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{{Short description|Mexican director, cinematographer, screenwriter and actor}}
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'''Mario Gilberto Agustin Martinez Solares''' (January 19, 1906&nbsp;– January 18, 1997) was a Mexican director, cinematographer, screenwriter, and actor who is considered one of the most prolific filmmakers in Mexican cinema having directed more than 160 films, most of them written by him during the [[Golden Age of Mexican cinema]].<ref name=unam/> He is also recognized as the most important comedy director in Mexico.<ref name=ecured/>
'''Mario Gilberto Agustin Martinez Solares''' (January 19, 1906&nbsp;– January 18, 1997) was a Mexican director, cinematographer, screenwriter, and actor who is considered one of the most prolific filmmakers in Mexican cinema having directed more than 160 films, most of them written by him during the [[Golden Age of Mexican cinema]].<ref name=unam/> He is also recognized as the most important comedy director in Mexico.


==Life and Career==
==Life and career==
Gilberto Martínez Solares was born on January 19, 1906, in [[Mexico City]]. His father, [[Gilberto Martínez Medina]], was an accountant that worked for the [[Francisco I. Madero|Madero government]].<ref name=unam>{{cite web|title=Biografias-Gilberto Martinez Solares|url=http://escritores.cinemexicano.unam.mx/biografias/M/martinez_solares_gilberto/biografia.html|date=|accessdate=November 11, 2020|}}</ref> In 1910, the [[Mexican Revolution]] broke out,<ref>{{cite web|title=Mexican Revolution|url=https://www.britannica.com/event/Mexican-Revolution|date=|accessdate=November 11, 2020|}}</ref> and, as a result of the expanding violent environment in Mexico City, the Martínez-Solares family moved near [[Pénjamo]], [[Guanajuato]] to the Hacienda de la Calle in 1913.<ref name=fotografica>{{cite web|title=Fotografica - Gilberto Martínez Solares|url=https://fotografica.mx/fotografos/gilberto-martinez-solares/|date=2017|accessdate=November 11, 2020|}}</ref> Upon the family's return to Mexico City, Gilberto Martínez attended the Fray Bartolomé de las Casas primary school, where he shared the classroom and the hours of play with two future colleagues; [[Gabriel Figueroa]] and [[Alejandro Galindo (director)|Alejandro Galindo]] with whom he maintained a close, friendly and professional relationship throughout his life.<ref name=ecured>{{cite web|title=EcuRed - Gilberto Martínez Solares|url=https://www.ecured.cu/Gilberto_Mart%C3%ADnez_Solares|date=|accessdate=November 11, 2020|}}</ref><ref name=unam/> Between 1919 and 1924 he continued his secondary and preparatory studies at the [[San Ildefonso College]].<ref name=fotografica/> There, he was classmates with [[Renato Leduc]], [[Salvador Novo]] and [[Xavier Villaurrutia]], important Mexican writers associated to the [[Cinema of Mexico|Mexican film industry]].<ref name=unam/> In the beginning, Gilberto Martínez's interests were oriented to the study of law, but a health problem forced him to leave the university and travel to Los Angeles to treat a heart problem. Later, he began a career in [[Law]] that was interrupted due to an erroneous medical diagnosis about the condition of his heart, for which, he moved to [[Los Angeles]] to undergo treatment.<ref name=fotografica/><ref name=google>{{cite web|title=Mientras el cuerpo aguante. Gilberto Martínez Solares y su enorme producción de éxitos.|url=https://artsandculture.google.com/exhibit/mientras-el-cuerpo-aguante-gilberto-mart%C3%ADnez-solares-y-su-enorme-producci%C3%B3n-de-%C3%A9xitos-fundacion-televisa/gwJyc7xxrHxBJg?hl=es-419|date=October 2020|accessdate=November 11, 2020|}}</ref> Upon his return to Mexico City in 1929, he established a photographic studio in partnership with his brother [[Raúl Martínez Solares]] and friend [[Gabriel Figueroa]], located on Avenida Hidalgo, but did not have good results due to their inexperience. After the first failure, they established another studio located in [[Madero Street]] that was very successful, as it became the best studio, according to Figueroa.<ref name=fotografica/><ref name=ecured/>
Gilberto Martínez Solares was born on January 19, 1906, in [[Mexico City]]. His father, [[Gilberto Martínez Medina]], was an accountant that worked for the [[Francisco I. Madero|Madero government]].<ref name=unam>{{cite web|title=Biografias-Gilberto Martinez Solares|url=http://escritores.cinemexicano.unam.mx/biografias/M/martinez_solares_gilberto/biografia.html|access-date=November 11, 2020}}</ref> In 1910, the [[Mexican Revolution]] broke out,<ref>{{cite web|title=Mexican Revolution|url=https://www.britannica.com/event/Mexican-Revolution|access-date=November 11, 2020}}</ref> and, as a result of the expanding violent environment in Mexico City, the Martínez-Solares family moved near [[Pénjamo]], [[Guanajuato]] to the Hacienda de la Calle in 1913.<ref name=fotografica>{{cite web|title=Fotografica - Gilberto Martínez Solares|url=https://fotografica.mx/fotografos/gilberto-martinez-solares/|date=2017|access-date=November 11, 2020}}</ref> Upon the family's return to Mexico City, Gilberto Martínez attended the Fray Bartolomé de las Casas primary school, where he shared the classroom and the hours of play with two future colleagues; [[Gabriel Figueroa]] and [[Alejandro Galindo (director)|Alejandro Galindo]] with whom he maintained a close, friendly and professional relationship throughout his life.<ref name=unam/> Between 1919 and 1924 he continued his secondary and preparatory studies at the [[San Ildefonso College]].<ref name=fotografica/> There, he was classmates with [[Renato Leduc]], [[Salvador Novo]] and [[Xavier Villaurrutia]], important Mexican writers associated to the [[Cinema of Mexico|Mexican film industry]].<ref name=unam/> In the beginning, Gilberto Martínez's interests were oriented to the study of law, but a health problem forced him to leave the university and travel to Los Angeles to treat a heart problem. Later, he began a career in law that was interrupted due to an erroneous medical diagnosis about the condition of his heart, for which, he moved to [[Los Angeles]] to undergo treatment.<ref name=fotografica/><ref name=google>{{cite web|title=Mientras el cuerpo aguante. Gilberto Martínez Solares y su enorme producción de éxitos.|url=https://artsandculture.google.com/exhibit/mientras-el-cuerpo-aguante-gilberto-mart%C3%ADnez-solares-y-su-enorme-producci%C3%B3n-de-%C3%A9xitos-fundacion-televisa/gwJyc7xxrHxBJg?hl=es-419|date=October 2020|access-date=November 11, 2020}}</ref> Upon his return to Mexico City in 1929, he established a photographic studio in partnership with his brother [[Raúl Martínez Solares]] and friend [[Gabriel Figueroa]], located on Avenida Hidalgo, but did not have good results due to their inexperience. After the first failure, they established another studio located in [[Madero Street]] that was very successful, as it became the best studio, according to Figueroa.<ref name=fotografica/>


