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'''''Robbie Robertson''''' is the solo debut album by Canadian rock musician [[Robbie Robertson]], released in 1987. Though Robertson has been a professional musician since the late 1950s, notably a founder of and primary songwriter for [[The Band]], this was his first proper solo album. ''Robbie Robertson'' won the [[Juno Awards of 1989|Juno Award]] for "[[Juno Award for Album of the Year|Album of the Year]]", and producers [[Daniel Lanois]] and Robertson won the "[[Jack Richardson Producer of the Year Award|Producer of the Year]]" Juno award, both in 1989; there were no Juno Awards in 1988.
'''''Robbie Robertson''''' is the solo debut album by Canadian rock musician [[Robbie Robertson]], released in 1987. Though Robertson had been a professional musician since the late 1950s, notably a founder of and primary songwriter for [[The Band]], this was his first solo album. ''Robbie Robertson'' won the [[Juno Awards of 1989|Juno Award]] for "[[Juno Award for Album of the Year|Album of the Year]]", and producers [[Daniel Lanois]] and Robertson won the "[[Jack Richardson Producer of the Year Award|Producer of the Year]]" Juno award, both in 1989; there were no Juno Awards in 1988.


The album includes contributions from [[Rick Danko]] and [[Garth Hudson]] of The Band, as well as [[U2]] and [[Peter Gabriel]], both of whom had worked with Lanois. U2 was recording ''[[The Joshua Tree]]'' concurrent to the early stages of this album, and Gabriel had recorded ''[[So (album)|So]]'' the previous year. U2's contributions are heard in the song "Sweet Fire of Love", a duet of sorts between Robertson and U2 lead singer [[Bono]], and in "Testimony" again featuring backing by U2. Gabriel's contributions are heard on the song "Fallen Angel", which was dedicated to [[Richard Manuel]], Robertson's former bandmate in [[the Band]], and "Broken Arrow", which reverberates with Gabriel's signature [[Yamaha CP-80]] electric piano. In addition, [[Tony Levin]] and [[Manu Katché]], who were recording with Gabriel, are featured prominently on this record.<ref>The album notes give Ashcombe House, London, as a recording venue: this should read Ashcombe House, Bath, Peter Gabriel's home and recording studio at the time the album was recorded.</ref>
The album includes contributions from [[Rick Danko]] and [[Garth Hudson]] of The Band, as well as [[U2]] and [[Peter Gabriel]], both of whom had worked with Lanois. U2 was recording ''[[The Joshua Tree]]'' concurrent to the early stages of this album, and Gabriel had recorded ''[[So (album)|So]]'' the previous year. U2's contributions are heard in the song "Sweet Fire of Love", a duet of sorts between Robertson and U2 lead singer [[Bono]], and in "Testimony" again featuring backing by U2. Gabriel's contributions are heard on the song "Fallen Angel", which was dedicated to [[Richard Manuel]], Robertson's former bandmate in [[The Band]], and "Broken Arrow", which reverberates with Gabriel's signature [[Yamaha CP-80]] electric piano. In addition, [[Tony Levin]] and [[Manu Katché]], who were recording with Gabriel, are featured prominently on this record.<ref>The album notes give Ashcombe House, London, as a recording venue: this should read Ashcombe House, Bath, Peter Gabriel's home and recording studio at the time the album was recorded.</ref>


In 2005 the album was reissued together with its follow-up, ''[[Storyville (album)|Storyville]]'', as two-CD set, in an expanded edition, both with two bonus tracks.
In 2005 the album was reissued together with its follow-up, ''[[Storyville (album)|Storyville]]'', as a two-CD set, in an expanded edition, each with two bonus tracks.


==Production==
==Production==
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The first producer Robertson considered for production of the album was fellow Canadian [[Daniel Lanois]]. After meeting up with several more potential producers, Robertson decided to work with Lanois because of their shared interest in experimentation. After Lanois finished a stage of the production work with [[U2]] on what would become their album ''[[The Joshua Tree]]'', Robertson let Lanois know that he was ready to begin work on the album. The two began production and recording in July 1986.<ref name=rr_87_cr /><ref name=musician_9-87 />
The first producer Robertson considered for production of the album was fellow Canadian [[Daniel Lanois]]. After meeting up with several more potential producers, Robertson decided to work with Lanois because of their shared interest in experimentation. After Lanois finished a stage of the production work with [[U2]] on what would become their album ''[[The Joshua Tree]]'', Robertson let Lanois know that he was ready to begin work on the album. The two began production and recording in July 1986.<ref name=rr_87_cr /><ref name=musician_9-87 />


Robertson kept an office on the property of the recording studio [[The Village (studio)|The Village Recorder]] in [[West Los Angeles|West Los Angeles, California]], where he would work out ideas for the album. Much of the album was recorded there. Robertson's basic backing band included guitar player [[Bill Dillon (musician)|Bill Dillon]], a friend of Lanois' who had also played for [[Ronnie Hawkins]], as well as bass player [[Tony Levin]], and Parisian drummer [[Manu Katché]]. Robertson brought in drummer [[Terry Bozzio]] after Katché had to return to Paris. Robertson also brought in [[BoDeans|The BoDeans]] to provide group vocals for some of the tracks on the album, most notably on "Showdown at Big Sky".<ref name=rr_87_cr /><ref name=musician_9-87 /> BoDeans member Sam Llanas created a faux female voice that was used on the chorus of "[[Somewhere Down the Crazy River]]".<ref name=rr_87_cr /> [[The Band]] members [[Garth Hudson]] and [[Rick Danko]] also appear on the album, as do [[Ivan Neville]] (son of R&B singer [[Aaron Neville]]) and jazz bassist [[Larry Klein]].<ref name="rr_87_cd">{{Cite AV media notes|title=Robbie Robertson|year=1987|first=Robbie |last=Robertson|type=CD|publisher=[[Geffen Records]]|location=Los Angeles}}</ref>
Robertson kept an office on the property of the recording studio [[The Village (studio)|The Village Recorder]] in [[West Los Angeles|West Los Angeles, California]], where he would work out ideas for the album. Much of the album was recorded there. Robertson's basic backing band included guitar player [[Bill Dillon (musician)|Bill Dillon]], a friend of Lanois' who had also played for [[Ronnie Hawkins]], as well as bass player [[Tony Levin]], and Parisian drummer [[Manu Katché]]. Robertson brought in drummer [[Terry Bozzio]] after Katché had to return to Paris. Robertson also brought in [[BoDeans|The BoDeans]] to provide group vocals for some of the tracks on the album, most notably on "Showdown at Big Sky".<ref name=rr_87_cr /><ref name=musician_9-87 /> BoDeans member [[Sam Llanas]] created a faux female voice that was used on the chorus of "[[Somewhere Down the Crazy River]]".<ref name=rr_87_cr /> [[The Band]] members [[Garth Hudson]] and [[Rick Danko]] also appear on the album, as do [[Ivan Neville]] (son of R&B singer [[Aaron Neville]]) and jazz bassist [[Larry Klein]].<ref name="rr_87_cd">{{Cite AV media notes|title=Robbie Robertson|year=1987|first=Robbie |last=Robertson|type=CD|publisher=[[Geffen Records]]|location=Los Angeles}}</ref>


