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{{Short description|French painter and writer (1876–1925)}} |
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| name =Lucie Cousturier |
| name =Lucie Cousturier |
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| image = Self portrait (1905-10) - Lucie Cousturier.jpg |
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| caption = Self portrait (1905-10) |
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| birth_name = Lucie Brû |
| birth_name = Lucie Brû |
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| birth_date = {{Birth date |1876|12|19|df=y}} |
| birth_date = {{Birth date |1876|12|19|df=y}} |
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'''Lucie Cousturier''' (19 December 1876 |
'''Lucie Cousturier''' (19 December 1876{{snd}}16 June 1925) was a French painter and writer. She was known for the sympathetic books she wrote about her experiences traveling in [[French West Africa]] in 1921–22. |
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==Early years== |
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Lucie Brû was born in Paris on 19 December 1876. |
Lucie Brû was born in Paris on 19 December 1876. |
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Her father was Léon Casimir Brû, the wealthy owner of a Parisian doll factory. |
Her father was Léon Casimir Brû, the wealthy owner of a Parisian doll factory.{{sfn|Little|2009|p=13-14}} |
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She became interested in painting at the age of fourteen, and studied under [[Paul Signac]] and [[Henri-Edmond Cross]]. |
She became interested in painting at the age of fourteen, and studied under [[Paul Signac]] and [[Henri-Edmond Cross]]. |
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She was also a close friend of [[Georges Seurat]]. |
She was also a close friend of the pointillist [[Georges Seurat]].{{sfn|Little|2009|p=13-14}} |
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She studied the work of these painters and painted in a similar style to them.{{sfn|Lucie Cousturier: Rfi}} |
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Her husband's brother was [[Paul Cousturier]], a member of the colonial administration in Africa.{{sfn|Berliner|2002|p=159}} |
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Lucie Cousturier first exhibited at the [[Salon des Artistes Indépendants]] in 1901, and was to exhibit three to eight oils there every year until 1920.{{sfn|Little|2009|p=16}} |
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She exhibited at other exhibitions in Brussels and Berlin, and at the end of 1906 gave her first solo exhibition in Paris.{{sfn|Little|2009|p=16}} |
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She belonged to the [[neo-impressionist]] school, and exhibited at the [[Salon des Artistes Indépendants]] in 1901. |
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By 1907 she had a perfect mastery of technique and color. In her later paintings, particularly outdoors scenes, her style became increasingly fluid and free, with warm and lively colors.{{sfn|Little|2009|p=19}} In 1911, Lucie began her writing career by writing articles and monographs about the major members of the emerging Neo-Impressionist movement. She is credited for being the first specialist writer of the movement.<ref>{{cite web |last1=Gonnard |first1=Catherine |title=Lucie Cousturier |url=https://awarewomenartists.com/en/artiste/lucie-cousturier/ |website=awarewomenartists.com |access-date=8 March 2021}}</ref> |
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From 1906 to 1913 she gave regular solo exhibitions in Paris. |
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She painted works in "moderate pointillism", which she had learned to master.<ref>[http://www.rfi.fr/contenu/20100329-lucie-cousturier Éléments biographiques sur le site ''RFI'']</ref>. |
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During |
During [[World War I]] Lucie Cousturier lived in a house in [[Fréjus]] purchased in 1913, "Les Parasols", |
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beside which there were camps where Senegalese riflemen staying before going up to the front. |
beside which there were camps where Senegalese riflemen staying before going up to the front.{{sfn|Lucie Cousturier: Rfi}} |
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She visited the camps and decided to improve the soldiers' learning of the French language. |
She visited the camps and decided to improve the soldiers' learning of the French language. |
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For this purpose she organized literacy classes at home, and this would be the theme of a story on ''Des Inconnus chez moi'' (Some Strangers in my |
For this purpose she organized literacy classes at home, |
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and this would be the theme of a story on ''Des Inconnus chez moi'' (Some Strangers in my Home) that she published in 1920.{{sfn|Little|2009|p=5}} |
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The ''la Poursuite'' company adapted this work to the stage in 2014 to commemorate the centenary of the War. |
The ''la Poursuite'' company adapted this work to the stage in 2014 to commemorate the centenary of the War. |
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==African travel and writings== |
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In 1921 and 1922, Lucie Cousturier made a trip to French West Africa, bringing back many paintings and three new books that tell of her journey. |
