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Gordon Charles Watson was born in [[Parkes, New South Wales]] in 1921. He served with the [[Second Australian Imperial Force|Australian Imperial Force]] for four years in World War II.<ref name=courier>[http://nla.gov.au/nla.news-article50539932 ''The Courier-Mail'', 2 January 1953]</ref>
Gordon Charles Watson was born in [[Parkes, New South Wales]] in 1921. He served with the [[Second Australian Imperial Force|Australian Imperial Force]] for four years in World War II.<ref name=courier>[http://nla.gov.au/nla.news-article50539932 ''The Courier-Mail'', 2 January 1953]</ref>


He studied piano under Laurence Godfrey Smith in Sydney, and later had advanced studies at [[Mills College]], [[Oakland, California]] with [[Egon Petri]] (piano),<ref>[https://books.google.com/books?id=0QN7V83K4ksC&pg=PA117&lpg=PA117&dq=Gordon+Watson+egon+petri&source=bl&ots=K1pstOwy0v&sig=iDDRzJtqkUYFNhVOA9dkiBIoAow&hl=en&sa=X&ei=1Hs2UenECuueiAfN-4D4CQ&ved=0CE4Q6AEwBg#v=onepage&q=Gordon%20Watson%20egon%20petri&f=false Sitsky: Conversations with the Composer]</ref><ref>[http://www.mus.ulaval.ca/roberge/srs/04-sourl.htm Sorabji Resource Site]</ref><ref name=raven /> and [[Darius Milhaud]] (composition).<ref name=smh /><ref>[http://www.musicweb-international.com/searle/two2.htm Music Web International, ''Quadrille With a Raven: Memoirs by Humphrey Searle'', Chapter 15, "Two New Continents"]</ref>
He studied piano under Laurence Godfrey Smith in Sydney, and later had advanced studies at [[Mills College]], [[Oakland, California]] with [[Egon Petri]] (piano),<ref>[https://books.google.com/books?id=0QN7V83K4ksC&dq=Gordon+Watson+egon+petri&pg=PA117 Sitsky: Conversations with the Composer]</ref><ref>[http://www.mus.ulaval.ca/roberge/srs/04-sourl.htm Sorabji Resource Site]</ref><ref name=raven /> and [[Darius Milhaud]] (composition).<ref name=smh /><ref>[http://www.musicweb-international.com/searle/two2.htm Music Web International, ''Quadrille With a Raven: Memoirs by Humphrey Searle'', Chapter 15, "Two New Continents"]</ref>


==Career==
==Career==
As early as 1943, commentators such as [[Neville Cardus]] were noticing that his piano playing, while showing great skill and promise, revealed the soul of someone other than a performer (Cardus suggested composing or conducting might be Watson's natural bents).<ref>[https://news.google.com/newspapers?nid=1301&dat=19431208&id=tv1hAAAAIBAJ&sjid=GpUDAAAAIBAJ&pg=7385,5976545 Neville Cardus, "Young Pianist of Promise", ''The Sydney Morning Herald'', 8 December 1943]</ref><ref>[http://nla.gov.au/nla.news-article18007716 ''The Sydney Morning Herald'', 27 March 1947]</ref>
As early as 1943, commentators such as [[Neville Cardus]] were noticing that his piano playing, while showing great skill and promise, revealed the soul of someone other than a performer (Cardus suggested composing or conducting might be Watson's natural bents).<ref>[https://news.google.com/newspapers?nid=1301&dat=19431208&id=tv1hAAAAIBAJ&sjid=GpUDAAAAIBAJ&pg=7385,5976545 Neville Cardus, "Young Pianist of Promise", ''The Sydney Morning Herald'', 8 December 1943]</ref><ref>[http://nla.gov.au/nla.news-article18007716 ''The Sydney Morning Herald'', 27 March 1947]</ref>


