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[[File:Moshe Feldenkrais Demonstrates Functional Integration.png|thumb |alt=Somatic educator Moshe Feldenkrais|Somatic educator [[Moshe Feldenkrais]] in 1978, teaching how to rise from a chair]]
[[File:Moshe Feldenkrais Demonstrates Functional Integration.png|thumb |alt=Somatic educator Moshe Feldenkrais|Somatic educator [[Moshe Feldenkrais]] in 1978, teaching how to rise from a chair]]


'''Somatics''' is a field within [[bodywork (alternative medicine)|bodywork]] and [[movement studies]] which emphasizes [[proprioception|internal physical perception]] and experience. The term is used in movement therapy to signify approaches based on the '''soma''', or "the body as perceived from within,"<ref>{{Cite journal|url = http://somatics.org/library/htl-wis1.html|title = What is Somatics?|last = Hanna|first = Thomas|date = 1986|journal = Somatics: Magazine-Journal of the Bodily Arts and Sciences|accessdate =17 November 2014}}</ref> <ref> Mullan, Kelly (2012) The Art and Science of Somatics: Theory, History, and Scientific Foundations https://creativematter.skidmore.edu/mals_stu_schol/89/ </ref> including [[Alexander technique]], the [[Feldenkrais Method]], and [[Rolfing]].<ref name="Bresler">{{cite book | last=Bresler | first=L. | title=International Handbook of Research in Arts Education | publisher=Springer Netherlands | series=Springer International Handbooks of Education | year=2007 | isbn=978-1-4020-2998-1 | url=https://books.google.com/books?id=nUOJalJZU60C&pg=PA1120 | accessdate=22 June 2016 | page=1120}}</ref> In [[dance]], the term refers to techniques based on the dancer's internal sensation, in contrast with "[[performance|performative]] techniques," such as [[ballet]] or [[modern dance]], which emphasize the external observation of movement by an audience.<ref name="Williamson"/><ref name="Brodie"/> Somatic techniques may be used in [[bodywork (alternative medicine)|bodywork]], [[psychotherapy]], [[dance]], or [[spiritual practice]]s.
'''Somatics''' is a field within [[bodywork (alternative medicine)|bodywork]] and [[movement studies]] which emphasizes [[proprioception|internal physical perception]] and experience. The term is used in movement therapy to signify approaches based on the '''soma''', or "the body as perceived from within",<ref>{{Cite journal|url = http://somatics.org/library/htl-wis1.html|title = What is Somatics?|last = Hanna|first = Thomas|date = 1986|journal = Somatics: Magazine-Journal of the Bodily Arts and Sciences|access-date =17 November 2014}}</ref><ref>{{Cite journal |last=Mullan |first=Kelly |date=2012-08-31 |title=The Art and Science of Somatics: Theory, History and Scientific Foundations |url=https://creativematter.skidmore.edu/mals_stu_schol/89 |journal=MALS Final Projects, 1995-2019}}</ref> including [[Skinner Releasing Technique]], [[Alexander technique]], the [[Feldenkrais Method]], [[Gerda Alexander|Eutony]], [[Rolfing]] Structural Integration, among others.<ref name="Bresler">{{cite book | last=Bresler | first=L. | title=International Handbook of Research in Arts Education | publisher=Springer Netherlands | series=Springer International Handbooks of Education | year=2007 | isbn=978-1-4020-2998-1 | url=https://books.google.com/books?id=nUOJalJZU60C&pg=PA1120 | access-date=22 June 2016 | page=1120}}</ref> In [[dance]], the term refers to techniques based on the dancer's internal sensation, in contrast with "[[performance|performative]] techniques", such as [[ballet]] or [[modern dance]], which emphasize the external observation of movement by an audience.<ref name="Williamson"/><ref name="Brodie"/> Somatic techniques may be used in bodywork, [[psychotherapy]], [[dance]], or [[spiritual practice]]s.


==History==
==History==
[[File:Mary Wigman.gif|thumb|left|[[Mary Wigman]], who studied with [[Rudolf von Laban]], was among the choreographers whose body-centric innovations influenced the early development of somatics.<ref name="Eddy"/>]]
[[File:Mary Wigman.gif|thumb|left|[[Mary Wigman]], who studied with [[Rudolf von Laban]], was among the choreographers whose body-centric innovations influenced the early development of somatics.<ref name="Eddy"/>]]
An early precursor of the somatic movement in [[Western culture]] was the 19th-century [[physical culture]] movement. This movement sought to integrate movement practices, or "gymnastics", related to military and athletic training; medical treatment; and dance.<ref> Mullan, Kelly. (2014). "Somatics: Investigating the Common Ground of Western Body-Mind Disciplines." ''Body, Movement, and Dance in Psychotherapy: An International Journal for Theory, Research and Practice.'' https://doi.org/10.1080/17432979.2014.946092 </ref> Many physical culture practices were brought to the US. <ref> Mullan, Kelly. (2016). "European Antecedents to Somatic Movement." Chapter in ''Mindful Movement: The Evolution of the Somatic Arts and Conscious Action'', ed. Martha Eddy. </ref> One particular American innovator, [[Genevieve Stebbins]], developed her own physical culture system.<ref> Mullan, Kelly (2016) "Harmonic Gymnastics and Somatics: A Genealogy of Ideas." ''Currents: Journal of the Body-Mind Centering Association'', 19:1, 16-28.</ref> Some of Stebbins's many followers returned to Europe; one of these trained [[Elsa Gindler]], who is recognized as one of the earliest somatic innovators.<ref> Mullan,Kelly. (2017) "Somatic Herstories: Tracing Elsa Gindler's educational antededents Hade Kallmeyer and Genevieve Stebbins." ''Journal of Dance & Somatic Practices'', Volume 9, Number 2, 1 September 2017, pp. 159-178(20)DOI: https://doi.org/10.1386/jdsp.9.2.159_1 </ref><ref>Carola Speads (1978). "Ways to Better Breathing." Healing Arts Press, Rochester. VT. https://books.google.com/books?id=6raSuDun7wcC</ref><ref name="Geuter">{{cite journal|last1=Geuter|first1=Ulfried|last2=Heller|first2=Michael C.|last3=Weaver|first3=Judyth O.|title=Elsa Gindler and her influence on Wilhelm Reich and Body Psychotherapy|journal=Body, Movement & Dance in Psychotherapy an International Journal for Theory, Research and Practice|volume=5|issue=1|pages=59–73|date=2010|doi=10.1080/17432971003620113}}</ref>
An early precursor of the somatic movement in [[Western culture]] was the 19th-century [[physical culture]] movement. This movement sought to integrate movement practices, or "gymnastics", related to military and athletic training; medical treatment; and dance.<ref>{{Cite journal |last=Mullan |first=Kelly Jean |date=2014-10-02 |title=Somatics: Investigating the common ground of western body–mind disciplines |url=http://www.tandfonline.com/doi/abs/10.1080/17432979.2014.946092 |journal=Body, Movement and Dance in Psychotherapy |language=en |volume=9 |issue=4 |pages=253–265 |doi=10.1080/17432979.2014.946092 |s2cid=143813800 |issn=1743-2979|url-access=subscription }}</ref> Many physical culture practices were brought to the US.<ref>Mullan, Kelly. (2016). "European Antecedents to Somatic Movement." Chapter in ''Mindful Movement: The Evolution of the Somatic Arts and Conscious Action'', ed. Martha Eddy.</ref> One particular American innovator, [[Genevieve Stebbins]], developed her own physical culture system.<ref>Mullan, Kelly (2016) "Harmonic Gymnastics and Somatics: A Genealogy of Ideas." ''Currents: Journal of the Body-Mind Centering Association'', 19:1, 16-28.</ref> Some of Stebbins's many followers returned to Europe; one of these trained [[Elsa Gindler]], who is recognized as one of the earliest somatic innovators.<ref>{{Cite journal |last=Mullan |first=Kelly Jean |date=2017-09-01 |title=Somatics herstories: Tracing Elsa Gindler's educational antecedents Hade Kallmeyer and Genevieve Stebbins |url=https://doi.org/10.1386/jdsp.9.2.159_1 |journal=Journal of Dance & Somatic Practices |language=en |volume=9 |issue=2 |pages=159–178 |doi=10.1386/jdsp.9.2.159_1 |issn=1757-1871|url-access=subscription }}</ref><ref>{{Cite book |last1=Speads |first1=Carola |url=https://books.google.com/books?id=6raSuDun7wcC |title=Ways to Better Breathing |last2=Speads |first2=Carola H. |date= April 1992|publisher=Inner Traditions / Bear & Co |isbn=978-0-89281-397-1 |language=en}}</ref><ref name="Geuter">{{cite journal|last1=Geuter|first1=Ulfried|last2=Heller|first2=Michael C.|last3=Weaver|first3=Judyth O.|title=Elsa Gindler and her influence on Wilhelm Reich and Body Psychotherapy|journal=Body, Movement & Dance in Psychotherapy |volume=5|issue=1|pages=59–73|date=2010|doi=10.1080/17432971003620113|s2cid=143759167}}</ref>


