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{{Use dmy dates|date=September 2024}}
{{Zoroastrianism}}
{{Short description|Zoroastrian divinity of Victory}}
'''Verethragna''' (Avestan: 𐬬𐬆𐬭𐬆𐬚𐬭𐬀𐬖𐬥𐬀‎ ''{{lang|ae-Latn|vərəθraγna}}'') is an [[Avestan language]] neuter noun literally meaning "smiting of resistance"{{sfn|Gnoli|1989|p=510}}{{sfn|Boyce|1975|p=63}} Representing this concept is the divinity Verethragna, who is the [[Hypostasis (linguistics)|hypostasis]] of "victory", and "as a giver of victory Verethragna plainly enjoyed the greatest popularity of old"{{sfn|Boyce|1975|p=63}}
{{morefootnotes|date=September 2024}}
{{Infobox deity<!--Wikipedia:WikiProject Hindu mythology-->
| type = Zoroastrian
| image = Orlagno-Verethragna on the coinage of Kanishka I, 2nd century CE.jpg
| name = Verethragna
| caption = Orlagno (Verethragna) on the coinage of [[Kanishka I]], 2nd century CE.<ref>{{cite book |last1=Fleming |first1=Benjamin |last2=Mann |first2=Richard |title=Material Culture and Asian Religions: Text, Image, Object |date=26 March 2014 |publisher=Routledge |isbn=978-1-135-01372-1 |page=433 |url=https://books.google.com/books?id=2jYsAwAAQBAJ&pg=PT433 |language=en}}</ref><ref>{{cite book |last1=Stewart |first1=Sarah |last2=Williams |first2=Alan |last3=Hintze |first3=Almut |title=The Zoroastrian Flame: Exploring Religion, History and Tradition |date=16 February 2016 |publisher=Bloomsbury Publishing |isbn=978-0-85772-815-9 |page=184 |url=https://books.google.com/books?id=vbeKDwAAQBAJ&pg=PA184 |language=en}}</ref>
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{{Zoroastrianism sidebar}}
'''Verethragna''' or '''Bahram''' ({{langx|ae|{{script|Avst|𐬬𐬆𐬭𐬆𐬚𐬭𐬀𐬖𐬥𐬀‎}}|{{lang|ae-Latn|vər<sup>ə</sup>θraγna}}}}) is a [[Zoroastrian]] deity.<ref name=Kuehn2011>{{cite book |author=Kuehn, Sara |title=The Dragon in Medieval East Christian and Islamic Art |quote=With a foreword by Robert Hillenbrand |url=https://books.google.com/books?id=AZWgdBCgmLYC |date=12 July 2011 |publisher=BRILL |isbn=978-90-04-18663-7 |page=103}}</ref><ref name=Fragner1995>{{cite conference |author=Fragner, Bert G. |date=30 September – 4 October 1991 |title=[no title cited] |book-title=Proceedings of the Second European Conference of Iranian Studies: Held in Bamberg, 30th September to 4th October 1991, by the Societas Iranologica Europaea |publication-date=1995 |publisher=Istituto italiano per il Medio ed Estremo Oriente |url=https://books.google.com/books?id=-y46AQAAMAAJ}}</ref>


The neuter noun ''verethragna'' is related to Avestan ''verethra'', 'obstacle' and ''verethragnan'', 'victorious'.{{sfn|Gnoli|1989|p=510}} In Zoroastrian Middle Persian, Verethragna became 𐭥𐭫𐭧𐭫𐭠𐭭 Warahrām, from which Vahram, Vehram, Bahram, Behram and other variants derive.
The neuter noun ''verethragna'' is related to Avestan ''verethra'', 'obstacle' and ''verethragnan'', 'victorious'.{{sfnp|Gnoli|1989|p=510}} Representing this concept is the divinity Verethragna, who is the [[Hypostasis (linguistics)|hypostasis]] of "victory", and "as a giver of victory Verethragna plainly enjoyed the greatest popularity of old."{{sfnp|Boyce|1975|p=63}} In Zoroastrian Middle Persian, Verethragna became {{lang|pal-Prti|𐭥𐭫𐭧𐭫𐭠𐭭}} {{lang|pal-Latn|Warahrām}}, from which Vahram, Vehram, Bahram, Behram and other variants derive.


The Proto-Aryan adjective *vrtraghan, which corresponds to the Avestan noun Verethragna, also has an etymological cognate in Vedic Sanskrit - [[Vrtra]]. In Vedic literature, Vrtrahan is predominantly an epithet used for Indra{{sfn|Thieme|1960}} after he defeated Vrtra. Vrtrahan literally means "slayer of Vrtra."
The word is cognate with the [[Vedic Sanskrit]]. The Vedic god [[Indra]] may correspond to Verethragna<!-- (Benveniste & Renou, Charpentier, de Manesce) --> of the Zoroastrian Avesta as the Vedic vr̥tragʰná-, which is predominantly an epithet of Indra, corresponds to the noun verethragna-.


The name and, to some extent, the deity was borrowed into [[Armenian mythology|Armenian]] Վահագն [[Vahagn]] and Վռամ ''Vṙam''<!-- (Hübschmann, Widengren, Humbach) -->, and has cognates in [[Sogdian language|Buddhist Sogdian]] 𐫇𐫢𐫄𐫗 ''wšɣn w(i)šaɣn''<!-- (Henning, Boyce) -->, [[Parthian language|Manichaen Parthian]] 𐭅𐭓𐭉𐭇𐭓𐭌 ''wryḥrm Wahrām''<!--(Waldschmidt/Lenz)-->, [[Bactrian language|Kushan Bactrian]] ορλαγνο ''Orlagno''<!-- (Maricq, Rosenfield) -->. While the figure of ''Verethragna'' is highly complex, parallels have also been drawn between, [[Puranic]] [[Vishnu]]<!-- (Charpentier, [[Jacques Duchesne-Guillemin]]) -->, [[Manichaean]] ''Adamas''<!--(Waldschmidt/Lenz)-->, Chaldean/Babylonian [[Nergal]]<!-- (Zaehner, Cumont et al.) -->, [[Ancient Egyptian religion|Egyptian]] [[Horus]]<!-- Cochrane -->, [[Ancient Greek religion|Hellenic]] [[Ares]] and [[Heracles]]<!-- (Bickermann, Duchesne-Guillemin, Girshmann) -->.
The name and, to some extent, the deity was borrowed into [[Armenian mythology|Armenian]] {{lang|xcl|Վահագն}} {{lang|xcl-Latn|[[Vahagn]]}} and {{lang|xcl|Վռամ}} {{lang|xcl-Latn|Vṙam}}<!-- (Hübschmann, Widengren, Humbach) -->, and has cognates in [[Sogdian language|Buddhist Sogdian]] {{script|Mani|𐫇𐫢𐫄𐫗}} {{transliteration|sog|wšɣn w(i)šaɣn}}<!-- (Henning, Boyce) -->, [[Parthian language|Manichaen Parthian]] {{lang|xpr|𐭅𐭓𐭉𐭇𐭓𐭌}} {{transliteration|xpr|wryḥrm}} {{lang|xpr-Latn|Wahrām}}<!--(Waldschmidt/Lenz)-->, [[Bactrian language|Kushan Bactrian]] {{lang|xbc-Grek|ορλαγνο}} {{lang|xbc-Latn|Orlagno}}<!-- (Maricq, Rosenfield) -->.<ref>{{cite web |title=Orlagno |url=https://www.britishmuseum.org/collection/term/BIOG132106 |website=British Museum (britishmuseum.org) }}</ref> While the figure of ''Verethragna'' is highly complex, parallels have also been drawn between, [[Puranic]] [[Vishnu]]<!-- (Charpentier, [[Jacques Duchesne-Guillemin]]) -->, [[Manichaean]] ''Adamas''<!--(Waldschmidt/Lenz)-->, Chaldean / Babylonian [[Nergal]]<!-- (Zaehner, Cumont et al.) -->, [[Ancient Egyptian religion|Egyptian]] [[Horus]]<!-- Cochrane -->, [[Ancient Greek religion|Hellenic]] [[Ares]] and [[Heracles]]<!-- (Bickermann, Duchesne-Guillemin, Girshmann) -->.


