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{{notability|Television|date=April 2018}}
{{Infobox television episode
{{Infobox television episode
| series = [[Mad Men]]
|title=Maidenform
| season = 2
|series=[[Mad Men]]
| episode = 6
|season=2
| director = [[Phil Abraham]]
|episode=6
| writer = [[Matthew Weiner]]
|director=[[Phil Abraham]]
| airdate = {{Start date|2008|08|31}}
|writer=[[Matthew Weiner]]
| guests = * [[Joel Murray]] as [[List of Mad Men characters#Freddy Rumsen|Freddy Rumsen]]
|airdate=August 31, 2008
* [[Mark Moses]] as [[List of Mad Men characters#Duck Phillips|Herman "Duck" Phillips]]
|prev=[[The New Girl (Mad Men)|The New Girl]]
* [[Alison Brie]] as [[List of Mad Men characters#Trudy Campbell|Trudy Campbell]]
|next=[[The Gold Violin (Mad Men)|The Gold Violin]]
* [[Gabriel Mann]] as [[List of Mad Men characters#Arthur Case|Arthur Case]]
|season_article = Mad Men (season 2)
* [[Melinda McGraw]] as [[List of Mad Men characters#Jimmy and Bobbie Barrett|Bobbie Barrett]]
|episode_list= List of Mad Men episodes
* [[Peyton List (actress, born 1986)|Peyton List]] as [[List of Mad Men characters#Jane Sterling|Jane Siegel]]
* Rich Hutchman as [[List of Mad Men characters#Bud Campbell|Bud Campbell]]
* [[Matt McKenzie]] as [[List of Mad Men characters#Crab Colson|Crab Colson]]
* Edmund L. Shaff as [[List of Mad Men characters#Chester Rockingham|Chester Rockingham]]
* [[Peter Jason]] as [[List of Mad Men characters#Len McKenzie|Len McKenzie]]
* [[Alexandra Paul]] as [[List of Mad Men characters#Pauline Phillips|Pauline Phillips]]
* Gina DeVivo as [[List of Mad Men characters#Patricia Phillips|Patricia Phillips]]
| prev = [[The New Girl (Mad Men)|The New Girl]]
| next = [[The Gold Violin (Mad Men)|The Gold Violin]]
| season_article = Mad Men season 2
| episode_list = List of Mad Men episodes
}}
}}
"'''Maidenform'''" is the sixth episode in the [[Mad Men season 2|second season]] of the American television drama series ''[[Mad Men]]''. It was written by [[Matthew Weiner]] and directed by [[Phil Abraham]]. The episode originally aired on the [[AMC (TV channel)|AMC]] channel in the [[United States]] on August 31, 2008.

"'''Maidenform'''" is the sixth episode in the [[Mad Men (season 2)|second season]] of the American television drama series [[Mad Men]]. It was written by [[Matthew Weiner]] and directed by [[Phil Abraham]]. The episode originally aired on the [[AMC (TV channel)|AMC]] channel in the [[United States]] on August 31, 2008.


== Plot ==
== Plot ==
Herman "Duck" Phillips informs Don that Sterling Cooper's client, [[Playtex]], wants a new campaign more like the [[Maidenform]] "dream" campaign. Peggy, Salvatore, Ken Cosgrove, Paul Kinsey, and Frederick Rumsen discuss the Playtex campaign.
{{long plot|date=April 2018}}
The episode begins with a montage of the female leads getting dressed before cutting to a Maidenform ad thrown onto Don Draper's ([[Jon Hamm]]) desk. Herman "Duck" Phillips ([[Mark Moses]]) informs Don that Sterling-Cooper's client, Playtex, wants a new campaign more like the Maidenform "dream" campaign. Peter Campbell ([[Vincent Kartheiser]]), Peggy Olson ([[Elisabeth Moss]]), and Salvatore Romano ([[Bryan Batt]]) are discussing the Clearasil account and Pete forces his preferred tagline ("Thanks Clearasil") onto Peggy's prom date idea.