Many further foundational developments in somatics have been traced to the turn of the twentieth century.<ref name="Eddy"/> At that time, the increased popularity of [[Phenomenology (philosophy)|phenomenology]] and [[existentialism]] in philosophy led philosophers such as [[John Dewey]] and [[Rudolf Steiner]] to advocate [[experiential learning]]. Meanwhile, choreographers such as [[Isadora Duncan]], [[Rudolf von Laban]], and [[Margaret H'Doubler]] challenged traditional European conceptions of dance, introducing newly expressive and open-ended movement paradigms. Together, these movements set the stage for the first generation of "somatic pioneers", which included [[Frederick Matthias Alexander]], [[Moshe Feldenkrais]], [[Mabel Elsworth Todd]],<!-- <ref name="Franklin"/> --><ref name="Fraleigh">{{cite book|last=Fraleigh|first=S.|title=Moving Consciously: Somatic Transformations through Dance, Yoga, and Touch|publisher=University of Illinois Press|year=2015|isbn=978-0-252-09749-2|url=https://books.google.com/books?id=Z0AoCgAAQBAJ&pg=PA26|accessdate=2016-06-14|page=26}}</ref> [[Gerda Alexander]],<!-- <ref name="Knaster"/> --> [[Ida Rolf]],<!-- <ref name="Knaster"/> --><ref name="Claire">{{cite book|last=Claire|first=Thomas|year=1995|title=Bodywork: What Type of Massage to Get and How to Make the Most of It|url=https://archive.org/details/bodywork00thom|url-access=registration|publisher=[[William Morrow and Co.]]|pages=[https://archive.org/details/bodywork00thom/page/40 40–56]|isbn=9781591202325}}</ref> [[Milton Trager]],<!-- <ref name="Fraleigh"/> --><ref name="Knaster"/> [[Irmgard Bartenieff]],<!-- <ref name="Fraleigh"/> --> and [[Charlotte Selver]]<!-- <ref name="Fraleigh"/> --><!-- <ref name="Geuter"/> -->. These pioneers were active, primarily in Europe, throughout the early twentieth century.<ref name="Eddy"/> Primarily motivated by movement-related injuries of their own, they introduced a variety of techniques intended to help recover from and prevent injury, as well as to enhance physical awareness.<ref name="Fortin">{{cite journal | last=Fortin | first=Sylvie | title=Living in Movement: Development of Somatic Practices in Different Cultures | journal=Journal of Dance Education | volume=2 | issue=4 | year=2002 | pages=128–136 | doi=10.1080/15290824.2002.10387221}}</ref>
Many further foundational developments in somatics have been traced to the turn of the twentieth century.<ref name="Eddy"/> At that time, the increased popularity of [[Phenomenology (philosophy)|phenomenology]] and [[existentialism]] in philosophy led philosophers such as [[John Dewey]] and [[Rudolf Steiner]] to advocate [[experiential learning]]. Meanwhile, choreographers such as [[Isadora Duncan]], [[Rudolf von Laban]], and [[Margaret H'Doubler]] challenged traditional European conceptions of dance, introducing newly expressive and open-ended movement paradigms. Together, these movements set the stage for the first generation of "somatic pioneers", which included [[Frederick Matthias Alexander]], [[Moshe Feldenkrais]], [[Mabel Elsworth Todd]],<!-- <ref name="Franklin"/> --><ref name="Fraleigh">{{cite book|last=Fraleigh|first=S.|title=Moving Consciously: Somatic Transformations through Dance, Yoga, and Touch|publisher=University of Illinois Press|year=2015|isbn=978-0-252-09749-2|url=https://books.google.com/books?id=Z0AoCgAAQBAJ&pg=PA26|access-date=2016-06-14|page=26}}</ref> [[Gerda Alexander]],<!-- <ref name="Knaster"/> --> [[Ida Rolf]],<!-- <ref name="Knaster"/> --><ref name="Claire">{{cite book|last=Claire|first=Thomas|year=1995|title=Bodywork: What Type of Massage to Get and How to Make the Most of It|url=https://archive.org/details/bodywork00thom|url-access=registration|publisher=[[William Morrow and Co.]]|pages=[https://archive.org/details/bodywork00thom/page/40 40–56]|isbn=9781591202325}}</ref> [[Milton Trager]],<!-- <ref name="Fraleigh"/> --><ref name="Knaster"/> [[Irmgard Bartenieff]],<!-- <ref name="Fraleigh"/> --> and [[Charlotte Selver]]<!-- <ref name="Fraleigh"/> --><!-- <ref name="Geuter"/> -->. These pioneers were active, primarily in Europe, throughout the early twentieth century.<ref name="Eddy"/> Primarily motivated by movement-related injuries of their own, they introduced a variety of techniques intended to help recover from and prevent injury, as well as to enhance physical awareness.<ref name="Fortin">{{cite journal | last=Fortin | first=Sylvie | title=Living in Movement: Development of Somatic Practices in Different Cultures | journal=Journal of Dance Education | volume=2 | issue=4 | year=2002 | pages=128–136 | doi=10.1080/15290824.2002.10387221| s2cid=145229309 }}</ref>


Throughout the twentieth century, this founding generation's practices were codified and passed on by their students, some of whom, including [[Anna Halprin]], [[Elaine Summers]], [[Bonnie Bainbridge Cohen]],<ref name="Eddy"/> and Lulu Sweigard, went on to establish their own influential schools or styles.<ref name="Franklin">{{cite book|author=Franklin, Eric.|title=Dynamic Alignment Through Imagery|year=1996|publisher=Champaign, IL: Human Kinetics|isbn=978-0-87322-475-8|page=4|url=https://books.google.com/books?id=CBwV_g8DhEMC}}</ref> In the 1970s, American philosopher and movement therapist [[Thomas Louis Hanna|Thomas Hanna]] introduced the term "somatics" to describe these related experiential practices collectively.<ref name="Eddy">{{cite journal|last=Eddy|first=Martha|date=2009|title=A brief history of somatic practices and dance: historical development of the field of somatic education and its relationship to dance|url=http://wellnesscke.net/downloadables/AbriefhistoryofSomaticanddance.pdf |journal=Journal of Dance and Somatic Practices |volume=1|issue=1|doi=10.1386/jdsp.1.1.5/1|accessdate=6 November 2014|doi-broken-date=2020-01-22}}</ref><ref name="Allison">{{cite book | last=Allison | first=N. | title=The Illustrated Encyclopedia of Body-mind Disciplines | publisher=Rosen Publishing Group | series=Gale virtual reference library | year=1999 | isbn=978-0-8239-2546-9 | url=https://archive.org/details/illustratedencyc00alli | url-access=registration | accessdate=16 June 2016}}</ref>
Throughout the twentieth century, this founding generation's practices were codified and passed on by their students, some of whom, including [[Anna Halprin]], [[Elaine Summers]], [[Bonnie Bainbridge Cohen]],<ref name="Eddy"/> and Lulu Sweigard, went on to establish their own influential schools or styles.<ref name="Franklin">{{cite book|author=Franklin, Eric.|title=Dynamic Alignment Through Imagery|year=1996|publisher=Champaign, IL: Human Kinetics|isbn=978-0-87322-475-8|page=4|url=https://books.google.com/books?id=CBwV_g8DhEMC}}</ref> In the 1970s, American philosopher and movement therapist [[Thomas Louis Hanna|Thomas Hanna]] introduced the term "somatics" to describe these related experiential practices collectively.<ref name="Eddy">{{cite journal|last=Eddy|first=Martha|date=2009|title=A brief history of somatic practices and dance: historical development of the field of somatic education and its relationship to dance|url=http://wellnesscke.net/downloadables/AbriefhistoryofSomaticanddance.pdf |journal=Journal of Dance and Somatic Practices |volume=1|issue=1|pages=5–27|doi=10.1386/jdsp.1.1.5_1|access-date=6 November 2014}}</ref><ref name="Allison">{{cite book | last=Allison | first=N. | title=The Illustrated Encyclopedia of Body-mind Disciplines | publisher=Rosen Publishing Group | series=Gale virtual reference library | year=1999 | isbn=978-0-8239-2546-9 | url=https://archive.org/details/illustratedencyc00alli | url-access=registration | access-date=16 June 2016}}</ref>


Towards the end of the century, a trend of "cross-fertilization" emerged, with practitioners combining different "lineages" to form idiosyncratic styles.<ref name="Fortin"/> In recent decades, the field of somatics has grown to include dance forms like [[contact improvisation]] and [[Skinner Releasing Technique]], and has been used in [[occupational therapy]], [[clinical psychology]], and [[education]].<ref name="Allison"/>
Towards the end of the century, a trend of "cross-fertilization" emerged, with practitioners combining different "lineages" to form idiosyncratic styles.<ref name="Fortin"/> In recent decades, the field of somatics has grown to include dance forms like [[contact improvisation]] and [[Skinner Releasing Technique]], and has been used in [[occupational therapy]], [[clinical psychology]], and [[education]].<ref name="Allison"/>
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===Traditional practices===
===Traditional practices===
[[File:Stickney Brook Yoga 272.jpg|thumb|alt=person in crow pose next to a stream|Yoga combines physical and mental exercises]]
[[File:Stickney Brook Yoga 272.jpg|thumb|alt=person in crow pose next to a stream|Yoga combines physical and mental exercises]]
Many traditional [[Asia]]n movement disciplines influenced the Western somatic practices that emerged in the twentieth century.<ref name="Allison" /> The oldest and most widely practiced somatic discipline is [[yoga]], but many others exist.<ref name="Cram">{{cite book|author1=Eleanor Criswell |editor1-last=Cram|editor1-first=James|chapter=Somatics and Surface Electromyography|title=Cram's Introduction to Surface Electromyography|date=2011|publisher=Jones & Bartlett Learning|isbn=9780763732745|page=193|chapter-url=https://books.google.com/books?id=RgfX5jXrmzMC&lpg=PA193&dq=somatics&pg=PA193#v=onepage&q&f=false|accessdate=1 March 2015}}</ref>
Many traditional [[Asia]]n movement disciplines influenced the Western somatic practices that emerged in the twentieth century.<ref name="Allison" /> Aside from prayer, the oldest and most widely practiced somatic discipline is [[yoga]], but many others exist.<ref name="Cram">{{cite book|author1=Eleanor Criswell |editor1-last=Cram|editor1-first=James|chapter=Somatics and Surface Electromyography|title=Cram's Introduction to Surface Electromyography|date=2011|publisher=Jones & Bartlett Learning|isbn=9780763732745|page=193|chapter-url=https://books.google.com/books?id=RgfX5jXrmzMC&q=somatics&pg=PA193|access-date=1 March 2015}}</ref>


