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{{Short description|World's largest pipe organ}}
[[File:Detail of Wanamaker Organ.jpg|thumb|right|The display pipes of the Wanamaker Organ. These pipes are decorative only. The pipes that sound are behind and above them. Store architect [[Daniel Hudson Burnham]] designed the organ casework.<ref>{{Cite web|url=https://www.youtube.com/watch?v=98KYMpBx9og|title=The Wanamaker Organ - Inside the world's largest operating musical instrument|via=www.youtube.com}}</ref><ref>{{Cite web|url=https://theawesomer.com/the-wanamaker-organ/332131/|title=The Wanamaker Organ}}</ref>]]
[[File:Detail of Wanamaker Organ.jpg|thumb|right|The display pipes of the Wanamaker Organ. These pipes are decorative only. The pipes that sound are behind and above them. Store architect [[Daniel Hudson Burnham]] designed the organ casework.<ref>{{Cite web|url=https://www.youtube.com/watch?v=98KYMpBx9og |archive-url=https://ghostarchive.org/varchive/youtube/20211213/98KYMpBx9og |archive-date=2021-12-13 |url-status=live|title=The Wanamaker Organ - Inside the world's largest operating musical instrument|via=www.youtube.com}}{{cbignore}}</ref><ref>{{Cite web|url=https://theawesomer.com/the-wanamaker-organ/332131/|title=The Wanamaker Organ|date=11 August 2015}}</ref>]]


The '''Wanamaker Grand Court Organ''', located in [[Philadelphia]], [[Pennsylvania]] ([[United States of America]]) is the largest fully-functioning [[pipe organ]] in the world, based on the number of ranks and its weight.<ref>[http://theatreorgans.com/laird/top.pipe.organs.html Theatreorgans.com, ''The World's Largest Pipe Organs''], list of the world's 75 largest organs based on number of ranks</ref><ref name="sacredclassics">{{cite web|title=The Top 20 - The World's Largest Pipe Organs|url=http://www.sacredclassics.com/bigpipes.htm|website=Sacred Classics|publisher=Atlas Communications|access-date=8 April 2016|ref=sacredclassics}} (The [[Boardwalk Hall Auditorium Organ]] has more pipes but fewer [[organ stops|ranks]]). </ref> The Wanamaker Organ is located within a spacious 7-story Grand Court at [[Macy's]] Center City (formerly [[Wanamaker's]] department store) and is played twice a day Monday through Saturday. The organ is featured at several special concerts held throughout the year, including events featuring the Friends of the Wanamaker Organ Festival Chorus and Brass Ensemble.
The '''Wanamaker Grand Court Organ''', located in [[Philadelphia]], [[Pennsylvania]], is the largest fully functioning [[pipe organ]] in the world, based on the number of playing pipes, the number of ranks and its weight. The Wanamaker Organ is located within a spacious 7-story Grand Court at [[Macy's]] Center City (formerly [[Wanamaker's]] department store) and is played twice a day Monday through Saturday. The organ is featured at several special concerts held throughout the year, including events featuring the Friends of the Wanamaker Organ Festival Chorus and Brass Ensemble.


==Notable characteristics==
==Notable characteristics==
The Wanamaker Organ is the largest fully functioning [[pipe organ]] in the world, based on the number of playing pipes, the number of ranks and its weight.<ref>[http://theatreorgans.com/laird/top.pipe.organs.html Theatreorgans.com, ''The World's Largest Pipe Organs''], list of the world's 75 largest organs based on number of ranks</ref><ref name="sacredclassics">{{cite web|title=The Top 20 - The World's Largest Pipe Organs|url=http://www.sacredclassics.com/bigpipes.htm|archive-url=https://web.archive.org/web/20031016030204/http://www.sacredclassics.com/bigpipes.htm|url-status=dead|archive-date=October 16, 2003|website=Sacred Classics|publisher=Atlas Communications|access-date=8 April 2016|ref=sacredclassics}} (The [[Boardwalk Hall Auditorium Organ]] has more pipes but fewer [[organ stops|ranks]]).</ref> It is a concert organ of the American Symphonic school of design, which combines traditional organ tone with the sonic colors of the symphony orchestra. In its present configuration, the instrument has 28,750 [[Organ pipe|pipes]] in 464 ranks.<ref name="biswanger">{{cite book | author = Biswanger, Ray| year = 1999 | title = Music in the Marketplace: The Story of Philadelphia's Historic Wanamaker Organ | publisher = The Friends of the Wanamaker Organ Press| isbn=0-9665552-0-1}}</ref>
The Wanamaker Organ is a concert organ of the American Symphonic school of design, which combines traditional organ tone with the sonic colors of the symphony orchestra. In its present configuration, the instrument has 28,750 [[Organ pipe|pipes]] in 464 ranks.<ref name="biswanger">{{cite book | author = Biswanger, Ray| year = 1999 | title = Music in the Marketplace: The Story of Philadelphia's Historic Wanamaker Organ | publisher = The Friends of the Wanamaker Organ Press| isbn=0-9665552-0-1}}</ref> The [[organ console]] consists of six [[manual (music)|manuals]] with an array of [[Organ stop|stops]] and controls that command the organ. The organ's ''String Division'' forms the largest single organ chamber in the world. The instrument features eighty-eight ranks of [[string (pipe organ)|string pipes]] built to Wanamaker specifications by the [[W.W. Kimball Company]] of Chicago.<ref name="biswanger"/> The organ is famed for its [[orchestra]]-like sound, coming from pipes that are voiced softer than usual, allowing an unusually rich build-up because of the massing of pipe-[[timbre|tone]] families. The organ was also built and enlarged as an "art organ," using exquisite craftsmanship and lavish application of materials to create a luxury product. There is a minimum of borrowing and unification in its disciplined design. The Wanamaker Store maintained its own organ factory to ensure an ultra-high-grade result. The artistic obligation entailed by the creation of this instrument has always been honored, with two [[curator]]s employed in its constant and scrupulous care (what leads to the state of one of the best maintained organ in the world).This dedication was enhanced when corporate parentage shifted from the Wanamaker family to [[Carter Hawley Hale Stores]] followed by [[Woodward & Lothrop]], [[The May Department Stores Company]], and [[Lord & Taylor]]. When the space was occupied by [[Macy's]] and with the founding of the Friends of the Wanamaker Organ with its input of outside capital, an aggressive restoration schedule developed and is still maintained. Current restoration efforts are a combination of [[Macy's]] expenditures and significant contributions by Friends of the Wanamaker Organ, a 501(c)3 non-profit dedicated to the instrument.

The [[organ console]] consists of six [[manual (music)|manuals]] with an array of [[Organ stop|stops]] and controls that command the organ. The organ's ''String Division'' fills the largest single organ chamber in the world. The division features eighty-eight ranks of [[string (pipe organ)|string pipes]] built to Wanamaker specifications by the [[W.W. Kimball Company]] of Chicago.<ref name="biswanger" />

The organ is famed for its [[orchestra]]-like sound, coming from pipes that are voiced softer than usual, allowing an unusually rich build-up because of the massing of pipe-[[timbre|tone]] families. The organ was also built and enlarged as an "art organ", using exceptional craftsmanship and lavish application of materials to create a luxury product.

There is a minimum of borrowing and unification in its disciplined design, except in the Pedal and Orchestral divisions, where it adds genuine value, and duplexing is reserved for when valuable solo voices can be separated from their divisions without tying up the remaining tonal resources of said division. Choruses (16', 8', 4') are true choruses of three ranks, each with their own personality, rather than a single rank electrically "tapped" at three pitches, with the resulting weakening of the octaves and sameness of tone between the voices as found in unification.<ref>{{cite web |url=https://wanamakerorgan.com/about-the-organ/ |url-status=dead |archive-url=https://web.archive.org/web/20191112023235/https://wanamakerorgan.com/about-the-organ/ |archive-date=2019-11-12 |title=About the Organ – Friends of the Wanamaker Organ, Inc.}}</ref>

The [[Wanamaker's|Wanamaker Store]] maintained its own organ factory to ensure an ultra-high-grade result. The artistic obligation entailed by the creation of this instrument has always been honored, with two [[curator]]s employed in its constant and scrupulous care (which leads to its status as one of the best maintained organ in the world). This dedication was enhanced when corporate parentage shifted from the Wanamaker family to [[Carter Hawley Hale Stores]] followed by [[Woodward & Lothrop]], [[The May Department Stores Company]], and [[Lord & Taylor]]. When the space was occupied by [[Macy's]] and with the founding of the Friends of the Wanamaker Organ with its input of outside capital, an aggressive restoration schedule developed and is still maintained. Current restoration efforts are a combination of [[Macy's]] expenditures and significant contributions by Friends of the Wanamaker Organ, a 501(c)3 non-profit dedicated to the instrument.


==History==
==History==
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Following the Fair, the organ was intended for permanent installation by the [[Kansas City Convention Center]]. Indeed, the original console had a prominent "K C" on its music rack. This venture failed, bankrupting the L. A. Art Organ company after the Fair closed. There was a plan to exhibit the organ at [[Coney Island]] in New York City, but nothing came of this.
Following the Fair, the organ was intended for permanent installation by the [[Kansas City Convention Center]]. Indeed, the original console had a prominent "K C" on its music rack. This venture failed, bankrupting the L. A. Art Organ company after the Fair closed. There was a plan to exhibit the organ at [[Coney Island]] in New York City, but nothing came of this.


[[Image:Wanamaker Organ 1904.jpg|thumbnail|left|The organ in its original home, the [[Louisiana Purchase Exposition|1904 World's Fair]]. This facade is installed at [[Macy's]], behind the current facade.]]
[[Image:Wanamaker Organ 1904.jpg|thumbnail|left|The organ in its original home, the [[Louisiana Purchase Exposition|1904 World's Fair]]. This facade was formerly installed at [[Macy's]], it used to be behind the current facade.]]
The organ languished in storage at the Handlan warehouse in [[St. Louis]] until 1909, when it was bought by [[John Wanamaker]] for his new department store at 13th and Market Streets in [[Center City, Philadelphia]]. It took thirteen [[rail freight transport|freight cars]] to move it to its new home, and two years for installation. It was first played on June 22, 1911, at the exact moment when British [[George V of the United Kingdom|King George V]] was [[Coronation of King George V and Queen Mary|crowned]]. It was also featured later that year when U.S. President [[William Howard Taft]] dedicated the store.
The organ languished in storage at the Handlan warehouse in [[St. Louis]] until 1909, when it was bought by [[John Wanamaker]] for his new department store at 13th and Market Streets in [[Center City, Philadelphia]]. It took thirteen [[rail freight transport|freight cars]] to move it to its new home, and two years for installation. It was first played on June 22, 1911, at the exact moment when British [[George V of the United Kingdom|King George V]] was [[Coronation of King George V and Queen Mary|crowned]]. It was also featured later that year when U.S. President [[William Howard Taft]] dedicated the store.


Despite its then-unprecedented size (more than 10,000 pipes), it was judged inadequate to fill the seven-story Grand Court in which it was located, so Wanamaker's opened a private organ factory in the store attic, which was charged with enlarging the organ. The first project to enlarge the organ was the addition of 8,000 pipes between 1911 and 1917.
Despite its then-unprecedented size (more than 10,000 pipes), it was judged inadequate to fill the seven-story Grand Court in which it was located, so Wanamaker's opened a private organ factory in the store attic, which was charged with enlarging the organ. The first project to enlarge the organ was the addition of 8,000 pipes between 1911 and 1917.


Wanamaker's sponsored many historic after-business-hours concerts on the Wanamaker Organ. The first, in 1919, featured [[Leopold Stokowski]] and the [[Philadelphia Orchestra]] with organist [[Charles M. Courboin]].<ref name="biswanger" /> Every sales counter and fixture was removed for the free after-hours event, which attracted an audience of 15,000 from across the [[United States]]. Subsequently more of these "Musicians' Assemblies" were held, as were private recitals. For these events Wanamaker's opened a Concert Bureau under [[Alexander Russell (organ impresario)|Alexander Russell]] and brought to America master organists [[Marcel Dupré]] and [[Louis Vierne]], [[Nadia Boulanger]], [[Marco Enrico Bossi]], [[Alfred Hollins]], and several others. (This agency, which worked in partnership with Canadian Bernard R. LaBerge, evolved into the Karen McFarlane Concert Agency of the present day.) During his first recital on the organ, Dupré was so impressed with the instrument that he was inspired to improvise a musical depiction of the life of Jesus Christ. This was later published as his ''Symphonie-Passion''.
Wanamaker's sponsored many historic after-business-hours concerts on the Wanamaker Organ. The first, in 1919, featured [[Leopold Stokowski]] and the [[Philadelphia Orchestra]] with organist [[Charles M. Courboin]].<ref name="biswanger" /> Every sales counter and fixture was removed for the free after-hours event, which attracted an audience of 15,000 from across the [[United States]]. Subsequently, more of these "Musicians' Assemblies" were held, as were private recitals. For these events Wanamaker's opened a Concert Bureau under [[Alexander Russell (organ impresario)|Alexander Russell]] and brought to America master organists [[Marcel Dupré]] and [[Louis Vierne]], [[Nadia Boulanger]], [[Marco Enrico Bossi]], [[Alfred Hollins]], and several others. (This agency, which worked in partnership with Canadian Bernard R. LaBerge, evolved into the Karen McFarlane Concert Agency of the present day.) During his first recital on the organ, Dupré was so impressed with the instrument that he was inspired to improvise a musical depiction of the life of Jesus Christ. This was later published as his ''Symphonie-Passion''.


