Suspicious Minds (album): Difference between revisions
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| alt = |
| alt = |
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| released = April 18, 1999 |
| released = April 18, 1999 |
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| recorded = January |
| recorded = January – February 1969 |
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| venue = |
| venue = |
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| studio = |
| studio = |
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| prev_title = [[Sunrise (Elvis Presley album)|Sunrise]] |
| prev_title = [[Sunrise (Elvis Presley album)|Sunrise]] |
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| prev_year = 1999 |
| prev_year = 1999 |
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| next_title = |
| next_title = Tomorrow Is A Long Time |
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| next_year = 1999 |
| next_year = 1999 |
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}} |
}} |
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{{Album ratings |
{{Album ratings |
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|rev1 = [[Allmusic]] |
|rev1 = [[Allmusic]] |
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|rev1score = {{Rating|5|5}}<ref name="allmusic review">{{cite web |first=Stephen Thomas |last=Erlewine |title=Review: ''Elvis Presley – Suspicious Minds'' |url={{Allmusic|class=album|id=r401686|pure_url=yes}} |publisher=[[Allmusic]] | |
|rev1score = {{Rating|5|5}}<ref name="allmusic review">{{cite web |first=Stephen Thomas |last=Erlewine |title=Review: ''Elvis Presley – Suspicious Minds'' |url={{Allmusic|class=album|id=r401686|pure_url=yes}} |publisher=[[Allmusic]] |access-date=30 June 2009}}</ref> |
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|rev2 = [[Q (magazine)|''Q'']] |
|rev2 = [[Q (magazine)|''Q'']] |
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|rev2score = {{Rating|4|5}}<ref name="Q Review">{{cite journal |first=Peter |last=Kane |title=Review: ''Elvis Presley, Suspicious Minds – The Memphis 1969 Anthology'' |journal=[[Q (magazine)|Q]] |publisher=EMAP Metro Ltd |issue=July 1999 |page=144}}</ref> |
|rev2score = {{Rating|4|5}}<ref name="Q Review">{{cite journal |first=Peter |last=Kane |title=Review: ''Elvis Presley, Suspicious Minds – The Memphis 1969 Anthology'' |journal=[[Q (magazine)|Q]] |publisher=EMAP Metro Ltd |issue=July 1999 |page=144}}</ref> |
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== Contents == |
== Contents == |
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For the bulk of the 1960s, Elvis had been trapped in a cycle of making three movies a year, and recording their attendant [[soundtrack]]s in either [[Nashville, Tennessee|Nashville]] or [[Hollywood]]. After the success of his [[Elvis (1968 TV program)|Christmas special]] on [[NBC]] in December 1968, Presley made a decision not to continue with business as usual, but instead to return to recording in his hometown of [[Memphis, Tennessee|Memphis]], [[Tennessee]], to take advantage of the thriving [[soul music]] scene active at the city's studios such as [[Stax Records|Stax]] and [[Hi Records]].<ref>Jorgensen, Ernst. ''Elvis Presley, A Life In Music.'' New York: St. Martin's Press, 1998; {{ISBN|0-312-18572-3}}, p. 263</ref> Presley chose American Studios, run by songwriter Chips Moman, for several reasons. First, their music staff was populated by [[session musician]]s steeped in Elvis' upbringing in [[blues]], [[country music|country]], [[gospel music|gospel]], and [[rock and roll]]; second, they knew how to give the music a "commercial" gloss, Moman having already produced or written hits for [[Aretha Franklin]] and [[The Box Tops]]; third, after hitting the top ten on the [[Billboard Hot 100|singles chart]] only once since 1963 with a [[Crying in the Chapel|song]] that had been recorded in 1960, Presley needed hits.<ref>Jorgensen, Ernst. ''Elvis Presley, A Life In Music.'' New York: St. Martin's Press, 1998; {{ISBN|0-312-18572-3}}, p. 267</ref> |
For the bulk of the 1960s, Elvis had been trapped in a cycle of making three movies a year, and recording their attendant [[soundtrack]]s in either [[Nashville, Tennessee|Nashville]] or [[Hollywood, Los Angeles|Hollywood]]. After the success of his [[Elvis (1968 TV program)|Christmas special]] on [[NBC]] in December 1968, Presley made a decision not to continue with business as usual, but instead to return to recording in his hometown of [[Memphis, Tennessee|Memphis]], [[Tennessee]], to take advantage of the thriving [[soul music]] scene active at the city's studios such as [[Stax Records|Stax]] and [[Hi Records]].<ref>Jorgensen, Ernst. ''Elvis Presley, A Life In Music.'' New York: St. Martin's Press, 1998; {{ISBN|0-312-18572-3}}, p. 263</ref> Presley chose American Studios, run by songwriter Chips Moman, for several reasons. First, their music staff was populated by [[session musician]]s steeped in Elvis' upbringing in [[blues]], [[country music|country]], [[gospel music|gospel]], and [[rock and roll]]; second, they knew how to give the music a "commercial" gloss, Moman having already produced or written hits for [[Aretha Franklin]] and [[The Box Tops]]; third, after hitting the top ten on the [[Billboard Hot 100|singles chart]] only once since 1963 with a [[Crying in the Chapel|song]] that had been recorded in 1960, Presley needed hits.<ref>Jorgensen, Ernst. ''Elvis Presley, A Life In Music.'' New York: St. Martin's Press, 1998; {{ISBN|0-312-18572-3}}, p. 267</ref> |