Yoga is a group of [[physical exercise|physical]], mental, and [[spirituality|spiritual]] practices which originated in modern-day India before 500 BCE.<ref>{{cite book |last=Samuel |first=Geoffrey |title=The Origins of Yoga and Tantra |publisher=Cambridge University Press |year=2008 |isbn=978-0-521-69534-3 |url=https://books.google.com/books?id=JAvrTGrbpf4C}}</ref> The ultimate goals of yoga are spiritual,<ref>{{cite book |last1=Jacobsen|first1=Knut A.|last2=Larson|first2=Gerald James|title=Theory And Practice of Yoga: Essays in Honour of Gerald James Larson|url=https://books.google.com/books?id=TDGFFNYvrokC|year=2005|publisher=BRILL|isbn=978-90-04-14757-7 }}</ref> and yoga practice generally involves physically assuming and moving through codified [[asanas]] or body positions. [[Yoga physiology]] describes a system of interconnected bodies, having different but interrelated physical and spiritual properties.<ref>{{cite book| last= Frawley |first =David |title=Yoga and the Sacred Fire: Self-Realization and Planetary Transformation|page=288|publisher=Lotus Press |date=2004 |isbn=978-81-208-2746-2}}</ref> The concept of energy flow through corporal [[nadi|channels]] reappears in other somatic forms, including contact improvisation and Qigong.<ref>{{cite book| last=Dills |first=Ann |last2=Albright |first2=Ann Cooper |title=Moving History/Dancing Cultures: A Dance History Reader |publisher=[[Wesleyan University Press]] |date=2001 |url=https://books.google.com/?id=pFcVAgAAQBAJ&pg=PA406&dq=energy+flow+contact+improv#v=onepage&q=energy%20flow%20contact%20improv&f=false |accessdate=7 November 2014 |page=406|isbn=9780819574251 }}</ref><ref>{{cite journal |last=Oh |last2=Butow |last3=Mullan |last4=Clarke |last5=Beale |last6=Pavlakis |last7=Kothe |last8=Lam |last9=Rosenthal |title=Impact of Medical Qigong on quality of life, fatigue, mood and inflammation in cancer patients: a randomized controlled trial |journal=Annals of Oncology |volume=21 |issue=3 |pages=608–614 |date=31 August 2009 |accessdate=7 November 2014 |url=http://annonc.oxfordjournals.org/content/21/3/608.full |doi=10.1093/annonc/mdp479 |pmid=19880433 |pmc=2826100}}</ref>
Yoga is a group of [[physical exercise|physical]], mental, and [[spirituality|spiritual]] practices which originated in modern-day India before 500 BCE.<ref>{{cite book |last=Samuel |first=Geoffrey |title=The Origins of Yoga and Tantra |publisher=Cambridge University Press |year=2008 |isbn=978-0-521-69534-3 |url=https://books.google.com/books?id=JAvrTGrbpf4C}}</ref> The ultimate goals of yoga are spiritual,<ref>{{cite book |last1=Jacobsen|first1=Knut A.|last2=Larson|first2=Gerald James|title=Theory And Practice of Yoga: Essays in Honour of Gerald James Larson|url=https://books.google.com/books?id=TDGFFNYvrokC|year=2005|publisher=BRILL|isbn=978-90-04-14757-7 }}</ref> and yoga practice generally involves physically assuming and moving through codified [[asanas]] or body positions. [[Yoga physiology]] describes a system of interconnected bodies, having different but interrelated physical and spiritual properties.<ref>{{cite book| last= Frawley |first =David |title=Yoga and the Sacred Fire: Self-Realization and Planetary Transformation|page=288|publisher=Lotus Press |date=2004 |isbn=978-81-208-2746-2}}</ref> The concept of energy flow through corporal [[nadi|channels]] reappears in other somatic forms, including contact improvisation and Qigong.<ref>{{cite book| last1=Dills |first1=Ann |last2=Albright |first2=Ann Cooper |title=Moving History/Dancing Cultures: A Dance History Reader |publisher=[[Wesleyan University Press]] |date=2001 |url=https://books.google.com/books?id=pFcVAgAAQBAJ&q=energy+flow+contact+improv&pg=PA406 |access-date=7 November 2014 |page=406|isbn=9780819574251 }}</ref><ref>{{cite journal |last1=Oh |last2=Butow |last3=Mullan |last4=Clarke |last5=Beale |last6=Pavlakis |last7=Kothe |last8=Lam |last9=Rosenthal |title=Impact of Medical Qigong on quality of life, fatigue, mood and inflammation in cancer patients: a randomized controlled trial |journal=Annals of Oncology |volume=21 |issue=3 |pages=608–614 |date=31 August 2009 |doi=10.1093/annonc/mdp479 |pmid=19880433 |pmc=2826100}}</ref>


[[Qigong]] and [[tai chi]] are traditional Chinese movement practices that can serve to support somatic practice. They typically involve moving meditation, coordinating slow flowing movement, deep rhythmic breathing, and calm meditative state of mind. They claim to balance and cultivate [[qi]], translated as "life energy".<ref name= "Knaster"/><ref>{{cite book|last=Cohen |first=K. S. | year=1999| title=The Way of Qigong: The Art and Science of Chinese Energy Healing |publisher=Random House of Canada |isbn=978-0-345-42109-8}}</ref>
[[Qigong]] and [[tai chi]] are traditional Chinese movement practices that can serve to support somatic practice. They typically involve moving meditation, coordinating slow flowing movement, deep rhythmic breathing, and calm meditative state of mind. They claim to balance and cultivate [[qi]], translated as "life energy".<ref name= "Knaster"/><ref>{{cite book|last=Cohen |first=K. S. | year=1999| title=The Way of Qigong: The Art and Science of Chinese Energy Healing |publisher=Random House of Canada |isbn=978-0-345-42109-8}}</ref> [[Aikido]] is a Japanese martial art that includes internal awareness and an emotional state of non-aggression; some styles emphasize this with separate [[Aikido#Ki|"ki development"]] training.<ref name= "Knaster"/><ref name = MM/>
[[Aikido]] is a Japanese martial art that includes internal awareness and an emotional state of non-aggression; some styles emphasize this with separate [[Aikido#Ki|"ki development"]] training.<ref name= "Knaster"/><ref name = MM/>


=== Exercise practices===
=== Exercise practices===
The [[Pilates method]] was originally developed as a somatic form of [[physical fitness]] conditioning in the early 1920s.<ref name="Caldwell" /> However, most contemporary forms of Pilates focus on correct physical technique more than [[proprioception|proprioceptive]] awareness.<ref name="Rouhiainen"/> The method's founder, [[Joseph Pilates]], emphasized the somatic principles of mind-body connection, tracking of proprioceptive observations, and attention to breath.<ref name="Caldwell">{{cite journal| vauthors=Caldwell K, Adams M, Quin R, Harrison M, Greeson J| title=Pilates, Mindfulness and Somatic Education. | journal=J Dance Somat Pract | year= 2013 | volume= 5 | issue= 2 | pages= 141–153 | pmid=25328542 | doi= 10.1386/jdsp.5.2.141_1| pmc=4198945 }}</ref><ref name="Rouhiainen">{{cite journal |last=Rouhiainen |first=Leena |date=2010 |title=The Evolvement of the Pilates Method and its Relation to the Somatic Field |url=http://www.nordicjournalofdance.com/TheEvolvement.pdf |journal=Nordic Journal of Dance |volume=2 |pages=57–69 |accessdate=17 November 2014}}</ref>
The [[Pilates method]] was originally developed as a somatic form of [[physical fitness]] conditioning in the early 1920s.<ref name="Caldwell" /> However, most contemporary forms of Pilates focus on correct physical technique more than [[proprioception|proprioceptive]] awareness.<ref name="Rouhiainen"/> The method's founder, [[Joseph Pilates]], emphasized the somatic principles of mind-body connection, tracking of proprioceptive observations, and attention to breath.<ref name="Caldwell">{{cite journal| vauthors=Caldwell K, Adams M, Quin R, Harrison M, Greeson J| title=Pilates, Mindfulness and Somatic Education. | journal=J Dance Somat Pract | year= 2013 | volume= 5 | issue= 2 | pages= 141–153 | pmid=25328542 | doi= 10.1386/jdsp.5.2.141_1| pmc=4198945 }}</ref><ref name="Rouhiainen">{{cite journal |last=Rouhiainen |first=Leena |date=2010 |title=The Evolvement of the Pilates Method and its Relation to the Somatic Field |url=http://www.nordicjournalofdance.com/TheEvolvement.pdf |journal=Nordic Journal of Dance |volume=2 |pages=57–69 |access-date=17 November 2014}}</ref>


===Dance===
===Dance===
[[File:CIJam.jpg|thumb|size=180px|right|alt=Dancers move freely at a Contact Improvisation "jam"|[[Contact improvisation]] is a somatic style of [[postmodern dance]] ]]
[[File:CIJam.jpg|thumb|180px|right|alt=Dancers move freely at a Contact Improvisation "jam"|[[Contact improvisation]] is a somatic style of [[postmodern dance]] ]]


