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Jacques-Martin Hotteterre (29 September 1673 – 16 July 1763), also known as Jacques Martin or Jacques Hotteterre, was a French composer and flautist who was the most celebrated of a family of wind instrument makers and wind performers.^[1]

Biography

Hotteterre was born in Paris, France, the son of Martin Hotteterre (d. 1712) and Marie Crespy.^[2] In about 1704, Jacques-Martin Hotteterre succeeded his cousin Jacques in the post of basse de hautbois et taille de violon at the royal court.^[3]

Hotteterre lived and studied in Rome early in his career, and his nickname le Romain (the Roman) came from this period.^[4] He spent two years (1698–1700) employed by Prince Francesco Ruspoli in Rome,^[5] before adopting the nickname of "Le Romain" at some point between 1705 and 1707. By 1708, he became a musician to the King of France, in the king's Grande Écurie, and in 1717, he inherited René Pignon Descoteaux's post as Jouëur de Fluste de la musique de chambre.

Hotteterre owed his fame largely to his talent for playing the flute, an instrument for which he wrote a number of pieces, significantly extending the repertory for the instrument. In addition, he played the bassoon, oboe, and musette.^[6] Hotteterre was also an internationally celebrated teacher to aristocratic patrons. He wrote one method for the transverse flute, recorder, and oboe, published in 1707, as well as a method for the musette, published in 1737. His L'Art de préluder sur la flûte traversière was published in 1719. It was Europe's first flute manual and was used widely.^[7]

"The music of the modern flute begins with this author, the most celebrated flutist of the end of the seventeenth and the beginning of the eighteenth centuries. Hotteterre was Chamber Musician to the King of France, and was the first one to play a transverse flute in the orchestra of the Paris Grand Opera. This extremely rare work is the earliest known book of instructions, in any language, for the transverse flute." —Dayton C. Miller (1866–1941)^[8]

Several transverse flutes marked HOTTETERRE with the device of an anchor, discovered within the last hundred years or more, have provided actual specimens of the alleged result of the Hotteterres' efforts. Specialists in woodwind history are generally aware of three "Hotteterre" flutes—in Berlin, St. Petersburg and Graz—all of which closely resemble the one in Picart's engraving. However it has recently been shown that two of these are nineteenth-century replicas of a specimen now lost, and only the Graz example is in fact the work of Jacques Hotteterre or his father, Martin.^[9]

In addition to performance and teaching, Hotteterre continued his family's tradition of wind instrument making. It may have been Hotteterre who made a number of changes in the design of the transverse flute, though there is little concrete evidence for this. Most notably, the flute, which had previously been made in one cylindrical piece, was cut in three pieces: the head (with the mouthpiece), the body (with most of the holes), and the foot (with one, keyed hole for the low E♭).

Numerous other members of the Hotteterre family were reputed to have been fine woodwind players; some also had a decisive impact on woodwind instrument construction. Jacques's grandfather Jean (c. 1605 to 1690–1692) was noted for his playing and innovative building. He may have been influential in certain developments in woodwind instruments, and he is credited with creating the oboe.^[10] Jean and his son Martin (c. 1640–1712), father of Jacques-Martin, were responsible for important advances in musette making.^[7] A number of recorders by the Hotteterre family also survive, none of which are believed to be by Jacques-Martin.^[11]^[12]

Jacques-Martin Hotteterre died in Paris in 1763.

