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{{ external media | align = center | width = 270px | audio1 = You may hear Leonard De Paur conducting his arrangements of music for Christmas on the album ''Calypso Christmas'' with the De Paur Chorus in 1956 [https://archive.org/details/CALYPSOCHIRSTMAS/02.DeVirginMaryHadABabyBoy.mp3 '''Here on archive.org''']}}
{{ external media | width = 270px | audio1 = You may hear Leonard De Paur conducting his arrangements of music for Christmas on the album ''Calypso Christmas'' with the De Paur Chorus in 1956 [https://archive.org/details/CALYPSOCHIRSTMAS/02.DeVirginMaryHadABabyBoy.mp3 '''Here on archive.org''']}}


'''Leonard Etienne De Paur''' (November 18, 1914 – November 7, 1998) was an American [[composer]], choral director, and arts administrator.
'''Leonard Etienne De Paur''' (November 18, 1914 – November 7, 1998) was an American [[composer]], choral director, and arts administrator.


== Early life ==
== Early life ==
Leonard De Paur was born in [[Summit, New Jersey]] to Hettie Carson de Paur and Ernst Leonard.<ref>Tommasini, Anthony. [https://www.nytimes.com/1998/11/11/arts/leonard-de-paur-dies-at-83-lincoln-center-administrator.html "Leonard de Paur Dies at 83; Lincoln Center Administrator"], ''[[The New York Times]]'', November 11, 1998. Accessed February 19, 2011. "Mr. de Paur used to say there was never a time when he could not remember wanting to be a musician. He was born in Summit, N.J., on Nov. 18, 1914. And though his father, a lawyer active in local politics, was at first dismayed by his son's choice of career, both of Mr. de Paur's parents were music lovers."</ref> His musical studies began at the [[Bordentown School|Manual Training Institute]] in [[Bordentown, New Jersey]].<ref>Turner, Patricia. Dictionary of Afro-American Performers: 78 RPM and Cylinder Recordings of Opera, Choral Music, and Songs, c1900-1949. 1990</ref> He attended with Frederick Work, brother of John Wesley Work II and uncle of [[John Wesley Work III]].
Leonard De Paur was born in [[Summit, New Jersey]] to Hettie Carson de Paur and Ernst Leonard.<ref>[[Anthony Tommasini|Tommasini, Anthony]]. [https://www.nytimes.com/1998/11/11/arts/leonard-de-paur-dies-at-83-lincoln-center-administrator.html "Leonard de Paur Dies at 83; Lincoln Center Administrator"], ''[[The New York Times]]'', November 11, 1998. Accessed February 19, 2011. "Mr. de Paur used to say there was never a time when he could not remember wanting to be a musician. He was born in Summit, N.J., on Nov. 18, 1914. And though his father, a lawyer active in local politics, was at first dismayed by his son's choice of career, both of Mr. de Paur's parents were music lovers."</ref> He moved to [[Jersey City, New Jersey|Jersey City]] with his mother, after his parents separated, and attended the local public schools.<ref name=Woods>Woods, Timothy Erickson. [https://repository.arizona.edu/bitstream/handle/10150/282726/azu_td_9901707_sip1_m.pdf#page=22 ''Leonard de Paur's arrangements of spirituals, work songs, and African songs as contributions to choral music: A black choral musician in the mid-twentieth century''], [[University of Arizona]], 1998. Accessed March 7, 2023. "Born in Summit, New Jersey, de Paur attended the Nixon School and Lincoln School. His parents separated, and with his mother, Hettie (Carson) de Paur, he moved to Jersey City, where she had relatives. He attended PS34 at Clairmont and Rose, and later attended PS 14 on Union St.... Leonard de Paur began his music studies at the Manual Training Institute at Bordentown, New Jersey, a military academy and industrial school. He played saxophone and oboe in the band, sang in the glee club, and took theory lessons."</ref> His musical studies began at the [[Bordentown School|Manual Training Institute]] in [[Bordentown, New Jersey]], where he played oboe and saxophone.<ref name=Woods/><ref>Turner, Patricia. Dictionary of Afro-American Performers: 78 RPM and Cylinder Recordings of Opera, Choral Music, and Songs, c1900-1949. 1990</ref> He attended with Frederick Work, brother of John Wesley Work II and uncle of [[John Wesley Work III]].