All forms of [[dance]] demand the dancer's close attention to proprioceptive information about the position and motion of each part of the body,<ref>{{cite journal | last=Smitt | first=Myrim Sillevis | last2=Bird | first2=H. A. | title=Measuring and enhancing proprioception in musicians and dancers | journal=Clin Rheumatol | volume=32 | issue=4 | year=2013 | pages=469–473 | doi=10.1007/s10067-013-2193-7 | pmid=23397145 }}</ref><ref>{{cite journal | last=Bläsing | first=Bettina | last2=Calvo-Merino | first2=Beatriz | last3=Cross | first3=Emily S. | last4=Jola | first4=Corinne | last5=Honisch | first5=Juliane | last6=Stevens | first6=Catherine J. | title=Neurocognitive control in dance perception and performance | journal=Acta Psychologica | volume=139 | issue=2 | year=2012 | pages=300–308 | doi=10.1016/j.actpsy.2011.12.005 | pmid=22305351 | url=http://epubs.surrey.ac.uk/294638/1/Blaesingetal_NeurocognitiveControlinDance_ActaPsy_2012.pdf }}</ref> but "somatic movement" in dance refers more specifically to techniques whose primary focus is the dancer's personal, physical experience, rather than the audience's visual one.<ref name="Brodie">{{cite book | last=Brodie | first=J.A. | last2=Lobel | first2=E.E. | title=Dance and Somatics: Mind-Body Principles of Teaching and Performance | publisher=McFarland & Company | year=2012 | isbn=978-0-7864-8958-9 | url=https://books.google.com/books?id=pCROxt0OUSUC&pg=PA6 | accessdate=16 June 2016 | page=6 |quote=The focus is on the individual experience: how we feel as opposed to how others perceive or how we think we are being perceived.}}</ref><ref name="Williamson">{{cite book | last=Williamson | first=A. | last2=Batson | first2=G. | last3=Whatley | first3=S. | last4=Weber | first4=R. | title=Dance, Somatics and Spiritualities: Contemporary Sacred Narratives | publisher=Intellect | year=2015 | isbn=978-1-78320-178-5 | url=https://books.google.com/books?id=V87BCQAAQBAJ&pg=PA252 | accessdate=16 June 2016 | page=252|quote=Somatic Movement is: (a) movement structured around perceptual phenomena, and (b) movement interpreted through perceptual phenomena.}}</ref> Somatics has been incorporated into dance communities around the world, with variations from country to country due to the history of the field's local introduction as well as broader cultural differences.<ref name="Fortin" />
All forms of [[dance]] demand the dancer's close attention to proprioceptive information about the position and motion of each part of the body,<ref>{{cite journal | last1=Smitt | first1=Myrim Sillevis | last2=Bird | first2=H. A. | title=Measuring and enhancing proprioception in musicians and dancers | journal=Clin Rheumatol | volume=32 | issue=4 | year=2013 | pages=469–473 | doi=10.1007/s10067-013-2193-7 | pmid=23397145 | s2cid=23917260 }}</ref><ref>{{cite journal | last1=Bläsing | first1=Bettina | last2=Calvo-Merino | first2=Beatriz | last3=Cross | first3=Emily S. | last4=Jola | first4=Corinne | last5=Honisch | first5=Juliane | last6=Stevens | first6=Catherine J. | title=Neurocognitive control in dance perception and performance | journal=Acta Psychologica | volume=139 | issue=2 | year=2012 | pages=300–308 | doi=10.1016/j.actpsy.2011.12.005 | pmid=22305351 | s2cid=14529071 | url=http://epubs.surrey.ac.uk/294638/1/Blaesingetal_NeurocognitiveControlinDance_ActaPsy_2012.pdf }}</ref> but "somatic movement" in dance refers more specifically to techniques whose primary focus is the dancer's personal, physical experience, rather than the audience's visual one.<ref name="Brodie">{{cite book | last1=Brodie | first1=J.A. | last2=Lobel | first2=E.E. | title=Dance and Somatics: Mind-Body Principles of Teaching and Performance | publisher=McFarland & Company | year=2012 | isbn=978-0-7864-8958-9 | url=https://books.google.com/books?id=pCROxt0OUSUC&pg=PA6 | access-date=16 June 2016 | page=6 |quote=The focus is on the individual experience: how we feel as opposed to how others perceive or how we think we are being perceived.}}</ref><ref name="Williamson">{{cite book | last1=Williamson | first1=A. | last2=Batson | first2=G. | last3=Whatley | first3=S. | last4=Weber | first4=R. | title=Dance, Somatics and Spiritualities: Contemporary Sacred Narratives | publisher=Intellect | year=2015 | isbn=978-1-78320-178-5 | url=https://books.google.com/books?id=V87BCQAAQBAJ&pg=PA252 | access-date=16 June 2016 | page=252|quote=Somatic Movement is: (a) movement structured around perceptual phenomena, and (b) movement interpreted through perceptual phenomena.}}</ref> Somatics has been incorporated into dance communities around the world, with variations from country to country due to the history of the field's local introduction as well as broader cultural differences.<ref name="Fortin" />


====Genres====
====Genres====
Several dance techniques are considered somatic forms. [[Contact improvisation]] is a somatic genre developed by [[Steve Paxton]] and others in the 1970s, which consists of two or more dancers responding organically to the physical sensations generated by their mutual contact. Contact improvisation can be performed for an audience, but is not designed to have any particular visual impact.<ref>{{cite book |last=Novac |first=Cynthia Jean |date=1990 |title=Sharing the Dance: Contact Improvisation and American Culture |url=https://books.google.com/?id=YNULSI5C580C&pg=PR11&dq=contact+improvisation#v=onepage&q=contact%20improvisation&f=false |publisher=[[University of Wisconsin Press]] |isbn=978-0-299-12440-3 |accessdate=14 December 2014}}</ref>
Several dance techniques are considered somatic forms. [[Contact improvisation]] is a somatic genre developed by [[Steve Paxton]] and others in the 1970s, which consists of two or more dancers responding organically to the physical sensations generated by their mutual contact. Contact improvisation can be performed for an audience, but is not designed to have any particular visual impact.<ref>{{cite book |last=Novac |first=Cynthia Jean |date=1990 |title=Sharing the Dance: Contact Improvisation and American Culture |url=https://books.google.com/books?id=YNULSI5C580C&q=contact+improvisation&pg=PR11 |publisher=[[University of Wisconsin Press]] |isbn=978-0-299-12440-3 |access-date=14 December 2014}}</ref>


Ruth Zaporah's [[Action Theatre (Ruth Zaporah)|Action Theater]], developed in the 1970s and 1980s, is an improvisational performance technique based on "'embodied presence', a state of awareness in which performers maintain conscious contact with their somatic experience," according to dance scholar Susanna Morrow.<ref>{{cite journal| last=Morrow |first=S. |title=Psyche meets Soma: accessing creativity through Ruth Zaporah's Action Theater. |journal=Theatre, Dance and Performance Training |issue=2 |volume=1 |pages=99–113| doi=10.1080/19443927.2010.543987 |date=2011 }}</ref>
Ruth Zaporah's [[Action Theatre (Ruth Zaporah)|Action Theater]], developed in the 1970s and 1980s, is an improvisational performance technique based on "'embodied presence', a state of awareness in which performers maintain conscious contact with their somatic experience", according to dance scholar Susanna Morrow.<ref>{{cite journal| last=Morrow |first=S. |title=Psyche meets Soma: accessing creativity through Ruth Zaporah's Action Theater. |journal=Theatre, Dance and Performance Training |issue=2 |volume=1 |pages=99–113| doi=10.1080/19443927.2010.543987 |date=2011 |s2cid=219628909 }}</ref>


====Education====
====Education====
Some [[dance education|dance educators]] use somatic principles and training, especially [[Laban Movement Analysis]], [[Ideokinesis]], Alexander, and Feldenkrais, in performative [[dance technique|technique]] classes.<ref name="Technique"/><ref name="Eddy 2002">{{cite journal | last=Eddy | first=Martha Hart | title=Dance and Somatic Inquiry in Studios and Community Dance Programs | journal=Journal of Dance Education | volume=2 | issue=4 | year=2002 | pages=119–127 | doi=10.1080/15290824.2002.10387220 }}</ref> These practices are used to train dancers' proprioceptive skills and to adjust alignment, and are claimed to reduce the risk of injury.<ref name="Technique">{{cite journal |last=Brodie |first=Julie |last2= Lobel |first2=Elin |date=2004 |title=Integrating Fundamental Principles Underlying Somatic Practices into the Dance Technique Class |journal=Journal of Dance Education |volume=4 |issue=3 |pages=80–87 |doi=10.1080/15290824.2004.10387263 }}</ref><ref>{{cite journal |last=Wozny |first=Nancy |date=May 2012 |title=The Somatics Infusion |url=http://www.dancemagazine.com/issues/May-2012/The-Somatics-Infusion |journal=Dance Magazine |access-date=14 December 2014 |url-status=dead |archive-url=https://web.archive.org/web/20141105145855/http://dancemagazine.com/issues/may-2012/The-Somatics-Infusion |archive-date=5 November 2014 |df= }}</ref><ref>{{cite journal |last=Fortin |first=Sylvie |last2=Long |first2=Warwick |last3=Lord |first3=Madeleine |date=2002 |title=Three Voices: Researching how somatic education informs contemporary dance technique classes |journal= Research in Dance Education |volume=3 |issue=2 |pages=155–179 |doi=10.1080/1464789022000034712 }}</ref>
Some [[dance education|dance educators]] use somatic principles and training, especially [[Laban Movement Analysis]], [[Ideokinesis]], Alexander, and Feldenkrais, in performative [[dance technique|technique]] classes.<ref name="Technique"/><ref name="Eddy 2002">{{cite journal | last=Eddy | first=Martha Hart | title=Dance and Somatic Inquiry in Studios and Community Dance Programs | journal=Journal of Dance Education | volume=2 | issue=4 | year=2002 | pages=119–127 | doi=10.1080/15290824.2002.10387220 | s2cid=145253337 }}</ref> These practices are used to train dancers' proprioceptive skills and to adjust alignment, and are claimed to reduce the risk of injury.<ref name="Technique">{{cite journal |last1=Brodie |first1=Julie |last2= Lobel |first2=Elin |date=2004 |title=Integrating Fundamental Principles Underlying Somatic Practices into the Dance Technique Class |journal=Journal of Dance Education |volume=4 |issue=3 |pages=80–87 |doi=10.1080/15290824.2004.10387263 |s2cid=143967135 }}</ref><ref>{{cite journal |last=Wozny |first=Nancy |date=May 2012 |title=The Somatics Infusion |url=http://www.dancemagazine.com/issues/May-2012/The-Somatics-Infusion |journal=Dance Magazine |access-date=14 December 2014 |url-status=dead |archive-url=https://web.archive.org/web/20141105145855/http://dancemagazine.com/issues/may-2012/The-Somatics-Infusion |archive-date=5 November 2014 }}</ref><ref>{{cite journal |last1=Fortin |first1=Sylvie |last2=Long |first2=Warwick |last3=Lord |first3=Madeleine |date=2002 |title=Three Voices: Researching how somatic education informs contemporary dance technique classes |journal= Research in Dance Education |volume=3 |issue=2 |pages=155–179 |doi=10.1080/1464789022000034712 |s2cid=144606556 }}</ref>


