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'''Cinema of Yugoslavia''' was the [[Film|cinema]] of [[Yugoslavia]]. |
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{{Yugoslavs}} |
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The '''Cinema of Yugoslavia''' refers to the film industry and cinematic output of the former Socialist Federal Republic of Yugoslavia, which existed from 1945 until it disintegrated into several independent nations in the early 1990s. Yugoslavia was a multi-ethnic, socialist state, and its cinema reflected the diversity of its population, as well as the political and cultural shifts that occurred during its existence. |
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==Overview== |
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{{Expand section|date=June 2008}} |
{{Expand section|date=June 2008}} |
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⚫ | The [[Socialist Federal Republic of Yugoslavia]] had an internationally acclaimed [[film]] industry. Yugoslavia [[List of Yugoslav submissions for the Academy Award for Best Foreign Language Film|submitted many films to the Academy Award for Best Foreign Language Film]], six of which were nominated. Film companies included [[Jadran Film]] from [[Zagreb]], [[SR Croatia]]; [[Avala Film]] from [[Belgrade]], [[SR Serbia]]; Sutjeska film and Studio film from [[Sarajevo]], [[SR Bosnia and Herzegovina]]; Zeta film from [[Budva]], [[SR Montenegro]]; Vardar film and Makedonija film from [[Skopje]], [[SR Macedonia]], [[Triglav Film]] from [[Ljubljana]], [[SR Slovenia]] and others. |
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The [[Socialist Federal Republic of Yugoslavia]] had an internationally acclaimed [[film]] industry. |
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⚫ | Prominent male [[actor]]s included [[Danilo |
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⚫ | [[ |
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The dominant movement in Yugoslav cinema of the post war era was [[Socialist Realism]]. Which typically dealt with themes such as modernity, and the importance of building the new socialist republic. This was a movement popular in most eastern bloc countries. As the early Yugoslavian state moved away from the Soviet bloc, and received a more open door into western capitalist societies. The cinema started to change to reflect this more liberal approach to socialism. The [[Yugoslav Black wave]] which was started by young filmmakers in 1960’s reflected this change by taking elements of socialist realism, American and Italian cinema. To create films that more openly criticized the problems of liberalization. These films usually turned a lens onto the bigger issues of ethnicity, gender and class in Yugoslav society and were often seen as pessimistic by critics. |
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<!-- Image with inadequate rationale removed: [[Image:TheBattleofNeretva.gif|thumb|left|250px|[[The Battle of Neretva]]]] --> |
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⚫ | Prominent male [[actor]]s included [[Danilo Stojković]], [[Ljuba Tadić]], [[Bekim Fehmiu]], [[Fabijan Šovagović]], [[Mustafa Nadarević]], [[Bata Živojinović]], [[Boris Dvornik]], [[Ljubiša Samardžić]], [[Dragan Nikolić]] and [[Rade Šerbedžija]], while [[Milena Dravić]], [[Neda Arnerić]], [[Mira Furlan]] and [[Ena Begović]] were notable [[actress]]es. Acclaimed [[film director]]s included: [[Emir Kusturica]], [[Dušan Makavejev]], [[Goran Marković (film director)|Goran Marković]], [[Lordan Zafranović]], [[Goran Paskaljević]], [[Živojin Pavlović]] and [[Hajrudin Krvavac]]. Many Yugoslav films featured eminent foreign actors such as [[Orson Welles]] and [[Yul Brynner]] in the [[Academy Award for Best Foreign Language Film|Academy Award]] nominated ''[[Battle of Neretva (film)|The Battle of Neretva]]'', and [[Richard Burton]] in ''[[The Battle of Sutjeska (film)|Sutjeska]]''. Also, many foreign films were shot on locations in Yugoslavia including domestic crews, such as ''[[Force 10 from Navarone (film)|Force 10 from Navarone]]'' starring [[Harrison Ford]], [[Robert Shaw (actor)|Robert Shaw]] and [[Franco Nero]], ''[[Armour of God (film)|Armour of God]]'' starring [[Jackie Chan]], as well as ''[[Escape from Sobibor]]'' starring [[Alan Arkin]], [[Joanna Pacuła]] and [[Rutger Hauer]]. |
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[[Pula Film Festival]] was a notable [[film festival]]. |
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[[Partisan film]] is a subgenre of [[war film]]s, made in Yugoslavia during the 1960s, 1970s and 1980s. In the broadest sense, main characteristics of partisan films are that they are set in Yugoslavia during [[World War II]] and have [[Partisans (Yugoslavia)|partisans]] as main protagonists, while antagonists are [[Axis powers|Axis]] forces and their collaborators. Outside Yugoslavia, Partisan films were especially popular in China. |
