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{{DISPLAYTITLE:''Game of Thrones'' title sequence}} |
{{DISPLAYTITLE:''Game of Thrones'' title sequence}} |
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| name = ''Game of Thrones'' title sequence |
| name = ''Game of Thrones'' title sequence |
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| image = Game of Thrones title card.jpg |
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| caption = ''Game of Thrones'' title screen |
| caption = ''Game of Thrones'' title screen from 2011 to 2017, modified for the [[Game of Thrones season 8|final season]]. |
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| director = [[Angus Wall]] |
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The [[title sequence]] of the [[HBO]] [[fantasy television]] series ''[[Game of Thrones]]'' that introduces every episode serves as a guide to the physical landscape of the world of the series. It changes depending on the locations visited in the particular episode it introduces. The title sequence was created by Elastic for HBO, and is accompanied by a [[Game of Thrones Theme|theme |
The [[title sequence]] of the [[HBO]] [[fantasy television]] series ''[[Game of Thrones]]'' that introduces every episode serves as a guide to the physical landscape of the world of the series. It changes depending on the locations visited in the particular episode it introduces. The title sequence was created by Elastic for HBO, and is accompanied by a [[Game of Thrones Theme|theme]] composed by [[Ramin Djawadi]]. |
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The sequence depicts a [[Raised-relief map|three-dimensional map]] of [[World of A Song of Ice and Fire|the series' fictional world]], projected onto a [[Hollow Earth#Concave |
The sequence depicts a [[Raised-relief map|three-dimensional map]] of [[World of A Song of Ice and Fire|the series' fictional world]], projected onto a [[Hollow Earth#Concave Hollow Earths|concave earth]],<ref name="Art of the Title 2013">{{cite news|last=Perkins|first=Will|title=Game of Thrones (2011)|url=http://www.artofthetitle.com/title/game-of-thrones/|access-date=1 June 2013|newspaper=[[Art of the Title]]|date=11 May 2011|archive-date=21 August 2016|archive-url=https://web.archive.org/web/20160821120407/http://www.artofthetitle.com/title/game-of-thrones/|url-status=live}}</ref> and lit by a small sun contained within an [[Armillary sphere|armilla]] (or spherical [[astrolabe]]) that metaphorically depicts major events in the [[World of A Song of Ice and Fire|history of the fictional world]] at the sphere's center. As the camera swoops across the map and focuses on the locations in which the episode's events take place, complicated [[clockwork]] mechanisms cause buildings and other structures to emerge from the map and unfold. Meanwhile, the names of the principal cast (with the [[Coat of arms|sigils of the characters' families]] next to the names) and creative staff are displayed. The sequence concludes after about one-and-a-half minutes with the title card and brief [[opening credits]] indicating the episode's writers and directors. |
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Creative director [[Angus Wall]], art director Robert Feng, animator Kirk Shintani and designer Hameed Shaukat received the 2011 [[Primetime Emmy Award for Outstanding Main Title Design]] for their work on the sequence.<ref name="The Hollywood Reporter 10 September 2011">{{cite news|first1= |
Creative director [[Angus Wall]], art director Robert Feng, animator Kirk Shintani and designer Hameed Shaukat received the 2011 [[Primetime Emmy Award for Outstanding Main Title Design]] for their work on the sequence.<ref name="The Hollywood Reporter 10 September 2011">{{cite news|first1=Sofia M.|last1=Fernandez|first2=Tim|last2=Appelo|title=Emmys 2011: 'Game of Thrones' Title Sequence Gives Series Its First Emmy|url=http://www.hollywoodreporter.com/news/emmys-2011-game-thrones-title-233780|access-date=1 June 2013|newspaper=[[The Hollywood Reporter]]|date=September 10, 2011|archive-date=29 June 2016|archive-url=https://web.archive.org/web/20160629121240/http://www.hollywoodreporter.com/news/emmys-2011-game-thrones-title-233780|url-status=live}}</ref> The title sequence has been ranked one of the best TV title sequences of all time.<ref name="Paste">{{cite magazine | title = The 75 Best TV Title Sequences of All Time | magazine = [[Paste (magazine)|Paste]] | url = https://www.pastemagazine.com/articles/2017/01/the-75-best-tv-title-sequences-of-all-time.html | author = Charisma, James | date = January 4, 2017 | access-date = January 16, 2017 | archive-date = October 11, 2019 | archive-url = https://web.archive.org/web/20191011233626/https://www.pastemagazine.com/articles/2017/01/the-75-best-tv-title-sequences-of-all-time.html | url-status = live }}</ref><ref name=power /><ref>{{cite web|url=https://www.nj.com/entertainment/tv/2012/03/game_of_thrones_hbo.html|title='Game of Thrones': Most awesome TV title sequence ever? Here's our top 10|date=March 30, 2012|work=NJ.com|access-date=April 6, 2019|archive-date=April 6, 2019|archive-url=https://web.archive.org/web/20190406180354/https://www.nj.com/entertainment/tv/2012/03/game_of_thrones_hbo.html|url-status=live}}</ref><ref>{{cite web |url=https://www.nme.com/blogs/the-movies-blog/8-unforgettable-tv-opening-sequences-770337 |title=8 Unforgettable TV Opening Sequences |first=Owen |last=Nicholls |date=November 5, 2012 |work=NME |access-date=April 6, 2019 |archive-date=April 6, 2019 |archive-url=https://web.archive.org/web/20190406182202/https://www.nme.com/blogs/the-movies-blog/8-unforgettable-tv-opening-sequences-770337 |url-status=live }}</ref> |
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==Description== |
==Description== |
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The title sequence consists of a three-dimensional map of the world, with the continents of [[Westeros]] and [[Essos]] located on the inner surface of a sphere, which is rendered in the style of a fantasy role-playing map used as a game board by participants for their battle plans.<ref>[[Rushkoff, Douglas]] (February 25, 2014). ''Present Shock: When Everything Happens Now ''. Current Publishing. p. 34.</ref> The maps used are those of Westeros and Essos that precede the novels in the book series.<ref name="art"/> At the center of the sphere is a [[heliocentric]] armillary sphere. The title sequence serves as a guide to the physical landscape of the world of ''Game of Thrones'', and details of the title sequence change each |