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The choice would prove fortuitous, as singles gleaned from these sessions would yield three top ten hits, including the last chart-topper of Presley's career, his latter-day signature song "[[Suspicious Minds]]." The album work would be equally respected, ''From Elvis in Memphis'' being considered by myriad sources as one of Presley's greatest. In 2003, the album was ranked number 190 on ''[[Rolling Stone]]'' magazine's list of [[The 500 Greatest Albums of All Time|the 500 greatest albums of all time]]. |
The choice would prove fortuitous, as singles gleaned from these sessions would yield three top ten hits, including the last chart-topper of Presley's career, his latter-day signature song "[[Suspicious Minds]]." The album work would be equally respected, ''From Elvis in Memphis'' being considered by myriad sources as one of Presley's greatest. In 2003, the album was ranked number 190 on ''[[Rolling Stone]]'' magazine's list of [[The 500 Greatest Albums of All Time|the 500 greatest albums of all time]]. |
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=== Disc one === |
=== Disc one === |
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{| class="wikitable" style="font-size:95%;" |
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! Track || Recorded || Original LP Issue || Catalogue || Release Date || Chart Peak || Song Title || Writer(s) || Time |
! Track || Recorded || Original LP Issue || Catalogue || Release Date || Chart Peak || Song Title || Writer(s) || Time |
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| 1. || 1/13/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[Wearin' That Loved-On Look]] || [[A.L. Owens]] and [[Dallas Frazier]] || 2:44 |
| 1. || 1/13/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[Wearin' That Loved-On Look]] || [[A. L. Owens]] and [[Dallas Frazier]] || 2:44 |
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| 2. || 2/19/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[Only the Strong Survive (Jerry Butler song)|Only the Strong Survive]] || [[Jerry Butler (singer)|Jerry Butler]], [[Kenny Gamble]], [[Leon Huff]] || 2:40 |
| 2. || 2/19/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[Only the Strong Survive (Jerry Butler song)|Only the Strong Survive]] || [[Jerry Butler (singer)|Jerry Butler]], [[Kenny Gamble]], [[Leon Huff]] || 2:40 |
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| 3. || 1/22/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[I'll Hold You In My Heart]] || [[Eddy Arnold]], |
| 3. || 1/22/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[I'll Hold You In My Heart]] || [[Eddy Arnold]], Tommy Dilbeck, Hal Horton || 4:32 |
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| 4. || 1/13/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[Long Black Limousine]] || [[Bobby George]] and |
| 4. || 1/13/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[Long Black Limousine]] || [[Bobby George]] and Vern Stovall || 3:37 |
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| 5. || 2/20/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[It Keeps Right On |
| 5. || 2/20/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[It Keeps Right On a-Hurtin' (song)|It Keeps Right On a-Hurtin']] || [[Johnny Tillotson]] || 2:36 |
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| 6. || 1/14/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[I'm Moving On (Hank Snow song)|I'm Moving On]] || [[Hank Snow]] || 2:52 |
| 6. || 1/14/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[I'm Moving On (Hank Snow song)|I'm Moving On]] || [[Hank Snow]] || 2:52 |
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| 7. || 2/18/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || Power of My Love || [[Bernie Baum]], Bill Giant, [[Florence Kaye]] || 2:34 |
| 7. || 2/18/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || Power of My Love || [[Bernie Baum]], [[Bill Giant]], [[Florence Kaye]] || 2:34 |
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| 8. || 1/14/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[Gentle on My Mind (song)|Gentle On My Mind]] || [[John Hartford]] || 3:20 |