==Career==
==Career==
De Paur began to [[musical composition|compose]] and arrange while he was a member of the [[Hall Johnson]] Choir. He sang in the baritone section and served as assistant [[Conductor (music)|conductor]] alongside [[Jester Hairston]]. In 1936, De Paur became the musical director of the Negro Unit of the [[Federal Theater Project]] in [[New York City]].<ref>Woods, Timothy E. Leonard De Paur's Arrangement of [[Spirituals]], [[Work songs]], and [[African music|African]] [[Songs]] as Contribution to Choral Music. Diss. Univ. of Arizona, 1998.</ref> During this time he was also enrolled at [[Columbia University]] and later went on to study at the Institute of Musical Arts, now the [[Juilliard School]].
De Paur began to [[musical composition|compose]] and arrange while he was a member of the [[Hall Johnson]] Choir. He sang in the baritone section and served as assistant [[Conductor (music)|conductor]] alongside [[Jester Hairston]]. In 1936, De Paur became the musical director of the Negro Unit of the [[Federal Theater Project]] in [[New York City]].<ref name=Woods/> During this time he was also enrolled at [[Columbia University]] and later went on to study at the Institute of Musical Arts, now the [[Juilliard School]].


In 1941 he collaborated with the conductor [[Alexander Smallens]] and the orchestral accordionist [[John Serry Sr.]] in an oratorio production of [[Virgil Thomson]]'s opera [[Four Saints in Three Acts]] at New York City's [[Town Hall (New York City)|Town Hall]].<ref>''New York Times'' 28 May 1941 P. 32</ref> De Paur enlisted in the [[United States Army Air Forces]] in 1942, was promoted to Lieutenant, and became the music director of the play ''[[Winged Victory (play)|Winged Victory]]''.<ref>[[Eileen Southern|Southern, Eileen]]. ''The Music of [[Black Americans]]: A History''. W. W. Norton & Company; 3rd edition.</ref> During a stint in the infantry, he was assigned to an all male-chorus.<ref>Abdul, Raoul. [[Black people|Blacks]] in [[Classical Music]]: a Personal History. New York: Dood, Mead,& Company, 1977. 210-211.</ref>
In 1941 he collaborated with the conductor [[Alexander Smallens]] and the orchestral accordionist [[John Serry Sr.]] in an oratorio production of [[Virgil Thomson]]'s opera [[Four Saints in Three Acts]] at New York City's [[Town Hall (New York City)|Town Hall]].<ref>''New York Times'' 28 May 1941 P. 32</ref> De Paur enlisted in the [[United States Army Air Forces]] in 1942, was promoted to Lieutenant, and became the music director of the play ''[[Winged Victory (play)|Winged Victory]]''.<ref>[[Eileen Southern|Southern, Eileen]]. ''The Music of [[Black Americans]]: A History''. W. W. Norton & Company; 3rd edition.</ref> During a stint in the infantry, he was assigned to an all male-chorus.<ref>Abdul, Raoul. [[Black people|Blacks]] in [[Classical Music]]: a Personal History. New York: Dood, Mead,& Company, 1977. 210-211.</ref>
The De Paur Infantry Chorus was made up of 35 men from the 372nd [[Glee Club]]. Their performances consisted of [[art song]] repertory, [[Caribbean]] [[folk music]], [[spirituals]], [[work songs]] and military songs. In 1946, the De Paur Infantry Chorus was signed to [[Columbia Artists Management]] and [[Columbia Records]]. The chorus now consisted of men from the 372nd Glee Club, other branches of [[Armed services]], and [[civilian]]s. For ten years the De Paur Infantry Chorus was the top performing group at Columbia. In 1957, De Paur discontinued the chorus and produced the De Paur Opera Gala, which featured [[Virgil Thomson]]'s ''[[Four Saints in Three Acts]]'', [[George Gershwin]]'s ''[[Porgy and Bess]]'' and [[Oscar Hammerstein II|Oscar Hammerstein]]'s ''[[Carmen Jones]]''.
The De Paur Infantry Chorus was made up of 35 men from the 372nd [[Glee Club]]. Their performances consisted of [[art song]] repertory, [[Caribbean]] [[folk music]], [[spirituals]], [[work songs]] and military songs. In 1946, the De Paur Infantry Chorus was signed to [[Columbia Artists Management]] and [[Columbia Records]]. The chorus now consisted of men from the 372nd Glee Club, other branches of [[Armed services]], and [[civilian]]s. For ten years the De Paur Infantry Chorus was the top performing group at Columbia. In 1957, De Paur discontinued the chorus and produced the De Paur Opera Gala, which featured [[Virgil Thomson]]'s ''[[Four Saints in Three Acts]]'', [[George Gershwin]]'s ''[[Porgy and Bess]]'' and [[Oscar Hammerstein II|Oscar Hammerstein]]'s ''[[Carmen Jones]]''.