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The [[Yugoslav Film Archive]] was a founding member of the [[International Federation of Film Archives]] and was the national film library of the [[former Yugoslavia]], founded in 1949 in Belgrade. |
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==Films== |
==Films== |
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{{main| |
{{main|Lists of Yugoslav films}} |
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*[[ |
*[[Battle of Neretva (film)|Battle of Neretva]] |
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*[[Battle of Sutjeska (film)|Battle of Sutjeska]] |
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*[[Walter Defends Sarajevo]] |
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*[[Do You Remember Dolly Bell?]] |
*[[Do You Remember Dolly Bell?]] |
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*[[Ko to tamo peva]] |
*[[Ko to tamo peva]] |
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*[[The Bridge (1969 film)]] |
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*[[Lude godine]] |
*[[Lude godine]] |
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*[[The Marathon Family]] |
*[[The Marathon Family]] |
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*[[A Corpse Hangs in the Web]] |
*[[A Corpse Hangs in the Web]] |
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*[[Le Prix du Danger]] |
*[[Le Prix du Danger]] |
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*[[High Road to China]] |
*[[High Road to China (film)|High Road to China]] |
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*[[Transylvania 6-5000 (1985 film)]] |
*[[Transylvania 6-5000 (1985 film)]] |
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*[[Genghis Khan (1965 film)]] |
*[[Genghis Khan (1965 film)]] |
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*[[Taras Bulba (1962 film)]] |
*[[Taras Bulba (1962 film)]] |
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*[[Escape from Sobibor]] |
*[[Escape from Sobibor]] |
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*[[Score (film)]] |
*[[Score (1974 film)]] |
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*[[Old Shatterhand (film)]] |
*[[Old Shatterhand (film)]] |
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*[[Winnetou#Karl May movies with Winnetou character|Winnetou film series]] |
*[[Winnetou#Karl May movies with Winnetou character|Winnetou film series]] |
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*[[Kapò]] |
*[[Kapò]] |
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*[[Man and Beast]] |
*[[Man and Beast (1963 film)|Man and Beast]] |
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*[[Destination Death]] |
*[[Destination Death]] |
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==See also== |
==See also== |
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*[[ |
*[[Lists of Yugoslav films]] |
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*[[Cinema of Bosnia |
*[[Cinema of Bosnia and Herzegovina]] |
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*[[Cinema of Croatia]] |
*[[Cinema of Croatia]] |
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*[[Cinema of Montenegro]] |
*[[Cinema of Montenegro]] |
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*[[Cinema of Serbia]] |
*[[Cinema of Serbia]] |
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*[[ |
*[[Cinema of Slovenia]] |
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==Further reading== |
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*{{cite book|author=Daniel J. Goulding|title=Liberated Cinema: The Yugoslav Experience, 1945-2001|url=https://books.google.com/books?id=z6KOL-DnxIkC&pg=PA1|year=2002|publisher=Indiana University Press|isbn=0-253-34210-4}} |
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*{{cite book|author=Anikó Imre|title=A Companion to Eastern European Cinemas|url=https://books.google.com/books?id=i3Ujxk2mf7wC&pg=PT220|date=7 August 2012|publisher=John Wiley & Sons|isbn=978-1-118-29435-2|pages=220–}} |
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*{{cite book|title=Jugoslovenska kinoteka: 1949-1964|url=https://books.google.com/books?id=0mWkpwAACAAJ|year=1964|publisher=Jugoslovenska kinoteka}} |
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*{{cite book|author=Savez filmskih radnika Jugoslavije|title=Dvadeset 20 godina jugoslovenskog filma 1945-1965|url=https://books.google.com/books?id=3RsIAQAAIAAJ|year=1966|publisher=Festival jugoslovenskog filma}} |