| 8. || 1/14/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[Gentle on My Mind (song)|Gentle On My Mind]] || [[John Hartford]] || 3:20 |
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| 9. || 2/18/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[After Loving You]] || |
| 9. || 2/18/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[After Loving You]] || Johnny Lantz and [[Eddie Miller (songwriter)|Eddie Miller]] || 3:05 |
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| 10. || 2/17/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[True Love Travels on a Gravel Road]] || [[Dallas Frazier]] and [[A.L. Owens]] || 2:37 |
| 10. || 2/17/69 || ''[[From Elvis in Memphis]]'' || LSP 4155 || 6/17/69 || #13 || [[True Love Travels on a Gravel Road]] || [[Dallas Frazier]] and [[A. L. Owens]] || 2:37 |
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| 11. || 2/20/69 || ''[[From Elvis in Memphis]]'' || 47-9741b || 4/14/69 || || [[Any Day Now (1962 song)|Any Day Now]] || [[Burt Bacharach]] and [[Bob Hilliard]] || 2:58 |
| 11. || 2/20/69 || ''[[From Elvis in Memphis]]'' || 47-9741b || 4/14/69 || || [[Any Day Now (1962 song)|Any Day Now]] || [[Burt Bacharach]] and [[Bob Hilliard]] || 2:58 |
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| 12. || 1/20/69 || ''[[From Elvis in Memphis]]'' || 47-9741 || 4/14/69 || #3 || [[In the Ghetto]] || [[Mac Davis]] || 2:45 |
| 12. || 1/20/69 || ''[[From Elvis in Memphis]]'' || 47-9741 || 4/14/69 || #3 || [[In the Ghetto]] || [[Mac Davis]] || 2:45 |
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| 13. || 1/15/69 || || 47-9835b || 4/20/70 || || [[Mama Liked the Roses]] || [[ |
| 13. || 1/15/69 || || 47-9835b || 4/20/70 || || [[Mama Liked the Roses]] || [[Johnny Christopher]] || 2:47 |
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| 14. || 1/22/69 || || 47–9764 || 8/26/69 || #1 || [[Suspicious Minds]] || [[Mark James (songwriter)|Mark James]] || 3:28 |
| 14. || 1/22/69 || || 47–9764 || 8/26/69 || #1 || [[Suspicious Minds]] || [[Mark James (songwriter)|Mark James]] || 3:28 |
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| 15. || 1/14/69 || || 47-9764b || 8/26/69 || || [[You'll Think of Me]] || [[Mort Shuman]] || 3:58 |
| 15. || 1/14/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || 47-9764b || 8/26/69 || || [[You'll Think of Me (Elvis Presley song)|You'll Think of Me]] || [[Mort Shuman]] || 3:58 |
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| 16. || 1/15/69 || || 47–9768 || 11/11/69 || #6 || [[Don't Cry Daddy]] || [[Mac Davis]] || 2:46 |
| 16. || 1/15/69 || || 47–9768 || 11/11/69 || #6 || [[Don't Cry Daddy]] || [[Mac Davis]] || 2:46 |
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| 17. || 2/21/69 || || 47-9747b || 6/17/69 || || [[The Fair Is Moving On]] || [[Guy Fletcher (songwriter)|Guy Fletcher]] and Doug Flett || 3:07 |
| 17. || 2/21/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || 47-9747b || 6/17/69 || || [[The Fair Is Moving On]] || [[Guy Fletcher (songwriter)|Guy Fletcher]] and [[Doug Flett]] || 3:07 |
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| 18. || 2/19/69 || || 47–9791 || 1/29/70 || #16 || [[Kentucky Rain]] || [[Eddie Rabbitt]] and Dick Heard || 3:14 |
| 18. || 2/19/69 || || 47–9791 || 1/29/70 || #16 || [[Kentucky Rain]] || [[Eddie Rabbitt]] and Dick Heard || 3:14 |
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| 19. || 2/17/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || Stranger In My Own Home Town || [[Percy Mayfield]] || 4:23 |
| 19. || 2/17/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || Stranger In My Own Home Town || [[Percy Mayfield]] || 4:23 |
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| 20. || 1/22/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || Without Love || Danny Small || 2:51 |
| 20. || 1/22/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || [[Without Love (Clyde McPhatter song)|Without Love (There Is Nothing)]] || Danny Small || 2:51 |
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|} |
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=== Disc two === |
=== Disc two === |
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{| class="wikitable" style="font-size:95%;" |
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{| border="2" cellpadding="4" cellspacing="0" style="margin:1em 1em 1em 0; background:#fcfdff; border:1px #aaa solid; border-collapse:collapse; font-size:95%;" |
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! Track || Recorded || Original LP Issue || Catalogue || Release Date || Chart Peak || Song Title || Writer(s) || Time |
! Track || Recorded || Original LP Issue || Catalogue || Release Date || Chart Peak || Song Title || Writer(s) || Time |
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|- |