Compositions

Op. 1 Principes de la flûte traversière, ou flûte d'Allemangne, de la flûte à bec ou flûte douce et du hautbois, divisez par traictez (1707)
Op. 2 Premier livre de pièces pour la flûte traversière et autres instruments avec la basse (1708)
Op. 3 Sonates en trio pour les flûtes traversières et a bec, violon, hautbois (1712)
Op. 4 Première suitte de pièces suite de pièces à deux dessus, sans basse continue. Pour les flûtes-traversières, flûtes à bec, violes, (1712)
Op. 5 Deuxième livre de pièces pour la flûte traversière et autres instruments avec la basse (1715)
Op. 6 Deuxième suite de pièces à deux dessus pour les flûtes-traversières, flûtes à bec, violes, etc... avec une basse adjoutée et sans altération des dessus, laquelle on y pourra joindre pour le concert (1717)
Op. 7 L'art de Préluder (1719)
Op. 8 Troisième suite de pièces à deux dessus (1722)
Op. 9 Concert de Rossignol (lost)
Op. 10 Méthode pour la Musette contenant des principes, par un recueil d'airs et quelques préludes (1738)
Airs et brunettes à deux et trois dessus avec la basse – Tirez des meilleurs autheurs (1721)
Arrangements of pieces by Valentine and Torelli for two flutes
Arrangement of trios by Albinoni (lost)

Media

Suite in D

Problems playing this file? See media help.

References

^ Giannini, Tula (2001). "Hotteterre family [Haulteterre, Hauterre, Hauteterre, Hoteterre, Hoterre, Obterre, etc.]". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.13401.
^ Giannini 1993a, 377–378.
^ Giannini 1993a, 379
^ Sardelli 2007, 3
^ Sardelli 2007, 4.
^ Giannini, Tula (2001), "Hotteterre, Jacques(-Martin) (ii)", Oxford Music Online, Oxford University Press, doi:10.1093/omo/9781561592630.013.90000381002, ISBN 978-1-56159-263-0, retrieved 14 September 2024
^ ^a ^b Randel, Don Michael, ed. (1996). The Harvard Biographical Dictionary of Music. Cambridge: Harvard University Press. p. 395. ISBN 0674372999.
^ Jacques-Martin Hotteterre, Principes de la Flute Traversiere, ou Flute d'Allemagne. De la Flute A Bec, ou Flute Douce, et du Haut-Bois, Divisez part Traitez [Basics of the Flute, the Recorder, and the Oboe, in Three Parts] (Paris: Christopher Ballard, 1707). Copy in the Dayton C. Miller Collection, Music Division, Library of Congress (025.01.00).
^ Ardal Powell, "The Hotteterre Flute: Six Replicas in Search of a Myth", Journal of the American Musicological Society 49, no. 2 (1996): 225–263. 21 September 2012. JSTOR 831990
^ Dupin, R. "Oboe Story". Archived from the original on 25 October 2019. Retrieved 16 October 2020.
^ Griscom, Richard; Lasocki, David (2012). The Recorder: A Research and Information Guide (3rd ed.). New York: Routledge. pp. 136–137, 152, 160.
^ Fischer, Charles. "Unicorn Music: Hotteterre Family". Archived from the original on 13 May 2021. Retrieved 16 October 2020.

Bibliography

Giannini, Tula. 1993a. "Jacques Hotteterre le Romain and his Father Martin: A Re-examination Based on Recently Found Documents". Early Music XXI, no. 3 (August): 377–395. doi:10.1093/em/XXI.3.377 [Includes genealogical chart, illustrations, transcriptions and translations of documents.]
Giannini, Tula. 1993b. Great Flute Makers of France, the Lot and Godfroy Families (1650–1900). London: Tony Bingham. ISBN 0-946113-05-X
Sardelli, Federico Maria. 2007. Vivaldi's Music for Flute and Recorder, translated by Michael Talbot. Aldershot, England; Burlington, VT: Ashgate, in association with the Istituto Italiano Antonio Vivaldi/Fondazione "Giorgio Cini". ISBN 0-7546-3714-X

External links

Free scores by Jacques Hotteterre at the International Music Score Library Project (IMSLP)

[Giannini2001-1] Giannini, Tula (2001). "Hotteterre family [Haulteterre, Hauterre, Hauteterre, Hoteterre, Hoterre, Obterre, etc.]". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.13401.

[2] Giannini 1993a, 377–378.

[3] Giannini 1993a, 379

[4] Sardelli 2007, 3

[5] Sardelli 2007, 4.

