Carla Arocha: Difference between revisions
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{{Infobox artist |
{{Infobox artist |
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| name = <!-- include middle initial, if not specified in birth_name --> |
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| alt = Carla Arocha |
| alt = Carla Arocha |
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| caption = Carla Arocha |
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| birth_name = Carla Giomar Arocha Bello |
| birth_name = Carla Giomar Arocha Bello |
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| birth_date = {{birth date|df=yes|1961|10|30}} |
| birth_date = {{birth date and age|df=yes|1961|10|30}} |
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| birth_place = [[Caracas]], [[Venezuela]] |
| birth_place = [[Caracas]], [[Venezuela]] |
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| nationality = Venezuelan |
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| movement = [[Contemporary art]] |
| movement = [[Contemporary art]] |
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| spouse = {{marriage |David Preiss| |1999}} |
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* {{marriage |David Preiss| |1999}} |
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* {{marriage |Luc Tuymans|1999 |}} |
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}} |
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| website = {{url|arocha-schraenen.com}} |
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'''Carla Arocha''' ({{IPA|es|ˈkaɾla aˈɾotʃa}}; born October 30, 1961) is a Venezuelan artist renowned for her contributions to Minimalism, design, and geometric abstraction, particularly drawing inspiration from her native Venezuela. Currently based in Antwerp, she has gained international recognition for her work, which has been exhibited worldwide since the mid-1990s.<ref>{{cite book|last=Pirotte|first=Philippe|title=Carla Arocha: Dirt|date=2006|publisher=Kunsthalle Bern|location=Bern}}</ref> |
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'''[[Carla Arocha]]''' ({{IPA-es| ˈkaɾ.laˈro. a.ˈɾo.ʧa}}. Born on 30 October 1961, Carla Arocha Bello (also known as Carla Preiss) is an artist of [[Venezuela|Venezuelan]] origin renowned for her abstract pattern [[Drawing|drawings]], [[Painting|paintings]], and [[Installation art|spatial installations]]. Her work has been exhibited internationally since the mid-1990s. |
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Arocha's work is clearly influenced by the [[Constructivism (art)|abstract–constructivist]] tradition that prevails in both [[Chicago]] and [[Venezuela]] since the [[Post-war|post-war period]]. Critic and curator Philippe Pirotte has written that "Although the influences of modernist movements such as [[Constructivism (art)|Russian constructivism]] and [[Bauhaus]] vary immensely between Venezuela and Chicago, Arocha's work is a case study as it assesses both contexts critically."<ref>{{Cite book|last=Pirotte|first=Philippe|title=Carla Arocha: Dirt|publisher=[[Kunsthalle Bern]]|year=2006|isbn=|location=Bern|pages=}}</ref> |
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Her concern does not solely deal with art, but design, fashion, and [[visual culture]] as a whole. As artist and curator [[Michelle Grabner]] wrote, Arocha "approaches abstract painting and sculpture via the culture of design and high fashion, creating objects that simultaneously reside in both the [[Mass market|mass]] and [[Luxury goods|luxury markets]]. Her work is sophisticated and vernacular, urban and female. If design can turn ideas into fashion, Arocha turns fashion into painting and sculpture."<ref name="Frieze">{{Cite web|title=Carla Arocha|url=https://frieze.com/article/carla-arocha|last=Grabner|first=Michelle|date=May 5, 2000|website=frieze.com|publisher=Frieze Publishing, Limited|url-status=live|archive-url=|archive-date=|accessdate=August 18, 2019}}</ref> |
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[[File:Carla Arocha Then 1994.jpg|thumb|263px|right|alt= Then by Carla Arocha |<small>Carla Arocha, ''Then'', 1994, Latex on muslin and stretched flannel, (274 x 643 cm) 108 x 253 in.</small>]] |