==In scripture==
==In scripture==


===In the ''Bahram Yasht''===
===In the ''Bahram Yasht''===
''[[Yasht]] 14'', the hymn of praise to Verethragna, "though ill-preserved, contains what seem very archaic elements"{{sfn|Boyce|1975|p=63}} There, ''Verethragna'' is described as "the most highly armed" (''Yasht'' 14.1), the "best equipped with might" (14.13), with "effervescent glory" (14.3), has "conquering superiority" (14.64), and is in constant battle with men and daemons (14.4, 14.62).
''[[Yasht]]'' 14, the hymn of praise to Verethragna, "though ill-preserved, contains what seem very archaic elements".{{sfnp|Boyce|1975|p=63}} There, Verethragna is described as "the most highly armed" (''Yasht'' 14.1), the "best equipped with might" (14.13), with "effervescent glory" (14.3), has "conquering superiority" (14.64), and is in constant battle with men and daemons (14.4, 14.62).


''Verethragna'' is not exclusively associated with military might and victory. So, for instance, he is connected with sexual potency and "confers virility" (''Yasht'' 14.29), has the "ability to heal" (14.3) and "renders wonderful". The ''Yasht'' begins with an enumeration of the ten forms in which the divinity appears: As an impetuous wind (14.2-5); as an armed warrior (14.27) and as an adolescent of fifteen (14.17); and in the remaining seven forms as animals: a bull with horns of gold (14.7); a white horse with ears and a muzzle of gold (14.9); a camel in heat (14.11-13); a boar (14.15); a bird of prey (''veregna'', 14.19-21); a ram (14.23); and a wild goat (14.25). Many of these incarnations are also shared with other divinities, for instance, the youth, the bull and the horse are also attributed to [[Tishtrya]]. Likewise, the bird, the camel and the wind to ''[[Vayu-Vata]]'', another member of the Zoroastrian pantheon associated with martial victory.
''Verethragna'' is not exclusively associated with military might and victory. So, for instance, he is connected with sexual potency and "confers virility" (''Yasht'' 14.29), has the "ability to heal" (14.3) and "renders wonderful". The ''Yasht'' begins with an enumeration of the ten forms in which the divinity appears: As an impetuous wind (14.2-5); as an armed warrior (14.27) and as an adolescent of fifteen (14.17); and in the remaining seven forms as animals: a bull with horns of gold (14.7); a white horse with ears and a muzzle of gold (14.9); a camel in heat (14.11-13); a boar (14.15); a bird of prey (''veregna'', 14.19-21); a ram (14.23); and a wild goat (14.25). Many of these incarnations are also shared with other divinities, for instance, the youth, the bull and the horse are also attributed to [[Tishtrya]]. Likewise, the bird, the camel and the wind to ''[[Vayu-Vata]]'', another member of the Zoroastrian pantheon associated with martial victory.
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Together with ''[[Chista|Čistā]]'', ''Verethragna'' is a principal companion of [[Mithra]] (''Mihr Yasht'' 10.70). Several sections of the ''Bahram Yasht'' also appear in hymns dedicated to other divinities, but it is rarely possible to determine in which direction those sections were copied.
Together with ''[[Chista|Čistā]]'', ''Verethragna'' is a principal companion of [[Mithra]] (''Mihr Yasht'' 10.70). Several sections of the ''Bahram Yasht'' also appear in hymns dedicated to other divinities, but it is rarely possible to determine in which direction those sections were copied.


The identification of Verethragna as a boar in ''Yasht'' 14 led Ilya Gershevitch to identify Dāmōiš Upamana &ndash; a boar in the Avestan hymn to Mithra &ndash; to be an alter-ego of Verethragna ({{harvnb|Gershevitch|1959|p=166-169}}; pro {{harvnb|Gnoli|1989|p=511}}; contra {{harvnb|Boyce|1975|loc=p.&nbsp;83, n. 416}})
The identification of Verethragna as a boar in ''Yasht'' 14 led Ilya Gershevitch to identify Dāmōiš Upamana &ndash; a boar in the Avestan hymn to Mithra &ndash; to be an alter-ego of Verethragna.{{sfnp|Gershevitch|1959|pp=166–169}}{{sfnp|Gnoli|1989|p=511}}{{sfnp|Boyce|1975|loc=p. 83, note 416}}


==In culture and tradition==
==In culture and tradition==
[[File:Bistoon Kermanshah.jpg|thumb|[[Statue of Hercules in Behistun]], dedicated in the name of "Herakles Kallinikos" ({{math|Ἡρακλῆν Καλλίνικον}}, "Hercules glorious in victory") by a [[Seleucid Empire|Seleucid]] governor in 148 BCE.<ref>{{cite book |last1=Visscher |first1=Marijn S. |title=Beyond Alexandria: Literature and Empire in the Seleucid World |year=2020 |publisher=Oxford University Press |isbn=978-0-19-005908-8 |page=75, note 26 |url=https://books.google.com/books?id=4yntDwAAQBAJ&pg=PA75 |language=en}}</ref> Some have interpreted it as an [[Hellenistic]]-era depiction of Verethragna as [[Heracles]].{{sfnp|Gnoli|Jamzadeh|1988|pp=510–514}} [[Kermanshah]], [[Iran]].{{sfnp|Gnoli|Jamzadeh|1988|pp=510–514}}]]


===In the Zoroastrian hierarchy===
===In the Zoroastrian hierarchy===

In the Zoroastrian hierarchy of divinities, Bahram is a helper of ''Asha Vahishta'' (Avestan, middle Persian: ''Ardvahisht''), the [[Amesha Spenta]] responsible for the luminaries. In the [[Zoroastrian calendar]] instituted during the late [[Achaemenid dynasty|Achaemenid era]] (648–330 BCE), the twentieth day of the month is dedicated to Bahram (''Siroza'' 1.20).
In the Zoroastrian hierarchy of divinities, Bahram is a helper of ''Asha Vahishta'' (Avestan, middle Persian: ''Ardvahisht''), the [[Amesha Spenta]] responsible for the luminaries. In the [[Zoroastrian calendar]] instituted during the late [[Achaemenid dynasty|Achaemenid era]] (648–330 BCE), the twentieth day of the month is dedicated to Bahram (''Siroza'' 1.20).