In the early 1960s, the De Paur Chorus was formed to tour 18 [[African nations]] under the [[United States Information Agency]].<ref>Woods, Timothy E. Leonard De Paur's Arrangement of Spirituals, Work Songs, and African Songs as Contribution to Choral Music. Diss. Univ. of Arizona, 1998.</ref> Shortly after the chorus disbanded in 1968, De Paur became the associate director of the [[Lincoln Center]] International Choral Festival. A few years later he was named the director of community relations. He created the Lincoln Center Out-of-Doors Festival<ref>[http://www.lincolncenter.org/load_screen.asp?screen=Lincoln_Center_Out_of_DoorsDoors Lincoln Center for the Performing Arts, Inc<!-- Bot generated title -->] {{webarchive|url=https://web.archive.org/web/20110717152012/http://www.lincolncenter.org/load_screen.asp?screen=Lincoln_Center_Out_of_DoorsDoors |date=2011-07-17 }}</ref> and the Community Holiday Concert Series. He retired from the Lincoln Center in 1988.
In the early 1960s, the De Paur Chorus was formed to tour 18 [[African nations]] under the [[United States Information Agency]].<ref name=Woods/> Shortly after the chorus disbanded in 1968, De Paur became the associate director of the [[Lincoln Center]] International Choral Festival. A few years later he was named the director of community relations. He created the Lincoln Center Out-of-Doors Festival<ref>[http://www.lincolncenter.org/load_screen.asp?screen=Lincoln_Center_Out_of_DoorsDoors Lincoln Center for the Performing Arts, Inc<!-- Bot generated title -->] {{webarchive|url=https://web.archive.org/web/20110717152012/http://www.lincolncenter.org/load_screen.asp?screen=Lincoln_Center_Out_of_DoorsDoors |date=2011-07-17 }}</ref> and the Community Holiday Concert Series. He retired from the Lincoln Center in 1988.