[[File:Carla Arocha Then 1994.jpg|thumb|263px|right|alt= Then by Carla Arocha |<small>Carla Arocha, ''Then'', 1994, Latex on muslin and stretched flannel, (274 x 643 cm) 108 x 253 in.</small>]] |
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== Education == |
== Education == |
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Carla Arocha earned a Bachelor of Science degree from [[Saint Xavier University]] (SXU) in 1986. Initially trained as a biologist, she later shifted her focus to pursue her passion for art. Arocha then went on to obtain a Bachelor of Fine Arts degree from the [[Art Institute of Chicago|School of the Art Institute of Chicago]] (SAIC) in 1991, followed by a Master of Fine Arts from the [[University of Illinois at Chicago]] (UIC) in 1994.<ref>{{Cite web|title=Carla Arocha|url=https://www.demorgen.be/nieuws/carla-arocha~b6a84428/|last=Staff writer|date=November 30, 2005|website=De Morgen|publisher=DPG Media|access-date=2020-05-12}}</ref> |
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== Work == |
== Work == |
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[[File:Carla Arocha Tremor 2006.jpg|thumb|263px|right|alt= Tremor by Carla Arocha |<small>Carla Arocha, ''Tremor'', 2006, Cubic structures, plexiglass, and mirror, Coll. Fonds régional d'art contemporain Bourgogne, Dijon. Installation view of the exhibition ''Carla Arocha: Dirt'', [[Kunsthalle Bern]], Bern, 2006.</small>]] |
[[File:Carla Arocha Tremor 2006.jpg|thumb|263px|right|alt= Tremor by Carla Arocha |<small>Carla Arocha, ''Tremor'', 2006, Cubic structures, plexiglass, and mirror, Coll. Fonds régional d'art contemporain Bourgogne, Dijon. Installation view of the exhibition ''Carla Arocha: Dirt'', [[Kunsthalle Bern]], Bern, 2006.</small>]] |
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Arocha initially gained recognition in the mid-1990s through a series of works that drew inspiration from [[art]], [[fashion]], and [[biology]]. One notable piece, her drawing ''Aqua Trace'' (1998), illustrates a striking fusion of two distinct patterns: leopard spots and blood cells. Executed in a vibrant aqua hue, the convergence of these patterns evokes the aesthetic of [[animal print]]s commonly found in textiles. ''Aqua Trace'' is thematically linked to Arocha's mirrored plexiglass installation titled ''Hide'', which was created as part of a site-specific installation program of the [[Museum of Contemporary Art, Chicago]], curated by Julie Rodrigue, Arocha’s installation took shape within the museum’s four-tiered atrium. The artwork comprises 914 laser-cut reflective plexiglass shapes, each featuring a unique form, providing adaptability for diverse configurations during each exhibition. Titled ''Hide'', the work draws connections with the German term haut, signifying skin, intertwining with the body, and the concept of self.<ref name="Frieze">{{Cite journal|title=Carla Arocha|url=https://frieze.com/article/carla-arocha|last=Grabner|first=Michelle|date=May 5, 2000|journal=Frieze|issue=52 |publisher=Frieze Publishing, Limited|access-date=August 18, 2019}}</ref> |
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Stemming from a continuous combination of genres to create [[Installation art|installations]], [[Painting|paintings]], and [[Drawing|drawings]], Arocha’s work re-articulates traditions and is part of the ongoing artistic revision of the assimilation of [[modernity]] and [[modernism]] in our era.<ref>{{cite book|last=Pirotte |first=Philippe|date=2006|title=Carla Arocha: Dirt|url=|location=Bern|publisher=Kunsthalle Bern|author-link=}}</ref> |
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In contrast to her bold and lavish Plexiglas installations and [[Kinetic art|kinetic mobiles]], Carla Arocha's paintings present a quieter aesthetic. These works, often characterized by flat forms and a minimalist approach, nonetheless reveal the artist's enduring fascination with ornamentation. |