In 1930, his inclination to cinema led him to Hollywood, where he installed another studio and where he held the opportunity to photograph some of the greatest actors and actresses of the time.<ref name=ecured/> There, he also met several of his future colleagues such as [[René Cardona]], [[Emilio Fernández]], [[Chano Urueta]], director [[Antonio Moreno]], and cinematographer [[Alex Phillips (cinematographer)|Alex Phillips]] who, once back in Mexico, invited him to work as a stillman in 1931.<ref name=google/> After his stay in the United States, he returned to Mexico to marry Diana Garza Cantú, daughter of the writer [[María Luisa Garza]], novelist of the time and founder of the [[Mexican Institute for Child Protection]].<ref name=unam/> The couple went to live in [[Paris]], where Gilberto placed another photographic studio.<ref name=ecured/> During his time in Europe, he met [[Pablo Picasso]] and the Japanese painter [[Tsuguharu Foujita]]. After a year living in the capital, Martínez Solares learned of the formal beginning of the [[Cinema of Mexico|Mexican film industry]] with the production of [[Santa (1932 film)|Santa]], directed by [[Antonio Moreno]], and decided to return to Mexico.<ref name=unam/> In 1935, director [[Miguel Zacarías]], through a cooperative, allowed the brothers Gilberto and Raúl Martínez Solares to make their debut as cinematographers in the film [[Rosario (1935 film)|Rosario]] with [[Pedro Armendáriz]] and [[Gloria Morel]].<ref name=google/> After several credits as a cinematographer and as a screenwriter, he began his career as a director in 1938 with the film [[El Señor Mayor]], starring [[Domingo Soler]].<ref name=ecured/> From then on, his films successfully journeyed the most diverse genres, but always showed a predilection for comedy, farce, absurdity, and caricature. Some of his well-known films are ''[[Tender Pumpkins]]'' (1949) and ''[[The King of the Neighborhood]]'' (1950) that popularized the comedian [[Germán Valdés]] (Tin Tan).<ref name=google/> In 1978, Gilberto Martínez Solares formed, collectively with Adolfo Martínez Solares, his son, Santos and Alejandro Soberón, the production company [[Frontera Films]], of which he was president. In 1994, during the [[Ariel Award|Ariel Awards]], he received a special award recognition from the [[Academia Mexicana de Artes y Ciencias Cinematográficas|Mexican Academy of Film Arts and Sciences]] for his cinematographic and directorial career.<ref name=unam/><ref name=fotografica/><ref name=ecured/> He died on January 18, 1997, at the age of 90, due to [[cardiac arrest]].
In 1930, his inclination to cinema led him to Hollywood, where he installed another studio and where he held the opportunity to photograph some of the greatest actors and actresses of the time.{{citation needed|date=August 2022}} There, he also met several of his future colleagues such as [[René Cardona]], [[Emilio Fernández]], [[Chano Urueta]], director [[Antonio Moreno]], and cinematographer [[Alex Phillips (cinematographer)|Alex Phillips]] who, once back in Mexico, invited him to work as a stillman in 1931.<ref name=google/> After his stay in the United States, he returned to Mexico to marry Diana Garza Cantú, daughter of the writer [[María Luisa Garza]], novelist of the time and founder of the [[Mexican Institute for Child Protection]].<ref name=unam/> The couple went to live in [[Paris]], where Gilberto placed another photographic studio.{{citation needed|date=August 2022}} During his time in Europe, he met [[Pablo Picasso]] and the Japanese painter [[Tsuguharu Foujita]]. After a year living in the capital, Martínez Solares learned of the formal beginning of the [[Cinema of Mexico|Mexican film industry]] with the production of [[Santa (1932 film)|Santa]], directed by [[Antonio Moreno]], and decided to return to Mexico.<ref name=unam/> In 1935, director [[Miguel Zacarías]], through a cooperative, allowed the brothers Gilberto and Raúl Martínez Solares to make their debut as cinematographers in the film [[Rosario (1935 film)|Rosario]] with [[Pedro Armendáriz]] and [[Gloria Morel]].<ref name=google/> After several credits as a cinematographer and as a screenwriter, he began his career as a director in 1938 with the film [[El Señor Mayor]], starring [[Domingo Soler]].{{citation needed|date=August 2022}} From then on, his films successfully journeyed the most diverse genres, but always showed a predilection for comedy, farce, absurdity, and caricature. Some of his well-known films are ''[[Tender Pumpkins]]'' (1949) and ''[[The King of the Neighborhood]]'' (1950) that popularized the comedian [[Germán Valdés]] (Tin Tan).<ref name=google/> In 1978, Gilberto Martínez Solares formed, collectively with Adolfo Martínez Solares, his son, Santos and Alejandro Soberón, the production company [[Frontera Films]], of which he was president. In 1994, during the [[Ariel Award]]s, he received a special award recognition from the [[Academia Mexicana de Artes y Ciencias Cinematográficas|Mexican Academy of Film Arts and Sciences]] for his cinematographic and directorial career.<ref name=unam/><ref name=fotografica/> He died on January 18, 1997, at the age of 90, due to [[cardiac arrest]].