Don and Betty attend an event at a country club on Memorial Day 1962. Betty ([[January Jones]]) encounters Arthur Case ([[Gabriel Mann]]) from her riding lessons who claims to feel responsible for her changing her riding schedule and promises to stay out of the way before Betty suggests they remain friends. Later the host for the event asks all the servicemen in attendance to stand and be recognized and, although visibly uneasy, Don stands with the rest.
Don and Betty attend an event at a country club on Memorial Day 1962. The following morning, Betty is shown wearing a bikini purchased from the club fashion show, and Don tells her she looks desperate.


Duck is visited by his ex-wife, two children and the family dog, Chauncey. During the visit, Duck learns from his children that their mother is getting remarried but that Chauncey will be his. Bitter and hurt that another man has moved in with his family and that he has lost a close relationship with his children, Duck opts to abandon Chauncey in the street.
Roger Sterling ([[John Slattery]]) tells Don to meet with Duck for lunch and put their argument about the American Airlines account to rest. Duck's children arrive at the office and inform him that his ex-wife is remarrying, leaving the beloved family dog, Chauncey, with Duck. Don stops by Duck's office rather than meeting him for lunch where he accuses Duck of pitching the client's idea to Don more than pitching Don's ideas to the clients. Duck insists that attempting to gain American Airlines business was worthwhile as it made people reconsider what they thought about Sterling-Cooper before asking Don if they can move on. Don agrees and leaves.


Peggy, Salvatore, Ken Cosgrove ([[Aaron Staton]]), Paul Kinsey ([[Michael Gladis]]), and Frederick Rumsen ([[Joel Murray]]) discuss the Playtex campaign. Peggy finds out that the others had had an informal, after-hours, discussion about the campaign and Kinsey, who had not originally been assigned to it, pushes his way onto the account with his idea. Kinsey reveals his plan to compare women to Jackie Kennedy and Marilyn Monroe for the Playtex campaign, identifying women in the office as "Jackies" or "Marilyns" (he concedes that "Marilyn is really a Joan"). Peggy disagrees with his theory and is told she is more like Gertrude Stein or Irene Dunne. As they leave the office, Peggy tells Freddy she wants to be included in any future after-hours work.
Peggy finds out that the others had had an informal, after-hours discussion about the Playtex campaign. Kinsey reveals his plan to compare women to [[Jackie Kennedy]] and [[Marilyn Monroe]] for the Playtex campaign, identifying women in the office as "Jackies" or "Marilyns". Peggy disagrees with his theory and is told she is more like [[Gertrude Stein]] or [[Irene Dunne]]. Peggy asks Joan Holloway why she isn't being included. Joan replies that Peggy needs to "learn to speak the language" and advises her to stop dressing like a little girl. Playtex executives turn down the campaign.


Bobbie reveals that women have been talking about Don's many affairs and abilities in the bedroom. When she keeps testing him after being told to "stop talking", Don ties her to the bed and leaves.
The following morning Betty is shown wearing a bikini purchased from the club fashion show and Don tells her she looks desperate.


The creative team meet the Playtex executives at a [[strip club]]. Peggy surprises the team by showing up and, having taken Joan’s condescending advice, now looking glamorous and more grown-up. She sits on a Playtex executive's lap in view of a visibly jealous Pete.
Back in the office Peggy demands Joan Holloway ([[Christina Hendricks]]) ensure she is included in all the memos before seeming to ask why she isn't being included in general. Joan replies that Peggy is in "their country" and needs to "learn to speak the language". When Peggy questions why Joan doesn't speak the way the men do Joan explains that she doesn't need to and advises Peggy to stop dressing like a little girl.


In the last scene of the episode, Don is seen shaving, watched by his daughter Sally. Sally remarks that she "won’t talk" as not to disturb Don while shaving so he doesn’t cut himself. Reminded of the conversation he had with Bobbie about his reputation when he told her to "stop talking", Don asks Sally to leave and becomes upset while staring at himself in the mirror.
Don pitches the Jackie/Marilyn campaign to the Playtex executives who both respond positively despite turning it down claiming to be satisfied with the ad campaigns they already have. They apologize for the "goose-chase" and leave, not before inviting the team for a night on the town on them. Peggy is not involved in the conversation, but overhears the invitation.