Somatic teaching practices are those which build students' awareness of their external environments and internal sensations while dancing. These practices may include making corrections with touch, in addition to verbal instructions; focusing on energy and process, instead of the physical shapes they produce; and deliberately relaxing habitually-overused muscles.<ref>{{cite book|last1=Nettl-Fiol|first1=Rebecca|last2=Vanier|first2=Luc|title=Dance and the Alexander Technique: Exploring the Missing Link|date=2011|publisher=University of Illinois Press|isbn=9780252077937|page=12|edition=illustrated|url=https://books.google.com/books?id=EcqCFdMPIYwC&lpg=PP1&dq=Dance%20and%20the%20Alexander%20Technique%3A%20Exploring%20the%20Missing%20Link&pg=PA12#v=onepage&q&f=false|accessdate=28 February 2015}}</ref> Warwick Long claims that using somatics in dance training, by strengthening dancers' knowledge of the ''soma'', makes their technique more "intrinsic, internal and personalised." He claims the direct self-knowledge somatics offers is valuable for today's professional dancers, who are increasingly asked to work outside the structures of canonically codified techniques such as [[ballet]] or [[Graham technique]].<ref name="Warwick">{{Cite thesis |last=Long |first=Warwick |title=Sensing Difference: Student and Teacher Perceptions on the Integration of the Feldenkrais Method of Somatic Education and Contemporary Dance Technique |type=M.P.Ed. |url=http://iffresearchjournal.org/system/files/Long_2002.pdf |year=2002 |publisher=International Feldenkrais® Federation |accessdate=6 November 2014}}</ref>
Somatic teaching practices are those which build students' awareness of their external environments and internal sensations while dancing. These practices may include making corrections with touch, in addition to verbal instructions; focusing on energy and process, instead of the physical shapes they produce; and deliberately relaxing habitually-overused muscles.<ref>{{cite book|last1=Nettl-Fiol|first1=Rebecca|last2=Vanier|first2=Luc|title=Dance and the Alexander Technique: Exploring the Missing Link|date=2011|publisher=University of Illinois Press|isbn=9780252077937|page=12|edition=illustrated|url=https://books.google.com/books?id=EcqCFdMPIYwC&q=Dance%20and%20the%20Alexander%20Technique%3A%20Exploring%20the%20Missing%20Link&pg=PA12|access-date=28 February 2015}}</ref> Warwick Long claims that using somatics in dance training, by strengthening dancers' knowledge of the ''soma'', makes their technique more "intrinsic, internal and personalised". He claims the direct self-knowledge somatics offers is valuable for today's professional dancers, who are increasingly asked to work outside the structures of canonically codified techniques such as [[ballet]] or [[Graham technique]].<ref name="Warwick">{{Cite thesis |last=Long |first=Warwick |title=Sensing Difference: Student and Teacher Perceptions on the Integration of the Feldenkrais Method of Somatic Education and Contemporary Dance Technique |type=M.P.Ed. |url=http://iffresearchjournal.org/system/files/Long_2002.pdf |year=2002 |publisher=International Feldenkrais® Federation |access-date=6 November 2014}}</ref>


==Alternative medicine==
==Alternative medicine==
Several forms of [[alternative medicine]] consider sensory experience of the body important.
Several forms of [[alternative medicine]] consider sensory experience of the body important.


The [[Alexander technique]], an early example of such a practice, was developed by [[Frederick Matthias Alexander]], an [[actor]], in the 1890s.<ref>{{cite journal | last = Rootberg | first = Ruth | title = Voice and Gender and other contemporary issues in professional voice and speech training | journal = Voice and Speech Review | pages = 164–170 |date=September 2007 | issue = 1 | doi = | volume = 35 | editor= Mandy Rees}}</ref> It is an educational somatic technique intended to undo students' habits of using unnecessary tension in movement.<ref name= "Knaster">{{cite book |last= Knaster |first= Mirka |year= 1996 |title= Discovering the Body's Wisdom: A Comprehensive Guide to More Than Fifty Mind-Body Practices |publisher= [[Bantam Books|Bantam]] |pages= 188–245, 326–51 |isbn= 9780307575500}}</ref><ref>{{cite web|url=http://alexandertechnique.com/resources/rosenberg.pdf |title=The Alexander Technique and Somatic Education |last=Rosenberg |first=Bobby |accessdate=14 December 2014|quote = "[Alexander's] frequent references to "kinesthesia," "sensory awareness," and "feeling" place him squarely in the center of the field of somatics.}}</ref>
The [[Alexander technique]], an early example of such a practice, was developed by [[Frederick Matthias Alexander]], an [[actor]], in the 1890s.<ref>{{cite journal | last = Rootberg | first = Ruth | title = Voice and Gender and other contemporary issues in professional voice and speech training | journal = Voice and Speech Review | pages = 164–170 |date=September 2007 | issue = 1 | doi = 10.1080/23268263.2007.10769755| volume = 35 | s2cid = 144810660 | editor= Mandy Rees}}</ref> It is an educational somatic technique intended to undo students' habits of using unnecessary tension in movement.<ref name= "Knaster">{{cite book |last= Knaster |first= Mirka |year= 1996 |title= Discovering the Body's Wisdom: A Comprehensive Guide to More Than Fifty Mind-Body Practices |publisher= [[Bantam Books|Bantam]] |pages= 188–245, 326–51 |isbn= 9780307575500}}</ref><ref>{{cite web|url=http://alexandertechnique.com/resources/rosenberg.pdf |title=The Alexander Technique and Somatic Education |last=Rosenberg |first=Bobby |access-date=14 December 2014|quote = "[Alexander's] frequent references to "kinesthesia", "sensory awareness", and "feeling" place him squarely in the center of the field of somatics.}}</ref>


The [[Feldenkrais Method]] is a somatic movement pedagogy developed by [[Moshé Feldenkrais]], inspired in part by the Alexander Technique. It claims to improve well-being by bringing attention to movement patterns which proponents claim are inefficient or unnecessarily tense and replacing them with other patterns.<ref name= "Knaster"/><ref>{{cite book |last= Levine |first= Andrew |year= 1998 |title= The Bodywork and Massage Sourcebook |url= https://archive.org/details/unset0000unse_k8j9 |url-access= registration |publisher= [[Lowell House]] |pages= [https://archive.org/details/unset0000unse_k8j9/page/249 249–60] |isbn= 9780737300987}}</ref>
The [[Feldenkrais Method]] is a somatic movement pedagogy developed by [[Moshé Feldenkrais]], inspired in part by the Alexander Technique. It claims to improve well-being by bringing attention to movement patterns which proponents claim are inefficient or unnecessarily tense and replacing them with other patterns.<ref name= "Knaster"/><ref>{{cite book |last= Levine |first= Andrew |year= 1998 |title= The Bodywork and Massage Sourcebook |url= https://archive.org/details/unset0000unse_k8j9 |url-access= registration |publisher= [[Lowell House]] |pages= [https://archive.org/details/unset0000unse_k8j9/page/249 249–60] |isbn= 9780737300987}}</ref>


[[Structural Integration]], including [[Rolfing]] and Hellerwork, uses bodywork, [[mindfulness]], and movement retraining as tools for somatic education. Practitioners claim to make both the body and mind more adaptable and resilient, by improving "alignment" and movement.<ref name= "Levine">{{cite book |last= Levine |first= Andrew |year= 1998 |title= The Bodywork and Massage Sourcebook |url= https://archive.org/details/unset0000unse_k8j9 |url-access= registration |publisher= [[Lowell House]] |pages= [https://archive.org/details/unset0000unse_k8j9/page/209 209–234] |isbn= 9780737300987}}</ref><ref>{{cite journal|last1=Behnke|first1=Elizabeth A.|title=Matching|journal=Somatics|date=1998|issue=Spring/Summer 1998|pages=24–32}}, found in {{cite book|editor1-last=Johnson|editor1-first=Don|title=Bone, Breath & Gesture: Practices of Embodiment|date=1995|publisher=North Atlantic Books|isbn=9781556432019|pages=317–338|url=https://books.google.com/books?id=iVtdDKqG1uoC&lpg=PP1&dq=somatics%20bodywork%20317&pg=PA317#v=onepage&q&f=false|accessdate=28 February 2015}}</ref>
[[Structural Integration]], including [[Rolfing]] and Hellerwork, uses bodywork, [[mindfulness]], and movement retraining as tools for somatic education. Practitioners claim to make both the body and mind more adaptable and resilient, by improving "alignment" and movement.<ref name= "Levine">{{cite book |last= Levine |first= Andrew |year= 1998 |title= The Bodywork and Massage Sourcebook |url= https://archive.org/details/unset0000unse_k8j9 |url-access= registration |publisher= [[Lowell House]] |pages= [https://archive.org/details/unset0000unse_k8j9/page/209 209–234] |isbn= 9780737300987}}</ref><ref>{{cite journal|last1=Behnke|first1=Elizabeth A.|title=Matching|journal=Somatics|date=1998|issue=Spring/Summer 1998|pages=24–32}}, found in {{cite book|editor1-last=Johnson|editor1-first=Don|title=Bone, Breath & Gesture: Practices of Embodiment|date=1995|publisher=North Atlantic Books|isbn=9781556432019|pages=317–338|url=https://books.google.com/books?id=iVtdDKqG1uoC&q=somatics%20bodywork%20317&pg=PA317|access-date=28 February 2015}}</ref>


