In Your Honor: Difference between revisions
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{{short description|2005 studio album by Foo Fighters}} |
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| alt = Against a background with white and green stripes lies a crest with banners, flowers and an eagle. Below the eagle is the title "Foo Fighters – In Your Honor" and four stars. Above the crest is a buffalo. |
| alt = Against a background with white and green stripes lies a crest with banners, flowers and an eagle. Below the eagle is the title "Foo Fighters – In Your Honor" and four stars. Above the crest is a buffalo. |
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| released = {{ |
| released = {{start date|2005|6|14}} |
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| recorded = |
| recorded = January–March 2005 |
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| studio = 606 West (Los Angeles) |
| studio = [[Studio 606]] West (Los Angeles) |
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| genre = |
| genre = |
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*[[Alternative rock]] |
*[[Alternative rock]] |
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*[[post-grunge]] |
*[[post-grunge]] |
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*[[hard rock]]<ref name=popmatters>{{cite web|last=Petrusich |first=Amanda |url=http://pitchfork.com/reviews/albums/3149-in-your-honor/ |title=Foo Fighters: In Your Honor | Album Reviews |website=Pitchfork |date=June 15, 2005 |access-date=November 12, 2011}}</ref><ref name=avclub>{{cite news|last=Murray |first=Noel |url= |
*[[hard rock]]<ref name=popmatters>{{cite web |last=Petrusich |first=Amanda |url=http://pitchfork.com/reviews/albums/3149-in-your-honor/ |title=Foo Fighters: In Your Honor | Album Reviews |website=Pitchfork |date=June 15, 2005 |access-date=November 12, 2011 |archive-date=November 11, 2011 |archive-url=https://web.archive.org/web/20111111035327/http://pitchfork.com/reviews/albums/3149-in-your-honor/ |url-status=live }}</ref><ref name=avclub>{{cite news |last=Murray |first=Noel |url=https://www.avclub.com/foo-fighters-in-your-honor-1798200768 |title=Foo Fighters: In Your Honor |newspaper=The A.V. Club |date=June 14, 2005 |access-date=November 12, 2011 |archive-date=December 7, 2011 |archive-url=https://web.archive.org/web/20111207054549/http://www.avclub.com/articles/foo-fighters-in-your-honor,10656/ |url-status=live }}</ref> |
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*[[acoustic rock]] |
*[[acoustic rock]] |
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| length = {{duration|m=83|s=17}} |
| length = {{duration|m=83|s=17}} |
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| single2date = September 5, 2005 |
| single2date = September 5, 2005 |
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| single3 = [[Resolve (song)|Resolve]] |
| single3 = [[Resolve (song)|Resolve]] |
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| single3date = November 21, 2005 |
| single3date = November 21, 2005 (EU) |
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| single4 = [[No Way Back/Cold Day in the Sun]] |
| single4 = [[No Way Back/Cold Day in the Sun]] |
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| single4date = March 13, 2006 |
| single4date = March 13, 2006 (EU) |
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| single5 = [[Miracle (Foo Fighters song)|Miracle]] |
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| single5date = September 18, 2006 |
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}} |
}} |
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}} |
}} |
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==Background== |
==Background== |
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After touring in support of ''[[One by One (Foo Fighters album)|One by One]]'', [[Dave Grohl]] was uncertain on what to do next with the [[Foo Fighters]]. He felt that rushing to do another record would not be creatively rewarding. Grohl considered a possible [[film score]], and began writing acoustic songs, eventually amassing a full album's worth of songs.<ref name=spin /><ref name=billboard /> Grohl, not wanting to make a solo album and accepting the drift from his usual style, brought the songs to the Foo Fighters – "who's to say what we should sound like?".<ref name=spin /> Bassist [[Nate Mendel]] replied that the songs' uncharacteristic sound was "why [they] should go on the record."<ref name=qmag /> Grohl decided against an acoustic record, saying "I have to have loud rock music in my life somewhere",<ref name=classic /> and decided to make a [[double album]], with "one CD that's all the really heavy rock shit" and another "that's really beautiful, acoustic-based, lower dynamic stuff",<ref name=back>{{cite video|author=[[James Moll|Moll, James]] (director)|title=[[Back and Forth (documentary)|Back and Forth]]|year=2011|medium=documentary|publisher=RCA}}</ref> which Grohl described as "the bottle and the hangover",<ref name=xfm>{{cite web|url=http://www.xfm.co.uk/news/2005/x-clusive-foo-fighters-vs-president-george-w-bush|title=X-clusive: Foo Fighters Vs President George W Bush|date=May 11, 2005|publisher=[[XFM]]|access-date=December 21, 2011}}</ref> and also with the rock record being "my [[Jack and Coke]] record" with songs that "I realise I cannot live without that", and the acoustic being "my [[Bombay Sapphire|Sapphire]]-and-[[Martini (cocktail)|Martini]]-with-Kylie record".<ref name=qmag /> Grohl also stated a decisive moment in making a double album was uploading demos to his computer and realizing he had five hours of music, adding that "we've been a band for 10 years now, this is our fifth record, and I thought it would be boring to just keep making album after album and making videos and playing festivals, so I wanted to do something special."<ref name=phys /> |
After touring in support of ''[[One by One (Foo Fighters album)|One by One]]'', [[Dave Grohl]] was uncertain on what to do next with the [[Foo Fighters]]. He felt that rushing to do another record would not be creatively rewarding. Grohl considered a possible [[film score]], and began writing acoustic songs, eventually amassing a full album's worth of songs.<ref name=spin /><ref name=billboard /> Grohl, not wanting to make a solo album and accepting the drift from his usual style, brought the songs to the Foo Fighters – "who's to say what we should sound like?".<ref name=spin /> Bassist [[Nate Mendel]] replied that the songs' uncharacteristic sound was "why [they] should go on the record."<ref name=qmag /> Grohl decided against an acoustic record, saying "I have to have loud rock music in my life somewhere",<ref name=classic /> and decided to make a [[double album]], with "one CD that's all the really heavy rock shit" and another "that's really beautiful, acoustic-based, lower dynamic stuff",<ref name=back>{{cite video|author=[[James Moll|Moll, James]] (director)|title=[[Back and Forth (documentary)|Back and Forth]]|year=2011|medium=documentary|publisher=RCA}}</ref> which Grohl described as "the bottle and the hangover",<ref name=xfm>{{cite web|url=http://www.xfm.co.uk/news/2005/x-clusive-foo-fighters-vs-president-george-w-bush|title=X-clusive: Foo Fighters Vs President George W Bush|date=May 11, 2005|publisher=[[XFM]]|access-date=December 21, 2011|archive-date=August 28, 2012|archive-url=https://web.archive.org/web/20120828074927/http://www.xfm.co.uk/news/2005/x-clusive-foo-fighters-vs-president-george-w-bush|url-status=live}}</ref> and also with the rock record being "my [[Jack and Coke]] record" with songs that "I realise I cannot live without that", and the acoustic being "my [[Bombay Sapphire|Sapphire]]-and-[[Martini (cocktail)|Martini]]-with-Kylie record".<ref name=qmag /> Grohl also stated a decisive moment in making a double album was uploading demos to his computer and realizing he had five hours of music, adding that "we've been a band for 10 years now, this is our fifth record, and I thought it would be boring to just keep making album after album and making videos and playing festivals, so I wanted to do something special."<ref name=phys /> |
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The album was recorded in a new recording studio built in a warehouse in [[Northridge, Los Angeles|Northridge]], California, named Studio 606 West in contrast to the original Studio 606 in Grohl's basement in [[Alexandria, Virginia]].<ref name=spin>{{cite journal|url=https://books.google.com/books?id=pYG5eRoSTJwC&pg=PA56|pages=56–9|last=Greenwald|first=Andy|title=The Chosen Foo|journal=Spin|date=August 2005}}</ref> Development for ''In Your Honor'' took nine months<ref name=classic /> with three and a half months installing equipment in the studio, and songs being written throughout 2004.<ref>{{cite journal|url=http://www.fooarchive.com/features/kerrangjan05.htm|author=Mörat|title=Riders on the Storm|journal=Kerrang!|date=January 2005}}</ref> While waiting for 606 to get finished, the band rehearsed on North Hollywood's Mates Rehearsal Studios, where "we ended up with three or four different versions of about 30 songs", according to Raskulinecz who added that "it got to the point where I didn't want them to play the rock songs anymore. I was afraid they were going to get stale."<ref name=mix /> |
The album was recorded in a new recording studio built in a warehouse in [[Northridge, Los Angeles|Northridge]], California, named Studio 606 West in contrast to the original Studio 606 in Grohl's basement in [[Alexandria, Virginia]].<ref name=spin>{{cite journal|url=https://books.google.com/books?id=pYG5eRoSTJwC&pg=PA56|pages=56–9|last=Greenwald|first=Andy|title=The Chosen Foo|journal=Spin|date=August 2005|access-date=October 3, 2016|archive-date=January 3, 2014|archive-url=https://web.archive.org/web/20140103141407/http://books.google.com/books?id=pYG5eRoSTJwC&pg=PA56|url-status=live}}</ref> Development for ''In Your Honor'' took nine months<ref name=classic /> with three and a half months installing equipment in the studio, and songs being written throughout 2004.<ref>{{cite journal|url=http://www.fooarchive.com/features/kerrangjan05.htm|author=Mörat|title=Riders on the Storm|journal=Kerrang!|date=January 2005|access-date=March 19, 2012|archive-date=September 20, 2011|archive-url=https://web.archive.org/web/20110920070632/http://www.fooarchive.com/features/kerrangjan05.htm|url-status=live}}</ref> While waiting for 606 to get finished, the band rehearsed on North Hollywood's Mates Rehearsal Studios, where "we ended up with three or four different versions of about 30 songs", according to Raskulinecz who added that "it got to the point where I didn't want them to play the rock songs anymore. I was afraid they were going to get stale."<ref name=mix /> |
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==Recording== |
==Recording== |