The title sequence consists of a three-dimensional map of the world, with the continents of [[Westeros]] and [[Essos]] located on the inner surface of a sphere, which is rendered in the style of a fantasy role-playing map used as a game board by participants for their battle plans.<ref>[[Rushkoff, Douglas]] (February 25, 2014). ''Present Shock: When Everything Happens Now ''. Current Publishing. p. 34.</ref> The maps used are those of Westeros and Essos that precede the novels in the book series.<ref name="art"/> At the center of the sphere is a [[heliocentric]] armillary sphere. The title sequence serves as a guide to the physical landscape of the world of ''Game of Thrones'', and details of the title sequence change each episode depending on the locations visited, and new locations may be added in each season.<ref>{{cite news |url=https://www.nytimes.com/2016/04/26/arts/television/game-of-thrones-opening-sequence.html |title='Game of Thrones' and the Era of Elaborate Opening Titles |first=Daniel |last=Victor |date=April 25, 2016 |work=The New York Times |access-date=April 6, 2019 |archive-date=April 6, 2019 |archive-url=https://web.archive.org/web/20190406160555/https://www.nytimes.com/2016/04/26/arts/television/game-of-thrones-opening-sequence.html |url-status=live }}</ref> |
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The sequence of every episode opens with a close-up of the sun and the sphere surrounding it. Relief depictions of the fictional's world's history are visible on the sphere, such as the [[Doom of Valyria]], Aegon's Conquest and the rise of House Baratheon, which appear at varying points in the sequence.<ref name=power /> The camera then pans to different parts of the map, on which different locations in the fictional world are shown. Many of the cities and buildings on these locations appear out of the ground using clockwork mechanisms. Other elements, such as the weirwood tree at Winterfell and the Horse Gate at Vaes Dothrak, are also added at the various locations. The locations shown vary depending on the locations visited in that particular episode, and three or four variations of the title sequence are shown in each season.<ref>{{cite news |url=http://www.nydailynews.com/entertainment/tv/game-thrones-map-title-sequence-season-article-1.2227148 |title=Few realize map shown during 'Game of Thrones' title sequence changes per season |author=Justin Rocket Silverman|work=New York Daily News|date= |
The sequence of every episode opens with a close-up of the sun and the sphere surrounding it. Relief depictions of the fictional's world's history are visible on the sphere, such as the [[Doom of Valyria]], Aegon's Conquest and the rise of House Baratheon, which appear at varying points in the sequence.<ref name=power /> The camera then pans to different parts of the map, on which different locations in the fictional world are shown. Many of the cities and buildings on these locations appear out of the ground using clockwork mechanisms. Other elements, such as the weirwood tree at Winterfell and the Horse Gate at Vaes Dothrak, are also added at the various locations. The locations shown vary depending on the locations visited in that particular episode, and three or four variations of the title sequence are shown in each season.<ref>{{cite news |url=http://www.nydailynews.com/entertainment/tv/game-thrones-map-title-sequence-season-article-1.2227148 |title=Few realize map shown during 'Game of Thrones' title sequence changes per season |author=Justin Rocket Silverman |work=New York Daily News |date=May 24, 2015 |access-date=September 24, 2017 |archive-date=September 25, 2017 |archive-url=https://web.archive.org/web/20170925035223/http://www.nydailynews.com/entertainment/tv/game-thrones-map-title-sequence-season-article-1.2227148 |url-status=live }}</ref> However, due to the limitation on time for the title sequence, no more than six locations may be shown in any episode. Also, because of their importance in the show, every episode features [[World of A Song of Ice and Fire#King's Landing|King's Landing]], [[World of A Song of Ice and Fire#Winterfell|Winterfell]], [[World of A Song of Ice and Fire#The Wall|The Wall]], and wherever Daenerys may be regardless of whether or not any of these locations is featured in that episode.<ref name="hitfix.com"/> |
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The sigils of the reigning families are added to each location; for example, the Baratheon stag sigil on King's Landing and the Stark dire wolf at Winterfell.<ref name=power>{{cite news |url=https://www.telegraph.co.uk/tv/0/westeros-mapped-game-thrones-title-sequence-made/ |title=Westeros, mapped: how the Game of Thrones title sequence was made |first=Ed |last=Power |date=March 26, 2019 |work=The Telegraph }}</ref> The names of the cast are also shown together with the corresponding sigil of the character they portray.<ref>{{cite |
The sigils of the reigning families are added to each location; for example, the Baratheon stag sigil on King's Landing and the Stark dire wolf at Winterfell.<ref name=power>{{cite news |url=https://www.telegraph.co.uk/tv/0/westeros-mapped-game-thrones-title-sequence-made/ |title=Westeros, mapped: how the Game of Thrones title sequence was made |first=Ed |last=Power |date=March 26, 2019 |work=The Telegraph |access-date=April 6, 2019 |archive-date=March 26, 2019 |archive-url=https://web.archive.org/web/20190326233022/https://www.telegraph.co.uk/tv/0/westeros-mapped-game-thrones-title-sequence-made/ |url-status=live }}</ref> The names of the cast are also shown together with the corresponding sigil of the character they portray.<ref>{{cite news |url= http://www.marieclaire.com/culture/news/a29295/game-of-thrones-sophie-turner-dragon-sigil-opening-credits/ |title= Fans Noticed Something Super Weird About Sophie Turner's Name in the 'Game of Thrones' Credits |first= Mehehra |last= Bonner |date= September 8, 2017 |work= Marie Claire |access-date= December 8, 2017 |archive-date= December 9, 2017 |archive-url= https://web.archive.org/web/20171209100109/http://www.marieclaire.com/culture/news/a29295/game-of-thrones-sophie-turner-dragon-sigil-opening-credits/ |url-status= live }}</ref> The sigil may change depending on the storyline, for example the flayed man sigil is displayed over Winterfell when it is taken by the Boltons, but it reverts to the dire wolf sigil after it is recaptured by the Starks.<ref>{{cite news |url=http://www.esquire.com/entertainment/news/a46222/opening-credits-of-the-game-of-thrones-finale/ |title=Bet You Didn't Notice This Clever Detail In the Opening Credits of the Game of Thrones Finale |first=Diana |last=Bruk |date=June 27, 2016 |work=Esquire |access-date=September 24, 2017 |archive-date=August 30, 2017 |archive-url=https://web.archive.org/web/20170830202421/http://www.esquire.com/entertainment/news/a46222/opening-credits-of-the-game-of-thrones-finale/ |url-status=live }}</ref> Other events in the show are also reflected in the title sequence. For example, after Winterfell is burned, smoke is depicted billowing out from it.<ref name=power /> The ''Game of Thrones'' logo appears over the armilla at the end. |