[6] Giannini, Tula (2001), "Hotteterre, Jacques(-Martin) (ii)", Oxford Music Online, Oxford University Press, doi:10.1093/omo/9781561592630.013.90000381002, ISBN 978-1-56159-263-0, retrieved 14 September 2024

[harvard-7] Randel, Don Michael, ed. (1996). The Harvard Biographical Dictionary of Music. Cambridge: Harvard University Press. p. 395. ISBN 0674372999.

[8] Jacques-Martin Hotteterre, Principes de la Flute Traversiere, ou Flute d'Allemagne. De la Flute A Bec, ou Flute Douce, et du Haut-Bois, Divisez part Traitez [Basics of the Flute, the Recorder, and the Oboe, in Three Parts] (Paris: Christopher Ballard, 1707). Copy in the Dayton C. Miller Collection, Music Division, Library of Congress (025.01.00).

[9] Ardal Powell, "The Hotteterre Flute: Six Replicas in Search of a Myth", Journal of the American Musicological Society 49, no. 2 (1996): 225–263. 21 September 2012. JSTOR 831990

[10] Dupin, R. "Oboe Story". Archived from the original on 25 October 2019. Retrieved 16 October 2020.

[11] Griscom, Richard; Lasocki, David (2012). The Recorder: A Research and Information Guide (3rd ed.). New York: Routledge. pp. 136–137, 152, 160.

[12] Fischer, Charles. "Unicorn Music: Hotteterre Family". Archived from the original on 13 May 2021. Retrieved 16 October 2020.