Watson spent some years living in the United Kingdom as a touring performer. On 22 October 1951, to celebrate the 140th anniversary of the birth of [[Franz Liszt]], he performed the complete ''[[Transcendental Études]]'' in a concert at the [[Wigmore Hall]]. On that occasion he also premiered [[Humphrey Searle]]'s Piano Sonata, Op. 21, written for the occasion.<ref name=raven /> (The sonata was loosely based on Liszt's [[Sonata in B minor (Liszt)|Sonata in B minor]] and has been described as "probably, both the finest and most original piano work ever produced by a British composer".<ref name=wright>[http://www.wrightmusic.net/pdfs/humphrey-searle.pdf David C F Wright, ''Humphrey Searle'']</ref>) Watson later recorded the sonata, but the recording was quickly deleted.<ref>[http://themusicparlour.blogspot.com.au/2010/11/gordon-watson-alexander-young-charles.html ''The Music Parlour'']</ref> In 1957 he was able to introduce Searle to his teacher Egon Petri.<ref>[http://www.musicweb-international.com/searle/break.htm Music Web International, ''Quadrille With a Raven: Memoirs by Humphrey Searle'', Chapter 12, "Breakthrough"]</ref> Watson wrote the sleeve notes for the LP recording of classic Egon Petri performances issued by EMI in 1967 as number 7 in its Great Instrumentalists series.<ref>[http://www.worldcat.org/title/egon-petri/oclc/7515330?referer=di&ht=edition World Cat org]</ref>
Watson spent some years living in the United Kingdom as a touring performer. On 22 October 1951, to celebrate the 140th anniversary of the birth of [[Franz Liszt]], he performed the complete ''[[Transcendental Études]]'' in a concert at the [[Wigmore Hall]]. On that occasion he also premiered [[Humphrey Searle]]'s Piano Sonata, Op. 21, written for the occasion.<ref name=raven /> (The sonata was loosely based on Liszt's [[Sonata in B minor (Liszt)|Sonata in B minor]] and has been described as "probably, both the finest and most original piano work ever produced by a British composer".<ref name=wright>[http://www.wrightmusic.net/pdfs/humphrey-searle.pdf David C F Wright, ''Humphrey Searle'']</ref>) Watson later recorded the sonata, but the recording was quickly deleted.<ref>[http://themusicparlour.blogspot.com.au/2010/11/gordon-watson-alexander-young-charles.html ''The Music Parlour'']</ref> In 1957 he was able to introduce Searle to his teacher Egon Petri.<ref>[http://www.musicweb-international.com/searle/break.htm Music Web International, ''Quadrille With a Raven: Memoirs by Humphrey Searle'', Chapter 12, "Breakthrough"]</ref> Watson wrote the sleeve notes for the LP recording of classic Egon Petri performances issued by EMI in 1967 as number 7 in its Great Instrumentalists series.<ref>[https://www.worldcat.org/oclc/7515330 World Cat org]</ref>


In 1951 he was chosen by [[Constant Lambert]] to play the difficult piano part in the premiere of his final ballet, ''[[Tiresias (ballet)|Tiresias]]''.<ref>[http://www.graemeskinner.id.au/LAMBERTpianoconcerto.html Graeme Skinner, musicologist] {{webarchive|url=https://web.archive.org/web/20130409140647/http://graemeskinner.id.au/LAMBERTpianoconcerto.html |date=2013-04-09 }}</ref> In late 1952 he gave the premiere performance of Darius Milhaud's 1st Piano Concerto, in London.<ref name=courier />
In 1951 he was chosen by [[Constant Lambert]] to play the difficult piano part in the premiere of his final ballet, ''[[Tiresias (ballet)|Tiresias]]''.<ref>[http://www.graemeskinner.id.au/LAMBERTpianoconcerto.html Graeme Skinner, musicologist] {{webarchive|url=https://web.archive.org/web/20130409140647/http://graemeskinner.id.au/LAMBERTpianoconcerto.html |date=2013-04-09 }}</ref> In late 1952 he gave the premiere performance of Darius Milhaud's 1st Piano Concerto, in London.<ref name=courier />
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Gordon Watson played the solo piano part of [[Brian Easdale]]'s score for the controversial 1960 [[Michael Powell (director)|Michael Powell]] film ''[[Peeping Tom (1960 film)|Peeping Tom]]''.<ref>[https://www.imdb.com/title/tt0054167/fullcredits?ref_=tt_ov_st_sm#cast Cast of ''Peeping Tom'' (1960) at IMDb]</ref><ref>{{IMDb name|0914640|Gordon Watson}}</ref>
Gordon Watson played the solo piano part of [[Brian Easdale]]'s score for the controversial 1960 [[Michael Powell (director)|Michael Powell]] film ''[[Peeping Tom (1960 film)|Peeping Tom]]''.<ref>[https://www.imdb.com/title/tt0054167/fullcredits?ref_=tt_ov_st_sm#cast Cast of ''Peeping Tom'' (1960) at IMDb]</ref><ref>{{IMDb name|0914640|Gordon Watson}}</ref>