In the later middle Persian texts ''Bahram'' is especially venerated as one of the [[Amesha Spenta]]s, effectively giving him the high rank for his success in driving back [[Angra Mainyu]]{{sfn|de Menasce|1948|p=5-18}}{{sfn|Gnoli|1989|p=513}}
In the later middle Persian texts ''Bahram'' is especially venerated as one of the [[Amesha Spenta]]s, effectively giving him the high rank for his success in driving back [[Angra Mainyu]]{{sfnp|de Menasce|1958|pp=5–18}}{{sfnp|Gnoli|1989|p=513}}


===As the name of a planet===
===As the name of a planet===
[[File:Ancient Parthian relief carving of the god Nergal from Hatra.jpg|thumb|Syncretic [[Parthian art|Parthian]] relief carving of Bahram (Nergal) from Hatra in [[Iraq]], dating to the 1st or 2nd century AD]]

In the astronomical and calendrical reforms of the [[Sassanid Empire|Sassanids]] (205-651 CE), the planet [[Mars]] was named Bahram. Zaehner attributes this to the syncretic influences of the [[Chaldea]]n astral-theological system, where Babylonian [[Nergal]] is both the god of war and the name of the red planet.{{sfn|Zaehner|1955|p=147–}} (see also: "Fatalistic" [[Zurvanism]]).
In the astronomical and calendrical reforms of the [[Sasanian Empire|Sasanian]] (224-651 CE), the planet [[Mars]] was named Bahram. Zaehner attributes this to the syncretic influences of the [[Chaldea]]n astral-theological system, where Babylonian [[Nergal]] is both the god of war and the name of the red planet.{{sfnp|Zaehner|1955|p=147 ff}} (see also: "Fatalistic" [[Zurvanism]]).


===In the name of a class of fire===
===In the name of a class of fire===
According to Boyce, the present-day expression ''[[atar|Atash]]-Behram'' as the name of the most sacred class of fires is a confusion of the adjectival "Victorious Fire" with "Fire of Bahram"{{sfnp|Boyce|1982|p=222 ff}} The former is the way it appears in Middle Persian inscriptions such as the [[Kartir]] inscription at ''Kabah-i Zardusht'', while the latter is what is now understood by the term ''Atash-Behram''. Gnoli attributes the change to natural misunderstanding "abetted in Islamic times by a progressive decay in Zoroastrian priestly teaching"{{sfnp|Gnoli|1989|p=512}}

According to Boyce, the present-day expression ''[[atar|Atash]]-Behram'' as the name of the most sacred class of fires is a confusion of the adjectival "Victorious Fire" with "Fire of Bahram"{{sfn|Boyce|1982|p=222–}} The former is the way it appears in Middle Persian inscriptions such as the [[Kartir]] inscription at ''Kabah-i Zardusht'', while the latter is what is now understood by the term ''Atash-Behram''. Gnoli attributes the change to natural misunderstanding "abetted in Islamic times by a progressive decay in Zoroastrian priestly teaching"{{sfn|Gnoli|1989|p=512}}


===In art and iconography===
===In art and iconography===
[[File:Kanishka I with god Orlagno.jpg|thumb|upright=1.5|[[Kushan Empire|Kushan]] ruler [[Kanishka I]] with god ''Orlagno'' (Verethragna).]]
The only evidence of a cult appears in the first century account of [[Strabo]], who reports, probably on authority of [[Nearchus]], that the [[Carmania (region)|Carmanians]] worshipped a divinity of victory (''Geographika'', 15.2.14). That this was Bahramb / Verethragna is unlikely if, as per Strabo, he was their "only god."{{Citation needed|date=April 2015}} However, the account does reveal that divinities of war were known to the people who were not of the Iranian plateau, evidence for which also comes from [[Herodotus]] (4.59-62).


Under the [[Seleucid Empire|Seleucids]] (330–150&nbsp;BCE) and [[Parthia|Arsacids]] (250&nbsp;BCE–226&nbsp;CE), that is, in the Empires influenced by Hellenic culture, ''Verethragna'' was both identified as [[Ares]] and associated with [[Heracles]], and given the Greek name ''Artagnes''.{{sfnp|Duchesne-Guillemin|1973}} This syncretism is well attested in statuary and iconography, most notably in that of the inscription of [[Antiochus I Theos of Commagene]], in which all three names occur together.
The only evidence of a cult appears in the first century account of [[Strabo]], who reports, probably on authority of [[Nearchus]], that the [[Karmanians]] worshipped a divinity of victory (''Geographika'', 15.2.14). That this was Bahram/Verethragna is unlikely if, as per Strabo, he was their "only god."{{Citation needed|date=April 2015}} However, the account does reveal that divinities of war were known to the people who were not of the Iranian plateau, evidence for which also comes from [[Herodotus]] (4.59.62).


That Bahram was considered the patron divinity of travelers is perhaps reflected by the life-size rock sculpture of the divinity on the main highway at Behistun. There Bahram reclines with a goblet in his hand, a club at his feet, and a lion-skin beneath him.
Under the [[Seleucid Empire|Seleucids]] (330–150 BCE) and [[Parthia|Arsacids]] (250 BCE–226 CE), that is, in the Empires influenced by Hellenic culture, ''Verethragna'' was both identified as [[Ares]] and associated with [[Heracles]], and given the Greek name ''Artagnes''{{sfn|Duchesne-Guillemin|1984}} This syncretism is well attested in statuary and iconography, most notably in that of the inscription of [[Antiochus I Theos of Commagene]], in which all three names occur together.


In the early Sasanian period Bahram is still represented as the Greek Heracles. In the relief of [[Ardeshir I]] at Naqs-e Rajab&nbsp;III,{{citation needed|date=July 2017}} Bahram appears as one of the two smaller figures between [[Ahura Mazda]] and the king. There, he has a lion's skin in his left hand and brandishes a club in his right. The other small figure – who appears to be paying homage to Bahram – is the future king [[Bahram I]].
That Bahram was considered the patron divinity of travelers is perhaps reflected by the life-size rock sculpture of the divinity on the main highway at Behistun. There Bahram reclines with a goblet in his hand, a club at his feet and a lion-skin beneath him.


Bahram also appears as wings, or as a bird of prey, in the crowns of the Sasanian kings. This iconography first appears in the crown of [[Bahram II]] which also bears the name of the divinity. A similar image is adopted by [[Peroz I|Peroz]] (whose name also means 'victorious') as well as by [[Khosrau II|Khosrau Parwez]] (again, Parwez meaning 'ever-victorious'). Similarly, boar and eagle heads on caps crown the heads of princes. Boar figures are widespread in Sasanian art, appearing in everything from textiles to stucco and in silver ornaments, coins, and seals. Other animal motifs have been found that recall the aspects of Bahram (see the ten forms of Bahram [[#In the Avesta|in the Avesta]], above). The bird motif on Sasanian-era fire altars are also believed to represent Bahram.
In the early Sassanid period Bahram is still represented as the Greek Heracles. In the relief of [[Ardeshir I]] at Naqs-e Rajab III,{{citation needed|date=July 2017}} Bahram appears as one of the two smaller figures between [[Ahura Mazda]] and the king. There, he has a lion's skin in his left hand and brandishes a club in his right. The other small figure - who appears to be paying homage to Bahram - is the future king [[Bahram I]].

