Crossing the Rubicon (song): Difference between revisions
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{{short description|2020 song by Bob Dylan}} |
{{short description|2020 song by Bob Dylan}} |
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{{Use mdy dates|date=March 2020}} |
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{{Infobox song |
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{{Use mdy dates|date=March 2020}}{{Infobox song|name=Crossing the Rubicon|cover=|alt=|caption=|type=song|artist=[[Bob Dylan]]|album=[[Rough and Rowdy Ways]]|B-side=|released=June 19, 2020|recorded=January-February, 2020|studio=[[Sound City Studios]]|genre=[[Blues]]|length=7:22|label=[[Columbia Records|Columbia]]|writer=Bob Dylan|producer=None listed|next_year=2020|misc= {{Extra track listing |
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|name=Crossing the Rubicon |
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|cover= |
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|alt= |
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|caption= |
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|type=song |
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|artist=[[Bob Dylan]] |
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|album=[[Rough and Rowdy Ways]] |
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|released=June 19, 2020 |
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|recorded=January–February 2020 |
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|studio=[[Sound City Studios|Sound City]] (Los Angeles) |
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|genre=[[Blues]] |
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|length=7:22 |
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|label=[[Columbia Records|Columbia]] |
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|writer=Bob Dylan |
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|producer=None listed |
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|misc= {{Extra track listing |
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| album = [[Rough and Rowdy Ways]] |
| album = [[Rough and Rowdy Ways]] |
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| type = studio |
| type = studio |
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| tracks = {{Rough and Rowdy Ways tracks}} |
| tracks = {{Rough and Rowdy Ways tracks}} |
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}}|format=}} |
}}|format=}} |
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[[File:LocationRubicon.PNG|alt=|thumb|The modern [[Rubicon]] |
[[File:LocationRubicon.PNG|alt=|thumb|The modern [[Rubicon]] river (dark blue), believed to be the same river crossed by Caesar]] |
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"'''Crossing the Rubicon'''" is a song written and performed by the American singer-songwriter [[Bob Dylan]] and released as the eighth track on his 2020 album ''[[Rough and Rowdy Ways]]''. It is a slow electric blues |
"'''Crossing the Rubicon'''" is a song written and performed by the American singer-songwriter [[Bob Dylan]] and released as the eighth track on his 2020 album ''[[Rough and Rowdy Ways]]''. It is a slow electric blues featuring lyrics that heavily reference [[classical antiquity]] and the life of [[Julius Caesar]] in particular.<ref>{{Cite web|title=Crossing the Rubicon {{!}} The Official Bob Dylan Site|url=http://www.bobdylan.com/songs/crossing-the-rubicon/|access-date=2021-02-18|website=www.bobdylan.com}}</ref> |
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== Background and composition == |
== Background and composition == |
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Making allusions to and appropriating phrases from the literature and cultures of [[Ancient Greece]] and [[Ancient Rome]] has been an important part of Dylan's songwriting process in the 21st century (beginning with a single quotation from [[Virgil]]'s ''[[Aeneid]]'' in his 2001 song "[[Lonesome Day Blues]]" from [[Love and Theft (Bob Dylan album)|''Love and Theft'']]).<ref>{{Cite web|title=Calder Classics — Timeless Bob Dylan: Inspired by the Classics|url=https://www.calderclassics.com/blog/2016/10/20/timeless-bob-dylan-inspired-by-the-classics|access-date=2021-02-27|website=Calder Classics|language=en-US}}</ref> These references, as charted by historian and [[Harvard University|Harvard]] Latinist [[Richard F. Thomas]] in his 2017 book ''Why Bob Dylan Matters'',<ref>{{Cite book|last=Thomas|first=Richard F.