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{{Short description|British artist}}
{{EngvarB|date=September 2014}}
{{EngvarB|date=September 2014}}
{{Use dmy dates|date=September 2014}}
{{Use dmy dates|date=September 2014}}


'''James "Jamie" Nares''' (born 1953 in [[London, England|London]], [[England]])<ref>{{cite web|url=https://www.artnews.com/art-news/market/philippe-de-montebello-curates-at-park-avenue-armory-and-more-morning-links-from-july-16-2019-12980/|title=James Nares comes out as trans woman, in Philippe de Montebello Curates at Park Avenue Armory, and More|date=July 16, 2019|work=Art News}}</ref> is a British [[transgender woman]] artist living and working in New York City since 1974. Nares makes paintings and films (most notably the [[No Wave Cinema|no wave]] film ''Rome 78''); played guitar in the [[no wave]] groups [[James Chance and the Contortions]] and the [[Del-Byzanteens]] (the latter also including [[Jim Jarmusch]]); and was a founding member of [[Colab]].<ref>{{cite book|last=Hager|first=Steve|title=Art After Midnight: The East Village Scene|publisher=St. Matins Press|year=1986|page=26}}</ref>
'''Jamie Nares''' (formerly '''James Nares'''; born 1953 in [[London, England|London]], [[England]]<ref>{{cite web |date=July 16, 2019 |title=James Nares comes out as trans woman, in Philippe de Montebello Curates at Park Avenue Armory, and More |url=https://www.artnews.com/art-news/market/philippe-de-montebello-curates-at-park-avenue-armory-and-more-morning-links-from-july-16-2019-12980/ |work=Art News}}</ref>) is a British [[transgender woman]] artist living and working in New York City since 1974. Nares makes paintings and films (most notably the [[No Wave Cinema|no wave]] film ''Rome 78''); played guitar in the [[no wave]] groups [[James Chance and the Contortions]] and the [[Del-Byzanteens]] (the latter also including [[Jim Jarmusch]]); and was a founding member of [[Colab]].<ref>{{cite book|last=Hager|first=Steve|title=Art After Midnight: The East Village Scene|publisher=St. Matins Press|year=1986|page=26}}</ref>


==Art education==
==Early life and art education==
Nares attended the Chelsea Art School in London from 1972 to 1973. She later studied at the [[School of Visual Arts]] in New York from 1974 to 1976.
Nares attended the Chelsea Art School in London from 1972 to 1973. She later studied at the [[School of Visual Arts]] in New York from 1974 to 1976.


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Nares is best known as a [[contemporary art]] painter. Her method involves repeated strokes that eventually create a precise representation.
Nares is best known as a [[contemporary art]] painter. Her method involves repeated strokes that eventually create a precise representation.


She is known for employing single but intricate gestural brush strokes in most of her works. [[Grace Glueck]], [[New York Times]] art critic, described the effect of Nares's paintings as a combination of Japanese [[calligraphy]] and the 1960s cartoon works of [[Roy Lichtenstein]].{{citation needed|date=November 2013}} Her work is exhibited in various museums in the United States: such as the [[Museum of Modern Art]] in New York, the [[Albright-Knox Art Gallery]] in Buffalo, NY, and the [[Whitney Museum of American Art]] in New York. Some of her solo exhibitions include 1976: Films and Other Works at [[Paul Kasmin]] Gallery, in New York in 2012, and Mixed Use, Manhattan: Photography and Related Practices 1970s to the present in 2010 at the [[Museo Nacional Centro de Arte Reina Sofia]] in Madrid, Spain.
She is known for employing single but intricate gestural brush strokes in most of her works. [[Grace Glueck]], [[New York Times]] art critic, described the effect of Nares's paintings as a combination of Japanese [[calligraphy]] and the 1960s cartoon works of [[Roy Lichtenstein]].<ref>[https://www.swissre.com/artist/James_Nares/art_63bf45] James Nares on Swissre</ref> These techniques have been compared to those of the [[Action Painters]] as well as [[Abstract expressionism|Abstract Expressionists]].<ref>{{Cite journal |last=Daniel |first=Gillian |date=March 1, 2014 |title=Fluid Motion |journal=Elephant Magazine |issue=18 |pages=112–121 |via=Frame Publishers}}</ref><ref>{{Cite web |last=O'Brien |first=Glenn |date=2008-11-23 |title=James Nares |url=https://www.interviewmagazine.com/music/james-nares |access-date=2024-07-08 |website=Interview Magazine |language=en-US}}</ref> Her work is exhibited in various museums in the United States: such as the [[Museum of Modern Art]] in New York, the [[Albright-Knox Art Gallery]] in Buffalo, NY, and the [[Whitney Museum of American Art]] in New York. Some of her solo exhibitions include 1976: Films and Other Works at [[Paul Kasmin]] Gallery, in New York in 2012, and Mixed Use, Manhattan: Photography and Related Practices 1970s to the present in 2010 at the [[Museo Nacional Centro de Arte Reina Sofia]] in Madrid, Spain.