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*{{cite book|title=Yugoslav Films. Películas Yugoslavas. Jugoslawische Filme|url=https://books.google.com/books?id=IHk3AAAAIAAJ}} |
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*{{cite web|author=Janevski, Ana|url=https://www.macba.cat/uploads/publicacions/quaderns_portatils/QP_27_Janevsky.pdf|title='We can't promise to do more than experiment.'|work=[[Quaderns portàtils]]|access-date=2019-05-14|archive-date=2019-05-14|archive-url=https://web.archive.org/web/20190514203701/https://www.macba.cat/uploads/publicacions/quaderns_portatils/QP_27_Janevsky.pdf|url-status=dead}} |
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==External links== |
==External links== |
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*{{cite web|title=Jugoslovenska kinoteka|publisher=Kinoteka|url=http://www.kinoteka.org.rs/di/efg/Http/EFG/00-efg_S_index01.htm|language=sr}} |
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*Paul Branko, "Two Roots of Yugoslav Cinema", in: ART IN SOCIETY No.3 (http://www.art-in-society.de/AS3/Y-film.html) |
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*Benjamin Halligan, "Idylls of Socialism: The Sarajevo Documentary School and the Problem of the Bosnian Sub-proletariat", in: STUDIES IN EASTERN EUROPEAN CINEMA Autumn 2010 (http://usir.salford.ac.uk/11571/3/visualrecollectivisationpostcopyedit.pdf) |
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*Wolfram Schuette, "Zelimir Zilnik's 'Early Works'", in: ART IN SOCIETY No.3 (http://www.art-in-society.de/AS3/Schuette.shtml) |
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{{Yugoslavia-film-stub}} |
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[[be:Кінематограф Югаславіі]] |
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[[be-x-old:Кінэматограф Югаславіі]] |
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[[Category:Cinema of Serbia]] |
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[[cs:Jugoslávská kinematografie]] |
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[[Category:Cinema of Croatia]] |
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[[ja:ユーゴスラヴィアの映画]] |
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[[Category:Cinema of Bosnia and Herzegovina]] |
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[[ru:Кинематограф Югославии]] |
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[[Category:Cinema of North Macedonia]] |
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[[vi:Điện ảnh Nam Tư]] |
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[[Category:Cinema of Slovenia]] |
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[[Category:Cinema of Montenegro]] |
Latest revision as of 06:37, 16 November 2024
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The Cinema of Yugoslavia refers to the film industry and cinematic output of the former Socialist Federal Republic of Yugoslavia, which existed from 1945 until it disintegrated into several independent nations in the early 1990s. Yugoslavia was a multi-ethnic, socialist state, and its cinema reflected the diversity of its population, as well as the political and cultural shifts that occurred during its existence.
Overview
[edit]This section needs expansion. You can help by adding to it. (June 2008) |
The Socialist Federal Republic of Yugoslavia had an internationally acclaimed film industry. Yugoslavia submitted many films to the Academy Award for Best Foreign Language Film, six of which were nominated. Film companies included Jadran Film from Zagreb, SR Croatia; Avala Film from Belgrade, SR Serbia; Sutjeska film and Studio film from Sarajevo, SR Bosnia and Herzegovina; Zeta film from Budva, SR Montenegro; Vardar film and Makedonija film from Skopje, SR Macedonia, Triglav Film from Ljubljana, SR Slovenia and others.
The dominant movement in Yugoslav cinema of the post war era was Socialist Realism. Which typically dealt with themes such as modernity, and the importance of building the new socialist republic. This was a movement popular in most eastern bloc countries. As the early Yugoslavian state moved away from the Soviet bloc, and received a more open door into western capitalist societies. The cinema started to change to reflect this more liberal approach to socialism. The Yugoslav Black wave which was started by young filmmakers in 1960’s reflected this change by taking elements of socialist realism, American and Italian cinema. To create films that more openly criticized the problems of liberalization. These films usually turned a lens onto the bigger issues of ethnicity, gender and class in Yugoslav society and were often seen as pessimistic by critics.