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HBO released an interactive 360-degree video of the title sequence in season 6.<ref>{{cite news |
HBO released an interactive 360-degree video of the title sequence in season 6.<ref>{{cite news|url=https://www.independent.co.uk/arts-entertainment/tv/news/game-of-thrones-season-6-watch-the-opening-titles-in-360-degree-video-and-look-up-the-titan-of-a6984191.html|title=Game of Thrones season 6: watch the opening titles in 360-degree video and look up the Titan of Braavos' skirt|first=Clarisse|last=Loughrey|date=April 14, 2016|work=The Independent|access-date=December 20, 2017|archive-date=November 18, 2017|archive-url=https://web.archive.org/web/20171118051810/http://www.independent.co.uk/arts-entertainment/tv/news/game-of-thrones-season-6-watch-the-opening-titles-in-360-degree-video-and-look-up-the-titan-of-a6984191.html|url-status=live}}</ref> |
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While the locations featured change from episode to episode, the general design and route of the sequence remain roughly similar. However, in the final season, the title sequence received a major revamp to denote the change in season and shift in storyline. In this new version, the first location shown is the breached wall instead of King's Landing, and moves down to the cities south of the wall following the path of the army of the dead. The interiors of two major locations are shown for the first time: the crypts of Winterfell and the Red Keep at King's Landing, as well as the latter's throne room. The appearance of the armilla and the events depicted on it also change to reflect |
While the locations featured change from episode to episode, the general design and route of the sequence remain roughly similar. However, in the final season, the title sequence received a major revamp to denote the change in season and shift in storyline. In this new version, the first location shown is the breached wall instead of King's Landing, and moves down to the cities south of the wall following the path of the army of the dead. The interiors of two major locations are shown for the first time: the crypts of Winterfell and the Red Keep at King's Landing, as well as the latter's throne room. The appearance of the armilla and the events depicted on it also change to reflect events of the season 7 finale, such as the fall of the Wall.<ref>{{cite web|url=https://www.theringer.com/game-of-thrones/2019/4/15/18311057/season-8-premiere-winterfell-new-intro-title-sequence-kirk-shintani-angus-wall|title=The Creators of the 'Game of Thrones' Title Sequence Break Down the New Intro|first=Danny|last=Heifetz|date=15 April 2019|work=The Ringer|access-date=15 April 2019|archive-date=15 April 2019|archive-url=https://web.archive.org/web/20190415172913/https://www.theringer.com/game-of-thrones/2019/4/15/18311057/season-8-premiere-winterfell-new-intro-title-sequence-kirk-shintani-angus-wall|url-status=live}}</ref><ref>{{cite magazine |url=https://time.com/5570838/game-of-thrones-opening-credits-changes-meaning/ |title=Here's a Full Breakdown of Everything Going on in the Game of Thrones Opening Credits As They Evolve |first=Raisa |last=Bruner |date=May 2, 2019 |magazine=Time |access-date=May 6, 2019 |archive-date=May 7, 2019 |archive-url=https://web.archive.org/web/20190507030843/http://time.com/5570838/game-of-thrones-opening-credits-changes-meaning/ |url-status=live }}</ref> |
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==Conception and production== |
==Conception and production== |
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The title sequence was created by three teams: its design, which forms the bulk of the project, was done by Elastic, the computer graphics by a52, and the title sequence editing by Rock Paper Scissors.<ref name="forbes">{{cite news|url=https://www.forbes.com/sites/johnaxelrod/2013/03/30/how-the-innovative-game-of-thrones-opening-credits-spring-to-life-in-season-3/#32a415017278 |title=How The Innovative Game Of Thrones Opening Credits Were Built |first=John |last=Axelrod |work=Forbes |date=March 30, 2013}}</ref> Elastic had previously created the title sequences for ''[[Rome (TV series)|Rome]]'', ''[[Big Love]]'', and ''[[Carnivale]]'' for [[HBO]],<ref>{{cite web |
The title sequence was created by three teams: its design, which forms the bulk of the project, was done by Elastic, the computer graphics by a52, and the title sequence editing by Rock Paper Scissors.<ref name="forbes">{{cite news |url=https://www.forbes.com/sites/johnaxelrod/2013/03/30/how-the-innovative-game-of-thrones-opening-credits-spring-to-life-in-season-3/#32a415017278 |title=How The Innovative Game Of Thrones Opening Credits Were Built |first=John |last=Axelrod |work=Forbes |date=March 30, 2013 |access-date=October 1, 2017 |archive-date=April 2, 2013 |archive-url=https://web.archive.org/web/20130402005907/http://www.forbes.com/sites/johnaxelrod/2013/03/30/how-the-innovative-game-of-thrones-opening-credits-spring-to-life-in-season-3/#32a415017278 |url-status=live }}</ref> Elastic had previously created the title sequences for ''[[Rome (TV series)|Rome]]'', ''[[Big Love]]'', and ''[[Carnivale]]'' for [[HBO]],<ref>{{cite web|url=http://elastic.tv/|title=Home|website=Elastic|access-date=February 5, 2017|archive-date=January 23, 2017|archive-url=https://web.archive.org/web/20170123074748/http://elastic.tv/|url-status=live}}</ref> and they were approached by Carolyn Strauss of HBO, with whom they had worked on these shows, to create the title sequence for ''Game of Thrones''.<ref name="art">{{cite web |url=http://www.artofthetitle.com/title/game-of-thrones/ |title=Game of Thrones (2011) |website=Art of the Title |access-date=2013-06-01 |archive-date=2016-08-21 |archive-url=https://web.archive.org/web/20160821120407/http://www.artofthetitle.com/title/game-of-thrones/ |url-status=live }}</ref> [[Angus Wall]], the head of title design firm Elastic, met with Strauss, the showrunners [[David Benioff]] and [[D.B. Weiss|Dan Weiss]], and producer Greg Spence to discuss the project around a year before the show debut.<ref name=vanityfair>{{cite magazine |url=https://www.vanityfair.com/hollywood/2019/04/game-of-thrones-title-sequence-theme-song |title=Game of Thrones: How One of TV's Most Epic Title Sequences Was Born |first=Yohana |last=Desta |date=April 12, 2019 |magazine=Vanity Fair |access-date=April 15, 2019 |archive-date=April 14, 2019 |archive-url=https://web.archive.org/web/20190414182423/https://www.vanityfair.com/hollywood/2019/04/game-of-thrones-title-sequence-theme-song |url-status=live }}</ref> |