In 1964 Sir [[Bernard Heinze]] appointed Watson to succeed Winifred Burston on the teaching staff of the Sydney Conservatorium.<ref name=smh>[https://news.google.com/newspapers?nid=1301&dat=19640520&id=_AtiAAAAIBAJ&sjid=TuYDAAAAIBAJ&pg=7067,6498545 ''The Sydney Morning Herald'', 20 May 1964]</ref> He was the head of the Keyboard Department until 1986, being succeeded by [[Elizabeth Powell (pianist)|Elizabeth Powell]].<ref>[http://sydney.edu.au/music/areas-of-study/piano.shtml Sydney Conservatorium of Music]</ref><ref>[http://www.elizabethpowell.com/artlife.php Elizabeth Powell.com]</ref> His students included: [[Gerard Willems]],<ref>{{Cite web |url=http://shipc.org.au/about/director/ |title=Southern Highlands International Piano Competition |access-date=2013-03-06 |archive-url=https://web.archive.org/web/20130409053413/http://shipc.org.au/about/director/ |archive-date=2013-04-09 |url-status=dead }}</ref> [[Michael Kieran Harvey]],<ref>[http://www.utas.edu.au/music/21c University of Tasmania Conservatorium of Music]</ref> [[Stephanie McCallum]]<ref>{{Cite web |url=http://www.wrightmusic.net/pdfs/second-set-of-pianists.pdf |title=David C F Wright, ''A Second Set of Pianists'' |access-date=2013-03-06 |archive-date=2014-07-14 |archive-url=https://web.archive.org/web/20140714204451/http://www.wrightmusic.net/pdfs/second-set-of-pianists.pdf |url-status=dead }}</ref> (she dedicated her album "Perfume: The Exquisite Piano Music of France" to her teacher Gordon Watson),<ref>[http://www.stephaniemccallum.com/recordings/perfume Stephanie McCallum]</ref> [[Elena Kats-Chernin]],<ref>[http://www.sydneysymphony.com/media/81961/PROG36_070912_MTM-Guide_SSO.pdf Sydney Symphony Orchestra] {{webarchive|url=https://web.archive.org/web/20140421051013/http://www.sydneysymphony.com/media/81961/PROG36_070912_MTM-Guide_SSO.pdf |date=2014-04-21 }}</ref> [[Carey Beebe]], Barry Walmsley,<ref>[http://www.musicnsw.com.au/pages/Council.html Music Teachers Association of NSW]</ref> Brennan Keats,<ref>[http://australiancomposers.com.au/composers/brennankeats.html Wirripang]</ref> Garry Laycock (1944–88; who also used the professional name Leon Gibbons),<ref>[http://acms.sl.nsw.gov.au/item/itemDetailPaged.aspx?itemID=931573 State Library of New South Wales]</ref> [[Romano Crivici]]{{Citation needed|date=January 2017}} and Peter Carthew.<ref>[http://www.musicteachers.com.au/vicprofiles.htm Australian Piano Teachers]</ref>
In 1964 Sir [[Bernard Heinze]] appointed Watson to succeed Winifred Burston on the teaching staff of the Sydney Conservatorium.<ref name=smh>[https://news.google.com/newspapers?nid=1301&dat=19640520&id=_AtiAAAAIBAJ&sjid=TuYDAAAAIBAJ&pg=7067,6498545 ''The Sydney Morning Herald'', 20 May 1964]</ref> He was the head of the Keyboard Department until 1986, being succeeded by [[Elizabeth Powell (pianist)|Elizabeth Powell]].<ref>[http://sydney.edu.au/music/areas-of-study/piano.shtml Sydney Conservatorium of Music]</ref><ref>[http://www.elizabethpowell.com/artlife.php Elizabeth Powell.com]</ref> His students included: [[Gerard Willems]],<ref>{{Cite web |url=http://shipc.org.au/about/director/ |title=Southern Highlands International Piano Competition |access-date=2013-03-06 |archive-url=https://web.archive.org/web/20130409053413/http://shipc.org.au/about/director/ |archive-date=2013-04-09 |url-status=dead }}</ref> [[Michael Kieran Harvey]],<ref>{{Cite web |url=http://www.utas.edu.au/music/21c |title=University of Tasmania Conservatorium of Music |access-date=6 March 2013 |archive-date=12 May 2013 |archive-url=https://web.archive.org/web/20130512034433/http://www.utas.edu.au/music/21c |url-status=dead }}</ref> [[Stephanie McCallum]]<ref>{{Cite web |url=http://www.wrightmusic.net/pdfs/second-set-of-pianists.pdf |title=David C F Wright, ''A Second Set of Pianists'' |access-date=2013-03-06 |archive-date=2014-07-14 |archive-url=https://web.archive.org/web/20140714204451/http://www.wrightmusic.net/pdfs/second-set-of-pianists.pdf |url-status=dead }}</ref> (she dedicated her album "Perfume: The Exquisite Piano Music of France" to her teacher Gordon Watson),<ref>[http://www.stephaniemccallum.com/recordings/perfume Stephanie McCallum]</ref> [[Elena Kats-Chernin]],<ref>[http://www.sydneysymphony.com/media/81961/PROG36_070912_MTM-Guide_SSO.pdf Sydney Symphony Orchestra] {{webarchive|url=https://web.archive.org/web/20140421051013/http://www.sydneysymphony.com/media/81961/PROG36_070912_MTM-Guide_SSO.pdf |date=2014-04-21 }}</ref> [[Carey Beebe]], Barry Walmsley,<ref>[http://www.musicnsw.com.au/pages/Council.html Music Teachers Association of NSW]</ref> Brennan Keats,<ref>{{Cite web |url=http://australiancomposers.com.au/composers/brennankeats.html |title=Wirripang |access-date=6 March 2013 |archive-date=10 April 2013 |archive-url=https://web.archive.org/web/20130410223207/http://australiancomposers.com.au/composers/brennankeats.html |url-status=dead }}</ref> Garry Laycock (1944–88; who also used the professional name Leon Gibbons),<ref>[http://acms.sl.nsw.gov.au/item/itemDetailPaged.aspx?itemID=931573 State Library of New South Wales]</ref> [[Romano Crivici]]{{Citation needed|date=January 2017}} and Peter Carthew.<ref>{{Cite web |url=http://www.musicteachers.com.au/vicprofiles.htm |title=Australian Piano Teachers |access-date=6 March 2013 |archive-date=9 April 2013 |archive-url=https://web.archive.org/web/20130409103155/http://www.musicteachers.com.au/vicprofiles.htm |url-status=dead }}</ref>