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Carla Arocha first made her mark in the mid-1990s with a series of works borrowing from [[art]], [[fashion]], and [[biology]]. For example, her drawing ''Aqua Trace'' (1998) presents the visual melding of two distinct [[Pattern|patterns]]: [[Leopard|leopard spots]] and [[Blood cell|blood cells]]. Rendered in a bright shade of aqua, the two converging patterns are reminiscent of the [[Animal print|animal prints]] found on [[Textile|fabric]]. ''Aqua Trace'' relates to an installation by Arocha entitled ''Hide'' (1997) for the [[Museum of Contemporary Art, Chicago]], and which featured [[Leopard pattern|leopard-print patterns]] created with mirrored [[Plexiglas]]. The mirrored Perspex patterns comprising ''Hide'' adorned the walls of [[Museum of Contemporary Art, Chicago|Chicago's Museum of Contemporary]] Art like a spectacular jewelled accessory, clusters of reflective plastic shimmering and swaying in the white gallery.<ref name="Frieze" /> |
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This interplay between simplicity and embellishment is evident in works like ''House'' (1999). Here, the rigid lines of a simple pitched-roof dwelling are enlivened by dynamic, swirling loops. Similarly, large vertical canvases like ''Blind Folded'' and ''Flare'' (both 1999) showcase Arocha's affinity for patterns. These works feature monochromatic backgrounds that become canvases for intricate arrangements of dots, diamonds, and organic motifs. A closer examination often reveals subtle variations in the paint's reflective quality, hinting at Arocha's underlying penchant for a touch of the extravagant.<ref name="Frieze" /> |
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In 2006, Carla Arocha |
In 2006, Carla Arocha began [[Carla Arocha and Stéphane Schraenen|collaboration with Stéphane Schraenen]]. Together, they form the artist-duo Arocha & Schraenen.<ref>{{Cite web|title=Gesprekken met Hedendaagse Kunstenaars|url=http://hildevancanneyt.blogspot.com/2014/10/interview-met-carla-arocha-en-stephane_30.html|publisher=Hildevancanneyt.blogspot.com|access-date=14 August 2019}}</ref> |
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== Exhibitions == |
== Exhibitions == |
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Arocha held her inaugural American solo museum exhibition at the [[El Museo del Barrio]] museum in New York in 1996. Subsequently, in 1997, Arocha gallery's debut was at Chicago’s Rhona Hoffman Gallery.<ref>{{Cite web|url=https://art-list.online/carla-preiss/|title=Carla Preiss|website=art-list.online|access-date=2019-08-14}}</ref> From September 1997 to March 1998, the [[Cranbrook Art Museum]] in Bloomfield Hills, Michigan organized Arocha's exhibition titled ''Carla Preiss: Somewhere''. In the same year, the [[Museum of Contemporary Art, Chicago|MCA Museum of Contemporary Art]] (MCA) in Chicago commissioned Arocha for a solo project for its main entrance hall. Arocha's creation comprised clusters of leopard-print patterns crafted with mirrored Plexiglas, offering the flexibility for reconfiguration with each installation. In 2001-2002, Arocha developed a new artwork titled ''Rover'' for the café windows of the MCA as part of the ''Hide'' installation, which was already integrated into the MCA Collection.<ref>{{Cite web|url=https://mcachicago.org/|title=Collection: Carla Arocha, Hide, 1997|website=mcachicago.org/Collection/Items/1997/Carla-Arocha-Hide-1997|access-date=16 August 2019}}</ref> |
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In Europe, Carla Arocha’s work has been |
In Europe, Carla Arocha’s work has been showcased in significant solo exhibitions at esteemed institutions, including Antwerp’s [[Museum van Hedendaagse Kunst Antwerpen]] (MuHKA) in 2005–2006, and the Fonds régional d'art contemporain d'Auvergne in Clermont-Ferrand in 2006.<ref name="frac-auvergne.fr">{{Cite web|title=Carla Arocha, Chris|url=https://www.frac-auvergne.fr/produit/carla-arocha-chris/|website=FRAC Auvergne|language=fr-FR|access-date=2020-05-12}}</ref> In 2006, Bern’s Kunsthalle in Switzerland organized Arocha's first major retrospective in Europe: ''Carla Arocha: Dirt'', which was displayed from April to May.