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| 1. || 2/17/69 || ''[[From Nashville to Memphis: The Essential 60's Masters|From Nashville to Memphis]]'' || 66160-2 || 9/28/93 || || [[This Time ( |
| 1. || 2/17/69 || ''[[From Nashville to Memphis: The Essential 60's Masters|From Nashville to Memphis]]'' || 66160-2 || 9/28/93 || || [[This Time (Thomas Wayne song)|This Time]] / [[I Can't Stop Loving You]] || [[Chips Moman]] / [[Don Gibson]] || 3:50 |
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| 2. || 2/18/69 || unreleased alternate take || || || || [[After Loving You]] || |
| 2. || 2/18/69 || unreleased alternate take || || || || [[After Loving You]] || Johnny Lantz and [[Eddie Miller (songwriter)|Eddie Miller]] || 3:38 |
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| 3. || 1/22/69 || unreleased alternate take || || || || Without Love || Danny Small || 2:59 |
| 3. || 1/22/69 || unreleased alternate take || || || || [[Without Love (Clyde McPhatter song)|Without Love (There Is Nothing)]] || Danny Small || 2:59 |
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| 4. || 1/14/69 || unreleased alternate mix and vocal || || || || [[I'm Moving On (Hank Snow song)|I'm Moving On]] || [[Hank Snow]] || 2:58 |
| 4. || 1/14/69 || unreleased alternate mix and vocal || || || || [[I'm Moving On (Hank Snow song)|I'm Moving On]] || [[Hank Snow]] || 2:58 |
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| 5. || 1/21/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || [[From A Jack To A King]] || [[Ned Miller]] || 2:23 |
| 5. || 1/21/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || [[From A Jack To A King]] || [[Ned Miller]] || 2:23 |
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| 6. || 2/20/69 || unreleased alternate take || || || || [[It Keeps Right On |
| 6. || 2/20/69 || unreleased alternate take || || || || [[It Keeps Right On a-Hurtin' (song)|It Keeps Right On a-Hurtin']] || [[Johnny Tillotson]] || 2:53 |
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| 7. || 2/17/69 || unreleased alternate take || || || || [[True Love Travels on a Gravel Road]] || [[Dallas Frazier]] and [[A.L. Owens]] || 2:28 |
| 7. || 2/17/69 || unreleased alternate take || || || || [[True Love Travels on a Gravel Road]] || [[Dallas Frazier]] and [[A. L. Owens]] || 2:28 |
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| 8. || 2/18/69 || unreleased alternate take || || || || Power of My Love || [[Bernie Baum]], [[Bill Giant]], [[Florence Kaye]] || 3:15 |
| 8. || 2/18/69 || unreleased alternate take || || || || Power of My Love || [[Bernie Baum]], [[Bill Giant]], [[Florence Kaye]] || 3:15 |
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|- |
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| 9. || 1/14/69 || unreleased alternate take || || || || [[You'll Think of Me]] || [[Mort Shuman]] || 4:33 |
| 9. || 1/14/69 || unreleased alternate take || || || || [[You'll Think of Me (Elvis Presley song)|You'll Think of Me]] || [[Mort Shuman]] || 4:33 |
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| 10. || 2/20/69 || ''[[Let's Be Friends]]'' || CAS 2408 || 4/70 || #105 || [[If I'm A Fool (For Loving You)]] || [[Stan Kesler]] || 2:43 |
| 10. || 2/20/69 || ''[[Let's Be Friends]]'' || CAS 2408 || 4/70 || #105 || [[If I'm A Fool (For Loving You)]] || [[Stan Kesler]] || 2:43 |
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| 11. || 2/18/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || Do You Know Who I Am || [[Bobby Russell]] || 2:47 |
| 11. || 2/18/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || Do You Know Who I Am? || [[Bobby Russell]] || 2:47 |
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| 12. || 1/14/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || [[A Little Bit of Green]] || |
| 12. || 1/14/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || [[A Little Bit of Green]] || Calvin Arnold, David Martin, [[Geoff Morrow]] || 3:21 |
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| 13. || 2/17/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || [[And the Grass Won't Pay No Mind]] || [[Neil Diamond]] || 3:08 |
| 13. || 2/17/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || [[And the Grass Won't Pay No Mind]] || [[Neil Diamond]] || 3:08 |
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| 14. || 1/13/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || |
| 14. || 1/13/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || This Is the Story || Calvin Arnold, David Martin, [[Geoff Morrow]] || 2:28 |
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| 15. || 1/22/69 || ''[[Let's Be Friends]]'' || CAS 2408 || 4/70 || #105 || [[I'll Be There (Bobby Darin song)|I'll Be There]] || [[Bobby Darin]] || 2:21 |
| 15. || 1/22/69 || ''[[Let's Be Friends]]'' || CAS 2408 || 4/70 || #105 || [[I'll Be There (Bobby Darin song)|I'll Be There]] || [[Bobby Darin]] || 2:21 |