==Selected filmography==
==Selected filmography==
* ''[[Beautiful Mexico]]'' (1938)
* ''[[Beautiful Mexico]]'' (1938)
* ''[[I Danced with Don Porfirio]]'' (1942)
* ''[[Resurrection (1943 film)|Resurrection]]'' (1943)
*''[[Tragic Wedding]]'' (1946) (director only)
*''[[Tragic Wedding]]'' (1946) (director only)
* ''[[Five Faces of Woman]]'' (1947)
* ''[[Five Faces of Woman]]'' (1947)
* ''[[Strange Appointment]]'' (1947)
* ''[[The Newlywed Wants a House]]'' (1948)
* ''[[Tender Pumpkins]]'' (1949)
* ''[[Tender Pumpkins]]'' (1949)
* ''[[Rough But Respectable]]'' (1949)
* ''[[Rough But Respectable]]'' (1949)
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* ''[[Oh Darling! Look What You've Done!]]'' (1951)
* ''[[Oh Darling! Look What You've Done!]]'' (1951)
* ''[[Chucho the Mended]]'' (1952)
* ''[[Chucho the Mended]]'' (1952)
* ''[[Hot Rhumba]]'' (1952)
* ''[[Snow White (1952 film)|Snow White]]'' (1952)
* ''[[Snow White (1952 film)|Snow White]]'' (1952)
* ''[[The Beautiful Dreamer]]'' (1952)
* ''[[The Beautiful Dreamer]]'' (1952)
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* ''[[Barefoot Sultan]]'' (1956)
* ''[[Barefoot Sultan]]'' (1956)
* ''[[Alma llanera (film)|Alma llanera]]'' (1965)
* ''[[Alma llanera (film)|Alma llanera]]'' (1965)
* ''[[Satanico pandemonium]]'' (1975)