From April 24, 1922 to 1928 the store had its own radio station, [[WOO (Philadelphia)|WOO]], and music from the organ was a major feature of the broadcasts.<ref name="bcpp"/>
From April 24, 1922, to 1928 the store had its own radio station, [[WOO (Philadelphia)|WOO]], and music from the organ was a major feature of the broadcasts.<ref name="bcpp"/>


In 1924, a new project to enlarge the organ began. Marcel Dupré and [[Charles M. Courboin]] were among those asked by [[Rodman Wanamaker]], John Wanamaker's son, to "Work together to draw up a plan for the instrument. Use everything you have ever dreamed about." They were told there was no limit to the budget. This project resulted in, among other things, the celebrated String Division, which occupies the largest organ chamber ever constructed, 67 feet long, 26 feet deep, and 16 feet high (22 by 9 by 5 m). During this project, the organ's current console was constructed in Wanamaker's private in-house pipe-organ factory, with six [[Manual (music)|manuals]] and several hundred controls. By 1930, when work on expanding the organ finally stopped, the organ had 28,482 pipes, and, if Rodman Wanamaker had not died in 1928, the organ would probably be even bigger.<ref name="whitney">{{cite book | author = Whitney, Craig R. | year = 2003 | title = All the Stops: The Glorious Pipe Organ and Its American Masters | publisher = PublicAffairs New York | isbn = 1-58648-173-8 | url-access = registration | url = https://archive.org/details/allstops00crai }}</ref>
In 1924, a new project to enlarge the organ began. Marcel Dupré and [[Charles M. Courboin]] were among those asked by [[Rodman Wanamaker]], John Wanamaker's son, to "Work together to draw up a plan for the instrument. Use everything you have ever dreamed about." They were told there was no limit to the budget. This project resulted in, among other things, the celebrated String Division, which occupies the largest organ chamber ever constructed, 67 feet long, 26 feet deep, and 16 feet high (22 by 9 by 5 m). During this project, the organ's current console was constructed in Wanamaker's private in-house pipe-organ factory, with six [[Manual (music)|manuals]] and several hundred controls. By 1930, when work on expanding the organ finally stopped, the organ had 28,482 pipes, and, if Rodman Wanamaker had not died in 1928, the organ would probably be even bigger.<ref name="whitney">{{cite book | author = Whitney, Craig R. | year = 2003 | title = All the Stops: The Glorious Pipe Organ and Its American Masters | publisher = PublicAffairs New York | isbn = 1-58648-173-8 | url-access = registration | url = https://archive.org/details/allstops00crai }}</ref>


Plans were made for, among others, a [[Stentor]] division, a section of high-pressure [[diapason (pipe organ)|diapasons]] and [[reed pipe|reeds]]. It was to be installed on the fifth floor, above the String Division, and would be playable from the sixth manual. However, it was never funded, and the sixth manual is now used to couple other divisions or play various solo voices from other divisions that are duplexed to this keyboard.<ref>The [http://www.agophila.org/pages/instruments/wanamaker.html Philadelphia Chapter of the American Guild of Organists] lists all the stops on the organ and mentions the unrealized Stentor division.</ref>
Plans were made for, among others, a [[Stentor (disambiguation)|Stentor]] division, a section of high-pressure [[diapason (pipe organ)|diapasons]] and [[reed pipe|reeds]]. It was to be installed on the fifth floor, above the String Division, and would be playable from the sixth manual. However, it was never funded, and the sixth manual is now used to couple other divisions or play various solo voices from other divisions that are duplexed to this keyboard.<ref>The [http://www.agophila.org/pages/instruments/wanamaker.html Philadelphia Chapter of the American Guild of Organists] lists all the stops on the organ and mentions the unrealized Stentor division.</ref>


[[Image:ConsoleOrgueWanamaker.jpg|{{largethumb}}|The organ's six-[[manual (music)|manual]] console]]
[[Image:ConsoleOrgueWanamaker.jpg|upright=1.35|thumb|The organ's six-[[manual (music)|manual]] console]]
Rodman Wanamaker was not interested in mere size, however, but in artistic organ-building with finely crafted pipes and chests using the best materials and careful artistic consideration. The Wanamaker Organ console, built in the store organ shop by William Boone Fleming, is a work of art in its own right with heavy, durable construction, an ingenious layout of its pneumatic stop action and many unique features and conveniences. Wanamaker also had a collection of 60 rare [[string instrument|stringed instruments]], the Wanamaker Cappella, that were used in conjunction with the store organs in Philadelphia and [[New York City|New York]], and went on tour. They were dispersed after his death.
[[Rodman Wanamaker]] was not interested in mere size, however, but in artistic organ-building with finely crafted pipes and chests using the best materials and careful artistic consideration. The Wanamaker Organ console, built in the store organ shop by William Boone Fleming, is a work of art in its own right with heavy, durable construction, an ingenious layout of its pneumatic stop action and many unique features and conveniences. Wanamaker also had a collection of 60 rare [[string instrument|stringed instruments]], the Wanamaker Cappella, that were used in conjunction with the store organs in Philadelphia and [[New York City|New York]], and went on tour. They were dispersed after his death.


Following the sale of the store to [[The May Department Stores Company]], in 1995, the Wanamaker's name was removed from the store (first as Wanamaker-Hecht's) in favor of [[Hecht's]], but the organ and its concerts were retained. During the local renaming of the Hecht's stores to [[Strawbridge's]], the historic Wanamaker Store briefly took the name of its longtime rival Strawbridge's. The May Company began a complete restoration of the organ in 1997, as part of the store's final May Co. conversion into a [[Lord & Taylor]]. At that time the store area was reduced to three floors and additional panes of glass were put around the Grand Court on floors four and five, greatly enhancing the reverberation of the room.
Following the sale of the store to [[The May Department Stores Company]], in 1995, the Wanamaker's name was removed from the store (first as Wanamaker-Hecht's) in favor of [[Hecht's]], but the organ and its concerts were retained. During the local renaming of the Hecht's stores to [[Strawbridge's]], the historic Wanamaker Store briefly took the name of its longtime rival Strawbridge's. The May Company began a complete restoration of the organ in 1997, as part of the store's final May Co. conversion into a [[Lord & Taylor]]. At that time the store area was reduced to three floors and additional panes of glass were put around the Grand Court on floors four and five, greatly enhancing the reverberation of the room.
[[File:Wanamakers Organ at Macys Philadelphia in 2023.jpg|thumb|The Wanamaker Organ in the Grand Court]]

The [[Philadelphia Orchestra]] returned to the Grand Court on September 27, 2008, for the premiere performance of [[Joseph Jongen]]'s ''Symphonie Concertante'' (1926) on the organ for which it was written. The ticketed event, featuring soloist Peter Richard Conte, also included the [[Bach]]/[[Leopold Stokowski|Stokowski]] arrangement of the [[Toccata and Fugue in D minor]], [[Marcel Dupré]]'s ''Cortege and Litany'' for Organ and Orchestra, and the world premiere of a ''Fanfare'' by [[Howard Shore]], composer for [[The Lord of the Rings (film series)|''The Lord of the Rings'' films]]. Shore visited the store in May 2008 to meet with Peter Richard Conte and hear the Wanamaker Organ. The Philadelphia Orchestra Concert was co-sponsored by the Friends of the Wanamaker Organ and was a benefit for that organization.<ref>{{cite news| url=https://www.nytimes.com/2007/06/09/arts/music/09orga.html/partner/rssnyt/?_r=1| title=Amid the Shirts and Socks, a Concert Can Break Out | work=The New York Times| author= CRAIG R. WHITNEY| date=June 9, 2007 }}</ref>
[[File:Wanamakers Organ at Macys Philadelphia.jpg|thumb|The Wanamaker Organ in the Grand Court]]
The [[Philadelphia Orchestra]] returned to the Grand Court on September 27, 2008 for the premiere performance of [[Joseph Jongen]]'s ''Symphonie Concertante'' (1926) on the organ for which it was written. The ticketed event, featuring soloist Peter Richard Conte, also included the [[Bach]]/[[Leopold Stokowski|Stokowski]] arrangement of the [[Toccata and Fugue in D minor]], [[Marcel Dupré]]'s ''Cortege and Litany'' for Organ and Orchestra, and the world premiere of a ''Fanfare'' by [[Howard Shore]], composer for [[The Lord of the Rings (film series)|''The Lord of the Rings'' films]]. Shore visited the store in May 2008 to meet with Peter Richard Conte and hear the Wanamaker Organ. The Philadelphia Orchestra Concert was co-sponsored by the Friends of the Wanamaker Organ and was a benefit for that organization.<ref>{{cite news| url=https://www.nytimes.com/2007/06/09/arts/music/09orga.html/partner/rssnyt/?_r=1| title=Amid the Shirts and Socks, a Concert Can Break Out | work=The New York Times| author= CRAIG R. WHITNEY| date=June 9, 2007 }}</ref>


In 2019 the Wanamaker Organ facade, designed by [[Daniel Hudson Burnham]], was restored and re-gilded in 22-karat gold to a color scheme close in sympathy to its original appearance but which fits in with its new surroundings. Evergreene Architectural Arts did the work. Grant money from Macy's and several Philadelphia area charities funded this project, which was overseen by the Friends of the Wanamaker Organ.
In 2019 the Wanamaker Organ facade, designed by [[Daniel Hudson Burnham]], was restored and re-gilded in 22-karat gold to a color scheme close in sympathy to its original appearance but which fits in with its new surroundings. Evergreene Architectural Arts did the work. Grant money from Macy's and several Philadelphia area charities funded this project, which was overseen by the Friends of the Wanamaker Organ.
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===Noteworthy assistant organists===
===Noteworthy assistant organists===
* [[Richard Elliott (organist)|Dr. Richard L. Elliott]] (Chapman)<ref name=deseret>{{cite news|title=Fate Brings Organist to Tabernacle Post|newspaper=[[Deseret News]]|date=April 5, 1992|first=William S.|last=Goodfellow|access-date=January 2, 2022|url=https://www.deseret.com/1992/4/5/18976982/fate-brings-organist-to-tabernacle-post/}}</ref>
* Alma Wilson Baecker (asst. to Mary E. Vogt)
* [[Ken Cowan]] (Conte){{Citation needed|date=January 2022|reason=neither this article nor his article gives a reference for him being an assistant}}
* Harriette G. Ridley (Vogt)
* [[Nathan Laube]] (Conte){{Citation needed|date=January 2022|reason=neither this article nor his article gives a reference for him being an assistant}}
* Rollo Maitland (Vogt)
* Nelson E. Buechner (Vogt and Chapman)
* Walter Baker (Vogt)
* David Ulrich (Vogt)
* Kenneth Goodman (Vogt)
* Barron Smith (Vogt)
* [[Richard Elliott (organist)|Dr. Richard L. Elliott]] (Chapman)
* Robert Carwithen (Chapman)
* Dennis Elwell (Chapman)
* Bruce Shultz (Chapman)
* [[Diane Meredith Belcher]] (Chapman)
* Monte Maxwell (Chapman)
* William S. Wrenn Jr. (Chapman)
* Rebecca Kleintop Owen (Conte)
* Rudolph A. Lucente (Chapman and Conte)
* Russell Patterson (Conte)
* Michael Stairs (Chapman and Conte)
* John Binsfeld (Chapman and Conte)
* [[Ken Cowan]] (Conte)
* Dr. Harry Wilkinson (Conte)
* Colin Howland (Chapman)
* Fred Haas (Conte)
* [[Nathan Laube]] (Conte)
* Matt Glandorf (Conte)
* Wesley Parrott (Conte)
* Thomas Sheehan (Conte)