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The minister of colonies heard of Cousturier's work with the Senegalese, and gave her a mission to visit West Africa and to make a "study of the indigène's family milieu and, more particularly, the role of the female indigène with regard to the influence she exercises over the moral formation of children."{{sfn|Berliner|2002|p=159}} |
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She landed in [[Dakar]] on 13 October 1921 and spent the next seven months traveling in the region. |
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She kept a journal in which she gave her impressions of the land, the people and the way in which she related to them, and she made sketches of what she saw. Her journal eventually formed the basis for two books.{{sfn|Berliner|2002|p=158}} |
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She was unprejudiced, related to people as she found them, went out of her way to form friendships with African women, and was always conscious of her own position as a member of the colonial elite.{{sfn|Berliner|2002|p=158}} |
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⚫ | Lucie Cousturier was one of the first to write on the subject of the relationships between Africans and Europeans, ahead of other French intellectuals such as [[André Gide]] with ''Voyage au Congo'' (1927) and ''Retour du Tchad'' (1928) and [[Michel Leiris]] with (''L'Afrique fantôme'' (1934).{{sfn|Lucie Cousturier: Rfi}} |
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She was critical of the colonial structure, but more critical of the patriarchal attitudes of the local people, which she saw as a major obstacle to progress.{{sfn|Berliner|2002|p=159}} |
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After her return to France she wrote in ''Le Paria'' (The Outcast), a newspaper for the black and yellow proletariat",{{efn|In 1921 the Intercolonial Union was born, a radical group associated with the Communist Party. |
After her return to France she wrote in ''Le Paria'' (The Outcast), a newspaper for the black and yellow proletariat",{{efn|In 1921 the Intercolonial Union was born, a radical group associated with the Communist Party. |
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This group founded ''Le Paria'' in April 1922, a monthly where people from Indochina, the Maghreb, |
This group founded ''Le Paria'' in April 1922, a monthly where people from Indochina, the Maghreb, Caribbean, Africa and Malagasy could express themselves.{{sfn|Dewitte|2005|p=35}} }} |
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little dependent association of PCF (which) founded in April 1922 the newspaper Le Paria , a monthly which express alongside Indochinese Maghreb , Caribbean, African and Malagasy |
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In October 1923, for the re-opening of his ''Galerie de Bruxelles'', George Giroux staged an exhibition of the works of Paul Signac and Lucie Cousturier, including 164 of her drawings and watercolors from the African journey.{{sfn|Little|2009|p=22}} |
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Lucie Cousturier died in Paris on 16 June 1925. |
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Some excerpts from her writings with some of her pictures were published in 1923. |
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The literary journal ''Europe'' published a chapter of her work in 1924. |
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Her complete work was published in 1925 as two volumes: ''Mes Inconnus chez eux: Mon ami Fatou'' (My strangers in their home: My friend Fatou) |
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and ''Mes Inconnus chez eux: Mon ami Soumaré''.{{sfn|Berliner|2002|p=158}} |
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Lucie Cousturier died in Paris on 16 June 1925.{{sfn|Lucie Cousturier: Rfi}}Lucie leaves behind a legacy of artwork and writings of her African counterparts that have now become the subject of popular research.<ref>{{cite web |last1=Gonnard |first1=Catherine |title=Lucie Cousturier |url=https://awarewomenartists.com/en/artiste/lucie-cousturier/ |website=awarewomenartists.com |access-date=8 March 2021}}</ref> |
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In an article published in 1925 the novelist [[René Maran]] said that she was "two eyes and a heart".{{sfn|Volet|2009}} |
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==Work== |
==Work== |
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===Pictures=== |
===Pictures=== |
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Most paintings by Lucie Cousturier are in private collections. |
Most paintings by Lucie Cousturier are in private collections. |
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===Literary works=== |
===Literary works=== |
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* ''Des inconnus chez moi'', 1920 |
* ''Des inconnus chez moi'', 1920. |
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* ''La Forêt du Haut-Niger'', 1923 |
* ''La Forêt du Haut-Niger'', 1923. |
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* |
* {{cite book |title=Mes inconnus chez eux: 1. Mon amie Fatou, citadine |location=Paris |publisher=F. Rieder et Cie |year=1925|pages=255}} |
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* ''Mon ami Soumaré, laptot'', 1925 |
* ''Mes inconnus chez eux: 2. Mon ami Soumaré, laptot'', 1925. |
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==Bibliography== |
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==References== |
==References== |
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'''Notes''' |
'''Notes''' |
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{{ |
{{notelist}} |
