Giovanni Raboni: Difference between revisions
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{{Short description|Italian poet}} |
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{{Use dmy dates|date=January 2024}} |
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{{Infobox writer <!-- for more information see [[:Template:Infobox writer/doc]] --> |
{{Infobox writer <!-- for more information see [[:Template:Infobox writer/doc]] --> |
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| name = Giovanni Raboni |
| name = Giovanni Raboni |
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| image = Paolo Steffan - Ritratto di Giovanni Raboni.jpg |
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| awards = {{awd|[[Viareggio Prize]] for poetry|1994}} {{awd|[[Aristeion Prize]] for translation|1998}} {{awd|[[Bagutta Prize]]|1998}} {{awd|[[Moravia Prize]]|2002}} {{awd|[[Librex Montale Prize]]|2003}} |
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| caption = Portrait of Giovanni Raboni by Paolo Steffan |
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| awards = {{plainlist| |
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*1994: [[Viareggio Prize]] for poetry |
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*1988: [[Aristeion Prize]] for translation |
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*1998: [[Bagutta Prize]] |
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*2002: [[Moravia Prize]] |
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| occupation = Poet, translator, literary critic |
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*2003: [[Librex Montale Prize]] |
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| occupation = {{flatlist| |
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*Poet |
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*translator |
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*literary critic |
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}} |
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| language = Italian |
| language = Italian |
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| nationality = Italian |
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}} |
}} |
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⚫ | Raboni was born in [[Milan]], the second son of Giuseppe, a clerk at Milan commune, and Matilde Sommariva. In October 1942, after the first bombings of Milan, the family moved to Sant'Ambrogio Olona, near [[Varese]], where Raboni concluded his primary and intermediate school. His father's love for French and Russian classics made him read and appreciate [[Marcel Proust|Proust]], [[Charles Dickens|Dickens]], [[Fyodor Dostoevsky|Dostoevskij]] and when his cousin Giandomenico Guarino, knowledgeable about contemporary literature and poetry, found shelter in Sant'Ambrogio too after [[Armistice |
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⚫ | Having completed law studies, he was a lawyer for some years, but at the end of the 1950s he felt more attracted to literature and poetry. He met in Milan [[Vittorio Sereni]], [[Antonio Porta]], [[Giovanni Testori]], [[Giorgio Strehler]] and began working for |
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⚫ | Raboni was born in [[Milan]], Italy, the second son of Giuseppe, a clerk at Milan commune, and Matilde Sommariva. In October 1942, after the first bombings of Milan, the family moved to Sant'Ambrogio Olona, near [[Varese]], where Raboni concluded his primary and intermediate school. His father's love for French and Russian classics made him read and appreciate [[Marcel Proust|Proust]], [[Charles Dickens|Dickens]], [[Fyodor Dostoevsky|Dostoevskij]] and when his cousin Giandomenico Guarino, knowledgeable about contemporary literature and poetry, found shelter in Sant'Ambrogio too after [[Armistice of Cassibile|8 September 1943 armistice]], Raboni met the works by [[Guido Piovene|Piovene]], [[Dino Buzzati|Buzzati]], [[Giuseppe Ungaretti|Ungaretti]], [[Salvatore Quasimodo|Quasimodo]], [[Vincenzo Cardarelli|Cardarelli]], and [[Eugenio Montale|Montale]] about whom he said: "I know I owe much to Montale, I realise this upon rereading him, even if I did not love him as much as [[T. S. Eliot|Eliot]] and [[Vittorio Sereni|Sereni]], but he affected me a lot... especially his expression of the limits, of the fact that we cannot demand too much in 20th century of poetry as a source of truth."<ref>''So di dover molto a Montale, me ne accorgo quando lo rileggo, anche se non è stato un autore da me amato quanto [[T. S. Eliot|Eliot]] e [[Vittorio Sereni|Sereni]], ma ha agito eccome... soprattutto l'espressione dei limiti, il fatto che non si possono avere troppe pretese nel Novecento per la poesia come fonte di verità'', in G. Fantato e L. Cannillo, in ''La biblioteca delle voci'', Joket, [[Novi Ligure]], 2006</ref> |