|url=https://www.worldcat.org/oclc/972383831|title=Why Bob Dylan matters|date=2017|isbn=978-0-06-268573-5|edition=First|location=New York, NY|oclc=972383831}}</ref> have become more frequent and prominent in Dylan's original songs over time, culminating with ''[[Rough and Rowdy Ways]]'' featuring two songs that use [[classical antiquity]] explicitly as their subjects (as evidenced by their titles): "[[Mother of Muses]]"<ref>{{Cite web|title=Mother of Muses {{!}} The Official Bob Dylan Site|url=http://www.bobdylan.com/songs/mother-of-muses/|access-date=2021-04-07|website=www.bobdylan.com}}</ref> and "Crossing the Rubicon". It was likely intentional on Dylan's part for these two songs to be sequenced next to each other on the album. |
Making allusions to and appropriating phrases from the literature and cultures of [[Ancient Greece]] and [[Ancient Rome]] has been an important part of Dylan's songwriting process in the 21st century (beginning with a single quotation from [[Virgil]]'s ''[[Aeneid]]'' in his 2001 song "[[Lonesome Day Blues]]" from [[Love and Theft (Bob Dylan album)|''Love and Theft'']]).<ref>{{Cite web|title=Calder Classics — Timeless Bob Dylan: Inspired by the Classics|url=https://www.calderclassics.com/blog/2016/10/20/timeless-bob-dylan-inspired-by-the-classics|access-date=2021-02-27|website=Calder Classics|date=November 16, 2018 |language=en-US}}</ref> These references, as charted by historian and [[Harvard University|Harvard]] Latinist [[Richard F. Thomas]] in his 2017 book ''Why Bob Dylan Matters'',<ref>{{Cite book|last=Thomas|first=Richard F.|url=https://www.worldcat.org/oclc/972383831|title=Why Bob Dylan matters|date=2017|isbn=978-0-06-268573-5|edition=First|location=New York, NY|oclc=972383831}}</ref> have become more frequent and prominent in Dylan's original songs over time, culminating with ''[[Rough and Rowdy Ways]]'' featuring two songs that use [[classical antiquity]] explicitly as their subjects (as evidenced by their titles): "[[Mother of Muses]]"<ref>{{Cite web|title=Mother of Muses {{!}} The Official Bob Dylan Site|url=http://www.bobdylan.com/songs/mother-of-muses/|access-date=2021-04-07|website=www.bobdylan.com}}</ref> and "Crossing the Rubicon". It was likely intentional on Dylan's part for these two songs to be sequenced next to each other on the album. |
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Musically, "Crossing the Rubicon" resembles Dylan's earlier blues songs "Million Miles"<ref>{{Cite web|author=Haney, Paul|title=Bob Dylan Contradicts Himself: A Song-By-Song Breakdown Of The Ambitious 'Rough And Rowdy Ways'|url=https://glidemagazine.com/244833/bob-dylan-contradicts-himself-a-song-by-song-breakdown-of-the-ambitious-rough-and-rowdy-ways/|access-date=2021-02-18|website=glidemagazine.com|date=June 23, 2020 }}</ref> from 1997's [[Time Out of Mind (Bob Dylan album)|''Time Out of Mind'']], and "Cry a While"<ref>{{Cite web|title=Rough and Rowdy Ways: the review {{!}} Untold Dylan|date=June 19, 2020 |url=https://bob-dylan.org.uk/archives/15324|access-date=2021-04-07|language=en-GB}}</ref> from 2001's [[Love and Theft (Bob Dylan album)|''Love and Theft'']]. In the 2022 edition of their book ''Bob Dylan All the Songs: The Story Behind Every Track'', authors Philippe Margotin and Jean-Michel Guesdon claim that the song is "treading in the footsteps of [[Jimmy Reed]] and [[John Lee Hooker]]" but note that it has "quite unusual lyrics for this musical style".<ref>{{Cite book|last=Margotin|first=Philippe|title=Bob Dylan : all the songs : the story behind every track|author2=Jean-Michel Guesdon|date=2022 |isbn=978-0-7624-7573-5|edition=Second|location=New York|oclc=869908038}}</ref> The song is performed in the key of [[C major]].<ref>{{Cite web|title=Bob Dylan - Crossing the Rubicon Chords - Chordify|url=https://chordify.net/chords/bob-dylan-crossing-the-rubicon-official-audio-bobdylanvevo|access-date=2021-07-02|website=chordify.net|language=en}}</ref> |
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⚫ | The expression "[[Crossing the Rubicon|to cross the Rubicon]]" is a metaphor meaning to "to take an irrevocable step that commits one to a specific course". The phrase has its origin in [[Julius Caesar]]'s decision to cross the Rubicon river in 49 BCE, bringing his troops from [[Gaul]] into Italy and starting a five-year civil war that ended the [[Roman Republic]] and began the [[Roman Empire]]. The decision sealed Caesar's political future as he was declared "dictator for life" at war's end.<ref>{{Cite web| |