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The sessions ran from January to March 2005,<ref name=fighting>{{cite journal|url=http://www.fooarchive.com/features/classicrockfeb05.htm|title=Fighting Talk|journal=Classic Rock|date=February 2005|first=Rachel|last=Clark}}</ref> with only two and a half weeks spent on the acoustic record. Forty tracks were recorded – fifteen of them acoustic – with half of them ending on the final track list.<ref name=gwa /><ref>{{cite web|archive-url=https://web.archive.org/web/20050407041800/http://www.foofighters.com/2005_03_10_fromdave.html|url=http://www.foofighters.com/2005_03_10_fromdave.html|title=A Letter From Dave|author=Grohl, Dave|publisher=FooFighters.com|date=March 10, 2005|archive-date=April 7, 2005|access-date=June 2, 2012}}</ref> Studio 606 was not finished as the band moved in, and the band members even helped with the final stages of construction, "hammering, stuffing [[Soundproofing|insulation]] — doing whatever to speed the process."<ref name=mix /> Eight of the rock songs were last-minute compositions done after the acoustic record was finished, as "Dave started feeling that it was better than the rock record."<ref name=mix /> The songs were recorded on analog tape—which was reused over and over due to a tape shortage and a desire to save money—before being transferred to [[Pro Tools]] for [[overdubbing|overdubs]], editing and mixing. Raskulinecz mixed the rock songs, while [[Elliot Scheiner]] mixed the stereo and 5.1 versions of the acoustic sides.<ref name=mix /> |
The sessions ran from January to March 2005,<ref name=fighting>{{cite journal|url=http://www.fooarchive.com/features/classicrockfeb05.htm|title=Fighting Talk|journal=Classic Rock|date=February 2005|first=Rachel|last=Clark|access-date=March 19, 2012|archive-date=September 20, 2011|archive-url=https://web.archive.org/web/20110920033907/http://www.fooarchive.com/features/classicrockfeb05.htm|url-status=live}}</ref> with only two and a half weeks spent on the acoustic record. Forty tracks were recorded – fifteen of them acoustic – with half of them ending on the final track list.<ref name=gwa /><ref>{{cite web|archive-url=https://web.archive.org/web/20050407041800/http://www.foofighters.com/2005_03_10_fromdave.html|url=http://www.foofighters.com/2005_03_10_fromdave.html|title=A Letter From Dave|author=Grohl, Dave|publisher=FooFighters.com|date=March 10, 2005|archive-date=April 7, 2005|access-date=June 2, 2012}}</ref> Studio 606 was not finished as the band moved in, and the band members even helped with the final stages of construction, "hammering, stuffing [[Soundproofing|insulation]] — doing whatever to speed the process."<ref name=mix /> Eight of the rock songs were last-minute compositions done after the acoustic record was finished, as "Dave started feeling that it was better than the rock record."<ref name=mix /> The songs were recorded on analog tape—which was reused over and over due to a tape shortage and a desire to save money—before being transferred to [[Pro Tools]] for [[overdubbing|overdubs]], editing and mixing. Raskulinecz mixed the rock songs, while [[Elliot Scheiner]] mixed the stereo and 5.1 versions of the acoustic sides.<ref name=mix /> |
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The band entered the studio with most of the songs finished and rehearsed;<ref name=fighting /> producer [[Nick Raskulinecz]], who also worked on ''One by One'', stated that while "''One By One'' was very loose, "''In Your Honor'' was more planned out. Dave was more meticulous on that one".<ref>{{cite web|url=http://www.musicradar.com/news/guitars/nick-raskulinecz-on-producing-rush-foo-fighters-alice-in-chains-290080/|title=Nick Raskulinecz on producing Rush, Foo Fighters, Alice in Chains|work=[[MusicRadar]]|first=Joe|last=Bosso|date=November 3, 2010|access-date=December 4, 2011|pages=2–3}}</ref> The electric album was done in segments by instrument, starting with the drums and guitars, then vocals, and finally bass.<ref name=mix /> Mendel would write a [[bass line]] on [[Pro Tools]] at home before showing it to Grohl and Raskulinecz.<ref name=bass /> The bass was recorded after the vocals, which Raskulinecz said was done because "By doing bass last, you can really tailor it for tuning, parts and sound. If you do the drums and then the guitars, you can fill the hole that's left with bass. And sometimes that hole wants a certain frequency that isn't traditional for bass, but you have to go with it, which is even more fun."<ref name=mix>{{cite web|url=http://mixonline.com/mag/audio_foo_fighters_double/|title=Foo Fighters Double Up For 'In Your Honor'|date=August 1, 2005|first=Maureen|last=Droney|work=[[Mix (magazine)|Mix]]|access-date=June 11, 2012|url-status=dead|archive-url=https://web.archive.org/web/20081016082250/http://mixonline.com/mag/audio_foo_fighters_double/|archive-date=October 16, 2008}}</ref> |
The band entered the studio with most of the songs finished and rehearsed;<ref name=fighting /> producer [[Nick Raskulinecz]], who also worked on ''One by One'', stated that while "''One By One'' was very loose, "''In Your Honor'' was more planned out. Dave was more meticulous on that one".<ref>{{cite web|url=http://www.musicradar.com/news/guitars/nick-raskulinecz-on-producing-rush-foo-fighters-alice-in-chains-290080/|title=Nick Raskulinecz on producing Rush, Foo Fighters, Alice in Chains|work=[[MusicRadar]]|first=Joe|last=Bosso|date=November 3, 2010|access-date=December 4, 2011|pages=2–3|archive-date=March 9, 2012|archive-url=https://web.archive.org/web/20120309053001/http://www.musicradar.com/news/guitars/nick-raskulinecz-on-producing-rush-foo-fighters-alice-in-chains-290080/|url-status=live}}</ref> The electric album was done in segments by instrument, starting with the drums and guitars, then vocals, and finally bass.<ref name=mix /> Mendel would write a [[bass line]] on [[Pro Tools]] at home before showing it to Grohl and Raskulinecz.<ref name=bass /> The bass was recorded after the vocals, which Raskulinecz said was done because "By doing bass last, you can really tailor it for tuning, parts and sound. If you do the drums and then the guitars, you can fill the hole that's left with bass. And sometimes that hole wants a certain frequency that isn't traditional for bass, but you have to go with it, which is even more fun."<ref name=mix>{{cite web|url=http://mixonline.com/mag/audio_foo_fighters_double/|title=Foo Fighters Double Up For 'In Your Honor'|date=August 1, 2005|first=Maureen|last=Droney|work=[[Mix (magazine)|Mix]]|access-date=June 11, 2012|url-status=dead|archive-url=https://web.archive.org/web/20081016082250/http://mixonline.com/mag/audio_foo_fighters_double/|archive-date=October 16, 2008}}</ref> |
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During the last three weeks of work on the rock songs, the band was in the studio "from noon to eight in the morning, making the rock record the most devastating thing we've ever done".<ref name=interview /> After two months on the rock songs, approaching their established deadline, the band held a meeting and decided that, to finish, "Everyone has to be here all day. We need to do one song a day and no one's leaving until that song is done." Grohl would listen to a [[click track]], "We'd find a tempo and I'd just roll an arrangement off the top of my head." As the members recorded their parts, Grohl would write the lyrics.<ref name=gwa>{{cite journal|title=How The Other Half Lives|journal= |
During the last three weeks of work on the rock songs, the band was in the studio "from noon to eight in the morning, making the rock record the most devastating thing we've ever done".<ref name=interview /> After two months on the rock songs, approaching their established deadline, the band held a meeting and decided that, to finish, "Everyone has to be here all day. We need to do one song a day and no one's leaving until that song is done." Grohl would listen to a [[click track]], "We'd find a tempo and I'd just roll an arrangement off the top of my head." As the members recorded their parts, Grohl would write the lyrics.<ref name=gwa>{{cite journal|title=How The Other Half Lives|journal=Guitar World Acoustic|date=August 2005}}</ref> The rushed approach prevented Mendel writing bass lines, so he ended up "concentrating on just finding the notes and getting the rhythm right."<ref name=bass>{{cite journal|title=Honor Roll|journal=[[Bass Player (magazine)|Bass Player]]|first=Marco|last=Passarelli|date=February 2006}}</ref> |
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{{quote box|right|quote="I look at this album as kind of the end of one chapter and the beginning of something new… With the rock record, we finally got the aggressive, anthemic thing down. With the acoustic album, it offers some kind of look into the future of things we're capable of doing and the direction we could move if we wanted to."|source= —Dave Grohl on the double album's nature<ref name=billboard>{{cite |
{{quote box|right|quote="I look at this album as kind of the end of one chapter and the beginning of something new… With the rock record, we finally got the aggressive, anthemic thing down. With the acoustic album, it offers some kind of look into the future of things we're capable of doing and the direction we could move if we wanted to."|source= —Dave Grohl on the double album's nature<ref name=billboard>{{cite magazine|url=https://books.google.com/books?id=fRQEAAAAMBAJ&pg=PA43|author=Newman, Melinda|date=June 11, 2005|title=Foo Fighters Double the Music|magazine=[[Billboard (magazine)|Billboard]]|access-date=June 2, 2012|archive-date=January 3, 2014|archive-url=https://web.archive.org/web/20140103150732/http://books.google.com/books?id=fRQEAAAAMBAJ&pg=PA43|url-status=live}}</ref>| width = 27%}} |
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Grohl declared that "making this record revitalized this band", particularly the acoustic songs, as they "showed ourselves what we're capable of doing" and "[made] things scary again. You do something that you've never done, and it makes you feel like a bigger band."<ref name=mtvnews>{{cite web|url=http://www.mtv.com/bands/f/foo_fighters/qa_feature_062005/|first=James|last=Montgomery|title=Dave Grohl: The Gambler|date=June 2005|access-date=June 2, 2012}}</ref> The frontman also stated the mellower acoustic disc was an opportunity to use "the acoustic tracks we wrote in the past eight or nine years, but never put on albums because they never seemed to fit",<ref name=interview /> particularly because Grohl felt that "it's hard to put an acoustic song in the middle of a rock record, because sometimes it mucks up the sequence."<ref name=mtvnews /> The tracks include Grohl's first composition "Friend of a Friend" – done in 1990, and previously recorded under the pseudonym 'Late!' on the cassette ''[[Pocketwatch (album)|Pocketwatch]]''; "Razor", which Grohl wrote for a benefit concert at the [[Wiltern Theatre]]; and drummer [[Taylor Hawkins]]' composition "Cold Day in the Sun", which after an attempt to do an electric version became an unplugged track, featuring Hawkins on vocals and tambourine and Grohl in the drums.<ref name=track>{{cite journal|url=http://www.fooarchive.com/gpb/nmetrackbytrack05.htm|journal=[[NME]]|title="We're doing things I never imagined" – Dave on the Acoustic Side Of 'In Your Honour'|year=2005}}</ref><ref>{{cite journal|url=http://www.fooarchive.com/hpb/trackguide_rhythm05.htm|title=Track By Track|journal=[[Rhythm (music magazine)|Rhythm]]|date=July 2005}}</ref> |