Nares's other solo exhibitions include New Paintings in 2004 at the Hamiltons Gallery in London and the New Paintings and [[Chronophotography|Chronophotographs]] exhibition in 2005 at the Goss Gallery in [[Dallas]]. Her works were also featured in the Painting and Sculpture exhibition at the [[David Maupin|Lehmann Maupin gallery]] in New York City in 2010.
Nares's other solo exhibitions include New Paintings in 2004 at the Hamiltons Gallery in London and the New Paintings and [[Chronophotography|Chronophotographs]] exhibition in 2005 at the Goss Gallery in [[Dallas]]. Her works were also featured in the Painting and Sculpture exhibition at the [[David Maupin|Lehmann Maupin gallery]] in New York City in 2010.
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When speaking on her work, Nares once stated:
When speaking on her work, Nares once stated:


<blockquote>I try to embody the nature and combine the forms—it's like one and one making three—to expose a metaphor of some kind. It's searching for metaphors, for likeness, like a breeding ground. It seems to me, that's how a language develops. Everything breeds through metaphors.<ref>{{cite web|last=Sussler|first=Betsy|url=http://bombsite.com/issues/27/articles/1176|title=Interview with James Nares|work=[[BOMB Magazine]]|date=Spring 1989}}</ref></blockquote>
<blockquote>I try to embody the nature and combine the forms—it's like one and one making three—to expose a metaphor of some kind. It's searching for metaphors, for likeness, like a breeding ground. It seems to me, that's how a language develops. Everything breeds through metaphors.<ref>{{cite web|last=Sussler|first=Betsy|url=http://bombsite.com/issues/27/articles/1176|title=Interview with James Nares|work=[[BOMB Magazine]]|date=Spring 1989|access-date=15 May 2013|archive-date=14 May 2013|archive-url=https://web.archive.org/web/20130514100438/http://bombsite.com/issues/27/articles/1176|url-status=dead}}</ref></blockquote>