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⚫ | The opening line of the song ("I crossed the Rubicon on the 14th day of the most dangerous month of the year") is interesting in that it references not the day Caesar actually did cross the Rubicon river (which was the 10th of January) but rather, according to [[Richard F. Thomas]], the 14th day of "what for Julius Caesar was emphatically the most dangerous month, March, whose [[Ides of March|Ides]] of course fell on the next day, his death day". Thomas sees this reference to Caesar's murder as significant in that it positions "Crossing the Rubicon" as the first song of "the closing epic triad of the album, each founded on political assassination": Julius Caesar (44 BCE) in "Crossing the Rubicon", followed by [[William McKinley]] (1901) in [[Key West (Philosopher Pirate)]] and [[John F. |
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⚫ | The expression "[[Crossing the Rubicon|to cross the Rubicon]]" is a metaphor meaning to "to take an irrevocable step that commits one to a specific course". The phrase has its origin in [[Julius Caesar]]'s decision to cross the Rubicon river in 49 BCE, bringing his troops from [[Gaul]] into Italy and starting a five-year civil war that ended the [[Roman Republic]] and began the [[Roman Empire]]. The decision sealed Caesar's political future as he was declared "dictator for life" at war's end.<ref>{{Cite web|last1=M. A.|first1=Linguistics|last2=B. A.|first2=Latin|title=What Does the Expression 'Crossing the Rubicon' Mean?|url=https://www.thoughtco.com/meaning-cross-the-rubicon-117548|access-date=2021-02-18|website=ThoughtCo|language=en}}</ref> In the song, Dylan seems to use the refrain "And I crossed the Rubicon" in both a figurative as well as a literal sense (i.e., he is singing in the first person as Caesar). The first-person narrators of two other songs on ''[[Rough and Rowdy Ways]]'' also mention either identifying with or being Caesar: "[[My Own Version of You]]" ("I pick a number between one and two / And ask myself what would Julius Caesar do")<ref>{{Cite web|title=My Own Version of You {{!}} The Official Bob Dylan Site|url=http://www.bobdylan.com/songs/my-own-version-of-you/|access-date=2021-02-18|website=www.bobdylan.com}}</ref> and "[[Key West (Philosopher Pirate)]]" ("Got my right hand high with the thumb down").<ref>{{Cite web|title=Key West (Philosopher Pirate) {{!}} The Official Bob Dylan Site|url=http://www.bobdylan.com/songs/key-west-philosopher-pirate/|access-date=2021-02-18|website=www.bobdylan.com}}</ref> |
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⚫ | The opening line of the song ("I crossed the Rubicon on the 14th day of the most dangerous month of the year") is interesting in that it references not the day Caesar actually did cross the Rubicon river (which was the 10th of January) but rather, according to [[Richard F. Thomas]], the 14th day of "what for Julius Caesar was emphatically the most dangerous month, March, whose [[Ides of March|Ides]] of course fell on the next day, his death day". Thomas sees this reference to Caesar's murder as significant in that it positions "Crossing the Rubicon" as the first song of "the closing epic triad of the album, each founded on political assassination": Julius Caesar (44 BCE) in "Crossing the Rubicon", followed by [[William McKinley]] (1901) in [[Key West (Philosopher Pirate)]] and [[John F. Kennedy]] (1963) in "[[Murder Most Foul (song)|Murder Most Foul]]"<ref>{{Cite web|title=Mother of Muses {{!}} The Official Bob Dylan Site|url=http://www.bobdylan.com/songs/mother-of-muses/|access-date=2021-04-07|website=www.bobdylan.com}}</ref> (with "[[Mother of Muses]]" serving the important structural function of being the "epic invocation" to this triad).<ref>{{Cite web|title=Richard Thomas, "And I Crossed the Rubic|url=https://www.dylanreview.org/richard-thomas-crossed-the-rubicon|access-date=2021-02-18|website=mysite|language=en|archive-date=February 24, 2021|archive-url=https://web.archive.org/web/20210224200957/https://www.dylanreview.org/richard-thomas-crossed-the-rubicon|url-status=dead}}</ref> |
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== Critical reception == |
== Critical reception == |