Bahram also appears as wings, or as a bird of prey, in the crowns of the Sassanid kings. This iconography first appears in the crown of [[Bahram II]] which also bears the name of the divinity. A similar image is adopted by [[Peroz I|Peroz]] (whose name also means 'victorious') as well as by [[Khosrau II|Khosrau Parwez]] (again, Parwez meaning 'ever victorious'). Similarly, boar and eagle heads on caps crown the heads of princes. Boar figures are widespread in Sassanid art, appearing in everything from textiles to stucco and in silver ornaments, coins, and seals. Other animal motifs have been found that recall the aspects of Bahram (see the ten forms of Bahram [[#In the Avesta|in the Avesta]], above). The bird motif on Sassanid-era fire altars are also believed to represent Bahram.


===As the name of kings===
===As the name of kings===
Bahram was the name of six [[Sasanian Empire|Sasanian]] kings:
* [[Bahram I]], ''r.'' 271–274. Son and successor of [[Shapur I]]
* [[Bahram II]], ''r.'' 274–293. Son and successor of Bahram I
* [[Bahram III]], ''r.'' 293. Son and successor of Bahram II
* [[Bahram IV]], ''r.'' 388–399. Son and successor of [[Shapur III]]
* [[Bahram V]], ''r.'' 420–438. Son and successor of [[Yazdegerd I]]
* [[Bahram Chobin]], ''r.'' 590 - 591. Successor of [[Hormizd IV]]


=== In Twelver Shi'ism ===
Bahrām was the name of six [[Sassanid Empire|Sassanid]] kings:
In his famous book, Al-Najm Al-Thaqib, [[Mirza Husain Noori Tabarsi]] lists 182 names of the [[Mahdi|Shia Mahdi]]. There were a number of ancient Persian and Zoroastrian titles, and [[Mirza Husain Noori Tabarsi|Tabarsi]] listed ''Bahrām'' as one of the [[Mahdi|Mahdi's]] names,<ref>{{Cite web |title=من أسماء المهدي |url=https://www.fnoor.com/main/articles.aspx?article_no=15296}}</ref> possibly alluding to the role of the [[Mahdi]] being a victorious military commander.
* [[Bahram I|Bahrām I]], ''r.'' 273-276. Son and successor of Shapur I
* [[Bahram II|Bahrām II]], ''r.'' 276-293. Son and successor of Bahrām I
* [[Bahram III|Bahrām III]], ''r.'' 293. Son and successor of Bahrām II
* [[Bahram IV|Bahrām IV]], ''r.'' 388–399. Son and successor of Shapur III
* [[Bahram V|Bahrām V Gōr]], ''r.'' 421–438. Son and successor of Yazdegerd I
* [[Bahram Chobin|Bahrām VI Čōbīn]], ''r.'' 590 - 591. Successor of Hormizd IV
In addition, [[Ardashir II]] (''r.''' 379–383), half-brother of Shapur II, is distinguished (from the founder of the Empire) by the name 'Ardashir Vahram'.


==In Avestan scholarship==
==In Avestan scholarship==
[[File:Bamiyan boar, symbol of the Mazdean god if victory Verethragna (Rowland, The Art of Central Asia, p.89).jpg|thumb|A boar in a frescoe at [[Bamiyan Buddhas|Bamiyan]], symbol of the Mazdean god of victory Verethragna. 6th-7th century CE.<ref>{{cite book |last1=Rowland |first1=Benjamin|page=89 |title=The art of Central Asia |date=1975 |publisher=New York, Crown |url=https://archive.org/details/artofcentralasia00rowl/page/89/mode/2up}}</ref>]]
The interpretation of the divinity was once one of the more widely debated fields in Zoroastrian scholarship since the theories of origin reflected a radical revolution in ethical, moral and religious values.{{sfn|Boyce|1975|p=62-64}}
The interpretation of the divinity was once one of the more widely debated fields in Zoroastrian scholarship since the theories of origin reflected a radical revolution in ethical, moral and religious values.{{sfnp|Boyce|1975|pp=62-64}}


Primarily because the Avestan adjective ''verethragnan'' (victorious) had a corresponding Vedic term ''vrtrahan'' where it appeared "preponderantly [as] a qualification of Indra", Zoroastrians and Hindus accept that {{sfn|Benveniste|Renou|1934}}{{page needed|date=July 2017}} in Indo-Iranian times there existed the warrior god ''Indra'' and that Avestan ''Verethragna'' might be analogous to that divine figure.
Primarily because the Avestan adjective ''verethragnan'' ('victorious') had a corresponding Vedic term ''vrtrahan'' where it appeared "preponderantly [as] a qualification of Indra", Zoroastrians and Hindus accept that{{sfnp|Benveniste|Renou|1934}}{{page needed|date=July 2017}} in Indo-Iranian times there existed the warrior god ''Indra'' and that Avestan ''Verethragna'' might be analogous to that divine figure. The Sanskrit cognate of Verethragna is Vritraghna, which is an epithet for [[Indra]] in Vedic literature, and he too is the destroyer of "[[Vritra]]", an Asura whose name literally means obstacle.


But western scholars oppose this identification. In the Avesta, it is the hero warrior-priest ''[[Fereydun]]'' who battles the serpent ''[[Zahhak|Aži Dahāka]]'' (which, for the virtue of 'Azi' being cognate with Sanskrit 'Ahi', snake, is – by proponents of the theory - associated with Vedic [[Vritra]]<!--, although it remains unclear why those two and not any other Azi, or for that matter, Vedic ''ahi budhnya'', should be related -->). One Western scholar claims that, in the Vedas, the epithet 'hero' (''sura'') is itself almost exclusively reserved for ''Indra'', while in the Avesta it is applied to ''Thraetaona'' and other non-divine figures. The term "victorious" is not restricted to ''Verethragna'', but is also a property of a number of other figures, both divine and mortal, including ''Thraetaona''. Then, while in the Vedas it is ''Indra'' who discovers [[Soma (drink)|Soma]], in the Avesta it is humans who first press [[Haoma]] and ''Thraetaona'' is attributed with being the "inventor of medicine". In the Vedas, ''Indra'' strikes with ''vajra'', but in the Avesta ''vazra'' is [[Mithra]]'s weapon.
But western scholars oppose this identification: In the Avesta, it is the hero warrior-priest ''[[Fereydun]]'' who battles the serpent ''[[Zahhak|Aži Dahāka]]'' (which, for the virtue of 'Azi' being cognate with Sanskrit 'Ahi', snake, is – by proponents of the theory - associated with Vedic [[Vritra]]{{efn|It remains unclear why those two and not any other Azi, or for that matter, Vedic ''ahi budhnya'', should be related.}}). One Western scholar claims that, in the Vedas, the epithet 'hero' (''sura'') is itself almost exclusively reserved for ''Indra'', while in the Avesta it is applied to ''Thraetaona'' and other non-divine figures. The term "victorious" is not restricted to ''Verethragna'', but is also a property of a number of other figures, both divine and mortal, including ''Thraetaona''. Then, while in the Vedas it is ''Indra'' who discovers [[Soma (drink)|Soma]], in the Avesta, it is humans who first press [[Haoma]] and ''Thraetaona'' is attributed with being the "inventor of medicine". In the Vedas, ''Indra'' strikes with ''[[vajra]]'', but in the Avesta ''vazra'' is [[Mithra]]'s weapon.