== Reception ==
Duck considers drinking a bottle of liquor, but appears uncomfortable in Chauncey's presence. He takes the dog down to the lobby and abandons it on the sidewalk.
The episode was received positively by critics at the time. Noel Murray, writing for [[The A.V. Club]], graded the episode an A− and commented on the surprising aspects of the episode, stating "I can’t imagine a more surprising start" and "I can’t imagine a more surprising turn". He also discussed the interesting use of mirrors in the episode. However, he criticized the episode saying that Betty fits into this episode "too neatly".<ref>{{Cite news|url=https://www.avclub.com/mad-men-maidenform-1798204899|title=Mad Men: "Maidenform"|last=Murray|first=Noel|work=TV Club|access-date=2018-04-21|language=en-US}}</ref> [[Alan Sepinwall]] liked the episode but wasn't overwhelmed by it stating, ""Maidenform" is a less intense episode than last week's "The New Girl," but it features a number of typically beautiful, haunting "Mad Men" moments."<ref>{{Cite web|url=http://sepinwall.blogspot.com/2008/08/mad-men-maidenform-reflections-of-love.html|title=Mad Men, "Maidenform": Reflections of the love you took from me|last=Sepinwall|first=Alan|date=2008-08-31|website=What's Alan Watching?|access-date=2018-04-21}}</ref>


The episode was nominated for [[61st Primetime Emmy Awards|Outstanding Single Camera Picture Editing for a Drama Series]] at the [[61st Primetime Emmy Awards|61st PrimeTime Emmy Awards]].{{citation needed|date=April 2022}}
Bobbie reveals that women have been talking about Don's many affairs and ability in the bedroom. Don keeps telling her to "stop talking" but she keeps testing him about his reputation. This knowledge enrages Don who ties Bobbie to the bed and leaves.

The creative team meet the Playtex executives at a strip club. Peggy surprises the team by showing up in a revealing dress, and sits on a Playtex executive's lap in view of a visibly jealous Pete.

In the last scene of the episode Don is seen shaving, watched by his daughter Sally ([[Kiernan Shipka]]). Sally remarks that she "won’t talk" as to not disturb Don while shaving so he doesn’t cut himself. Reminded of the conversation he had with Bobbie about his reputation when he told her to "stop talking", Don asks Sally to leave and becomes upset while staring at himself in the mirror.

== Cultural references ==
{{unreferenced section|date=May 2018}}
Duck is holding a meeting with the creative department and Roger regarding [[Playtex]] wanting an ad campaign more similar to [[Maidenform]]’s "[[Maidenform|I Dreamed]]" campaign.

Duck’s children and ex wife arrive. Says they will have a fun weekend and that he has tickets to [[A Funny Thing Happened on the Way to the Forum]].

Peggy, Sal, and Pete have a meeting regarding [[Clearasil|Clearasil’s]] ad campaign. [[American Bandstand]] is referenced.

Don and Betty are at an event. Betty is talking to friends and [[Julius and Ethel Rosenberg|The execution of the Rosenbergs]] is referenced. Don is also talking to a friend. Lem, Jones Associates, and [[Rogers & Cowan|Rogers and Cowan]] are referenced. They talk about the [[Cuban Revolutionary Council]], [[Bay of Pigs Invasion|The Bay of Pigs]], [[John F. Kennedy]], [[Palace of Versailles|Versailles]], and [[Air raid shelter|bomb shelters]]. During a speech a man who was a [[Rough Riders|Rough Rider]] was honored.

Pete and Trudy and having lunch with his brother and his wife. They are having steaks and says "Let’s see how the [http://nycotto.com/ Ottomaneli Brother’s] have treated us".

Pete and Peggy discuss their weekends. Pete says he saw [[The Man Who Shot Liberty Valance]] with [[John Wayne]].