==Film==
==Video & film ==
In the mid-1970s, Nares made a series of short sculptural-related [[minimal art]] films. In 1978, she released a [[no wave]] 82-minute color Super-8 film entitled '''Rome 78''',<ref>{{Cite book|last=Boch|first=Richard|url=https://www.worldcat.org/title/mudd-club/oclc/972429558?referer=br&ht=edition|title=The Mudd Club|date=2017|publisher=[[Feral House]]|year=2017|isbn=978-1-62731-051-2|location=Port Townsend, WA|pages=81|language=English|oclc=972429558}}</ref> her only venture into feature-length, plot-driven film. The narrative is about the Roman emperor [[Caligula]] now set in a shabby 1978 downtown Manhattan apartment. As such, it proposes an [[analogy]] between ancient Rome and modern America as cultural empires.<ref>{{cite book|last=Masters|first=Marc|title=No Wave|location=London|publisher=Black Dog Publishing|year=2007|pages=148–149}}</ref> Despite its large cast in period costumes, the work is never made out to be a serious undertaking, with actors who interject scenes with self-conscious laughter, and deliver seemingly improvised lines with over the top bravado. The work features [[No Wave Cinema]] regular [[Lydia Lunch]] of [[Teenage Jesus and the Jerks]] along with artist David McDermott of [[McDermott & McGough]] as [[Caligula]], [[James Chance]], [[John Lurie]], [[Eric Mitchell (filmmaker)|Eric Mitchell]] as a Roman general, [[Judy Rifka]], Jim Sutcliffe, [[Lance Loud]], [[Mitch Corber]], [[Patti Astor]], [[Anya Phillips]] as the [[Queen of Sheba]] and [[Kristian Hoffman]], among others.<ref>{{cite web|url=http://thevillager.com/villager_263/rebellionof.html|title=Rebellion of the quiet Retrospective of James Nares, No Wave's subtlest filmmaker}}</ref>
In the mid-1970s, Nares made a series of short sculptural-related [[minimal art]] films. In 1978, she released a [[no wave]] 82-minute color Super-8 film entitled '''Rome 78''',<ref>{{Cite book|last=Boch|first=Richard|url=https://www.worldcat.org/oclc/972429558|title=The Mudd Club|date=2017|publisher=[[Feral House]]|isbn=978-1-62731-051-2|location=Port Townsend, WA|pages=81|language=English|oclc=972429558}}</ref> her only venture into feature-length, plot-driven film. The narrative is about the Roman emperor [[Caligula]] now set in a shabby 1978 [[East Village, Manhattan|East Village]] apartment.<ref>{{Cite news |last=Halter |first=Ed |date=May 13, 2008 |title=James Nares's Downtown Empire Strikes Back |url=http://www.villagevoice.com/2008-05-13/film/empire-strikes-back/ |url-status=dead |archive-url=https://web.archive.org/web/20130708005311/http://www.villagevoice.com/2008-05-13/film/empire-strikes-back/ |archive-date=July 8, 2013 |access-date=July 8, 2024 |work=The Village Voice}}</ref> As such, it proposes an [[analogy]] between ancient Rome and modern America as cultural empires.<ref>{{cite book|last=Masters|first=Marc|title=No Wave|location=London|publisher=Black Dog Publishing|year=2007|pages=148–149}}</ref> Despite its large cast in period costumes, the work is never made out to be a serious undertaking, with actors who interject scenes with self-conscious laughter, and deliver seemingly improvised lines with over the top bravado. The work features [[No Wave Cinema]] regular [[Lydia Lunch]] of [[Teenage Jesus and the Jerks]] along with artist David McDermott of [[McDermott & McGough]] as [[Caligula]], [[James Chance]], [[John Lurie]], [[Eric Mitchell (filmmaker)|Eric Mitchell]] as a Roman general, [[Judy Rifka]], Jim Sutcliffe, [[Lance Loud]], [[Mitch Corber]], [[Patti Astor]], [[Anya Phillips]] as the [[Queen of Sheba]] and [[Kristian Hoffman]], among others.<ref>{{cite web|url=http://thevillager.com/villager_263/rebellionof.html|title=Rebellion of the quiet Retrospective of James Nares, No Wave's subtlest filmmaker|access-date=14 June 2013|archive-date=1 September 2013|archive-url=https://web.archive.org/web/20130901205739/http://thevillager.com/villager_263/rebellionof.html|url-status=dead}}</ref>


Nares' 2012 video "Street" (with a score composed by [[Thurston Moore]]), later acquired by the [[National Gallery of Art]], debuted at the [[Wadsworth Atheneum]] and depicted street scenes in Manhattan.<ref name="nytimes">{{cite news |last=Schwendener |first=Martha |date=August 10, 2013 |title=A Galloping City Captured in Slow Motion |url=https://www.nytimes.com/2012/08/12/nyregion/in-james-naress-street-taming-the-galloping-city.html?_r=0&pagewanted=print |newspaper=The New York Times}}</ref><ref>{{Cite journal |last=Wilk |first=Deborah |date=September 2014 |title=James Nares |journal=Modern Painters |volume=26 |issue=8 |pages=40–41 |via=Art & Architecture Source}}</ref> The video was filmed with a Phantom Flex camera on the back of a sport utility vehicle, and featured the daily routines of pedestrians, tourists, and even pigeons in the city, as well as more known figures such as the [[Naked Cowboy]]. In 2013, "Street" was also exhibited at the Metropolitan Museum of Art alongside 77 works from the museum's collections, including drawings by Francisco Goya.<ref>{{Cite news |last=Viveros-Fauné |first=Christian |date=March 27, 2013 |title=Taking it Slow at the Met's Street |url=http://www.villagevoice.com/2013-03-27/art/taking-it-slow-at-the-met-s-the-street/ |url-status=dead |archive-url=https://web.archive.org/web/20131018090756/http://www.villagevoice.com/2013-03-27/art/taking-it-slow-at-the-met-s-the-street/ |archive-date=October 18, 2013 |access-date=July 8, 2024 |work=[[The Village Voice]]}}</ref><ref>{{Cite web |last=Camhi |first=Leslie |date=March 5, 2013 |title=Urban Legends: James Nares Premieres Street at the Met Museum |url=http://www.vogue.com/culture/article/urban-legends-james-nares-premieres-street-at-the-met-museum/ |url-status=dead |archive-url=https://web.archive.org/web/20140227113250/http://www.vogue.com/culture/article/urban-legends-james-nares-premieres-street-at-the-met-museum/#1 |archive-date=February 27, 2014 |access-date=July 8, 2024 |website=Vogue Magazine}}</ref>
==Video==
Nares' video "Street" (with a score composed by [[Thurston Moore]]), acquired by the [[Metropolitan Museum of Art]], is the centerpiece for an exhibition she curated for the museum from their collection on the so-named theme.<ref name="nytimes">{{cite news|last=Schwendener|first=Martha|title=In James Nares' STREET, Taming the Galloping City|url=https://www.nytimes.com/2012/08/12/nyregion/in-james-naress-street-taming-the-galloping-city.html?_r=0&pagewanted=print|newspaper=The New York Times|date=10 August 2012}}</ref> This exhibition ran from 5 March until 27 May 2013.