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⚫ | Having completed law studies, he was a lawyer for some years, but at the end of the 1950s, he felt more attracted to literature and poetry. He met in Milan [[Vittorio Sereni]], [[Antonio Porta]], [[Giovanni Testori]], [[Giorgio Strehler]] and began working for periodicals and newspapers, at first in the editorial staff of ''[[Aut Aut]]'', a magazine edited by [[Enzo Paci]], then writing for [[Piergiorgio Bellocchio]]'s ''[[Quaderni piacentini]]'' and [[Roberto Longhi]]'s ''[[Paragone (magazine)|Paragone]]'' and finally for ''[[Corriere della Sera]]'' for which worked several years. |
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⚫ | Raboni became was appreciated as both a literary critic and a translator of classic works: he translated in Italian some works by [[Gustave Flaubert]], and by [[Guillaume Apollinaire]], ''[[Les Fleurs du mal]]'' by [[Charles Baudelaire]] for [[Giulio Einaudi|Einaudi]] publishing house, [[Jean Racine]] and [[Proust]]'s ''[[In Search of Lost Time]]'' in [[Mondadori]]'s "I Meridiani" collection. |
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⚫ | Raboni became was appreciated as both a literary critic and a translator of classic works: he translated in Italian some works by [[Gustave Flaubert]], and by [[Guillaume Apollinaire]], ''[[Les Fleurs du mal]]'' by [[Charles Baudelaire]] for [[Giulio Einaudi|Einaudi]] publishing house, [[Jean Racine]] and [[Marcel Proust|Proust]]'s ''[[In Search of Lost Time]]'' in [[Arnoldo Mondadori Editore|Mondadori]]'s "I Meridiani" collection. |
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⚫ | In 1961 he published two short poetry collections, ''Il catalogo è questo'' and ''L'insalubrità dell'aria'', followed by ''Le case della Vetra'' in 1966, ''Cadenza d'inganno'' in 1975, ''Nel grave sogno'' in 1982 and, in 1988, the anthology ''A tanto caro sangue''. In the 1970s he began editing the poetry series "I quaderni della Fenice" for [[Guanda]] publishing house, acting as a kind of talent |
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⚫ | In 1961 he published two short poetry collections, ''Il catalogo è questo'' and ''L'insalubrità dell'aria'', followed by ''Le case della Vetra'' in 1966, ''Cadenza d'inganno'' in 1975, ''Nel grave sogno'' in 1982 and, in 1988, the anthology ''A tanto caro sangue''. In the 1970s he began editing the poetry series "I quaderni della Fenice" for [[Guanda]] publishing house, acting as a kind of talent scout for new poets. Milan (especially the memory of the old city, before the recent town plannings) is at the heart of his matters: |
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{| cellpadding="5" border="0" |
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{{Verse translation|lang=it| |
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| '''(it)''' <br> |
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...e sì, il ''Naviglio'' è a due passi, la nebbia era più forte |
...e sì, il ''Naviglio'' è a due passi, la nebbia era più forte |
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prima che lo coprissero, la piazza |
prima che lo coprissero, la piazza |
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piena di bancarelle con le luci |
piena di bancarelle con le luci |
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a acetilene, le padelle nere |
a acetilene, le padelle nere |
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delle castagne arrosto, i mangiatori |
delle castagne arrosto, i mangiatori |
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di chiodi e di stoviglie |
di chiodi e di stoviglie |
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non era certo un posto da passarci |
non era certo un posto da passarci |
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insieme a una ragazza. |
insieme a una ragazza. |
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Ma così come hanno fatto, abbattere case, |
Ma così come hanno fatto, abbattere case, |
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distruggere quartieri, qui e altrove |
distruggere quartieri, qui e altrove |
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(la ''Vetra'', ''Fiori Chiari'', il'' Bottonuto''), |
(la ''Vetra'', ''Fiori Chiari'', il'' Bottonuto''), |
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a cosa serve?[...] |
a cosa serve?[...] |
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| '''(en)'''<br> |
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...Yes, ''Naviglio'' is near, and was more mist-shrouded |
...Yes, ''Naviglio'' is near, and was more mist-shrouded |
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before its shingle, and the square |
before its shingle, and the square |
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full of acetylene |
full of acetylene-lighted stalls, black pans |
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for roast chestnuts, and nail |
for roast chestnuts, and nail |
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and crockery swallowers |
and crockery swallowers |