Roger tells Don that he has to have lunch with Duck to get over [[American Airlines]].

The Creative department has a meeting about Playtex. Their pitch is that every woman wants to be either [[Jacqueline Kennedy Onassis|Jackie Kennedy]] or [[Marilyn Monroe]]. Peggy states she is neither. They say she is more like [[Irene Dunne]] or [[Gertrude Stein]].

Don is with Bobbie when she mentions that she has a daughter. She proceeds to say that she attends [[Sarah Lawrence College|Sarah Lawrence]].

Bobbie tells Don that Jimmy is performing over the [[Memorial Day]] weekend at the [[Beverly Hills Supper Club fire|Beverly Hills Supper Club]], which would become the scene of one of the deadliest night club fires in US history. The fire also took place on Memorial Day weekend, exactly fifteen years after the events in this episode.

== Reception ==
The episode was received positively by critics at the time. Noel Murray writing for [[The A.V. Club]] graded the episode an A- and observed the surprising aspects of the episode stating "I can’t imaging a more surprising start" and "I can’t imaging a more surprising turn". He also discussed the interesting use of mirrors in the episode. However he criticized the episode saying that Betty fits into this episode "too neatly".<ref>{{Cite news|url=https://tv.avclub.com/mad-men-maidenform-1798204899|title=Mad Men: "Maidenform"|last=Murray|first=Noel|work=TV Club|access-date=2018-04-21|language=en-US}}</ref> [[Alan Sepinwall]] liked the episode but wasn't overwhelmed by it stating, " "Maidenform" is a less intense episode than last week's "The New Girl," but it features a number of typically beautiful, haunting "Mad Men" moments."<ref>{{Cite web|url=http://sepinwall.blogspot.com/2008/08/mad-men-maidenform-reflections-of-love.html|title=Mad Men, "Maidenform": Reflections of the love you took from me|last=Sepinwall|first=Alan|date=2008-08-31|website=What's Alan Watching?|access-date=2018-04-21}}</ref>


== Production ==
== Production ==
The episode was written by Matthew Weiner. It was directed by Phil Abraham. During an AMC interview Matthew Weiner describes the idea between the two sides of a woman, in this case being Jackie and Marilyn, stemming from the sort of groups that men place people and more specifically women into, whether it being the "[[Madonna–whore complex|mom, Madonna, the whore, the slut]]". Saying "It’s really how we come across to other people". Elisabeth Moss then describes how Peggy is supposed to "resemble the first women who stand up with the men and do their job". She also describes the scene at the club, and how it is the point where Peggy realizes she will never be one of the boys. Weiner then discusses how the episode carries an idea of a blurred line between perception and reality, and how this is seen when Bobbie talks about her kids and when Betty wears a bikini. He also discusses how "Don is the only character to have a reputation" and how this is crushing to him.
{{unreferenced section|date=May 2018}}
The episode was written by Matthew Weiner. It was directed by Phil Abraham. During an AMC interview Matthew Weiner describes the idea between the two sides of a woman, in this case being Jackie and Marilyn, stemming from the sort of groups that men place people and more specifically women into, whether it being the "[[Madonna–whore complex|mom, Madonna, the whore, the slut]]". Saying "It’s really how we come across to other people". Elisabeth Moss then describes how Peggy is supposed to "resemble the first women who stand up with the men and do their job". She also describes the scene at the club, and how it is the point where Peggy realizes she will never be one of the boys. Weiner then discusses how the episode carries an idea of a blurred line between perception and reality. And how this is seen when Bobbie talks about her kids and when Betty wears a bikini. He also discusses how "Don is the only character to have a reputation" and how this is crushing to him.