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| 16. || 1/21/69 || ''[[Elvis Now]]'' || LSP 4671 || 2/20/72 || #43 || [[Hey Jude]] || [[John Lennon]] and [[Paul McCartney]] || 4:29 |
| 16. || 1/21/69 || ''[[Elvis Now]]'' || LSP 4671 || 2/20/72 || #43 || [[Hey Jude]] || [[John Lennon]] and [[Paul McCartney]] || 4:29 |
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| 17. || 1/20/69 || ''[[Almost In Love]]'' || 47-9768b || 11/11/69 || || [[Rubberneckin']] || |
| 17. || 1/20/69 || ''[[Almost In Love]]'' || 47-9768b || 11/11/69 || || [[Rubberneckin']] || Dory Jones and Bunny Warren || 2:09 |
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| 18. || 1/21/69 || previously unreleased || || || || Poor Man's Gold || [[ |
| 18. || 1/21/69 || previously unreleased || || || || Poor Man's Gold || [[Mac Davis]] || 0:13 |
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| 19. || 1/15/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || |
| 19. || 1/15/69 || ''[[From Memphis to Vegas/From Vegas to Memphis|Memphis to Vegas]]'' || LSP 6020 || 11/69 || #12 || Inherit the Wind || [[Eddie Rabbitt]] || 2:56 |
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|- |
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| 20. || 1/16/69 || ''[[Almost In Love]]'' || 47-9791b || 1/29/70 || || [[My Little Friend]] || |
| 20. || 1/16/69 || ''[[Almost In Love]]'' || 47-9791b || 1/29/70 || || [[My Little Friend]] || Shirl Milete || 2:43 |
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| 21. || 2/22/69 || ''[[You'll Never Walk Alone (Elvis Presley album)|You'll Never Walk Alone]]'' || CALX 2472 || 3/22/71 || #69 || |
| 21. || 2/22/69 || ''[[You'll Never Walk Alone (Elvis Presley album)|You'll Never Walk Alone]]'' || CALX 2472 || 3/22/71 || #69 || Who Am I? || [[Charles Rusty Goodman]] || 2:07 |
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| 22. || 2/19/69 || unreleased alternate take || || || || [[Kentucky Rain]] || [[Eddie Rabbitt]] and |
| 22. || 2/19/69 || unreleased alternate take || || || || [[Kentucky Rain]] || [[Eddie Rabbitt]] and Dick Heard || 3:12 |
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|- |
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| 23. || 1/22/69 || unreleased alternate take || || || || [[Suspicious Minds]] || [[Mark James (songwriter)|Mark James]] || 3:53 |
| 23. || 1/22/69 || unreleased alternate take || || || || [[Suspicious Minds]] || [[Mark James (songwriter)|Mark James]] || 3:53 |
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* [[Elvis Presley]] – vocals, guitar, piano |
* [[Elvis Presley]] – vocals, guitar, piano |
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* [[Reggie Young]] – guitar, electric sitar |
* [[Reggie Young]] – guitar, electric sitar |
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* |
* Bobby Wood – [[piano]] |
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* [[Bobby Emmons]] – [[organ (music)|organ]] |
* [[Bobby Emmons]] – [[organ (music)|organ]] |
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* [[Tommy Cogbill]] – [[bass guitar|bass]] |
* [[Tommy Cogbill]] – [[bass guitar|bass]] |
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* |
* Mike Leech – bass |
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* [[Gene Chrisman]] – [[drum kit|drums]] |
* [[Gene Chrisman]] – [[drum kit|drums]] |
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* |
* Ed Kollis – [[harmonica]] |
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* |
* R.F. Taylor – [[trumpet]] |
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* [[The Memphis Horns|Wayne Jackson]] – trumpet |
* [[The Memphis Horns|Wayne Jackson]] – trumpet |
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* |
* Dick Steff – trumpet |
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* [[The Memphis Horns|Ed Logan]] – [[trombone]] |
* [[The Memphis Horns|Ed Logan]] – [[trombone]] |
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* [[The Memphis Horns|Jack Hale]] – trombone |
* [[The Memphis Horns|Jack Hale]] – trombone |
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* |
* Gerald Richardson – trombone |
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* |
* Jackie Thomas – [[saxophone]], trombone |
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* [[The Memphis Horns|Andrew Love]] – [[saxophone]] |
* [[The Memphis Horns|Andrew Love]] – [[saxophone]] |
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* |
* Glen Spreen – saxophone, string and horn arrangements |
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* |
* J.P. Luper – saxophone |
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* |
* Tony Cason – [[french horn]] |
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* |
* Joe D'Gerolamo – French horn |
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* |
* Joe Babcock – [[backing vocalist|backing vocals]] |