He was a juror for the [[Sydney International Piano Competition]] in 1981 and 1985.<ref>[http://www.abc.net.au/classic/sipca/about.html SIPCA]</ref>
He was a juror for the [[Sydney International Piano Competition]] in 1981 and 1985.<ref>[http://www.abc.net.au/classic/sipca/about.html SIPCA]</ref>


The Australian pedagogue and composer Alex Burnard (1900–1971), a student of [[Ralph Vaughan Williams]], wrote a set of ''Twelve Folk-Songs Settings'' for Watson.<ref>[https://books.google.com/books?id=3g8PGmIHm3cC&pg=PA76&lpg=PA76&dq=Gordon+Watson+pianist&source=bl&ots=v3S-d39kM-&sig=GGWLYxjhAPOUZ1BYgiwxr83BIQk&hl=en&sa=X&ei=jGg2UYIlhbmIB_7fgLAG&ved=0CDAQ6AEwATgK#v=onepage&q=Gordon%20Watson%20pianist&f=false Larry Sitsky, ''Australian Piano Music of the Twentieth Century'', p. 76]</ref>
The Australian pedagogue and composer Alex Burnard (1900–1971), a student of [[Ralph Vaughan Williams]], wrote a set of ''Twelve Folk-Songs Settings'' for Watson.<ref>[https://books.google.com/books?id=3g8PGmIHm3cC&dq=Gordon+Watson+pianist&pg=PA76 Larry Sitsky, ''Australian Piano Music of the Twentieth Century'', p. 76]</ref>