<ref name="Carla Arocha">{{Cite web|url= https://kunsthalle-bern.ch/en/exhibitions/2006/carla-arocha//|title=Carla Arocha|website=kunsthalle-bern.ch|access-date=2019-08-14}}</ref> Curated by the then-director of [[Kunsthalle Bern]], Philippe Pirotte, and Jesús Fuenmayor in close collaboration with the artist, this retrospective illuminated various facets of her artistic oeuvre. During this exhibition, Carla Arocha invited Stéphane Schraenen to produce a number of artworks. This exchange of ideas marked the beginning of a long-term collaboration that continues to this day.<ref>{{Cite web|publisher=hildevancanneyt.blogspot.com|title=Gesprekken met hedendaagse kunstenaars|url=http://hildevancanneyt.blogspot.com/2014/10/interview-met-carla-arocha-en-stephane_30|access-date=16 August 2019}}</ref> |
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Since 2006, |
Since 2006, artworks resulting from Arocha's collaboration with Stéphane Schraenen have been exhibited under the name of [[Carla Arocha & Stéphane Schraenen]] in prestigious museums worldwide. These exhibitions include London’s [[Wallace Collection]] in 2011,<ref>{{Cite web|title=Carla Arocha · Stéphane Schraenen|publisher=www.wallacecollection.org|url=http://www.arocha-schraenen.com/works/wallace-collection-intervention|access-date=14 August 2019}}</ref> Centro de Arte Contemporáneo de Caja de Burgos (CAB) in Spain in 2012;<ref>{{Cite web|title=Carla Arocha y Stéphane Schraenen|url=http://www.cabdeburgos.com/es/exposiciones/?iddoc=304|last=Staff writer|date=2012|website=CAB de Burgos}}</ref> Berlin’s Künstlerhaus Bethaniën in 2012;<ref>{{Cite web|title=KB {{!}} Caraota von Moules|url=https://www.bethanien.de/en/exhibitions/caraota-von-moules/|language=en-US|access-date=2020-05-12}}</ref> and Mechelen’s Cultuurcentrum in Belgium in 2014.<ref>{{Cite web|title=Welkom - Cultuurcentrum Mechelen|url=http://www.cultuurcentrummechelen.be//|website=www.cultuurcentrummechelen.be|access-date=2020-05-12}}</ref> |
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===Solo exhibitions (selection)=== |
===Solo exhibitions (selection)=== |
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*''Zipper'' at Dorothée De Pauw Gallery, Brussels, 2000 |
*''Zipper'' at Dorothée De Pauw Gallery, Brussels, 2000 |
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*''Hover: New Work'' at Kavi Gupta Gallery (formerly Vedanta Gallery), Chicago, 1999 |
*''Hover: New Work'' at Kavi Gupta Gallery (formerly Vedanta Gallery), Chicago, 1999 |
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*''Somewhere'', at Cranbrook Art Museum, |
*''Somewhere'', at Cranbrook Art Museum, Bloomfield Hills, 1998 |
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*''Hide & Rover'' at [[Museum of Contemporary Art, Chicago|MCA Museum of Contemporary Art]], Chicago, 1997, and 2001-2002 |
*''Hide & Rover'' at [[Museum of Contemporary Art, Chicago|MCA Museum of Contemporary Art]], Chicago, 1997, and 2001-2002 |
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*''Gate'' at Hermetic Gallery, Milwaukee, 1997 |
*''Gate'' at Hermetic Gallery, Milwaukee, 1997 |
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== Collections == |
== Collections == |
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Arocha's |
Arocha's artworks are featured in the public collections of numerous museums across the United States, Europe, and South America. These include New York’s MoMA;<ref>{{Cite web|publisher=www.moma.org/|title=Collection|url=http://www.moma.org/collection/works/95416?artist_id=28548&locale=en&page=1&sov_referrer=artist|access-date=16 August 2019}}</ref> Chicago’s [[Museum of Contemporary Art, Chicago|Museum of Contemporary Art]];<ref>{{Cite web|publisher=cachicago.org|title=Collection: Carla Arocha, Hide, 1997|url=https://mcachicago.org/Collection/Items/1997/Carla-Arocha-Hide-1997|access-date=2019-08-16}}</ref> the [[Art Institute of Chicago]];<ref>{{Cite web|publisher=www.artic.edu|title=Aqua Trace|year=1998 |url=https://www.artic.edu/artworks/180739/aqua-trace?q=carla%20arocha|access-date=2019-08-16}}</ref> Antwerp’s [[Museum of Contemporary Art, Antwerp|Museum of Contemporary Art]];<ref>{{Cite web|publisher=www.muhka.be|title=Screens|url=http://ensembles.mhka.be/items/444|access-date=16 August 2019}}</ref> [[Kunsthalle Bern|Bern's Kunsthalle Bern]] in Switzerland; the Fonds régional d'art contemporain d'Auvergne in Clermont-Ferrand;<ref>{{Cite web|publisher=www.frac-auvergne.fr|title=Carla Arocha|url=https://www.frac-auvergne.fr/artiste/arocha/|access-date=16 August 2019}}</ref> the Fundación Banco Mercantil in Caracas; and the [[Boca Raton Museum of Art]] in Boca Raton, Florida, US. |