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When the pilot was first made, it was felt that the geography of the imaginary world of Westeros and Essos might confuse the viewers, and that maps could be useful as navigational guides for the viewers. An early suggestion was to use animated maps as a transition between scenes to orient viewers, but that idea was |
When the pilot was first made, it was felt that the geography of the imaginary world of Westeros and Essos might confuse the viewers, and that maps could be useful as navigational guides for the viewers. An early suggestion was to use animated maps as a transition between scenes to orient viewers, but that idea was rejected as it would interrupt the narrative flow.<ref>{{cite magazine |url=http://www.gamesradar.com/the-evolution-of-game-of-thrones-title-sequence-from-basic-map-to-a-deceptively-deep-part-of-the-shows-journey/ |title=The evolution of Game of Thrones' title sequence - from basic map, to a deceptively deep part of the show's journey |first=David |last=Houghton |date=August 25, 2017 |magazine=Games Radar |access-date=October 1, 2017 |archive-date=October 2, 2017 |archive-url=https://web.archive.org/web/20171002021921/http://www.gamesradar.com/the-evolution-of-game-of-thrones-title-sequence-from-basic-map-to-a-deceptively-deep-part-of-the-shows-journey/ |url-status=live }}</ref> The idea of the map was therefore reconsidered for the title sequence.<ref name="art"/> For the original pilot, the showrunners Benioff and Weiss initially wrote the title sequence as a crow's flight from King's Landing to Winterfell; however, the production team at Elastic thought the idea was too flat and devised the idea of using 3-D models within a sphere that represents the world in which the show is set.<ref name="taylor">{{cite book |chapter-url=https://books.google.com/books?id=QiBxBQAAQBAJ&pg=PT28 |title=Inside HBO's Game of Thrones II: Seasons 3 & 4 |author=C.A. Taylor |chapter=Creating the Title Sequence |publisher=Gollancz |date=November 6, 2014 |isbn=978-1473206182 |access-date=September 24, 2017 |archive-date=March 19, 2023 |archive-url=https://web.archive.org/web/20230319093759/https://books.google.com/books?id=QiBxBQAAQBAJ&pg=PT28 |url-status=live }}</ref> The sphere was used to obviate the question of what might lie beyond the horizon of the map, and the whole sphere is lit by the sun in the middle.<ref name="art"/> According to Angus Wall, the title sequence had "a concrete function in the world of the show, in that it serves as a legend the way the map at the beginning of a fantasy book orients you."<ref>{{cite news |url= https://www.theguardian.com/tv-and-radio/2016/jan/25/transparent-to-game-of-thrones-how-tv-perfected-the-title-sequence |title= Transparent to Game of Thrones: how TV perfected the title sequence |first= Eric |last= Thurm |date= January 25, 2016 |work= The Guardian |access-date= September 24, 2017 |archive-date= September 24, 2017 |archive-url= https://web.archive.org/web/20170924182920/https://www.theguardian.com/tv-and-radio/2016/jan/25/transparent-to-game-of-thrones-how-tv-perfected-the-title-sequence |url-status= live }}</ref> The title sequence informs the viewers of the locations of the show relevant to each episode, and changes to reflect the storylines of the show and changes within this world.<ref name="taylor"/> |
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On the use of an armillary and models with moving parts, producer Greg Spence explained that [[Angus Wall]] at Elastic came up with "a vision of a mad monk, in a tower somewhere |
On the use of an armillary and models with moving parts, producer Greg Spence explained that [[Angus Wall]] at Elastic came up with "a vision of a mad monk, in a tower somewhere", who was somehow keeping track of all this action "and creating as he went. He would then fashion little [[automaton]]s out of the materials that would be available in his world. They would be stone, or tin, or wood, and everything would feel very hand-crafted."<ref name="hitfix.com">{{cite web|url=http://www.hitfix.com/whats-alan-watching/why-doesnt-the-game-of-thrones-map-always-match-up-with-where-the-story-is|title=Why doesn't the 'Game of Thrones' map always match up with where the story is?|website=[[HitFix]]|access-date=24 July 2017|archive-date=11 November 2016|archive-url=https://web.archive.org/web/20161111065520/http://www.hitfix.com/whats-alan-watching/why-doesnt-the-game-of-thrones-map-always-match-up-with-where-the-story-is|url-status=live}}</ref> The idea is, therefore, that everything in the title sequence could be created with hammer, saw, and chisel, and operated with gears and cogs.<ref name="taylor"/> The turning gears and cogs were meant to be reminiscent of [[Leonardo da Vinci]]'s inventions.<ref>{{cite news |url=http://www.hollywoodreporter.com/race/secrets-game-thrones-opening-credits-179656 |title=Secrets Behind 'Game of Thrones' Opening Credits (Video) |date=April 19, 2011 |first=Tim |last=Appelo |work=Hollywood Reporter |access-date=June 22, 2015 |archive-date=June 29, 2016 |archive-url=https://web.archive.org/web/20160629121334/http://www.hollywoodreporter.com/race/secrets-game-thrones-opening-credits-179656 |url-status=live }}</ref> |
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The design team were given a list of the locations where the action may take place in each episode after the shooting had completed, and they had around 3 months to create title sequences.<ref name="forbes"/> The concepts, including details such as the machinery used, were first sketched by hand, and the models were then created with computer graphics.<ref name="art"/><ref>{{cite web |url=http://www.artofvfx.com/game-of-thrones-kirk-shintani-superviseur-3d-a52-elastic/ |title=Game of Thrones: Kirk Shintani – CG Supervisor – A52 / Elastic |first=Vincent |last=Frei |date= |