Weiner said in 2019 that the episode is<ref name="nyt20190110">{{Cite news |url=https://www.nytimes.com/interactive/2019/arts/television/best-drama-series.html |title=The 20 Best TV Dramas Since ‘The Sopranos’ |date=2019-01-10 |work=The New York Times |access-date=2019-01-10 |language=en-US |issn=0362-4331}}</ref>
Weiner said in 2019 that the episode is<ref name="nyt20190110">{{Cite news |url=https://www.nytimes.com/interactive/2019/arts/television/best-drama-series.html |title=The 20 Best TV Dramas Since ‘The Sopranos’ |date=2019-01-10 |work=The New York Times |access-date=2019-01-10 |language=en-US |issn=0362-4331}}</ref>


{{quote|the first episode of the show where I was like, "This cannot be done on any other show." Because it’s so psychological and it’s about an idea, which is, "How am I perceived by other people?"
{{blockquote|the first episode of the show where I was like, "This cannot be done on any other show." Because it’s so psychological and it’s about an idea, which is, "How am I perceived by other people?"


It’s thematically hammered over and over — in the ad campaign, in Don and Bobbie Barrett’s relationship, Don versus Sally, Betty in the bathing suit. At the time, I was like, "Is anybody going to understand this?" Because we’re telling a story here that probably looks like something about Don’s busted romance, and conflict in the office, and Peggy trying to get ahead. But what it really is, is "I look in the mirror and I don’t like what I see. What do other people see?" And that’s because I’ve created this false self.
It’s thematically hammered over and over — in the ad campaign, in Don and Bobbie Barrett’s relationship, Don versus Sally, Betty in the bathing suit. At the time, I was like, "Is anybody going to understand this?" Because we’re telling a story here that probably looks like something about Don’s busted romance, and conflict in the office, and Peggy trying to get ahead. But what it really is, is "I look in the mirror and I don’t like what I see. What do other people see?" And that’s because I’ve created this false self.


Just that sentence that I gave you right there — I would have never thought that was the subject of a TV show if I hadn’t sat in a room with [[David Chase]] for four years. Even though it is the substance of our lives.}}
Just that sentence that I gave you right there — I would have never thought that was the subject of a TV show if I hadn’t sat in a room with [[David Chase]] for four years. Even though it is the substance of our lives.}}

== Accolades ==
{{unreferenced section|date=May 2018}}
The episode was nominated for [[61st Primetime Emmy Awards|Outstanding Single Camera Picture Editing for a Drama Series]] at the [[61st Primetime Emmy Awards|61st PrimeTime Emmy Awards]].


== References ==
== References ==
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{{Mad Men}}
{{Mad Men}}


[[Category:Mad Men season 2 episodes]]
{{DISPLAYTITLE:Maidenform (''Mad Men'')}}

[[Category:Mad Men (season 2) episodes]]
[[Category:2008 American television episodes]]
[[Category:2008 American television episodes]]
[[Category:Television episodes written by Matthew Weiner]]
[[Category:Television episodes directed by Phil Abraham]]

Latest revision as of 04:04, 19 November 2024

"Maidenform"
Mad Men episode
Episode no.Season 2
Episode 6
Directed byPhil Abraham
Written byMatthew Weiner
Original air dateAugust 31, 2008 (2008-08-31)
Guest appearances
Episode chronology
← Previous
"The New Girl"
Next →
"The Gold Violin"
Mad Men season 2
List of episodes

"Maidenform" is the sixth episode in the second season of the American television drama series Mad Men. It was written by Matthew Weiner and directed by Phil Abraham. The episode originally aired on the AMC channel in the United States on August 31, 2008.

Plot

[edit]

Herman "Duck" Phillips informs Don that Sterling Cooper's client, Playtex, wants a new campaign more like the Maidenform "dream" campaign. Peggy, Salvatore, Ken Cosgrove, Paul Kinsey, and Frederick Rumsen discuss the Playtex campaign.

Don and Betty attend an event at a country club on Memorial Day 1962. The following morning, Betty is shown wearing a bikini purchased from the club fashion show, and Don tells her she looks desperate.

Duck is visited by his ex-wife, two children and the family dog, Chauncey. During the visit, Duck learns from his children that their mother is getting remarried but that Chauncey will be his. Bitter and hurt that another man has moved in with his family and that he has lost a close relationship with his children, Duck opts to abandon Chauncey in the street.