Gordon Watson died in Sydney on 16 April 1999. An obituary appeared in ''[[The Sydney Morning Herald]]'' on 27 April.<ref>[http://ryersonindex.net/search.php Ryerson Index]; Retrieved 4 May 2013</ref>
Gordon Watson died in Sydney on 16 April 1999. An obituary appeared in ''[[The Sydney Morning Herald]]'' on 27 April.<ref>[http://ryersonindex.net/search.php Ryerson Index]; Retrieved 4 May 2013</ref>


==Honours==
==Honours==
Gordon Watson was appointed a Member of the [[Order of Australia]] (AM) in the [[Australia Day]] Honours of 1987, for his services to music as a performer and teacher.<ref>[http://www.itsanhonour.gov.au/honours/honour_roll/search.cfm?aus_award_id=869690&search_type=quick&showInd=true It's an Honour]</ref>
Gordon Watson was appointed a Member of the [[Order of Australia]] (AM) in the [[Australia Day]] Honours of 1987, for his services to music as a performer and teacher.<ref>[https://honours.pmc.gov.au/honours/awards/869690 It's an Honour]</ref>


==Recordings==
==Recordings==
Gordon Watson recorded:
Gordon Watson recorded:


* [[Benjamin Britten]]: ''[[The Holy Sonnets of John Donne]]'', with [[Alexander Young (tenor)|Alexander Young]], tenor
* [[Benjamin Britten]]: ''[[The Holy Sonnets of John Donne]]'', with [[Alexander Young (tenor)|Alexander Young]], tenor. Argo RG 25 (1954)
* [[Frederick Delius]]: songs ("Autumn", "Cradle Song", "Evening Voices", "In the Seraglio Garden", "Let Springtime Come", "Love's Philosophy", "The Nightingale Has a Lyre of Gold"), with Joan Stuart (soprano)|Joan Stuart, soprano;<ref>[http://www.delius.org.uk/images/journals/pdfs/newsletter24-discography.pdf Delius Society Newsletter, September 1969]</ref> 2 other songs <ref>[http://landofllostcontent.blogspot.com.au/2011/11/frederick-delius-delius-collection-of.html British Classical Music: The Land of Lost Content]</ref>
* [[Frederick Delius]]: songs ("Autumn", "Cradle Song", "Evening Voices", "In the Seraglio Garden", "Let Springtime Come", "Love's Philosophy", "The Nightingale Has a Lyre of Gold"), with Joan Stuart (soprano)|Joan Stuart, soprano;<ref>{{Cite web |url=http://www.delius.org.uk/images/journals/pdfs/newsletter24-discography.pdf |title=Delius Society Newsletter, September 1969 |access-date=6 March 2013 |archive-date=27 February 2012 |archive-url=https://web.archive.org/web/20120227124046/http://www.delius.org.uk/images/journals/pdfs/newsletter24-discography.pdf |url-status=dead }}</ref> 2 other songs. Argo RG 46 (1957?)<ref>[http://landofllostcontent.blogspot.com.au/2011/11/frederick-delius-delius-collection-of.html British Classical Music: The Land of Lost Content]</ref>
* [[Horace Keats]]: (1972) songs, with the mezzo-soprano [[Lauris Elms]].<ref>{{Cite web |url=http://cdn.australianmusiccentre.com.au/documents/att_636.pdf |title=Australian Music Centre, ''Echo: The Songs of Horace Keats'' |access-date=2013-03-06 |archive-url=https://web.archive.org/web/20110412041124/http://cdn.australianmusiccentre.com.au/documents/att_636.pdf |archive-date=2011-04-12 |url-status=dead }}</ref>
* [[Horace Keats]]: (1972) songs, with the mezzo-soprano [[Lauris Elms]].<ref>{{Cite web |url=http://cdn.australianmusiccentre.com.au/documents/att_636.pdf |title=Australian Music Centre, ''Echo: The Songs of Horace Keats'' |access-date=2013-03-06 |archive-url=https://web.archive.org/web/20110412041124/http://cdn.australianmusiccentre.com.au/documents/att_636.pdf |archive-date=2011-04-12 |url-status=dead }}</ref>