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* |
* Dolores Edgin – backing vocals |
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* |
* Mary Greene – backing vocals |
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* [[Charlie Hodge (guitarist)|Charlie Hodge]] – backing vocals |
* [[Charlie Hodge (guitarist)|Charlie Hodge]] – backing vocals |
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* |
* Ginger Holladay – backing vocals |
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* |
* Mary Holladay – backing vocals |
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* [[Millie Kirkham]] – backing vocals |
* [[Millie Kirkham]] – backing vocals |
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* |
* June Page – backing vocals |
||
* |
* Susan Pilkington – backing vocals |
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* [[Sandy Posey]] – backing vocals |
* [[Sandy Posey]] – backing vocals |
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* [[Donna Godchaux|Donna Thatcher]] – backing vocals |
* [[Donna Godchaux|Donna Thatcher]] – backing vocals |
||
* |
* Hurschel Wiginton – backing vocals |
||
{{div col end}} |
{{div col end}} |
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== References == |
== References == |
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{{Reflist}} |
{{Reflist}} |
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{{Elvis Presley}} |
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[[Category:Compilation albums published posthumously]] |
[[Category:Compilation albums published posthumously]] |
Latest revision as of 18:56, 14 November 2024
Suspicious Minds | ||||
---|---|---|---|---|
Compilation album by | ||||
Released | April 18, 1999 | |||
Recorded | January – February 1969 | |||
Genre | Rock | |||
Length | 2:13:00 | |||
Label | RCA | |||
Producer | Ernst Mikael Jorgensen, Roger Semon | |||
Elvis Presley chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Q | [2] |
Suspicious Minds: The Memphis 1969 Anthology is a two-disc compilation of Elvis Presley's studio recordings at American Sound Studio during the winter of 1969, released in 1999, RCA 67677-2. This set features all of the master recordings made by Presley that would eventually feature on multiple singles as well as the albums From Elvis in Memphis and the studio disk of From Memphis to Vegas/From Vegas to Memphis. Original recordings produced by Chips Moman and Felton Jarvis.
Contents
[edit]For the bulk of the 1960s, Elvis had been trapped in a cycle of making three movies a year, and recording their attendant soundtracks in either Nashville or Hollywood. After the success of his Christmas special on NBC in December 1968, Presley made a decision not to continue with business as usual, but instead to return to recording in his hometown of Memphis, Tennessee, to take advantage of the thriving soul music scene active at the city's studios such as Stax and Hi Records.[3] Presley chose American Studios, run by songwriter Chips Moman, for several reasons. First, their music staff was populated by session musicians steeped in Elvis' upbringing in blues, country, gospel, and rock and roll; second, they knew how to give the music a "commercial" gloss, Moman having already produced or written hits for Aretha Franklin and The Box Tops; third, after hitting the top ten on the singles chart only once since 1963 with a song that had been recorded in 1960, Presley needed hits.[4]
The choice would prove fortuitous, as singles gleaned from these sessions would yield three top ten hits, including the last chart-topper of Presley's career, his latter-day signature song "Suspicious Minds." The album work would be equally respected, From Elvis in Memphis being considered by myriad sources as one of Presley's greatest. In 2003, the album was ranked number 190 on Rolling Stone magazine's list of the 500 greatest albums of all time.
The first twelve tracks of disc one present From Elvis in Memphis in order, including the lead single of "In the Ghetto" backed with "Any Day Now," released two months before the album hit the stores. It continues with the hit singles and "Stranger in My Own Hometown," a song Presley would return to in the future, a Rehearsal version issued on disc five of the 1970s box set. The second disc compiles the balance of From Memphis to Vegas, along with the remaining masters that ended up buttressing various albums in the 1970s. Ten alternate takes are included, along with a previously unissued snippet of a song attempted at the sessions but never completed. The success of this material would infuse Presley's career with a new vigor, which would fuel re-acquaintance with his talents both in the studio and in live performance during the early years of the new decade.
Track listing
[edit]Chart positions for LPs Billboard 200 chart; positions for singles from Billboard Hot 100 chart.