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@@ Line 1: / Line 1: @@
+{{Short description|French composer and flautist}}
-{{Refimprove|date=March 2008}}
+{{More citations needed|date=March 2008}}
+{{Use dmy dates|date=October 2024}}
 <!-- Before adding an infobox, please consult [[Wikipedia:WikiProject Composers#Biographical infoboxes]] and seek consensus on this article's talk page. -->
-[[File:Hotteterre.jpg|thumb|right|150-px|Jacques-Martin Hotteterre]]
+[[File:Hotteterre.jpg|thumb|upright|Jacques-Martin Hotteterre]]
-'''Jacques-Martin Hotteterre''' (29 September 1674{{spaced ndash}}16 July 1763), also known as '''Jacques Martin''' or '''Jacques Hotteterre''', was a [[French people|French]] [[composer]] and [[flautist]]. Jacques-Martin Hotteterre was the most celebrated of a family of wind instrument makers and wind performers.
+'''Jacques-Martin Hotteterre''' (29 September 1673{{spaced ndash}}16 July 1763), also known as '''Jacques Martin''' or '''Jacques Hotteterre''', was a [[French people|French]] [[composer]] and [[flautist]] who was the most celebrated of a family of wind instrument makers and wind performers.<ref name="Giannini2001">{{cite journal| last=Giannini | first=Tula | author-link=Tula Giannini | title=Hotteterre family [Haulteterre, Hauterre, Hauteterre, Hoteterre, Hoterre, Obterre, etc.] | journal=[[Grove Music Online]] | publisher=[[Oxford University Press]] | date=2001 | doi=10.1093/gmo/9781561592630.article.13401 }}</ref>
 ==Biography==
-Hotteterre was born in Paris, the son of Martin Hotteterre (d. 1712) and Marie Crespy.<ref>Giannini 1993,{{Clarify|date=May 2015}}<!--There are two sources in the reference list by this author published in 1993. Which one is this?--> 377–78.</ref> In about 1704, Jacques-Martin Hotteterre succeeded his cousin Jacques in the post of ''basse de hautbois et taille de violon'' at the royal court.<ref>Giannini 1993,{{Clarify|date=May 2015}}<!--There are two sources in the reference list by this author published in 1993. Which one is this?--> 379</ref>
+Hotteterre was born in [[Paris]], [[France]], the son of Martin Hotteterre (d. 1712) and Marie Crespy.<ref>Giannini 1993a, 377–378.</ref> In about 1704, Jacques-Martin Hotteterre succeeded his cousin Jacques in the post of ''basse de hautbois et taille de violon'' at the royal court.<ref>Giannini 1993a, 379</ref>
-Hotteterre lived and studied in Rome early in his career, and his nickname ''le Romain'' (the Roman) came from this period.  He spent two years (1698–1700) employed by Prince Francesco [[Ruspoli#The first Prince of Cerveteri - Francesco Maria Ruspoli|Ruspoli]] in Rome,<ref>Sardelli 2007,{{Page needed|date=May 2008}}.</ref> before adopting the nickname of "Le Romain" at some point between 1705 and 1707.  By 1708, he became a musician to the [[Louis XIV, King of France|King of France]], in the king's '''Grande Écurie,'' and in 1717, he inherited René Pignon Descoteaux's post as ''Jouëur de Fluste de la musique de chambre''.
+Hotteterre lived and studied in Rome early in his career, and his nickname ''le Romain'' (the Roman) came from this period.<ref>Sardelli 2007, 3</ref> He spent two years (1698–1700) employed by Prince Francesco [[Ruspoli#The first Prince of Cerveteri – Francesco Maria Ruspoli|Ruspoli]] in Rome,<ref>Sardelli 2007, 4.</ref> before adopting the nickname of "Le Romain" at some point between 1705 and 1707.  By 1708, he became a musician to the [[Louis XIV|King of France]], in the king's ''Grande Écurie,'' and in 1717, he inherited René Pignon Descoteaux's post as ''Jouëur de Fluste de la musique de chambre''.