==Selected solo exhibitions==
==Selected solo exhibitions==


* 2019: ''Nares: Moves'', Baker/Rowland Gallires, Milwaukee Art Museum, Milwaukee, WI
* 2019: ''Nares: Moves'', Baker/Rowland Gallires, [[Milwaukee Art Museum]], Milwaukee, WI
* 2013: ''Street'', Reinberger Galleries, Cleveland Institute of Art, Cleveland, OH
* 2013: ''Street'', Reinberger Galleries, [[Cleveland Institute of Art]], Cleveland, OH
* 2013: ''Road Paint'', Paul Kasmin Gallery, New York, NY
* 2013: ''Road Paint'', [[Kasmin Gallery|Paul Kasmin Gallery]], New York, NY
* 2013: ''Street,'' Cinemarfa Film Festival, Marfa, TX
* 2013: ''Street,'' Cinemarfa Film Festival, Marfa, TX
* 2013: ''Street'', The Metropolitan Museum of Art, New York, NY
* 2013: ''Street'', [[Metropolitan Museum of Art]], New York, NY
* 2012: ''New Media Series – James Nares: Street'', St. Louis Art Museum, St. Louis, MO
* 2012: ''New Media Series – James Nares: Street'', [[Saint Louis Art Museum|St. Louis Art Museum]], St. Louis, MO
* 2012: ''Street'', The Wadsworth Atheneum, Hartford, CT
* 2012: ''Street'', [[Wadsworth Atheneum]], Hartford, CT
* 2012: ''James Nares, 1976: Films and Other Works'', Paul Kasmin Gallery, New York, NY
* 2012: ''James Nares, 1976: Films and Other Works'', Paul Kasmin Gallery, New York, NY
* 2011: Cinemarfa Film festival, Marfa, TX
* 2011: Cinemarfa Film festival, Marfa, TX
* 2011: ''The Films of James Nares'', IFC Center, New York, NY
* 2011: ''The Films of James Nares'', [[IFC Center]], New York, NY
* 2010: ''New Paintings and a Film,'' Michael Kohn Gallery, Los Angeles, CA
* 2010: ''New Paintings and a Film,'' Michael Kohn Gallery, Los Angeles, CA
* 2010: ''James Nares at the Armory Show'', Paintings and Video, The Armory Show, Paul Kasmin Gallery, Pier 94, New York, NY
* 2010: ''James Nares at the Armory Show'', Paintings and Video, The Armory Show, Paul Kasmin Gallery, Pier 94, New York, NY
Line 44: Line 44:
* 2008: Galerie Stefan Roepke, Cologne, DE
* 2008: Galerie Stefan Roepke, Cologne, DE
* 2008: Sebastian Guinness Gallery, Dublin, IE
* 2008: Sebastian Guinness Gallery, Dublin, IE
* 2008: ''James Nares: Motion Pictures'' (film retrospective), Anthology Film Archives, New York, NY
* 2008: ''James Nares: Motion Pictures'' (film retrospective), [[Anthology Film Archives]], New York, NY
* 2007: Galerie Stefan Roepke, Cologne, DE
* 2007: Galerie Stefan Roepke, Cologne, DE
* 2007: Michael Kohn Gallery, Los Angeles, CA
* 2007: Michael Kohn Gallery, Los Angeles, CA
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==References==
==References==
{{reflist}}
{{reflist}}
* {{cite interview|interviewer=[[Glenn O'Brien]]|title=James Nares|work=[[Interview Magazine]]|url=http://www.interviewmagazine.com/art/james-nares/#_|date=November 23, 2008}}
* {{cite web|url=http://www.villagevoice.com/2013-03-27/art/taking-it-slow-at-the-met-s-the-street/|last=Viveros-Fauné|first=Christian|title=Taking It Slow At the Met's ''Street''|work=The Village Voice|date=March 27, 2013}}
* {{cite web|url=http://www.vogue.com/culture/article/urban-legends-james-nares-premieres-street-at-the-met-museum/#1|last=Camhi|first=Leslie|title=Urban Legends: James Nares Premieres ''Street'' at the Met Museum|work=Vogue|date=March 5, 2013}}
* {{cite web|url=https://www.nytimes.com/2012/08/12/nyregion/in-james-naress-street-taming-the-galloping-city.html|last=Schwendener|first=Martha|title=A Galloping City Captured in Slow Motion|work=The New York Times|date=August 10, 2012}}
* {{cite web|url=http://www.villagevoice.com/2008-05-13/film/empire-strikes-back/|last=Halter|first=Ed|title=James Nares's Downtown Empire Strikes Back|work=The Village Voice|date=May 13, 2008}}