Disc one
[edit]Track | Recorded | Original LP Issue | Catalogue | Release Date | Chart Peak | Song Title | Writer(s) | Time |
---|---|---|---|---|---|---|---|---|
1. | 1/13/69 | From Elvis in Memphis | LSP 4155 | 6/17/69 | #13 | Wearin' That Loved-On Look | A. L. Owens and Dallas Frazier | 2:44 |
2. | 2/19/69 | From Elvis in Memphis | LSP 4155 | 6/17/69 | #13 | Only the Strong Survive | Jerry Butler, Kenny Gamble, Leon Huff | 2:40 |
3. | 1/22/69 | From Elvis in Memphis | LSP 4155 | 6/17/69 | #13 | I'll Hold You In My Heart | Eddy Arnold, Tommy Dilbeck, Hal Horton | 4:32 |
4. | 1/13/69 | From Elvis in Memphis | LSP 4155 | 6/17/69 | #13 | Long Black Limousine | Bobby George and Vern Stovall | 3:37 |
5. | 2/20/69 | From Elvis in Memphis | LSP 4155 | 6/17/69 | #13 | It Keeps Right On a-Hurtin' | Johnny Tillotson | 2:36 |
6. | 1/14/69 | From Elvis in Memphis | LSP 4155 | 6/17/69 | #13 | I'm Moving On | Hank Snow | 2:52 |
7. | 2/18/69 | From Elvis in Memphis | LSP 4155 | 6/17/69 | #13 | Power of My Love | Bernie Baum, Bill Giant, Florence Kaye | 2:34 |
8. | 1/14/69 | From Elvis in Memphis | LSP 4155 | 6/17/69 | #13 | Gentle On My Mind | John Hartford | 3:20 |
9. | 2/18/69 | From Elvis in Memphis | LSP 4155 | 6/17/69 | #13 | After Loving You | Johnny Lantz and Eddie Miller | 3:05 |
10. | 2/17/69 | From Elvis in Memphis | LSP 4155 | 6/17/69 | #13 | True Love Travels on a Gravel Road | Dallas Frazier and A. L. Owens | 2:37 |
11. | 2/20/69 | From Elvis in Memphis | 47-9741b | 4/14/69 | Any Day Now | Burt Bacharach and Bob Hilliard | 2:58 | |
12. | 1/20/69 | From Elvis in Memphis | 47-9741 | 4/14/69 | #3 | In the Ghetto | Mac Davis | 2:45 |
13. | 1/15/69 | 47-9835b | 4/20/70 | Mama Liked the Roses | Johnny Christopher | 2:47 | ||
14. | 1/22/69 | 47–9764 | 8/26/69 | #1 | Suspicious Minds | Mark James | 3:28 | |
15. | 1/14/69 | Memphis to Vegas | 47-9764b | 8/26/69 | You'll Think of Me | Mort Shuman | 3:58 | |
16. | 1/15/69 | 47–9768 | 11/11/69 | #6 | Don't Cry Daddy | Mac Davis | 2:46 | |
17. | 2/21/69 | Memphis to Vegas | 47-9747b | 6/17/69 | The Fair Is Moving On | Guy Fletcher and Doug Flett | 3:07 | |
18. | 2/19/69 | 47–9791 | 1/29/70 | #16 | Kentucky Rain | Eddie Rabbitt and Dick Heard | 3:14 | |
19. | 2/17/69 | Memphis to Vegas | LSP 6020 | 11/69 | #12 | Stranger In My Own Home Town | Percy Mayfield | 4:23 |
20. | 1/22/69 | Memphis to Vegas | LSP 6020 | 11/69 | #12 | Without Love (There Is Nothing) | Danny Small | 2:51 |
Disc two
[edit]Track | Recorded | Original LP Issue | Catalogue | Release Date | Chart Peak | Song Title | Writer(s) | Time |
---|---|---|---|---|---|---|---|---|
1. | 2/17/69 | From Nashville to Memphis | 66160-2 | 9/28/93 | This Time / I Can't Stop Loving You | Chips Moman / Don Gibson | 3:50 | |
2. | 2/18/69 | unreleased alternate take | After Loving You | Johnny Lantz and Eddie Miller | 3:38 | |||
3. | 1/22/69 | unreleased alternate take | Without Love (There Is Nothing) | Danny Small | 2:59 | |||
4. | 1/14/69 | unreleased alternate mix and vocal | I'm Moving On | Hank Snow | 2:58 | |||
5. | 1/21/69 | Memphis to Vegas | LSP 6020 | 11/69 | #12 | From A Jack To A King | Ned Miller | 2:23 |
6. | 2/20/69 | unreleased alternate take | It Keeps Right On a-Hurtin' | Johnny Tillotson | 2:53 | |||