Attempts to resolve these objections led to the development of another theory, in which, in addition to the pre-historical divinity of victory, there was also a dragon-slaying hero ''Indra''. Then, while the Iranians retained the figures independently of one another, the Indians conflated the two (leaving an echo in the character of ''Trita Aptya'').
Attempts to resolve these objections led to the development of another theory, in which, in addition to the pre-historical divinity of victory, there was also a dragon-slaying hero ''Indra''. Then, while the Iranians retained the figures independently of one another, the Indians conflated the two (leaving an echo in the character of ''Trita Aptya'').


This theory too had its problems, in particular the fact that ''Indra'' was already evidently a divine figure, and not a man, in the [[Mittani]] treaties, where he appears in the company of [[Mitra (Vedic)|Mitra]] and [[Varuna]]. That again raises more questions since the treaties echo the [[Rig Veda]]'s invocation of all three as protectors of contract, again, not a property associated with ''Verethragna''.
This theory too had its problems, in particular the fact that ''Indra'' was already evidently a divine figure, and not a man, in [[Indo-Aryan superstrate in Mitanni|the Mittani treaties]], where he appears in the company of [[Mitra (Vedic)|Mitra]] and [[Varuna]]. That again raises more questions since the treaties echo the [[Rig Veda]]'s invocation of all three as protectors of contract, again, not a property associated with ''Verethragna''.{{efn|name=Boyce-demon-Indra-note}}


However, as Benveniste and Renou demonstrated, many of the objections to the first theory could be negated if the evidence were reviewed in light of the fact that the principal feature of ''Verethragna'' was not to slay noxious creatures but to overcome obstacles (''verethra''), in particular to unblock the flow of [[Aban|''apas'']], the waters, the holiest of the elements.{{sfn|Benveniste|Renou|1934|p=182}}
However, as Benveniste and Renou demonstrated, many of the objections to the first theory could be negated if the evidence were reviewed in light of the fact that the principal feature of ''Verethragna'' was not to slay noxious creatures but to overcome obstacles (''verethra''), in particular to unblock the flow of [[Aban|''apas'']], the waters, the holiest of the elements.{{sfnp|Benveniste|Renou|1934|p=182}}


Paul Thieme agreed with this principal feature, but clarified that while the wealth of archaic elements in the ''Bahram Yasht'' clearly point to the pre-Zoroastrian era, the interpretation of proper names is "highly conjectural", and "in no case do we get a decisive argument against their Indo-Aryan or old Indic character"{{sfn|Thieme|1960|p=302}} <!-- Since "Vedic Indra must be distinguished from a presumable Proto-Aryan ''*Indra'' [of the Mittani treaties]" (302), "we may go so far as to say that the Avestan ''Vərəθraγna'' in his role as the fighting companion of ''Miθra'' is the equivalent of the Vedic Indra in his role as the helper of the ''Adityas''. This does not necessarily mean that ''Vərəθraγna'' has taken the place of Proto-Aryan ''*Indra''; it may just as well mean that Vedic Indra has replaced a Proto-Aryan ''Vərəθraγna''." (312) --> Adopting "the exact linguistic and exegetic analysis" of Benveniste and Renou, Thieme concludes "Proto-Aryan ''*Indra'' has assumed the functions of a Proto-Aryan god ''*Vrtraghna''." Noting that ''Vrtrahan'' is the name of Indra only in the later Sanskrit texts (but not in the Rig Veda), Thieme adds "there is no valid justification for supposing that the Proto-Aryan adjective ''*vrtraghan'' was specifically connected with ''*Indra'' or any other particular god."{{sfn|Thieme| 1960|p=312-313}}
Paul Thieme agreed with this principal feature, but clarified that while the wealth of archaic elements in the ''Bahram Yasht'' clearly point to the pre-Zoroastrian era, the interpretation of proper names is "highly conjectural", and "in no case do we get a decisive argument against their Indo-Aryan or old Indic character"{{sfnp|Thieme|1960|p=302}}{{efn|
Since "Vedic Indra must be distinguished from a presumable Proto-Aryan ''*Indra'' [of the Mittani treaties]"{{sfnp|Thieme|1960|p=302}} "we may go so far as to say that the Avestan ''Vərəθraγna'' in his role as the fighting companion of ''Miθra'' is the equivalent of the Vedic Indra in his role as the helper of the ''Adityas''. This does not necessarily mean that ''Vərəθraγna'' has taken the place of Proto-Aryan ''*Indra''; it may just as well mean that Vedic Indra has replaced a Proto-Aryan ''Vərəθraγna''." {{sfnp|Thieme|1960|p=312}}
}}
Adopting "the exact linguistic and exegetic analysis" of Benveniste and Renou, Thieme concludes "Proto-Aryan ''*Indra'' has assumed the functions of a Proto-Aryan god ''*Vrtraghna''." Noting that ''Vrtrahan'' is the name of Indra only in the later Sanskrit texts (but not in the Rig Veda), Thieme adds "there is no valid justification for supposing that the Proto-Aryan adjective ''*vrtraghan'' was specifically connected with ''*Indra'' or any other particular god."{{sfnp|Thieme|1960|p=312-313}}


==See also==
<!--Drawing attention to the fact that ''Indra'' is specifically named as a demon in both the Avesta (''Vendidad'' 10.9) and also in later middle Persian texts (e.g. ''Bundahishn'' 21.6), Boyce adds that it is preferable to see individual developments rather than elements inherited from a different past.--><!-- Indra=Demon is noted at 1975:62-64, but ref for "preferable etc" (Boyce, 1975:283) is wrong. -->
* [[Indra]]
* [[Vritra]]

==Footnotes==
{{notelist|refs=

{{efn|name=Boyce-demon-Indra-note|
[[Mary Boyce|Boyce]] draws attention to the fact that ''Indra'' is specifically named as a demon in both the Avesta (''Vendidad'' 10.9) and also in later middle Persian texts (e.g. ''Bundahishn'' 21.6){{sfnp|Boyce|1975|pp=62-64}} Boyce adds that it is preferable to see individual developments rather than elements inherited from a different past.{{sfnp|Boyce|1975|p=283}}<!-- Indra=demon is correct, but ref for "preferable etc" (p=283) is wrong. -->
}}