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it wasn’t good to come there |
it wasn’t good to come there |
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with your |
with your girlfriend. |
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But so as they have done, |
But so as they have done, |
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to destroy buildings, |
to destroy buildings, |
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to destroy quarters, here and elsewhere |
to destroy quarters, here and elsewhere |
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''(Vetra, Fiori Chiari, Bottonuto)'' |
''(Vetra, Fiori Chiari, Bottonuto)'' |
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what’s the reason?[...] |
what’s the reason?[...]}} |
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In June 1971 he was one of the 800 intellectuals who signed, in [[L'Espresso]] magazine, a manifesto against [[Luigi Calabresi]], a police officer falsely suspected of having killed the anarchist [[Giuseppe Pinelli]]. In October he was among those who signed a "self-denunciation", to express solidarity with some journalists of ''[[Lotta Continua]]'' newspaper, defending their strong anti-government positions.<ref>[http://rassegnastampa.totustuus.it/modules.php?name=News&file=article&sid=2177 "I falsi profeti del Sessantotto"] di [[Michele Brambilla]]</ref><ref>[http://rassegnastampa.totustuus.it//modules.php?name=News&file=article&sid=2528 "Caso Calabresi"] di [[Antonio Socci]]</ref> |
In June 1971 he was one of the 800 intellectuals who signed, in ''[[L'Espresso]]'' magazine, a manifesto against [[Luigi Calabresi]], a police officer falsely suspected of having killed the anarchist [[Giuseppe Pinelli]]. In October he was among those who signed a "self-denunciation", to express solidarity with some journalists of ''[[Lotta Continua]]'' newspaper, defending their strong anti-government positions.<ref>[http://rassegnastampa.totustuus.it/modules.php?name=News&file=article&sid=2177 "I falsi profeti del Sessantotto"] {{webarchive|url=https://web.archive.org/web/20090120031918/http://rassegnastampa.totustuus.it/modules.php?name=News&file=article&sid=2177|date=2009-01-20}} di [[Michele Brambilla]]</ref><ref>[http://rassegnastampa.totustuus.it//modules.php?name=News&file=article&sid=2528 "Caso Calabresi"] {{Webarchive|url=https://web.archive.org/web/20070930160241/http://rassegnastampa.totustuus.it/modules.php?name=News&file=article&sid=2528 |date=2007-09-30 }} di [[Antonio Socci]]</ref> |
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Among his literary critic essays are ''Poesia degli anni sessanta'' (Poetry of the 1960s) published in 1968, ''Quaderno in prosa'' in 1981. ''La fossa di Cherubino'' (1980) collects his proses. |
Among his literary critic essays are ''Poesia degli anni sessanta'' (Poetry of the 1960s) published in 1968, ''Quaderno in prosa'' in 1981. ''La fossa di Cherubino'' (1980) collects his proses. |
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Raboni was interested in theater too: was in the directorial committee of [[Piccolo Teatro di Milano]] and wrote several plays, such as ''Alcesti o la recita dell'esilio'' and ''Rappresentazione della croce'' (2000). His activity as a poet went on with ''Canzonette mortali'' (1987), ''Versi guerrieri e amorosi'' (1990), ''Ogni terzo pensiero'' (1993, with which he won the [[Viareggio Prize]] for poetry<ref>[http://archiviostorico.corriere.it/1994/giugno/25/Tabucchi_Raboni_Chiara_Frugoni_premi_co_0_94062514447.shtml Archivio storico Corriere della Sera, 25 giugno 1994]</ref>), ''Quare tristis'' (1998), and ''Barlumi di Storia'' (2002). |
Raboni was interested in theater too: was in the directorial committee of [[Piccolo Teatro (Milan)|Piccolo Teatro di Milano]] and wrote several plays, such as ''Alcesti o la recita dell'esilio'' and ''Rappresentazione della croce'' (2000). His activity as a poet went on with ''Canzonette mortali'' (1987), ''Versi guerrieri e amorosi'' (1990), ''Ogni terzo pensiero'' (1993, with which he won the [[Viareggio Prize]] for poetry<ref>[http://archiviostorico.corriere.it/1994/giugno/25/Tabucchi_Raboni_Chiara_Frugoni_premi_co_0_94062514447.shtml Archivio storico Corriere della Sera, 25 giugno 1994]</ref>), ''Quare tristis'' (1998), and ''Barlumi di Storia'' (2002). |
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[[File:Giovanni Raboni grave Milan 2015.jpg|thumb|alt=A marble gravestone on the wall of a crypt|Raboni's grave at the |
[[File:Giovanni Raboni grave Milan 2015.jpg|thumb|alt=A marble gravestone on the wall of a crypt|Raboni's grave at the Monumental Cemetery of Milan]] |
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Giovanni Raboni died of a heart attack in [[ |
Giovanni Raboni died of a heart attack in [[Fontanellato]] in 2004<ref>https://www.treccani.it/enciclopedia/giovanni-raboni_%28Dizionario-Biografico%29/</ref>. He is buried at the [[Cimitero Monumentale di Milano|Monumental Cemetery of Milan]]. |
