Jump to content

Frances Reynolds: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Undid revision 747343883 by Ser Amantio di Nicolao (talk)
 
(20 intermediate revisions by 13 users not shown)
Line 1: Line 1:
{{Short description|British artist (1729–1807)}}
'''Frances Reynolds''' (6 June 1729 – 1807) was an English artist, and the youngest sister of [[Sir Joshua Reynolds]].
{{for|the Assyriologist|Frances Reynolds (academic)}}
{{Use dmy dates|date=September 2019}}
{{no footnotes|date=January 2019}}


'''Frances Reynolds''' (6 June 1729 – 1 November 1807 London) was a British artist, and the youngest sister of [[Sir Joshua Reynolds]].
==Life==


==Life==
She was born in 1729 and later kept Sir Joshua's house for many years after he came to London, and employed herself in miniature and other painting. But when her nieces, the Misses Palmer, were old enough to take her place, she (some point before 15 February 1779) left his house forever. The separation from her brother caused her lasting regret.
She was born in 1729 and later kept Sir Joshua's house for many years after he came to London, and employed herself in miniature and other painting. But when her nieces, the Misses Palmer, were old enough to take her place, she (some point before 15 February 1779) left his house forever. The separation from her brother caused her lasting regret.


Her brother made her an allowance, and she went first to [[Devon]]; and then, in 1768, to stay with a Miss Flint in Paris, where Reynolds visited her. She later lived as a lodger of Dr. [[John Hoole]], whose portrait, prefixed to the first edition of his translation of [[Ariosto]], was painted by her.
Her brother made her an allowance, and she went first to [[Devon]]; and then, in 1768, to stay with a Miss Flint in Paris, where Reynolds visited her. She later lived as a lodger of Dr. [[John Hoole]], whose portrait, prefixed to the first edition of his translation of [[Ariosto]], was painted by her.


On her brother's death she took a large house in [[Queen's Square, Westminster]], where she exhibited her own works, and where she died, unmarried, on 1 November 1807.
On her brother's death in 1792 she took a large house in [[Queen's Square, Westminster]], where she exhibited her own works, and where she died, unmarried, on 1 November 1807.


Their other siblings included [[Mary Palmer]] and [[Elizabeth Johnson (pamphleteer)|Elizabeth Johnson]].
Their other siblings included [[Mary Palmer]] and [[Elizabeth Johnson (pamphleteer)|Elizabeth Johnson]].


==Works==
==Works==
Of her work, Sir Joshua, speaking of the copies which she made of his pictures, says ‘they make other people laugh and me cry; but a letter of [[James Northcote (painter)|James Northcote]]'s says that ‘she paints very fine, both history and portrait. [[Samuel Johnson]], who was very fond of her, and visited her in Dover Street, where she was living by herself in 1780, was not pleased with the portrait she made of himself in 1783, and called it his ‘grimly ghost.
Of her work, Sir Joshua, speaking of the copies which she made of his pictures, says " "they make other people laugh and me cry;" but a letter of [[James Northcote (painter)|James Northcote]]'s says that "she paints very fine, both history and portrait." [[Samuel Johnson]], who was very fond of her, and visited her in Dover Street, where she was living by herself in 1780, was not pleased with the portrait she made of himself in 1783, and called it his "grimly ghost."


Of her literary work Johnson held a higher opinion, and he was complimentary about her ‘Essay on Taste’ (privately printed, 1784). All his letters to her and about her show interest in his ‘Renny dear.’ He left her a book as a legacy. She printed a ‘Melancholy Tale’ in verse in 1790.
Of her literary work Johnson held a higher opinion, and he was complimentary about her ‘Essay on Taste’ (privately printed, 1784). All his letters to her and about her show interest in his ‘Renny dear.’ He left her a book as a legacy. She printed a ‘Melancholy Tale’ in verse in 1790.
Line 22: Line 26:


==External links==
==External links==
* {{Commons-inline}}
* {{Gutenberg author |id=Reynolds,+Frances | name=Frances Reynolds}}
* {{Gutenberg author |id=Reynolds,+Frances | name=Frances Reynolds}}
* [http://oasis.lib.harvard.edu/oasis/deliver/~hou00255 Frances Reynolds papers] at Harvard University Library
* [https://hollisarchives.lib.harvard.edu/repositories/24/resources/1500 Frances Reynolds papers] at Houghton Library, Harvard University


{{Joshua Reynolds|state=collapsed}}
{{Authority control}}
{{Authority control}}


Line 31: Line 37:
[[Category:1807 deaths]]
[[Category:1807 deaths]]
[[Category:18th-century English painters]]
[[Category:18th-century English painters]]
[[Category:18th-century English women artists]]
[[Category:English women painters]]
[[Category:English women painters]]
[[Category:18th-century women artists]]
[[Category:Sibling artists]]
[[Category:Joshua Reynolds]]
[[Category:18th-century British women painters]]

Latest revision as of 12:25, 9 November 2024

Frances Reynolds (6 June 1729 – 1 November 1807 London) was a British artist, and the youngest sister of Sir Joshua Reynolds.

Life

[edit]

She was born in 1729 and later kept Sir Joshua's house for many years after he came to London, and employed herself in miniature and other painting. But when her nieces, the Misses Palmer, were old enough to take her place, she (some point before 15 February 1779) left his house forever. The separation from her brother caused her lasting regret.

Her brother made her an allowance, and she went first to Devon; and then, in 1768, to stay with a Miss Flint in Paris, where Reynolds visited her. She later lived as a lodger of Dr. John Hoole, whose portrait, prefixed to the first edition of his translation of Ariosto, was painted by her.

On her brother's death in 1792 she took a large house in Queen's Square, Westminster, where she exhibited her own works, and where she died, unmarried, on 1 November 1807.

Their other siblings included Mary Palmer and Elizabeth Johnson.

Works

[edit]

Of her work, Sir Joshua, speaking of the copies which she made of his pictures, says " "they make other people laugh and me cry;" but a letter of James Northcote's says that "she paints very fine, both history and portrait." Samuel Johnson, who was very fond of her, and visited her in Dover Street, where she was living by herself in 1780, was not pleased with the portrait she made of himself in 1783, and called it his "grimly ghost."

Of her literary work Johnson held a higher opinion, and he was complimentary about her ‘Essay on Taste’ (privately printed, 1784). All his letters to her and about her show interest in his ‘Renny dear.’ He left her a book as a legacy. She printed a ‘Melancholy Tale’ in verse in 1790.

References

[edit]
  • "Reynolds, Joshua" . Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
Attribution

 This article incorporates text from a publication now in the public domain"Reynolds, Joshua". Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.

[edit]