}}


== References ==
== References ==
{{Reflist|30em}}
{{Reflist|25em}}


== Bibliography ==
== Bibliography ==
{{refbegin|colwidth=25em|small=y}}
* {{cite book |last1=Benveniste |first1=Émile |last2=Renou |first2=Louis |name-list-style=amp |year=1934 |title=Vrtra et Vrθragna |place=Paris, FR |publisher=Imprimerie Nationale}} <!-- as cited in Boyce et al. -->
* {{cite book |last=Boyce |first=Mary |year=1975 |title=History of Zoroastrianism |volume=I, The early period |publisher=Brill |place=Leiden, NL |isbn=90-04-10474-7}}
* {{cite book |last=Boyce |first=Mary |author-link=Mary Boyce |year=1982 |title=History of Zoroastrianism |volume=II, Under the Achamenians |publisher=Brill |place=Leiden, NL |isbn=90-04-06506-7}}
* {{cite book |first=J. |last=Duchesne-Guillemin |author-link=Jacques Duchesne-Guillemin |year=1973 |title=La religion de l'Iran ancien |lang=fr |trans-title=Religion of ancient Iran |location=Bombay, IN |publisher=Tata Press}} <!--Originally published as ''La religion de l'Iran ancien'' (1962). -->
* {{cite book |editor-last=Gershevitch |editor-first=Ilya |editor-link=Ilya Gershevitch |year=1959 |title=The Avestan Hymn to Mithra |publisher=[[Cambridge University Press]] |location=Cambridge |oclc=459329059 }}
* {{cite encyclopedia |last=Gnoli |first=Gherardo |year=1989 |title=Bahram in old and middle Iranian texts |encyclopedia=[[Encyclopaedia Iranica]] |volume=3 |place=New York, NY |publisher=Routledge & Kegan Paul|pages=510–513}}
* {{cite encyclopedia | last1 = Gnoli |first1 = Gherardo |last2 = Jamzadeh |first2 = P. | year = 1988 | title = Bahrām (Vərəθraγna) | encyclopedia = [[Encyclopaedia Iranica]] |at=Vol.&nbsp;III, Fasc. 5, pages&nbsp;510–514 | url = http://www.iranicaonline.org/articles/bahram-1 }}
* {{cite book |last=de Menasce |first=Jean-Pierre |year=1958 |title=Une encyclopédie mazdéenne: le Dēnkart. Quatre conférences données à l'Université de Paris sous les auspices de la fondation Ratanbai Katrak |publisher=Presses Universitaires de France |location=Paris }}
* {{cite journal |last=Thieme |first=Paul |date=Oct–Dec 1960 |title=The 'Aryan' gods of the Mitanni treaties |journal=[[Journal of the American Oriental Society]] |volume=80 |issue=4 |pages=301–317 |doi=10.2307/595878 |jstor=595878}}
* {{cite book |last=Zaehner |first=Richard Charles |year=1955 |title=Zurvan, a Zoroastrian dilemma |publisher=Clarendon |location=Oxford, UK |isbn=0-8196-0280-9}}
{{refend}}

==Further reading==
{{refbegin}}
{{refbegin}}
* {{cite book |last=Dumezil |first=G. |author-link=Georges Dumezil |year=1970 |title=The destiny of the warrior |location=Chicago, IL |publisher=University of Chicago Press |isbn=0-226-16970-7 |url-access=registration |url=https://archive.org/details/destinyofwarrior00dume}}
* {{citation|title=Vrtra et Vrθragna|last1=Benveniste |first1=Émile |last2=Renou |first2=Louis |lastauthoramp=yes |year=1934|location=Paris|publisher=Imprimerie Nationale}} <!-- as cited in Boyce et al. -->
* {{citation|last=Boyce|first=Mary|title=History of Zoroastrianism, Vol. I, The early period|year=1975|publisher=Brill|location=Leiden|isbn=90-04-10474-7}}
* {{cite book |last=Lommel |first=Herman |year=1939 |title=Der arische Kriegsgott |place=Frankfurt am Main, DE |publisher=Klostermann}}
* {{citation|last=Boyce|first=Mary|authorlink=Mary Boyce|title=History of Zoroastrianism, Vol. II, Under the Achamenians| year=1982|publisher=Brill|location=Leiden|isbn=90-04-06506-7}}
* {{cite book |last=Puhvel |first=Jaan |year=1989 |title=Comparative Mythology |place=Baltimore, MD |publisher=Johns Hopkins University Press |isbn=0-8018-3938-6}}
* {{cite book |last=West |first=E.W. |author-link=Edward William West |year=1880 |chapter=Marvels of Zoroastrianism: The Bahman Yasht |editor-last=Müller |editor-first=F.M. |editor-link=Max Müller |title=[[Sacred Books of the East]] |volume=5 |publisher=Oxford U. Press |place=Oxford, UK}}
* {{citation|title=Religion of ancient Iran|author=[[Jacques Duchesne-Guillemin]]|year=1973|location=Bombay|publisher=Tata Press}} <!--Originally published as ''La religion de l'Iran ancien'' (1962). -->
* {{citation|title=The destiny of the warrior|last=Dumezil|first=Georges|year=1970|location=Chicago|publisher=University of Chicago Press|isbn=0-226-16970-7|url-access=registration|url=https://archive.org/details/destinyofwarrior00dume}}
* {{citation|chapter=Bahram in old and middle Iranian texts|last=Gnoli|first=Gherardo|title=Encyclopaedia Iranica|volume=3|year=1989|location=New York|publisher=Routledge & Kegan Paul|pages=510–513}}
<!-- * {{cite book|last=Puhvel|first=Jaan|title=Comparative Mythology|year=1989|location=Baltimore|isbn=0-8018-3938-6|publisher=Johns Hopkins University Press}} -->
* {{citation|last=Lommel|first=Herman|title=Der arische Kriegsgott|year=1939|location=Frankfurt/Main|publisher=Klostermann}}
* {{citation|title=The 'Aryan' Gods of the Mitanni Treaties|last=Thieme|first=Paul|journal=Journal of the American Oriental Society|volume=80|issue=4|year=<!--Oct-Dec-->1960|pages=301–317|doi=10.2307/595878}}
* {{citation|last=West|first=Edward William|title=Marvels of Zoroastrianism: The Bahman Yasht|year=1880}} In {{cite book|last=[[Max Müller|Müller]]|first=[[Max Müller|Friedrich Max]] (ed.)|title=[[Sacred Books of the East|SBE]], Vol. 5|publisher=OUP|location=Oxford}}
* {{citation|last=Zaehner|first=Richard Charles|title=Zurvan, a Zoroastrian dilemma|year=1955|publisher=Clarendon|location=Oxford|isbn=0-8196-0280-9}}
{{refend}}
{{refend}}



Latest revision as of 05:44, 11 November 2024

Verethragna
Orlagno (Verethragna) on the coinage of Kanishka I, 2nd century CE.[1][2]

Verethragna or Bahram ([𐬬𐬆𐬭𐬆𐬚𐬭𐬀𐬖𐬥𐬀‎] Error: {{Langx}}: transliteration text not Latin script (help)) is a Zoroastrian deity.[3][4]

The neuter noun verethragna is related to Avestan verethra, 'obstacle' and verethragnan, 'victorious'.[5] Representing this concept is the divinity Verethragna, who is the hypostasis of "victory", and "as a giver of victory Verethragna plainly enjoyed the greatest popularity of old."[6] In Zoroastrian Middle Persian, Verethragna became 𐭥𐭫𐭧𐭫𐭠𐭭 Warahrām, from which Vahram, Vehram, Bahram, Behram and other variants derive.