[[Trager Approach|Trager]] uses gentle bodywork and relaxed exercises called Mentastics to explore sensation and effortlessness in movement. Practitioners enter a meditative state and attempt to physically communicate a sense of lightness, curiosity, and playfulness via the practitioner's contact. Mentastics is an exploration of body weight in gravity.
[[Trager Approach|Trager]] uses gentle bodywork and relaxed exercises called Mentastics to explore sensation and effortlessness in movement. Practitioners enter a meditative state and attempt to physically communicate a sense of lightness, curiosity, and playfulness via the practitioner's contact. Mentastics is an exploration of body weight in gravity.<ref name= "Stillerman">{{cite book |last= Stillerman |first= Elaine |year= 2016 |edition= second |title= Modalities for Massage and Bodywork |publisher= [[Mosby (publisher)|Mosby]] |pages= 366–83, 402–14 |isbn= 9780323239318}}</ref>
<ref name= "Stillerman">{{cite book |last= Stillerman |first= Elaine |year= 2016 |edition= second |title= Modalities for Massage and Bodywork |publisher= [[Mosby (publisher)|Mosby]] |pages= 366–83, 402–14 |isbn= 9780323239318}}</ref>


Some alternative medicine practitioners who work with mental health have a somatic focus. For example, in [[somatic experiencing]], clients learn to monitor internal sensations.<ref name="Levine 97">Levine, Peter A. with Frederick, Ann: ''Waking the Tiger. Healing Trauma.'' North Atlantic Books, Berkeley, CA, 1997 {{ISBN|1-55643-233-X}}</ref>
Some alternative medicine practitioners who work with mental health have a somatic focus. For example, in [[somatic experiencing]], clients learn to monitor internal sensations.<ref name="Levine 97">Levine, Peter A. with Frederick, Ann: ''Waking the Tiger. Healing Trauma.'' North Atlantic Books, Berkeley, CA, 1997 {{ISBN|1-55643-233-X}}</ref>
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Spiritual discourse within the field of somatics tends to reject [[monotheism|monotheistic]] systems which locate spiritual authority in an external hierarchy, instead sacralizing the direct perception of an internal "life force".<ref name="Williamson2010">{{cite journal | last=Williamson | first=Amanda | title=Reflections and theoretical approaches to the study of spiritualities within the field of somatic movement dance education | journal=Journal of Dance and Somatic Practices | volume=2 | issue=1 | year=2010 | pages=35–61 | doi=10.1386/jdsp.2.1.35_1}}</ref> Although not strongly aligned with any particular spiritual tradition, somatics literature generally views [[Christianity]] and other monotheistic religions unfavorably and favors an eclectic mix of non-Western approaches to the sacred, including those of [[Buddhism]], [[Taoism]], [[Hinduism]], and various kinds of [[Shamanism]].<ref name="Williamson2010"/>
Spiritual discourse within the field of somatics tends to reject [[monotheism|monotheistic]] systems which locate spiritual authority in an external hierarchy, instead sacralizing the direct perception of an internal "life force".<ref name="Williamson2010">{{cite journal | last=Williamson | first=Amanda | title=Reflections and theoretical approaches to the study of spiritualities within the field of somatic movement dance education | journal=Journal of Dance and Somatic Practices | volume=2 | issue=1 | year=2010 | pages=35–61 | doi=10.1386/jdsp.2.1.35_1}}</ref> Although not strongly aligned with any particular spiritual tradition, somatics literature generally views [[Christianity]] and other monotheistic religions unfavorably and favors an eclectic mix of non-Western approaches to the sacred, including those of [[Buddhism]], [[Taoism]], [[Hinduism]], and various kinds of [[Shamanism]].<ref name="Williamson2010"/>


Some [[spiritual practice]]s, such as [[Sufi whirling]] and [[Buddhism|Buddhist walking meditation]], are particularly associated with somatics.<ref name = MM>{{cite journal|last1=Payne|first1=Peter|last2=Crane-Godreau|first2=Mardi|title=Meditative movement for depression and anxiety|journal=Frontiers in Psychiatry|date=24 July 2013|volume=4|pages=71|doi=10.3389/fpsyt.2013.00071|pmid=23898306|pmc=3721087}}</ref><ref>{{cite journal | last=Holland | first=D. | title=Integrating Mindfulness Meditation and Somatic Awareness into a Public Educational Setting | journal=Journal of Humanistic Psychology | volume=44 | issue=4 | year=2004 | pages=468–484 |doi=10.1177/0022167804266100}}</ref> Spirituality is a component of the work of [[Bonnie Bainbridge Cohen]], a leader in contemporary somatics who incorporates elements of [[Zen Buddhism]] with [[modern dance]] and [[Laban Movement Analysis]].<ref name="EddyGlobal">{{cite journal | last=Eddy | first=Martha | title=Somatic Practices and Dance: Global Influences | journal=Dance Research Journal | volume=34 | issue=2 | pages=46–62 | year=2002 | doi=10.2307/1478459| jstor=1478459 }}</ref>
Some [[spiritual practice]]s, such as [[Sufi whirling]] and [[Walking meditation|Buddhist walking meditation]], are particularly associated with somatics.<ref name = MM>{{cite journal|last1=Payne|first1=Peter|last2=Crane-Godreau|first2=Mardi|title=Meditative movement for depression and anxiety|journal=Frontiers in Psychiatry|date=24 July 2013|volume=4|pages=71|doi=10.3389/fpsyt.2013.00071|pmid=23898306|pmc=3721087|doi-access=free}}</ref><ref>{{cite journal | last=Holland | first=D. | title=Integrating Mindfulness Meditation and Somatic Awareness into a Public Educational Setting | journal=Journal of Humanistic Psychology | volume=44 | issue=4 | year=2004 | pages=468–484 |doi=10.1177/0022167804266100| s2cid=144546983 }}</ref> Spirituality is a component of the work of [[Bonnie Bainbridge Cohen]], a leader in contemporary somatics who incorporates elements of [[Zen Buddhism]] with [[modern dance]] and [[Laban Movement Analysis]].<ref name="EddyGlobal">{{cite journal | last=Eddy | first=Martha | title=Somatic Practices and Dance: Global Influences | journal=Dance Research Journal | volume=34 | issue=2 | pages=46–62 | year=2002 | doi=10.2307/1478459| jstor=1478459 | s2cid=155396684 }}</ref>


== See also ==
== See also ==
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==References==
==References==
=== Citations ===
{{Reflist|30em}}
{{Reflist|30em}}

;Bibliography
=== General bibliography ===
{{Refbegin}}
{{Refbegin}}
* {{cite book|editor1-last=Allison|editor1-first=Nancy|title=The Illustrated Encyclopedia of Body-mind Disciplines|date=1999|publisher=Taylor & Francis|isbn=9780823925469|edition=illustrated, annotated|url=https://books.google.com/books?id=5199jcnbqwEC&lpg=PA256&dq=allison%20n%20illustrated%20encyclopedia%20of%20mind-body%20disciplines&pg=PP1#v=onepage&q&f=false|accessdate=1 March 2015}}
* {{cite book|editor1-last=Allison|editor1-first=Nancy|title=The Illustrated Encyclopedia of Body-mind Disciplines|date=1999|publisher=Taylor & Francis|isbn=9780823925469|edition=illustrated, annotated|url=https://books.google.com/books?id=5199jcnbqwEC&q=allison%20n%20illustrated%20encyclopedia%20of%20mind-body%20disciplines&pg=PP1|access-date=1 March 2015}}
* {{cite book|last1=Brodie|first1=Julie A.|last2=Lobel|first2=Elin E.|title=Dance and Somatics: Mind-Body Principles of Teaching and Performance|date=2012|publisher=McFarland|isbn=9780786489589|url=https://books.google.com/books?id=pCROxt0OUSUC&lpg=PA1&dq=somatics&pg=PP1#v=onepage&q&f=false}}
* {{cite book|last1=Brodie|first1=Julie A.|last2=Lobel|first2=Elin E.|title=Dance and Somatics: Mind-Body Principles of Teaching and Performance|date=2012|publisher=McFarland|isbn=9780786489589|url=https://books.google.com/books?id=pCROxt0OUSUC&q=somatics&pg=PP1}}
{{Refend}}
{{Refend}}


==External links==
==External links==
*{{Commons category-inline}}
* {{Commons category-inline}}


[[Category:Somatics| ]]
[[Category:Concepts in alternative medicine]]
[[Category:Concepts in alternative medicine]]
[[Category:Proprioception]]
[[Category:Mind–body interventions]]
[[Category:Dance and health]]
[[Category:Dance and health]]
[[Category:Somatics| ]]
[[Category:Mind–body interventions]]
[[Category:Proprioception]]

Latest revision as of 17:59, 15 November 2024

Somatic educator Moshe Feldenkrais
Somatic educator Moshe Feldenkrais in 1978, teaching how to rise from a chair

Somatics is a field within bodywork and movement studies which emphasizes internal physical perception and experience. The term is used in movement therapy to signify approaches based on the soma, or "the body as perceived from within",[1][2] including Skinner Releasing Technique, Alexander technique, the Feldenkrais Method, Eutony, Rolfing Structural Integration, among others.[3] In dance, the term refers to techniques based on the dancer's internal sensation, in contrast with "performative techniques", such as ballet or modern dance, which emphasize the external observation of movement by an audience.[4][5] Somatic techniques may be used in bodywork, psychotherapy, dance, or spiritual practices.