===Present curators===
===Present curator===
* Curt Mangel
* Matthew Taft
* Matthew Taft


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* Transcription of "[[Der Rosenkavalier]] [[Suite (music)|Suite]]" by Peter Richard Conte
* Transcription of "[[Der Rosenkavalier]] [[Suite (music)|Suite]]" by Peter Richard Conte
* Transcription of [[Arthur Sullivan]]'s ''[[The Yeomen of the Guard]]'' Overture by Peter Richard Conte
* Transcription of [[Arthur Sullivan]]'s ''[[The Yeomen of the Guard]]'' Overture by Peter Richard Conte
* Improvisation on a Stokowski-theme by [[Xaver Varnus]]<ref name="youtube.com">{{cite web|url=https://www.youtube.com/watch?v=6jyrD_AS3Io|title=XAVER VARNUS IMPROVISE ON WANAMAKER, THE WORLD'S LARGEST PIPE ORGAN IN PHILADELPHIA (1987)|last=Xaver Varnus|date=9 July 2011|via=YouTube}}</ref>
* Improvisation on a Stokowski-theme by [[Xaver Varnus]]<ref name="youtube.com">{{cite web|url=https://www.youtube.com/watch?v=6jyrD_AS3Io |archive-url=https://ghostarchive.org/varchive/youtube/20211213/6jyrD_AS3Io |archive-date=2021-12-13 |url-status=live|title=XAVER VARNUS IMPROVISE ON WANAMAKER, THE WORLD'S LARGEST PIPE ORGAN IN PHILADELPHIA (1987)|last=Xaver Varnus|date=9 July 2011|via=YouTube}}{{cbignore}}</ref>


==Architectural layout==
==Architectural layout==
<!-- Deleted image removed: [[Image:String-Division-Middle-Sect.jpg|thumb|{{largethumb}}|A view of the string division.]] -->
<!-- Deleted image removed: [[Image:String-Division-Middle-Sect.jpg|thumb|upright=1.35|thumb|A view of the string division.]] -->


The pipes are laid out across the space occupied by five floors of the building, with the sections situated as follows:
The pipes are laid out across the space occupied by five floors of the building, with the sections situated as follows:
*2nd floor south – Main Pedal 32&prime;, Lower Swell, Great, Percussions
*2nd floor south – Main Pedal 32 ft, Lower Swell, Great, Percussions
*3rd floor south – Main Pedal, Chorus, Upper Swell, Choir/Enclosed Great, Solo, Vox Humana Chorus
*3rd floor south – Main Pedal, Chorus, Upper Swell, Choir/Enclosed Great, Solo, Vox Humana Chorus
*4th floor south – String
*4th floor south – String
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*7th floor north – Echo
*7th floor north – Echo


The 32&prime; Wood Open, 32&prime; Diaphone, and 32&prime; Metal Diapason pipes run the length of a little more than 2 stories, beginning on the second floor.<ref name="biswanger" />
The 32 ft Wood Open, 32 ft Diaphone, and 32 ft Metal Diapason pipes run the length of a little more than 2 stories, beginning on the second floor.<ref name="biswanger" />