The design team were given a list of the locations where the action may take place in each episode after the shooting had completed, and they had around 3 months to create title sequences.<ref name="forbes"/> The concepts, including details such as the machinery used, were first sketched by hand, and the models were then created with computer graphics.<ref name="art"/><ref>{{cite web |url=http://www.artofvfx.com/game-of-thrones-kirk-shintani-superviseur-3d-a52-elastic/ |title=Game of Thrones: Kirk Shintani – CG Supervisor – A52 / Elastic |first=Vincent |last=Frei |date=October 22, 2011 |website=Art of VFX |access-date=October 1, 2017 |archive-date=October 1, 2017 |archive-url=https://web.archive.org/web/20171001134721/http://www.artofvfx.com/game-of-thrones-kirk-shintani-superviseur-3d-a52-elastic/ |url-status=live }}</ref> |
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==''Game of Thrones'' theme== |
==''Game of Thrones'' theme== |
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{{Main|Game of Thrones Theme}} |
{{Main|Game of Thrones Theme}} |
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The theme music that accompanies the title sequence was composed by [[Ramin Djawadi]].<ref name="renfro">{{cite web |url= http://www.techinsider.io/game-of-thrones-music-composer-ramin-djawadi-interview-2016-7 |title=Meet the musical genius behind the ''Game of Thrones'' soundtrack who watches each season before anyone else |first= Kim |last=Renfro |date=July 7, 2016 |work=Tech Insider | |
The theme music that accompanies the title sequence was composed by [[Ramin Djawadi]].<ref name="renfro">{{cite web |url= http://www.techinsider.io/game-of-thrones-music-composer-ramin-djawadi-interview-2016-7 |title=Meet the musical genius behind the ''Game of Thrones'' soundtrack who watches each season before anyone else |first= Kim |last=Renfro |date=July 7, 2016 |work=Tech Insider |archive-url=https://web.archive.org/web/20160708130550/http://www.techinsider.io/game-of-thrones-music-composer-ramin-djawadi-interview-2016-7|archive-date=July 8, 2016 }}</ref> The production team showed the title sequence they were working on to Djawadi, who was then inspired to create the music for the "[[Game of Thrones Theme|''Game of Thrones'' Theme]]" and finished the theme music three days later.<ref name="taylor"/><ref>{{cite news|title=Composer Interview: Ramin Djawadi|url=http://www.filmmusicmedia.com/interviews/composerinterviewramindjawadi-1|access-date=January 4, 2013|newspaper=Filmmusicmedia.com|date=December 22, 2012|archive-url=https://web.archive.org/web/20160817123724/http://www.filmmusicmedia.com/interviews/composerinterviewramindjawadi-1|archive-date=August 17, 2016|url-status=dead}}</ref> Djawadi said the showrunners Benioff and Weiss wanted the theme music to be about a journey that reflects the variety of locations and characters in the show.<ref name="Hirway">{{cite web |url= https://soundcloud.com/hrishihirway/song-exploder-40-ramin-djawadi |title= Song Exploder 40: RAMIN DJAWADI ("Game of Thrones") |first= Hrishikesh |last= Hirway |website= Soundcloud |access-date= 2017-09-25 |archive-date= 2018-02-08 |archive-url= https://web.archive.org/web/20180208053837/https://soundcloud.com/hrishihirway/song-exploder-40-ramin-djawadi |url-status= live }}</ref> |
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==List of elements== |
==List of elements== |
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===Summary=== |
===Summary=== |
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! !! [[Game of Thrones |
! !! [[Game of Thrones season 1|S. 1]] !! [[Game of Thrones season 2|S. 2]] !! [[Game of Thrones season 3|S. 3]] !! [[Game of Thrones season 4|S. 4]] !! [[Game of Thrones season 5|S. 5]] !! [[Game of Thrones season 6|S. 6]] !! [[Game of Thrones season 7|S. 7]] !! [[Game of Thrones season 8|S. 8]] !! Total Count |
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==Homage== |
==Homage== |
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''[[The Simpsons]]'' episode "[[Exit Through the Kwik-E-Mart]]" features a homage to the ''Game of Thrones'' title sequence, with famous buildings in the town of Springfield rising through the ground as characters watch on, dressed in ''Game of Thrones''-style costumes. The Wall is replaced by the monolithic "Couch" at the end of the sequence.<ref>{{cite web|url=http://io9.com/5890410/watch-the-simpsons-game-of-thrones-intro|title=Watch the Simpsons' amazing Game of Thrones intro|first=Lauren|last=Davis |
''[[The Simpsons]]'' episode "[[Exit Through the Kwik-E-Mart]]" features a homage to the ''Game of Thrones'' title sequence, with famous buildings in the town of Springfield rising through the ground as characters watch on, dressed in ''Game of Thrones''-style costumes. The Wall is replaced by the monolithic "Couch" at the end of the sequence.<ref>{{cite web|url=http://io9.com/5890410/watch-the-simpsons-game-of-thrones-intro|title=Watch the Simpsons' amazing Game of Thrones intro|first=Lauren|last=Davis|access-date=2015-06-22|archive-url=https://web.archive.org/web/20151202064619/http://io9.com/5890410/watch-the-simpsons-game-of-thrones-intro|archive-date=2015-12-02|url-status=dead}}</ref> A version of the title sequence has also been recreated with Oreo cookies.<ref>{{cite news |url=https://abcnews.go.com/food/story/oreo-hbo-created-game-thrones-title-sequence-3000-62117655 |title=Oreo and HBO created a 'Game of Thrones' title sequence with nearly 3,000 cookies |first=Kelly |last=McCarthyvia |date=April 2, 2019 |work=ABC News |access-date=April 6, 2019 |archive-date=April 6, 2019 |archive-url=https://web.archive.org/web/20190406190150/https://abcnews.go.com/food/story/oreo-hbo-created-game-thrones-title-sequence-3000-62117655 |url-status=live }}</ref> |
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==Awards== |
==Awards== |
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The design team behind the title sequence, Angus Wall, art director Rob Feng, designer Hameed Shaukat, and C.G. supervisor Kirk Shintani, won a [[Creative Arts Emmy Award]] on September 10, 2011.<ref name="The Hollywood Reporter 10 September 2011"/><ref>{{cite web|url=http://www.westeros.org/GoT/News/Entry/Game_of_Thrones_Take_Home_Emmy/|title=Game of Thrones: News - Game of Thrones Take Home Emmy|first=Elio M. García and Linda|last=Antonsson| |