During his career De Paur received honorary Doctor of Music degree from [[Lewis and Clark College]]. He was the recipient of the [[University of Pennsylvania Glee Club]] Award of Merit and an honorary member of the [[Morehouse College Glee Club]].<ref>[http://mcgclub.com/ OFFICIAL Morehouse College Glee Club Website]</ref>
During his career De Paur received honorary Doctor of Music degree from [[Lewis and Clark College]]. He was the recipient of the [[University of Pennsylvania Glee Club]] Award of Merit and an honorary member of the [[Morehouse College Glee Club]].<ref>[http://mcgclub.com/ OFFICIAL Morehouse College Glee Club Website]</ref>
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== External links ==
== External links ==
*[https://digitalcommons.colum.edu/cmbr_guides/12/ Guide to the Collection of De Paur Chorus Materials], Center of Black Music Research, Columbia College Chicago
*[http://www.colum.edu/cbmr/Library_and_Archives/Leonard_de_Paur_(1914-1998).php/ Columbia College Chicago: Leonard De Paur]{{Dead link|date=February 2020 |bot=InternetArchiveBot |fix-attempted=yes }}
*[https://web.archive.org/web/20080908001840/http://www.colum.edu/cbmr/Library_and_Archives/The_De_Paur_Infantry_Chorus.php Columbia College Chicago: The De Paur Infantry Chorus]
*[https://web.archive.org/web/20121023023808/http://www.time.com/time/magazine/article/0,9171,794140,00.html?iid=chix-sphere/ Beware of Pretty Chords]
*[https://web.archive.org/web/20121023023808/http://www.time.com/time/magazine/article/0,9171,794140,00.html?iid=chix-sphere/ Beware of Pretty Chords]
*[https://web.archive.org/web/20121022231541/http://www.highbeam.com/doc/1P3-38065026.html Leonard De Paur's Obituary in Opera News (February 1, 1999)]
*[https://web.archive.org/web/20121022231541/http://www.highbeam.com/doc/1P3-38065026.html Leonard De Paur's Obituary in Opera News (February 1, 1999)]
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[[Category:1914 births]]
[[Category:1914 births]]
[[Category:1998 deaths]]
[[Category:1998 deaths]]
⚫
[[Category:20th-century American composers]]
[[Category:20th-century American male musicians]]
[[Category:20th-century American male musicians]]
[[Category:20th-century classical composers]]
[[Category:20th-century classical composers]]
[[Category:African-American classical composers]]
[[Category:African-American classical composers]]
[[Category:American classical composers]]
[[Category:African-American male classical composers]]
[[Category:African-American male classical composers]]
[[Category:American male classical composers]]
[[Category:American male classical composers]]
[[Category:Bordentown School alumni]]
[[Category:Classical musicians from New Jersey]]
[[Category:Classical musicians from New Jersey]]
[[Category:Columbia University alumni]]
[[Category:Columbia University alumni]]
[[Category:Juilliard School alumni]]
[[Category:Juilliard School alumni]]
[[Category:Musicians from Jersey City, New Jersey]]
[[Category:Musicians from Summit, New Jersey]]
[[Category:Musicians from Summit, New Jersey]]
[[Category:20th-century African-American musicians]]
[[Category:20th-century African-American musicians]]
[[Category:Federal Theatre Project people]]
[[Category:Federal Theatre Project people]]
⚫
[[Category:20th-century American classical composers]]

Latest revision as of 18:18, 10 November 2024

Leonard De Paur
De Paur conducting
Background information
Born(1914-11-18)November 18, 1914
Summit, New Jersey, United States
DiedNovember 7, 1998(1998-11-07) (aged 83)
Manhattan, New York, United States
Genres
Occupation(s)Choral director, composer, conductor
Years active1936–1988
External audio
audio icon You may hear Leonard De Paur conducting his arrangements of music for Christmas on the album Calypso Christmas with the De Paur Chorus in 1956 Here on archive.org

Leonard Etienne De Paur (November 18, 1914 – November 7, 1998) was an American composer, choral director, and arts administrator.

Early life

[edit]

Leonard De Paur was born in Summit, New Jersey to Hettie Carson de Paur and Ernst Leonard.[1] He moved to Jersey City with his mother, after his parents separated, and attended the local public schools.[2] His musical studies began at the Manual Training Institute in Bordentown, New Jersey, where he played oboe and saxophone.[2][3] He attended with Frederick Work, brother of John Wesley Work II and uncle of John Wesley Work III.