Grohl declared that "making this record revitalized this band", particularly the acoustic songs, as they "showed ourselves what we're capable of doing" and "[made] things scary again. You do something that you've never done, and it makes you feel like a bigger band."<ref name=mtvnews>{{cite web|url=http://www.mtv.com/bands/f/foo_fighters/qa_feature_062005/|first=James|last=Montgomery|title=Dave Grohl: The Gambler|website=[[MTV]] |date=June 2005|access-date=June 2, 2012|archive-date=November 12, 2012|archive-url=https://web.archive.org/web/20121112133941/http://www.mtv.com/bands/f/foo_fighters/qa_feature_062005/|url-status=dead}}</ref> The frontman also stated the mellower acoustic disc was an opportunity to use "the acoustic tracks we wrote in the past eight or nine years, but never put on albums because they never seemed to fit",<ref name=interview /> particularly because Grohl felt that "it's hard to put an acoustic song in the middle of a rock record, because sometimes it mucks up the sequence."<ref name=mtvnews /> The tracks include Grohl's first composition "Friend of a Friend" – done in 1990, and previously recorded under the pseudonym 'Late!' on the cassette ''[[Pocketwatch (album)|Pocketwatch]]''; "Razor", which Grohl wrote for a benefit concert at the [[Wiltern Theatre]]; and drummer [[Taylor Hawkins]]' composition "Cold Day in the Sun", which after an attempt to do an electric version became an unplugged track, featuring Hawkins on vocals and tambourine and Grohl in the drums.<ref name=track>{{cite journal|url=http://www.fooarchive.com/gpb/nmetrackbytrack05.htm|journal=[[NME]]|title="We're doing things I never imagined" – Dave on the Acoustic Side Of 'In Your Honour'|year=2005|access-date=March 16, 2012|archive-date=September 20, 2011|archive-url=https://web.archive.org/web/20110920045529/http://www.fooarchive.com/gpb/nmetrackbytrack05.htm|url-status=live}}</ref><ref>{{cite journal|url=http://www.fooarchive.com/hpb/trackguide_rhythm05.htm|title=Track By Track|journal=[[Rhythm (music magazine)|Rhythm]]|date=July 2005|access-date=March 16, 2012|archive-date=June 12, 2012|archive-url=https://web.archive.org/web/20120612064027/http://www.fooarchive.com/hpb/trackguide_rhythm05.htm|url-status=live}}</ref> |
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[[File:John Paul Jones.jpg|thumb|left|[[John Paul Jones (musician)|John Paul Jones]] is featured in two tracks.|alt=John Paul Jones playing the mandolin atop a stage.]] |
[[File:John Paul Jones.jpg|thumb|left|[[John Paul Jones (musician)|John Paul Jones]] is featured in two tracks.|alt=John Paul Jones playing the mandolin atop a stage.]] |
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John Paul Jones agreed to appear as he was in Los Angeles for the [[Grammy Awards]]. Grohl described his appearance as the "second-greatest thing to happen to me in my life" behind his marriage.<ref name=reclaim /> "I love Dave," Jones said, "and I enjoyed playing on that Foo Fighters album."<ref>{{cite magazine|first=Robert|last=[[Robert Sandall|Sandall]]|title=The Q interview|magazine=[[Q (magazine)|Q]]|issue=258|date=January 2008|page=44}}</ref> |
John Paul Jones agreed to appear as he was in Los Angeles for the [[Grammy Awards]]. Grohl described his appearance as the "second-greatest thing to happen to me in my life" behind his marriage.<ref name=reclaim /> "I love Dave," Jones said, "and I enjoyed playing on that Foo Fighters album."<ref>{{cite magazine|first=Robert|last=[[Robert Sandall|Sandall]]|title=The Q interview|magazine=[[Q (magazine)|Q]]|issue=258|date=January 2008|page=44}}</ref> |
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Norah Jones was brought for the [[bossa nova]] "Virginia Moon" after Grohl heard her record and considered that his song was "her vibe" and Jones' voice "was so smooth and warm that I figured it would work out great with mine."<ref name=phys /> The song features Grohl's guitar technician Joe Beebe on lead guitar as he was the only one in the crew with [[jazz]] experience.<ref>{{cite journal|url=http://www.sweetparamania.com/images/mags/bb3.jpg|title=Joe Beebe: Dave Grohl's Guitar Tech|publisher=[[Sound on Sound|SOS Publications Group]]|journal=Performing Musician|date=August 2009}}</ref> |
Norah Jones was brought for the [[bossa nova]] "Virginia Moon" after Grohl heard her record and considered that his song was "her vibe" and Jones' voice "was so smooth and warm that I figured it would work out great with mine."<ref name=phys /> The song features Grohl's guitar technician Joe Beebe on lead guitar, as he was the only one in the crew with [[jazz]] experience.<ref>{{cite journal|url=http://www.sweetparamania.com/images/mags/bb3.jpg|title=Joe Beebe: Dave Grohl's Guitar Tech|publisher=[[Sound on Sound|SOS Publications Group]]|journal=Performing Musician|date=August 2009|access-date=June 9, 2012|archive-date=April 2, 2015|archive-url=https://web.archive.org/web/20150402100357/http://www.sweetparamania.com/images/mags/bb3.jpg|url-status=live}}</ref> |
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[[The Wallflowers]]' keyboard player [[Rami Jaffee]] and [[That Dog]].'s violinist [[Petra Haden]] also contributed to the album, and were later drafted for the Foo Fighters' touring band.<ref name=clash /> After the album was finished, Grohl stated that he hoped that the Foo Fighters were most remembered for this record. He described it as "just the most fucking kick-ass thing we've ever done"<ref name=interview /> and said, "If someone asked me which Led Zeppelin album to buy, I would tell them ''[[Physical Graffiti]]'', because it has such a wide dynamic and it shows the range that band had. And that's what we wanted to do with this album."<ref name=phys>{{cite web|url=http://www.mtv.com/news/articles/1502493/grohl-physical-graffiti-was-model-foo-lp.jhtml|title=Foo Fighter Dave Grohl Says Physical Graffiti Was Model For New LP|publisher=MTV|date=May 17, 2005|first=James|last=Montgomery|access-date=June 2, 2012}}</ref> |
[[The Wallflowers]]' keyboard player [[Rami Jaffee]] and [[That Dog]].'s violinist [[Petra Haden]] also contributed to the album, and were later drafted for the Foo Fighters' touring band.<ref name=clash /> After the album was finished, Grohl stated that he hoped that the Foo Fighters were most remembered for this record. He described it as "just the most fucking kick-ass thing we've ever done"<ref name=interview /> and said, "If someone asked me which Led Zeppelin album to buy, I would tell them ''[[Physical Graffiti]]'', because it has such a wide dynamic and it shows the range that band had. And that's what we wanted to do with this album."<ref name=phys>{{cite web|url=http://www.mtv.com/news/articles/1502493/grohl-physical-graffiti-was-model-foo-lp.jhtml|archive-url=https://archive.today/20130129095822/http://www.mtv.com/news/articles/1502493/grohl-physical-graffiti-was-model-foo-lp.jhtml|url-status=dead|archive-date=January 29, 2013|title=Foo Fighter Dave Grohl Says Physical Graffiti Was Model For New LP|publisher=MTV|date=May 17, 2005|first=James|last=Montgomery|access-date=June 2, 2012}}</ref> |
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==Composition== |
==Composition== |
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The double album has a disc of rock songs and another with acoustic ones, which Grohl said demonstrated his artistic freedom – "It's not one specific genre of music, it's not one specific style. I'm just a musician. I can play all these different instruments, I can write a bossa nova, I can write a thrash tune."<ref name=classic>{{cite journal|title=Honor Roll|journal=[[Classic Rock (magazine)|Classic Rock]]|date=July 2005|first=Kevin|last=Murphy}}</ref> He also stated that he tried to fit the Foo Fighters sound even with stylistic differences: "It's still the same four guys playing it so it just is a Foo Fighters song, whether it sounds like [[Carcass (band)|Carcass]] or fucking [[Ry Cooder]]."<ref name=gwa /> |
The double album has a disc of rock songs and another with acoustic ones, which Grohl said demonstrated his artistic freedom – "It's not one specific genre of music, it's not one specific style. I'm just a musician. I can play all these different instruments, I can write a bossa nova, I can write a thrash tune."<ref name=classic>{{cite journal|title=Honor Roll|journal=[[Classic Rock (magazine)|Classic Rock]]|date=July 2005|first=Kevin|last=Murphy}}</ref> He also stated that he tried to fit the Foo Fighters sound even with stylistic differences: "It's still the same four guys playing it so it just is a Foo Fighters song, whether it sounds like [[Carcass (band)|Carcass]] or fucking [[Ry Cooder]]."<ref name=gwa /> |
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The band tried to do the albums without a "middle ground" sound,<ref name=fighting /> with "the acoustic record far more delicate and beautiful and atmospheric", and "the rock CD far more brutal and aggressive" than their previous work.<ref name=interview>{{cite web|archive-url=https://web.archive.org/web/20051219070102/http://media.bmgonline.com/rcarecords.com/foo_fighters/audio/foo_fighters_interview_2005_clean_96.asx|archive-date=December 19, 2005|url=http://media.bmgonline.com/rcarecords.com/foo_fighters/audio/foo_fighters_interview_2005_clean_96.asx|title=Foo Fighters interview|publisher=BMG|year=2005|access-date=March 19, 2012}}</ref> The arrangements were aiming for complexity: "This record is much more elaborate than just an acoustic guitar and a vocal. And the songs were written to hold more orchestration. We've never had accordions and pump organs and cellos and [[Double bass|stand up bass]]."<ref name=clash>{{cite journal|url=http://www.fooarchive.com/features/clashmay05.htm|title=In the studio with Foo Fighters|journal=[[Clash (magazine)|Clash]]|date=May 2005|first=Lisa|last=Johnson}}</ref> The acoustic guitar sound has influences of [[Rush (band)|Rush]] guitarist [[Alex Lifeson]], with [[open note]]s in conjunction with [[fret]]ted notes.<ref name=gwa /> |
The band tried to do the albums without a "middle ground" sound,<ref name=fighting /> with "the acoustic record far more delicate and beautiful and atmospheric", and "the rock CD far more brutal and aggressive" than their previous work.<ref name=interview>{{cite web|archive-url=https://web.archive.org/web/20051219070102/http://media.bmgonline.com/rcarecords.com/foo_fighters/audio/foo_fighters_interview_2005_clean_96.asx|archive-date=December 19, 2005|url=http://media.bmgonline.com/rcarecords.com/foo_fighters/audio/foo_fighters_interview_2005_clean_96.asx|title=Foo Fighters interview|publisher=BMG|year=2005|access-date=March 19, 2012}}</ref> The arrangements were aiming for complexity: "This record is much more elaborate than just an acoustic guitar and a vocal. And the songs were written to hold more orchestration. We've never had accordions and pump organs and cellos and [[Double bass|stand up bass]]."<ref name=clash>{{cite journal|url=http://www.fooarchive.com/features/clashmay05.htm|title=In the studio with Foo Fighters|journal=[[Clash (magazine)|Clash]]|date=May 2005|first=Lisa|last=Johnson|access-date=March 19, 2012|archive-date=September 20, 2011|archive-url=https://web.archive.org/web/20110920072929/http://www.fooarchive.com/features/clashmay05.htm|url-status=live}}</ref> The acoustic guitar sound has influences of [[Rush (band)|Rush]] guitarist [[Alex Lifeson]], with [[open note]]s in conjunction with [[fret]]ted notes.<ref name=gwa /> |