Lanois broke away from the album's production to continue working with U2 in August 1986,<ref name="u2_secret_history">{{cite web|last1=O'Hare|first1=Colm|title=The Secret History of 'The Joshua Tree' (Part 1)|url=http://www.atu2.com/news/the-secret-history-of-the-joshua-tree-part-1.html|website=@U2|publisher=Matt McGee|access-date=July 4, 2016|date=November 21, 2007}}</ref> while Robertson worked with director [[Martin Scorsese]] on creating and composing the score for the film ''[[The Color of Money]]'' (1986).<ref name=rs_rr_intv_1987 /><ref name=musician_9-87 /> While Lanois was working with U2, he invited Robertson to come out to Ireland to work in [[Danesmoate House|the home studio]] where U2 were recording. Robertson flew to Ireland in late August 1986, arriving in the aftermath of [[Hurricane Charley (1986)|Hurricane Charley]].<ref name=u2_secret_history /> Robertson had just finished work on ''The Color of Money'', and arrived with nothing prepared except for a [[Gil Evans]] horn chart left over from ''The Color of Money'' and a recording he had made of a guitar riff accompanied by a tom tom drum. Robertson fleshed out some lyrical ideas inspired by the hurricane and the turbulent flight over, while Lanois worked with the members of U2 on extracting a musical concept from the guitar riff Robertson had presented to them. Robertson and U2 lead singer [[Bono]] then improvised a set of lyrics in the studio while the band's instrumentalists played behind them, creating a 22-minute track that was edited into the song "Sweet Fire of Love". Lanois then used the Gil Evans horn arrangements as the basis of another track entitled "Testimony", which also featured the members of U2.<ref name=rr_87_cr /><ref name=musician_9-87 />
Lanois broke away from the album's production to continue working with U2 in August 1986,<ref name="u2_secret_history">{{cite web|last1=O'Hare|first1=Colm|title=The Secret History of 'The Joshua Tree' (Part 1)|url=http://www.atu2.com/news/the-secret-history-of-the-joshua-tree-part-1.html|website=@U2|publisher=Matt McGee|access-date=July 4, 2016|date=November 21, 2007}}</ref> while Robertson worked with director [[Martin Scorsese]] on creating and composing the score for the film ''[[The Color of Money]]'' (1986).<ref name=rs_rr_intv_1987 /><ref name=musician_9-87 /> While Lanois was working with U2, he invited Robertson to come out to Ireland to work in [[Danesmoate House|the home studio]] where U2 were recording. Robertson flew to Ireland in late August 1986, arriving in the aftermath of [[Hurricane Charley (1986)|Hurricane Charley]].<ref name=u2_secret_history /> Robertson had just finished work on ''The Color of Money'', and arrived with nothing prepared except for a [[Gil Evans]] horn chart left over from ''The Color of Money'' and a recording he had made of a guitar riff accompanied by a tom tom drum. Robertson fleshed out some lyrical ideas inspired by the hurricane and the turbulent flight over, while Lanois worked with the members of U2 on extracting a musical concept from the guitar riff Robertson had presented to them. Robertson and U2 lead singer [[Bono]] then improvised a set of lyrics in the studio while the band's instrumentalists played behind them, creating a 22-minute track that was edited into the song "Sweet Fire of Love". Lanois then used the Gil Evans horn arrangements as the basis of another track entitled "Testimony", which also featured the members of U2.<ref name=rr_87_cr /><ref name=musician_9-87 />


Robertson then flew to [[Bath, England]] to work with Peter Gabriel in his home studio. Robertson had been devising a track entitled "Fallen Angel" about a soul passing into the next dimension. Robertson attributed the direction he was taking to the recent passing of fellow Band alumnus [[Richard Manuel]], who had committed suicide in a hotel room in Florida in March 1986,<ref name="band_bio">{{cite book|last1=Hoskyns|first1=Barney|title=Across The Great Divide: The Band and America|url=https://archive.org/details/acrossgreatdivid00hosk|url-access=limited|date=1993|publisher=Hyperion|location=New York|isbn=0786880279|edition=first paperback|page=[https://archive.org/details/acrossgreatdivid00hosk/page/384 384]}}</ref> and dedicated the song to him. Robertson loved the "ghosty, angelic sound" Gabriel achieved when stacking his vocals, and requested that Gabriel record background vocals for the song, which he agreed to. Gabriel also provided keyboards on "Fallen Angel", as well as keyboards and drum programming on "Broken Arrow", a song which was inspired by Robertson's Native American heritage.<ref name=rr_87_cr /><ref name=rr_87_cd />
Robertson then flew to [[Bath, Somerset|Bath, England]], to work with Peter Gabriel in his home studio. Robertson had been devising a track entitled "Fallen Angel" about a soul passing into the next dimension. Robertson attributed the direction he was taking to the recent passing of fellow Band alumnus [[Richard Manuel]], who had committed suicide in a hotel room in Florida in March 1986,<ref name="band_bio">{{cite book|last1=Hoskyns|first1=Barney|title=Across The Great Divide: The Band and America|url=https://archive.org/details/acrossgreatdivid00hosk|url-access=limited|date=1993|publisher=Hyperion|location=New York|isbn=0786880279|edition=first paperback|page=[https://archive.org/details/acrossgreatdivid00hosk/page/384 384]}}</ref> and dedicated the song to him. Robertson loved the "ghosty, angelic sound" Gabriel achieved when stacking his vocals, and requested that Gabriel record background vocals for the song, which he agreed to. Gabriel also provided keyboards on "Fallen Angel", as well as keyboards and drum programming on "Broken Arrow", a song which was inspired by Robertson's Native American heritage.<ref name=rr_87_cr /><ref name=rr_87_cd />


Robertson also recorded at [[Bearsville Studios]] near Woodstock, New York, which was founded by his former manager [[Albert Grossman]]. At Bearsville Studios, Robertson worked on a version of "What About Now" that was withheld from the final release of the album, as well the track "American Roulette," which was inspired by a screenplay he had written. Robertson utilized [[Lone Justice]] lead singer [[Maria McKee]] as backing vocalist for these two tracks.<ref name=musician_9-87 /> Engineer [[Bob Clearmountain]] was brought in to remix the album just before its release.<ref name=rs_rr_intv_1987 />
Robertson also recorded at [[Bearsville Studios]] near Woodstock, New York, which was founded by his former manager [[Albert Grossman]]. At Bearsville Studios, Robertson worked on a version of "What About Now" that was withheld from the final release of the album, as well the track "American Roulette," which was inspired by a screenplay he had written. Robertson utilized [[Lone Justice]] lead singer [[Maria McKee]] as backing vocalist for these two tracks.<ref name=musician_9-87 /> Engineer [[Bob Clearmountain]] was brought in to remix the album just before its release.<ref name=rs_rr_intv_1987 />


==Reception==
==Reception==
{{Music ratings
⚫
Released on October 26, 1987,<ref>{{cite web|title=Albums Released This Week (October 26 – November 1)|url=https://drrockblog.wordpress.com/2015/10/26/albums-released-this-week-october-26-november-1/|website=Dr. Rock's Blog & Roll|publisher=Strategic Planning Advisors LLC|access-date=July 4, 2016|format=October 26, 2015}}</ref> ''Robbie Robertson'' peaked at #35 on the Billboard 200, remaining in the Top 40 for 3 weeks.<ref name="billboard_book">{{cite book|last1=Whitburn|first1=Joel|title=The Billboard Book of Top 40 Albums|url=https://archive.org/details/billboardbookoft00whit|url-access=registration|date=1995|publisher=Billboard Books (Watson-Guptill Publications)|location=New York|isbn=0823076318|edition=Third|page=[https://archive.org/details/billboardbookoft00whit/page/216 216]}}</ref> ''Robbie Robertson'' produced several hits on the Billboard Mainstream Rock charts, with "Showdown At Big Sky" coming in the highest (#2) and "Sweet Fire Of Love" the second highest (#7).<ref name="rr_billboard_msr">{{cite web|title=Artists: Robbie Robertson. Chart History (Mainstream Rock Songs)|url=http://www.billboard.com/artist/365543/robbie-robertson/chart?f=376|website=Billboard.com|publisher=Nielsen Business Media|access-date=July 4, 2016}}</ref> The album was nominated for a [[Grammy Award]] for "Best Rock / Vocal Album".<ref name="en_native_music">{{cite book|last1=Wright-McLeod|first1=Brian|title=The Encyclopedia of Native Music|date=2005|publisher=University of Arizona Press|location=Tucson, Arizona|isbn=0816524475|page=168|url=https://books.google.com/books?id=Wq8Ms0Cl32kC|access-date=July 4, 2016}}</ref> ''Robbie Robertson'' was certified gold in the United States in 1991.<ref name="gq_10-91">{{cite magazine|last1=Fried|first=Stephen|date=October 1991|title=Rocker of Ages|magazine=GQ|location=New York|publisher=Condé Nast|pages=133–6}}</ref>
| rev1 = ''[[New Musical Express]]''
| rev1score = 8/10<ref>{{cite magazine|title=Sly Robbie |last=O'Hagan |first=Sean |author-link=Sean O'Hagan |date=14 November 1987 |magazine=[[New Musical Express]]|page=35}}</ref>
| rev2 = ''[[Uncut (magazine)|Uncut]]''
| rev2score = 6/10<ref>{{Cite magazine|title=Robbie Robertson: Buyer's Guide|magazine=[[Uncut (magazine)|Uncut]]|date=November 2023|page=90}}</ref>
}}


