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{{Short description|Chilean painter and cartoonist}}
[[File:Ortiz de Zarate, Manuel - Ret de la pintora Chela Aranis -c1927-29 ost 45.8x32.3 MAC fRF02.jpg|thumb|Portrait painting of Graciela Aranis by [[Manuel Ortiz de Zárate]].]]
[[File:Ortiz de Zarate, Manuel - Ret de la pintora Chela Aranis -c1927-29 ost 45.8x32.3 MAC fRF02.jpg|thumb|Portrait painting of Graciela Aranis by [[Manuel Ortiz de Zárate]].]]
'''Graciela Aranis''', artistically known as '''Chela Aranís''' (October 6, 1908 - December 12, 1996), was a Chilean painter and cartoonist associated with the "Generación del 28"<ref name="1-">Biblioteca del Museo Nacional de Bellas Artes. "Graciela Aranis (1908-1996)" (ASPX). www.artistasplasticoschilenos.cl.</ref><ref name="2-">Cruz de Amenábar, Isabel (1977). "Pintura chilena". Santiago de Chile: Museo Nacional de Bellas Artes de Chile. p. 86.</ref> and the [[Grupo Montparnasse]].<ref name="3-">Guzmán Schiappacasse, Fernando; Cortés Aliaga, Gloria; Martínez Silva, Juan Manuel (2004). ''Arte y crisis en Iberoamérica: segundas Jornadas de Historia del Arte''. RIL Editores. p. 442. ISBN 978-956-284-387-4.</ref>
'''Graciela Aranis''', artistically known as '''Chela Aranís''' (October 6, 1908 - December 12, 1996), was a Chilean painter and cartoonist associated with the "Generación del 28"<ref name="1-">Biblioteca del Museo Nacional de Bellas Artes. "Graciela Aranis (1908-1996)" (ASPX). www.artistasplasticoschilenos.cl.</ref><ref name="2-">Cruz de Amenábar, Isabel (1977). "Pintura chilena". Santiago de Chile: Museo Nacional de Bellas Artes de Chile. p. 86.</ref> and the [[Grupo Montparnasse]].<ref name="3-">Guzmán Schiappacasse, Fernando; Cortés Aliaga, Gloria; Martínez Silva, Juan Manuel (2004). ''Arte y crisis en Iberoamérica: segundas Jornadas de Historia del Arte''. RIL Editores. p. 442. ISBN 978-956-284-387-4.</ref>
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Graciela Aranis was born in [[Santiago]], October 6, 1908. She was the daughter of Pedro Aranís and Eduvigis Valdivia.
Graciela Aranis was born in [[Santiago]], October 6, 1908. She was the daughter of Pedro Aranís and Eduvigis Valdivia.


She studied at the School of Fine Arts of the [[University of Chile]], <ref name="4-">Oyarzún, Luis (2005). "Exposición de Graciela Aranís. Taken for a Ride: Escritura de Paso". RIL Editores. p. 454. ISBN 978-956-284-477-2.</ref> where she was a student of [[Ricardo Richon Brunet]], [[María Aranis]], and [[Juan Francisco González]],<ref name="1-" /><ref name="5-">Museo de Arte Contemporáneo de Santiago. "Graciela Aranis". www.mac.uchile.cl.</ref> and at the Scandinavian Academy, where she studied under the tutelage of [[André Lhote]] and [[Marcel-Lenoir]].<ref name="1-" /> At the beginning of her career, her work was characterized "by an opaque and dark color, influenced by the dramatic spirits of the time, and then in [[Paris]], the artist was able to release her plastic vision towards the spontaneous expression of form and color".<ref name="1-" />
She studied at the School of Fine Arts of the [[University of Chile]],<ref name="4-">Oyarzún, Luis (2005). "Exposición de Graciela Aranís. Taken for a Ride: Escritura de Paso". RIL Editores. p. 454. ISBN 978-956-284-477-2.</ref> where she was a student of [[Ricardo Richon Brunet]], [[María Aranis]], and [[Juan Francisco González]],<ref name="1-" /><ref name="5-">Museo de Arte Contemporáneo de Santiago. "Graciela Aranis". www.mac.uchile.cl.</ref> and at the Scandinavian Academy, where she studied under the tutelage of [[André Lhote]] and [[Marcel-Lenoir]].<ref name="1-" /> At the beginning of her career, her work was characterized "by an opaque and dark color, influenced by the dramatic spirits of the time, and then in [[Paris]], the artist was able to release her plastic vision towards the spontaneous expression of form and color".<ref name="1-" />