-Hotteterre owed his fame largely to his talent for playing the [[flute]], an instrument for which he wrote a number of pieces, significantly extending the repertory for the instrument. In addition, he played the [[bassoon]], [[oboe]], and [[Musette de cour|musette]].{{Citation needed|date=March 2011}} Hotteterre was also an internationally celebrated teacher to aristocratic patrons. He wrote one method for the transverse flute, recorder, and oboe, published in 1707, as well as a method for the musette, published in 1737.  His ''L'Art de préluder sur la flûte traversière'' was published in 1719. It was Europe's first flute manual and was used widely.<ref>"Hotteterre, Jacques(-Martin) [Le Romain] (29 Sept. 1674, Paris - 16 July 1763, there)." The Harvard Biographical Dictionary of Music. Cambridge: Harvard University Press, 2003. Credo Reference. Web. 17 September 2012.</ref> “The music of the modern flute begins with this author, the most celebrated flutist of the end of the seventeenth and the beginning of the eighteenth centuries. Hotteterre was Chamber Musician to the King of France, and was the first one to play a transverse flute in the orchestra of the [[Paris Opéra|Paris Grand Opera]]. This extremely rare work is the earliest known book of instructions, in any language, for the transverse flute.”—Dayton C. Miller (1866–1941)<ref>Jacques-Martin Hotteterre, ''Principes de la Flute Traversiere, ou Flute d'Allemagne. De la Flute A Bec, ou Flute Douce, et du Haut-Bois, Divisez part Traitez'' [Basics of the Flute, the Recorder, and the Oboe, in Three Parts] (Paris: Christopher Ballard, 1707). Copy in the Dayton C. Miller Collection, Music Division, Library of Congress (025.01.00).</ref>
+Hotteterre owed his fame largely to his talent for playing the [[flute]], an instrument for which he wrote a number of pieces, significantly extending the repertory for the instrument. In addition, he played the [[bassoon]], [[oboe]], and [[Musette de cour|musette]].<ref>{{Citation |last=Giannini |first=Tula |title=Hotteterre, Jacques(-Martin) (ii) |date=2001 |work=Oxford Music Online |url=https://login.proxy1.library.jhu.edu/login?qurl=https://doi.org%2f10.1093%2fomo%2f9781561592630.013.90000381002 |access-date=14 September 2024 |publisher=Oxford University Press |doi=10.1093/omo/9781561592630.013.90000381002 |isbn=978-1-56159-263-0}}</ref> Hotteterre was also an internationally celebrated teacher to aristocratic patrons. He wrote one method for the transverse flute, recorder, and oboe, published in 1707, as well as a method for the musette, published in 1737.  His ''L'Art de préluder sur la flûte traversière'' was published in 1719. It was Europe's first flute manual and was used widely.<ref name="harvard">{{cite book |title=The Harvard Biographical Dictionary of Music |location=Cambridge |publisher=[[Harvard University Press]] |date=1996 |page=395 |isbn=0674372999 |editor-first1=Don Michael |editor-last1=Randel}}</ref>
+{{blockquote|"The music of the modern flute begins with this author, the most celebrated flutist of the end of the seventeenth and the beginning of the eighteenth centuries. Hotteterre was Chamber Musician to the King of France, and was the first one to play a transverse flute in the orchestra of the [[Paris Opéra|Paris Grand Opera]]. This extremely rare work is the earliest known book of instructions, in any language, for the transverse flute." —Dayton C. Miller (1866–1941)<ref>Jacques-Martin Hotteterre, ''Principes de la Flute Traversiere, ou Flute d'Allemagne. De la Flute A Bec, ou Flute Douce, et du Haut-Bois, Divisez part Traitez'' [Basics of the Flute, the Recorder, and the Oboe, in Three Parts] (Paris: Christopher Ballard, 1707). Copy in the Dayton C. Miller Collection, Music Division, Library of Congress (025.01.00).</ref>}}
-Several transverse flutes marked HOTTETERRE with the device of an anchor, discovered within the last hundred years or more, have provided actual specimens of the alleged result of the Hotteterres' efforts.  Specialists in woodwind history are generally aware of three "Hotteterre" flutes—in Berlin, St. Petersburg and Graz—all of which closely resemble the one in Picart's engraving. However it has recently been shown that two of these are nineteenth-century replicas of a specimen now lost, and only the Graz example is in fact the work of Jacques Hotteterre or his father, Martin.<ref>Ardal Powell, "The Hotteterre Flute: Six Replicas in Search of a Myth", ''Journal of the American Musicological Society'' 49, no. 2 (1996): 225–63. Web. 21 Sep. 2012.{{Clarify|date=May 2015}}<!--What the heck is this for?--> <http://www.jstor.org/stable/pdfplus/831990.pdf>{{Subscription}}.</ref>