⚫
Released on October 26, 1987,<ref>{{cite web|title=Albums Released This Week (October 26 – November 1)|url=https://drrockblog.wordpress.com/2015/10/26/albums-released-this-week-october-26-november-1/|website=Dr. Rock's Blog & Roll|publisher=Strategic Planning Advisors LLC|access-date=July 4, 2016|format=October 26, 2015|archive-date=November 1, 2021|archive-url=https://web.archive.org/web/20211101220524/https://drrockblog.wordpress.com/2015/10/26/albums-released-this-week-october-26-november-1/|url-status=dead}}</ref> ''Robbie Robertson'' peaked at #35 on the ''Billboard'' 200, remaining in the Top 40 for 3 weeks.<ref name="billboard_book">{{cite book|last1=Whitburn|first1=Joel|title=The Billboard Book of Top 40 Albums|url=https://archive.org/details/billboardbookoft00whit|url-access=registration|date=1995|publisher=Billboard Books (Watson-Guptill Publications)|location=New York|isbn=0823076318|edition=Third|page=[https://archive.org/details/billboardbookoft00whit/page/216 216]}}</ref> ''Robbie Robertson'' produced several hits on the ''Billboard'' Mainstream Rock charts, with "Showdown at Big Sky" coming in the highest (#2) and "Sweet Fire of Love" the second highest (#7).<ref name="rr_billboard_msr">{{cite web|title=Artists: Robbie Robertson. Chart History (Mainstream Rock Songs)|url=http://www.billboard.com/artist/365543/robbie-robertson/chart?f=376|website=Billboard.com|publisher=Nielsen Business Media|access-date=July 4, 2016}}</ref> The album was nominated for a [[Grammy Award]] for "Best Rock / Vocal Album".<ref name="en_native_music">{{cite book|last1=Wright-McLeod|first1=Brian|title=The Encyclopedia of Native Music|date=2005|publisher=University of Arizona Press|location=Tucson, Arizona|isbn=0816524475|page=168|url=https://books.google.com/books?id=Wq8Ms0Cl32kC|access-date=July 4, 2016}}</ref> ''Robbie Robertson'' was certified gold in the United States in 1991.<ref name="gq_10-91">{{cite magazine|last1=Fried|first1=Stephen|date=October 1991|title=Rocker of Ages|magazine=GQ|location=New York|publisher=Condé Nast|pages=133–6}}</ref>
⚫
''Robbie Robertson'' was critically well-received at the time of its release, placing at #13 in the annual [[Pazz & Jop]] Critics Poll published in ''[[The Village Voice]]''.<ref name="pazznjop">{{cite web|title=The 1987 Pazz & Jop Critics Poll |url=https://www.robertchristgau.com/xg/pnj/pjres87.php|website=robertchristgau.com|publisher=The Village Voice|access-date=July 27, 2021|date=March 1, 1988}}</ref> The album was listed in the Top Ten Albums Of The Year by several of the critics in ''Billboard'' magazine's 1987 "The Critics' Choice" end of the year feature,<ref name="billboard_12-26-87">{{cite magazine|last1=Dupler|first1=Steven|display-authors=etal|date=December 26, 1987|title=The Critics' Choice|url=https://books.google.com/books?id=JCgEAAAAMBAJ|magazine=Billboard|publisher=Nielsen Business Media|volume=99|issue=52|pages=Y17-Y53|issn=0006-2510|access-date=July 4, 2016}}</ref> and in February 1988, the album was listed in ''Stereo Review'' magazine's "Best Recordings of The Month" feature.<ref name="stereo_review_2-88">{{cite magazine|last=Simels|first=Steve|date=February 1988|title=Best Recordings of the Month: Robbie Robertson's Comeback|magazine=Stereo Review|location=New York|publisher=CBS Magazines|page=180}}</ref> In 1989, the album was listed as #77 in ''Rolling Stone'''s "100 Best Albums of the Eighties."<ref name="rr_rs_best_80s_77">{{cite web|title=77 – Robbie Robertson, 'Robbie Robertson'|url=https://www.rollingstone.com/music/lists/100-best-albums-of-the-eighties-20110418/robbie-robertson-robbie-robertson-20110329|website=Rollingstone.com|publisher=Wenner Media LLC|access-date=July 4, 2016|date=November 16, 1989}}</ref>


⚫
''Robbie Robertson'' was critically well-received at the time of its release, placing at #13 in the annual [[Pazz & Jop]] Critics Poll published in ''[[The Village Voice]]''.<ref name="pazznjop">{{cite web|title=The 1987 Pazz & Jop Critics Poll |url=https://www.robertchristgau.com/xg/pnj/pjres87.php|website=robertchristgau.com|publisher=The Village Voice|access-date=July 27, 2021|date=March 1, 1988}}</ref> The album was listed in the Top Ten Albums of the Year by several of the critics in ''Billboard'' magazine's 1987 "The Critics' Choice" end-of-the-year feature,<ref name="billboard_12-26-87">{{cite magazine|last1=Dupler|first1=Steven|display-authors=etal|date=December 26, 1987|title=The Critics' Choice|url=https://books.google.com/books?id=JCgEAAAAMBAJ|magazine=Billboard|publisher=Nielsen Business Media|volume=99|issue=52|pages=Y17–Y53|issn=0006-2510|access-date=July 4, 2016}}</ref> and in February 1988, the album was listed in ''Stereo Review'' magazine's "Best Recordings of The Month" feature.<ref name="stereo_review_2-88">{{cite magazine|last=Simels|first=Steve|date=February 1988|title=Best Recordings of the Month: Robbie Robertson's Comeback|magazine=Stereo Review|location=New York|publisher=CBS Magazines|page=180}}</ref> In 1989, the album was listed as #77 in ''Rolling Stone'''s "100 Best Albums of the Eighties".<ref name="rr_rs_best_80s_77">{{cite web|title=77 – Robbie Robertson, 'Robbie Robertson'|url=https://www.rollingstone.com/music/lists/100-best-albums-of-the-eighties-20110418/robbie-robertson-robbie-robertson-20110329|website=Rollingstone.com|publisher=Wenner Media LLC|access-date=July 4, 2016|date=November 16, 1989}}</ref>
⚫
The album did receive negative criticism as well, with [[Greil Marcus]] later deriding it as "draped in curtains of overproduction" with "themes so elaborated and vocals so disguised it was hard to discern an actual human being behind any of it."<ref name="artforum">{{cite magazine|last=Marcus|first=Greil|title=Top Ten|url=https://www.artforum.com/print/199108/greil-marcus-33721 |magazine=Artforum|access-date=July 27, 2021|date=October 1991}}</ref> [[Robert Christgau]] wrote that it "took some guts for such an unrepentant Americana-monger [like Robertson] to risk Anglophobe wrath" by collaborating with Lanois and Bono, but he was very disappointed with the results and graded the album with a C+.<ref name="consumerguide">{{cite web|title= Christgau's Consumer Guide |url= https://www.robertchristgau.com/xg/cg/cgv12b-87.php |website=robertchristgau.com|publisher=The Village Voice|access-date=July 27, 2021|date=December 29, 1987}}</ref>

⚫
The album did receive negative criticism as well, with [[Greil Marcus]] later deriding it as "draped in curtains of overproduction" with "themes so elaborated and vocals so disguised it was hard to discern an actual human being behind any of it."<ref name="artforum">{{cite magazine|last=Marcus|first=Greil|title=Top Ten|url=https://www.artforum.com/print/199108/greil-marcus-33721 |magazine=Artforum|access-date=July 27, 2021|date=October 1991}}</ref> [[Robert Christgau]] wrote that it "took some guts for such an unrepentant Americana-monger [like Robertson] to risk Anglophobe wrath" by collaborating with Gabriel and Bono, but he was very disappointed with the results and graded the album with a C+.<ref name="consumerguide">{{cite web|title= Christgau's Consumer Guide |url= https://www.robertchristgau.com/xg/cg/cgv12b-87.php |website=robertchristgau.com|publisher=The Village Voice|access-date=July 27, 2021|date=December 29, 1987}}</ref>