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The lyrics on the rock album tried to focus on "general themes that everyone can get their hands on", while the acoustic had introspective lyrics that are "vulnerable and revealing", with things Grohl "wouldn't say out loud, wouldn't even admit to myself."<ref name=billboard /> Grohl declared that "when you're writing songs that have a sort of anthemic quality, you can't really go lighthearted and sing about bullshit. You have to dig into a deeper place to find the words",<ref>{{cite web|url=http://www.mtv.com/news/articles/1504046/grohl-screams-twice-hard-on-double-lp.jhtml|date=June 13, 2005|title=Tireless Dave Grohl Screams Twice As Hard On Double LP|publisher=MTV|author=Montgomery, James|access-date=June 2, 2012}}</ref> and that "I don't know what it is about, this album, that makes it sound more heartfelt or deeper or more emotional, but when I listen to it, it really is."<ref name=mtvnews /> These include "[[Friend of a Friend (Foo Fighters song)|Friend of a Friend]]", a song which Grohl wrote in the 1990s about himself and his former [[Nirvana (band)|Nirvana]] bandmate [[Kurt Cobain]] during the time they shared an apartment together in 1990,<ref name=qmag>[http://www.fooarchive.com/gpb/qinterview05.htm "Everyone Has Their Dark Side"]. ''[[Q (magazine)|Q]]'', 2005.</ref> and "Still", talking about a suicide Grohl saw when he was ten in [[Virginia]], by a boy who jumped on the train tracks.<ref name=reclaim /> Much of the album's theme and content, including the title, came after Grohl spent time on the campaign trail with [[John Kerry]] during the [[2004 United States presidential election|2004 presidential election]]. "We'd pull in to small towns, and thousands of people would come to be rescued by this man", said Grohl. "It's not a political record, but what I saw inspired me."<ref name=reclaim>{{cite |
The lyrics on the rock album tried to focus on "general themes that everyone can get their hands on", while the acoustic had introspective lyrics that are "vulnerable and revealing", with things Grohl "wouldn't say out loud, wouldn't even admit to myself."<ref name=billboard /> Grohl declared that "when you're writing songs that have a sort of anthemic quality, you can't really go lighthearted and sing about bullshit. You have to dig into a deeper place to find the words",<ref>{{cite web|url=http://www.mtv.com/news/articles/1504046/grohl-screams-twice-hard-on-double-lp.jhtml|archive-url=https://archive.today/20130129060334/http://www.mtv.com/news/articles/1504046/grohl-screams-twice-hard-on-double-lp.jhtml|url-status=dead|archive-date=January 29, 2013|date=June 13, 2005|title=Tireless Dave Grohl Screams Twice As Hard On Double LP|publisher=MTV|author=Montgomery, James|access-date=June 2, 2012}}</ref> and that "I don't know what it is about, this album, that makes it sound more heartfelt or deeper or more emotional, but when I listen to it, it really is."<ref name=mtvnews /> These include "[[Friend of a Friend (Foo Fighters song)|Friend of a Friend]]", a song which Grohl wrote in the 1990s about himself and his former [[Nirvana (band)|Nirvana]] bandmate [[Kurt Cobain]] during the time they shared an apartment together in 1990,<ref name=qmag>[http://www.fooarchive.com/gpb/qinterview05.htm "Everyone Has Their Dark Side"] {{Webarchive|url=https://web.archive.org/web/20170923095826/http://www.fooarchive.com/gpb/qinterview05.htm |date=September 23, 2017 }}. ''[[Q (magazine)|Q]]'', 2005.</ref> and "Still", talking about a suicide Grohl saw when he was ten in [[Virginia]], by a boy who jumped on the train tracks.<ref name=reclaim /> Much of the album's theme and content, including the title, came after Grohl spent time on the campaign trail with [[John Kerry]] during the [[2004 United States presidential election|2004 presidential election]]. "We'd pull in to small towns, and thousands of people would come to be rescued by this man", said Grohl. "It's not a political record, but what I saw inspired me."<ref name=reclaim>{{cite magazine|author=Scaggs, Austin|archive-url=https://web.archive.org/web/20080620004823/http://www.rollingstone.com/news/story/7281787/foos_reclaim_their_honor|url=https://www.rollingstone.com/news/story/7281787/foos_reclaim_their_honor|archive-date=June 20, 2008|title=Foos Reclaim Their Honor|magazine=Rolling Stone|date=April 29, 2005|url-status=dead|access-date=December 12, 2011}}</ref> |
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==Release and promotion== |
==Release and promotion== |
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The price of the album was just one dollar above what is paid for a regular single-disc CD, as Grohl thought the albums "complemented each other in one package, and I don't need any more money". The first 25,000 US copies were in a special edition [[DualDisc]] set containing a "making of" documentary in the first disc, and the second disc in 5.1 surround sound. RCA also issued 5,000 copies of a quadruple vinyl [[LP record]].<ref name=billboard /> Distributor [[Sony BMG]] issued the album with the [[copy protection]] software [[MediaMax CD-3]],<ref>{{cite press release|url=http://globenewswire.com/news-release/2005/08/16/331800/84045/en/MediaMax-Now-the-Number-1-Solution-for-the-Music-Industry-s-Number-1-Cause-of-Decreasing-Sales.html?print=1|title=MediaMax – Now the Number 1 Solution for the Music Industry's Number 1 Cause of Decreasing Sales|publisher=MediaMax|date=August 16, 2005|access-date=January 14, 2015}}</ref> which [[Sony BMG copy protection rootkit scandal|later led to a scandal]] as its [[rootkit]]-like nature made computers vulnerable to [[malware]].<ref>{{cite web|url= |
The price of the album was just one dollar above what is paid for a regular single-disc CD, as Grohl thought the albums "complemented each other in one package, and I don't need any more money". The first 25,000 US copies were in a special edition [[DualDisc]] set containing a "making of" documentary in the first disc, and the second disc in 5.1 surround sound. RCA also issued 5,000 copies of a quadruple vinyl [[LP record]].<ref name=billboard /> Distributor [[Sony BMG]] issued the album with the [[copy protection]] software [[MediaMax CD-3]],<ref>{{cite press release|url=http://globenewswire.com/news-release/2005/08/16/331800/84045/en/MediaMax-Now-the-Number-1-Solution-for-the-Music-Industry-s-Number-1-Cause-of-Decreasing-Sales.html?print=1|title=MediaMax – Now the Number 1 Solution for the Music Industry's Number 1 Cause of Decreasing Sales|publisher=MediaMax|date=August 16, 2005|access-date=January 14, 2015|archive-date=April 2, 2015|archive-url=https://web.archive.org/web/20150402113906/http://globenewswire.com/news-release/2005/08/16/331800/84045/en/MediaMax-Now-the-Number-1-Solution-for-the-Music-Industry-s-Number-1-Cause-of-Decreasing-Sales.html?print=1|url-status=live}}</ref> which [[Sony BMG copy protection rootkit scandal|later led to a scandal]] as its [[rootkit]]-like nature made computers vulnerable to [[malware]].<ref>{{cite web|url=https://www.networkworld.com/article/715376/network-security-sony-bmg-rootkit-scandal-5-years-later.html|title=Sony BMG rootkit scandal: 5 years later|date=November 10, 2010|first=Bob|last=Brown|work=Network World|access-date=January 14, 2015|archive-date=April 13, 2024|archive-url=https://web.archive.org/web/20240413084959/https://www.networkworld.com/article/715376/network-security-sony-bmg-rootkit-scandal-5-years-later.html|url-status=live}}</ref> |
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The promotional campaign included the MTV special ''[[24 Hours of Foo]]''.<ref name=billboard /> Lead single "[[Best of You]]" was released on May 30, 2005, and became the band's highest-charting single at the main [[Billboard Hot 100|American]],<ref name="billboard.com">{{cite |
The promotional campaign included the MTV special ''[[24 Hours of Foo]]''.<ref name=billboard /> Lead single "[[Best of You]]" was released on May 30, 2005, and became the band's highest-charting single at the main [[Billboard Hot 100|American]],<ref name="billboard.com">{{cite magazine| url={{BillboardURLbyName|artist=foo fighters|chart=Hot 100}} | title=Foo Fighters Album & Song Chart History – Hot 100| magazine=[[Billboard (magazine)|Billboard]]| access-date=October 26, 2010}}</ref> [[UK Singles Chart|British]],<ref name="UK charts">{{cite web|url=http://www.officialcharts.com/artist/_/foo%20fighters/|title=Chart history: Foo Fighters|publisher=[[The Official Charts Company]]|access-date=June 8, 2012|archive-date=March 13, 2013|archive-url=https://web.archive.org/web/20130313154957/http://www.officialcharts.com/artist/_/foo%20fighters/|url-status=live}}</ref> and [[ARIA Charts|Australian]] charts.<ref name="aria singles">{{cite web |url=http://www.australian-charts.com/showinterpret.asp?interpret=Foo+Fighters |title=Foo Fighters – Australian Singles |access-date=May 8, 2008 |publisher=[[Australian Recording Industry Association]] |archive-date=October 8, 2007 |archive-url=https://web.archive.org/web/20071008033745/http://australian-charts.com/showinterpret.asp?interpret=Foo+Fighters |url-status=live }}</ref> Follow-up "[[DOA (Foo Fighters song)|DOA]]" was released on August 22, after an early debut as a [[ringtone]] for [[Cingular]] cell phones.<ref>{{cite magazine|url=https://books.google.com/books?id=-BIEAAAAMBAJ&pg=PA12|title=Foos Go Wireless|date=August 27, 2005|author=Bruno, Anthony|magazine=Billboard|access-date=October 3, 2016|archive-date=July 9, 2014|archive-url=https://web.archive.org/web/20140709031327/http://books.google.com/books?id=-BIEAAAAMBAJ&pg=PA12|url-status=live}}</ref> Like "Best of You" it proceeded to top ''[[Billboard (magazine)|Billboard]]''{{'}}s [[Alternative Songs|Modern Rock Songs]] chart.<ref name="Allmusic singles">{{cite web|url={{AllMusic|class=artist|id=foo-fighters-p144725/charts-awards/billboard-singles|pure_url=yes}} |title=Foo Fighters – Billboard Singles |access-date=May 8, 2008 |publisher=[[AllMusic]]}}</ref> "[[Resolve (song)|Resolve]]"<ref>{{cite web|url=http://www.foofighters.com/it/music/resolve|title=Singles: Resolve|publisher=FooFighters.com|access-date=June 8, 2012|archive-date=June 6, 2014|archive-url=https://web.archive.org/web/20140606202934/http://www.foofighters.com/it/music/resolve|url-status=live}}</ref> and a double A-side of [[No Way Back/Cold Day in the Sun|"No Way Back" and "Cold Day in the Sun"]] were also issued as singles.<ref>{{cite web|url=http://www.allmusic.com/album/no-way-back-cold-day-in-the-sun-mw0001896886|title=No Way Back/Cold Day in the Sun|publisher=AllMusic|access-date=June 8, 2012|archive-date=June 30, 2012|archive-url=https://web.archive.org/web/20120630072108/http://www.allmusic.com/album/no-way-back-cold-day-in-the-sun-mw0001896886|url-status=live}}</ref> "No Way Back" was included in the video games ''[[Madden NFL 06]]'' and ''[[Guitar Hero: Warriors of Rock]]''.<ref>{{cite web|url=http://music.ign.com/articles/638/638134p1.html|title=Madden NFL 06 Soundtrack|website=IGN|date=August 1, 2005|url-status=dead|archive-url=https://web.archive.org/web/20130217085721/http://www.ign.com/articles/2005/08/01/madden-nfl-06-soundtrack|archive-date=February 17, 2013}}</ref> In addition, the song "Resolve" and "Miracle" in the TV series ''[[The West Wing]]'' where the band performed the latter two songs in "Election Day, Part 1" and "Election Day, Part 2" respectively. Nearly fifteen years after the album's release, "Razor" appeared on an episode of ''[[The Flash (2014 TV series)|The Flash]]''. |