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'''Citations''' |
'''Citations''' |
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{{Reflist|colwidth=30em}} |
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{{reflist}} |
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'''Sources''' |
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{{refbegin}} |
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*{{cite book|last=Berliner|first=Brett A.|title=Ambivalent Desire: The Exotic Black Other in Jazz-Age France |
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|chapter-url=https://books.google.com/books?id=mlLkgwSuBAQC&pg=PA158|access-date=2013-05-02 |
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|year=2002|publisher=Univ of Massachusetts Press|isbn=978-1-55849-356-8|chapter=Lucia Cousturier in African Fraternity and the Challenge to Exoticism}} |
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|last=Dewitte |first=Philippe|title=Le Rouge et le Nègre |issue=1257: Trajectoire d'un intellectuel engagé. Hommage à Philippe Dewitte |date=September–October 2005 |journal=Hommes & Migrations|volume=1257 |pages=34–40 |doi=10.3406/homig.2005.4863 }} |
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*{{cite book |first=Roger |
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*{{cite web |ref={{harvid|Lucie Cousturier: Rfi}} |url=http://www.rfi.fr/contenu/20100329-lucie-cousturier |access-date=2013-05-02 |
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|title=Lucie Cousturier |work=Rfi |date=March 29, 2010}} |
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*{{cite web |url=http://aflit.arts.uwa.edu.au/reviewfr_cousturier09.html|access-date=2013-05-02 |
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|last=Volet|first=Jean-Marie |title="Mes inconnus chez eux", un récit de voyage de Lucie COUSTURIER - Compte rendu |
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|publisher=University of Western Australia |date=August 2009}} |
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{{refend}} |
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'''Further reading''' |
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*[http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/161820/rec/1 ''Signac, 1863-1935''], a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Cousturier (see index) |
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* {{Internet Archive author |sname=Lucie Cousturier}} |
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{{Authority control (arts)}} |
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{{DEFAULTSORT:Cousturier, Lucie}} |
{{DEFAULTSORT:Cousturier, Lucie}} |
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[[Category:French painters]] |
[[Category:19th-century French painters]] |
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[[Category:French |
[[Category:20th-century French painters]] |
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[[Category: |
[[Category:French women writers]] |
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[[Category:1876 births]] |
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[[Category:1925 deaths]] |
[[Category:1925 deaths]] |
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[[Category:20th-century French women]] |
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[[Category:20th-century French women painters]] |
Latest revision as of 11:18, 10 November 2024
Lucie Cousturier | |
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Born | Lucie Brû 19 December 1876 Paris, France |
Died | 16 June 1925 Paris, France | (aged 48) >
Nationality | French |
Occupation(s) | Painter, writer |
Lucie Cousturier (19 December 1876 – 16 June 1925) was a French painter and writer. She was known for the sympathetic books she wrote about her experiences traveling in French West Africa in 1921–22.
Early years
[edit]Lucie Brû was born in Paris on 19 December 1876. Her father was Léon Casimir Brû, the wealthy owner of a Parisian doll factory.[1] She became interested in painting at the age of fourteen, and studied under Paul Signac and Henri-Edmond Cross. She was also a close friend of the pointillist Georges Seurat.[1] She studied the work of these painters and painted in a similar style to them.[2] On 6 January 1901 she married the painter and art critic Edmond Cousturier, taking her husband's name.[3] Her husband's brother was Paul Cousturier, a member of the colonial administration in Africa.[4]
Lucie Cousturier first exhibited at the Salon des Artistes Indépendants in 1901, and was to exhibit three to eight oils there every year until 1920.[3] She exhibited at other exhibitions in Brussels and Berlin, and at the end of 1906 gave her first solo exhibition in Paris.[3] By 1907 she had a perfect mastery of technique and color. In her later paintings, particularly outdoors scenes, her style became increasingly fluid and free, with warm and lively colors.[5] In 1911, Lucie began her writing career by writing articles and monographs about the major members of the emerging Neo-Impressionist movement. She is credited for being the first specialist writer of the movement.[6]
During World War I Lucie Cousturier lived in a house in Fréjus purchased in 1913, "Les Parasols", beside which there were camps where Senegalese riflemen staying before going up to the front.[2] She visited the camps and decided to improve the soldiers' learning of the French language. For this purpose she organized literacy classes at home, and this would be the theme of a story on Des Inconnus chez moi (Some Strangers in my Home) that she published in 1920.[7] The la Poursuite company adapted this work to the stage in 2014 to commemorate the centenary of the War.