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== Personal life == |
== Personal life == |
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Born in |
Born in Caracas, Venezuela, Arocha was raised in a family of lawyers. The modern art in her home country, along with the presence of artists such as [[Jesús Rafael Soto]], [[Carlos Cruz-Diez]] and [[Alejandro Otero]], influenced her. |
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In December 1979, Arocha moved to Chicago, where she studied biology and art while also marrying David Preiss. After graduating from the University of Illinois at Chicago in 1994, she met Belgian painter [[Luc Tuymans]] in 1995, during his preparations for his first American show at Chicago’s [[The Renaissance Society|Renaissance Society]]. In 1999, Arocha made the decision to move to Belgium and marry Tuymans. The couple currently live and work in Antwerp.<ref>{{Cite web|publisher=www.demorgen.be|title=Kunstenares Carla Arocha kijkt met bang hart naar situatie in haar geboorteland|date=22 February 2019 |url=https://www.demorgen.be/leven-liefde/kunstenares-carla-arocha-kijkt-met-bang-hart-naar-situatie-in-haar-geboorteland-ik-blijf-weg-uit-venezuela-om-er-niet-te-sterven~bc4e6f14/|access-date=14 August 2019}}</ref> |
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== Publications == |
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== See also == |
== See also == |
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* [[List of Venezuelan women artists]] |
* [[List of Venezuelan women artists]] |
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==References== |
== References == |
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;Notes |
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{{Reflist|25em}} |
{{Reflist|25em}} |
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== Further reading == |
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;Bibliography |
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''For information about the work of Carla Arocha see:'' |
''For information about the work of Carla Arocha see:'' |
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* {{Cite book |last1=Molon |first1=Dominic|last2=Chavoya|first2=C. Ondine|last3=Herández|first3=Eloy J.|title=Carla Arocha: Orchid|date=1995|publisher=University of Rochester|location=New York}} |
* {{Cite book |last1=Molon |first1=Dominic|last2=Chavoya|first2=C. Ondine|last3=Herández|first3=Eloy J.|title=Carla Arocha: Orchid|date=1995|publisher=University of Rochester|location=New York}} |
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* {{Cite book |last1=Hofmann |first1=Irene |
* {{Cite book |last1=Hofmann |first1=Irene|title=Carla Preiss: Somewhere |date=1998 |publisher=[[Cranbrook Art Museum]] |location=Bloomfield Hills|df=mdy-all }} |
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* {{Cite book|last1=Peeters |first1=Wim |
* {{Cite book|last1=Peeters |first1=Wim|title=Carla Arocha: Zipper|date=2000 |publisher=Dorothée De Pauw Gallery|location=Brussels|df=mdy-all }} |
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* {{Cite book|last1=Vergne |first1=Jean-Charles|last2=Vermeiren|first2=Gerrit |
* {{Cite book|last1=Vergne |first1=Jean-Charles|last2=Vermeiren|first2=Gerrit|title=Carla Arocha: Chris|date=2006 |publisher=Fonds Régional d'Art Contemporain Auvergne |location=Auvergne|df=mdy-all }} |
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* {{Cite book|last1=Pirotte |first1=Philippe |last2=Vermeiren|first2=Gerrit |
* {{Cite book|last1=Pirotte |first1=Philippe |last2=Vermeiren|first2=Gerrit|title=Carla Arocha: Dirt|date=2006 |publisher=[[Kunsthalle Bern]]|location=Bern|df=mdy-all }} |