* [[Constant Lambert]]: ''Concerto for Pianoforte and Nine Instruments''. Argo RG 50 (1955)
* [[Heinrich Marschner]]: (1952) Trio in F major, Op. 167, with Granville Jones (violin) and Norina Semino (cello)<ref>{{Cite web |url=http://www.symposiumrecords.co.uk/catalogue/1260 |title=Symposium Records |access-date=2013-03-06 |archive-url=https://archive.today/20130505045511/http://www.symposiumrecords.co.uk/catalogue/1260 |archive-date=2013-05-05 |url-status=dead }}</ref>
* [[Heinrich Marschner]]: (1952) Trio in F major, Op. 167, with Granville Jones (violin) and Norina Semino (cello)<ref>{{Cite web |url=http://www.symposiumrecords.co.uk/catalogue/1260 |title=Symposium Records |access-date=2013-03-06 |archive-url=https://archive.today/20130505045511/http://www.symposiumrecords.co.uk/catalogue/1260 |archive-date=2013-05-05 |url-status=dead }}</ref>
* [[Roger Quilter]]: Song Cycle ''To Julia''; Seven Elizabethan Lyrics; Three Songs by Shelley<ref>[http://klassichaus.us/Choral-Vocal.php Klassic Haus Restorations]</ref>
* [[Roger Quilter]]: Song Cycle ''To Julia''; ''Seven Elizabethan Lyrics''; ''Three Songs by Shelley'', with Alexander Young. Argo RG 36 (1954)
* [[Humphrey Searle]]: Piano Sonata, Op. 21 (Watson had given the world premiere performance in 1951)
* [[Humphrey Searle]]: Piano Sonata, Op. 21 (Watson had given the world premiere performance in 1951)
* [[Ralph Vaughan Williams]]: ''[[On Wenlock Edge (song cycle)|On Wenlock Edge]]'' with Alexander Young and the Sebastian String Quartet.<ref>[http://www.allmusic.com/performance/on-wenlock-edge-song-cycle-for-tenor-piano-string-quartet-or-tenor-orchestra-mq0002044370/credits allmusic]</ref>
* [[Ralph Vaughan Williams]]: ''[[On Wenlock Edge (song cycle)|On Wenlock Edge]]'' with Alexander Young and the Sebastian String Quartet. Argo RG 20 (1953)
* Vaughan Williams: Seven Songs from ''[[The Pilgrim's Progress (opera)|The Pilgrim's Progress]]'', with [[John Cameron (singer)|John Cameron]], baritone; Patricia Bartlett (soprano)|Patricia Bartlett, soprano; [[Iris Kells]], soprano
* Vaughan Williams: Seven Songs from ''[[The Pilgrim's Progress (opera)|The Pilgrim's Progress]]'', with [[John Cameron (singer)|John Cameron]], baritone; Patricia Bartlett (soprano)|Patricia Bartlett, soprano; [[Iris Kells]], soprano. Argo RG 20 (1953)
* [[Peter Warlock]]: (1954) song cycle ''[[The Curlew]]'' with Alexander Young, tenor; Lionel Solomon, flute; Peter Graeme, English horn; and the Sebastian String Quartet. It may be heard {{YouTube|fNbsCDE3Tos|here}}.
* [[Peter Warlock]]: ''[[The Curlew]]'' with Alexander Young, tenor; Lionel Solomon, flute; Peter Graeme, English horn; and the Sebastian String Quartet. Argo RG 26 (1954)
* (1955) piano pieces by [[Roy Agnew]], Horace Keats and Alex Burnard.<ref>{{Cite web |url=http://libguides.newcastle.edu.au/content.php?pid=72924&sid=540042 |title=University of Newcastle |access-date=2013-03-06 |archive-url=https://web.archive.org/web/20130429063028/http://libguides.newcastle.edu.au/content.php?pid=72924&sid=540042 |archive-date=2013-04-29 |url-status=dead }}</ref>
* (1955) piano pieces by [[Roy Agnew]], Horace Keats and Alex Burnard.<ref>{{Cite web |url=http://libguides.newcastle.edu.au/content.php?pid=72924&sid=540042 |title=University of Newcastle |access-date=2013-03-06 |archive-url=https://web.archive.org/web/20130429063028/http://libguides.newcastle.edu.au/content.php?pid=72924&sid=540042 |archive-date=2013-04-29 |url-status=dead }}</ref>