History

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Mary Wigman, who studied with Rudolf von Laban, was among the choreographers whose body-centric innovations influenced the early development of somatics.[6]

An early precursor of the somatic movement in Western culture was the 19th-century physical culture movement. This movement sought to integrate movement practices, or "gymnastics", related to military and athletic training; medical treatment; and dance.[7] Many physical culture practices were brought to the US.[8] One particular American innovator, Genevieve Stebbins, developed her own physical culture system.[9] Some of Stebbins's many followers returned to Europe; one of these trained Elsa Gindler, who is recognized as one of the earliest somatic innovators.[10][11][12]

Many further foundational developments in somatics have been traced to the turn of the twentieth century.[6] At that time, the increased popularity of phenomenology and existentialism in philosophy led philosophers such as John Dewey and Rudolf Steiner to advocate experiential learning. Meanwhile, choreographers such as Isadora Duncan, Rudolf von Laban, and Margaret H'Doubler challenged traditional European conceptions of dance, introducing newly expressive and open-ended movement paradigms. Together, these movements set the stage for the first generation of "somatic pioneers", which included Frederick Matthias Alexander, Moshe Feldenkrais, Mabel Elsworth Todd,[13] Gerda Alexander, Ida Rolf,[14] Milton Trager,[15] Irmgard Bartenieff, and Charlotte Selver. These pioneers were active, primarily in Europe, throughout the early twentieth century.[6] Primarily motivated by movement-related injuries of their own, they introduced a variety of techniques intended to help recover from and prevent injury, as well as to enhance physical awareness.[16]

Throughout the twentieth century, this founding generation's practices were codified and passed on by their students, some of whom, including Anna Halprin, Elaine Summers, Bonnie Bainbridge Cohen,[6] and Lulu Sweigard, went on to establish their own influential schools or styles.[17] In the 1970s, American philosopher and movement therapist Thomas Hanna introduced the term "somatics" to describe these related experiential practices collectively.[6][18]

Towards the end of the century, a trend of "cross-fertilization" emerged, with practitioners combining different "lineages" to form idiosyncratic styles.[16] In recent decades, the field of somatics has grown to include dance forms like contact improvisation and Skinner Releasing Technique, and has been used in occupational therapy, clinical psychology, and education.[18]

Movement disciplines

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Traditional practices

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person in crow pose next to a stream
Yoga combines physical and mental exercises

Many traditional Asian movement disciplines influenced the Western somatic practices that emerged in the twentieth century.[18] Aside from prayer, the oldest and most widely practiced somatic discipline is yoga, but many others exist.[19]

Yoga is a group of physical, mental, and spiritual practices which originated in modern-day India before 500 BCE.[20] The ultimate goals of yoga are spiritual,[21] and yoga practice generally involves physically assuming and moving through codified asanas or body positions. Yoga physiology describes a system of interconnected bodies, having different but interrelated physical and spiritual properties.[22] The concept of energy flow through corporal channels reappears in other somatic forms, including contact improvisation and Qigong.[23][24]

Qigong and tai chi are traditional Chinese movement practices that can serve to support somatic practice. They typically involve moving meditation, coordinating slow flowing movement, deep rhythmic breathing, and calm meditative state of mind. They claim to balance and cultivate qi, translated as "life energy".[15][25] Aikido is a Japanese martial art that includes internal awareness and an emotional state of non-aggression; some styles emphasize this with separate "ki development" training.[15][26]

Exercise practices

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The Pilates method was originally developed as a somatic form of physical fitness conditioning in the early 1920s.[27] However, most contemporary forms of Pilates focus on correct physical technique more than proprioceptive awareness.[28] The method's founder, Joseph Pilates, emphasized the somatic principles of mind-body connection, tracking of proprioceptive observations, and attention to breath.[27][28]

Dance

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Dancers move freely at a Contact Improvisation "jam"
Contact improvisation is a somatic style of postmodern dance

All forms of dance demand the dancer's close attention to proprioceptive information about the position and motion of each part of the body,[29][30] but "somatic movement" in dance refers more specifically to techniques whose primary focus is the dancer's personal, physical experience, rather than the audience's visual one.[5][4] Somatics has been incorporated into dance communities around the world, with variations from country to country due to the history of the field's local introduction as well as broader cultural differences.[16]

Genres

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Several dance techniques are considered somatic forms. Contact improvisation is a somatic genre developed by Steve Paxton and others in the 1970s, which consists of two or more dancers responding organically to the physical sensations generated by their mutual contact. Contact improvisation can be performed for an audience, but is not designed to have any particular visual impact.[31]

Ruth Zaporah's Action Theater, developed in the 1970s and 1980s, is an improvisational performance technique based on "'embodied presence', a state of awareness in which performers maintain conscious contact with their somatic experience", according to dance scholar Susanna Morrow.[32]

Education

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Some dance educators use somatic principles and training, especially Laban Movement Analysis, Ideokinesis, Alexander, and Feldenkrais, in performative technique classes.[33][34] These practices are used to train dancers' proprioceptive skills and to adjust alignment, and are claimed to reduce the risk of injury.[33][35][36]

Somatic teaching practices are those which build students' awareness of their external environments and internal sensations while dancing. These practices may include making corrections with touch, in addition to verbal instructions; focusing on energy and process, instead of the physical shapes they produce; and deliberately relaxing habitually-overused muscles.[37] Warwick Long claims that using somatics in dance training, by strengthening dancers' knowledge of the soma, makes their technique more "intrinsic, internal and personalised". He claims the direct self-knowledge somatics offers is valuable for today's professional dancers, who are increasingly asked to work outside the structures of canonically codified techniques such as ballet or Graham technique.[38]

Alternative medicine

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Several forms of alternative medicine consider sensory experience of the body important.

The Alexander technique, an early example of such a practice, was developed by Frederick Matthias Alexander, an actor, in the 1890s.[39] It is an educational somatic technique intended to undo students' habits of using unnecessary tension in movement.[15][40]

The Feldenkrais Method is a somatic movement pedagogy developed by Moshé Feldenkrais, inspired in part by the Alexander Technique. It claims to improve well-being by bringing attention to movement patterns which proponents claim are inefficient or unnecessarily tense and replacing them with other patterns.[15][41]

Structural Integration, including Rolfing and Hellerwork, uses bodywork, mindfulness, and movement retraining as tools for somatic education. Practitioners claim to make both the body and mind more adaptable and resilient, by improving "alignment" and movement.[42][43]

Trager uses gentle bodywork and relaxed exercises called Mentastics to explore sensation and effortlessness in movement. Practitioners enter a meditative state and attempt to physically communicate a sense of lightness, curiosity, and playfulness via the practitioner's contact. Mentastics is an exploration of body weight in gravity.[44]

Some alternative medicine practitioners who work with mental health have a somatic focus. For example, in somatic experiencing, clients learn to monitor internal sensations.[45]

Spiritual practices

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Spiritual discourse within the field of somatics tends to reject monotheistic systems which locate spiritual authority in an external hierarchy, instead sacralizing the direct perception of an internal "life force".[46] Although not strongly aligned with any particular spiritual tradition, somatics literature generally views Christianity and other monotheistic religions unfavorably and favors an eclectic mix of non-Western approaches to the sacred, including those of Buddhism, Taoism, Hinduism, and various kinds of Shamanism.[46]

Some spiritual practices, such as Sufi whirling and Buddhist walking meditation, are particularly associated with somatics.[26][47] Spirituality is a component of the work of Bonnie Bainbridge Cohen, a leader in contemporary somatics who incorporates elements of Zen Buddhism with modern dance and Laban Movement Analysis.[48]