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== External links == |
== External links == |
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* [https://www.frac-auvergne.fr/wp-content/uploads/pdfs_expos/journal_expo_arocha_2006.pdf Article by Jean-Charles Vergne entitled ''Carla Arocha: Chris''] |
* [https://www.frac-auvergne.fr/wp-content/uploads/pdfs_expos/journal_expo_arocha_2006.pdf Article by Jean-Charles Vergne entitled ''Carla Arocha: Chris''] |
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{{Authority control}} |
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{{DEFAULTSORT:Arocha, Carla}} |
{{DEFAULTSORT:Arocha, Carla}} |
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[[Category:Artists from Caracas]] |
[[Category:Artists from Caracas]] |
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[[Category:Saint Xavier University alumni]] |
[[Category:Saint Xavier University alumni]] |
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[[Category:University of Illinois |
[[Category:University of Illinois Chicago alumni]] |
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[[Category:School of the Art Institute of Chicago alumni]] |
[[Category:School of the Art Institute of Chicago alumni]] |
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[[Category:Venezuelan expatriates in Belgium]] |
[[Category:Venezuelan expatriates in Belgium]] |
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[[Category:Venezuelan expatriates in the United States]] |
[[Category:Venezuelan expatriates in the United States]] |
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Latest revision as of 01:44, 8 November 2024
Carla Arocha | |
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Born | Carla Giomar Arocha Bello 30 October 1961 |
Alma mater | Saint Xavier University, Chicago University of Illinois at Chicago Art Institute of Chicago |
Known for | Painting, drawing, installation art |
Movement | Contemporary art |
Spouses | David Preiss (before 1999)Luc Tuymans (m. 1999) |
Website | arocha-schraenen |
Carla Arocha (Spanish pronunciation: [ˈkaɾla aˈɾotʃa]; born October 30, 1961) is a Venezuelan artist renowned for her contributions to Minimalism, design, and geometric abstraction, particularly drawing inspiration from her native Venezuela. Currently based in Antwerp, she has gained international recognition for her work, which has been exhibited worldwide since the mid-1990s.[1]
Education
[edit]Carla Arocha earned a Bachelor of Science degree from Saint Xavier University (SXU) in 1986. Initially trained as a biologist, she later shifted her focus to pursue her passion for art. Arocha then went on to obtain a Bachelor of Fine Arts degree from the School of the Art Institute of Chicago (SAIC) in 1991, followed by a Master of Fine Arts from the University of Illinois at Chicago (UIC) in 1994.[2]
Work
[edit]Arocha initially gained recognition in the mid-1990s through a series of works that drew inspiration from art, fashion, and biology. One notable piece, her drawing Aqua Trace (1998), illustrates a striking fusion of two distinct patterns: leopard spots and blood cells. Executed in a vibrant aqua hue, the convergence of these patterns evokes the aesthetic of animal prints commonly found in textiles. Aqua Trace is thematically linked to Arocha's mirrored plexiglass installation titled Hide, which was created as part of a site-specific installation program of the Museum of Contemporary Art, Chicago, curated by Julie Rodrigue, Arocha’s installation took shape within the museum’s four-tiered atrium. The artwork comprises 914 laser-cut reflective plexiglass shapes, each featuring a unique form, providing adaptability for diverse configurations during each exhibition. Titled Hide, the work draws connections with the German term haut, signifying skin, intertwining with the body, and the concept of self.[3]
In contrast to her bold and lavish Plexiglas installations and kinetic mobiles, Carla Arocha's paintings present a quieter aesthetic. These works, often characterized by flat forms and a minimalist approach, nonetheless reveal the artist's enduring fascination with ornamentation.