The design team behind the title sequence, Angus Wall, art director Rob Feng, designer Hameed Shaukat, and C.G. supervisor Kirk Shintani, won a [[Creative Arts Emmy Award]] on September 10, 2011.<ref name="The Hollywood Reporter 10 September 2011"/><ref>{{cite web|url=http://www.westeros.org/GoT/News/Entry/Game_of_Thrones_Take_Home_Emmy/|title=Game of Thrones: News - Game of Thrones Take Home Emmy|first=Elio M. García and Linda|last=Antonsson|access-date=2015-06-22|archive-date=2015-06-22|archive-url=https://web.archive.org/web/20150622133118/http://www.westeros.org/GoT/News/Entry/Game_of_Thrones_Take_Home_Emmy/|url-status=live}}</ref> |
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=== Awards and nominations === |
=== Awards and nominations === |
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| Game of Thrones Main Titles 360 Experience |
| Game of Thrones Main Titles 360 Experience |
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| <ref>{{cite magazine |url=http://www.radiotimes.com/news/2016-09-19/game-of-thrones-just-won-more-emmys-than-any-other-show-ever/ |title=Game of Thrones just won more Emmys than any other show EVER |magazine=Radio Times|first=Thomas |last= |
| <ref>{{cite magazine |url=http://www.radiotimes.com/news/2016-09-19/game-of-thrones-just-won-more-emmys-than-any-other-show-ever/ |title=Game of Thrones just won more Emmys than any other show EVER |magazine=Radio Times |first=Thomas |last=Ling |date=September 19, 2016 |access-date=2017-10-04 |archive-date=2017-10-05 |archive-url=https://web.archive.org/web/20171005050930/http://www.radiotimes.com/news/2016-09-19/game-of-thrones-just-won-more-emmys-than-any-other-show-ever/ |url-status=live }}</ref> |
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| 2019 |
| 2019 |
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| [[Angus Wall]], Kirk Shintani, Shahana Khan, Ian Ruhfass, Rustam Hasanov |
| [[Angus Wall]], Kirk Shintani, Shahana Khan, Ian Ruhfass, Rustam Hasanov |
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| {{won}} |
| {{won}} |
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| <ref>{{ |
| <ref>{{Cite web|url=https://www.emmys.com/awards/nominees-winners/2019/outstanding-main-title-design|title=Outstanding Main Title Design Nominees / Winners 2019|website=Television Academy|access-date=2020-02-05|archive-date=2020-12-25|archive-url=https://web.archive.org/web/20201225024016/https://www.emmys.com/awards/nominees-winners/2019/outstanding-main-title-design|url-status=live}}</ref> |
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Latest revision as of 05:37, 17 November 2024
Game of Thrones title sequence | |
---|---|
Directed by | Angus Wall |
Music by | Ramin Djawadi |
Production company | Rock Paper Scissors/Elastic |
Distributed by | HBO |
Running time | 90 seconds |
Box office | |
Music video | |
Video on Vimeo |
The title sequence of the HBO fantasy television series Game of Thrones that introduces every episode serves as a guide to the physical landscape of the world of the series. It changes depending on the locations visited in the particular episode it introduces. The title sequence was created by Elastic for HBO, and is accompanied by a theme composed by Ramin Djawadi.
The sequence depicts a three-dimensional map of the series' fictional world, projected onto a concave earth,[1] and lit by a small sun contained within an armilla (or spherical astrolabe) that metaphorically depicts major events in the history of the fictional world at the sphere's center. As the camera swoops across the map and focuses on the locations in which the episode's events take place, complicated clockwork mechanisms cause buildings and other structures to emerge from the map and unfold. Meanwhile, the names of the principal cast (with the sigils of the characters' families next to the names) and creative staff are displayed. The sequence concludes after about one-and-a-half minutes with the title card and brief opening credits indicating the episode's writers and directors.
Creative director Angus Wall, art director Robert Feng, animator Kirk Shintani and designer Hameed Shaukat received the 2011 Primetime Emmy Award for Outstanding Main Title Design for their work on the sequence.[2] The title sequence has been ranked one of the best TV title sequences of all time.[3][4][5][6]
Description
[edit]The title sequence consists of a three-dimensional map of the world, with the continents of Westeros and Essos located on the inner surface of a sphere, which is rendered in the style of a fantasy role-playing map used as a game board by participants for their battle plans.[7] The maps used are those of Westeros and Essos that precede the novels in the book series.[8] At the center of the sphere is a heliocentric armillary sphere. The title sequence serves as a guide to the physical landscape of the world of Game of Thrones, and details of the title sequence change each episode depending on the locations visited, and new locations may be added in each season.[9]
The sequence of every episode opens with a close-up of the sun and the sphere surrounding it. Relief depictions of the fictional's world's history are visible on the sphere, such as the Doom of Valyria, Aegon's Conquest and the rise of House Baratheon, which appear at varying points in the sequence.[4] The camera then pans to different parts of the map, on which different locations in the fictional world are shown. Many of the cities and buildings on these locations appear out of the ground using clockwork mechanisms. Other elements, such as the weirwood tree at Winterfell and the Horse Gate at Vaes Dothrak, are also added at the various locations. The locations shown vary depending on the locations visited in that particular episode, and three or four variations of the title sequence are shown in each season.[10] However, due to the limitation on time for the title sequence, no more than six locations may be shown in any episode. Also, because of their importance in the show, every episode features King's Landing, Winterfell, The Wall, and wherever Daenerys may be regardless of whether or not any of these locations is featured in that episode.[11]
The sigils of the reigning families are added to each location; for example, the Baratheon stag sigil on King's Landing and the Stark dire wolf at Winterfell.[4] The names of the cast are also shown together with the corresponding sigil of the character they portray.[12] The sigil may change depending on the storyline, for example the flayed man sigil is displayed over Winterfell when it is taken by the Boltons, but it reverts to the dire wolf sigil after it is recaptured by the Starks.[13] Other events in the show are also reflected in the title sequence. For example, after Winterfell is burned, smoke is depicted billowing out from it.[4] The Game of Thrones logo appears over the armilla at the end.