[[Barney Hoskyns]] dismissed it as sounding "bloated and grandiose," with Robertson "overreaching himself and getting lost in flights of airy verbosity."<ref name="hoskyns">{{cite book|last=Hoskyns|first=Barney|title=Across the Great Divide: The Band and America|date=1993|publisher=Hyperion|location=New York City|isbn=0670841447|page=391|url=https://books.google.com/books?id=fEA7MuMoLqcC|access-date=August 15, 2021}}</ref> [[Elvis Costello]], a lifelong fan of [[The Band]], said he "didn't like it at all," and that "it was like [Robertson] decided to make a [[Peter Gabriel]] album, whereas his songwriting was much more interesting and enigmatic when he was working on that smaller scale. It's almost like the best songs on the record are the ones that operate on that scale but have then been artificially inflated with steroids to become this widescreen Peter Gabriel music."<ref name=hoskyns />
[[Barney Hoskyns]] dismissed it as sounding "bloated and grandiose," with Robertson "overreaching himself and getting lost in flights of airy verbosity."<ref name="hoskyns">{{cite book|last=Hoskyns|first=Barney|title=Across the Great Divide: The Band and America|date=1993|publisher=Hyperion|location=New York City|isbn=0670841447|page=391|url=https://books.google.com/books?id=fEA7MuMoLqcC|access-date=August 15, 2021}}</ref> [[Elvis Costello]], a lifelong fan of [[The Band]], said he "didn't like it at all," and that "it was like [Robertson] decided to make a [[Peter Gabriel]] album, whereas his songwriting was much more interesting and enigmatic when he was working on that smaller scale. It's almost like the best songs on the record are the ones that operate on that scale but have then been artificially inflated with steroids to become this widescreen Peter Gabriel music."<ref name=hoskyns />
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==Songwriting==
==Songwriting==
==="Broken Arrow"===
==="Broken Arrow"===
Robbie Robertson's version reached number 29 on the ''[[RPM (magazine)|RPM]]'' CanCon charts in 1988.<ref>{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.8573.pdf| title=RPM Top 40 CanCon Singles - August 27, 1988}}</ref>
[[Rod Stewart]] recorded a version of "Broken Arrow" in 1991 for his album ''[[Vagabond Heart]]''.<ref name="allmusic_rs_vh">{{cite web|title=Rod Stewart: Vagabond Heart|url=http://www.allmusic.com/album/vagabond-heart-mw0000691766|website=Allmusic.com|publisher=All Media Network, LLC|access-date=July 3, 2016}}</ref> Stewart's version of the song was released as a single on August 26, 1991,<ref>{{cite magazine|title=New Releases: Singles|magazine=[[Music Week]]|page=19|date=August 24, 1991}}</ref> with an accompanying music video, reaching number 20 on the US [[Billboard Hot 100|''Billboard'' Hot 100]] chart and number two in Canada.<ref>{{cite web|url=https://www.billboard.com/artist/rod-stewart/|title=Rod Stewart Chart History (Billboard Hot 100)|website=Billboard|publisher=Nielsen Business Media|access-date=July 3, 2016}}</ref><ref>{{cite magazine|url=https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.1696&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.1696.gif&Ecopy=nlc008388.1696|title=RPM 100 Hit Tracks|magazine=[[RPM (magazine)|RPM]]|via=[[Library and Archives Canada]]|date=December 14, 1991|access-date=August 12, 2022}}</ref>
[[Rod Stewart]] recorded a version of "Broken Arrow" in 1991 for his album ''[[Vagabond Heart]]''.<ref name="allmusic_rs_vh">{{cite web|title=Rod Stewart: Vagabond Heart|url=http://www.allmusic.com/album/vagabond-heart-mw0000691766|website=Allmusic.com|publisher=All Media Network, LLC|access-date=July 3, 2016}}</ref> Stewart's version of the song was released as a single on August 26, 1991,<ref>{{cite magazine|title=New Releases: Singles|magazine=[[Music Week]]|page=19|date=August 24, 1991}}</ref> with an accompanying music video, reaching number 20 on the US [[Billboard Hot 100|''Billboard'' Hot 100]] chart and number two in Canada.<ref>{{cite magazine|url=https://www.billboard.com/artist/rod-stewart/|title=Rod Stewart Chart History (Billboard Hot 100)|magazine=Billboard|publisher=Nielsen Business Media|access-date=July 3, 2016}}</ref><ref>{{cite magazine|url=https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.1696&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.1696.gif&Ecopy=nlc008388.1696|title=RPM 100 Hit Tracks|magazine=[[RPM (magazine)|RPM]]|via=[[Library and Archives Canada]]|date=December 14, 1991|access-date=August 12, 2022}}</ref>


"Broken Arrow" was also performed live by the [[Grateful Dead]] from 1993 to 1995 with [[Phil Lesh]] on vocals.<ref name="gm_fam_disc_ba">{{cite web|title=Broken Arrow|url=http://www.deaddisc.com/songs/Broken_Arrow.htm|website=The Grateful Dead Family Discography|access-date=July 3, 2016}}</ref> Grateful Dead spinoff groups [[The Dead (band)|The Dead]], [[Phil Lesh and Friends]], and [[The Other Ones]] have also performed the song, each time with Lesh on vocals.<ref name="gd_songfinder_ba">{{cite web|last1=Allan|first1=Alex|title=Broken Arrow|url=http://www.whitegum.com/introjs.htm?/songfile/BROKENAR.HTM|website=Grateful Dead Lyric And Song Finder|access-date=July 3, 2016}}</ref>
"Broken Arrow" was also performed live by the [[Grateful Dead]] from 1993 to 1995 with [[Phil Lesh]] on vocals.<ref name="gm_fam_disc_ba">{{cite web|title=Broken Arrow|url=http://www.deaddisc.com/songs/Broken_Arrow.htm|website=The Grateful Dead Family Discography|access-date=July 3, 2016}}</ref> Grateful Dead spinoff groups [[The Dead (band)|The Dead]], [[Phil Lesh and Friends]], and [[The Other Ones]] have also performed the song, each time with Lesh on vocals.<ref name="gd_songfinder_ba">{{cite web|last1=Allan|first1=Alex|title=Broken Arrow|url=http://www.whitegum.com/introjs.htm?/songfile/BROKENAR.HTM|website=Grateful Dead Lyric And Song Finder|access-date=July 3, 2016}}</ref>
Line 70: Line 78:


==="Somewhere Down the Crazy River"===
==="Somewhere Down the Crazy River"===
When asked about the inspiration for album's single "Somewhere Down the Crazy River", Lanois commented, "Robbie Robertson was describing what it was like to hang out in [[Arkansas]] with [[Levon Helm]] in his old neighbourhood. He was telling me about the hot nights and fishing with dynamite, and was asking someone for directions for someplace ''somewhere down the crazy river''. ... I had presented him with this instrument that [[Brian Eno|[Brian] Eno]] introduced me to called the Suzuki [[Omnichord]], like an electric [[autoharp]]. He found a little chord sequence with it that was sweet and wonderful. As he was developing his chord sequence I recorded him and superimposed his storytelling, which I was secretly recording, on top. That was the birth of 'Somewhere Down The Crazy River.' It's kind of like a guy with a deep voice telling you about steaming nights in Arkansas."<ref name="exclaimmag">{{cite web | author= Tong, Allan | title= Daniel Lanois Web Exclusive Interview | work= Exclaim.ca | url= http://www.exclaim.ca/articles/multiarticlesub.aspx?csid1=114&csid2=946&fid1=27498 | date= September 2007 | access-date= September 19, 2007 | archive-url= https://web.archive.org/web/20100516064506/http://www.exclaim.ca/articles/multiarticlesub.aspx?csid1=114&csid2=946&fid1=27498 | archive-date= May 16, 2010 | url-status=dead }}</ref> This song is notable as Robertson's only solo hit in the [[UK]], reaching number 15 on the [[UK singles chart]]. His follow-up single there, "Fallen Angel" (also from the album), reached number 95.
When asked about the inspiration for the album's single "Somewhere Down the Crazy River", Lanois commented, "Robbie Robertson was describing what it was like to hang out in [[Arkansas]] with [[Levon Helm]] in his old neighbourhood. He was telling me about the hot nights and fishing with dynamite, and was asking someone for directions for someplace ''somewhere down the crazy river''. ... I had presented him with this instrument that [[Brian Eno|[Brian] Eno]] introduced me to called the Suzuki [[Omnichord]], like an electric [[autoharp]]. He found a little chord sequence with it that was sweet and wonderful. As he was developing his chord sequence I recorded him and superimposed his storytelling, which I was secretly recording, on top. That was the birth of 'Somewhere Down The Crazy River.' It's kind of like a guy with a deep voice telling you about steaming nights in Arkansas."<ref name="exclaimmag">{{cite web | author= Tong, Allan | title= Daniel Lanois Web Exclusive Interview | work= Exclaim.ca | url= http://www.exclaim.ca/articles/multiarticlesub.aspx?csid1=114&csid2=946&fid1=27498 | date= September 2007 | access-date= September 19, 2007 | archive-url= https://web.archive.org/web/20100516064506/http://www.exclaim.ca/articles/multiarticlesub.aspx?csid1=114&csid2=946&fid1=27498 | archive-date= May 16, 2010 | url-status=dead }}</ref> This song is notable as Robertson's only solo hit in the United Kingdom, reaching number 15 on the [[UK Singles Chart]]. His follow-up single there, "Fallen Angel" (also from the album), reached number 95.


