Cinema of Yugoslavia: Difference between revisions

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The Cinema of Yugoslavia refers to the film industry and cinematic output of the former Socialist Federal Republic of Yugoslavia, which existed from 1945 until it disintegrated into several independent nations in the early 1990s. Yugoslavia was a multi-ethnic, socialist state, and its cinema reflected the diversity of its population, as well as the political and cultural shifts that occurred during its existence.

Overview

The Socialist Federal Republic of Yugoslavia had an internationally acclaimed film industry. Yugoslavia submitted many films to the Academy Award for Best Foreign Language Film, six of which were nominated. Film companies included Jadran Film from Zagreb, SR Croatia; Avala Film from Belgrade, SR Serbia; Sutjeska film and Studio film from Sarajevo, SR Bosnia and Herzegovina; Zeta film from Budva, SR Montenegro; Vardar film and Makedonija film from Skopje, SR Macedonia, Triglav Film from Ljubljana, SR Slovenia and others.

The dominant movement in Yugoslav cinema of the post war era was Socialist Realism. Which typically dealt with themes such as modernity, and the importance of building the new socialist republic. This was a movement popular in most eastern bloc countries. As the early Yugoslavian state moved away from the Soviet bloc, and received a more open door into western capitalist societies. The cinema started to change to reflect this more liberal approach to socialism. The Yugoslav Black wave which was started by young filmmakers in 1960’s reflected this change by taking elements of socialist realism, American and Italian cinema. To create films that more openly criticized the problems of liberalization. These films usually turned a lens onto the bigger issues of ethnicity, gender and class in Yugoslav society and were often seen as pessimistic by critics.

Prominent male actors included Danilo Stojković, Ljuba Tadić, Bekim Fehmiu, Fabijan Šovagović, Mustafa Nadarević, Bata Živojinović, Boris Dvornik, Ljubiša Samardžić, Dragan Nikolić and Rade Šerbedžija, while Milena Dravić, Neda Arnerić, Mira Furlan and Ena Begović were notable actresses. Acclaimed film directors included: Emir Kusturica, Dušan Makavejev, Goran Marković, Lordan Zafranović, Goran Paskaljević, Živojin Pavlović and Hajrudin Krvavac. Many Yugoslav films featured eminent foreign actors such as Orson Welles and Yul Brynner in the Academy Award nominated The Battle of Neretva, and Richard Burton in Sutjeska. Also, many foreign films were shot on locations in Yugoslavia including domestic crews, such as Force 10 from Navarone starring Harrison Ford, Robert Shaw and Franco Nero, Armour of God starring Jackie Chan, as well as Escape from Sobibor starring Alan Arkin, Joanna Pacuła and Rutger Hauer. Pula Film Festival was a notable film festival.

Partisan film is a subgenre of war films, made in Yugoslavia during the 1960s, 1970s and 1980s. In the broadest sense, main characteristics of partisan films are that they are set in Yugoslavia during World War II and have partisans as main protagonists, while antagonists are Axis forces and their collaborators. Outside Yugoslavia, Partisan films were especially popular in China.

The Yugoslav Film Archive was a founding member of the International Federation of Film Archives and was the national film library of the former Yugoslavia, founded in 1949 in Belgrade.

Films

Co-production:

Television

Top lista nadrealista

External links

"Jugoslovenska kinoteka" (in Serbian). Kinoteka.