Peggy finds out that the others had had an informal, after-hours discussion about the Playtex campaign. Kinsey reveals his plan to compare women to Jackie Kennedy and Marilyn Monroe for the Playtex campaign, identifying women in the office as "Jackies" or "Marilyns". Peggy disagrees with his theory and is told she is more like Gertrude Stein or Irene Dunne. Peggy asks Joan Holloway why she isn't being included. Joan replies that Peggy needs to "learn to speak the language" and advises her to stop dressing like a little girl. Playtex executives turn down the campaign.

Bobbie reveals that women have been talking about Don's many affairs and abilities in the bedroom. When she keeps testing him after being told to "stop talking", Don ties her to the bed and leaves.

The creative team meet the Playtex executives at a strip club. Peggy surprises the team by showing up and, having taken Joan’s condescending advice, now looking glamorous and more grown-up. She sits on a Playtex executive's lap in view of a visibly jealous Pete.

In the last scene of the episode, Don is seen shaving, watched by his daughter Sally. Sally remarks that she "won’t talk" as not to disturb Don while shaving so he doesn’t cut himself. Reminded of the conversation he had with Bobbie about his reputation when he told her to "stop talking", Don asks Sally to leave and becomes upset while staring at himself in the mirror.

Reception

[edit]

The episode was received positively by critics at the time. Noel Murray, writing for The A.V. Club, graded the episode an A− and commented on the surprising aspects of the episode, stating "I can’t imagine a more surprising start" and "I can’t imagine a more surprising turn". He also discussed the interesting use of mirrors in the episode. However, he criticized the episode saying that Betty fits into this episode "too neatly".[1] Alan Sepinwall liked the episode but wasn't overwhelmed by it stating, ""Maidenform" is a less intense episode than last week's "The New Girl," but it features a number of typically beautiful, haunting "Mad Men" moments."[2]

The episode was nominated for Outstanding Single Camera Picture Editing for a Drama Series at the 61st PrimeTime Emmy Awards.[citation needed]

Production

[edit]

The episode was written by Matthew Weiner. It was directed by Phil Abraham. During an AMC interview Matthew Weiner describes the idea between the two sides of a woman, in this case being Jackie and Marilyn, stemming from the sort of groups that men place people and more specifically women into, whether it being the "mom, Madonna, the whore, the slut". Saying "It’s really how we come across to other people". Elisabeth Moss then describes how Peggy is supposed to "resemble the first women who stand up with the men and do their job". She also describes the scene at the club, and how it is the point where Peggy realizes she will never be one of the boys. Weiner then discusses how the episode carries an idea of a blurred line between perception and reality, and how this is seen when Bobbie talks about her kids and when Betty wears a bikini. He also discusses how "Don is the only character to have a reputation" and how this is crushing to him.

Weiner said in 2019 that the episode is[3]

the first episode of the show where I was like, "This cannot be done on any other show." Because it’s so psychological and it’s about an idea, which is, "How am I perceived by other people?"

It’s thematically hammered over and over — in the ad campaign, in Don and Bobbie Barrett’s relationship, Don versus Sally, Betty in the bathing suit. At the time, I was like, "Is anybody going to understand this?" Because we’re telling a story here that probably looks like something about Don’s busted romance, and conflict in the office, and Peggy trying to get ahead. But what it really is, is "I look in the mirror and I don’t like what I see. What do other people see?" And that’s because I’ve created this false self.

Just that sentence that I gave you right there — I would have never thought that was the subject of a TV show if I hadn’t sat in a room with David Chase for four years. Even though it is the substance of our lives.

References

[edit]
  1. ^ Murray, Noel. "Mad Men: "Maidenform"". TV Club. Retrieved 2018-04-21.
  2. ^ Sepinwall, Alan (2008-08-31). "Mad Men, "Maidenform": Reflections of the love you took from me". What's Alan Watching?. Retrieved 2018-04-21.
  3. ^ "The 20 Best TV Dramas Since 'The Sopranos'". The New York Times. 2019-01-10. ISSN 0362-4331. Retrieved 2019-01-10.
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