This interplay between simplicity and embellishment is evident in works like House (1999). Here, the rigid lines of a simple pitched-roof dwelling are enlivened by dynamic, swirling loops. Similarly, large vertical canvases like Blind Folded and Flare (both 1999) showcase Arocha's affinity for patterns. These works feature monochromatic backgrounds that become canvases for intricate arrangements of dots, diamonds, and organic motifs. A closer examination often reveals subtle variations in the paint's reflective quality, hinting at Arocha's underlying penchant for a touch of the extravagant.[3]
In 2006, Carla Arocha began collaboration with Stéphane Schraenen. Together, they form the artist-duo Arocha & Schraenen.[4]
Exhibitions
[edit]Arocha held her inaugural American solo museum exhibition at the El Museo del Barrio museum in New York in 1996. Subsequently, in 1997, Arocha gallery's debut was at Chicago’s Rhona Hoffman Gallery.[5] From September 1997 to March 1998, the Cranbrook Art Museum in Bloomfield Hills, Michigan organized Arocha's exhibition titled Carla Preiss: Somewhere. In the same year, the MCA Museum of Contemporary Art (MCA) in Chicago commissioned Arocha for a solo project for its main entrance hall. Arocha's creation comprised clusters of leopard-print patterns crafted with mirrored Plexiglas, offering the flexibility for reconfiguration with each installation. In 2001-2002, Arocha developed a new artwork titled Rover for the café windows of the MCA as part of the Hide installation, which was already integrated into the MCA Collection.[6]
In Europe, Carla Arocha’s work has been showcased in significant solo exhibitions at esteemed institutions, including Antwerp’s Museum van Hedendaagse Kunst Antwerpen (MuHKA) in 2005–2006, and the Fonds régional d'art contemporain d'Auvergne in Clermont-Ferrand in 2006.[7] In 2006, Bern’s Kunsthalle in Switzerland organized Arocha's first major retrospective in Europe: Carla Arocha: Dirt, which was displayed from April to May.[8] Curated by the then-director of Kunsthalle Bern, Philippe Pirotte, and Jesús Fuenmayor in close collaboration with the artist, this retrospective illuminated various facets of her artistic oeuvre. During this exhibition, Carla Arocha invited Stéphane Schraenen to produce a number of artworks. This exchange of ideas marked the beginning of a long-term collaboration that continues to this day.[9]
Since 2006, artworks resulting from Arocha's collaboration with Stéphane Schraenen have been exhibited under the name of Carla Arocha & Stéphane Schraenen in prestigious museums worldwide. These exhibitions include London’s Wallace Collection in 2011,[10] Centro de Arte Contemporáneo de Caja de Burgos (CAB) in Spain in 2012;[11] Berlin’s Künstlerhaus Bethaniën in 2012;[12] and Mechelen’s Cultuurcentrum in Belgium in 2014.[13]
Solo exhibitions (selection)
[edit]- Carla Arocha: Chris (in collaboration with Stéphane Schraenen) at Fonds régional d'art contemporain Auvergne, Clermont-Ferrand, 2006[7]
- Carla Arocha (in collaboration with Stéphane Schraenen) at Koraalberg, Antwerp, 2006
- Dirt at Kunsthalle Bern, Bern, 2006[8]
- Smoke at Galería OMR, Mexico City, 2004
- By chance at Monique Meloche Gallery, Chicago, 2003
- Rover at Objectif Exhibitions, Antwerp, 2002
- Underground at Monique Meloche Gallery, Chicago, 2001
- Zipper at Dorothée De Pauw Gallery, Brussels, 2000
- Hover: New Work at Kavi Gupta Gallery (formerly Vedanta Gallery), Chicago, 1999
- Somewhere, at Cranbrook Art Museum, Bloomfield Hills, 1998
- Hide & Rover at MCA Museum of Contemporary Art, Chicago, 1997, and 2001-2002
- Gate at Hermetic Gallery, Milwaukee, 1997
- Carla Preiss: New Work at Rhona Hoffman Gallery, Chicago, 1996-1997
- Portrait: A Site-Specific Installation by Carla Preiss at the El Museo del Barrio, New York, 1996
Collections
[edit]Arocha's artworks are featured in the public collections of numerous museums across the United States, Europe, and South America. These include New York’s MoMA;[14] Chicago’s Museum of Contemporary Art;[15] the Art Institute of Chicago;[16] Antwerp’s Museum of Contemporary Art;[17] Bern's Kunsthalle Bern in Switzerland; the Fonds régional d'art contemporain d'Auvergne in Clermont-Ferrand;[18] the Fundación Banco Mercantil in Caracas; and the Boca Raton Museum of Art in Boca Raton, Florida, US.
Personal life
[edit]Born in Caracas, Venezuela, Arocha was raised in a family of lawyers. The modern art in her home country, along with the presence of artists such as Jesús Rafael Soto, Carlos Cruz-Diez and Alejandro Otero, influenced her.