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The release was promoted with the |
The release was promoted with the In Your Honor Tour. The tour began in the summer of 2005, and ran through to June 2006. It featured two shows per city, an electric one in arenas and an acoustic in smaller venues.<ref name=reclaim /> The late 2005 concerts were part of the Foozer Tour, co-headlined with [[Weezer]].<ref>{{cite web|url=http://www.mtv.com/news/articles/1505816/foo-fighters-weezer-tour-confirmed.jhtml|title=Foo Fighters/ Weezer Tour Confirmed – But The Suspense Continues...|date=July 15, 2005|publisher=MTV|first=James|last=Montgomery|access-date=June 11, 2012|archive-date=February 10, 2012|archive-url=https://web.archive.org/web/20120210034226/http://www.mtv.com/news/articles/1505816/foo-fighters-weezer-tour-confirmed.jhtml|url-status=dead}}</ref> Among the additional band for the acoustic shows was guitarist [[Pat Smear]], who had been in the Foo Fighters from 1995 to 1997, and followed the In Your Honor Tour with another five years as a touring musician before rejoining as a full-time member for the recording of ''[[Wasting Light]]''.<ref name=back /> The acoustic shows from August 29, 30 and 31, 2006 at the Pantages Theater in Los Angeles were turned into the live album ''[[Skin and Bones (Foo Fighters album)|Skin and Bones]]''.<ref>{{cite magazine|url=http://www.billboard.com/articles/news/57100/foo-fighters-acoustic-trek-heading-to-cd-dvd|title=Foo Fighters Acoustic Trek Heading To CD, DVD|magazine=Billboard|date=September 29, 2006|access-date=June 10, 2012|author=Cohen, Jonathan|archive-date=July 12, 2014|archive-url=https://web.archive.org/web/20140712131658/http://www.billboard.com/articles/news/57100/foo-fighters-acoustic-trek-heading-to-cd-dvd|url-status=live}}</ref> |
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==Critical reception== |
==Critical reception== |
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{{ |
{{Music ratings |
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| MC = 70/100<ref name="metacritic">{{cite web|url=http://www.metacritic.com/music/in-your-honor/foo-fighters|title=Reviews for In Your Honor by Foo Fighters|publisher=[[Metacritic]]|access-date=April 2, 2009}}</ref> |
| MC = 70/100<ref name="metacritic">{{cite web|url=http://www.metacritic.com/music/in-your-honor/foo-fighters|title=Reviews for In Your Honor by Foo Fighters|publisher=[[Metacritic]]|access-date=April 2, 2009|archive-date=September 20, 2012|archive-url=https://web.archive.org/web/20120920012119/http://www.metacritic.com/music/in-your-honor/foo-fighters|url-status=live}}</ref> |
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| rev1 = [[AllMusic]] |
| rev1 = [[AllMusic]] |
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| rev1Score = {{Rating|4|5}}<ref name=allmusic>{{cite web|url=https://www.allmusic.com/album/in-your-honor-mw0000208725|title=In Your Honor – Foo Fighters|publisher=[[AllMusic]]|access-date=April 2, 2009|last=Erlewine|first=Stephen Thomas|author-link=Stephen Thomas Erlewine}}</ref> |
| rev1Score = {{Rating|4|5}}<ref name=allmusic>{{cite web|url=https://www.allmusic.com/album/in-your-honor-mw0000208725|title=In Your Honor – Foo Fighters|publisher=[[AllMusic]]|access-date=April 2, 2009|last=Erlewine|first=Stephen Thomas|author-link=Stephen Thomas Erlewine|archive-date=June 17, 2012|archive-url=https://web.archive.org/web/20120617200447/http://www.allmusic.com/album/in-your-honor-mw0000208725|url-status=live}}</ref> |
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| rev2 = ''[[Entertainment Weekly]]'' |
| rev2 = ''[[Entertainment Weekly]]'' |
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| rev2score = A<ref name="ew">{{cite magazine|url=http://ew.com/article/2005/06/20/ew-reviews-new-foo-fighters-album/|title=Boys of Summer| |
| rev2score = A<ref name="ew">{{cite magazine|url=http://ew.com/article/2005/06/20/ew-reviews-new-foo-fighters-album/|title=Boys of Summer|magazine=[[Entertainment Weekly]]|date=June 24, 2005|access-date=April 10, 2012|last=Sinclair|first=Tom|page=161|archive-date=November 11, 2016|archive-url=https://web.archive.org/web/20161111015158/http://www.ew.com/article/2005/06/20/ew-reviews-new-foo-fighters-album|url-status=live}}</ref> / B+<ref name="ew"/> |
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| rev3 = ''[[The Guardian]]'' |
| rev3 = ''[[The Guardian]]'' |
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| rev3score = {{Rating|3|5}}<ref>{{cite news|url=https://www.theguardian.com/music/2005/jun/10/popandrock.shopping|title=Foo Fighters, In Your Honour|work=[[The Guardian]]|date=June 10, 2005|access-date=March 11, 2018|last=Sullivan|first=Caroline}}</ref> |
| rev3score = {{Rating|3|5}}<ref>{{cite news|url=https://www.theguardian.com/music/2005/jun/10/popandrock.shopping|title=Foo Fighters, In Your Honour|work=[[The Guardian]]|date=June 10, 2005|access-date=March 11, 2018|last=Sullivan|first=Caroline|archive-date=April 2, 2015|archive-url=https://web.archive.org/web/20150402123316/http://www.theguardian.com/music/2005/jun/10/popandrock.shopping|url-status=live}}</ref> |
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| rev4 = ''[[Los Angeles Times]]'' |
| rev4 = ''[[Los Angeles Times]]'' |
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| rev4score = {{Rating|3.5|4}}<ref>{{cite news|url= |
| rev4score = {{Rating|3.5|4}}<ref>{{cite news|url=https://www.latimes.com/archives/la-xpm-2005-jun-12-ca-rack12.3-story.html|title=Foo'd for contemplation|work=[[Los Angeles Times]]|date=June 12, 2005|access-date=March 11, 2018|last=Appleford|first=Steve|archive-date=January 6, 2016|archive-url=https://web.archive.org/web/20160106173722/http://articles.latimes.com/2005/jun/12/entertainment/ca-rack12.3|url-status=live}}</ref> |
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| rev5 = ''[[NME]]'' |
| rev5 = ''[[NME]]'' |
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| rev5Score = 7/10<ref>{{cite magazine|url=http://www.nme.com/reviews/foo-fighters/7661|title=Foo Fighters: In Your Honour| |
| rev5Score = 7/10<ref>{{cite magazine|url=http://www.nme.com/reviews/foo-fighters/7661|title=Foo Fighters: In Your Honour|magazine=[[NME]]|date=June 2, 2005|access-date=March 11, 2018|last=Martin|first=Daniel|archive-url=https://web.archive.org/web/20080118224144/http://www.nme.com/reviews/foo-fighters/7661|archive-date=January 18, 2008}}</ref> |
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| rev6 = ''[[Pitchfork (website)|Pitchfork]]'' |
| rev6 = ''[[Pitchfork (website)|Pitchfork]]'' |
||
| rev6Score = 6.8/10<ref name=pitch>{{cite web|url=http://pitchfork.com/reviews/albums/3149-in-your-honor/|title=Foo Fighters: In Your Honor|work=[[Pitchfork (website)|Pitchfork]]|date=June 15, 2005|access-date=November 22, 2011|last=Petrusich|first=Amanda|author-link=Amanda Petrusich}}</ref> |
| rev6Score = 6.8/10<ref name=pitch>{{cite web|url=http://pitchfork.com/reviews/albums/3149-in-your-honor/|title=Foo Fighters: In Your Honor|work=[[Pitchfork (website)|Pitchfork]]|date=June 15, 2005|access-date=November 22, 2011|last=Petrusich|first=Amanda|author-link=Amanda Petrusich|archive-date=November 24, 2011|archive-url=https://web.archive.org/web/20111124052022/http://pitchfork.com/reviews/albums/3149-in-your-honor/|url-status=live}}</ref> |
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| rev7 = ''[[Q (magazine)|Q]]'' |
| rev7 = ''[[Q (magazine)|Q]]'' |
||
| rev7Score = {{Rating|3|5}}<ref>{{cite magazine|title=Foo Fighters: In Your Honor| |
| rev7Score = {{Rating|3|5}}<ref>{{cite magazine|title=Foo Fighters: In Your Honor|magazine=[[Q (magazine)|Q]]|issue=228|date=July 2005|page=109}}</ref> |
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| rev8 = ''[[Rolling Stone]]'' |
| rev8 = ''[[Rolling Stone]]'' |
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| rev8Score = {{Rating|3|5}}<ref name=rs>{{cite magazine|url=https://www.rollingstone.com/music/albumreviews/in-your-honor-20050630|title=In Your Honor| |
| rev8Score = {{Rating|3|5}}<ref name=rs>{{cite magazine|url=https://www.rollingstone.com/music/albumreviews/in-your-honor-20050630|title=In Your Honor|magazine=[[Rolling Stone]]|date=June 30, 2005|access-date=November 22, 2011|last=Walters|first=Barry|archive-date=December 29, 2010|archive-url=https://web.archive.org/web/20101229111502/http://www.rollingstone.com/music/albumreviews/in-your-honor-20050630|url-status=live}}</ref> |
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| rev9 = ''[[Spin (magazine)|Spin]]'' |
| rev9 = ''[[Spin (magazine)|Spin]]'' |
||
| rev9Score = B+<ref>{{cite magazine|url=https://books.google.com/books?id=p6-UYTO7l1MC&pg |
| rev9Score = B+<ref>{{cite magazine|url=https://books.google.com/books?id=p6-UYTO7l1MC&pg=PA98|title=Foo Fighters: In Your Honor|magazine=[[Spin (magazine)|Spin]]|volume=21|issue=7|date=July 2005|access-date=March 11, 2018|last=Gross|first=Joe|pages=98–99}}</ref> |
||
| rev10 = ''[[USA Today]]'' |
| rev10 = ''[[USA Today]]'' |
||
| rev10Score = {{Rating|2.5|4}}<ref name=usatodayrev>{{cite news|url=http://usatoday30.usatoday.com/life/music/news/2005-06-20-listen-up_x.htm|title=Foo Fighters, In Your Honor|work=[[USA Today]]|date=June 20, 2005|access-date=March 12, 2013|last=Gundersen|first=Edna|author-link=Edna Gundersen}}</ref> |
| rev10Score = {{Rating|2.5|4}}<ref name=usatodayrev>{{cite news|url=http://usatoday30.usatoday.com/life/music/news/2005-06-20-listen-up_x.htm|title=Foo Fighters, In Your Honor|work=[[USA Today]]|date=June 20, 2005|access-date=March 12, 2013|last=Gundersen|first=Edna|author-link=Edna Gundersen|archive-date=October 26, 2012|archive-url=https://web.archive.org/web/20121026055305/http://usatoday30.usatoday.com/life/music/news/2005-06-20-listen-up_x.htm|url-status=live}}</ref> |
||
}} |
}} |
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''In Your Honor'' was generally met with positive reviews. At [[Metacritic]], a website that assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream critics, the album received an [[weighted mean|average]] score of 70, based on 26 reviews.<ref name="metacritic"/> |