African travel and writings
[edit]The minister of colonies heard of Cousturier's work with the Senegalese, and gave her a mission to visit West Africa and to make a "study of the indigène's family milieu and, more particularly, the role of the female indigène with regard to the influence she exercises over the moral formation of children."[4] She landed in Dakar on 13 October 1921 and spent the next seven months traveling in the region. She kept a journal in which she gave her impressions of the land, the people and the way in which she related to them, and she made sketches of what she saw. Her journal eventually formed the basis for two books.[8] She was unprejudiced, related to people as she found them, went out of her way to form friendships with African women, and was always conscious of her own position as a member of the colonial elite.[8]
Lucie Cousturier was one of the first to write on the subject of the relationships between Africans and Europeans, ahead of other French intellectuals such as André Gide with Voyage au Congo (1927) and Retour du Tchad (1928) and Michel Leiris with (L'Afrique fantôme (1934).[2] She was critical of the colonial structure, but more critical of the patriarchal attitudes of the local people, which she saw as a major obstacle to progress.[4] After her return to France she wrote in Le Paria (The Outcast), a newspaper for the black and yellow proletariat",[a] She devoted the rest of her life to the struggle for the emancipation of people of color.[2]
In October 1923, for the re-opening of his Galerie de Bruxelles, George Giroux staged an exhibition of the works of Paul Signac and Lucie Cousturier, including 164 of her drawings and watercolors from the African journey.[10] Some excerpts from her writings with some of her pictures were published in 1923. The literary journal Europe published a chapter of her work in 1924. Her complete work was published in 1925 as two volumes: Mes Inconnus chez eux: Mon ami Fatou (My strangers in their home: My friend Fatou) and Mes Inconnus chez eux: Mon ami Soumaré.[8]
Lucie Cousturier died in Paris on 16 June 1925.[2]Lucie leaves behind a legacy of artwork and writings of her African counterparts that have now become the subject of popular research.[11] In an article published in 1925 the novelist René Maran said that she was "two eyes and a heart".[12]
Work
[edit]Pictures
[edit]Most paintings by Lucie Cousturier are in private collections.
- Autoportrait, huile sur bois vers 1905-1910, Indianapolis Museum of Art, Minneapolis
- Vase de fleurs, huile sur toile, Indianapolis Museum of Art
- Femme faisant du crochet, huile sur toile, v. 1908, Musée d'Orsay
Literary works
[edit]- Des inconnus chez moi, 1920.
- La Forêt du Haut-Niger, 1923.
- Mes inconnus chez eux: 1. Mon amie Fatou, citadine. Paris: F. Rieder et Cie. 1925. p. 255.
- Mes inconnus chez eux: 2. Mon ami Soumaré, laptot, 1925.
References
[edit]Notes
Citations
- ^ a b Little 2009, p. 13-14.
- ^ a b c d e Lucie Cousturier: Rfi.
- ^ a b c Little 2009, p. 16.
- ^ a b c Berliner 2002, p. 159.
- ^ Little 2009, p. 19.
- ^ Gonnard, Catherine. "Lucie Cousturier". awarewomenartists.com. Retrieved 8 March 2021.
- ^ Little 2009, p. 5.
- ^ a b c Berliner 2002, p. 158.
- ^ Dewitte 2005, p. 35.
- ^ Little 2009, p. 22.
- ^ Gonnard, Catherine. "Lucie Cousturier". awarewomenartists.com. Retrieved 8 March 2021.
- ^ Volet 2009.
Sources
- Berliner, Brett A. (2002). "Lucia Cousturier in African Fraternity and the Challenge to Exoticism". Ambivalent Desire: The Exotic Black Other in Jazz-Age France. Univ of Massachusetts Press. ISBN 978-1-55849-356-8. Retrieved 2013-05-02.
- Dewitte, Philippe (September–October 2005). "Le Rouge et le Nègre" (PDF). Hommes & Migrations. 1257 (1257: Trajectoire d'un intellectuel engagé. Hommage à Philippe Dewitte): 34–40. doi:10.3406/homig.2005.4863. Retrieved 2013-05-02.
- Little, Roger (2009). Lucie Cousturier, les tirailleurs sénégalais et la question coloniale. Paris: L'Harmattan. ISBN 9782296073487. (Proceedings of the symposium held in Fréjus)
- "Lucie Cousturier". Rfi. March 29, 2010. Retrieved 2013-05-02.
- Volet, Jean-Marie (August 2009). ""Mes inconnus chez eux", un récit de voyage de Lucie COUSTURIER - Compte rendu". University of Western Australia. Retrieved 2013-05-02.
Further reading
- Lanfranchi, Adèle de (2008). Lucie Cousturier, 1876 - 1925. Paris: self. Bibliography of the artist
External links
- Quelques toiles sur le site Figuration féminine
- Signac, 1863-1935, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Cousturier (see index)
- Works by or about Lucie Cousturier at the Internet Archive