==Stoplist==
==Stoplist==
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----
----
|-
|-
|Double Dulciana || 16′
|Double Dulciana || 16 ft
|-
|-
|Dulciana || 8′
|Dulciana || 8 ft
|-
|-
|Open Diapason || 8′
|Open Diapason || 8 ft
|-
|-
|Violin Diapason || 8′
|Violin Diapason || 8 ft
|-
|-
|Stopped Diapason || 8′
|Stopped Diapason || 8 ft
|-
|-
|Concert Flute || 8′
|Concert Flute || 8 ft
|-
|-
|Salicional || 8′
|Salicional || 8 ft
|-
|-
|Quintadena || 8′
|Quintadena || 8 ft
|-
|-
|Vox Angelica || 8′
|Vox Angelica || 8 ft
|-
|-
|Vox Celeste || 8′
|Vox Celeste || 8 ft
|-
|-
|Keraulophon || 8′
|Keraulophon || 8 ft
|-
|-
|Forest Flute || 4′
|Forest Flute || 4 ft
|-
|-
|Salicet || 4′
|Salicet || 4 ft
|-
|-
|Piccolo || 2′
|Piccolo || 2 ft
|-
|-
|Soft Cornet VI ||
|Soft Cornet VI ||
|-
|-
|Saxophone || 16′
|Saxophone || 16 ft
|-
|-
|Saxophone || 8′
|Saxophone || 8 ft
|-
|-
|English Horn || 8′
|English Horn || 8 ft
|-
|-
|Clarinet || 8′
|Clarinet || 8 ft
|}
|}
| style="vertical-align:top" |
| style="vertical-align:top" |
Line 173: Line 155:
|'''''Unenclosed Great'''''
|'''''Unenclosed Great'''''
|-
|-
|Sub Principal || 32′
|Sub Principal || 32 ft
|-
|-
|Contra Gamba || 16′
|Contra Gamba || 16 ft
|-
|-
|Double Diapason || 16′
|Double Diapason || 16 ft
|-
|-
|Sub Quint || {{frac|10|2|3}}
|Sub Quint || {{frac|10|2|3}} ft
|-
|-
|Diapason Phonon || 8′
|Diapason Phonon || 8 ft
|-
|-
|Diapason Major || 8′
|Diapason Major || 8 ft
|-
|-
|First Diapason || 8′
|First Diapason || 8 ft
|-
|-
|Second Diapason || 8′
|Second Diapason || 8 ft
|-
|-
|Third Diapason || 8′
|Third Diapason || 8 ft
|-
|-
|Fourth Diapason || 8′
|Fourth Diapason || 8 ft
|-
|-
|Gamba (2 ranks) || 8′
|Gamba (2 ranks) || 8 ft
|-
|-
|Major Tibia || 8′
|Major Tibia || 8 ft
|-
|-
|Mezzo Tibia || 8′
|Mezzo Tibia || 8 ft
|-
|-
|Minor Tibia || 8′
|Minor Tibia || 8 ft
|-
|-
|Double Flute || 8′
|Double Flute || 8 ft
|-
|-
|Nasard Flute (2 ranks) || 8′
|Nasard Flute (2 ranks) || 8 ft
|-
|-
|Octave || 4′
|Octave || 4 ft
|-
|-
|Mixture VIII ||
|Mixture VIII ||
|-
|-
|Harmonic Trumpet || 8′
|Harmonic Trumpet || 8 ft
|-
|-
|
|
Line 215: Line 197:
|'''''Enclosed Great'''''
|'''''Enclosed Great'''''
|-
|-
|Covered Tibia || 8′
|Covered Tibia || 8 ft
|-
|-
|Harmonic Flute || 8′
|Harmonic Flute || 8 ft
|-
|-
|Quint || {{frac|5|1|3}}
|Quint || {{frac|5|1|3}} ft
|-
|-
|Harmonic Flute || 4′
|Harmonic Flute || 4 ft
|-
|-
|Principal || 4′
|Principal || 4 ft
|-
|-
|Tierce || {{frac|3|1|5}}
|Tierce || {{frac|3|1|5}} ft
|-
|-
|Octave Quint || 2′
|Octave Quint || 2 ft
|-
|-
|Super Octave || 2′
|Super Octave || 2 ft
|-
|-
|Mixture VII ||
|Mixture VII ||
|-
|-
|Double Trumpet || 16′
|Double Trumpet || 16 ft
|-
|-
|Tuba || 8′
|Tuba || 8 ft
|-
|-
|Trumpet || 8′
|Trumpet || 8 ft
|-
|-
|Harmonic Clarion || 4′
|Harmonic Clarion || 4 ft
|-
|-
|
|
Line 245: Line 227:
|'''''Great Chorus (73 pipes)'''''
|'''''Great Chorus (73 pipes)'''''
|-
|-
|Diapason Magna || 8′
|Diapason Magna || 8 ft
|-
|-
|Stentorphone || 8′
|Stentorphone || 8 ft
|-
|-
|First Diapason || 8′
|First Diapason || 8 ft
|-
|-
|Second Diapason || 8′
|Second Diapason || 8 ft
|-
|-
|Third Diapason || 8′
|Third Diapason || 8 ft
|-
|-
|Major Flute || 8′
|Major Flute || 8 ft
|-
|-
|Double Flute || 8′
|Double Flute || 8 ft
|-
|-
|Gamba || 8′
|Gamba || 8 ft
|-
|-
|Flute || 4′
|Flute || 4 ft
|-
|-
|Octave || 4′
|Octave || 4 ft
|-
|-
|Nasard || {{frac|2|2|3}}
|Nasard || {{frac|2|2|3}} ft
|}
|}
| style="vertical-align:top" |
| style="vertical-align:top" |
Line 272: Line 254:
----
----
|-
|-
|Double Diapason || 16′
|Double Diapason || 16 ft
|-
|-
|Soft Bourdon || 16′
|Soft Bourdon || 16 ft
|-
|-
|Stentorphone || 8′
|Stentorphone || 8 ft
|-
|-
|Horn Diapason || 8′
|Horn Diapason || 8 ft
|-
|-
|Violin Diapason || 8′
|Violin Diapason || 8 ft
|-
|-
|Bell Flute || 8′
|Bell Flute || 8 ft
|-
|-
|Orchestral Flute || 8′
|Orchestral Flute || 8 ft
|-
|-
|Harmonic Flute || 8′
|Harmonic Flute || 8 ft
|-
|-
|Grand Flute (2 ranks) || 8′
|Grand Flute (2 ranks) || 8 ft
|-
|-
|Double Flute || 8′
|Double Flute || 8 ft
|-
|-
|Tibia Dura || 8′
|Tibia Dura || 8 ft
|-
|-
|Clarabella || 8′
|Clarabella || 8 ft
|-
|-
|Melodia || 8′
|Melodia || 8 ft
|-
|-
|Soft Dulciana || 8′
|Soft Dulciana || 8 ft
|-
|-
|Gamba Celeste (2 ranks) || 8′
|Gamba Celeste (2 ranks) || 8 ft
|-
|-
|Gamba || 8′
|Gamba || 8 ft
|-
|-
|Quint Bourdon || {{frac|5|1|3}}
|Quint Bourdon || {{frac|5|1|3}} ft
|-
|-
|Harmonic Flute (2 ranks) || 4′
|Harmonic Flute (2 ranks) || 4 ft
|-
|-
|First Octave || 4′
|First Octave || 4 ft
|-
|-
|Second Octave || 4′
|Second Octave || 4 ft
|-
|-
|Nazard (prepared for) || {{frac|2|2|3}}
|Nazard (prepared for) || {{frac|2|2|3}} ft
|-
|-
|Harmonic Piccolo || 2′
|Harmonic Piccolo || 2 ft
|-
|-
|Corroborating Mixture V ||
|Corroborating Mixture V ||
Line 320: Line 302:
|Mixture VI ||
|Mixture VI ||
|-
|-
|Bass Tuba || 16′
|Bass Tuba || 16 ft
|-
|-
|Bass Trombone || 16′
|Bass Trombone || 16 ft
|-
|-
|Contra Fagotto || 16′
|Contra Fagotto || 16 ft
|-
|-
|Double Oboe Horn || 16′
|Double Oboe Horn || 16 ft
|-
|-
|Trombone || 8′
|Trombone || 8 ft
|-
|-
|Tuba || 8′
|Tuba || 8 ft
|-
|-
|Fagotto || 8′
|Fagotto || 8 ft
|-
|-
|Oboe || 8′
|Oboe || 8 ft
|-
|-
|Trumpet || 8′
|Trumpet || 8 ft
|-
|-
|Horn || 8′
|Horn || 8 ft
|-
|-
|Bassett Horn || 8′
|Bassett Horn || 8 ft
|-
|-
|Clarinet || 8′
|Clarinet || 8 ft
|-
|-
|Clarinet (2 ranks) || 8′
|Clarinet (2 ranks) || 8 ft
|-
|-
|Vox Humana (2 ranks) || 8′
|Vox Humana (2 ranks) || 8 ft
|-
|-
|Harmonic Clarion || 4′
|Harmonic Clarion || 4 ft
|-
|-
|Musette || 4′
|Musette || 4 ft
|-
|-
|
|
Line 356: Line 338:
|'''''Original String Division'''''
|'''''Original String Division'''''
|-
|-
|Contra Bass || 16′
|Contra Bass || 16 ft
|-
|-
|Violoncello || 8′
|Violoncello || 8 ft
|-
|-
|Viol || 8′
|Viol || 8 ft
|-
|-
|Viol (sharp) || 8′
|Viol (sharp) || 8 ft
|-
|-
|Viola || 8′
|Viola || 8 ft
|-
|-
|Quint Viol || {{frac|5|1|3}}
|Quint Viol || {{frac|5|1|3}} ft
|-
|-
|Octave Viol || 4′
|Octave Viol || 4 ft
|-
|-
|Violina || 4′
|Violina || 4 ft
|-
|-
|Tierce || {{frac|3|1|5}}
|Tierce || {{frac|3|1|5}} ft
|-
|-
|String Mixture V ||
|String Mixture V ||
Line 383: Line 365:
----
----
|-
|-
|Double Open Diapason || 16′
|Double Open Diapason || 16 ft
|-
|-
|Grand Viol || 16′
|Grand Viol || 16 ft
|-
|-
|First Diapason || 8′
|First Diapason || 8 ft
|-
|-
|Second Diapason || 8′
|Second Diapason || 8 ft
|-
|-
|Third Diapason || 8′
|Third Diapason || 8 ft
|-
|-
|Violin Diapason || 8′
|Violin Diapason || 8 ft
|-
|-
|Viol || 8′
|Viol || 8 ft
|-
|-
|Viol || 8′
|Viol || 8 ft
|-
|-
|Harmonic Flute || 8′
|Harmonic Flute || 8 ft
|-
|-
|Tierce Flute (2 ranks) || 8′
|Tierce Flute (2 ranks) || 8 ft
|-
|-
|Chimney Flute || 8′
|Chimney Flute || 8 ft
|-
|-
|Clarabella || 8′
|Clarabella || 8 ft
|-
|-
|Gemshorn || 8′
|Gemshorn || 8 ft
|-
|-
|Nasard Gamba (2 ranks) || 8′
|Nasard Gamba (2 ranks) || 8 ft
|-
|-
|Grand Gamba || 8′
|Grand Gamba || 8 ft
|-
|-
|Grand Gamba || 8′
|Grand Gamba || 8 ft
|-
|-
|Quintaphon || 8′
|Quintaphon || 8 ft
|-
|-
|Quint Diapason || {{frac|5|1|3}}
|Quint Diapason || {{frac|5|1|3}} ft
|-
|-
|Octave || 4′
|Octave || 4 ft
|-
|-
|Harmonic Flute || 4′
|Harmonic Flute || 4 ft
|-
|-
|Harmonic Tierce || {{frac|3|1|5}}
|Harmonic Tierce || {{frac|3|1|5}} ft
|-
|-
|Twelfth Harmonic || {{frac|2|2|3}}
|Twelfth Harmonic || {{frac|2|2|3}} ft
|-
|-
|Piccolo Harmonic || 2′
|Piccolo Harmonic || 2 ft
|-
|-
|Double Trumpet || 16′
|Double Trumpet || 16 ft
|-
|-
|Tuba || 16′
|Tuba || 16 ft
|-
|-
|Trumpet || 8′
|Trumpet || 8 ft
|-
|-
|Soft Tuba || 8′
|Soft Tuba || 8 ft
|-
|-
|Cornopean || 8′
|Cornopean || 8 ft
|-
|-
|Ophicleide || 8′
|Ophicleide || 8 ft
|-
|-
|Musette || 8′
|Musette || 8 ft
|-
|-
|Ophicleide || 4′
|Ophicleide || 4 ft
|-
|-
|Soft Tuba || 4′
|Soft Tuba || 4 ft
|-
|-
|Grand Mixture VI ||
|Grand Mixture VI ||
Line 458: Line 440:
----
----
|-
|-
|Gravissima || 64′
|Gravissima || 64 ft
|-
|-
|Contra Diaphone || 32′
|Contra Diaphone || 32 ft
|-
|-
|First Contra Open Diapason || 32′
|First Contra Open Diapason || 32 ft
|-
|-
|Second Contra Open Diapason || 32′
|Second Contra Open Diapason || 32 ft
|-
|-
|Contra Bourdon || 32′
|Contra Bourdon || 32 ft
|-
|-
|Diaphone || 16′
|Diaphone || 16 ft
|-
|-
|First Open Diapason || 16′
|First Open Diapason || 16 ft
|-
|-
|Second Open Diapason || 16′
|Second Open Diapason || 16 ft
|-
|-
|Third Open Diapason || 16′
|Third Open Diapason || 16 ft
|-
|-
|Bourdon || 16′
|Bourdon || 16 ft
|-
|-
|Violone || 16′
|Violone || 16 ft
|-
|-
|Gamba || 16′
|Gamba || 16 ft
|-
|-
|Open Flute || 16′
|Open Flute || 16 ft
|-
|-
|Soft Bourdon || 16′
|Soft Bourdon || 16 ft
|-
|-
|Dulciana || 16′
|Dulciana || 16 ft
|-
|-
|Open Quint || {{frac|10|2|3}}
|Open Quint || {{frac|10|2|3}} ft
|-
|-
|Stopped Quint || {{frac|10|2|3}}
|Stopped Quint || {{frac|10|2|3}} ft
|-
|-
|Stentor || 8′
|Stentor || 8 ft
|-
|-
|Open Diapason || 8′
|Open Diapason || 8 ft
|-
|-
|Octave || 8′
|Octave || 8 ft
|-
|-
|First Tibia || 8′
|First Tibia || 8 ft
|-
|-
|Second Tibia || 8′
|Second Tibia || 8 ft
|-
|-
|Octave Soft Bourdon || 8′
|Octave Soft Bourdon || 8 ft
|-
|-
|First Cello || 8′
|First Cello || 8 ft
|-
|-
|Second Cello || 8′
|Second Cello || 8 ft
|-
|-
|Soft Flute || 8′
|Soft Flute || 8 ft
|-
|-
|Soft Dulciana || 8′
|Soft Dulciana || 8 ft
|-
|-
|Principal || 4′
|Principal || 4 ft
|-
|-
|Octave || 4′
|Octave || 4 ft
|-
|-
|First Tibia || 4′
|First Tibia || 4 ft
|-
|-
|Second Tibia || 4′
|Second Tibia || 4 ft
|-
|-
|Flute || 4′
|Flute || 4 ft
|-
|-
|Mixture VI ||
|Mixture VI ||
Line 530: Line 512:
|Grand Mutation × ||
|Grand Mutation × ||
|-
|-
|Contra Bombarde || 32′
|Contra Bombarde || 32 ft
|-
|-
|Bombarde || 16′
|Bombarde || 16 ft
|-
|-
|Trombone || 16′
|Trombone || 16 ft
|-
|-
|Tuba || 16′
|Tuba || 16 ft
|-
|-
|Euphonium || 16′
|Euphonium || 16 ft
|-
|-
|Contra Fagotto || 16′
|Contra Fagotto || 16 ft
|-
|-
|Bombarde || 8′
|Bombarde || 8 ft
|-
|-
|Octave Fagotto || 8′
|Octave Fagotto || 8 ft
|-
|-
|Tromba || 8′
|Tromba || 8 ft
|-
|-
|Clarion || 4′
|Clarion || 4 ft
|}
|}
|}
|}
Line 559: Line 541:
----
----
|-
|-
|Bourdon || 16′
|Bourdon || 16 ft
|-
|-
|First Open Diapason || 8′
|First Open Diapason || 8 ft
|-
|-
|Second Open Diapason || 8′
|Second Open Diapason || 8 ft
|-
|-
|Clear Flute || 8′
|Clear Flute || 8 ft
|-
|-
|Harmonic Flute || 8′
|Harmonic Flute || 8 ft
|-
|-
|Double Flute || 8′
|Double Flute || 8 ft
|-
|-
|Quint Flute || 8′
|Quint Flute || 8 ft
|-
|-
|Grand Gamba || 8′
|Grand Gamba || 8 ft
|-
|-
|Grand Gamba || 8′
|Grand Gamba || 8 ft
|-
|-
|Octavo || 4′
|Octavo || 4 ft
|-
|-
|Harmonic Flute || 4′
|Harmonic Flute || 4 ft
|-
|-
|Twelfth Harmonic || {{frac|2|2|3}}
|Twelfth Harmonic || {{frac|2|2|3}} ft
|-
|-
|Harmonic Piccolo || 2′
|Harmonic Piccolo || 2 ft
|-
|-
|Mixture IV
|Mixture IV
|-
|-
|Tuba Profunda || 16′
|Tuba Profunda || 16 ft
|-
|-
|Tuba Mirabilis || 8′
|Tuba Mirabilis || 8 ft
|-
|-
|French Trumpet || 8′
|French Trumpet || 8 ft
|-
|-
|Grand Clarinet || 8′
|Grand Clarinet || 8 ft
|-
|-
|Post Horn || 8′
|Post Horn || 8 ft
|-
|-
|Tuba Clarion || 4′
|Tuba Clarion || 4 ft
|}
|}
| style="vertical-align:top" |
| style="vertical-align:top" |
Line 604: Line 586:
----
----
|-
|-
|Cello 1 (String)||8′
|Cello 1 (String)||8 ft
|-
|-
|Cello 1 ♯ (String)||8′
|Cello 1 ♯ (String)||8 ft
|-
|-
|Cello 1 ♭ (String)||8′
|Cello 1 ♭ (String)||8 ft
|-
|-
|Cello 2 (String)||8′
|Cello 2 (String)||8 ft
|-
|-
|Cello 2 ♯ (String)||8′
|Cello 2 ♯ (String)||8 ft
|-
|-
|Cello 2 ♭ (String)||8′
|Cello 2 ♭ (String)||8 ft
|-
|-
|Nasard Gamba II (String)||8′
|Nasard Gamba II (String)||8 ft
|-
|-
|Nasard Gamba II ♯ (String)||8′
|Nasard Gamba II ♯ (String)||8 ft
|-
|-
|Clear Flute (Ethereal)||8′
|Clear Flute (Ethereal)||8 ft
|-
|-
|Clear Flute (Ethereal)||4′
|Clear Flute (Ethereal)||4 ft
|}
|}
| style="vertical-align:top" |
| style="vertical-align:top" |
Line 629: Line 611:
----
----
|-
|-
|Acoustic Bass || 32′
|Acoustic Bass || 32 ft
|-
|-
|Diapason || 16′
|Diapason || 16 ft
|-
|-
|Bombarde || 16′
|Bombarde || 16 ft
|-
|-
|Bombarde || 8′
|Bombarde || 8 ft
|}
|}
|}
|}
Line 646: Line 628:
----
----
|-
|-
|Bourdon || 16′
|Bourdon || 16 ft
|-
|-
|Open Diapason || 8′
|Open Diapason || 8 ft
|-
|-
|Violin Diapason || 8′
|Violin Diapason || 8 ft
|-
|-
|Stopped Diapason || 8′
|Stopped Diapason || 8 ft
|-
|-
|Night Horn || 8′
|Night Horn || 8 ft
|-
|-
|Clarabella || 8′
|Clarabella || 8 ft
|-
|-
|Melodia || 8′
|Melodia || 8 ft
|-
|-
|Orchestral Viol || 8′
|Orchestral Viol || 8 ft
|-
|-
|Soft Viol || 8′
|Soft Viol || 8 ft
|-
|-
|Soft Viol || 8′
|Soft Viol || 8 ft
|-
|-
|Unda Maris (2 ranks) || 8′
|Unda Maris (2 ranks) || 8 ft
|-
|-
|Open Quint||{{frac|5|1|3}}
|Open Quint||{{frac|5|1|3}} ft
|-
|-
|Octave || 4′
|Octave || 4 ft
|-
|-
|Harmonic Flute || 4′
|Harmonic Flute || 4 ft
|-
|-
|Mellow Flute || 4′
|Mellow Flute || 4 ft
|-
|-
|Cornet Mixture V ||
|Cornet Mixture V ||
Line 680: Line 662:
|Mixture VI ||
|Mixture VI ||
|-
|-
|Double Trumpet || 16′