==Further reading==
==Further reading==
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{{Authority control}}
{{Authority control}}


{{DEFAULTSORT:Nares, James}}
{{DEFAULTSORT:Nares, Jamie}}
[[Category:1953 births]]
[[Category:1953 births]]
[[Category:Living people]]
[[Category:Living people]]
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[[Category:Postmodern artists]]
[[Category:Postmodern artists]]
[[Category:School of Visual Arts alumni]]
[[Category:School of Visual Arts alumni]]
[[Category:LGBT artists from the United Kingdom]]
[[Category:British LGBTQ painters]]
[[Category:Transgender artists]]
[[Category:British transgender artists]]
[[Category:Transgender women]]
[[Category:Transgender painters]]
[[Category:Transgender women artists]]
[[Category:Abstract expressionist artists]]
[[Category:Audiovisual artists]]
[[Category:British women artists]]

Latest revision as of 03:41, 19 November 2024

Jamie Nares (formerly James Nares; born 1953 in London, England[1]) is a British transgender woman artist living and working in New York City since 1974. Nares makes paintings and films (most notably the no wave film Rome 78); played guitar in the no wave groups James Chance and the Contortions and the Del-Byzanteens (the latter also including Jim Jarmusch); and was a founding member of Colab.[2]

Early life and art education

[edit]

Nares attended the Chelsea Art School in London from 1972 to 1973. She later studied at the School of Visual Arts in New York from 1974 to 1976.

Painting

[edit]

Nares is best known as a contemporary art painter. Her method involves repeated strokes that eventually create a precise representation.

She is known for employing single but intricate gestural brush strokes in most of her works. Grace Glueck, New York Times art critic, described the effect of Nares's paintings as a combination of Japanese calligraphy and the 1960s cartoon works of Roy Lichtenstein.[3] These techniques have been compared to those of the Action Painters as well as Abstract Expressionists.[4][5] Her work is exhibited in various museums in the United States: such as the Museum of Modern Art in New York, the Albright-Knox Art Gallery in Buffalo, NY, and the Whitney Museum of American Art in New York. Some of her solo exhibitions include 1976: Films and Other Works at Paul Kasmin Gallery, in New York in 2012, and Mixed Use, Manhattan: Photography and Related Practices 1970s to the present in 2010 at the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain.

Nares's other solo exhibitions include New Paintings in 2004 at the Hamiltons Gallery in London and the New Paintings and Chronophotographs exhibition in 2005 at the Goss Gallery in Dallas. Her works were also featured in the Painting and Sculpture exhibition at the Lehmann Maupin gallery in New York City in 2010.

Rizzoli published a monograph dedicated to Nares's works in 2013.