The Proto-Aryan adjective *vrtraghan, which corresponds to the Avestan noun Verethragna, also has an etymological cognate in Vedic Sanskrit - Vrtra. In Vedic literature, Vrtrahan is predominantly an epithet used for Indra[7] after he defeated Vrtra. Vrtrahan literally means "slayer of Vrtra."

The name and, to some extent, the deity was borrowed into Armenian Վահագն Vahagn and Վռամ Vṙam, and has cognates in Buddhist Sogdian 𐫇𐫢𐫄𐫗wšɣn w(i)šaɣn, Manichaen Parthian 𐭅𐭓𐭉𐭇𐭓𐭌 wryḥrm Wahrām, Kushan Bactrian ορλαγνο Orlagno.[8] While the figure of Verethragna is highly complex, parallels have also been drawn between, Puranic Vishnu, Manichaean Adamas, Chaldean / Babylonian Nergal, Egyptian Horus, Hellenic Ares and Heracles.

In scripture

[edit]

In the Bahram Yasht

[edit]

Yasht 14, the hymn of praise to Verethragna, "though ill-preserved, contains what seem very archaic elements".[6] There, Verethragna is described as "the most highly armed" (Yasht 14.1), the "best equipped with might" (14.13), with "effervescent glory" (14.3), has "conquering superiority" (14.64), and is in constant battle with men and daemons (14.4, 14.62).

Verethragna is not exclusively associated with military might and victory. So, for instance, he is connected with sexual potency and "confers virility" (Yasht 14.29), has the "ability to heal" (14.3) and "renders wonderful". The Yasht begins with an enumeration of the ten forms in which the divinity appears: As an impetuous wind (14.2-5); as an armed warrior (14.27) and as an adolescent of fifteen (14.17); and in the remaining seven forms as animals: a bull with horns of gold (14.7); a white horse with ears and a muzzle of gold (14.9); a camel in heat (14.11-13); a boar (14.15); a bird of prey (veregna, 14.19-21); a ram (14.23); and a wild goat (14.25). Many of these incarnations are also shared with other divinities, for instance, the youth, the bull and the horse are also attributed to Tishtrya. Likewise, the bird, the camel and the wind to Vayu-Vata, another member of the Zoroastrian pantheon associated with martial victory.

In other texts

[edit]

Together with Čistā, Verethragna is a principal companion of Mithra (Mihr Yasht 10.70). Several sections of the Bahram Yasht also appear in hymns dedicated to other divinities, but it is rarely possible to determine in which direction those sections were copied.

The identification of Verethragna as a boar in Yasht 14 led Ilya Gershevitch to identify Dāmōiš Upamana – a boar in the Avestan hymn to Mithra – to be an alter-ego of Verethragna.[9][10][11]

In culture and tradition

[edit]
Statue of Hercules in Behistun, dedicated in the name of "Herakles Kallinikos" (Ἡρακλῆν Καλλίνικον, "Hercules glorious in victory") by a Seleucid governor in 148 BCE.[12] Some have interpreted it as an Hellenistic-era depiction of Verethragna as Heracles.[13] Kermanshah, Iran.[13]

In the Zoroastrian hierarchy

[edit]

In the Zoroastrian hierarchy of divinities, Bahram is a helper of Asha Vahishta (Avestan, middle Persian: Ardvahisht), the Amesha Spenta responsible for the luminaries. In the Zoroastrian calendar instituted during the late Achaemenid era (648–330 BCE), the twentieth day of the month is dedicated to Bahram (Siroza 1.20).

In the later middle Persian texts Bahram is especially venerated as one of the Amesha Spentas, effectively giving him the high rank for his success in driving back Angra Mainyu[14][15]

As the name of a planet

[edit]
Syncretic Parthian relief carving of Bahram (Nergal) from Hatra in Iraq, dating to the 1st or 2nd century AD

In the astronomical and calendrical reforms of the Sasanian (224-651 CE), the planet Mars was named Bahram. Zaehner attributes this to the syncretic influences of the Chaldean astral-theological system, where Babylonian Nergal is both the god of war and the name of the red planet.[16] (see also: "Fatalistic" Zurvanism).

In the name of a class of fire

[edit]

According to Boyce, the present-day expression Atash-Behram as the name of the most sacred class of fires is a confusion of the adjectival "Victorious Fire" with "Fire of Bahram"[17] The former is the way it appears in Middle Persian inscriptions such as the Kartir inscription at Kabah-i Zardusht, while the latter is what is now understood by the term Atash-Behram. Gnoli attributes the change to natural misunderstanding "abetted in Islamic times by a progressive decay in Zoroastrian priestly teaching"[18]

In art and iconography

[edit]
Kushan ruler Kanishka I with god Orlagno (Verethragna).

The only evidence of a cult appears in the first century account of Strabo, who reports, probably on authority of Nearchus, that the Carmanians worshipped a divinity of victory (Geographika, 15.2.14). That this was Bahramb / Verethragna is unlikely if, as per Strabo, he was their "only god."[citation needed] However, the account does reveal that divinities of war were known to the people who were not of the Iranian plateau, evidence for which also comes from Herodotus (4.59-62).

Under the Seleucids (330–150 BCE) and Arsacids (250 BCE–226 CE), that is, in the Empires influenced by Hellenic culture, Verethragna was both identified as Ares and associated with Heracles, and given the Greek name Artagnes.[19] This syncretism is well attested in statuary and iconography, most notably in that of the inscription of Antiochus I Theos of Commagene, in which all three names occur together.

That Bahram was considered the patron divinity of travelers is perhaps reflected by the life-size rock sculpture of the divinity on the main highway at Behistun. There Bahram reclines with a goblet in his hand, a club at his feet, and a lion-skin beneath him.

In the early Sasanian period Bahram is still represented as the Greek Heracles. In the relief of Ardeshir I at Naqs-e Rajab III,[citation needed] Bahram appears as one of the two smaller figures between Ahura Mazda and the king. There, he has a lion's skin in his left hand and brandishes a club in his right. The other small figure – who appears to be paying homage to Bahram – is the future king Bahram I.

Bahram also appears as wings, or as a bird of prey, in the crowns of the Sasanian kings. This iconography first appears in the crown of Bahram II which also bears the name of the divinity. A similar image is adopted by Peroz (whose name also means 'victorious') as well as by Khosrau Parwez (again, Parwez meaning 'ever-victorious'). Similarly, boar and eagle heads on caps crown the heads of princes. Boar figures are widespread in Sasanian art, appearing in everything from textiles to stucco and in silver ornaments, coins, and seals. Other animal motifs have been found that recall the aspects of Bahram (see the ten forms of Bahram in the Avesta, above). The bird motif on Sasanian-era fire altars are also believed to represent Bahram.