|Double Trumpet || 16 ft
|-
|-
|Trumpet || 8′
|Trumpet || 8 ft
|-
|-
|Capped Oboe || 8′
|Capped Oboe || 8 ft
|-
|-
|Euphone || 8′
|Euphone || 8 ft
|-
|-
|Vox Humana || 8′
|Vox Humana || 8 ft
|}
|}
| style="vertical-align:top" |
| style="vertical-align:top" |
Line 695: Line 677:
----
----
|-
|-
|Open Diapason || 16′
|Open Diapason || 16 ft
|-
|-
|Stopped Diapason || 16′
|Stopped Diapason || 16 ft
|}
|}
|}
|}
Line 708: Line 690:
----
----
|-
|-
|Contra Quintadena || 16′
|Contra Quintadena || 16 ft
|-
|-
|Duophone || 8′
|Duophone || 8 ft
|-
|-
|Tibia || 8′
|Tibia || 8 ft
|-
|-
|Covered Tibia || 8′
|Covered Tibia || 8 ft
|-
|-
|Concert Flute || 8′
|Concert Flute || 8 ft
|-
|-
|Harmonic Flute || 8′
|Harmonic Flute || 8 ft
|-
|-
|Mellow Flute || 8′
|Mellow Flute || 8 ft
|-
|-
|String Flute || 8′
|String Flute || 8 ft
|-
|-
|Double Flute || 8′
|Double Flute || 8 ft
|-
|-
|Hollow Flute || 8′
|Hollow Flute || 8 ft
|-
|-
|Harmonic Flute || 4′
|Harmonic Flute || 4 ft
|-
|-
|Orchestral Flute || 4′
|Orchestral Flute || 4 ft
|-
|-
|Covered Flute || 4′
|Covered Flute || 4 ft
|-
|-
|Octave || 4′
|Octave || 4 ft
|-
|-
|Harmonic Piccolo||2′
|Harmonic Piccolo||2 ft
|-
|-
|Super Octave||2′
|Super Octave||2 ft
|}
|}
| style="vertical-align:top" |
| style="vertical-align:top" |
Line 745: Line 727:
----
----
|-
|-
|English Horn || 16′
|English Horn || 16 ft
|-
|-
|Bass Clarinet || 16′
|Bass Clarinet || 16 ft
|-
|-
|Bass Saxophone || 16′
|Bass Saxophone || 16 ft
|-
|-
|Bassoon || 16′
|Bassoon || 16 ft
|-
|-
|English Horn || 8′
|English Horn || 8 ft
|-
|-
|Orchestral Clarinet || 8′
|Orchestral Clarinet || 8 ft
|-
|-
|Saxophone || 8′
|Saxophone || 8 ft
|-
|-
|Orchestral Bassoon || 8′
|Orchestral Bassoon || 8 ft
|-
|-
|Bassett Horn || 8′
|Bassett Horn || 8 ft
|-
|-
|Oboe || 8′
|Oboe || 8 ft
|-
|-
|Orchestral Oboe || 8′
|Orchestral Oboe || 8 ft
|-
|-
|Orchestral Trumpet || 8′
|Orchestral Trumpet || 8 ft
|-
|-
|Kinura || 8′
|Kinura || 8 ft
|-
|-
|Muted Cornet || 8′
|Muted Cornet || 8 ft
|}
|}
| style="vertical-align:top" |
| style="vertical-align:top" |
Line 778: Line 760:
----
----
|-
|-
|First French Horn || 8′
|First French Horn || 8 ft
|-
|-
|Second French Horn || 8′
|Second French Horn || 8 ft
|-
|-
|Third French Horn || 8′
|Third French Horn || 8 ft
|}
|}
| style="vertical-align:top" |
| style="vertical-align:top" |
Line 789: Line 771:
----
----
|-
|-
|Vox Humana || 16′
|Vox Humana || 16 ft
|-
|-
|First Vox Humana || 8′
|First Vox Humana || 8 ft
|-
|-
|Second Vox Humana || 8′
|Second Vox Humana || 8 ft
|-
|-
|Third Vox Humana || 8′
|Third Vox Humana || 8 ft
|-
|-
|Fourth Vox Humana || 8′
|Fourth Vox Humana || 8 ft
|-
|-
|Fifth Vox Humana || 8′
|Fifth Vox Humana || 8 ft
|-
|-
|Sixth Vox Humana || 8′
|Sixth Vox Humana || 8 ft
|-
|-
|Seventh Vox Humana || 8′
|Seventh Vox Humana || 8 ft
|}
|}
| style="vertical-align:top" |
| style="vertical-align:top" |
Line 810: Line 792:
----
----
|-
|-
|First Vox Humana || 16′
|First Vox Humana || 16 ft
|-
|-
|Second Vox Humana || 16′
|Second Vox Humana || 16 ft
|}
|}
|}
|}
Line 823: Line 805:
----
----
|-
|-
|Violone || 16′
|Violone || 16 ft
|-
|-
|First Contra Gamba || 16′
|First Contra Gamba || 16 ft
|-
|-
|Second Contra Gamba || 16′
|Second Contra Gamba || 16 ft
|-
|-
|First Contra Viol || 16′
|First Contra Viol || 16 ft
|-
|-
|Second Contra Viol || 16′
|Second Contra Viol || 16 ft
|-
|-
|First Viol || 16′
|First Viol || 16 ft
|-
|-
|Second Viol || 16′
|Second Viol || 16 ft
|-
|-
|Violin Diapason || 8′
|Violin Diapason || 8 ft
|-
|-
|Gamba || 8′
|Gamba || 8 ft
|-
|-
|Nasard Gamba (2 ranks) || 8′
|Nasard Gamba (2 ranks) || 8 ft
|-
|-
|Nasard Gamba (2 ranks) || 8′
|Nasard Gamba (2 ranks) || 8 ft
|-
|-
|First 'Cello || 8′
|First 'Cello || 8 ft
|-
|-
|First 'Cello ♯|| 8′
|First 'Cello ♯|| 8 ft
|-
|-
|First 'Cello ♭|| 8′
|First 'Cello ♭|| 8 ft
|-
|-
|Second 'Cello || 8′
|Second 'Cello || 8 ft
|-
|-
|Second 'Cello ♯|| 8′
|Second 'Cello ♯|| 8 ft
|-
|-
|Second 'Cello ♭|| 8′
|Second 'Cello ♭|| 8 ft
|-
|-
|First Orchestral Violin || 8′
|First Orchestral Violin || 8 ft
|-
|-
|First Orchestral Violin ♯|| 8′
|First Orchestral Violin ♯|| 8 ft
|-
|-
|First Orchestral Violin ♭|| 8′
|First Orchestral Violin ♭|| 8 ft
|-
|-
|Second Orchestral Violin || 8′
|Second Orchestral Violin || 8 ft
|-
|-
|Second Orchestral Violin ♯|| 8′
|Second Orchestral Violin ♯|| 8 ft
|-
|-
|Second Orchestral Violin ♭|| 8′
|Second Orchestral Violin ♭|| 8 ft
|-
|-
|Third Orchestral Violin || 8′
|Third Orchestral Violin || 8 ft
|-
|-
|Third Orchestral Violin ♯|| 8′
|Third Orchestral Violin ♯|| 8 ft
|-
|-
|Third Orchestral Violin ♭|| 8′
|Third Orchestral Violin ♭|| 8 ft
|-
|-
|Fourth Orchestral Violin || 8′
|Fourth Orchestral Violin || 8 ft
|-
|-
|Fourth Orchestral Violin ♯|| 8′
|Fourth Orchestral Violin ♯|| 8 ft
|-
|-
|Fourth Orchestral Violin ♭|| 8′
|Fourth Orchestral Violin ♭|| 8 ft
|-
|-
|Fifth Orchestral Violin || 8′
|Fifth Orchestral Violin || 8 ft
|-
|-
|Fifth Orchestral Violin ♯|| 8′
|Fifth Orchestral Violin ♯|| 8 ft
|-
|-
|Fifth Orchestral Violin ♭|| 8′
|Fifth Orchestral Violin ♭|| 8 ft
|-
|-
|Sixth Orchestral Violin || 8′
|Sixth Orchestral Violin || 8 ft
|-
|-
|Sixth Orchestral Violin ♯|| 8′
|Sixth Orchestral Violin ♯|| 8 ft
|-
|-
|Sixth Orchestral Violin ♭|| 8′
|Sixth Orchestral Violin ♭|| 8 ft
|-
|-
|First Muted Violin || 8′
|First Muted Violin || 8 ft
|-
|-
|First Muted Violin ♯|| 8′
|First Muted Violin ♯|| 8 ft
|-
|-
|First Muted Violin ♭|| 8′
|First Muted Violin ♭|| 8 ft
|-
|-
|Second Muted Violin || 8′
|Second Muted Violin || 8 ft
|-
|-
|Second Muted Violin ♯|| 8′
|Second Muted Violin ♯|| 8 ft
|-
|-
|Second Muted Violin ♭|| 8′
|Second Muted Violin ♭|| 8 ft
|}
|}
| style="vertical-align:top" |
| style="vertical-align:top" |
Line 910: Line 892:
----
----
|-
|-
|Third Muted Violin || 8′
|Third Muted Violin || 8 ft
|-
|-
|Third Muted Violin ♯|| 8′
|Third Muted Violin ♯|| 8 ft
|-
|-
|Third Muted Violin ♭|| 8′
|Third Muted Violin ♭|| 8 ft
|-
|-
|Fourth Muted Violin || 8′
|Fourth Muted Violin || 8 ft
|-
|-
|Fourth Muted Violin ♯|| 8′
|Fourth Muted Violin ♯|| 8 ft
|-
|-
|Fourth Muted Violin ♭|| 8′
|Fourth Muted Violin ♭|| 8 ft
|-
|-
|Fifth Muted Violin || 8′
|Fifth Muted Violin || 8 ft
|-
|-
|Fifth Muted Violin ♯|| 8′
|Fifth Muted Violin ♯|| 8 ft
|-
|-
|Fifth Muted Violin ♭|| 8′
|Fifth Muted Violin ♭|| 8 ft
|-
|-
|Sixth Muted Violin || 8′
|Sixth Muted Violin || 8 ft
|-
|-
|Sixth Muted Violin ♯|| 8′
|Sixth Muted Violin ♯|| 8 ft
|-
|-
|Sixth Muted Violin ♭|| 8′
|Sixth Muted Violin ♭|| 8 ft
|-
|-
|Quint Viol || {{frac|5|1|3}}
|Quint Viol || {{frac|5|1|3}} ft
|-
|-
|Quint Viol ♯|| {{frac|5|1|3}}
|Quint Viol ♯|| {{frac|5|1|3}} ft
|-
|-
|First Orchestral Violina || 4′
|First Orchestral Violina || 4 ft
|-
|-
|First Orchestral Violina ♯|| 4′
|First Orchestral Violina ♯|| 4 ft
|-
|-
|Second Orchestral Violina || 4′
|Second Orchestral Violina || 4 ft
|-
|-
|Second Orchestral Violina ♯|| 4′
|Second Orchestral Violina ♯|| 4 ft
|-
|-
|Tierce Viol || {{frac|3|1|5}}
|Tierce Viol || {{frac|3|1|5}} ft
|-
|-
|Tierce Viol ♯|| {{frac|3|1|5}}
|Tierce Viol ♯|| {{frac|3|1|5}} ft
|-
|-
|Nasard Violina || {{frac|2|2|3}}
|Nasard Violina || {{frac|2|2|3}} ft
|-
|-
|Nasard Violina ♯|| {{frac|2|2|3}}
|Nasard Violina ♯|| {{frac|2|2|3}} ft
|-
|-
|Super Violina || 2′
|Super Violina || 2 ft
|-
|-
|Super Violina ♯|| 2′
|Super Violina ♯|| 2 ft
|-
|-
|First Dulciana || 8′
|First Dulciana || 8 ft
|-
|-
|First Dulciana ♯|| 8′
|First Dulciana ♯|| 8 ft
|-
|-
|Second Dulciana || 8′
|Second Dulciana || 8 ft
|-
|-
|Second Dulciana ♯|| 8′
|Second Dulciana ♯|| 8 ft
|-
|-
|Third Dulciana || 8′
|Third Dulciana || 8 ft
|-
|-
|Third Dulciana ♯|| 8′
|Third Dulciana ♯|| 8 ft
|-
|-
|Fourth Dulciana || 8′
|Fourth Dulciana || 8 ft
|-
|-
|Fourth Dulciana ♯|| 8′
|Fourth Dulciana ♯|| 8 ft
|-
|-
|Fifth Dulciana || 8′
|Fifth Dulciana || 8 ft
|-
|-
|Fifth Dulciana ♯|| 8′
|Fifth Dulciana ♯|| 8 ft
|-
|-
|Sixth Dulciana || 8′
|Sixth Dulciana || 8 ft
|-
|-
|Sixth Dulciana ♯|| 8′
|Sixth Dulciana ♯|| 8 ft
|-
|-
|First Octave Dulciana || 4′
|First Octave Dulciana || 4 ft
|-
|-
|First Octave Dulciana ♯|| 4′
|First Octave Dulciana ♯|| 4 ft
|-
|-
|Second Octave Dulciana || 4′
|Second Octave Dulciana || 4 ft
|-
|-
|Second Octave Dulciana ♯|| 4′
|Second Octave Dulciana ♯|| 4 ft
|-
|-
|Dulciana Mutation V ||
|Dulciana Mutation V ||
Line 997: Line 979:
----
----
|-
|-
|Contra Diaphone || 32′
|Contra Diaphone || 32 ft
|-
|-
|Contra Gamba || 32′
|Contra Gamba || 32 ft
|-
|-
|Diaphone (ext)|| 16′
|Diaphone (ext)|| 16 ft
|-
|-
|Gamba (ext)|| 16′
|Gamba (ext)|| 16 ft
|-
|-
|First Violone || 16′
|First Violone || 16 ft
|-
|-
|Second Violone || 16′
|Second Violone || 16 ft
|-
|-
|Viol || 16′
|Viol || 16 ft
|-
|-
|Viol ♯|| 16′
|Viol ♯|| 16 ft
|-
|-
|Diaphone (ext)|| 8′
|Diaphone (ext)|| 8 ft
|-
|-
|Gamba (ext)|| 8′
|Gamba (ext)|| 8 ft
|-
|-
|First Violone (ext)|| 8′
|First Violone (ext)|| 8 ft
|-
|-
|Second Violone || 8′
|Second Violone || 8 ft
|-
|-
|Viol || 8′
|Viol || 8 ft
|-
|-
|Viol ♯|| 8′
|Viol ♯|| 8 ft
|-
|-
|Violone || 4′
|Violone || 4 ft
|-
|-
|Mutation Diaphone || 16′
|Mutation Diaphone || 16 ft
|-
|-
|Mutation Viol || 16′
|Mutation Viol || 16 ft
|-
|-
|Mutation Viol || {{frac|10|2|3}}
|Mutation Viol || {{frac|10|2|3}} ft
|-
|-
|Mutation Viol || 8′
|Mutation Viol || 8 ft
|-
|-
|Mutation Viol || {{frac|5|1|3}}
|Mutation Viol || {{frac|5|1|3}} ft
|-
|-
|Mutation Viol || 4′
|Mutation Viol || 4 ft
|-
|-
|Mutation Viol || {{frac|2|2|3}}
|Mutation Viol || {{frac|2|2|3}} ft
|-
|-
|Mutation Viol || 2′
|Mutation Viol || 2 ft
|-
|-
|Mutation Viol || {{frac|1|3|5}}
|Mutation Viol || {{frac|1|3|5}} ft
|-
|-
|Mutation Viol || {{frac|1|1|3}}
|Mutation Viol || {{frac|1|1|3}} ft
|-
|-
|Mutation Viol || {{frac|4|5}}
|Mutation Viol || {{frac|4|5}} ft
|-
|-
|Grand String Pedal Mixture XII ||32′
|Grand String Pedal Mixture XII ||32 ft
|}
|}
|}
|}
Line 1,058: Line 1,040:
{| border="0"
{| border="0"
|-
|-
|Tuba Magna (from 8′)|| 16′
|Tuba Magna (from 8 ft)|| 16 ft
|-
|-
|Tuba Magna || 8′
|Tuba Magna || 8 ft
|}
|}
|}
|}
Line 1,073: Line 1,055:
|Major Chimes || C–c1
|Major Chimes || C–c1
|-
|-
|Minor Chimes || G–G
|Minor Chimes || G–g
|-
|-
|Metalophone || C–C2
|Metalophone || C–C2
Line 1,087: Line 1,069:
|Harp II || (prepared for)
|Harp II || (prepared for)
|-
|-
|Gongs || tenor C–C2 (not currently functioning)
|Gongs || tenor C–C2 (now playable)
|-
|-
|Crescendo Cymbal ||
|Crescendo Cymbal ||
Line 1,099: Line 1,081:
==Recordings==
==Recordings==
* ''The Grand Court Organ'' (1973) by Keith Chapman. It included a number of works demonstrating the full organ
* ''The Grand Court Organ'' (1973) by Keith Chapman. It included a number of works demonstrating the full organ
* [[Mussorgsky]]’s ''[[Pictures at an Exhibition]]''. 1975, the recording is of Keith Chapman’s own transcription of the piano suite
* [[Mussorgsky]]'s ''[[Pictures at an Exhibition]]''. 1975, the recording is of Keith Chapman's own transcription of the piano suite
* ''Airs & Arabesques'' (1976) explored the softer colors of the instrument to marvelous effect
* ''Airs & Arabesques'' (1976) explored the softer colors of the instrument to marvelous effect
* ''[[Virgil Fox]] Plays the Wanamaker Grand Court Organ'' (1964, 2004).
* ''[[Virgil Fox]] Plays the Wanamaker Grand Court Organ'' (1964, 2004).
Line 1,111: Line 1,093:
* ''Christmas in the Grand Tradition'' by Peter Richard Conte with the Philadelphia Brass Ensemble
* ''Christmas in the Grand Tradition'' by Peter Richard Conte with the Philadelphia Brass Ensemble
* ''My Heart at Thy Sweet Voice'' by Peter Richard Conte with Andrew Ennis, Flugelhorn
* ''My Heart at Thy Sweet Voice'' by Peter Richard Conte with Andrew Ennis, Flugelhorn
* ''Around the Wanamaker Organ in 80 Minutes'', Wanamake rDVD<ref>{{cite web|url=http://www.ohscatalog.org/arwaorin80mi.html|title=Around the Wanamaker Organ in 80 MinutesA DVD video tour of 28,482 pipes, their history and their sounds!}}</ref> (A [[DVD]] tour of the organ)
* ''Around the Wanamaker Organ in 80 Minutes'', Wanamaker DVD<ref>{{cite web|url=http://www.ohscatalog.org/arwaorin80mi.html|title=Around the Wanamaker Organ in 80 MinutesA DVD video tour of 28,482 pipes, their history and their sounds!}}</ref> (A [[DVD]] tour of the organ)
* ''A Wanamaker Organ Curators Tour'' through the entire instrument on DVD with curator Curt Mangel and MPR host Michael Barone (''Pipedreams'').
* ''A Wanamaker Organ Curators Tour'' through the entire instrument on DVD with curator Curt Mangel and MPR host Michael Barone (''Pipedreams'').
* ''A Wanamaker Organ Sonic Odyssey tonal exploration of the entire instrument on DVD with Peter Richard Conte and Yale Organist Thomas Murray.''
* ''A Wanamaker Organ Sonic Odyssey tonal exploration of the entire instrument on DVD with Peter Richard Conte and Yale Organist Thomas Murray.''
Line 1,118: Line 1,100:
{{Portal|Philadelphia}}
{{Portal|Philadelphia}}
*[[Curtis Organ]]
*[[Curtis Organ]]
*[[Boardwalk Hall Auditorium Organ]]