==="Showdown at Big Sky"===
==="Showdown at Big Sky"===
[[Sam Llanas]], from the [[The BoDeans|BoDeans]], provided the distinctive background vocals on this song, The BoDeans' Kurt Neumann and Llanas contributed backing vocals to "Somewhere Down the Crazy River" and "American Roulette". Because of the popularity of the BoDeans in their home state of Wisconsin, "Showdown at Big Sky" received significant airplay on Milwaukee AOR radio.{{citation needed|date=July 2011}}
[[Sam Llanas]], from the [[BoDeans]], provided the distinctive background vocals on this song, The BoDeans' Kurt Neumann and Llanas contributed backing vocals to "Somewhere Down the Crazy River" and "American Roulette". Because of the popularity of the BoDeans in their home state of Wisconsin, "Showdown at Big Sky" received significant airplay on Milwaukee AOR radio.{{citation needed|date=July 2011}}
Robertson's single reached #48 in the Canadian Top 100 and #8 in the CanCon charts.<ref>{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.0938.pdf| title=RPM Top 100 Singles - February 20, 1988}}</ref><ref>{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.8870.pdf| title=RPM Top 10 CanCon - February 20, 1988}}</ref>


==="Fallen Angel"===
==="Fallen Angel"===
"Fallen Angel" is lyrically about Robertson's former bandmate [[Richard Manuel]], who took his own life in 1986. [[Peter Gabriel]] sings with Robertson on this track. It also features contributions from another former Band member [[Garth Hudson]].
"Fallen Angel" is lyrically about Robertson's former bandmate Richard Manuel, who took his own life in 1986. Peter Gabriel sings with Robertson on this track. It also features contributions from another former Band member Garth Hudson.


==Track listing==
==Track listing==
Line 94: Line 103:
# "Testimony" (edited 12" remix) – 6:34, with additional production and remix by [[Nile Rodgers]]
# "Testimony" (edited 12" remix) – 6:34, with additional production and remix by [[Nile Rodgers]]


== Musicians ==
==Personnel==
* Robbie Robertson – vocals, backing vocals, guitar, keyboards
* Robbie Robertson – vocals, backing vocals, guitar, keyboards
* Bill Dillon – guitars on tracks 1, 2, and 5–9; backing vocal on track 2
* Bill Dillon – guitars on tracks 1, 2, and 5–9; backing vocal on track 2
* [[The Edge]] – guitar on tracks 4 and 9
* [[Tony Levin]] – [[Chapman Stick]] on tracks 5 & 7; bass on tracks 6 & 8
⚫
* [[Manu Katché]] – drums on tracks 1, 2, 6, 7, and 8; percussion on tracks 1, 7, and 8
⚫
* [[Daniel Lanois]] – percussion on tracks 2, 3, 4, and 8; backing vocal on tracks 2, 3, and 4; [[Omnichord]] on track 6; guitar on tracks 5 and 8

'''Additional personnel'''
{{div col|colwidth=30em}}
* Eluriel "Tinker" Barfield – bass on tracks 1 and 5
* Eluriel "Tinker" Barfield – bass on tracks 1 and 5
⚫
* [[Garth Hudson]] – keyboards on tracks 1 and 5
⚫
* [[Peter Gabriel]] – keyboards on tracks 1 and 3; vocals on track 1; drum program on track 3; vocal cameo on track 9
⚫
* [[Martin Page]] – [[drum machine|drum programming]] on track 1
* [[Larry Klein]] – bass on track 2
* [[Larry Klein]] – bass on track 2
* [[Abraham Laboriel]] – bass on track 3
* [[Abraham Laboriel]] – bass on track 3
⚫
* [[Terry Bozzio]] – drums on tracks 3 and 5
* [[Bono]] – vocals, bass on track 4; backing vocal and guitar on track 9
* [[Bono]] – vocals, bass on track 4; backing vocal and guitar on track 9
⚫
* [[The Edge]] – guitar on tracks 4 and 9
* [[Adam Clayton]] – bass on tracks 4 and 9
* [[Adam Clayton]] – bass on tracks 4 and 9
* [[Larry Mullen Jr.]] – drums on tracks 4 and 9
* [[Hans Christian (musician)|Hans Christian]] – bass guitar on track 5
* [[Hans Christian (musician)|Hans Christian]] – bass guitar on track 5
* [[Tony Levin]] – [[Chapman Stick]] on tracks 5 & 7; bass on tracks 6 & 8
⚫
* [[Peter Gabriel]] – keyboards on tracks 1 and 3; vocals on track 1; drum program on track 3; vocal cameo on track 9
⚫
* [[Garth Hudson]] – accordion on tracks 1 and 5
⚫
* [[Martin Page]] – [[drum machine|drum programming]] on track 1
⚫
* [[Manu Katché]] – drums on tracks 1, 2, 6, 7, and 8; percussion on tracks 1, 7, and 8
⚫
* [[Terry Bozzio]] – drums on tracks 3 and 5
⚫
* [[Larry Mullen, Jr.]] – drums on tracks 4 and 9
⚫
* [[Daniel Lanois]] – percussion on tracks 2, 3, 4, 8; backing vocal on 2, 3, 4; [[Omnichord]] on 5; guitar on 5, 9
* [[BoDeans]] ([[Sam Llanas]], [[Kurt Neumann (musician)|Kurt Neumann]]) – backing vocals on tracks 2 and 5
* [[BoDeans]] ([[Sam Llanas]], [[Kurt Neumann (musician)|Kurt Neumann]]) – backing vocals on tracks 2 and 5
* [[Maria McKee]] – backing vocal on track 5
* [[Maria McKee]] – backing vocal on track 5
* [[Sam Llanas]] – backing vocal on track 6
* Sammy BoDean (Sam Llanas) – backing vocal on track 6
* Cary Butler – backing vocal on track 8
* Cary Butler – backing vocal on track 8
* [[Rick Danko]] – backing vocal on track 8
* [[Rick Danko]] – backing vocal on track 8
* [[Ivan Neville]] – backing vocal on track 9
* [[Ivan Neville]] – backing vocal on track 9
* [[Gil Evans]] Horn Section – horns on track 9
* [[Gil Evans]] Horn Section – horns on track 9
{{div col end}}
note: the album credits erroneously credited Ashcombe House to being in London. Its correct location is Somerset.
Note: The album credits erroneously credited [[Ashcombe House, Somerset|Ashcombe House]] to being in London. Its correct location is Somerset.