Career

[edit]

De Paur began to compose and arrange while he was a member of the Hall Johnson Choir. He sang in the baritone section and served as assistant conductor alongside Jester Hairston. In 1936, De Paur became the musical director of the Negro Unit of the Federal Theater Project in New York City.[2] During this time he was also enrolled at Columbia University and later went on to study at the Institute of Musical Arts, now the Juilliard School.

In 1941 he collaborated with the conductor Alexander Smallens and the orchestral accordionist John Serry Sr. in an oratorio production of Virgil Thomson's opera Four Saints in Three Acts at New York City's Town Hall.[4] De Paur enlisted in the United States Army Air Forces in 1942, was promoted to Lieutenant, and became the music director of the play Winged Victory.[5] During a stint in the infantry, he was assigned to an all male-chorus.[6] The De Paur Infantry Chorus was made up of 35 men from the 372nd Glee Club. Their performances consisted of art song repertory, Caribbean folk music, spirituals, work songs and military songs. In 1946, the De Paur Infantry Chorus was signed to Columbia Artists Management and Columbia Records. The chorus now consisted of men from the 372nd Glee Club, other branches of Armed services, and civilians. For ten years the De Paur Infantry Chorus was the top performing group at Columbia. In 1957, De Paur discontinued the chorus and produced the De Paur Opera Gala, which featured Virgil Thomson's Four Saints in Three Acts, George Gershwin's Porgy and Bess and Oscar Hammerstein's Carmen Jones.

In the early 1960s, the De Paur Chorus was formed to tour 18 African nations under the United States Information Agency.[2] Shortly after the chorus disbanded in 1968, De Paur became the associate director of the Lincoln Center International Choral Festival. A few years later he was named the director of community relations. He created the Lincoln Center Out-of-Doors Festival[7] and the Community Holiday Concert Series. He retired from the Lincoln Center in 1988.

During his career De Paur received honorary Doctor of Music degree from Lewis and Clark College. He was the recipient of the University of Pennsylvania Glee Club Award of Merit and an honorary member of the Morehouse College Glee Club.[8]

De Paur died in Manhattan on November 7, 1998.

References

[edit]
  1. ^ Tommasini, Anthony. "Leonard de Paur Dies at 83; Lincoln Center Administrator", The New York Times, November 11, 1998. Accessed February 19, 2011. "Mr. de Paur used to say there was never a time when he could not remember wanting to be a musician. He was born in Summit, N.J., on Nov. 18, 1914. And though his father, a lawyer active in local politics, was at first dismayed by his son's choice of career, both of Mr. de Paur's parents were music lovers."
  2. ^ a b c d Woods, Timothy Erickson. Leonard de Paur's arrangements of spirituals, work songs, and African songs as contributions to choral music: A black choral musician in the mid-twentieth century, University of Arizona, 1998. Accessed March 7, 2023. "Born in Summit, New Jersey, de Paur attended the Nixon School and Lincoln School. His parents separated, and with his mother, Hettie (Carson) de Paur, he moved to Jersey City, where she had relatives. He attended PS34 at Clairmont and Rose, and later attended PS 14 on Union St.... Leonard de Paur began his music studies at the Manual Training Institute at Bordentown, New Jersey, a military academy and industrial school. He played saxophone and oboe in the band, sang in the glee club, and took theory lessons."
  3. ^ Turner, Patricia. Dictionary of Afro-American Performers: 78 RPM and Cylinder Recordings of Opera, Choral Music, and Songs, c1900-1949. 1990
  4. ^ New York Times 28 May 1941 P. 32
  5. ^ Southern, Eileen. The Music of Black Americans: A History. W. W. Norton & Company; 3rd edition.
  6. ^ Abdul, Raoul. Blacks in Classical Music: a Personal History. New York: Dood, Mead,& Company, 1977. 210-211.
  7. ^ Lincoln Center for the Performing Arts, Inc Archived 2011-07-17 at the Wayback Machine
  8. ^ OFFICIAL Morehouse College Glee Club Website
[edit]
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