==Notes and references==
==Notes and references==
Line 1,125: Line 1,108:


==External links==
==External links==
{{commonscat-inline}}
{{commons category-inline}}
*[http://www.wanamakerorgan.com/ Friends of the Wanamaker Organ]
*[http://www.wanamakerorgan.com/ Friends of the Wanamaker Organ]
*[http://pipedreams.publicradio.org/listings/2003/0344 Pipe Dreams radio program, "Peter Conte and the Wanamaker Grand Court Organ"]
*[http://pipedreams.publicradio.org/listings/2003/0344 Pipe Dreams radio program, "Peter Conte and the Wanamaker Grand Court Organ"]
Line 1,138: Line 1,121:


[[Category:Landmarks in Philadelphia]]
[[Category:Landmarks in Philadelphia]]
[[Category:Individual pipe organs]]
[[Category:Individual pipe organs in the United States]]
[[Category:Market East, Philadelphia]]
[[Category:Market East, Philadelphia]]
[[Category:Wanamaker family]]
[[Category:Wanamaker family]]
[[Category:Louisiana Purchase Exposition]]

Latest revision as of 20:03, 9 November 2024

The display pipes of the Wanamaker Organ. These pipes are decorative only. The pipes that sound are behind and above them. Store architect Daniel Hudson Burnham designed the organ casework.[1][2]

The Wanamaker Grand Court Organ, located in Philadelphia, Pennsylvania, is the largest fully functioning pipe organ in the world, based on the number of playing pipes, the number of ranks and its weight. The Wanamaker Organ is located within a spacious 7-story Grand Court at Macy's Center City (formerly Wanamaker's department store) and is played twice a day Monday through Saturday. The organ is featured at several special concerts held throughout the year, including events featuring the Friends of the Wanamaker Organ Festival Chorus and Brass Ensemble.

Notable characteristics

[edit]

The Wanamaker Organ is the largest fully functioning pipe organ in the world, based on the number of playing pipes, the number of ranks and its weight.[3][4] It is a concert organ of the American Symphonic school of design, which combines traditional organ tone with the sonic colors of the symphony orchestra. In its present configuration, the instrument has 28,750 pipes in 464 ranks.[5]

The organ console consists of six manuals with an array of stops and controls that command the organ. The organ's String Division fills the largest single organ chamber in the world. The division features eighty-eight ranks of string pipes built to Wanamaker specifications by the W.W. Kimball Company of Chicago.[5]

The organ is famed for its orchestra-like sound, coming from pipes that are voiced softer than usual, allowing an unusually rich build-up because of the massing of pipe-tone families. The organ was also built and enlarged as an "art organ", using exceptional craftsmanship and lavish application of materials to create a luxury product.

There is a minimum of borrowing and unification in its disciplined design, except in the Pedal and Orchestral divisions, where it adds genuine value, and duplexing is reserved for when valuable solo voices can be separated from their divisions without tying up the remaining tonal resources of said division. Choruses (16', 8', 4') are true choruses of three ranks, each with their own personality, rather than a single rank electrically "tapped" at three pitches, with the resulting weakening of the octaves and sameness of tone between the voices as found in unification.[6]

The Wanamaker Store maintained its own organ factory to ensure an ultra-high-grade result. The artistic obligation entailed by the creation of this instrument has always been honored, with two curators employed in its constant and scrupulous care (which leads to its status as one of the best maintained organ in the world). This dedication was enhanced when corporate parentage shifted from the Wanamaker family to Carter Hawley Hale Stores followed by Woodward & Lothrop, The May Department Stores Company, and Lord & Taylor. When the space was occupied by Macy's and with the founding of the Friends of the Wanamaker Organ with its input of outside capital, an aggressive restoration schedule developed and is still maintained. Current restoration efforts are a combination of Macy's expenditures and significant contributions by Friends of the Wanamaker Organ, a 501(c)3 non-profit dedicated to the instrument.

History

[edit]
The Wanamaker Organ centennial plaque

The Wanamaker Organ was originally built by the Los Angeles Art Organ Company, successors to the Murray M. Harris Organ Co., for the 1904 St. Louis World's Fair. It was designed to be the largest organ in the world, an imitation of a full-size orchestra with particularly complete resources of full organ tone including mixtures. In addition to its console, the organ was originally equipped with an automatic player that used punched rolls of paper, according to the Los Angeles Times of 1904.[7] It was built to a specification by renowned organ theorist and architect George Ashdown Audsley. Wild cost overruns plagued the project, with the result that Harris was ousted from his own company. With capital from stockholder Eben Smith, it was reorganized as the Los Angeles Art Organ Company, and finished at a cost of $105,000 (equal to $3,560,667 today), $40,000 over budget, equal to $1,356,444 today. The Fair began (in late April 1904) before the organ was fully installed in its temporary home, Festival Hall. Although the organ's debut was scheduled for May 1, official fair organist and St. Louis local Charles Henry Galloway did not give his opening recital until June 9. The organ was still not entirely finished in September of that year, when Alexandre Guilmant, one of the most famous organists of the day, presented 40 very well-attended recitals on the organ.

Following the Fair, the organ was intended for permanent installation by the Kansas City Convention Center. Indeed, the original console had a prominent "K C" on its music rack. This venture failed, bankrupting the L. A. Art Organ company after the Fair closed. There was a plan to exhibit the organ at Coney Island in New York City, but nothing came of this.

The organ in its original home, the 1904 World's Fair. This facade was formerly installed at Macy's, it used to be behind the current facade.

The organ languished in storage at the Handlan warehouse in St. Louis until 1909, when it was bought by John Wanamaker for his new department store at 13th and Market Streets in Center City, Philadelphia. It took thirteen freight cars to move it to its new home, and two years for installation. It was first played on June 22, 1911, at the exact moment when British King George V was crowned. It was also featured later that year when U.S. President William Howard Taft dedicated the store.

