Talk:Harmony Hammond: Difference between revisions
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While editing, I noticed a lot of potential for new sections that I wasn't able to get to. The lead section is pretty bare and could be expanded upon. Hammond's Wrapped Sculptures aren't included at all, and they represent a valuable period in her body of work. One other piece that seems crucial to Hammond's practice is "Inappropriate Longings", which belongs to an interesting transitional period between sculptural and painterly work. There could also be a full section on her writings, which are only briefly touched on. Arguably the greatest room for improvement is the potential for an entire section on sexuality in Hammond's work. Julia Bryan-Wilson's essay "Queerly Made: Harmony Hammond's Floorpieces" would be a great place to start. (This article would also benefit greatly from photos) [[User:Sempervivium|Sempervivium]] ([[User talk:Sempervivium|talk]]) 01:50, 16 December 2020 (UTC) |
While editing, I noticed a lot of potential for new sections that I wasn't able to get to. The lead section is pretty bare and could be expanded upon. Hammond's Wrapped Sculptures aren't included at all, and they represent a valuable period in her body of work. One other piece that seems crucial to Hammond's practice is "Inappropriate Longings", which belongs to an interesting transitional period between sculptural and painterly work. There could also be a full section on her writings, which are only briefly touched on. Arguably the greatest room for improvement is the potential for an entire section on sexuality in Hammond's work. Julia Bryan-Wilson's essay "Queerly Made: Harmony Hammond's Floorpieces" would be a great place to start. (This article would also benefit greatly from photos) [[User:Sempervivium|Sempervivium]] ([[User talk:Sempervivium|talk]]) 01:50, 16 December 2020 (UTC) |
Latest revision as of 00:25, 17 November 2024
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While editing, I noticed a lot of potential for new sections that I wasn't able to get to. The lead section is pretty bare and could be expanded upon. Hammond's Wrapped Sculptures aren't included at all, and they represent a valuable period in her body of work. One other piece that seems crucial to Hammond's practice is "Inappropriate Longings", which belongs to an interesting transitional period between sculptural and painterly work. There could also be a full section on her writings, which are only briefly touched on. Arguably the greatest room for improvement is the potential for an entire section on sexuality in Hammond's work. Julia Bryan-Wilson's essay "Queerly Made: Harmony Hammond's Floorpieces" would be a great place to start. (This article would also benefit greatly from photos) Sempervivium (talk) 01:50, 16 December 2020 (UTC)
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