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[[Category:1921 births]]
[[Category:1921 births]]
[[Category:1999 deaths]]
[[Category:1999 deaths]]
[[Category:Australian classical pianists]]
[[Category:Australian male classical pianists]]
[[Category:Male classical pianists]]
[[Category:Mills College alumni]]
[[Category:Mills College alumni]]
[[Category:Piano pedagogues]]
[[Category:Piano educators]]
[[Category:Sydney Conservatorium of Music faculty]]
[[Category:Academic staff of the Sydney Conservatorium of Music]]
[[Category:Members of the Order of Australia]]
[[Category:Members of the Order of Australia]]
[[Category:Australian military personnel of World War II]]
[[Category:Australian military personnel of World War II]]
[[Category:Pupils of Darius Milhaud]]
[[Category:Pupils of Darius Milhaud]]
[[Category:20th-century classical pianists]]
[[Category:20th-century Australian classical pianists]]
[[Category:20th-century French male musicians]]
[[Category:20th-century French male musicians]]
[[Category:People from Parkes, New South Wales]]

Latest revision as of 19:34, 10 November 2024

Gordon Charles Watson AM (28 February 1921 – 16 April 1999) was an Australian classical pianist and teacher. He taught at the Sydney Conservatorium of Music from 1964 to 1986, retiring as Head of the Keyboard Department.

Early life

[edit]

Gordon Charles Watson was born in Parkes, New South Wales in 1921. He served with the Australian Imperial Force for four years in World War II.[1]

He studied piano under Laurence Godfrey Smith in Sydney, and later had advanced studies at Mills College, Oakland, California with Egon Petri (piano),[2][3][4] and Darius Milhaud (composition).[5][6]

Career

[edit]

As early as 1943, commentators such as Neville Cardus were noticing that his piano playing, while showing great skill and promise, revealed the soul of someone other than a performer (Cardus suggested composing or conducting might be Watson's natural bents).[7][8]

Watson spent some years living in the United Kingdom as a touring performer. On 22 October 1951, to celebrate the 140th anniversary of the birth of Franz Liszt, he performed the complete Transcendental Études in a concert at the Wigmore Hall. On that occasion he also premiered Humphrey Searle's Piano Sonata, Op. 21, written for the occasion.[4] (The sonata was loosely based on Liszt's Sonata in B minor and has been described as "probably, both the finest and most original piano work ever produced by a British composer".[9]) Watson later recorded the sonata, but the recording was quickly deleted.[10] In 1957 he was able to introduce Searle to his teacher Egon Petri.[11] Watson wrote the sleeve notes for the LP recording of classic Egon Petri performances issued by EMI in 1967 as number 7 in its Great Instrumentalists series.[12]

In 1951 he was chosen by Constant Lambert to play the difficult piano part in the premiere of his final ballet, Tiresias.[13] In late 1952 he gave the premiere performance of Darius Milhaud's 1st Piano Concerto, in London.[1]

In 1954/55, Watson commissioned a piano concerto from Humphrey Searle (his first), but was unable to be the soloist at the premiere at the Cheltenham Festival in July 1955 as he was touring in Australia.[4] He did, however, premiere Searle's 2nd Piano Concerto, Op. 27, on 14 August 1956, at the Royal Albert Hall, with the BBC Symphony Orchestra under John Hollingsworth.[9] On 20 August 1956 Watson and Thea King gave the first performance of Humphrey Searle's Suite for Clarinet and Piano.[14]

In 1958 on a visit home to Sydney he was asked by Winifred Burston, a renowned piano teacher at the Sydney Conservatorium of Music, to assess the young Larry Sitsky's skills. He did so, and he and Burston jointly formed the view that Sitsky would benefit from study with Egon Petri, who accepted him as a pupil. Sitsky went on to study with Petri for over three years, from May 1958 until the end of 1961.[15] In 1950 in London he also gave some months of lessons to another of Burston's pupils, Geofrey Parsons.[16]

Gordon Watson played the solo piano part of Brian Easdale's score for the controversial 1960 Michael Powell film Peeping Tom.[17][18]