Despite its then-unprecedented size (more than 10,000 pipes), it was judged inadequate to fill the seven-story Grand Court in which it was located, so Wanamaker's opened a private organ factory in the store attic, which was charged with enlarging the organ. The first project to enlarge the organ was the addition of 8,000 pipes between 1911 and 1917.

Wanamaker's sponsored many historic after-business-hours concerts on the Wanamaker Organ. The first, in 1919, featured Leopold Stokowski and the Philadelphia Orchestra with organist Charles M. Courboin.[5] Every sales counter and fixture was removed for the free after-hours event, which attracted an audience of 15,000 from across the United States. Subsequently, more of these "Musicians' Assemblies" were held, as were private recitals. For these events Wanamaker's opened a Concert Bureau under Alexander Russell and brought to America master organists Marcel Dupré and Louis Vierne, Nadia Boulanger, Marco Enrico Bossi, Alfred Hollins, and several others. (This agency, which worked in partnership with Canadian Bernard R. LaBerge, evolved into the Karen McFarlane Concert Agency of the present day.) During his first recital on the organ, Dupré was so impressed with the instrument that he was inspired to improvise a musical depiction of the life of Jesus Christ. This was later published as his Symphonie-Passion.

From April 24, 1922, to 1928 the store had its own radio station, WOO, and music from the organ was a major feature of the broadcasts.[8]

In 1924, a new project to enlarge the organ began. Marcel Dupré and Charles M. Courboin were among those asked by Rodman Wanamaker, John Wanamaker's son, to "Work together to draw up a plan for the instrument. Use everything you have ever dreamed about." They were told there was no limit to the budget. This project resulted in, among other things, the celebrated String Division, which occupies the largest organ chamber ever constructed, 67 feet long, 26 feet deep, and 16 feet high (22 by 9 by 5 m). During this project, the organ's current console was constructed in Wanamaker's private in-house pipe-organ factory, with six manuals and several hundred controls. By 1930, when work on expanding the organ finally stopped, the organ had 28,482 pipes, and, if Rodman Wanamaker had not died in 1928, the organ would probably be even bigger.[9]

Plans were made for, among others, a Stentor division, a section of high-pressure diapasons and reeds. It was to be installed on the fifth floor, above the String Division, and would be playable from the sixth manual. However, it was never funded, and the sixth manual is now used to couple other divisions or play various solo voices from other divisions that are duplexed to this keyboard.[10]

The organ's six-manual console

Rodman Wanamaker was not interested in mere size, however, but in artistic organ-building with finely crafted pipes and chests using the best materials and careful artistic consideration. The Wanamaker Organ console, built in the store organ shop by William Boone Fleming, is a work of art in its own right with heavy, durable construction, an ingenious layout of its pneumatic stop action and many unique features and conveniences. Wanamaker also had a collection of 60 rare stringed instruments, the Wanamaker Cappella, that were used in conjunction with the store organs in Philadelphia and New York, and went on tour. They were dispersed after his death.

Following the sale of the store to The May Department Stores Company, in 1995, the Wanamaker's name was removed from the store (first as Wanamaker-Hecht's) in favor of Hecht's, but the organ and its concerts were retained. During the local renaming of the Hecht's stores to Strawbridge's, the historic Wanamaker Store briefly took the name of its longtime rival Strawbridge's. The May Company began a complete restoration of the organ in 1997, as part of the store's final May Co. conversion into a Lord & Taylor. At that time the store area was reduced to three floors and additional panes of glass were put around the Grand Court on floors four and five, greatly enhancing the reverberation of the room.

The Wanamaker Organ in the Grand Court

The Philadelphia Orchestra returned to the Grand Court on September 27, 2008, for the premiere performance of Joseph Jongen's Symphonie Concertante (1926) on the organ for which it was written. The ticketed event, featuring soloist Peter Richard Conte, also included the Bach/Stokowski arrangement of the Toccata and Fugue in D minor, Marcel Dupré's Cortege and Litany for Organ and Orchestra, and the world premiere of a Fanfare by Howard Shore, composer for The Lord of the Rings films. Shore visited the store in May 2008 to meet with Peter Richard Conte and hear the Wanamaker Organ. The Philadelphia Orchestra Concert was co-sponsored by the Friends of the Wanamaker Organ and was a benefit for that organization.[11]

In 2019 the Wanamaker Organ facade, designed by Daniel Hudson Burnham, was restored and re-gilded in 22-karat gold to a color scheme close in sympathy to its original appearance but which fits in with its new surroundings. Evergreene Architectural Arts did the work. Grant money from Macy's and several Philadelphia area charities funded this project, which was overseen by the Friends of the Wanamaker Organ.

Organists

[edit]

Although numerous famous organists have played special concerts on the organ, it has had only four chief organists in its history:

  • Dr. Irvin J. Morgan (1911–1917)
  • Mary E. Vogt (1917–1966)[8]
  • Dr. Keith Chapman (1966–1989)
  • Peter Richard Conte (1989–present)

For about a decade beginning in 1919, Dr. Charles M. Courboin was the organist for a series of special evening concerts, including several collaborations with the Philadelphia Orchestra. Courboin also headed the Wanamaker Organ Shop in the late 1920s.

Noteworthy assistant organists

[edit]

Present curator

[edit]
  • Matthew Taft

Music inspired by or written for the Wanamaker Organ

[edit]

Original compositions

[edit]

Arrangements of existing music

[edit]

Architectural layout

[edit]

The pipes are laid out across the space occupied by five floors of the building, with the sections situated as follows:

  • 2nd floor south – Main Pedal 32 ft, Lower Swell, Great, Percussions
  • 3rd floor south – Main Pedal, Chorus, Upper Swell, Choir/Enclosed Great, Solo, Vox Humana Chorus
  • 4th floor south – String
  • 4th floor west – Orchestral (adjacent to String)
  • 7th floor south – Major Chimes, Ethereal, Chinese Gong
  • 7th floor north – Echo

The 32 ft Wood Open, 32 ft Diaphone, and 32 ft Metal Diapason pipes run the length of a little more than 2 stories, beginning on the second floor.[5]

Stoplist

[edit]

Main Organ

[edit]
I Choir(C-c4 - 61 pipes)
Double Dulciana 16 ft
Dulciana 8 ft
Open Diapason 8 ft
Violin Diapason 8 ft
Stopped Diapason 8 ft
Concert Flute 8 ft
Salicional 8 ft
Quintadena 8 ft
Vox Angelica 8 ft
Vox Celeste 8 ft
Keraulophon 8 ft
Forest Flute 4 ft
Salicet 4 ft
Piccolo 2 ft
Soft Cornet VI
Saxophone 16 ft
Saxophone 8 ft
English Horn 8 ft
Clarinet 8 ft
II Great(C-c4 - 61 pipes)
Unenclosed Great
Sub Principal 32 ft
Contra Gamba 16 ft
Double Diapason 16 ft
Sub Quint 10+23 ft
Diapason Phonon 8 ft
Diapason Major 8 ft
First Diapason 8 ft
Second Diapason 8 ft
Third Diapason 8 ft
Fourth Diapason 8 ft
Gamba (2 ranks) 8 ft
Major Tibia 8 ft
Mezzo Tibia 8 ft
Minor Tibia 8 ft
Double Flute 8 ft
Nasard Flute (2 ranks) 8 ft
Octave 4 ft
Mixture VIII
Harmonic Trumpet 8 ft
Enclosed Great
Covered Tibia 8 ft
Harmonic Flute 8 ft
Quint 5+13 ft
Harmonic Flute 4 ft
Principal 4 ft
Tierce 3+15 ft
Octave Quint 2 ft
Super Octave 2 ft
Mixture VII
Double Trumpet 16 ft
Tuba 8 ft
Trumpet 8 ft
Harmonic Clarion 4 ft
Great Chorus (73 pipes)
Diapason Magna 8 ft
Stentorphone 8 ft
First Diapason 8 ft
Second Diapason 8 ft
Third Diapason 8 ft
Major Flute 8 ft
Double Flute 8 ft
Gamba 8 ft
Flute 4 ft
Octave 4 ft
Nasard 2+23 ft
III Swell(C-c4 - 61 pipes)
Double Diapason 16 ft
Soft Bourdon 16 ft
Stentorphone 8 ft
Horn Diapason 8 ft
Violin Diapason 8 ft
Bell Flute 8 ft
Orchestral Flute 8 ft
Harmonic Flute 8 ft
Grand Flute (2 ranks) 8 ft
Double Flute 8 ft
Tibia Dura 8 ft
Clarabella 8 ft
Melodia 8 ft
Soft Dulciana 8 ft
Gamba Celeste (2 ranks) 8 ft
Gamba 8 ft
Quint Bourdon 5+13 ft
Harmonic Flute (2 ranks) 4 ft
First Octave 4 ft
Second Octave 4 ft
Nazard (prepared for) 2+23 ft
Harmonic Piccolo 2 ft
Corroborating Mixture V
Mixture VI
Bass Tuba 16 ft
Bass Trombone 16 ft
Contra Fagotto 16 ft
Double Oboe Horn 16 ft
Trombone 8 ft
Tuba 8 ft
Fagotto 8 ft
Oboe 8 ft
Trumpet 8 ft
Horn 8 ft
Bassett Horn 8 ft
Clarinet 8 ft
Clarinet (2 ranks) 8 ft
Vox Humana (2 ranks) 8 ft
Harmonic Clarion 4 ft
Musette 4 ft
Original String Division
Contra Bass 16 ft
Violoncello 8 ft
Viol 8 ft
Viol (sharp) 8 ft
Viola 8 ft
Quint Viol 5+13 ft
Octave Viol 4 ft
Violina 4 ft
Tierce 3+15 ft
String Mixture V
Viol Cornet IV
IV Solo(C-c4 - 61 pipes)
Double Open Diapason 16 ft
Grand Viol 16 ft
First Diapason 8 ft
Second Diapason 8 ft
Third Diapason 8 ft
Violin Diapason 8 ft
Viol 8 ft
Viol 8 ft
Harmonic Flute 8 ft
Tierce Flute (2 ranks) 8 ft
Chimney Flute 8 ft
Clarabella 8 ft
Gemshorn 8 ft
Nasard Gamba (2 ranks) 8 ft
Grand Gamba 8 ft
Grand Gamba 8 ft
Quintaphon 8 ft
Quint Diapason 5+13 ft
Octave 4 ft
Harmonic Flute 4 ft
Harmonic Tierce 3+15 ft
Twelfth Harmonic 2+23 ft
Piccolo Harmonic 2 ft
Double Trumpet 16 ft
Tuba 16 ft
Trumpet 8 ft
Soft Tuba 8 ft
Cornopean 8 ft
Ophicleide 8 ft
Musette 8 ft
Ophicleide 4 ft
Soft Tuba 4 ft
Grand Mixture VI
Mixture V
Mixture VI
Pedal(C-g1 - 32 pipes)
Gravissima 64 ft
Contra Diaphone 32 ft
First Contra Open Diapason 32 ft
Second Contra Open Diapason 32 ft
Contra Bourdon 32 ft
Diaphone 16 ft
First Open Diapason 16 ft
Second Open Diapason 16 ft
Third Open Diapason 16 ft
Bourdon 16 ft
Violone 16 ft
Gamba 16 ft
Open Flute 16 ft
Soft Bourdon 16 ft
Dulciana 16 ft
Open Quint 10+23 ft
Stopped Quint 10+23 ft
Stentor 8 ft
Open Diapason 8 ft
Octave 8 ft
First Tibia 8 ft
Second Tibia 8 ft
Octave Soft Bourdon 8 ft
First Cello 8 ft
Second Cello 8 ft
Soft Flute 8 ft
Soft Dulciana 8 ft
Principal 4 ft
Octave 4 ft
First Tibia 4 ft
Second Tibia 4 ft
Flute 4 ft
Mixture VI
Mixture VII
Mixture VIII
Grand Mutation ×
Contra Bombarde 32 ft
Bombarde 16 ft
Trombone 16 ft
Tuba 16 ft
Euphonium 16 ft
Contra Fagotto 16 ft
Bombarde 8 ft
Octave Fagotto 8 ft
Tromba 8 ft
Clarion 4 ft