See also

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References

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Citations

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  1. ^ Hanna, Thomas (1986). "What is Somatics?". Somatics: Magazine-Journal of the Bodily Arts and Sciences. Retrieved 17 November 2014.
  2. ^ Mullan, Kelly (2012-08-31). "The Art and Science of Somatics: Theory, History and Scientific Foundations". MALS Final Projects, 1995-2019.
  3. ^ Bresler, L. (2007). International Handbook of Research in Arts Education. Springer International Handbooks of Education. Springer Netherlands. p. 1120. ISBN 978-1-4020-2998-1. Retrieved 22 June 2016.
  4. ^ a b Williamson, A.; Batson, G.; Whatley, S.; Weber, R. (2015). Dance, Somatics and Spiritualities: Contemporary Sacred Narratives. Intellect. p. 252. ISBN 978-1-78320-178-5. Retrieved 16 June 2016. Somatic Movement is: (a) movement structured around perceptual phenomena, and (b) movement interpreted through perceptual phenomena.
  5. ^ a b Brodie, J.A.; Lobel, E.E. (2012). Dance and Somatics: Mind-Body Principles of Teaching and Performance. McFarland & Company. p. 6. ISBN 978-0-7864-8958-9. Retrieved 16 June 2016. The focus is on the individual experience: how we feel as opposed to how others perceive or how we think we are being perceived.
  6. ^ a b c d e Eddy, Martha (2009). "A brief history of somatic practices and dance: historical development of the field of somatic education and its relationship to dance" (PDF). Journal of Dance and Somatic Practices. 1 (1): 5–27. doi:10.1386/jdsp.1.1.5_1. Retrieved 6 November 2014.
  7. ^ Mullan, Kelly Jean (2014-10-02). "Somatics: Investigating the common ground of western body–mind disciplines". Body, Movement and Dance in Psychotherapy. 9 (4): 253–265. doi:10.1080/17432979.2014.946092. ISSN 1743-2979. S2CID 143813800.
  8. ^ Mullan, Kelly. (2016). "European Antecedents to Somatic Movement." Chapter in Mindful Movement: The Evolution of the Somatic Arts and Conscious Action, ed. Martha Eddy.
  9. ^ Mullan, Kelly (2016) "Harmonic Gymnastics and Somatics: A Genealogy of Ideas." Currents: Journal of the Body-Mind Centering Association, 19:1, 16-28.
  10. ^ Mullan, Kelly Jean (2017-09-01). "Somatics herstories: Tracing Elsa Gindler's educational antecedents Hade Kallmeyer and Genevieve Stebbins". Journal of Dance & Somatic Practices. 9 (2): 159–178. doi:10.1386/jdsp.9.2.159_1. ISSN 1757-1871.
  11. ^ Speads, Carola; Speads, Carola H. (April 1992). Ways to Better Breathing. Inner Traditions / Bear & Co. ISBN 978-0-89281-397-1.
  12. ^ Geuter, Ulfried; Heller, Michael C.; Weaver, Judyth O. (2010). "Elsa Gindler and her influence on Wilhelm Reich and Body Psychotherapy". Body, Movement & Dance in Psychotherapy. 5 (1): 59–73. doi:10.1080/17432971003620113. S2CID 143759167.
  13. ^ Fraleigh, S. (2015). Moving Consciously: Somatic Transformations through Dance, Yoga, and Touch. University of Illinois Press. p. 26. ISBN 978-0-252-09749-2. Retrieved 2016-06-14.
  14. ^ Claire, Thomas (1995). Bodywork: What Type of Massage to Get and How to Make the Most of It. William Morrow and Co. pp. 40–56. ISBN 9781591202325.
  15. ^ a b c d e Knaster, Mirka (1996). Discovering the Body's Wisdom: A Comprehensive Guide to More Than Fifty Mind-Body Practices. Bantam. pp. 188–245, 326–51. ISBN 9780307575500.
  16. ^ a b c Fortin, Sylvie (2002). "Living in Movement: Development of Somatic Practices in Different Cultures". Journal of Dance Education. 2 (4): 128–136. doi:10.1080/15290824.2002.10387221. S2CID 145229309.
  17. ^ Franklin, Eric. (1996). Dynamic Alignment Through Imagery. Champaign, IL: Human Kinetics. p. 4. ISBN 978-0-87322-475-8.
  18. ^ a b c Allison, N. (1999). The Illustrated Encyclopedia of Body-mind Disciplines. Gale virtual reference library. Rosen Publishing Group. ISBN 978-0-8239-2546-9. Retrieved 16 June 2016.
  19. ^ Eleanor Criswell (2011). "Somatics and Surface Electromyography". In Cram, James (ed.). Cram's Introduction to Surface Electromyography. Jones & Bartlett Learning. p. 193. ISBN 9780763732745. Retrieved 1 March 2015.
  20. ^ Samuel, Geoffrey (2008). The Origins of Yoga and Tantra. Cambridge University Press. ISBN 978-0-521-69534-3.
  21. ^ Jacobsen, Knut A.; Larson, Gerald James (2005). Theory And Practice of Yoga: Essays in Honour of Gerald James Larson. BRILL. ISBN 978-90-04-14757-7.
  22. ^ Frawley, David (2004). Yoga and the Sacred Fire: Self-Realization and Planetary Transformation. Lotus Press. p. 288. ISBN 978-81-208-2746-2.
  23. ^ Dills, Ann; Albright, Ann Cooper (2001). Moving History/Dancing Cultures: A Dance History Reader. Wesleyan University Press. p. 406. ISBN 9780819574251. Retrieved 7 November 2014.
  24. ^ Oh; Butow; Mullan; Clarke; Beale; Pavlakis; Kothe; Lam; Rosenthal (31 August 2009). "Impact of Medical Qigong on quality of life, fatigue, mood and inflammation in cancer patients: a randomized controlled trial". Annals of Oncology. 21 (3): 608–614. doi:10.1093/annonc/mdp479. PMC 2826100. PMID 19880433.
  25. ^ Cohen, K. S. (1999). The Way of Qigong: The Art and Science of Chinese Energy Healing. Random House of Canada. ISBN 978-0-345-42109-8.
  26. ^ a b Payne, Peter; Crane-Godreau, Mardi (24 July 2013). "Meditative movement for depression and anxiety". Frontiers in Psychiatry. 4: 71. doi:10.3389/fpsyt.2013.00071. PMC 3721087. PMID 23898306.
  27. ^ a b Caldwell K, Adams M, Quin R, Harrison M, Greeson J (2013). "Pilates, Mindfulness and Somatic Education". J Dance Somat Pract. 5 (2): 141–153. doi:10.1386/jdsp.5.2.141_1. PMC 4198945. PMID 25328542.
  28. ^ a b Rouhiainen, Leena (2010). "The Evolvement of the Pilates Method and its Relation to the Somatic Field" (PDF). Nordic Journal of Dance. 2: 57–69. Retrieved 17 November 2014.
  29. ^ Smitt, Myrim Sillevis; Bird, H. A. (2013). "Measuring and enhancing proprioception in musicians and dancers". Clin Rheumatol. 32 (4): 469–473. doi:10.1007/s10067-013-2193-7. PMID 23397145. S2CID 23917260.
  30. ^ Bläsing, Bettina; Calvo-Merino, Beatriz; Cross, Emily S.; Jola, Corinne; Honisch, Juliane; Stevens, Catherine J. (2012). "Neurocognitive control in dance perception and performance" (PDF). Acta Psychologica. 139 (2): 300–308. doi:10.1016/j.actpsy.2011.12.005. PMID 22305351. S2CID 14529071.
  31. ^ Novac, Cynthia Jean (1990). Sharing the Dance: Contact Improvisation and American Culture. University of Wisconsin Press. ISBN 978-0-299-12440-3. Retrieved 14 December 2014.
  32. ^ Morrow, S. (2011). "Psyche meets Soma: accessing creativity through Ruth Zaporah's Action Theater". Theatre, Dance and Performance Training. 1 (2): 99–113. doi:10.1080/19443927.2010.543987. S2CID 219628909.
  33. ^ a b Brodie, Julie; Lobel, Elin (2004). "Integrating Fundamental Principles Underlying Somatic Practices into the Dance Technique Class". Journal of Dance Education. 4 (3): 80–87. doi:10.1080/15290824.2004.10387263. S2CID 143967135.
  34. ^ Eddy, Martha Hart (2002). "Dance and Somatic Inquiry in Studios and Community Dance Programs". Journal of Dance Education. 2 (4): 119–127. doi:10.1080/15290824.2002.10387220. S2CID 145253337.
  35. ^ Wozny, Nancy (May 2012). "The Somatics Infusion". Dance Magazine. Archived from the original on 5 November 2014. Retrieved 14 December 2014.
  36. ^ Fortin, Sylvie; Long, Warwick; Lord, Madeleine (2002). "Three Voices: Researching how somatic education informs contemporary dance technique classes". Research in Dance Education. 3 (2): 155–179. doi:10.1080/1464789022000034712. S2CID 144606556.
  37. ^ Nettl-Fiol, Rebecca; Vanier, Luc (2011). Dance and the Alexander Technique: Exploring the Missing Link (illustrated ed.). University of Illinois Press. p. 12. ISBN 9780252077937. Retrieved 28 February 2015.
  38. ^ Long, Warwick (2002). Sensing Difference: Student and Teacher Perceptions on the Integration of the Feldenkrais Method of Somatic Education and Contemporary Dance Technique (PDF) (M.P.Ed.). International Feldenkrais® Federation. Retrieved 6 November 2014.
  39. ^ Rootberg, Ruth (September 2007). Mandy Rees (ed.). "Voice and Gender and other contemporary issues in professional voice and speech training". Voice and Speech Review. 35 (1): 164–170. doi:10.1080/23268263.2007.10769755. S2CID 144810660.
  40. ^ Rosenberg, Bobby. "The Alexander Technique and Somatic Education" (PDF). Retrieved 14 December 2014. "[Alexander's] frequent references to "kinesthesia", "sensory awareness", and "feeling" place him squarely in the center of the field of somatics.
  41. ^ Levine, Andrew (1998). The Bodywork and Massage Sourcebook. Lowell House. pp. 249–60. ISBN 9780737300987.
  42. ^ Levine, Andrew (1998). The Bodywork and Massage Sourcebook. Lowell House. pp. 209–234. ISBN 9780737300987.
  43. ^ Behnke, Elizabeth A. (1998). "Matching". Somatics (Spring/Summer 1998): 24–32., found in Johnson, Don, ed. (1995). Bone, Breath & Gesture: Practices of Embodiment. North Atlantic Books. pp. 317–338. ISBN 9781556432019. Retrieved 28 February 2015.
  44. ^ Stillerman, Elaine (2016). Modalities for Massage and Bodywork (second ed.). Mosby. pp. 366–83, 402–14. ISBN 9780323239318.
  45. ^ Levine, Peter A. with Frederick, Ann: Waking the Tiger. Healing Trauma. North Atlantic Books, Berkeley, CA, 1997 ISBN 1-55643-233-X
  46. ^ a b Williamson, Amanda (2010). "Reflections and theoretical approaches to the study of spiritualities within the field of somatic movement dance education". Journal of Dance and Somatic Practices. 2 (1): 35–61. doi:10.1386/jdsp.2.1.35_1.
  47. ^ Holland, D. (2004). "Integrating Mindfulness Meditation and Somatic Awareness into a Public Educational Setting". Journal of Humanistic Psychology. 44 (4): 468–484. doi:10.1177/0022167804266100. S2CID 144546983.
  48. ^ Eddy, Martha (2002). "Somatic Practices and Dance: Global Influences". Dance Research Journal. 34 (2): 46–62. doi:10.2307/1478459. JSTOR 1478459. S2CID 155396684.

General bibliography

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  • Media related to Somatics at Wikimedia Commons