As the name of kings

[edit]

Bahram was the name of six Sasanian kings:

In Twelver Shi'ism

[edit]

In his famous book, Al-Najm Al-Thaqib, Mirza Husain Noori Tabarsi lists 182 names of the Shia Mahdi. There were a number of ancient Persian and Zoroastrian titles, and Tabarsi listed Bahrām as one of the Mahdi's names,[20] possibly alluding to the role of the Mahdi being a victorious military commander.

In Avestan scholarship

[edit]
A boar in a frescoe at Bamiyan, symbol of the Mazdean god of victory Verethragna. 6th-7th century CE.[21]

The interpretation of the divinity was once one of the more widely debated fields in Zoroastrian scholarship since the theories of origin reflected a radical revolution in ethical, moral and religious values.[22]

Primarily because the Avestan adjective verethragnan ('victorious') had a corresponding Vedic term vrtrahan where it appeared "preponderantly [as] a qualification of Indra", Zoroastrians and Hindus accept that[23][page needed] in Indo-Iranian times there existed the warrior god Indra and that Avestan Verethragna might be analogous to that divine figure. The Sanskrit cognate of Verethragna is Vritraghna, which is an epithet for Indra in Vedic literature, and he too is the destroyer of "Vritra", an Asura whose name literally means obstacle.

But western scholars oppose this identification: In the Avesta, it is the hero warrior-priest Fereydun who battles the serpent Aži Dahāka (which, for the virtue of 'Azi' being cognate with Sanskrit 'Ahi', snake, is – by proponents of the theory - associated with Vedic Vritra[a]). One Western scholar claims that, in the Vedas, the epithet 'hero' (sura) is itself almost exclusively reserved for Indra, while in the Avesta it is applied to Thraetaona and other non-divine figures. The term "victorious" is not restricted to Verethragna, but is also a property of a number of other figures, both divine and mortal, including Thraetaona. Then, while in the Vedas it is Indra who discovers Soma, in the Avesta, it is humans who first press Haoma and Thraetaona is attributed with being the "inventor of medicine". In the Vedas, Indra strikes with vajra, but in the Avesta vazra is Mithra's weapon.

Attempts to resolve these objections led to the development of another theory, in which, in addition to the pre-historical divinity of victory, there was also a dragon-slaying hero Indra. Then, while the Iranians retained the figures independently of one another, the Indians conflated the two (leaving an echo in the character of Trita Aptya).

This theory too had its problems, in particular the fact that Indra was already evidently a divine figure, and not a man, in the Mittani treaties, where he appears in the company of Mitra and Varuna. That again raises more questions since the treaties echo the Rig Veda's invocation of all three as protectors of contract, again, not a property associated with Verethragna.[b]

However, as Benveniste and Renou demonstrated, many of the objections to the first theory could be negated if the evidence were reviewed in light of the fact that the principal feature of Verethragna was not to slay noxious creatures but to overcome obstacles (verethra), in particular to unblock the flow of apas, the waters, the holiest of the elements.[24]

Paul Thieme agreed with this principal feature, but clarified that while the wealth of archaic elements in the Bahram Yasht clearly point to the pre-Zoroastrian era, the interpretation of proper names is "highly conjectural", and "in no case do we get a decisive argument against their Indo-Aryan or old Indic character"[25][c] Adopting "the exact linguistic and exegetic analysis" of Benveniste and Renou, Thieme concludes "Proto-Aryan *Indra has assumed the functions of a Proto-Aryan god *Vrtraghna." Noting that Vrtrahan is the name of Indra only in the later Sanskrit texts (but not in the Rig Veda), Thieme adds "there is no valid justification for supposing that the Proto-Aryan adjective *vrtraghan was specifically connected with *Indra or any other particular god."[27]

See also

[edit]

Footnotes

[edit]
  1. ^ It remains unclear why those two and not any other Azi, or for that matter, Vedic ahi budhnya, should be related.
  2. ^ Boyce draws attention to the fact that Indra is specifically named as a demon in both the Avesta (Vendidad 10.9) and also in later middle Persian texts (e.g. Bundahishn 21.6)[22] Boyce adds that it is preferable to see individual developments rather than elements inherited from a different past.[28]
  3. ^ Since "Vedic Indra must be distinguished from a presumable Proto-Aryan *Indra [of the Mittani treaties]"[25] "we may go so far as to say that the Avestan Vərəθraγna in his role as the fighting companion of Miθra is the equivalent of the Vedic Indra in his role as the helper of the Adityas. This does not necessarily mean that Vərəθraγna has taken the place of Proto-Aryan *Indra; it may just as well mean that Vedic Indra has replaced a Proto-Aryan Vərəθraγna." [26]

References

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  1. ^ Fleming, Benjamin; Mann, Richard (26 March 2014). Material Culture and Asian Religions: Text, Image, Object. Routledge. p. 433. ISBN 978-1-135-01372-1.
  2. ^ Stewart, Sarah; Williams, Alan; Hintze, Almut (16 February 2016). The Zoroastrian Flame: Exploring Religion, History and Tradition. Bloomsbury Publishing. p. 184. ISBN 978-0-85772-815-9.
  3. ^ Kuehn, Sara (12 July 2011). The Dragon in Medieval East Christian and Islamic Art. BRILL. p. 103. ISBN 978-90-04-18663-7. With a foreword by Robert Hillenbrand
  4. ^ Fragner, Bert G. (30 September – 4 October 1991). "[no title cited]". Proceedings of the Second European Conference of Iranian Studies: Held in Bamberg, 30th September to 4th October 1991, by the Societas Iranologica Europaea. Istituto italiano per il Medio ed Estremo Oriente (published 1995).
  5. ^ Gnoli (1989), p. 510.
  6. ^ a b Boyce (1975), p. 63.
  7. ^ Thieme 1960.
  8. ^ "Orlagno". British Museum (britishmuseum.org).
  9. ^ Gershevitch (1959), pp. 166–169.
  10. ^ Gnoli (1989), p. 511.
  11. ^ Boyce (1975), p. 83, note 416.
  12. ^ Visscher, Marijn S. (2020). Beyond Alexandria: Literature and Empire in the Seleucid World. Oxford University Press. p. 75, note 26. ISBN 978-0-19-005908-8.
  13. ^ a b Gnoli & Jamzadeh (1988), pp. 510–514.
  14. ^ de Menasce (1958), pp. 5–18.
  15. ^ Gnoli (1989), p. 513.
  16. ^ Zaehner (1955), p. 147 ff.
  17. ^ Boyce (1982), p. 222 ff.
  18. ^ Gnoli (1989), p. 512.
  19. ^ Duchesne-Guillemin (1973).
  20. ^ "من أسماء المهدي".
  21. ^ Rowland, Benjamin (1975). The art of Central Asia. New York, Crown. p. 89.
  22. ^ a b Boyce (1975), pp. 62–64.
  23. ^ Benveniste & Renou (1934).
  24. ^ Benveniste & Renou (1934), p. 182.
  25. ^ a b Thieme (1960), p. 302.
  26. ^ Thieme (1960), p. 312.
  27. ^ Thieme (1960), p. 312-313.
  28. ^ Boyce (1975), p. 283.

Bibliography

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Further reading

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