When speaking on her work, Nares once stated:

I try to embody the nature and combine the forms—it's like one and one making three—to expose a metaphor of some kind. It's searching for metaphors, for likeness, like a breeding ground. It seems to me, that's how a language develops. Everything breeds through metaphors.[6]

Video & film

[edit]

In the mid-1970s, Nares made a series of short sculptural-related minimal art films. In 1978, she released a no wave 82-minute color Super-8 film entitled Rome 78,[7] her only venture into feature-length, plot-driven film. The narrative is about the Roman emperor Caligula now set in a shabby 1978 East Village apartment.[8] As such, it proposes an analogy between ancient Rome and modern America as cultural empires.[9] Despite its large cast in period costumes, the work is never made out to be a serious undertaking, with actors who interject scenes with self-conscious laughter, and deliver seemingly improvised lines with over the top bravado. The work features No Wave Cinema regular Lydia Lunch of Teenage Jesus and the Jerks along with artist David McDermott of McDermott & McGough as Caligula, James Chance, John Lurie, Eric Mitchell as a Roman general, Judy Rifka, Jim Sutcliffe, Lance Loud, Mitch Corber, Patti Astor, Anya Phillips as the Queen of Sheba and Kristian Hoffman, among others.[10]

Nares' 2012 video "Street" (with a score composed by Thurston Moore), later acquired by the National Gallery of Art, debuted at the Wadsworth Atheneum and depicted street scenes in Manhattan.[11][12] The video was filmed with a Phantom Flex camera on the back of a sport utility vehicle, and featured the daily routines of pedestrians, tourists, and even pigeons in the city, as well as more known figures such as the Naked Cowboy. In 2013, "Street" was also exhibited at the Metropolitan Museum of Art alongside 77 works from the museum's collections, including drawings by Francisco Goya.[13][14]

Selected solo exhibitions

[edit]
  • 2019: Nares: Moves, Baker/Rowland Gallires, Milwaukee Art Museum, Milwaukee, WI
  • 2013: Street, Reinberger Galleries, Cleveland Institute of Art, Cleveland, OH
  • 2013: Road Paint, Paul Kasmin Gallery, New York, NY
  • 2013: Street, Cinemarfa Film Festival, Marfa, TX
  • 2013: Street, Metropolitan Museum of Art, New York, NY
  • 2012: New Media Series – James Nares: Street, St. Louis Art Museum, St. Louis, MO
  • 2012: Street, Wadsworth Atheneum, Hartford, CT
  • 2012: James Nares, 1976: Films and Other Works, Paul Kasmin Gallery, New York, NY
  • 2011: Cinemarfa Film festival, Marfa, TX
  • 2011: The Films of James Nares, IFC Center, New York, NY
  • 2010: New Paintings and a Film, Michael Kohn Gallery, Los Angeles, CA
  • 2010: James Nares at the Armory Show, Paintings and Video, The Armory Show, Paul Kasmin Gallery, Pier 94, New York, NY
  • 2009: James Nares, New Paintings, New Video: Element Number One, Paul Kasmin Gallery, New York, NY
  • 2009: James Nares, Galleria Arnes Y Roepke, Madrid, ES
  • 2008: Galerie Stefan Roepke, Cologne, DE
  • 2008: Sebastian Guinness Gallery, Dublin, IE
  • 2008: James Nares: Motion Pictures (film retrospective), Anthology Film Archives, New York, NY
  • 2007: Galerie Stefan Roepke, Cologne, DE
  • 2007: Michael Kohn Gallery, Los Angeles, CA
  • 2005: New Paintings and Chronophotographs, Paul Kasmin Gallery, New York, NY
  • 2005: Goss Gallery, Dallas, TX