== Charts ==
== Charts ==
Line 127: Line 140:
!Chart (1987–1988)
!Chart (1987–1988)
!Peak<br/>position
!Peak<br/>position
|-
{{album chart|Canada|12|artist=Robbie Robertson|album=Robbie Robertson|access-date=August 9, 2023|chartid=0917}}
|-
|-
{{album chart|Netherlands|14|artist=Robbie Robertson|album=Robbie Robertson|access-date=March 11, 2014}}
{{album chart|Netherlands|14|artist=Robbie Robertson|album=Robbie Robertson|access-date=March 11, 2014}}
Line 194: Line 209:
{{Certification Table Entry|type=album|relyear=1987|region=Canada|artist=Robbie Robertson|title=Robbie Robertson|award=Platinum|number=2|access-date=February 4, 2020}}
{{Certification Table Entry|type=album|relyear=1987|region=Canada|artist=Robbie Robertson|title=Robbie Robertson|award=Platinum|number=2|access-date=February 4, 2020}}
{{Certification Table Entry|type=album|region=France|nocert=true|salesamount=34,900|salesref=<ref>{{cite web|author=Daniel Lesueur, Dominic Durand|url=http://infodisc.fr|title=Les Meilleures Ventes de CD / Albums "Tout Temps"|publisher=[[Institut français d'opinion publique]]|language=fr|access-date=February 4, 2020}}</ref>}}
{{Certification Table Entry|type=album|region=France|nocert=true|salesamount=34,900|salesref=<ref>{{cite web|author=Daniel Lesueur, Dominic Durand|url=http://infodisc.fr|title=Les Meilleures Ventes de CD / Albums "Tout Temps"|publisher=[[Institut français d'opinion publique]]|language=fr|access-date=February 4, 2020}}</ref>}}
{{Certification Table Entry|type=album|relyear=1987|region=New Zealand|award=Gold|certref=<ref>{{cite web|url=http://nztop40.co.nz/chart/albums?chart=3312|title=NZ Top 40 Albums Chart − The Official New Zealand Music Chart|publisher=[[Recorded Music NZ]]|date=July 31, 1988|access-date=February 4, 2020}}</ref>}}
{{Certification Table Entry|type=album|relyear=1987|region=New Zealand|award=Gold|certref=<ref>{{cite web|url=https://aotearoamusiccharts.co.nz/archive/albums/1988-07-29|title=NZ Top 40 Albums Chart − The Official New Zealand Music Chart|publisher=[[Recorded Music NZ]]|date=July 31, 1988|access-date=February 4, 2020}}</ref>}}
{{Certification Table Entry|type=album|relyear=1987|region=United Kingdom|artist=Robbie Robertson|title=Robbie Robertson|award=Gold|access-date=February 4, 2020}}
{{Certification Table Entry|type=album|relyear=1987|region=United Kingdom|artist=Robbie Robertson|title=Robbie Robertson|award=Gold|access-date=February 4, 2020|certyear=1988|id=5553-2806-2}}
{{Certification Table Entry|type=album|relyear=1987|region=United States|artist=Robbie Robertson|title=Robbie Robertson|award=Gold|access-date=February 4, 2020}}
{{Certification Table Entry|type=album|relyear=1987|region=United States|artist=Robbie Robertson|title=Robbie Robertson|award=Gold|access-date=February 4, 2020}}
{{Certification Table Bottom | nosales=true}}
{{Certification Table Bottom | nosales=true}}


== Notes ==
== References ==
{{reflist}}
{{reflist}}


== External links ==
== External links ==
* [https://www.rollingstone.com/artists/robbierobertson/albums/album/231818/rid/6068157/ Review]{{dead link|date=August 2021|bot=medic}}{{cbignore|bot=medic}} from ''[[Rolling Stone]]''
* ''[[Rolling Stone]]'' [https://web.archive.org/web/20080416161550/http://www.rollingstone.com/artists/robbierobertson/albums/album/231818/review/6068157 Review] (archived from the [https://archive.today/20080416161550/http://www.rollingstone.com/artists/robbierobertson/albums/album/231818/rid/6068157/ original] on 16 April 2008).


{{Robbie Robertson}}
{{Robbie Robertson}}
Line 211: Line 226:


[[Category:1987 debut albums]]
[[Category:1987 debut albums]]
⚫
[[Category:Albums produced by Daniel Lanois]]
⚫
[[Category:Geffen Records albums]]
[[Category:Robbie Robertson albums]]
[[Category:Robbie Robertson albums]]
⚫
[[Category:Albums produced by Daniel Lanois]]
[[Category:Albums produced by Robbie Robertson]]
[[Category:Albums produced by Robbie Robertson]]
⚫
[[Category:Geffen Records albums]]
[[Category:Juno Award for Album of the Year albums]]
[[Category:Juno Award for Album of the Year albums]]
[[Category:Albums recorded at the Village (studio)]]

Latest revision as of 06:38, 20 November 2024

Robbie Robertson
Studio album by
Robbie Robertson
ReleasedOctober 27, 1987 (1987-10-27)
Recorded1986
Studio
GenreRock
Length44:24
LabelGeffen
Producer
Robbie Robertson chronology
Robbie Robertson
(1987) 		Storyville
(1991)

Robbie Robertson is the solo debut album by Canadian rock musician Robbie Robertson, released in 1987. Though Robertson had been a professional musician since the late 1950s, notably a founder of and primary songwriter for The Band, this was his first solo album. Robbie Robertson won the Juno Award for "Album of the Year", and producers Daniel Lanois and Robertson won the "Producer of the Year" Juno award, both in 1989; there were no Juno Awards in 1988.

The album includes contributions from Rick Danko and Garth Hudson of The Band, as well as U2 and Peter Gabriel, both of whom had worked with Lanois. U2 was recording The Joshua Tree concurrent to the early stages of this album, and Gabriel had recorded So the previous year. U2's contributions are heard in the song "Sweet Fire of Love", a duet of sorts between Robertson and U2 lead singer Bono, and in "Testimony" again featuring backing by U2. Gabriel's contributions are heard on the song "Fallen Angel", which was dedicated to Richard Manuel, Robertson's former bandmate in The Band, and "Broken Arrow", which reverberates with Gabriel's signature Yamaha CP-80 electric piano. In addition, Tony Levin and Manu Katché, who were recording with Gabriel, are featured prominently on this record.[1]

In 2005 the album was reissued together with its follow-up, Storyville, as a two-CD set, in an expanded edition, each with two bonus tracks.

Production

[edit]

After a lengthy sabbatical, Robertson announced via a 1983 article in Billboard magazine that he was returning and available to work on projects.[2] Film producer Art Linson encouraged Robertson to focus on creating a solo record when the two vacationed together in Rome that same year.[3] Robertson then began conceptualizing the idea, starting with creating a setting called "The Shadowland" where the songs in the album would take place. Robertson imagined The Shadowland to be a mythical place "that moves around according to [the] clouds that cover [it]", and imagined himself to be a wanderer who would narrate the events that would take place in this mythical locale.[4]

Robertson was signed to EMI Records by then head of A&R and longtime The Band fan Gary Gersh. Preliminary discussions and preproduction for Robertson's first solo album began in autumn 1984. Gersh then moved to Geffen Records, and convinced the label to buy out Robertson's contract with EMI.[5]

The first producer Robertson considered for production of the album was fellow Canadian Daniel Lanois. After meeting up with several more potential producers, Robertson decided to work with Lanois because of their shared interest in experimentation. After Lanois finished a stage of the production work with U2 on what would become their album The Joshua Tree, Robertson let Lanois know that he was ready to begin work on the album. The two began production and recording in July 1986.[4][5]

Robertson kept an office on the property of the recording studio The Village Recorder in West Los Angeles, California, where he would work out ideas for the album. Much of the album was recorded there. Robertson's basic backing band included guitar player Bill Dillon, a friend of Lanois' who had also played for Ronnie Hawkins, as well as bass player Tony Levin, and Parisian drummer Manu Katché. Robertson brought in drummer Terry Bozzio after Katché had to return to Paris. Robertson also brought in The BoDeans to provide group vocals for some of the tracks on the album, most notably on "Showdown at Big Sky".[4][5] BoDeans member Sam Llanas created a faux female voice that was used on the chorus of "Somewhere Down the Crazy River".[4] The Band members Garth Hudson and Rick Danko also appear on the album, as do Ivan Neville (son of R&B singer Aaron Neville) and jazz bassist Larry Klein.[6]