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His wife, poet [[Patrizia Valduga]], wrote the afterword to his last poetry collection ''Ultimi versi'', published posthumously in 2006; one of his last poems is "Canzone del danno e della beffa" ( |
His wife, poet [[Patrizia Valduga]], wrote the afterword to his last poetry collection ''Ultimi versi'', published posthumously in 2006; one of his last poems is "Canzone del danno e della beffa" ("Song of the harm and the hoax"), also published posthumously on ''Corriere della Sera'' in 2004.<ref>[https://books.google.com/books?id=skcoAQAAIAAJ&q=%22canzone+del+danno+e+della+beffa%22 Annali d'italianistica, Volume 24] University of Notre Dame. Dept. of Modern and Classical Languages. Italian Section, 2006</ref> |
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Andrea Cortellessa, |
Andrea Cortellessa, in an article of ''Manifesto'' in the days after his death, remembers the poet's "obsessive mournful compulsion on his last poetic verses", with these significant lines from ''Quare tristis'': ''"Who dreams himself / alive with his own dead / maybe he doesn't live also there /in his dream,/ and you must let him lie – not still /wake up, not until // out, in the light, remains that squeaky / burden, that blinding plate…"''.<ref>[http://www.miserabili.com/2004/09/24/giovanni_raboni.html A. Cortellessa, ''G.Raboni, poeta di ombre…'' Manifesto, 2004] {{Webarchive|url=https://web.archive.org/web/20080527043132/http://www.miserabili.com/2004/09/24/giovanni_raboni.html |date=2008-05-27 }} ''(«Chi si sogna / vivo coi suoi morti forse non è / vivo che lì, nel sogno, e non bisogna / svegliarlo - non ancora, non finché // fuori, nella luce, c'è quella macina / che stride, quella lamiera che abbacina...»'' G. Raboni, ''Quare tristis'', Mondadori, Milan, 1998)</ref> |
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</ref> |
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==Notes and references== |
==Notes and references== |
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'''Essays''' |
'''Essays''' |
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*''Poesia degli anni sessanta'', [[Editori Riuniti]], Rome, 1976 |
*''Poesia degli anni sessanta'', [[Editori Riuniti]], Rome, 1976 |
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*''Poesia italiana contemporanea'', [[Sansoni]], Florence, 1980 |
*''Poesia italiana contemporanea'', [[Sansoni (publisher)|Sansoni]], Florence, 1980 |
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*''Quaderno in prosa'', Lampugnani Nigri, Milano, 1981 |
*''Quaderno in prosa'', Lampugnani Nigri, Milano, 1981 |
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*''Baj. Idraulica'', with Gillo Dorfles, Skira, Edizioni d'arte, Milan, 2003 |
*''Baj. Idraulica'', with Gillo Dorfles, Skira, Edizioni d'arte, Milan, 2003 |
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== External links == |
== External links == |
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* {{Official website|http://www.giovanniraboni.it/Default.aspx}} (partially in Italian) |
* {{Official website|http://www.giovanniraboni.it/Default.aspx}} (partially in Italian) |
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*[http://www.club.it/autori/grandi/giovanni.raboni/indice-i.html Biography and some poems] {{ |
*[http://www.club.it/autori/grandi/giovanni.raboni/indice-i.html Biography and some poems] {{in lang|it}} |
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*[http://www.diariodipoesia.it/pubblicati/tp_R.htm#Raboni Some poems] {{ |
*[https://web.archive.org/web/20080122170056/http://www.diariodipoesia.it/pubblicati/tp_R.htm#Raboni Some poems] {{in lang|it}} |
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{{Bagutta Prize}} |
{{Bagutta Prize}} |
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[[Category:1932 births]] |
[[Category:1932 births]] |
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[[Category:2004 deaths]] |
[[Category:2004 deaths]] |
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[[Category: |
[[Category:Writers from Milan]] |
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[[Category:Italian male poets]] |
[[Category:Italian male poets]] |
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[[Category:20th-century Italian poets]] |
[[Category:20th-century Italian poets]] |
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[[Category:20th-century Italian male writers]] |
Latest revision as of 16:10, 10 November 2024
Giovanni Raboni | |
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Born | Milan, Kingdom of Italy | 22 January 1932
Died | 16 September 2004 Fontanellato, Italy | (aged 72)
Resting place | Monumental Cemetery of Milan |
Occupation |
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Language | Italian |
Years active | 1961–2004 |
Notable awards |
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Giovanni Raboni (22 January 1932 – 16 September 2004) was an Italian poet, translator and literary critic.