''In Your Honor'' was generally met with positive reviews. At [[Metacritic]], a website that assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream critics, the album received an [[weighted mean|average]] score of 70, based on 26 reviews.<ref name="metacritic"/> |
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Writing for ''[[The New York Times]]'', [[Jon Pareles]] considered the album "an unexpected [[Masterpiece|magnum opus]]", and while Pareles felt that "the rock CD overpowers the acoustic one", he considered that "among the quieter songs, there are enough supple melodies and hypnotic guitar patterns to suggest fine prospects for a follow-through album".<ref name=nytimes>{{cite web|url=https://www.nytimes.com/2005/06/12/arts/music/12play.html|title=From a Love Gone Bad to a Government Gone Wrong |
Writing for ''[[The New York Times]]'', [[Jon Pareles]] considered the album "an unexpected [[Masterpiece|magnum opus]]", and while Pareles felt that "the rock CD overpowers the acoustic one", he considered that "among the quieter songs, there are enough supple melodies and hypnotic guitar patterns to suggest fine prospects for a follow-through album".<ref name=nytimes>{{cite web|url=https://www.nytimes.com/2005/06/12/arts/music/12play.html|title=From a Love Gone Bad to a Government Gone Wrong|work=[[The New York Times]]|author=Pareles, Jon|author-link=Jon Pareles|date=June 12, 2005|access-date=June 11, 2012|archive-date=April 16, 2009|archive-url=https://web.archive.org/web/20090416051318/http://www.nytimes.com/2005/06/12/arts/music/12play.html|url-status=live}}</ref> Tom Sinclair of ''[[Entertainment Weekly]]'' described the discs of ''In Your Honor'' as "the outdoors and indoors sides", with the rockers "pack[ing] an intoxicating wallop: 90-proof rock for 90-degree weather, they'll sound terrific blasting from convertibles, open windows, boom boxes, and at barbecues and beach parties" and the acoustic songs "all very pretty—sometimes scarily so", ultimately concluding that "you'll probably revisit the rockin' half more often".<ref name=ew/> [[AllMusic]]'s [[Stephen Thomas Erlewine]] considered that the record "showcases a reinvigorated band that is eager to stretch out and experiment", with the rock record having a "fluid musicality and a {{Sic|hide=y|new |found}} sense of drama that gives it a nearly cinematic sense of scope", and the acoustic album being "quieter, but it also has a similar flow and easy grace that makes it a fitting complement to the harder first record."<ref name=allmusic /> Reviewer Joe Gross of ''[[Spin (magazine)|Spin]]'' described the hard rock disc as "the most consistent rockers of Grohl's career" and considered that the album as a whole "chronicle[s] the physical and mental graffiti of figuring out how to emerge from some very large shadows, including his own, with nerve and power"<ref name=spinrev>{{cite web|url=http://www.spin.com/reviews/foo-fighters-your-honor-roswellrca|title=Foo Fighters, 'In Your Honor'|work=[[Spin (magazine)|Spin]]|author=Gross, Joe|date=June 20, 2005|access-date=June 11, 2012|archive-date=April 2, 2015|archive-url=https://web.archive.org/web/20150402155540/http://www.spin.com/reviews/foo-fighters-your-honor-roswellrca/|url-status=live}}</ref> While Mike Schiller of [[PopMatters]] considered that "''In Your Honor'' has some great tunes, but it is by no means perfect", he praised the rock songs for "indications of just how loud this band can get", and regarding the acoustic tracks, wrote that "despite the down-tempo feel, the songs are infectious".<ref name=popmatters /> |
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Some reviewers found ''In Your Honor'' overlong and inconsistent. Writing for ''[[Rolling Stone]]'', Barry Walters praised the acoustic songs, while considering that ''In Your Honor'' "could have been easily pruned down to one disc", claiming the rock songs besides "Resolve" "strain so hard that the melody gets lost" and went in a "cartoonish headbanging fashion" that "accentuates the band's self-inflicted one-dimensionality", and that the "sameness and vagueness of [Grohl's] love lyrics blunt their impact".<ref name=rs /> Noel Murray of ''[[The A.V. Club]]'' criticized the acoustic disc as "gooey, undercooked, and embarrassingly unpalatable" and "reveal[ing] Dave Grohl's songwriting shortcomings", but praised the rock songs which are "as loud and assaultive as just about anything Grohl has ever recorded", and considered that the "first 10-song set sounds especially tight and ferocious; it's not all that diminished by the unfortunate revelations of disc two".<ref name=avclub /> [[BBC Music]] reviewer Tanya Byrne found the track list lacking, with "several songs on this double disk that stand head and shoulders above the rest and truly represent how the Foo Fighters have developed" while others "let the album down" and the record ultimately "doesn't live up to the hype."<ref name=bbc>{{cite web|url=https://www.bbc.co.uk/music/reviews/9jmq |title= Rock & Alt Review – Foo Fighters, In Your Honour |publisher=[[BBC]] |author=Byrne, Tanya |date=June 13, 2005 |access-date=November 22, 2011}}</ref> Bram Teitelman |
Some reviewers found ''In Your Honor'' overlong and inconsistent. Writing for ''[[Rolling Stone]]'', Barry Walters praised the acoustic songs, while considering that ''In Your Honor'' "could have been easily pruned down to one disc", claiming the rock songs besides "Resolve" "strain so hard that the melody gets lost" and went in a "cartoonish headbanging fashion" that "accentuates the band's self-inflicted one-dimensionality", and that the "sameness and vagueness of [Grohl's] love lyrics blunt their impact".<ref name=rs /> Noel Murray of ''[[The A.V. Club]]'' criticized the acoustic disc as "gooey, undercooked, and embarrassingly unpalatable" and "reveal[ing] Dave Grohl's songwriting shortcomings", but praised the rock songs which are "as loud and assaultive as just about anything Grohl has ever recorded", and considered that the "first 10-song set sounds especially tight and ferocious; it's not all that diminished by the unfortunate revelations of disc two".<ref name=avclub /> [[BBC Music]] reviewer Tanya Byrne found the track list lacking, with "several songs on this double disk that stand head and shoulders above the rest and truly represent how the Foo Fighters have developed" while others "let the album down" and the record ultimately "doesn't live up to the hype."<ref name=bbc>{{cite web|url=https://www.bbc.co.uk/music/reviews/9jmq |title= Rock & Alt Review – Foo Fighters, In Your Honour |publisher=[[BBC]] |author=Byrne, Tanya |date=June 13, 2005 |access-date=November 22, 2011}}</ref> Bram Teitelman |
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of ''[[Billboard (magazine)|Billboard]]'' felt that "by isolating the electric and acoustic sides, the concept comes off as repetitious" and ultimately concluding that "by scaling back their ambitions, the Foos could have made one great album instead of two average ones."<ref name=billrev>{{cite |
of ''[[Billboard (magazine)|Billboard]]'' felt that "by isolating the electric and acoustic sides, the concept comes off as repetitious" and ultimately concluding that "by scaling back their ambitions, the Foos could have made one great album instead of two average ones."<ref name=billrev>{{cite magazine|url=https://books.google.com/books?id=2RQEAAAAMBAJ&pg=PA71|title=Album Reviews|magazine=Billboard|first=Bram|last=Teitelman|date=June 18, 2005}}</ref> ''[[Pitchfork (website)|Pitchfork]]''{{'}}s [[Amanda Petrusich]] described the record as "sterile and controlled", the double disc conceit as "heavy handed, the segregation too deliberate" and the rock songs as repetitive.<ref name=pitch /> [[Edna Gundersen]] of ''[[USA Today]]'' gave the album two-and-a-half stars out of four and said, "Though its most smartly crafted tunes and liveliest performances don't measure up to the band's finest, ''Honor'' is an honorable effort, full of the brawn and vigor that keeps the Foos in fighting shape."<ref name=usatodayrev /> |
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==Commercial performance== |
==Commercial performance== |
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The album entered the [[Billboard 200|''Billboard'' 200]] and the [[UK Albums Chart]] at number two behind [[Coldplay]]'s ''[[X&Y]]'' (the worldwide best selling album of 2005) with the strongest initial sales of their entire career this far–310,500 copies in the United States and 159,179 in the UK.<ref name=bill>{{cite |
The album entered the [[Billboard 200|''Billboard'' 200]] and the [[UK Albums Chart]] at number two behind [[Coldplay]]'s ''[[X&Y]]'' (the worldwide best selling album of 2005) with the strongest initial sales of their entire career this far–310,500 copies in the United States and 159,179 in the UK.<ref name=bill>{{cite magazine|url=http://www.billboard.com/articles/news/62510/coldplay-holds-foos-backstreet-from-no-1|title=Coldplay Holds Foos, Backstreet From No. 1|magazine=Billboard|date=June 22, 2005|access-date=June 8, 2012|archive-date=September 20, 2014|archive-url=https://web.archive.org/web/20140920171311/http://www.billboard.com/articles/news/62510/coldplay-holds-foos-backstreet-from-no-1|url-status=live}}</ref><ref name=musicweek>{{cite magazine|url=http://www.musicweek.com/story.asp?storyCode=14173§ioncode=1|title=Fathers day and hot releases buoy market|magazine=[[Music Week]]|date=June 20, 2005|access-date=June 9, 2012|archive-date=January 10, 2016|archive-url=https://web.archive.org/web/20160110155822/http://www.musicweek.com/story.asp?storyCode=14173§ioncode=1|url-status=live}}</ref> |
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''In Your Honor'' also topped the charts in Australia, Finland, New Zealand and Ireland, and reached the top five in Canada, Austria and Denmark.<ref>{{cite book|year=2006|title=The Dave Grohl Story|first=Jeff|last=Apter|publisher=Music Sales Group| |
''In Your Honor'' also topped the charts in Australia, Finland, New Zealand and Ireland, and reached the top five in Canada, Austria and Denmark.<ref>{{cite book|year=2006|title=The Dave Grohl Story|first=Jeff|last=Apter|publisher=Music Sales Group|isbn=978-0-85712-021-2|pages=384}}</ref> |
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As of December 2011, ''In Your Honor'' has sold 1,442,000 units in North America, being their third most successful album behind ''[[Foo Fighters (album)|Foo Fighters]]'' and ''[[The Colour and the Shape]]''.<ref>{{cite web|url=http://blog.rock.inmusic.ca/2011/12/foo-fighters-surpass-10-million-mark-so-yeah-theyre-loaded-.html |title=Foo Fighters surpass 10 million sales mark (so yeah, |
As of December 2011, ''In Your Honor'' has sold 1,442,000 units in North America, being their third most successful album behind ''[[Foo Fighters (album)|Foo Fighters]]'' and ''[[The Colour and the Shape]]''.<ref>{{cite web|url=http://blog.rock.inmusic.ca/2011/12/foo-fighters-surpass-10-million-mark-so-yeah-theyre-loaded-.html |title=Foo Fighters surpass 10 million sales mark (so yeah, they're loaded) |publisher=inMusic.ca |first=Kim |last=Hughes |date=December 3, 2011 |access-date=December 12, 2011 |url-status=dead |archive-url=https://web.archive.org/web/20120121123242/http://blog.rock.inmusic.ca/2011/12/foo-fighters-surpass-10-million-mark-so-yeah-theyre-loaded-.html |archive-date=January 21, 2012 }}</ref> It was also [[RIAA certification|certified Platinum]] by the [[RIAA]].<ref name=US/> The album reached multi-platinum status in Canada,<ref name=Canada/> Australia<ref name=Australia/> and the United Kingdom.<ref name=BPI/> |