Lanois broke away from the album's production to continue working with U2 in August 1986,[7] while Robertson worked with director Martin Scorsese on creating and composing the score for the film The Color of Money (1986).[3][5] While Lanois was working with U2, he invited Robertson to come out to Ireland to work in the home studio where U2 were recording. Robertson flew to Ireland in late August 1986, arriving in the aftermath of Hurricane Charley.[7] Robertson had just finished work on The Color of Money, and arrived with nothing prepared except for a Gil Evans horn chart left over from The Color of Money and a recording he had made of a guitar riff accompanied by a tom tom drum. Robertson fleshed out some lyrical ideas inspired by the hurricane and the turbulent flight over, while Lanois worked with the members of U2 on extracting a musical concept from the guitar riff Robertson had presented to them. Robertson and U2 lead singer Bono then improvised a set of lyrics in the studio while the band's instrumentalists played behind them, creating a 22-minute track that was edited into the song "Sweet Fire of Love". Lanois then used the Gil Evans horn arrangements as the basis of another track entitled "Testimony", which also featured the members of U2.[4][5]

Robertson then flew to Bath, England, to work with Peter Gabriel in his home studio. Robertson had been devising a track entitled "Fallen Angel" about a soul passing into the next dimension. Robertson attributed the direction he was taking to the recent passing of fellow Band alumnus Richard Manuel, who had committed suicide in a hotel room in Florida in March 1986,[8] and dedicated the song to him. Robertson loved the "ghosty, angelic sound" Gabriel achieved when stacking his vocals, and requested that Gabriel record background vocals for the song, which he agreed to. Gabriel also provided keyboards on "Fallen Angel", as well as keyboards and drum programming on "Broken Arrow", a song which was inspired by Robertson's Native American heritage.[4][6]

Robertson also recorded at Bearsville Studios near Woodstock, New York, which was founded by his former manager Albert Grossman. At Bearsville Studios, Robertson worked on a version of "What About Now" that was withheld from the final release of the album, as well the track "American Roulette," which was inspired by a screenplay he had written. Robertson utilized Lone Justice lead singer Maria McKee as backing vocalist for these two tracks.[5] Engineer Bob Clearmountain was brought in to remix the album just before its release.[3]

Reception

[edit]
Professional ratings
Review scores
SourceRating
New Musical Express8/10[9]
Uncut6/10[10]

Released on October 26, 1987,[11] Robbie Robertson peaked at #35 on the Billboard 200, remaining in the Top 40 for 3 weeks.[12] Robbie Robertson produced several hits on the Billboard Mainstream Rock charts, with "Showdown at Big Sky" coming in the highest (#2) and "Sweet Fire of Love" the second highest (#7).[13] The album was nominated for a Grammy Award for "Best Rock / Vocal Album".[14] Robbie Robertson was certified gold in the United States in 1991.[15]

Robbie Robertson was critically well-received at the time of its release, placing at #13 in the annual Pazz & Jop Critics Poll published in The Village Voice.[16] The album was listed in the Top Ten Albums of the Year by several of the critics in Billboard magazine's 1987 "The Critics' Choice" end-of-the-year feature,[17] and in February 1988, the album was listed in Stereo Review magazine's "Best Recordings of The Month" feature.[18] In 1989, the album was listed as #77 in Rolling Stone's "100 Best Albums of the Eighties".[19]

The album did receive negative criticism as well, with Greil Marcus later deriding it as "draped in curtains of overproduction" with "themes so elaborated and vocals so disguised it was hard to discern an actual human being behind any of it."[20] Robert Christgau wrote that it "took some guts for such an unrepentant Americana-monger [like Robertson] to risk Anglophobe wrath" by collaborating with Gabriel and Bono, but he was very disappointed with the results and graded the album with a C+.[21]

Barney Hoskyns dismissed it as sounding "bloated and grandiose," with Robertson "overreaching himself and getting lost in flights of airy verbosity."[22] Elvis Costello, a lifelong fan of The Band, said he "didn't like it at all," and that "it was like [Robertson] decided to make a Peter Gabriel album, whereas his songwriting was much more interesting and enigmatic when he was working on that smaller scale. It's almost like the best songs on the record are the ones that operate on that scale but have then been artificially inflated with steroids to become this widescreen Peter Gabriel music."[22]

Songwriting

[edit]

"Broken Arrow"

[edit]

Robbie Robertson's version reached number 29 on the RPM CanCon charts in 1988.[23] Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada.[26][27]

"Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29]

This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young.

"American Roulette"

[edit]

The lyrics of "American Roulette" deal with the theme of the rise to fame of three iconic Americans (James Dean in the first verse, Elvis Presley in the second verse, and Marilyn Monroe in the third verse) and its consequences for them personally. They are not mentioned by name but are described in idealistic terms rather than strictly biographical form. Musically, the song is notable for its guitar solo throughout as well as the instrumental conclusion.

"Somewhere Down the Crazy River"

[edit]

When asked about the inspiration for the album's single "Somewhere Down the Crazy River", Lanois commented, "Robbie Robertson was describing what it was like to hang out in Arkansas with Levon Helm in his old neighbourhood. He was telling me about the hot nights and fishing with dynamite, and was asking someone for directions for someplace somewhere down the crazy river. ... I had presented him with this instrument that [Brian] Eno introduced me to called the Suzuki Omnichord, like an electric autoharp. He found a little chord sequence with it that was sweet and wonderful. As he was developing his chord sequence I recorded him and superimposed his storytelling, which I was secretly recording, on top. That was the birth of 'Somewhere Down The Crazy River.' It's kind of like a guy with a deep voice telling you about steaming nights in Arkansas."[30] This song is notable as Robertson's only solo hit in the United Kingdom, reaching number 15 on the UK Singles Chart. His follow-up single there, "Fallen Angel" (also from the album), reached number 95.

"Showdown at Big Sky"

[edit]

Sam Llanas, from the BoDeans, provided the distinctive background vocals on this song, The BoDeans' Kurt Neumann and Llanas contributed backing vocals to "Somewhere Down the Crazy River" and "American Roulette". Because of the popularity of the BoDeans in their home state of Wisconsin, "Showdown at Big Sky" received significant airplay on Milwaukee AOR radio.[citation needed] Robertson's single reached #48 in the Canadian Top 100 and #8 in the CanCon charts.[31][32]

"Fallen Angel"

[edit]

"Fallen Angel" is lyrically about Robertson's former bandmate Richard Manuel, who took his own life in 1986. Peter Gabriel sings with Robertson on this track. It also features contributions from another former Band member Garth Hudson.

Track listing

[edit]

All songs written by Robbie Robertson except where noted.[6]

  1. "Fallen Angel" (Robertson, Martin Page) – 5:52
  2. "Showdown at Big Sky" – 4:43
  3. "Broken Arrow" – 5:17
  4. "Sweet Fire of Love" (Robertson, U2) – 5:08
  5. "American Roulette" – 4:46
  6. "Somewhere Down the Crazy River" – 4:44
  7. "Hell's Half Acre" – 3:45
  8. "Sonny Got Caught in the Moonlight" – 3:45
  9. "Testimony" – 4:45

Bonus tracks on the 2005 expanded edition:

  2. "Christmas Must Be Tonight" – 4:51, from the soundtrack album Scrooged (1988)
  3. "Testimony" (edited 12" remix) – 6:34, with additional production and remix by Nile Rodgers

Personnel

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  • Robbie Robertson – vocals, backing vocals, guitar, keyboards
  • Bill Dillon – guitars on tracks 1, 2, and 5–9; backing vocal on track 2
  • Tony Levin – Chapman Stick on tracks 5 & 7; bass on tracks 6 & 8
  • Manu Katché – drums on tracks 1, 2, 6, 7, and 8; percussion on tracks 1, 7, and 8
  • Daniel Lanois – percussion on tracks 2, 3, 4, and 8; backing vocal on tracks 2, 3, and 4; Omnichord on track 6; guitar on tracks 5 and 8

Additional personnel

Note: The album credits erroneously credited Ashcombe House to being in London. Its correct location is Somerset.