Biography
[edit]Raboni was born in Milan, Italy, the second son of Giuseppe, a clerk at Milan commune, and Matilde Sommariva. In October 1942, after the first bombings of Milan, the family moved to Sant'Ambrogio Olona, near Varese, where Raboni concluded his primary and intermediate school. His father's love for French and Russian classics made him read and appreciate Proust, Dickens, Dostoevskij and when his cousin Giandomenico Guarino, knowledgeable about contemporary literature and poetry, found shelter in Sant'Ambrogio too after 8 September 1943 armistice, Raboni met the works by Piovene, Buzzati, Ungaretti, Quasimodo, Cardarelli, and Montale about whom he said: "I know I owe much to Montale, I realise this upon rereading him, even if I did not love him as much as Eliot and Sereni, but he affected me a lot... especially his expression of the limits, of the fact that we cannot demand too much in 20th century of poetry as a source of truth."[1]
Having completed law studies, he was a lawyer for some years, but at the end of the 1950s, he felt more attracted to literature and poetry. He met in Milan Vittorio Sereni, Antonio Porta, Giovanni Testori, Giorgio Strehler and began working for periodicals and newspapers, at first in the editorial staff of Aut Aut, a magazine edited by Enzo Paci, then writing for Piergiorgio Bellocchio's Quaderni piacentini and Roberto Longhi's Paragone and finally for Corriere della Sera for which worked several years.
Raboni became was appreciated as both a literary critic and a translator of classic works: he translated in Italian some works by Gustave Flaubert, and by Guillaume Apollinaire, Les Fleurs du mal by Charles Baudelaire for Einaudi publishing house, Jean Racine and Proust's In Search of Lost Time in Mondadori's "I Meridiani" collection.
In 1961 he published two short poetry collections, Il catalogo è questo and L'insalubrità dell'aria, followed by Le case della Vetra in 1966, Cadenza d'inganno in 1975, Nel grave sogno in 1982 and, in 1988, the anthology A tanto caro sangue. In the 1970s he began editing the poetry series "I quaderni della Fenice" for Guanda publishing house, acting as a kind of talent scout for new poets. Milan (especially the memory of the old city, before the recent town plannings) is at the heart of his matters:
...e sì, il Naviglio è a due passi, la nebbia era più forte |
...Yes, Naviglio is near, and was more mist-shrouded |
—Giovanni Raboni, from Le case della Vetra, Mondadori, Milan, 1996 |
In June 1971 he was one of the 800 intellectuals who signed, in L'Espresso magazine, a manifesto against Luigi Calabresi, a police officer falsely suspected of having killed the anarchist Giuseppe Pinelli. In October he was among those who signed a "self-denunciation", to express solidarity with some journalists of Lotta Continua newspaper, defending their strong anti-government positions.[2][3]
Among his literary critic essays are Poesia degli anni sessanta (Poetry of the 1960s) published in 1968, Quaderno in prosa in 1981. La fossa di Cherubino (1980) collects his proses.
Raboni was interested in theater too: was in the directorial committee of Piccolo Teatro di Milano and wrote several plays, such as Alcesti o la recita dell'esilio and Rappresentazione della croce (2000). His activity as a poet went on with Canzonette mortali (1987), Versi guerrieri e amorosi (1990), Ogni terzo pensiero (1993, with which he won the Viareggio Prize for poetry[4]), Quare tristis (1998), and Barlumi di Storia (2002).
Giovanni Raboni died of a heart attack in Fontanellato in 2004[5]. He is buried at the Monumental Cemetery of Milan.