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[[Carl Wilson (writer)|Carl Wilson]], writing at [[Slate (magazine)|''Slate'']], called the song "a diss-track/battle-rap/crawling-kingsnake number in which, like several times here, Dylan imagines himself as a strutting ancient Roman general, promising, 'I'll make your wife a widow / You'll never see old age'".<ref>{{Cite web|last=Wilson|first=Carl|date=2020-06-18|title=Bob Dylan's New Album Is His Best in Many Years, Maybe Decades|url=https://slate.com/culture/2020/06/bob-dylan-rough-rowdy-ways-album-review.html|access-date=2021-02-18|website=Slate Magazine|language=en}}</ref> [[Variety (magazine)|Variety]]'s Chris Willman also compared the song to hip-hop, calling it "[[Every Grain of Sand]]" meets "gangsta rap" for the way it alternates between murderous boasts and spiritual observations such as "I feel the Holy Spirit inside, see the light that freedom gives / I believe it's in the reach of every man who lives |
[[Carl Wilson (writer)|Carl Wilson]], writing at [[Slate (magazine)|''Slate'']], called the song "a diss-track/battle-rap/crawling-kingsnake number in which, like several times here, Dylan imagines himself as a strutting ancient Roman general, promising, 'I'll make your wife a widow / You'll never see old age'".<ref>{{Cite web|last=Wilson|first=Carl|date=2020-06-18|title=Bob Dylan's New Album Is His Best in Many Years, Maybe Decades|url=https://slate.com/culture/2020/06/bob-dylan-rough-rowdy-ways-album-review.html|access-date=2021-02-18|website=Slate Magazine|language=en}}</ref> [[Variety (magazine)|Variety]]'s Chris Willman also compared the song to hip-hop, calling it "[[Every Grain of Sand]]" meets "gangsta rap" for the way it alternates between murderous boasts and spiritual observations such as "I feel the Holy Spirit inside, see the light that freedom gives / I believe it's in the reach of every man who lives".<ref>{{Cite web|last=Willman|first=Chris|date=2020-06-17|title=Bob Dylan's 'Rough and Rowdy Ways': Album Review|url=https://variety.com/2020/music/news/bob-dylan-album-review-rough-rowdy-ways-1234637608/|access-date=2021-02-18|website=Variety|language=en-US}}</ref> Anne Margaret Daniel, writing at ''[[Hot Press]]'', calls the "one-two punch" of "Crossing the Rubicon" and "[[Key West (Philosopher Pirate)]]" "my favourite section of ''Rough and Rowdy Ways''. Were the record an epic poem construction, I'd say these are my favourite books. Both are long songs, telling stories, giving and taking, promising and threatening, cautionary and yet comforting".<ref>{{Cite web|last=Daniel|first=Anne Margaret|title=The Verdict on Rough and Rowdy Ways by Bob Dylan: A Record We Need Right Now|url=https://www.hotpress.com/music/the-verdict-on-rough-and-rowdy-ways-by-bob-dylan-a-record-we-need-right-now-22818799|access-date=2021-02-18|website=Hotpress}}</ref> |
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'' |
''Spectrum Culture'' included the song on a list of "Bob Dylan's 20 Best Songs of the '10s and Beyond". In an article accompanying the list, critic Pat Padua observes that the title's reference to passing a point of no return seems to echo the title of [[D. A. Pennebaker]] 1967 Dylan documentary ''[[Dont Look Back]]''. Padua notes that while the film functions as a "profile of a young star at his peak of fame; the resonance here, when it's 'darkest before the dawn', is that of an old man looking back at his youthful arrogance and realizing it's time to pay his dues. So Dylan's biblical visions appear in almost every verse: 'purgatory', 'heaven and earth'. He's misbehaved, and he has regrets...He takes on all this in the ancient form of the blues, his grizzled voice like that of an old country bluesman worried about the troubled life he's lived".<ref>{{Cite web|date=2021-02-19|title=Bob Dylan's 20 Best Songs of the '10s and Beyond|url=https://spectrumculture.com/2021/02/18/bob-dylans-20-best-songs-of-the-10s-and-beyond/|access-date=2021-03-04|website=Spectrum Culture|language=en-US}}</ref> |
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A 2021 ''[[WhatCulture]]'' article on the "10 Most Underrated Bob Dylan Songs" placed "Crossing the Rubicon" at #9, noting that the singer has "not been so lithe on the mic for many a year, perhaps since '[[Stuck Inside of Mobile with the Memphis Blues Again|Stuck Inside of Mobile]]'-era word salad Dylan. He postures, throws out threats, conjures violent images, and sounds like he’s having a blast doing it".<ref>{{Cite web|last=Mills|first=Josh|date=2021-09-07|title=10 Most Underrated Bob Dylan Songs|url=https://whatculture.com/music/10-most-underrated-bob-dylan-songs|access-date=2021-09-09|website=WhatCulture.com|language=en}}</ref> A 2021 article at ''Inside of Knoxville'' listed it as one of the "25 Best Dylan Songs from the Last 25 Years".<ref>{{Cite web|date=2021-11-10|title=Dylan is in Town: 25 Best Dylan Songs from the Last 25 Years {{!}} Inside of Knoxville|url=https://insideofknoxville.com/2021/11/dylan-is-in-town-25-best-dylan-songs-from-the-last-25-years/|access-date=2022-02-18|website=insideofknoxville.com|language=en-US}}</ref> |