Ethereal Organ

[edit]
V Ethereal(73)
Bourdon 16 ft
First Open Diapason 8 ft
Second Open Diapason 8 ft
Clear Flute 8 ft
Harmonic Flute 8 ft
Double Flute 8 ft
Quint Flute 8 ft
Grand Gamba 8 ft
Grand Gamba 8 ft
Octavo 4 ft
Harmonic Flute 4 ft
Twelfth Harmonic 2+23 ft
Harmonic Piccolo 2 ft
Mixture IV
Tuba Profunda 16 ft
Tuba Mirabilis 8 ft
French Trumpet 8 ft
Grand Clarinet 8 ft
Post Horn 8 ft
Tuba Clarion 4 ft
VI Stentor(73)
Cello 1 (String) 8 ft
Cello 1 ♯ (String) 8 ft
Cello 1 ♭ (String) 8 ft
Cello 2 (String) 8 ft
Cello 2 ♯ (String) 8 ft
Cello 2 ♭ (String) 8 ft
Nasard Gamba II (String) 8 ft
Nasard Gamba II ♯ (String) 8 ft
Clear Flute (Ethereal) 8 ft
Clear Flute (Ethereal) 4 ft
Ethereal Pedal(32)
Acoustic Bass 32 ft
Diapason 16 ft
Bombarde 16 ft
Bombarde 8 ft

Echo Organ

[edit]
Echo(73) (floating)
Bourdon 16 ft
Open Diapason 8 ft
Violin Diapason 8 ft
Stopped Diapason 8 ft
Night Horn 8 ft
Clarabella 8 ft
Melodia 8 ft
Orchestral Viol 8 ft
Soft Viol 8 ft
Soft Viol 8 ft
Unda Maris (2 ranks) 8 ft
Open Quint 5+13 ft
Octave 4 ft
Harmonic Flute 4 ft
Mellow Flute 4 ft
Cornet Mixture V
Mixture VI
Double Trumpet 16 ft
Trumpet 8 ft
Capped Oboe 8 ft
Euphone 8 ft
Vox Humana 8 ft
Echo Pedal(32)
Open Diapason 16 ft
Stopped Diapason 16 ft

Orchestral Organ

[edit]
Orchestral(73) (floating)
Contra Quintadena 16 ft
Duophone 8 ft
Tibia 8 ft
Covered Tibia 8 ft
Concert Flute 8 ft
Harmonic Flute 8 ft
Mellow Flute 8 ft
String Flute 8 ft
Double Flute 8 ft
Hollow Flute 8 ft
Harmonic Flute 4 ft
Orchestral Flute 4 ft
Covered Flute 4 ft
Octave 4 ft
Harmonic Piccolo 2 ft
Super Octave 2 ft
Orchestral Reeds(73) (floating)
English Horn 16 ft
Bass Clarinet 16 ft
Bass Saxophone 16 ft
Bassoon 16 ft
English Horn 8 ft
Orchestral Clarinet 8 ft
Saxophone 8 ft
Orchestral Bassoon 8 ft
Bassett Horn 8 ft
Oboe 8 ft
Orchestral Oboe 8 ft
Orchestral Trumpet 8 ft
Kinura 8 ft
Muted Cornet 8 ft
Orchestral French Horns(73) (floating)
First French Horn 8 ft
Second French Horn 8 ft
Third French Horn 8 ft
Vox Humana Chorus(73) (floating)
Vox Humana 16 ft
First Vox Humana 8 ft
Second Vox Humana 8 ft
Third Vox Humana 8 ft
Fourth Vox Humana 8 ft
Fifth Vox Humana 8 ft
Sixth Vox Humana 8 ft
Seventh Vox Humana 8 ft
Vox Humana Chorus Pedal(32)
First Vox Humana 16 ft
Second Vox Humana 16 ft

String Organ

[edit]
String(73) (floating)
Violone 16 ft
First Contra Gamba 16 ft
Second Contra Gamba 16 ft
First Contra Viol 16 ft
Second Contra Viol 16 ft
First Viol 16 ft
Second Viol 16 ft
Violin Diapason 8 ft
Gamba 8 ft
Nasard Gamba (2 ranks) 8 ft
Nasard Gamba (2 ranks) 8 ft
First 'Cello 8 ft
First 'Cello ♯ 8 ft
First 'Cello ♭ 8 ft
Second 'Cello 8 ft
Second 'Cello ♯ 8 ft
Second 'Cello ♭ 8 ft
First Orchestral Violin 8 ft
First Orchestral Violin ♯ 8 ft
First Orchestral Violin ♭ 8 ft
Second Orchestral Violin 8 ft
Second Orchestral Violin ♯ 8 ft
Second Orchestral Violin ♭ 8 ft
Third Orchestral Violin 8 ft
Third Orchestral Violin ♯ 8 ft
Third Orchestral Violin ♭ 8 ft
Fourth Orchestral Violin 8 ft
Fourth Orchestral Violin ♯ 8 ft
Fourth Orchestral Violin ♭ 8 ft
Fifth Orchestral Violin 8 ft
Fifth Orchestral Violin ♯ 8 ft
Fifth Orchestral Violin ♭ 8 ft
Sixth Orchestral Violin 8 ft
Sixth Orchestral Violin ♯ 8 ft
Sixth Orchestral Violin ♭ 8 ft
First Muted Violin 8 ft
First Muted Violin ♯ 8 ft
First Muted Violin ♭ 8 ft
Second Muted Violin 8 ft
Second Muted Violin ♯ 8 ft
Second Muted Violin ♭ 8 ft
String (continued)
Third Muted Violin 8 ft
Third Muted Violin ♯ 8 ft
Third Muted Violin ♭ 8 ft
Fourth Muted Violin 8 ft
Fourth Muted Violin ♯ 8 ft
Fourth Muted Violin ♭ 8 ft
Fifth Muted Violin 8 ft
Fifth Muted Violin ♯ 8 ft
Fifth Muted Violin ♭ 8 ft
Sixth Muted Violin 8 ft
Sixth Muted Violin ♯ 8 ft
Sixth Muted Violin ♭ 8 ft
Quint Viol 5+13 ft
Quint Viol ♯ 5+13 ft
First Orchestral Violina 4 ft
First Orchestral Violina ♯ 4 ft
Second Orchestral Violina 4 ft
Second Orchestral Violina ♯ 4 ft
Tierce Viol 3+15 ft
Tierce Viol ♯ 3+15 ft
Nasard Violina 2+23 ft
Nasard Violina ♯ 2+23 ft
Super Violina 2 ft
Super Violina ♯ 2 ft
First Dulciana 8 ft
First Dulciana ♯ 8 ft
Second Dulciana 8 ft
Second Dulciana ♯ 8 ft
Third Dulciana 8 ft
Third Dulciana ♯ 8 ft
Fourth Dulciana 8 ft
Fourth Dulciana ♯ 8 ft
Fifth Dulciana 8 ft
Fifth Dulciana ♯ 8 ft
Sixth Dulciana 8 ft
Sixth Dulciana ♯ 8 ft
First Octave Dulciana 4 ft
First Octave Dulciana ♯ 4 ft
Second Octave Dulciana 4 ft
Second Octave Dulciana ♯ 4 ft
Dulciana Mutation V
String Pedal(32)
Contra Diaphone 32 ft
Contra Gamba 32 ft
Diaphone (ext) 16 ft
Gamba (ext) 16 ft
First Violone 16 ft
Second Violone 16 ft
Viol 16 ft
Viol ♯ 16 ft
Diaphone (ext) 8 ft
Gamba (ext) 8 ft
First Violone (ext) 8 ft
Second Violone 8 ft
Viol 8 ft
Viol ♯ 8 ft
Violone 4 ft
Mutation Diaphone 16 ft
Mutation Viol 16 ft
Mutation Viol 10+23 ft
Mutation Viol 8 ft
Mutation Viol 5+13 ft
Mutation Viol 4 ft
Mutation Viol 2+23 ft
Mutation Viol 2 ft
Mutation Viol 1+35 ft
Mutation Viol 1+13 ft
Mutation Viol 45 ft
Grand String Pedal Mixture XII 32 ft

Stentor Division

[edit]
Tuba Magna (from 8 ft) 16 ft
Tuba Magna 8 ft

Percussion Division

[edit]
Percussion
Major Chimes C–c1
Minor Chimes G–g
Metalophone C–C2
Celesta (by Mustel of Paris) C–c2
Piano I (prepared for)
Piano II standard 88 notes
Harp I tenor C–c2
Harp II (prepared for)
Gongs tenor C–C2 (now playable)
Crescendo Cymbal
Cymbalstar, a memorial to Virgil Fox
Chinese Gong (84" diameter)

Recordings

[edit]
  • The Grand Court Organ (1973) by Keith Chapman. It included a number of works demonstrating the full organ
  • Mussorgsky's Pictures at an Exhibition. 1975, the recording is of Keith Chapman's own transcription of the piano suite
  • Airs & Arabesques (1976) explored the softer colors of the instrument to marvelous effect
  • Virgil Fox Plays the Wanamaker Grand Court Organ (1964, 2004).
  • Keith Chapman – The Lost Radio Broadcasts - Vantage V2CD-698-002[15]
  • Xaver Varnus' concert [14]
  • Magic! (2001) By Peter Richard Conte
  • Wanamaker Legacy (2004) by Peter Richard Conte
  • A Grand Celebration: Peter Richard Conte with The Philadelphia Orchestra, recorded 2008
  • Wanamaker Organ Centennial Concert: Peter Richard Conte with the Symphony in C, Rossen Milanov, conductor. Recorded 2011. Also available on DVD.
  • Midnight in the Grand Court (2004) by Peter Richard Conte
  • Christmas in the Grand Tradition by Peter Richard Conte with the Philadelphia Brass Ensemble
  • My Heart at Thy Sweet Voice by Peter Richard Conte with Andrew Ennis, Flugelhorn
  • Around the Wanamaker Organ in 80 Minutes, Wanamaker DVD[16] (A DVD tour of the organ)
  • A Wanamaker Organ Curators Tour through the entire instrument on DVD with curator Curt Mangel and MPR host Michael Barone (Pipedreams).
  • A Wanamaker Organ Sonic Odyssey tonal exploration of the entire instrument on DVD with Peter Richard Conte and Yale Organist Thomas Murray.

See also

[edit]

Notes and references

[edit]
  1. ^ "The Wanamaker Organ - Inside the world's largest operating musical instrument". Archived from the original on 2021-12-13 – via www.youtube.com.
  2. ^ "The Wanamaker Organ". 11 August 2015.
  3. ^ Theatreorgans.com, The World's Largest Pipe Organs, list of the world's 75 largest organs based on number of ranks
  4. ^ "The Top 20 - The World's Largest Pipe Organs". Sacred Classics. Atlas Communications. Archived from the original on October 16, 2003. Retrieved 8 April 2016. (The Boardwalk Hall Auditorium Organ has more pipes but fewer ranks).
  5. ^ a b c d Biswanger, Ray (1999). Music in the Marketplace: The Story of Philadelphia's Historic Wanamaker Organ. The Friends of the Wanamaker Organ Press. ISBN 0-9665552-0-1.
  6. ^ "About the Organ – Friends of the Wanamaker Organ, Inc". Archived from the original on 2019-11-12.
  7. ^ "Detour to 1904". 9 June 2007.
  8. ^ a b "The Broadcast Pioneers of Philadelphia". www.broadcastpioneers.com. Retrieved 26 December 2018.
  9. ^ Whitney, Craig R. (2003). All the Stops: The Glorious Pipe Organ and Its American Masters. PublicAffairs New York. ISBN 1-58648-173-8.
  10. ^ The Philadelphia Chapter of the American Guild of Organists lists all the stops on the organ and mentions the unrealized Stentor division.
  11. ^ CRAIG R. WHITNEY (June 9, 2007). "Amid the Shirts and Socks, a Concert Can Break Out". The New York Times.
  12. ^ Goodfellow, William S. (April 5, 1992). "Fate Brings Organist to Tabernacle Post". Deseret News. Retrieved January 2, 2022.
  13. ^ Whitney, Craig (April 1, 2003). All The Stops: The Glorious Pipe Organ And Its American Masters. PublicAffairs. pp. 126-127. ISBN 9781586482626. Retrieved September 12, 2017.
  14. ^ a b Xaver Varnus (9 July 2011). "XAVER VARNUS IMPROVISE ON WANAMAKER, THE WORLD'S LARGEST PIPE ORGAN IN PHILADELPHIA (1987)". Archived from the original on 2021-12-13 – via YouTube.
  15. ^ "The Wanamaker Organ on the Radio".
  16. ^ "Around the Wanamaker Organ in 80 MinutesA DVD video tour of 28,482 pipes, their history and their sounds!".
  • Biswanger, Ray (1999). Music in the Marketplace: The Story of Philadelphia's Historic Wanamaker Organ. The Friends of the Wanamaker Organ Press. ISBN 0-9665552-0-1.
[edit]

Media related to Wanamaker Organ at Wikimedia Commons

39°57′05″N 75°09′44″W / 39.9515°N 75.1622°W / 39.9515; -75.1622