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+{{Short description|none}} <!-- "none" is preferred when the title is sufficiently descriptive; see [[WP:SDNONE]] -->
-{{Short description|Filmmaking in Yugoslavia}}
 {{Lead too short|date=June 2021}}
 {{Yugoslavs}}
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 {{Expand section|date=June 2008}}
 The [[Socialist Federal Republic of Yugoslavia]] had an internationally acclaimed [[film]] industry. Yugoslavia [[List of Yugoslav submissions for the Academy Award for Best Foreign Language Film|submitted many films to the Academy Award for Best Foreign Language Film]], six of which were nominated. Film companies included [[Jadran Film]] from [[Zagreb]], [[SR Croatia]]; [[Avala Film]] from [[Belgrade]], [[SR Serbia]]; Sutjeska film and Studio film from [[Sarajevo]], [[SR Bosnia and Herzegovina]]; Zeta film from [[Budva]], [[SR Montenegro]]; Vardar film and Makedonija film from [[Skopje]], [[SR Macedonia]], [[Triglav Film]] from [[Ljubljana]], [[SR Slovenia]] and others.
+The dominant movement in Yugoslav cinema of the post war era was [[Socialist Realism]]. Which typically dealt with themes such as modernity, and the importance of building the new socialist republic. This was a movement popular in most eastern bloc countries. As the early Yugoslavian state moved away from the Soviet bloc, and received a more open door into western capitalist societies. The cinema started to change to reflect this more liberal approach to socialism. The [[Yugoslav Black wave]] which was started by young filmmakers in 1960’s reflected this change by taking elements of socialist realism, American and Italian cinema. To create films that more openly criticized the problems of liberalization. These films usually turned a lens onto the bigger issues of ethnicity, gender and class in Yugoslav society and were often seen as pessimistic by critics.
 Prominent male [[actor]]s included [[Danilo Stojković]], [[Ljuba Tadić]], [[Bekim Fehmiu]], [[Fabijan Šovagović]], [[Mustafa Nadarević]], [[Bata Živojinović]], [[Boris Dvornik]], [[Ljubiša Samardžić]], [[Dragan Nikolić]] and [[Rade Šerbedžija]], while [[Milena Dravić]], [[Neda Arnerić]], [[Mira Furlan]] and [[Ena Begović]] were notable [[actress]]es. Acclaimed [[film director]]s included: [[Emir Kusturica]], [[Dušan Makavejev]], [[Goran Marković (film director)|Goran Marković]], [[Lordan Zafranović]], [[Goran Paskaljević]], [[Živojin Pavlović]] and [[Hajrudin Krvavac]]. Many Yugoslav films featured eminent foreign actors such as [[Orson Welles]] and [[Yul Brynner]] in the [[Academy Award for Best Foreign Language Film|Academy Award]] nominated ''[[Battle of Neretva (film)|The Battle of Neretva]]'', and [[Richard Burton]] in ''[[The Battle of Sutjeska (film)|Sutjeska]]''. Also, many foreign films were shot on locations in Yugoslavia including domestic crews, such as ''[[Force 10 from Navarone (film)|Force 10 from Navarone]]'' starring [[Harrison Ford]], [[Robert Shaw (actor)|Robert Shaw]] and [[Franco Nero]], ''[[Armour of God (film)|Armour of God]]'' starring [[Jackie Chan]], as well as ''[[Escape from Sobibor]]'' starring [[Alan Arkin]], [[Joanna Pacuła]] and [[Rutger Hauer]].
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 *{{cite book|author=Savez filmskih radnika Jugoslavije|title=Dvadeset 20 godina jugoslovenskog filma 1945-1965|url=https://books.google.com/books?id=3RsIAQAAIAAJ|year=1966|publisher=Festival jugoslovenskog filma}}
 *{{cite book|title=Yugoslav Films. Películas Yugoslavas. Jugoslawische Filme|url=https://books.google.com/books?id=IHk3AAAAIAAJ}}
-*{{cite web|author=Janevski, Ana|url=https://www.macba.cat/uploads/publicacions/quaderns_portatils/QP_27_Janevsky.pdf|title='We can't promise to do more than experiment.'|work=[[Quaderns portàtils]]}}
+*{{cite web|author=Janevski, Ana|url=https://www.macba.cat/uploads/publicacions/quaderns_portatils/QP_27_Janevsky.pdf|title='We can't promise to do more than experiment.'|work=[[Quaderns portàtils]]|access-date=2019-05-14|archive-date=2019-05-14|archive-url=https://web.archive.org/web/20190514203701/https://www.macba.cat/uploads/publicacions/quaderns_portatils/QP_27_Janevsky.pdf|url-status=dead}}
 ==External links==