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===Accolades=== |
===Accolades=== |
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The album was up for five [[Grammy Award]]s at the [[48th Grammy Awards]]: [[Grammy Award for Best Rock Album|Best Rock Album]], [[Grammy Award for Best Surround Sound Album|Best Surround Sound Album]], both [[Grammy Award for Best Rock Song|Best Rock Song]] and [[Grammy Award for Best Rock Performance by a Duo or Group with Vocal|Best Rock Performance by a Duo or Group with Vocal]] for "[[Best of You (Foo Fighters song)|Best of You]]", and [[Grammy Award for Best Pop Collaboration with Vocals|Best Pop Collaboration with Vocals]] for "Virginia Moon".<ref>{{cite press release|url=http://emol.org/emclub/?q=book/export/html/586|title=Foo Fighters Score Five Grammy Nominations: Four-Time Grammy Winners Stand to Increase Tally to Nine|publisher=RCA Records|date=December 8, 2005|access-date=June 2, 2012}}</ref> It ultimately lost all awards, the band's first album since ''[[The Colour and the Shape]]'' to not receive a Grammy. ''[[Kerrang!]]'' ranked ''In Your Honor'' as the 9th best album of 2005,<ref>{{Cite journal|title=The Best Albums of the Year |journal=[[Kerrang!]] |issue=1087 |date=December 17, 2005 |issn=0262-6624}}</ref> while ''[[Rolling Stone]]'' put it as 30th best.<ref>{{cite |
The album was up for five [[Grammy Award]]s at the [[48th Grammy Awards]]: [[Grammy Award for Best Rock Album|Best Rock Album]], [[Grammy Award for Best Surround Sound Album|Best Surround Sound Album]], both [[Grammy Award for Best Rock Song|Best Rock Song]] and [[Grammy Award for Best Rock Performance by a Duo or Group with Vocal|Best Rock Performance by a Duo or Group with Vocal]] for "[[Best of You (Foo Fighters song)|Best of You]]", and [[Grammy Award for Best Pop Collaboration with Vocals|Best Pop Collaboration with Vocals]] for "Virginia Moon".<ref>{{cite press release|url=http://emol.org/emclub/?q=book/export/html/586|title=Foo Fighters Score Five Grammy Nominations: Four-Time Grammy Winners Stand to Increase Tally to Nine|publisher=RCA Records|date=December 8, 2005|access-date=June 2, 2012|archive-date=December 3, 2013|archive-url=https://web.archive.org/web/20131203010449/http://emol.org/emclub/?q=book%2Fexport%2Fhtml%2F586|url-status=live}}</ref> It ultimately lost all awards, the band's first album since ''[[The Colour and the Shape]]'' to not receive a Grammy. ''[[Kerrang!]]'' ranked ''In Your Honor'' as the 9th best album of 2005,<ref>{{Cite journal|title=The Best Albums of the Year |journal=[[Kerrang!]] |issue=1087 |date=December 17, 2005 |issn=0262-6624}}</ref> while ''[[Rolling Stone]]'' put it as 30th best.<ref>{{cite magazine|archive-url=https://web.archive.org/web/20091231024450/http://www.rollingstone.com/news/story/31233833/the_year_in_albums_the_top_50_records_of_2005/11|archive-date=December 31, 2009|url=https://www.rollingstone.com/news/story/31233833/the_year_in_albums_the_top_50_records_of_2005/11|title=The Year in Albums: The Top 50 Records of 2005 |magazine=[[Rolling Stone]] |date=December 29, 2005|url-status=dead|access-date=June 8, 2012}}</ref> |
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==Track listing== |
==Track listing== |
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{{track listing |
{{track listing |
||
| headline = Disc one |
| headline = Disc one (electric) |
||
| all_writing = [[Dave Grohl]], [[Taylor Hawkins]], [[Nate Mendel]] and [[Chris Shiflett]] except where noted |
| all_writing = [[Dave Grohl]], [[Taylor Hawkins]], [[Nate Mendel]] and [[Chris Shiflett]] except where noted |
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| total_length = 40:02 |
| total_length = 40:02 |
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| title1 |
| title1 = In Your Honor |
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| length1 |
| length1 = 3:50 |
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| title2 |
| title2 = [[No Way Back/Cold Day in the Sun|No Way Back]] |
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| length2 |
| length2 = 3:17 |
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| title3 |
| title3 = [[Best of You]] |
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| length3 |
| length3 = 4:16 |
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| title4 |
| title4 = [[DOA (Foo Fighters song)|DOA]] |
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| length4 |
| length4 = 4:12 |
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| title5 |
| title5 = Hell |
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| length5 |
| length5 = 1:57 |
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| title6 |
| title6 = The Last Song |
||
| length6 |
| length6 = 3:19 |
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| title7 |
| title7 = Free Me |
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| length7 |
| length7 = 4:39 |
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| title8 |
| title8 = [[Resolve (song)|Resolve]] |
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| length8 |
| length8 = 4:49 |
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| title9 |
| title9 = The Deepest Blues Are Black |
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| length9 |
| length9 = 3:58 |
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| title10 |
| title10 = End Over End |
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| length10 = 5:52 |
| length10 = 5:52 |
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⚫ | |||
⚫ | |||
| collapsed = yes |
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⚫ | |||
⚫ | |||
⚫ | |||
}} |
}} |
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{{track listing |
{{track listing |
||
| headline = Disc two (acoustic) |
| headline = Disc two (acoustic) |
||
| total_length = 43:15 |
| total_length = 43:15 (83:17) |
||
| title1 |
| title1 = Still |
||
| length1 |
| length1 = 5:15 |
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| title2 |
| title2 = What If I Do? |
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| length2 |
| length2 = 5:02 |
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| title3 |
| title3 = [[Miracle (Foo Fighters song)|Miracle]] |
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| length3 |
| length3 = 3:29 |
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| title4 |
| title4 = Another Round |
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| length4 |
| length4 = 4:25 |
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| title5 |
| title5 = [[Friend of a Friend (Foo Fighters song)|Friend of a Friend]] |
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| writer5 |
| writer5 = Grohl |
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| length5 |
| length5 = 3:13 |
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| title6 |
| title6 = Over and Out |
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| length6 |
| length6 = 5:16 |
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| title7 |
| title7 = On the Mend |
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| length7 |
| length7 = 4:31 |
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| title8 |
| title8 = Virginia Moon |
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| length8 |
| length8 = 3:49 |
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| title9 |
| title9 = [[No Way Back/Cold Day in the Sun|Cold Day in the Sun]] |
||
| length9 |
| length9 = 3:20 |
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| writer9 = Hawkins |
| writer9 = Hawkins |
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| title10 |
| title10 = Razor |
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| writer10 |
| writer10 = Grohl |
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| length10 = 4:53 |
| length10 = 4:53 |
||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
}} |
}} |
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==Personnel== |
==Personnel== |
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'''Foo Fighters''' |
'''Foo Fighters''' |
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*[[Dave Grohl]] – lead |
*[[Dave Grohl]] – lead and backing vocals, rhythm guitar, percussion, drums on "Cold Day in the Sun", production |
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*[[Nate Mendel]] – bass |
*[[Nate Mendel]] – bass, production |
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*[[Taylor Hawkins]] – drums, percussion, lead vocals and rhythm guitar on "Cold Day in the Sun" |
*[[Taylor Hawkins]] – drums, percussion, lead vocals and rhythm guitar on "Cold Day in the Sun", production |
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*[[Chris Shiflett]] – lead guitar |
*[[Chris Shiflett]] – lead guitar, production |
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{{Col-begin}} |
{{Col-begin}} |
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{{Col-2}} |
{{Col-2}} |
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'''Production''' |
'''Production''' |
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*[[Nick Raskulinecz]] – production, [[Audio mixing (recorded music)|mixing]] (disc one) |
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*Foo Fighters – production |
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*[[Mike Terry]] – [[Audio engineer|engineering]] |
*[[Mike Terry (recording engineer)|Mike Terry]] – [[Audio engineer|engineering]] |
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*[[Elliot Scheiner]] – mixing (disc two) |
*[[Elliot Scheiner]] – mixing (disc two) |
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*[[Bob Ludwig]] – [[Audio mastering|mastering]] |
*[[Bob Ludwig]] – [[Audio mastering|mastering]] |
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{{Album chart|Netherlands|9|artist=Foo Fighters|album=In Your Honor|access-date=June 26, 2016|rowheader=true}} |
{{Album chart|Netherlands|9|artist=Foo Fighters|album=In Your Honor|access-date=June 26, 2016|rowheader=true}} |
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!scope="row"|[[European Top 100 Albums|European Albums]] (''[[Billboard (magazine)|Billboard]]'')<ref>{{cite journal|url=http://www.aria.com.au/issue800.pdf|archive-url=https://webarchive.nla.gov.au/awa/20080222222429/http://pandora.nla.gov.au/pan/23790/20050720-0000/issue800.pdf|url-status=dead|archive-date=2008-02-22|title=European Top 20 Charts - Week Commencing 27th June 2005 - Albums|journal=[[The ARIA Report]]|page=25|issue=800|via=[[National Library of Australia]]|access-date=July 7, 2021}}{{cbignore|bot=medic}}</ref> |
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{{Album chart|Finland|1|artist=Foo Fighters|album=In Your Honor|access-date=June 26, 2016|rowheader=true}} |