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== Cultural references == |
== Cultural references == |
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The second verse describes the Rubicon as being the "Red river...redder than the blood that flows from the rose". [[Richard F. Thomas]] sees this as a reference to a verse by the Latin poet [[Lucan]] who, before being forced to commit suicide by [[Nero]], wrote: "The bright red river Rubicon flows from modest spring through the bottom of a valley, valleys, dividing Gaul from Italian lands". Thomas believes that the "redness" described |
The second verse describes the Rubicon as being the "Red river...redder than the blood that flows from the rose". [[Richard F. Thomas]] sees this as a reference to a verse by the Latin poet [[Lucan]] who, before being forced to commit suicide by [[Nero]], wrote: "The bright red river Rubicon flows from modest spring through the bottom of a valley, valleys, dividing Gaul from Italian lands". Thomas believes that the "redness" described by both Lucan and Dylan is a poetic reference to the waters being bloodied by the civil war after the Rubicon had been crossed by [[Julius Caesar]].<ref>{{Cite web|title=Richard Thomas, "And I Crossed the Rubic|url=https://www.dylanreview.org/richard-thomas-crossed-the-rubicon|access-date=2021-02-18|website=mysite|language=en|archive-date=February 24, 2021|archive-url=https://web.archive.org/web/20210224200957/https://www.dylanreview.org/richard-thomas-crossed-the-rubicon|url-status=dead}}</ref> |
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The line "I painted my wagon - I abandoned all hope and I crossed the Rubicon" humorously juxtaposes a reference to [[Lerner and Loewe]]'s 1951 western-musical [[Paint Your Wagon (musical)|''Paint Your Wagon'']]<ref>{{Cite web|date=2017-05-03|title=Paint Your Wagon|url=https://www.mtishows.com/paint-your-wagon|access-date=2021-04-07|website=Music Theatre International|language=en}}</ref> with an oft-quoted line from [[Dante Alighieri|Dante]]'s [[Inferno (Dante)|''Inferno'']].<ref>{{Cite web|last=Martin|first=Gary|title='Abandon hope all ye who enter here' - the meaning and origin of this phrase|url=https://www.phrases.org.uk/meanings/abandon-hope-all-ye-who-enter-here.html|access-date=2021-04-07|website=Phrasefinder|language=en}}</ref> |
The line "I painted my wagon - I abandoned all hope and I crossed the Rubicon" humorously juxtaposes a reference to [[Lerner and Loewe]]'s 1951 western-musical [[Paint Your Wagon (musical)|''Paint Your Wagon'']]<ref>{{Cite web|date=2017-05-03|title=Paint Your Wagon|url=https://www.mtishows.com/paint-your-wagon|access-date=2021-04-07|website=Music Theatre International|language=en}}</ref> with an oft-quoted line from [[Dante Alighieri|Dante]]'s [[Inferno (Dante)|''Inferno'']].<ref>{{Cite web|last=Martin|first=Gary|title='Abandon hope all ye who enter here' - the meaning and origin of this phrase|url=https://www.phrases.org.uk/meanings/abandon-hope-all-ye-who-enter-here.html|access-date=2021-04-07|website=Phrasefinder|language=en}}</ref> Anne Margaret Daniel asks who else but Dylan would yoke two such references together and calls the result "downright multitudinous".<ref>{{Cite web|last=Daniel|first=Anne Margaret|title=The Verdict on Rough and Rowdy Ways by Bob Dylan: A Record We Need Right Now|url=https://www.hotpress.com/music/the-verdict-on-rough-and-rowdy-ways-by-bob-dylan-a-record-we-need-right-now-22818799|access-date=2021-02-18|website=Hotpress}}</ref> |
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The song's penultimate line, "The killing frost is on the ground and the autumn leaves are gone", references the 1946 song "[[Autumn Leaves (1945 song)|Autumn Leaves]]", which Dylan recorded for his 2015 album ''[[Shadows in the Night]]'' and which subsequently became his most frequently played cover song ever.<ref>{{Cite web|title=Autumn Leaves {{!}} The Official Bob Dylan Site|url=http://www.bobdylan.com/songs/autumn-leaves/|access-date=2021-02-18|website=www.bobdylan.com}}</ref> |