+Several transverse flutes marked HOTTETERRE with the device of an anchor, discovered within the last hundred years or more, have provided actual specimens of the alleged result of the Hotteterres' efforts.  Specialists in woodwind history are generally aware of three "Hotteterre" flutes—in Berlin, St. Petersburg and Graz—all of which closely resemble the one in Picart's engraving. However it has recently been shown that two of these are nineteenth-century replicas of a specimen now lost, and only the Graz example is in fact the work of Jacques Hotteterre or his father, Martin.<ref>Ardal Powell, "The Hotteterre Flute: Six Replicas in Search of a Myth", ''[[Journal of the American Musicological Society]]'' 49, no. 2 (1996): 225–263. 21 September 2012. {{JSTOR|831990}}</ref>
 In addition to performance and teaching, Hotteterre continued his family's tradition of wind instrument making. It may have been Hotteterre who made a number of changes in the design of the transverse flute, though there is little concrete evidence for this. Most notably, the flute, which had previously been made in one cylindrical piece, was cut in three pieces: the head (with the mouthpiece), the body (with most of the holes), and the foot (with one, keyed hole for the low E{{Music|flat}}).
-Numerous other members of the Hotteterre family were reputed to have been fine woodwind players; some also had a decisive impact on woodwind instrument construction. Jacques’s grandfather Jean (c. 1605 to 1690–1692) was noted for his playing and innovative building and may have been influential in certain developments in such instruments around this time. Jean and Jacques’s father, Martin (c. 1640–1712), was responsible for important advances in musette making.<ref>"Hotteterre, Jacques(-Martin) [Le Romain] (29 Sept. 1674, Paris - 16 July 1763, there)." The Harvard Biographical Dictionary of Music. Cambridge: Harvard University Press, 2003. Credo Reference. Web. 17 September 2012.</ref>
+Numerous other members of the Hotteterre family were reputed to have been fine woodwind players; some also had a decisive impact on woodwind instrument construction. Jacques's grandfather Jean (c. 1605 to 1690–1692) was noted for his playing and innovative building. He may have been influential in certain developments in woodwind instruments, and he is credited with creating the oboe.<ref>{{cite web|url=https://www.dupin-oboe.com/oboe-story.php|title=Oboe Story|author=Dupin, R.|access-date=16 October 2020|archive-date=25 October 2019|archive-url=https://web.archive.org/web/20191025223341/http://www.dupin-oboe.com/oboe-story.php|url-status=dead}}</ref> Jean and his son Martin (c. 1640–1712), father of Jacques-Martin, were responsible for important advances in musette making.<ref name="harvard" /> A number of recorders by the Hotteterre family also survive, none of which are believed to be by Jacques-Martin.<ref>{{cite book|author=Griscom, Richard|author2=Lasocki, David|title=The Recorder: A Research and Information Guide|year=2012|edition=3rd|publisher=[[Routledge]]|location=New York|pages=136–137, 152, 160}}</ref><ref>{{cite web|url=https://www.buyrecorders.com/hotteterre_family.htm|title=Unicorn Music: Hotteterre Family|access-date=16 October 2020|author=Fischer, Charles|archive-date=13 May 2021|archive-url=https://web.archive.org/web/20210513210804/http://buyrecorders.com/hotteterre_family.htm|url-status=dead}}</ref>
-He died in Paris in 1763.
+Jacques-Martin Hotteterre died in Paris in 1763.
-== Compositions ==
+==Compositions==
-* Op. 1 ''Principes de la flûte traversière, ou flûte d'Allemangne, de la flûte à bec ou flûte douce et du hautbois, divisez par traictez'' (1701)
+*Op. 1 ''Principes de la flûte traversière, ou flûte d'Allemangne, de la flûte à bec ou flûte douce et du hautbois, divisez par traictez'' (1707)
-* Op. 2 ''Premier livre de pièces pour la flûte traversière et autres instruments avec la basse'' (1708)
+*Op. 2 ''Premier livre de pièces pour la flûte traversière et autres instruments avec la basse'' (1708)
-* Op. 3 ''Sonates en trio pour les flûtes traversières et a bec, violon, hautbois'' (1712)
+*Op. 3 ''Sonates en trio pour les flûtes traversières et a bec, violon, hautbois'' (1712)
-* Op. 4 ''Première suitte de pièces suite de pièces à deux dessus, sans basse continue. Pour les flûtes-traversières, flûtes à bec, violes, " (1712)