Aranis participated in several individual and group exhibitions during her career, including those held at the Official Hall of Santiago in 1922, 1923, 1924, 1927, 1928, 1929 and 1939; at the [[Ibero-American Exposition of 1929|Ibero-American Exhibition of Seville]] (1929); at the II [[São Paulo Art Biennial]] (1953); the exhibition ''La mujer en el arte'' at the [[Chilean National Museum of Fine Arts]] (1975); among several others in Chile, Switzerland, the United States and Brazil.<ref name="1-" /> She died in [[Bern]], Switzerland, December 12, 1996.
Aranis participated in several individual and group exhibitions during her career, including those held at the Official Hall of Santiago in 1922, 1923, 1924, 1927, 1928, 1929 and 1939; at the [[Ibero-American Exposition of 1929|Ibero-American Exhibition of Seville]] (1929); at the II [[São Paulo Art Biennial]] (1953); the exhibition ''La mujer en el arte'' at the [[Chilean National Museum of Fine Arts]] (1975); among several others in Chile, Switzerland, the United States and Brazil.<ref name="1-" /> She was married to the Swiss artist [[Serge Brignoni]].<ref>{{Cite web |title=Swiss avant-garde artist Serge Brignoni dies at 99 |url=https://www.swissinfo.ch/eng/swiss-avant-garde-artist-serge-brignoni-dies-at-99/2469152 |access-date=2023-01-06 |website=SWI swissinfo.ch |language=en}}</ref> She died in [[Bern]], Switzerland, December 12, 1996.


==References==
==References==
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[[Category:Chilean women painters]]
[[Category:Chilean women painters]]
[[Category:Chilean cartoonists]]
[[Category:Chilean cartoonists]]
[[Category:Women cartoonists]]
[[Category:Chilean women cartoonists]]
[[Category:People from Santiago]]
[[Category:Artists from Santiago, Chile]]
[[Category:University of Chile alumni]]
[[Category:University of Chile alumni]]
[[Category:20th-century women painters]]

Latest revision as of 11:13, 16 November 2024

Portrait painting of Graciela Aranis by Manuel Ortiz de Zárate.

Graciela Aranis, artistically known as Chela Aranís (October 6, 1908 - December 12, 1996), was a Chilean painter and cartoonist associated with the "Generación del 28"[1][2] and the Grupo Montparnasse.[3]

Biography

[edit]

Graciela Aranis was born in Santiago, October 6, 1908. She was the daughter of Pedro Aranís and Eduvigis Valdivia.

She studied at the School of Fine Arts of the University of Chile,[4] where she was a student of Ricardo Richon Brunet, María Aranis, and Juan Francisco González,[1][5] and at the Scandinavian Academy, where she studied under the tutelage of André Lhote and Marcel-Lenoir.[1] At the beginning of her career, her work was characterized "by an opaque and dark color, influenced by the dramatic spirits of the time, and then in Paris, the artist was able to release her plastic vision towards the spontaneous expression of form and color".[1]

Aranis participated in several individual and group exhibitions during her career, including those held at the Official Hall of Santiago in 1922, 1923, 1924, 1927, 1928, 1929 and 1939; at the Ibero-American Exhibition of Seville (1929); at the II São Paulo Art Biennial (1953); the exhibition La mujer en el arte at the Chilean National Museum of Fine Arts (1975); among several others in Chile, Switzerland, the United States and Brazil.[1] She was married to the Swiss artist Serge Brignoni.[6] She died in Bern, Switzerland, December 12, 1996.

References

[edit]
  1. ^ a b c d e Biblioteca del Museo Nacional de Bellas Artes. "Graciela Aranis (1908-1996)" (ASPX). www.artistasplasticoschilenos.cl.
  2. ^ Cruz de Amenábar, Isabel (1977). "Pintura chilena". Santiago de Chile: Museo Nacional de Bellas Artes de Chile. p. 86.
  3. ^ Guzmán Schiappacasse, Fernando; Cortés Aliaga, Gloria; Martínez Silva, Juan Manuel (2004). Arte y crisis en Iberoamérica: segundas Jornadas de Historia del Arte. RIL Editores. p. 442. ISBN 978-956-284-387-4.
  4. ^ Oyarzún, Luis (2005). "Exposición de Graciela Aranís. Taken for a Ride: Escritura de Paso". RIL Editores. p. 454. ISBN 978-956-284-477-2.
  5. ^ Museo de Arte Contemporáneo de Santiago. "Graciela Aranis". www.mac.uchile.cl.
  6. ^ "Swiss avant-garde artist Serge Brignoni dies at 99". SWI swissinfo.ch. Retrieved 2023-01-06.