His wife, poet Patrizia Valduga, wrote the afterword to his last poetry collection Ultimi versi, published posthumously in 2006; one of his last poems is "Canzone del danno e della beffa" ("Song of the harm and the hoax"), also published posthumously on Corriere della Sera in 2004.[6]
Andrea Cortellessa, in an article of Manifesto in the days after his death, remembers the poet's "obsessive mournful compulsion on his last poetic verses", with these significant lines from Quare tristis: "Who dreams himself / alive with his own dead / maybe he doesn't live also there /in his dream,/ and you must let him lie – not still /wake up, not until // out, in the light, remains that squeaky / burden, that blinding plate…".[7]
Notes and references
[edit]- ^ So di dover molto a Montale, me ne accorgo quando lo rileggo, anche se non è stato un autore da me amato quanto Eliot e Sereni, ma ha agito eccome... soprattutto l'espressione dei limiti, il fatto che non si possono avere troppe pretese nel Novecento per la poesia come fonte di verità, in G. Fantato e L. Cannillo, in La biblioteca delle voci, Joket, Novi Ligure, 2006
- ^ "I falsi profeti del Sessantotto" Archived 2009-01-20 at the Wayback Machine di Michele Brambilla
- ^ "Caso Calabresi" Archived 2007-09-30 at the Wayback Machine di Antonio Socci
- ^ Archivio storico Corriere della Sera, 25 giugno 1994
- ^ https://www.treccani.it/enciclopedia/giovanni-raboni_%28Dizionario-Biografico%29/
- ^ Annali d'italianistica, Volume 24 University of Notre Dame. Dept. of Modern and Classical Languages. Italian Section, 2006
- ^ A. Cortellessa, G.Raboni, poeta di ombre… Manifesto, 2004 Archived 2008-05-27 at the Wayback Machine («Chi si sogna / vivo coi suoi morti forse non è / vivo che lì, nel sogno, e non bisogna / svegliarlo - non ancora, non finché // fuori, nella luce, c'è quella macina / che stride, quella lamiera che abbacina...» G. Raboni, Quare tristis, Mondadori, Milan, 1998)
Bibliography
[edit]Poetry
- Il catalogo è questo: quindici poesie, Lampugnani Nigri, con nota di Carlo Bertocchi, Milan, 1961
- L'insalubrità dell'aria, All'insegna del pesce d'oro, Vanni Scheiwiller, Milan, 1963
- Le case della Vetra, Mondadori, Milan, 1966
- Gesta romanorum: 20 poesie, Lampugnani Nigri, Milan, 1967
- Economia della paura, All'insegna del pesce d'oro, Vanni Scheiwiller, Milan, 1971
- Cadenza d'inganno, Mondadori, Milan, 1975
- Il più freddo anno di grazia, San Marco dei Giustiniani, Genoa, 1978
- Nel grave sogno, Mondadori, Milan, 1982
- Raboni, Manzoni, Il ventaglio, Milan, 1985
- Canzonette mortali, Crocetti, Milan, 1987
- A tanto caro sangue: Poesie 1953-1987, Mondadori, Milan, 1988
- Transeuropa, Mondadori, Milan, 1988
- Versi guerrieri e amorosi, Einaudi, Turin, 1990
- Un gatto più un gatto, with illustrations by Nicoletta Costa, Mondadori, Milan, 1991
- Ogni terzo pensiero, Mondadori, Milan, 1993
- Devozioni perverse, Rizzoli, Milan, 1994
- Nel libro della mente, with seven etchings by Attilio Steffanoni, All'insegna del pesce d'oro, Vanni Scheiwiller, Milan, 1997
- Quare tristis, Mondadori, Milan, 1998
- Rappresentazione della croce, Garzanti, Milan, 1997, 20002
- Tutte le poesie (1951–1998), Garzanti, Milan, 2000
- Alcesti o la recita dell'esilio, Garzanti, Milan, 2002
- Barlumi di storia, Mondadori, Milan, 2002
- Ultimi versi, afterword by Patrizia Valduga, posthumous, Garzanti, Milan, 2006
Essays
- Poesia degli anni sessanta, Editori Riuniti, Rome, 1976
- Poesia italiana contemporanea, Sansoni, Florence, 1980
- Quaderno in prosa, Lampugnani Nigri, Milano, 1981
- Baj. Idraulica, with Gillo Dorfles, Skira, Edizioni d'arte, Milan, 2003
- La poesia che si fa. Critica e storia del Novecento poetico italiano 1959-2004, Garzanti, Milan, 2005
Prose
- La fossa di Cherubino, Guanda, Milan, 1980
External links
[edit]- Official website (partially in Italian)
- Biography and some poems (in Italian)
- Some poems (in Italian)