==References==
==References==
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*[https://fotografica.mx/fotografos/gilberto-martinez-solares/ Gilberto Martínez Solares - Fotografica] {{in lang|es}}
*[https://fotografica.mx/fotografos/gilberto-martinez-solares/ Gilberto Martínez Solares - Fotografica] {{in lang|es}}
*[https://moreliafilmfest.com/en/gilberto-martinez-solares-y-tin-tan-la-dupla-comica-del-cine-mexicano/ Gilberto Martínez Solares y “Tin Tan”, la dupla cómica del cine mexicano] {{in lang|es}}
*[https://moreliafilmfest.com/en/gilberto-martinez-solares-y-tin-tan-la-dupla-comica-del-cine-mexicano/ Gilberto Martínez Solares y “Tin Tan”, la dupla cómica del cine mexicano] {{in lang|es}}
*[https://www.ecured.cu/Gilberto_Mart%C3%ADnez_Solares Gilberto Martínez Solares - EcuRed] {{in lang|es}}
*[http://escritores.cinemexicano.unam.mx/biografias/M/martinez_solares_gilberto/biografia.html UNAM Biografia] {{in lang|es}}
*[http://escritores.cinemexicano.unam.mx/biografias/M/martinez_solares_gilberto/biografia.html UNAM Biografia] {{in lang|es}}


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[[Category:Mexican film directors]]
[[Category:Mexican film directors]]
[[Category:Mexican film producers]]
[[Category:Mexican film producers]]
[[Category:Mexican screenwriters]]
[[Category:Male actors from Mexico City]]
[[Category:Male actors from Mexico City]]
[[Category:20th-century Mexican male actors]]
[[Category:20th-century Mexican male actors]]
[[Category:20th-century screenwriters]]
[[Category:20th-century Mexican screenwriters]]
[[Category:20th-century Mexican male writers]]

{{Mexico-film-bio-stub}}

Latest revision as of 08:14, 19 November 2024

Gilberto Martínez Solares
Born
Mario Gilberto Agustin Martinez Solares

(1906-01-19)January 19, 1906
DiedJanuary 18, 1997(1997-01-18) (aged 90)
OccupationDirector
Known forFive Faces of Woman
Mulata

Mario Gilberto Agustin Martinez Solares (January 19, 1906 – January 18, 1997) was a Mexican director, cinematographer, screenwriter, and actor who is considered one of the most prolific filmmakers in Mexican cinema having directed more than 160 films, most of them written by him during the Golden Age of Mexican cinema.[1] He is also recognized as the most important comedy director in Mexico.