+*Op. 4 ''Première suitte de pièces suite de pièces à deux dessus, sans basse continue. Pour les flûtes-traversières, flûtes à bec, violes,'' (1712)
-* Op. 5 ''Deuxième livre de pièces pour la flûte traversière et autres instruments avec la basse'' (1715)
+*Op. 5 ''Deuxième livre de pièces pour la flûte traversière et autres instruments avec la basse'' (1715)
-* Op. 6 ''Deuxième suite de pièces à deux dessus pour les flûtes-traversières, flûtes à bec, violes, etc... avec une basse adjoutée et sans altération des dessus, laquelle on y pourra joindre pour le concert" (1717)
+*Op. 6 ''Deuxième suite de pièces à deux dessus pour les flûtes-traversières, flûtes à bec, violes, etc... avec une basse adjoutée et sans altération des dessus, laquelle on y pourra joindre pour le concert'' (1717)
-* Op. 7 ''L'art de Préluder'' (1719)
+*Op. 7 ''L'art de Préluder'' (1719)
-* Op. 8 ''Troisième suite de pièces à deux dessus'' (1722)
+*Op. 8 ''Troisième suite de pièces à deux dessus'' (1722)
-* Op. 9 ''Concert de Rossignol'' (lost)
+*Op. 9 ''Concert de Rossignol'' (lost)
-* Op. 10 ''Méthode pour la [[Musette de cour|Musette]] contenant des principes, par un recueil d'airs et quelques préludes'' (1738)
+*Op. 10 ''Méthode pour la [[Musette de cour|Musette]] contenant des principes, par un recueil d'airs et quelques préludes'' (1738)
+*''Airs et brunettes à deux et trois dessus avec la basse – Tirez des meilleurs autheurs'' (1721)
+*Arrangements of pieces by Valentine and Torelli for two flutes
-* ''Airs et brunettes à deux et trois dessus avec la basse - Tirez des meilleurs autheurs'' (1721)
+*Arrangement of trios by Albinoni (lost)
-* Arrangements of pieces by Valentine and Torelli for two flutes
-* Arrangement of trios by Albinoni (lost)
 ==Media==
 {{listen|filename=Jacques Hotteterre - Suite in D.ogg|title=Suite in D|description=|format=[[Ogg]]}}
+{{clear}}
 ==References==
+{{Reflist}}
-<references/>
-*Giannini, Tula. 1993a. "Jacques Hotteterre le Romain and his Father Martin: A Re-examination Based on Recently Found Documents".  ''Early Music'' 21, no. 3 (August): 377–95.  [Includes genealogical chart, illustrations, transcriptions and translations of documents.]
+==Bibliography==
-*Giannini, Tula. 1993b. ''Great Flute Makers of France, the Lot and Godfroy Families (1650–1900)''. London: Tony Bingham. ISBN 0-946113-05-X
+*[[Tula Giannini|Giannini, Tula]]. 1993a. "Jacques Hotteterre le Romain and his Father Martin: A Re-examination Based on Recently Found Documents".  ''[[Early Music (journal)|Early Music]]'' XXI, no. 3 (August): 377–395. {{doi|10.1093/em/XXI.3.377}} [Includes genealogical chart, illustrations, transcriptions and translations of documents.]
-*Sardelli, Federico Maria. 2007. ''Vivaldi's Music for Flute and Recorder'', translated by Michael Talbot. Aldershot, England; Burlington, VT: Ashgate, in association with the Istituto Italiano Antonio Vivaldi/Fondazione "Giorgio Cini". ISBN 0-7546-3714-X
+*Giannini, Tula. 1993b. ''Great Flute Makers of France, the Lot and Godfroy Families (1650–1900)''. London: Tony Bingham. {{ISBN|0-946113-05-X}}
+*Sardelli, Federico Maria. 2007. ''Vivaldi's Music for Flute and Recorder'', translated by Michael Talbot. Aldershot, England; Burlington, VT: Ashgate, in association with the Istituto Italiano Antonio Vivaldi/Fondazione "Giorgio Cini". {{ISBN|0-7546-3714-X}}
 ==External links==
+{{commons category}}
 *{{IMSLP|Hotteterre, Jacques|Jacques Hotteterre}}
-{{Use dmy dates|date=September 2010}}
 {{Authority control}}
 {{DEFAULTSORT:Hotteterre, Jacques-Martin}}
-[[Category:1674 births]]
+[[Category:1673 births]]
 [[Category:1763 deaths]]
-[[Category:Baroque composers]]
+[[Category:Musicians from Paris]]
+[[Category:18th-century French classical composers]]
+[[Category:18th-century French male musicians]]
+[[Category:Flute makers]]
+[[Category:French Baroque composers]]
 [[Category:French classical bassoonists]]
-[[Category:French classical composers]]
 [[Category:French male classical composers]]
 [[Category:French classical flautists]]
-[[Category:18th-century classical composers]]
+[[Category:17th-century French male musicians]]

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