HBO released an interactive 360-degree video of the title sequence in season 6.[14]
While the locations featured change from episode to episode, the general design and route of the sequence remain roughly similar. However, in the final season, the title sequence received a major revamp to denote the change in season and shift in storyline. In this new version, the first location shown is the breached wall instead of King's Landing, and moves down to the cities south of the wall following the path of the army of the dead. The interiors of two major locations are shown for the first time: the crypts of Winterfell and the Red Keep at King's Landing, as well as the latter's throne room. The appearance of the armilla and the events depicted on it also change to reflect events of the season 7 finale, such as the fall of the Wall.[15][16]
Conception and production
[edit]The title sequence was created by three teams: its design, which forms the bulk of the project, was done by Elastic, the computer graphics by a52, and the title sequence editing by Rock Paper Scissors.[17] Elastic had previously created the title sequences for Rome, Big Love, and Carnivale for HBO,[18] and they were approached by Carolyn Strauss of HBO, with whom they had worked on these shows, to create the title sequence for Game of Thrones.[8] Angus Wall, the head of title design firm Elastic, met with Strauss, the showrunners David Benioff and Dan Weiss, and producer Greg Spence to discuss the project around a year before the show debut.[19]
When the pilot was first made, it was felt that the geography of the imaginary world of Westeros and Essos might confuse the viewers, and that maps could be useful as navigational guides for the viewers. An early suggestion was to use animated maps as a transition between scenes to orient viewers, but that idea was rejected as it would interrupt the narrative flow.[20] The idea of the map was therefore reconsidered for the title sequence.[8] For the original pilot, the showrunners Benioff and Weiss initially wrote the title sequence as a crow's flight from King's Landing to Winterfell; however, the production team at Elastic thought the idea was too flat and devised the idea of using 3-D models within a sphere that represents the world in which the show is set.[21] The sphere was used to obviate the question of what might lie beyond the horizon of the map, and the whole sphere is lit by the sun in the middle.[8] According to Angus Wall, the title sequence had "a concrete function in the world of the show, in that it serves as a legend the way the map at the beginning of a fantasy book orients you."[22] The title sequence informs the viewers of the locations of the show relevant to each episode, and changes to reflect the storylines of the show and changes within this world.[21]
On the use of an armillary and models with moving parts, producer Greg Spence explained that Angus Wall at Elastic came up with "a vision of a mad monk, in a tower somewhere", who was somehow keeping track of all this action "and creating as he went. He would then fashion little automatons out of the materials that would be available in his world. They would be stone, or tin, or wood, and everything would feel very hand-crafted."[11] The idea is, therefore, that everything in the title sequence could be created with hammer, saw, and chisel, and operated with gears and cogs.[21] The turning gears and cogs were meant to be reminiscent of Leonardo da Vinci's inventions.[23]
The design team were given a list of the locations where the action may take place in each episode after the shooting had completed, and they had around 3 months to create title sequences.[17] The concepts, including details such as the machinery used, were first sketched by hand, and the models were then created with computer graphics.[8][24]
Game of Thrones theme
[edit]The theme music that accompanies the title sequence was composed by Ramin Djawadi.[25] The production team showed the title sequence they were working on to Djawadi, who was then inspired to create the music for the "Game of Thrones Theme" and finished the theme music three days later.[21][26] Djawadi said the showrunners Benioff and Weiss wanted the theme music to be about a journey that reflects the variety of locations and characters in the show.[27]
List of elements
[edit]The following table lists the locations shown in each episode's title sequence, in the order of their appearance in the sequence as determined by the first episode in which they are shown. The locations King's Landing, Winterfell, and The Wall are featured in every title sequence, as well as the most recent location in Essos (in the first 6 seasons), even if they are not present in that particular episode. It is also noteworthy that the appearance of Winterfell has changed over the seasons: in Seasons 3 and 4 Winterfell was covered in smoke, referencing its burning at the end of Season 2, and in Season 5 the smoke was removed but the Bolton sigil replaced the Stark sigil, reflecting how the Boltons moved to Winterfell during that season. In episode 6.10, the Stark sigil returned, the result of Jon Snow and Sansa Stark's reclaiming Winterfell from the Boltons at the end of the previous episode.
Summary
[edit]S. 1 | S. 2 | S. 3 | S. 4 | S. 5 | S. 6 | S. 7 | S. 8 | Total Count | ||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Locations | ||||||||||||
King's Landing | 10 | 10 | 10 | 10 | 10 | 10 | 7 | 6 | 73 | |||
Winterfell | 10 | 10 | 10 | 10 | 10 | 10 | 7 | 6 | 73 | |||
The Wall | 10 | 10 | 10 | 10 | 10 | 10 | 7 | 6 | 73 | |||
Meereen | — | — | — | 10 | 10 | 10 | — | — | 30 | |||
Braavos | — | — | — | 5 | 9 | 7 | — | — | 21 | |||
Dragonstone | — | 3 | 4 | 5 | — | — | 7 | — | 19 | |||
Pyke | — | 9 | — | — | — | 3 | 3 | — | 15 | |||
Vaes Dothrak | 9 | 3 | — | — | — | 3 | — | — | 15 | |||
Harrenhal | — | 7 | 8 | — | — | — | — | — | 15 | |||
Riverrun | — | — | 6 | — | — | 3 | — | — | 9 | |||
Dorne | — | — | — | — | 7 | 2 | — | — | 9 | |||
The Eyrie | 4 | — | — | — | 2 | 1 | — | — | 7 | |||
The Dreadfort | — | — | — | 7 | — | — | — | — | 7 | |||
Qarth | — | 7 | — | — | — | — | — | — | 7 | |||
Oldtown | — | — | — | — | — | — | 7 | — | 7 | |||
Yunkai | — | — | 6 | — | — | — | — | — | 6 | |||
Last Hearth | — | — | — | — | — | — | — | 6 | 6 | |||
The Twins | 1 | — | 2 | — | — | 1 | 1 | — | 5 | |||
Moat Cailin | — | — | — | 3 | 1 | — | — | — | 4 | |||
Astapor | — | — | 4 | — | — | — | — | — | 4 | |||
Eastwatch | — | — | — | — | — | — | 3 | — | 3 | |||
Pentos | 1 | — | — | — | 1 | — | — | — | 2 |
Homage
[edit]The Simpsons episode "Exit Through the Kwik-E-Mart" features a homage to the Game of Thrones title sequence, with famous buildings in the town of Springfield rising through the ground as characters watch on, dressed in Game of Thrones-style costumes. The Wall is replaced by the monolithic "Couch" at the end of the sequence.[28] A version of the title sequence has also been recreated with Oreo cookies.[29]
Awards
[edit]The design team behind the title sequence, Angus Wall, art director Rob Feng, designer Hameed Shaukat, and C.G. supervisor Kirk Shintani, won a Creative Arts Emmy Award on September 10, 2011.[2][30]
Awards and nominations
[edit]Year | Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|---|
2011 | 63rd Primetime Creative Arts Emmy Awards | Outstanding Main Title Design | Angus Wall, Hameed Shaukat, Kirk Shintani and Robert Feng | Won | [2] |
2016 | 68th Primetime Creative Arts Emmy Awards | Outstanding Interactive Program | Game of Thrones Main Titles 360 Experience | Nominated | [31] |
2019 | 71st Primetime Creative Arts Emmy Awards | Outstanding Main Title Design | Angus Wall, Kirk Shintani, Shahana Khan, Ian Ruhfass, Rustam Hasanov | Won | [32] |
References
[edit]- ^ Perkins, Will (11 May 2011). "Game of Thrones (2011)". Art of the Title. Archived from the original on 21 August 2016. Retrieved 1 June 2013.
- ^ a b c Fernandez, Sofia M.; Appelo, Tim (September 10, 2011). "Emmys 2011: 'Game of Thrones' Title Sequence Gives Series Its First Emmy". The Hollywood Reporter. Archived from the original on 29 June 2016. Retrieved 1 June 2013.