The song's penultimate line, "The killing frost is on the ground and the autumn leaves are gone", references the 1946 song "[[Autumn Leaves (1945 song)|Autumn Leaves]]", which Dylan recorded for his 2015 album ''[[Shadows in the Night]]'' and which subsequently became his most frequently played cover song ever.<ref>{{Cite web|title=Autumn Leaves {{!}} The Official Bob Dylan Site|url=http://www.bobdylan.com/songs/autumn-leaves/|access-date=2021-02-18|website=www.bobdylan.com}}</ref> |
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==Live performances== |
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The live debut of "Crossing the Rubicon" took place at the [[Arizona Federal Theatre]] in [[Phoenix, Arizona]] on March 3, 2022, the first show of the second leg of Dylan's [[Rough and Rowdy Ways World Wide Tour]].<ref>{{Cite web |title=2022-03-03 Arizona Federal Theatre, Phoenix, Arizona {{!}} The Official Bob Dylan Site |url=http://www.bobdylan.com/date/2022-03-03-phoenix/ |access-date=2022-03-04 |website=www.bobdylan.com}}</ref> In a ''[[Rolling Stone]]'' article, Andy Greene saw this performance of a song about "a bloody civil war" as Dylan possibly commenting on the "ongoing war between Russia and Ukraine".<ref>{{Cite magazine |last=Greene |first=Andy |date=2022-03-04 |title=Hear Bob Dylan Debut 'Crossing the Rubicon' at First Concert of 2022 |url=https://www.rollingstone.com/music/music-news/bob-dylan-debut-crossing-the-rubicon-1316560/ |access-date=2022-03-06 |magazine=Rolling Stone |language=en-US}}</ref> He played it at all 209 remaining shows of the tour through its conclusion in London, England on November 14, 2024.<ref>{{Cite web |title=Setlists {{!}} The Official Bob Dylan Site |url=https://www.bobdylan.com/setlists/?id_song=34416 |access-date=2024-06-03 |website=www.bobdylan.com}}</ref> |
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== References == |
== References == |
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== External links == |
== External links == |
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* {{ |
* {{youTube|r3stG270JaM}} |
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* [http://www.bobdylan.com/songs/crossing-the-rubicon/ Lyrics] at Bob Dylan's official site |
* [http://www.bobdylan.com/songs/crossing-the-rubicon/ Lyrics] at Bob Dylan's official site |
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* [https://dylanchords.info/56_rough/08-crossing_the_rubicon.html Chords] at Dylanchords |
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{{Bob Dylan}} |
{{Bob Dylan}} |
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[[Category:Bob Dylan songs]] |
[[Category:Bob Dylan songs]] |
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[[Category:Songs written by Bob Dylan]] |
[[Category:Songs written by Bob Dylan]] |
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[[Category:Songs about Julius Caesar]] |
Latest revision as of 22:59, 16 November 2024
"Crossing the Rubicon" | |
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Song by Bob Dylan | |
from the album Rough and Rowdy Ways | |
Released | June 19, 2020 |
Recorded | January–February 2020 |
Studio | Sound City (Los Angeles) |
Genre | Blues |
Length | 7:22 |
Label | Columbia |
Songwriter(s) | Bob Dylan |
Producer(s) | None listed |
Rough and Rowdy Ways track listing | |
"Crossing the Rubicon" is a song written and performed by the American singer-songwriter Bob Dylan and released as the eighth track on his 2020 album Rough and Rowdy Ways. It is a slow electric blues featuring lyrics that heavily reference classical antiquity and the life of Julius Caesar in particular.[1]
Background and composition
[edit]Making allusions to and appropriating phrases from the literature and cultures of Ancient Greece and Ancient Rome has been an important part of Dylan's songwriting process in the 21st century (beginning with a single quotation from Virgil's Aeneid in his 2001 song "Lonesome Day Blues" from Love and Theft).[2] These references, as charted by historian and Harvard Latinist Richard F. Thomas in his 2017 book Why Bob Dylan Matters,[3] have become more frequent and prominent in Dylan's original songs over time, culminating with Rough and Rowdy Ways featuring two songs that use classical antiquity explicitly as their subjects (as evidenced by their titles): "Mother of Muses"[4] and "Crossing the Rubicon". It was likely intentional on Dylan's part for these two songs to be sequenced next to each other on the album.