In December 1979, Arocha moved to Chicago, where she studied biology and art while also marrying David Preiss. After graduating from the University of Illinois at Chicago in 1994, she met Belgian painter Luc Tuymans in 1995, during his preparations for his first American show at Chicago’s Renaissance Society. In 1999, Arocha made the decision to move to Belgium and marry Tuymans. The couple currently live and work in Antwerp.[19]
Publications
[edit]For information about Carla Arocha's work in collaboration with Stéphane Schraenen see:
- Arocha, Carla, Schraenen Stéphane, and Kate Christina Mayne. (2014). Persiana: Carla Arocha - Stéphane Schraenen: Cultuurcentrum Mechelen . Antwerpen, Belgium: Ludion.
- Fuemayor, Jesús. (2016).Flujo Disperso / Blurry Flux: Carla Arocha & Stéphane Schraenen Colectión Mercantil . Caracas: Mercantil Arte y Cultura A.C.
- Pratt, Ken, Helen Anne Molesworth, Irmgard Hölscher, Katharina Pencz, Magda Walicka, Carla Arocha, and Stéphane Schraenen. ( 2013). What Now? Carla Arocha - Stephane Schraenen . After: Carla Arocha & Stéphane Schraenen . Burgos: Obra Social De La Caja De Burgos.
See also
[edit]References
[edit]- ^ Pirotte, Philippe (2006). Carla Arocha: Dirt. Bern: Kunsthalle Bern.
- ^ Staff writer (30 November 2005). "Carla Arocha". De Morgen. DPG Media. Retrieved 12 May 2020.
- ^ a b Grabner, Michelle (5 May 2000). "Carla Arocha". Frieze (52). Frieze Publishing, Limited. Retrieved 18 August 2019.
- ^ "Gesprekken met Hedendaagse Kunstenaars". Hildevancanneyt.blogspot.com. Retrieved 14 August 2019.
- ^ "Carla Preiss". art-list.online. Retrieved 14 August 2019.
- ^ "Collection: Carla Arocha, Hide, 1997". mcachicago.org/Collection/Items/1997/Carla-Arocha-Hide-1997. Retrieved 16 August 2019.
- ^ a b "Carla Arocha, Chris". FRAC Auvergne (in French). Retrieved 12 May 2020.
- ^ a b "Carla Arocha". kunsthalle-bern.ch. Retrieved 14 August 2019.
- ^ "Gesprekken met hedendaagse kunstenaars". hildevancanneyt.blogspot.com. Retrieved 16 August 2019.
- ^ "Carla Arocha · Stéphane Schraenen". www.wallacecollection.org. Retrieved 14 August 2019.
- ^ Staff writer (2012). "Carla Arocha y Stéphane Schraenen". CAB de Burgos.
- ^ "KB | Caraota von Moules". Retrieved 12 May 2020.
- ^ "Welkom - Cultuurcentrum Mechelen". www.cultuurcentrummechelen.be. Retrieved 12 May 2020.
- ^ "Collection". www.moma.org/. Retrieved 16 August 2019.
- ^ "Collection: Carla Arocha, Hide, 1997". cachicago.org. Retrieved 16 August 2019.
- ^ "Aqua Trace". www.artic.edu. 1998. Retrieved 16 August 2019.
- ^ "Screens". www.muhka.be. Retrieved 16 August 2019.
- ^ "Carla Arocha". www.frac-auvergne.fr. Retrieved 16 August 2019.
- ^ "Kunstenares Carla Arocha kijkt met bang hart naar situatie in haar geboorteland". www.demorgen.be. 22 February 2019. Retrieved 14 August 2019.
Further reading
[edit]For information about the work of Carla Arocha see:
- Molon, Dominic; Chavoya, C. Ondine; Herández, Eloy J. (1995). Carla Arocha: Orchid. New York: University of Rochester.
- Hofmann, Irene (1998). Carla Preiss: Somewhere. Bloomfield Hills: Cranbrook Art Museum.
- Peeters, Wim (2000). Carla Arocha: Zipper. Brussels: Dorothée De Pauw Gallery.
- Vergne, Jean-Charles; Vermeiren, Gerrit (2006). Carla Arocha: Chris. Auvergne: Fonds Régional d'Art Contemporain Auvergne.
- Pirotte, Philippe; Vermeiren, Gerrit (2006). Carla Arocha: Dirt. Bern: Kunsthalle Bern.