Prominent male actors included Danilo Stojković, Ljuba Tadić, Bekim Fehmiu, Fabijan Šovagović, Mustafa Nadarević, Bata Živojinović, Boris Dvornik, Ljubiša Samardžić, Dragan Nikolić and Rade Šerbedžija, while Milena Dravić, Neda Arnerić, Mira Furlan and Ena Begović were notable actresses. Acclaimed film directors included: Emir Kusturica, Dušan Makavejev, Goran Marković, Lordan Zafranović, Goran Paskaljević, Živojin Pavlović and Hajrudin Krvavac. Many Yugoslav films featured eminent foreign actors such as Orson Welles and Yul Brynner in the Academy Award nominated The Battle of Neretva, and Richard Burton in Sutjeska. Also, many foreign films were shot on locations in Yugoslavia including domestic crews, such as Force 10 from Navarone starring Harrison Ford, Robert Shaw and Franco Nero, Armour of God starring Jackie Chan, as well as Escape from Sobibor starring Alan Arkin, Joanna Pacuła and Rutger Hauer. Pula Film Festival was a notable film festival.
Partisan film is a subgenre of war films, made in Yugoslavia during the 1960s, 1970s and 1980s. In the broadest sense, main characteristics of partisan films are that they are set in Yugoslavia during World War II and have partisans as main protagonists, while antagonists are Axis forces and their collaborators. Outside Yugoslavia, Partisan films were especially popular in China.
The Yugoslav Film Archive was a founding member of the International Federation of Film Archives and was the national film library of the former Yugoslavia, founded in 1949 in Belgrade.
Films
[edit]- Battle of Neretva
- Battle of Sutjeska
- Walter Defends Sarajevo
- Do You Remember Dolly Bell?
- Ko to tamo peva
- The Bridge (1969 film)
- Lude godine
- The Marathon Family
- Time of the Gypsies
- Tko pjeva zlo ne misli
- When Father Was Away on Business
- I Even Met Happy Gypsies
- Kelly's Heroes
- Captain America (1990 film)
- Armour of God
- A Corpse Hangs in the Web
- Le Prix du Danger
- High Road to China
- Transylvania 6-5000 (1985 film)
- Genghis Khan (1965 film)
- The Trial (1962 film)
- W.R.: Mysteries of the Organism
- The Long Ships (film)
- Taras Bulba (1962 film)
- Escape from Sobibor
- Score (1974 film)
- Old Shatterhand (film)
- Winnetou film series
- Kapò
- Man and Beast
- Destination Death
Television
[edit]See also
[edit]- Lists of Yugoslav films
- Cinema of Bosnia and Herzegovina
- Cinema of Croatia
- Cinema of Montenegro
- Cinema of North Macedonia
- Cinema of Serbia
- Cinema of Slovenia
Further reading
[edit]- Daniel J. Goulding (2002). Liberated Cinema: The Yugoslav Experience, 1945-2001. Indiana University Press. ISBN 0-253-34210-4.
- Anikó Imre (7 August 2012). A Companion to Eastern European Cinemas. John Wiley & Sons. pp. 220–. ISBN 978-1-118-29435-2.
- Jugoslovenska kinoteka: 1949-1964. Jugoslovenska kinoteka. 1964.
- Savez filmskih radnika Jugoslavije (1966). Dvadeset 20 godina jugoslovenskog filma 1945-1965. Festival jugoslovenskog filma.
- Yugoslav Films. Películas Yugoslavas. Jugoslawische Filme.
- Janevski, Ana. "'We can't promise to do more than experiment.'" (PDF). Quaderns portàtils. Archived from the original (PDF) on 2019-05-14. Retrieved 2019-05-14.
External links
[edit]- "Jugoslovenska kinoteka" (in Serbian). Kinoteka.