Musically, "Crossing the Rubicon" resembles Dylan's earlier blues songs "Million Miles"[5] from 1997's Time Out of Mind, and "Cry a While"[6] from 2001's Love and Theft. In the 2022 edition of their book Bob Dylan All the Songs: The Story Behind Every Track, authors Philippe Margotin and Jean-Michel Guesdon claim that the song is "treading in the footsteps of Jimmy Reed and John Lee Hooker" but note that it has "quite unusual lyrics for this musical style".[7] The song is performed in the key of C major.[8]
Themes
[edit]The expression "to cross the Rubicon" is a metaphor meaning to "to take an irrevocable step that commits one to a specific course". The phrase has its origin in Julius Caesar's decision to cross the Rubicon river in 49 BCE, bringing his troops from Gaul into Italy and starting a five-year civil war that ended the Roman Republic and began the Roman Empire. The decision sealed Caesar's political future as he was declared "dictator for life" at war's end.[9] In the song, Dylan seems to use the refrain "And I crossed the Rubicon" in both a figurative as well as a literal sense (i.e., he is singing in the first person as Caesar). The first-person narrators of two other songs on Rough and Rowdy Ways also mention either identifying with or being Caesar: "My Own Version of You" ("I pick a number between one and two / And ask myself what would Julius Caesar do")[10] and "Key West (Philosopher Pirate)" ("Got my right hand high with the thumb down").[11]
The opening line of the song ("I crossed the Rubicon on the 14th day of the most dangerous month of the year") is interesting in that it references not the day Caesar actually did cross the Rubicon river (which was the 10th of January) but rather, according to Richard F. Thomas, the 14th day of "what for Julius Caesar was emphatically the most dangerous month, March, whose Ides of course fell on the next day, his death day". Thomas sees this reference to Caesar's murder as significant in that it positions "Crossing the Rubicon" as the first song of "the closing epic triad of the album, each founded on political assassination": Julius Caesar (44 BCE) in "Crossing the Rubicon", followed by William McKinley (1901) in Key West (Philosopher Pirate) and John F. Kennedy (1963) in "Murder Most Foul"[12] (with "Mother of Muses" serving the important structural function of being the "epic invocation" to this triad).[13]
Critical reception
[edit]Carl Wilson, writing at Slate, called the song "a diss-track/battle-rap/crawling-kingsnake number in which, like several times here, Dylan imagines himself as a strutting ancient Roman general, promising, 'I'll make your wife a widow / You'll never see old age'".[14] Variety's Chris Willman also compared the song to hip-hop, calling it "Every Grain of Sand" meets "gangsta rap" for the way it alternates between murderous boasts and spiritual observations such as "I feel the Holy Spirit inside, see the light that freedom gives / I believe it's in the reach of every man who lives".[15] Anne Margaret Daniel, writing at Hot Press, calls the "one-two punch" of "Crossing the Rubicon" and "Key West (Philosopher Pirate)" "my favourite section of Rough and Rowdy Ways. Were the record an epic poem construction, I'd say these are my favourite books. Both are long songs, telling stories, giving and taking, promising and threatening, cautionary and yet comforting".[16]
Spectrum Culture included the song on a list of "Bob Dylan's 20 Best Songs of the '10s and Beyond". In an article accompanying the list, critic Pat Padua observes that the title's reference to passing a point of no return seems to echo the title of D. A. Pennebaker 1967 Dylan documentary Dont Look Back. Padua notes that while the film functions as a "profile of a young star at his peak of fame; the resonance here, when it's 'darkest before the dawn', is that of an old man looking back at his youthful arrogance and realizing it's time to pay his dues. So Dylan's biblical visions appear in almost every verse: 'purgatory', 'heaven and earth'. He's misbehaved, and he has regrets...He takes on all this in the ancient form of the blues, his grizzled voice like that of an old country bluesman worried about the troubled life he's lived".[17]
A 2021 WhatCulture article on the "10 Most Underrated Bob Dylan Songs" placed "Crossing the Rubicon" at #9, noting that the singer has "not been so lithe on the mic for many a year, perhaps since 'Stuck Inside of Mobile'-era word salad Dylan. He postures, throws out threats, conjures violent images, and sounds like he’s having a blast doing it".[18] A 2021 article at Inside of Knoxville listed it as one of the "25 Best Dylan Songs from the Last 25 Years".[19]
Cultural references
[edit]The second verse describes the Rubicon as being the "Red river...redder than the blood that flows from the rose". Richard F. Thomas sees this as a reference to a verse by the Latin poet Lucan who, before being forced to commit suicide by Nero, wrote: "The bright red river Rubicon flows from modest spring through the bottom of a valley, valleys, dividing Gaul from Italian lands". Thomas believes that the "redness" described by both Lucan and Dylan is a poetic reference to the waters being bloodied by the civil war after the Rubicon had been crossed by Julius Caesar.[20]
The line "I painted my wagon - I abandoned all hope and I crossed the Rubicon" humorously juxtaposes a reference to Lerner and Loewe's 1951 western-musical Paint Your Wagon[21] with an oft-quoted line from Dante's Inferno.[22] Anne Margaret Daniel asks who else but Dylan would yoke two such references together and calls the result "downright multitudinous".[23]
The song's penultimate line, "The killing frost is on the ground and the autumn leaves are gone", references the 1946 song "Autumn Leaves", which Dylan recorded for his 2015 album Shadows in the Night and which subsequently became his most frequently played cover song ever.[24]
Live performances
[edit]The live debut of "Crossing the Rubicon" took place at the Arizona Federal Theatre in Phoenix, Arizona on March 3, 2022, the first show of the second leg of Dylan's Rough and Rowdy Ways World Wide Tour.[25] In a Rolling Stone article, Andy Greene saw this performance of a song about "a bloody civil war" as Dylan possibly commenting on the "ongoing war between Russia and Ukraine".[26] He played it at all 209 remaining shows of the tour through its conclusion in London, England on November 14, 2024.[27]
References
[edit]- ^ "Crossing the Rubicon | The Official Bob Dylan Site". www.bobdylan.com. Retrieved February 18, 2021.