7. | 2/17/69 | unreleased alternate take | True Love Travels on a Gravel Road | Dallas Frazier and A. L. Owens | 2:28 | |||
8. | 2/18/69 | unreleased alternate take | Power of My Love | Bernie Baum, Bill Giant, Florence Kaye | 3:15 | |||
9. | 1/14/69 | unreleased alternate take | You'll Think of Me | Mort Shuman | 4:33 | |||
10. | 2/20/69 | Let's Be Friends | CAS 2408 | 4/70 | #105 | If I'm A Fool (For Loving You) | Stan Kesler | 2:43 |
11. | 2/18/69 | Memphis to Vegas | LSP 6020 | 11/69 | #12 | Do You Know Who I Am? | Bobby Russell | 2:47 |
12. | 1/14/69 | Memphis to Vegas | LSP 6020 | 11/69 | #12 | A Little Bit of Green | Calvin Arnold, David Martin, Geoff Morrow | 3:21 |
13. | 2/17/69 | Memphis to Vegas | LSP 6020 | 11/69 | #12 | And the Grass Won't Pay No Mind | Neil Diamond | 3:08 |
14. | 1/13/69 | Memphis to Vegas | LSP 6020 | 11/69 | #12 | This Is the Story | Calvin Arnold, David Martin, Geoff Morrow | 2:28 |
15. | 1/22/69 | Let's Be Friends | CAS 2408 | 4/70 | #105 | I'll Be There | Bobby Darin | 2:21 |
16. | 1/21/69 | Elvis Now | LSP 4671 | 2/20/72 | #43 | Hey Jude | John Lennon and Paul McCartney | 4:29 |
17. | 1/20/69 | Almost In Love | 47-9768b | 11/11/69 | Rubberneckin' | Dory Jones and Bunny Warren | 2:09 | |
18. | 1/21/69 | previously unreleased | Poor Man's Gold | Mac Davis | 0:13 | |||
19. | 1/15/69 | Memphis to Vegas | LSP 6020 | 11/69 | #12 | Inherit the Wind | Eddie Rabbitt | 2:56 |
20. | 1/16/69 | Almost In Love | 47-9791b | 1/29/70 | My Little Friend | Shirl Milete | 2:43 | |
21. | 2/22/69 | You'll Never Walk Alone | CALX 2472 | 3/22/71 | #69 | Who Am I? | Charles Rusty Goodman | 2:07 |
22. | 2/19/69 | unreleased alternate take | Kentucky Rain | Eddie Rabbitt and Dick Heard | 3:12 | |||
23. | 1/22/69 | unreleased alternate take | Suspicious Minds | Mark James | 3:53 | |||
24. | 1/20/69 | unreleased alternate take | In the Ghetto | Mac Davis | 2:40 |
Personnel
[edit]- Elvis Presley – vocals, guitar, piano
- Reggie Young – guitar, electric sitar
- Bobby Wood – piano
- Bobby Emmons – organ
- Tommy Cogbill – bass
- Mike Leech – bass
- Gene Chrisman – drums
- Ed Kollis – harmonica
- R.F. Taylor – trumpet
- Wayne Jackson – trumpet
- Dick Steff – trumpet
- Ed Logan – trombone
- Jack Hale – trombone
- Gerald Richardson – trombone
- Jackie Thomas – saxophone, trombone
- Andrew Love – saxophone
- Glen Spreen – saxophone, string and horn arrangements
- J.P. Luper – saxophone
- Tony Cason – french horn
- Joe D'Gerolamo – French horn
- Joe Babcock – backing vocals
- Dolores Edgin – backing vocals
- Mary Greene – backing vocals
- Charlie Hodge – backing vocals
- Ginger Holladay – backing vocals
- Mary Holladay – backing vocals
- Millie Kirkham – backing vocals
- June Page – backing vocals
- Susan Pilkington – backing vocals
- Sandy Posey – backing vocals
- Donna Thatcher – backing vocals
- Hurschel Wiginton – backing vocals
References
[edit]- ^ Erlewine, Stephen Thomas. "Review: Elvis Presley – Suspicious Minds". Allmusic. Retrieved 30 June 2009.
- ^ Kane, Peter. "Review: Elvis Presley, Suspicious Minds – The Memphis 1969 Anthology". Q (July 1999). EMAP Metro Ltd: 144.
- ^ Jorgensen, Ernst. Elvis Presley, A Life In Music. New York: St. Martin's Press, 1998; ISBN 0-312-18572-3, p. 263
- ^ Jorgensen, Ernst. Elvis Presley, A Life In Music. New York: St. Martin's Press, 1998; ISBN 0-312-18572-3, p. 267