Life and career

[edit]

Gilberto Martínez Solares was born on January 19, 1906, in Mexico City. His father, Gilberto Martínez Medina, was an accountant that worked for the Madero government.[1] In 1910, the Mexican Revolution broke out,[2] and, as a result of the expanding violent environment in Mexico City, the Martínez-Solares family moved near Pénjamo, Guanajuato to the Hacienda de la Calle in 1913.[3] Upon the family's return to Mexico City, Gilberto Martínez attended the Fray Bartolomé de las Casas primary school, where he shared the classroom and the hours of play with two future colleagues; Gabriel Figueroa and Alejandro Galindo with whom he maintained a close, friendly and professional relationship throughout his life.[1] Between 1919 and 1924 he continued his secondary and preparatory studies at the San Ildefonso College.[3] There, he was classmates with Renato Leduc, Salvador Novo and Xavier Villaurrutia, important Mexican writers associated to the Mexican film industry.[1] In the beginning, Gilberto Martínez's interests were oriented to the study of law, but a health problem forced him to leave the university and travel to Los Angeles to treat a heart problem. Later, he began a career in law that was interrupted due to an erroneous medical diagnosis about the condition of his heart, for which, he moved to Los Angeles to undergo treatment.[3][4] Upon his return to Mexico City in 1929, he established a photographic studio in partnership with his brother Raúl Martínez Solares and friend Gabriel Figueroa, located on Avenida Hidalgo, but did not have good results due to their inexperience. After the first failure, they established another studio located in Madero Street that was very successful, as it became the best studio, according to Figueroa.[3]

In 1930, his inclination to cinema led him to Hollywood, where he installed another studio and where he held the opportunity to photograph some of the greatest actors and actresses of the time.[citation needed] There, he also met several of his future colleagues such as René Cardona, Emilio Fernández, Chano Urueta, director Antonio Moreno, and cinematographer Alex Phillips who, once back in Mexico, invited him to work as a stillman in 1931.[4] After his stay in the United States, he returned to Mexico to marry Diana Garza Cantú, daughter of the writer María Luisa Garza, novelist of the time and founder of the Mexican Institute for Child Protection.[1] The couple went to live in Paris, where Gilberto placed another photographic studio.[citation needed] During his time in Europe, he met Pablo Picasso and the Japanese painter Tsuguharu Foujita. After a year living in the capital, Martínez Solares learned of the formal beginning of the Mexican film industry with the production of Santa, directed by Antonio Moreno, and decided to return to Mexico.[1] In 1935, director Miguel Zacarías, through a cooperative, allowed the brothers Gilberto and Raúl Martínez Solares to make their debut as cinematographers in the film Rosario with Pedro Armendáriz and Gloria Morel.[4] After several credits as a cinematographer and as a screenwriter, he began his career as a director in 1938 with the film El Señor Mayor, starring Domingo Soler.[citation needed] From then on, his films successfully journeyed the most diverse genres, but always showed a predilection for comedy, farce, absurdity, and caricature. Some of his well-known films are Tender Pumpkins (1949) and The King of the Neighborhood (1950) that popularized the comedian Germán Valdés (Tin Tan).[4] In 1978, Gilberto Martínez Solares formed, collectively with Adolfo Martínez Solares, his son, Santos and Alejandro Soberón, the production company Frontera Films, of which he was president. In 1994, during the Ariel Awards, he received a special award recognition from the Mexican Academy of Film Arts and Sciences for his cinematographic and directorial career.[1][3] He died on January 18, 1997, at the age of 90, due to cardiac arrest.

Selected filmography

[edit]

References

[edit]
  1. ^ a b c d e f g "Biografias-Gilberto Martinez Solares". Retrieved November 11, 2020.
  2. ^ "Mexican Revolution". Retrieved November 11, 2020.
  3. ^ a b c d e "Fotografica - Gilberto Martínez Solares". 2017. Retrieved November 11, 2020.
  4. ^ a b c d "Mientras el cuerpo aguante. Gilberto Martínez Solares y su enorme producción de éxitos". October 2020. Retrieved November 11, 2020.
[edit]