Charts

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Weekly charts

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Album
Chart (1987–1988) Peak
position
Canada Top Albums/CDs (RPM)[33] 12
Dutch Albums (Album Top 100)[34] 14
German Albums (Offizielle Top 100)[35] 54
New Zealand Albums (RMNZ)[36] 7
Norwegian Albums (VG-lista)[37] 5
Swedish Albums (Sverigetopplistan)[38] 13
UK Albums (Official Charts Company)[39] 23
US Billboard 200[40] 38

Year-end charts

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Chart (1988) Position
Dutch Albums (MegaCharts)[41] 93

Single

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Year Single Chart Peak
Position
1987 "Showdown at Big Sky" Billboard Mainstream Rock Tracks 2 [42]
1987 "Sweet Fire of Love" Billboard Mainstream Rock Tracks 7 [42]
1988 "Showdown at Big Sky" Billboard Mainstream Rock Tracks 21 [42]
1988 "Somewhere Down the Crazy River" Billboard Mainstream Rock Tracks 24 [42]
1988 "Somewhere Down the Crazy River" UK Singles Charts 15 [39]

Certifications

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Region Certification Certified units/sales
Canada (Music Canada)[43] 2× Platinum 200,000^
France — 34,900[44]
New Zealand (RMNZ)[45] Gold 7,500^
United Kingdom (BPI)[46] Gold 100,000^
United States (RIAA)[47] Gold 500,000^

^ Shipments figures based on certification alone.

References

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  1. ^ The album notes give Ashcombe House, London, as a recording venue: this should read Ashcombe House, Bath, Peter Gabriel's home and recording studio at the time the album was recorded.
  2. ^ Sutherland, Sam (March 26, 1983). "Robbie Robertson Active Again: Pursues Songwriting, Recording, Film, Cable Projects". Billboard. Vol. 95, no. 13. Nielsen Business Media. pp. 41, 44. ISSN 0006-2510. Retrieved June 30, 2016.
  3. ^ a b c Goldberg, Michael (November 19, 1987). "The Second Coming of Robbie Robertson". Rolling Stone. Wenner Media LLC.
  4. ^ a b c d e f Gilmore, Mikal with Robbie Robertson (1987). Robbie Robertson: A Special Conversation For College Radio (Pre-recorded radio interview on Compact Disc). Geffen Records. PRO-CD-2877.
  5. ^ a b c d e f Flanagan, Bill (September 1987). "The Return of Robbie Robertson". Musician. New York: Billboard Publications Inc. Retrieved July 4, 2016.
  6. ^ a b c Robertson, Robbie (1987). Robbie Robertson (CD). Los Angeles: Geffen Records.
  7. ^ a b O'Hare, Colm (November 21, 2007). "The Secret History of 'The Joshua Tree' (Part 1)". @U2. Matt McGee. Retrieved July 4, 2016.
  8. ^ Hoskyns, Barney (1993). Across The Great Divide: The Band and America (first paperback ed.). New York: Hyperion. p. 384. ISBN 0786880279.
  9. ^ O'Hagan, Sean (November 14, 1987). "Sly Robbie". New Musical Express. p. 35.
  10. ^ "Robbie Robertson: Buyer's Guide". Uncut. November 2023. p. 90.
  11. ^ "Albums Released This Week (October 26 – November 1)". Dr. Rock's Blog & Roll. Strategic Planning Advisors LLC. Archived from the original (October 26, 2015) on November 1, 2021. Retrieved July 4, 2016.
  12. ^ Whitburn, Joel (1995). The Billboard Book of Top 40 Albums (Third ed.). New York: Billboard Books (Watson-Guptill Publications). p. 216. ISBN 0823076318.
  13. ^ "Artists: Robbie Robertson. Chart History (Mainstream Rock Songs)". Billboard.com. Nielsen Business Media. Retrieved July 4, 2016.
  14. ^ Wright-McLeod, Brian (2005). The Encyclopedia of Native Music. Tucson, Arizona: University of Arizona Press. p. 168. ISBN 0816524475. Retrieved July 4, 2016.
  15. ^ Fried, Stephen (October 1991). "Rocker of Ages". GQ. New York: Condé Nast. pp. 133–6.
  16. ^ "The 1987 Pazz & Jop Critics Poll". robertchristgau.com. The Village Voice. March 1, 1988. Retrieved July 27, 2021.
  17. ^ Dupler, Steven; et al. (December 26, 1987). "The Critics' Choice". Billboard. Vol. 99, no. 52. Nielsen Business Media. pp. Y17–Y53. ISSN 0006-2510. Retrieved July 4, 2016.
  18. ^ Simels, Steve (February 1988). "Best Recordings of the Month: Robbie Robertson's Comeback". Stereo Review. New York: CBS Magazines. p. 180.
  19. ^ "77 – Robbie Robertson, 'Robbie Robertson'". Rollingstone.com. Wenner Media LLC. November 16, 1989. Retrieved July 4, 2016.
  20. ^ Marcus, Greil (October 1991). "Top Ten". Artforum. Retrieved July 27, 2021.
  21. ^ "Christgau's Consumer Guide". robertchristgau.com. The Village Voice. December 29, 1987. Retrieved July 27, 2021.
  22. ^ a b Hoskyns, Barney (1993). Across the Great Divide: The Band and America. New York City: Hyperion. p. 391. ISBN 0670841447. Retrieved August 15, 2021.
  23. ^ "RPM Top 40 CanCon Singles - August 27, 1988" (PDF).
  24. ^ "Rod Stewart: Vagabond Heart". Allmusic.com. All Media Network, LLC. Retrieved July 3, 2016.
  25. ^ "New Releases: Singles". Music Week. August 24, 1991. p. 19.
  26. ^ "Rod Stewart Chart History (Billboard Hot 100)". Billboard. Nielsen Business Media. Retrieved July 3, 2016.
  27. ^ "RPM 100 Hit Tracks". RPM. December 14, 1991. Retrieved August 12, 2022 – via Library and Archives Canada.
  28. ^ "Broken Arrow". The Grateful Dead Family Discography. Retrieved July 3, 2016.
  29. ^ Allan, Alex. "Broken Arrow". Grateful Dead Lyric And Song Finder. Retrieved July 3, 2016.
  30. ^ Tong, Allan (September 2007). "Daniel Lanois Web Exclusive Interview". Exclaim.ca. Archived from the original on May 16, 2010. Retrieved September 19, 2007.
  31. ^ "RPM Top 100 Singles - February 20, 1988" (PDF).
  32. ^ "RPM Top 10 CanCon - February 20, 1988" (PDF).
  33. ^ "Top RPM Albums: Issue 0917". RPM. Library and Archives Canada. Retrieved August 9, 2023.
  34. ^ "Dutchcharts.nl – Robbie Robertson – Robbie Robertson" (in Dutch). Hung Medien. Retrieved March 11, 2014.
  35. ^ "Officialcharts.de – Robbie Robertson – Robbie Robertson". GfK Entertainment Charts. Retrieved March 11, 2014.
  36. ^ "Charts.nz – Robbie Robertson – Robbie Robertson". Hung Medien. Retrieved March 11, 2014.
  37. ^ "Norwegiancharts.com – Robbie Robertson – Robbie Robertson". Hung Medien. Retrieved March 11, 2014.
  38. ^ "Swedishcharts.com – Robbie Robertson – Robbie Robertson". Hung Medien. Retrieved March 11, 2014.
  39. ^ a b "UK Top 40 Hit Database". Retrieved May 21, 2008.
  40. ^ "allmusic (((Robbie Robertson > Charts & Awards > Billboard Albums)))". Retrieved May 21, 2008.
  41. ^ JAAROVERZICHTEN – CD 1988 (in Dutch). dutchcharts.nl. Retrieved March 11, 2014.
  42. ^ a b c d "allmusic (((Robbie Robertson > Charts & Awards > Billboard Singles)))". Retrieved May 21, 2008.
  43. ^ "Canadian album certifications – Robbie Robertson – Robbie Robertson". Music Canada. Retrieved February 4, 2020.
  44. ^ Daniel Lesueur, Dominic Durand. "Les Meilleures Ventes de CD / Albums "Tout Temps"" (in French). Institut français d'opinion publique. Retrieved February 4, 2020.
  45. ^ "NZ Top 40 Albums Chart − The Official New Zealand Music Chart". Recorded Music NZ. July 31, 1988. Retrieved February 4, 2020.
  46. ^ "British album certifications – Robbie Robertson – Robbie Robertson". British Phonographic Industry. Retrieved February 4, 2020.
  47. ^ "American album certifications – Robbie Robertson – Robbie Robertson". Recording Industry Association of America. Retrieved February 4, 2020.
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