- ^ Charisma, James (January 4, 2017). "The 75 Best TV Title Sequences of All Time". Paste. Archived from the original on October 11, 2019. Retrieved January 16, 2017.
- ^ a b c d Power, Ed (March 26, 2019). "Westeros, mapped: how the Game of Thrones title sequence was made". The Telegraph. Archived from the original on March 26, 2019. Retrieved April 6, 2019.
- ^ "'Game of Thrones': Most awesome TV title sequence ever? Here's our top 10". NJ.com. March 30, 2012. Archived from the original on April 6, 2019. Retrieved April 6, 2019.
- ^ Nicholls, Owen (November 5, 2012). "8 Unforgettable TV Opening Sequences". NME. Archived from the original on April 6, 2019. Retrieved April 6, 2019.
- ^ Rushkoff, Douglas (February 25, 2014). Present Shock: When Everything Happens Now . Current Publishing. p. 34.
- ^ a b c d e "Game of Thrones (2011)". Art of the Title. Archived from the original on 2016-08-21. Retrieved 2013-06-01.
- ^ Victor, Daniel (April 25, 2016). "'Game of Thrones' and the Era of Elaborate Opening Titles". The New York Times. Archived from the original on April 6, 2019. Retrieved April 6, 2019.
- ^ Justin Rocket Silverman (May 24, 2015). "Few realize map shown during 'Game of Thrones' title sequence changes per season". New York Daily News. Archived from the original on September 25, 2017. Retrieved September 24, 2017.
- ^ a b "Why doesn't the 'Game of Thrones' map always match up with where the story is?". HitFix. Archived from the original on 11 November 2016. Retrieved 24 July 2017.
- ^ Bonner, Mehehra (September 8, 2017). "Fans Noticed Something Super Weird About Sophie Turner's Name in the 'Game of Thrones' Credits". Marie Claire. Archived from the original on December 9, 2017. Retrieved December 8, 2017.
- ^ Bruk, Diana (June 27, 2016). "Bet You Didn't Notice This Clever Detail In the Opening Credits of the Game of Thrones Finale". Esquire. Archived from the original on August 30, 2017. Retrieved September 24, 2017.
- ^ Loughrey, Clarisse (April 14, 2016). "Game of Thrones season 6: watch the opening titles in 360-degree video and look up the Titan of Braavos' skirt". The Independent. Archived from the original on November 18, 2017. Retrieved December 20, 2017.
- ^ Heifetz, Danny (15 April 2019). "The Creators of the 'Game of Thrones' Title Sequence Break Down the New Intro". The Ringer. Archived from the original on 15 April 2019. Retrieved 15 April 2019.
- ^ Bruner, Raisa (May 2, 2019). "Here's a Full Breakdown of Everything Going on in the Game of Thrones Opening Credits As They Evolve". Time. Archived from the original on May 7, 2019. Retrieved May 6, 2019.
- ^ a b Axelrod, John (March 30, 2013). "How The Innovative Game Of Thrones Opening Credits Were Built". Forbes. Archived from the original on April 2, 2013. Retrieved October 1, 2017.
- ^ "Home". Elastic. Archived from the original on January 23, 2017. Retrieved February 5, 2017.
- ^ Desta, Yohana (April 12, 2019). "Game of Thrones: How One of TV's Most Epic Title Sequences Was Born". Vanity Fair. Archived from the original on April 14, 2019. Retrieved April 15, 2019.
- ^ Houghton, David (August 25, 2017). "The evolution of Game of Thrones' title sequence - from basic map, to a deceptively deep part of the show's journey". Games Radar. Archived from the original on October 2, 2017. Retrieved October 1, 2017.
- ^ a b c d C.A. Taylor (November 6, 2014). "Creating the Title Sequence". Inside HBO's Game of Thrones II: Seasons 3 & 4. Gollancz. ISBN 978-1473206182. Archived from the original on March 19, 2023. Retrieved September 24, 2017.
- ^ Thurm, Eric (January 25, 2016). "Transparent to Game of Thrones: how TV perfected the title sequence". The Guardian. Archived from the original on September 24, 2017. Retrieved September 24, 2017.
- ^ Appelo, Tim (April 19, 2011). "Secrets Behind 'Game of Thrones' Opening Credits (Video)". Hollywood Reporter. Archived from the original on June 29, 2016. Retrieved June 22, 2015.
- ^ Frei, Vincent (October 22, 2011). "Game of Thrones: Kirk Shintani – CG Supervisor – A52 / Elastic". Art of VFX. Archived from the original on October 1, 2017. Retrieved October 1, 2017.
- ^ Renfro, Kim (July 7, 2016). "Meet the musical genius behind the Game of Thrones soundtrack who watches each season before anyone else". Tech Insider. Archived from the original on July 8, 2016.
- ^ "Composer Interview: Ramin Djawadi". Filmmusicmedia.com. December 22, 2012. Archived from the original on August 17, 2016. Retrieved January 4, 2013.
- ^ Hirway, Hrishikesh. "Song Exploder 40: RAMIN DJAWADI ("Game of Thrones")". Soundcloud. Archived from the original on 2018-02-08. Retrieved 2017-09-25.
- ^ Davis, Lauren. "Watch the Simpsons' amazing Game of Thrones intro". Archived from the original on 2015-12-02. Retrieved 2015-06-22.
- ^ McCarthyvia, Kelly (April 2, 2019). "Oreo and HBO created a 'Game of Thrones' title sequence with nearly 3,000 cookies". ABC News. Archived from the original on April 6, 2019. Retrieved April 6, 2019.
- ^ Antonsson, Elio M. García and Linda. "Game of Thrones: News - Game of Thrones Take Home Emmy". Archived from the original on 2015-06-22. Retrieved 2015-06-22.
- ^ Ling, Thomas (September 19, 2016). "Game of Thrones just won more Emmys than any other show EVER". Radio Times. Archived from the original on 2017-10-05. Retrieved 2017-10-04.
- ^ "Outstanding Main Title Design Nominees / Winners 2019". Television Academy. Archived from the original on 2020-12-25. Retrieved 2020-02-05.
External links
[edit]- Perkins, Will; Albinson, Ian (June 29, 2011). "Game of Thrones (2011)". Art of the Title. May 11, 2011.
- Appelo, Tim (April 19, 2011). "Secrets Behind 'Game of Thrones' Opening Credits (Video)". The Hollywood Reporter.