Filmography

[edit]
  • 2011: Street (61 min, HD video)
  • 2010: Thread (3.5 minutes, HD video)
  • 2010: To Make A Prairie (12.5 mins, 16mm)
  • 2009: Element Number One (30 mins, HD video)
  • 2008: With God On Our Side (8 mins, HD video)
  • 2007: Globe (43 min, HD video)
  • 2007: Paper Factory (8 min, video)
  • 2007: Drip (2 min, video)
  • 2007: Drop (4 min, HD Video)
  • 2007: Primary Function (2 min, HD video)
  • 1998: Cloth (3 min, 16mm, silent)
  • 1998: Punch (2 min, 16mm, silent)
  • 1998: Giotto Circle #2 (3.5 min, Hi-8 video)
  • 1991: Hammered (2 min, video)
  • 1991: The Lighthouse (30 min, video)
  • 1991: Weather Bed (3 min, video)
  • 1991: Cornfield (8.5 min, video)
  • 1991: Piano (8.5 min, video)
  • 1990: Glove (1.5 min, Hi-8 video)
  • 1990: Lens (2.5 min, Hi-8 video)
  • 1987: Studio Tape (45 min, Hi-8 video)
  • 1982: Waiting For The Wind (7.5 min, Super8)
  • 1980: No Japs At My Funeral (60 min, video)
  • 1978: Rome '78 (75 min, Super8-to-16mm.)
  • 1977: TV Faces (6 min, Super8-to-16mm)
  • 1977: Suicide? No, Murder (30 min, Super8-to-16mm)
  • 1976: Game (3 min, video)
  • 1976: Block (3 min, Super8-to-16mm, silent)
  • 1976: Giotto Circle #1 (3 min, Super8-to-16mm, silent)
  • 1976: Poles (2 min, video)
  • 1976: Pendulum (17 min, Super8-to-16mm)
  • 1976: Studio Pendulum (7 min, Super8-to-16mm)
  • 1976: First Pendulum (5 min, Super8-to-16mm)
  • 1976: Steel Rod (5 min, Super8-to-16mm, silent)
  • 1976: Arm And Hammer (3.5 min, Super8-to-16mm, silent)
  • 1976: Ramp (3 min, Super8-to-16mm)
  • 1976: Twister (2 min, Super8-to-16mm, silent)
  • 1975: Handnotes #2 (5 min, video, silent)
  • 1975: Roof (12 min, 1/2" video)

References

[edit]
  1. ^ "James Nares comes out as trans woman, in Philippe de Montebello Curates at Park Avenue Armory, and More". Art News. 16 July 2019.
  2. ^ Hager, Steve (1986). Art After Midnight: The East Village Scene. St. Matins Press. p. 26.
  3. ^ [1] James Nares on Swissre
  4. ^ Daniel, Gillian (1 March 2014). "Fluid Motion". Elephant Magazine (18): 112–121 – via Frame Publishers.
  5. ^ O'Brien, Glenn (23 November 2008). "James Nares". Interview Magazine. Retrieved 8 July 2024.
  6. ^ Sussler, Betsy (Spring 1989). "Interview with James Nares". BOMB Magazine. Archived from the original on 14 May 2013. Retrieved 15 May 2013.
  7. ^ Boch, Richard (2017). The Mudd Club. Port Townsend, WA: Feral House. p. 81. ISBN 978-1-62731-051-2. OCLC 972429558.
  8. ^ Halter, Ed (13 May 2008). "James Nares's Downtown Empire Strikes Back". The Village Voice. Archived from the original on 8 July 2013. Retrieved 8 July 2024.
  9. ^ Masters, Marc (2007). No Wave. London: Black Dog Publishing. pp. 148–149.
  10. ^ "Rebellion of the quiet Retrospective of James Nares, No Wave's subtlest filmmaker". Archived from the original on 1 September 2013. Retrieved 14 June 2013.
  11. ^ Schwendener, Martha (10 August 2013). "A Galloping City Captured in Slow Motion". The New York Times.
  12. ^ Wilk, Deborah (September 2014). "James Nares". Modern Painters. 26 (8): 40–41 – via Art & Architecture Source.
  13. ^ Viveros-Fauné, Christian (27 March 2013). "Taking it Slow at the Met's Street". The Village Voice. Archived from the original on 18 October 2013. Retrieved 8 July 2024.
  14. ^ Camhi, Leslie (5 March 2013). "Urban Legends: James Nares Premieres Street at the Met Museum". Vogue Magazine. Archived from the original on 27 February 2014. Retrieved 8 July 2024.

Further reading

[edit]
  • Carlo McCormick (2006). The Downtown Book: The New York Art Scene, 1974–1984. Princeton University Press.
  • Alan W. Moore; Marc Miller, eds. (1985). ABC No Rio Dinero: The Story of a Lower East Side Art Gallery. New York: ABC No Rio with Collaborative Projects.
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