchestra Leader. Noted Trumpet Player, Who Since 14 Supported Himself as a Performer, Dead". The New York Times. June 3, 1942. Retrieved 2008-10-04.
  10. ^ "Died". Time magazine. June 15, 1942. Archived from the original on January 14, 2009. Retrieved 2008-10-04.
  11. ^ Billboard, June 13, 1942
  12. ^ Wisconsin Historical Society. "Term: Berigan, Bernard R. "Bunny" (1908-1942)(Historic Marker Erected 1996)". Dictionary of Wisconsin History. Retrieved 2009-04-27.
  13. ^ Bunny Berigan and his Orchestra; Ira Gershwin; Vernon Duke; B. Berigan; I. Goodman; S. Lipkins; A. George; S. Lee; M. Doty (1938-11-22), Bunny Berigan Memorial Album, Internet Archive, Victor, retrieved 2024-09-09
  14. ^ Flemming, Julie (12 May 2014). "Bunny Berigan Jazz Jubilee entertains and educates". Wiscnews.com. Retrieved 2021-03-10.
  15. ^ Bartlett, Tom (30 May 2018). "Bunny Berigan Jazz Jubilee goes out with a Bang – The Syncopated Times". syncopatedtimes.com. Retrieved 2021-03-10.
  16. ^ Hagel, Ken (November 28, 2014). ""Chicken And Waffles" – Bunny Berigan And His Blue Boys (1935)". Jazz Between the Wars. Archived from the original on August 13, 2020. Retrieved September 27, 2021.
  17. ^ "Bunny Berigan And His Blue Boys – You Took Advantage Of Me / Chicken And Waffles". Discogs. Zink Media, Inc. Retrieved September 27, 2021.
  18. ^ I Can't Get Started (with You) (1935), Jazz Standards.com, Chis Tyle. Retrieved September 29, 2021.
  19. ^ "2008 Inductees: ASCAP Jazz Wall of Fame". Ascap.com. Retrieved July 24, 2021.
  20. ^ Joyce Berigan-Hansen, Fond Du Lac Reporter, July 19, 2011, Retrieved September 27, 2021.
  21. ^ Bunny Berigan of Fox Lake - Obit of Patricia Slavin, The State of Wisconsin Collection - Digital Archives. Retrieved September 26, 2021.

Further reading

[edit]
  • Mr. Trumpet...the Trials, Tribulations and Triumph of Bunny Berigan, by Michael P. Zirpolo, Scarecrow Press (2011).
  • Bunny Berigan...Elusive Legend of Jazz, by Robert Dupuis, Louisiana State University Press, (1993).
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