In 1964 Sir Bernard Heinze appointed Watson to succeed Winifred Burston on the teaching staff of the Sydney Conservatorium.[5] He was the head of the Keyboard Department until 1986, being succeeded by Elizabeth Powell.[19][20] His students included: Gerard Willems,[21] Michael Kieran Harvey,[22] Stephanie McCallum[23] (she dedicated her album "Perfume: The Exquisite Piano Music of France" to her teacher Gordon Watson),[24] Elena Kats-Chernin,[25] Carey Beebe, Barry Walmsley,[26] Brennan Keats,[27] Garry Laycock (1944–88; who also used the professional name Leon Gibbons),[28] Romano Crivici[citation needed] and Peter Carthew.[29]

He was a juror for the Sydney International Piano Competition in 1981 and 1985.[30]

The Australian pedagogue and composer Alex Burnard (1900–1971), a student of Ralph Vaughan Williams, wrote a set of Twelve Folk-Songs Settings for Watson.[31]

Gordon Watson died in Sydney on 16 April 1999. An obituary appeared in The Sydney Morning Herald on 27 April.[32]

Honours

[edit]

Gordon Watson was appointed a Member of the Order of Australia (AM) in the Australia Day Honours of 1987, for his services to music as a performer and teacher.[33]

Recordings

[edit]

Gordon Watson recorded:

References

[edit]
  1. ^ a b The Courier-Mail, 2 January 1953
  2. ^ Sitsky: Conversations with the Composer
  3. ^ Sorabji Resource Site
  4. ^ a b c Music Web International, Quadrille With a Raven: Memoirs by Humphrey Searle, Chapter 11, "Lesley and Rosie's Pub"
  5. ^ a b The Sydney Morning Herald, 20 May 1964
  6. ^ Music Web International, Quadrille With a Raven: Memoirs by Humphrey Searle, Chapter 15, "Two New Continents"
  7. ^ Neville Cardus, "Young Pianist of Promise", The Sydney Morning Herald, 8 December 1943
  8. ^ The Sydney Morning Herald, 27 March 1947
  9. ^ a b David C F Wright, Humphrey Searle
  10. ^ The Music Parlour
  11. ^ Music Web International, Quadrille With a Raven: Memoirs by Humphrey Searle, Chapter 12, "Breakthrough"
  12. ^ World Cat org
  13. ^ Graeme Skinner, musicologist Archived 2013-04-09 at the Wayback Machine
  14. ^ Arts and Humanities Research Council
  15. ^ Current Issues in Music, Volume 2 (2008), In Search of New Worlds: A Festschrift for Larry Sitsky
  16. ^ Richard Davis, Geoffrey Parsons: Among Friends, p. 25
  17. ^ Cast of Peeping Tom (1960) at IMDb
  18. ^ Gordon Watson at IMDb
  19. ^ Sydney Conservatorium of Music
  20. ^ Elizabeth Powell.com
  21. ^ "Southern Highlands International Piano Competition". Archived from the original on 9 April 2013. Retrieved 6 March 2013.
  22. ^ "University of Tasmania Conservatorium of Music". Archived from the original on 12 May 2013. Retrieved 6 March 2013.
  23. ^ "David C F Wright, A Second Set of Pianists" (PDF). Archived from the original (PDF) on 14 July 2014. Retrieved 6 March 2013.
  24. ^ Stephanie McCallum
  25. ^ Sydney Symphony Orchestra Archived 2014-04-21 at the Wayback Machine
  26. ^ Music Teachers Association of NSW
  27. ^ "Wirripang". Archived from the original on 10 April 2013. Retrieved 6 March 2013.
  28. ^ State Library of New South Wales
  29. ^ "Australian Piano Teachers". Archived from the original on 9 April 2013. Retrieved 6 March 2013.
  30. ^ SIPCA
  31. ^ Larry Sitsky, Australian Piano Music of the Twentieth Century, p. 76
  32. ^ Ryerson Index; Retrieved 4 May 2013
  33. ^ It's an Honour
  34. ^ "Delius Society Newsletter, September 1969" (PDF). Archived from the original (PDF) on 27 February 2012. Retrieved 6 March 2013.
  35. ^ British Classical Music: The Land of Lost Content
  36. ^ "Australian Music Centre, Echo: The Songs of Horace Keats" (PDF). Archived from the original (PDF) on 12 April 2011. Retrieved 6 March 2013.
  37. ^ "Symposium Records". Archived from the original on 5 May 2013. Retrieved 6 March 2013.
  38. ^ "University of Newcastle". Archived from the original on 29 April 2013. Retrieved 6 March 2013.
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