- ^ "Calder Classics — Timeless Bob Dylan: Inspired by the Classics". Calder Classics. November 16, 2018. Retrieved February 27, 2021.
- ^ Thomas, Richard F. (2017). Why Bob Dylan matters (First ed.). New York, NY. ISBN 978-0-06-268573-5. OCLC 972383831.
{{cite book}}
: CS1 maint: location missing publisher (link) - ^ "Mother of Muses | The Official Bob Dylan Site". www.bobdylan.com. Retrieved April 7, 2021.
- ^ Haney, Paul (June 23, 2020). "Bob Dylan Contradicts Himself: A Song-By-Song Breakdown Of The Ambitious 'Rough And Rowdy Ways'". glidemagazine.com. Retrieved February 18, 2021.
- ^ "Rough and Rowdy Ways: the review | Untold Dylan". June 19, 2020. Retrieved April 7, 2021.
- ^ Margotin, Philippe; Jean-Michel Guesdon (2022). Bob Dylan : all the songs : the story behind every track (Second ed.). New York. ISBN 978-0-7624-7573-5. OCLC 869908038.
{{cite book}}
: CS1 maint: location missing publisher (link) - ^ "Bob Dylan - Crossing the Rubicon Chords - Chordify". chordify.net. Retrieved July 2, 2021.
- ^ M. A., Linguistics; B. A., Latin. "What Does the Expression 'Crossing the Rubicon' Mean?". ThoughtCo. Retrieved February 18, 2021.
- ^ "My Own Version of You | The Official Bob Dylan Site". www.bobdylan.com. Retrieved February 18, 2021.
- ^ "Key West (Philosopher Pirate) | The Official Bob Dylan Site". www.bobdylan.com. Retrieved February 18, 2021.
- ^ "Mother of Muses | The Official Bob Dylan Site". www.bobdylan.com. Retrieved April 7, 2021.
- ^ "Richard Thomas, "And I Crossed the Rubic". mysite. Archived from the original on February 24, 2021. Retrieved February 18, 2021.
- ^ Wilson, Carl (June 18, 2020). "Bob Dylan's New Album Is His Best in Many Years, Maybe Decades". Slate Magazine. Retrieved February 18, 2021.
- ^ Willman, Chris (June 17, 2020). "Bob Dylan's 'Rough and Rowdy Ways': Album Review". Variety. Retrieved February 18, 2021.
- ^ Daniel, Anne Margaret. "The Verdict on Rough and Rowdy Ways by Bob Dylan: A Record We Need Right Now". Hotpress. Retrieved February 18, 2021.
- ^ "Bob Dylan's 20 Best Songs of the '10s and Beyond". Spectrum Culture. February 19, 2021. Retrieved March 4, 2021.
- ^ Mills, Josh (September 7, 2021). "10 Most Underrated Bob Dylan Songs". WhatCulture.com. Retrieved September 9, 2021.
- ^ "Dylan is in Town: 25 Best Dylan Songs from the Last 25 Years | Inside of Knoxville". insideofknoxville.com. November 10, 2021. Retrieved February 18, 2022.
- ^ "Richard Thomas, "And I Crossed the Rubic". mysite. Archived from the original on February 24, 2021. Retrieved February 18, 2021.
- ^ "Paint Your Wagon". Music Theatre International. May 3, 2017. Retrieved April 7, 2021.
- ^ Martin, Gary. "'Abandon hope all ye who enter here' - the meaning and origin of this phrase". Phrasefinder. Retrieved April 7, 2021.
- ^ Daniel, Anne Margaret. "The Verdict on Rough and Rowdy Ways by Bob Dylan: A Record We Need Right Now". Hotpress. Retrieved February 18, 2021.
- ^ "Autumn Leaves | The Official Bob Dylan Site". www.bobdylan.com. Retrieved February 18, 2021.
- ^ "2022-03-03 Arizona Federal Theatre, Phoenix, Arizona | The Official Bob Dylan Site". www.bobdylan.com. Retrieved March 4, 2022.
- ^ Greene, Andy (March 4, 2022). "Hear Bob Dylan Debut 'Crossing the Rubicon' at First Concert of 2022". Rolling Stone. Retrieved March 6, 2022.
- ^ "Setlists | The Official Bob Dylan Site". www.bobdylan.com. Retrieved June 3, 2024.