{{Album chart|Finland|1|artist=Foo Fighters|album=In Your Honor|access-date=June 26, 2016|rowheader=true}} |
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{{Album chart|Germany4|4|artist=Foo Fighters|album=In Your Honor|id=20358|access-date=December 29, 2020|rowheader=true}} |
{{Album chart|Germany4|4|artist=Foo Fighters|album=In Your Honor|id=20358|access-date=December 29, 2020|rowheader=true}} |
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{{Album chart|Ireland|2|artist=Foo Fighters|album=In Your Honor|year=2005|week=24|access-date=December 12, 2011|rowheader=true}} |
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!scope="row"| Irish Albums ([[Irish Recorded Music Association|IRMA]])<ref name=irma>{{cite web|url=http://www.chart-track.co.uk/index.jsp?c=p%2Fmusicvideo%2Fmusic%2Farchive%2Findex_test.jsp&ct=240002&arch=t&lyr=2005&year=2005&week=24|archive-url=https://web.archive.org/web/20160110155822/http://www.chart-track.co.uk/index.jsp?c=p%2Fmusicvideo%2Fmusic%2Farchive%2Findex_test.jsp&ct=240002&arch=t&lyr=2005&year=2005&week=24|url-status=dead|archive-date=January 10, 2016|publisher=[[Gesellschaft für Konsumforschung|GFK]] Chart-Track|title=TOP 75 ARTIST ALBUM, WEEK ENDING 16 June 2005|access-date=December 12, 2011}}</ref> |
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{{Album chart|Italy|20|artist=Foo Fighters|album=In Your Honor|access-date=June 26, 2016|rowheader=true}} |
{{Album chart|Italy|20|artist=Foo Fighters|album=In Your Honor|access-date=June 26, 2016|rowheader=true}} |
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{{Album chart|UK2|2|artist=Foo Fighters|album=In Your Honor|date=20050625|access-date=June 26, 2016|rowheader=true}} |
{{Album chart|UK2|2|artist=Foo Fighters|album=In Your Honor|date=20050625|access-date=June 26, 2016|rowheader=true}} |
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{{Album chart|UKRock|3|artist=Foo Fighters|album=In Your Honor|date=20050625|access-date=June 9, 2021|rowheader=true}} |
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{{Album chart|Billboard200|2|artist=Foo Fighters|album=In Your Honor|access-date=June 26, 2016|rowheader=true}} |
{{Album chart|Billboard200|2|artist=Foo Fighters|album=In Your Honor|access-date=June 26, 2016|rowheader=true}} |
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!Peak<br />position |
!Peak<br />position |
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!scope="row"|Australian Albums (ARIA)<ref>{{cite web|url=http://www.aria.com.au/pages/aria-charts-end-of-year-charts-top-100-albums-2005.htm|title=ARIA Charts – End of Year Charts – Top 100 Albums 2005|publisher=ARIA|access-date=August 29, 2014}}</ref> |
!scope="row"|Australian Albums (ARIA)<ref>{{cite web|url=http://www.aria.com.au/pages/aria-charts-end-of-year-charts-top-100-albums-2005.htm|title=ARIA Charts – End of Year Charts – Top 100 Albums 2005|publisher=ARIA|access-date=August 29, 2014|archive-date=September 27, 2011|archive-url=https://web.archive.org/web/20110927061745/http://www.aria.com.au/pages/aria-charts-end-of-year-charts-top-100-albums-2005.htm|url-status=live}}</ref> |
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| style="text-align:center;"|10 |
| style="text-align:center;"|10 |
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!scope="row"|Austrian Albums (Ö3 Austria)<ref>{{cite web|url=https://austriancharts.at/year.asp?cat=a&id=2005|title=Jahreshitparade Alben 2005|publisher=austriancharts.at|language=de|access-date=January 31, 2021}}</ref> |
!scope="row"|Austrian Albums (Ö3 Austria)<ref>{{cite web|url=https://austriancharts.at/year.asp?cat=a&id=2005|title=Jahreshitparade Alben 2005|publisher=austriancharts.at|language=de|access-date=January 31, 2021|archive-date=January 25, 2021|archive-url=https://web.archive.org/web/20210125195041/https://austriancharts.at/year.asp?id=2005&cat=a|url-status=live}}</ref> |
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|style="text-align:center;"|42 |
|style="text-align:center;"|42 |
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!scope="row"|Belgian Albums (Ultratop Flanders)<ref>{{cite web|url=https://www.ultratop.be/nl/annual.asp?year=2005&cat=a|title=Jaaroverzichten 2005 – Albums|publisher=Ultratop|language=nl|access-date=January 31, 2021}}</ref> |
!scope="row"|Belgian Albums (Ultratop Flanders)<ref>{{cite web|url=https://www.ultratop.be/nl/annual.asp?year=2005&cat=a|title=Jaaroverzichten 2005 – Albums|publisher=Ultratop|language=nl|access-date=January 31, 2021|archive-date=April 10, 2008|archive-url=https://web.archive.org/web/20080410215424/https://www.ultratop.be/nl/annual.asp?year=2005&cat=a|url-status=live}}</ref> |
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!scope="row"|Belgian Alternative Albums (Ultratop Flanders)<ref>{{cite web|url=https://www.ultratop.be/nl/annual.asp?year=2005&cat=aa|title=Jaaroverzichten 2005 – Alternatieve Albums|publisher=Ultratop|language=nl|access-date=January 31, 2021}}</ref> |
!scope="row"|Belgian Alternative Albums (Ultratop Flanders)<ref>{{cite web|url=https://www.ultratop.be/nl/annual.asp?year=2005&cat=aa|title=Jaaroverzichten 2005 – Alternatieve Albums|publisher=Ultratop|language=nl|access-date=January 31, 2021|archive-date=January 22, 2021|archive-url=https://web.archive.org/web/20210122225325/https://www.ultratop.be/nl/annual.asp?year=2005&cat=aa|url-status=live}}</ref> |
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!scope="row"|Dutch Albums (Album Top 100)<ref>{{cite web|url=https://dutchcharts.nl/jaaroverzichten.asp?year=2005&cat=a|title=Jaaroverzichten – Album 2005|publisher=dutchcharts.nl|language=nl|access-date=January 31, 2021 }}</ref> |
!scope="row"|Dutch Albums (Album Top 100)<ref>{{cite web|url=https://dutchcharts.nl/jaaroverzichten.asp?year=2005&cat=a|title=Jaaroverzichten – Album 2005|publisher=dutchcharts.nl|language=nl|access-date=January 31, 2021|archive-date=June 18, 2012|archive-url=https://web.archive.org/web/20120618115520/http://www.dutchcharts.nl/jaaroverzichten.asp?year=2005&cat=a|url-status=live}}</ref> |
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!scope="row"|European Albums (''Billboard'')<ref>{{cite magazine|url=http://www.billboard.biz/bb/biz/images/pdf/YearEndEuropeanAlbums.pdf|title=Year End European Top 100 Albums Chart 2005 01 - 2005 52|magazine=Billboard|archive-url=https://web.archive.org/web/20060415014752/http://www.billboard.biz/bb/biz/images/pdf/YearEndEuropeanAlbums.pdf|archive-date=April 15, 2006|access-date=June 9, 2021}}</ref> |
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!scope="row"|Finnish Albums (Suomen viralinen lista)<ref>{{cite web|url=http://www.ifpi.fi/tilastot/myydyimmat/2005/ulkomaiset/albumit|title=Musiikkituottajat - Tilastot - Myydyimmät levyt 2005|publisher=IFPI Finland|language=fi|access-date=March 2, 2021|archive-date=September 26, 2012|archive-url=https://web.archive.org/web/20120926225640/http://www.ifpi.fi/tilastot/myydyimmat/2005/ulkomaiset/albumit|url-status=live}}</ref> |
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!scope="row"|German Albums (Offizielle Top 100)<ref>{{cite web|url=https://www.offiziellecharts.de/charts/album-jahr/for-date-2005 |title=Top 100 Album - Jahrescharts 2005 |publisher=Offizielle Deutsche Charts |language=de |access-date=May 23, 2021 }}</ref> |
!scope="row"|German Albums (Offizielle Top 100)<ref>{{cite web |url=https://www.offiziellecharts.de/charts/album-jahr/for-date-2005 |title=Top 100 Album - Jahrescharts 2005 |publisher=Offizielle Deutsche Charts |language=de |access-date=May 23, 2021 |archive-date=April 12, 2017 |archive-url=https://web.archive.org/web/20170412061606/https://www.offiziellecharts.de/charts/album-jahr/for-date-2005/ |url-status=live }}</ref> |
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!scope="row"|New Zealand Albums (RMNZ)<ref>{{cite web|url= |
!scope="row"|New Zealand Albums (RMNZ)<ref>{{cite web|url=https://aotearoamusiccharts.co.nz/archive/annual-albums/2005-12-31|title=Top Selling Albums of 2005|publisher=The Official NZ Music Charts|access-date=August 30, 2021}}</ref> |
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!scope="row"|Swedish Albums (Sverigetopplistan)<ref>{{cite web|url=https://www.sverigetopplistan.se/chart/83?dspy=2005&dspp=1|title=Årslista Album – År 2005|access-date=January 31, 2021|publisher=Sverigetopplistan|language=sv}}</ref> |
!scope="row"|Swedish Albums (Sverigetopplistan)<ref>{{cite web|url=https://www.sverigetopplistan.se/chart/83?dspy=2005&dspp=1|title=Årslista Album – År 2005|access-date=January 31, 2021|publisher=Sverigetopplistan|language=sv|archive-date=October 13, 2020|archive-url=https://web.archive.org/web/20201013061429/https://www.sverigetopplistan.se/chart/83?dspy=2005&dspp=1|url-status=live}}</ref> |
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!scope="row"|Swedish Albums & Compilations (Sverigetopplistan)<ref>{{cite web|url=https://www.sverigetopplistan.se/chart/42?dspy=2005&dspp=1|title=Årslista Album (inkl samlingar), 2005|access-date=February 28, 2021|publisher=Sverigetopplistan|language=sv}}</ref> |
!scope="row"|Swedish Albums & Compilations (Sverigetopplistan)<ref>{{cite web|url=https://www.sverigetopplistan.se/chart/42?dspy=2005&dspp=1|title=Årslista Album (inkl samlingar), 2005|access-date=February 28, 2021|publisher=Sverigetopplistan|language=sv|archive-date=January 22, 2021|archive-url=https://web.archive.org/web/20210122002339/https://www.sverigetopplistan.se/chart/42?dspy=2005&dspp=1|url-status=live}}</ref> |
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!scope="row"|UK Albums (OCC)<ref>{{cite web|url=http://www.officialcharts.com/charts/end-of-year-artist-albums-chart/20050109/37502/|title=End of Year Album Chart Top 100 - 2005|publisher=Official Charts Company|access-date=January 30, 2021}}</ref> |
!scope="row"|UK Albums (OCC)<ref>{{cite web|url=http://www.officialcharts.com/charts/end-of-year-artist-albums-chart/20050109/37502/|title=End of Year Album Chart Top 100 - 2005|publisher=Official Charts Company|access-date=January 30, 2021|archive-date=May 31, 2015|archive-url=https://web.archive.org/web/20150531181055/http://www.officialcharts.com/charts/end-of-year-artist-albums-chart/20050109/37502/|url-status=live}}</ref> |
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!scope="row"|US ''Billboard'' 200<ref>{{cite |
!scope="row"|US ''Billboard'' 200<ref>{{cite magazine|url=https://www.billboard.com/charts/year-end/2005/top-billboard-200-albums|title=Billboard 200 Albums - Year-End 2005|magazine=[[Billboard (magazine)|Billboard]]|access-date=May 4, 2012|archive-date=December 27, 2014|archive-url=https://web.archive.org/web/20141227214858/https://www.billboard.com/charts/year-end/2005/top-billboard-200-albums|url-status=live}}</ref> |
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!scope="row"|Worldwide Albums (IFPI)<ref>{{cite web|url=http://www.ifpi.org/content/library/top50-2005.pdf|title=Top 50 Global Best Selling Albums for 2005|publisher=[[International Federation of the Phonographic Industry|IFPI]] |
!scope="row"|Worldwide Albums (IFPI)<ref>{{cite web|url=http://www.ifpi.org/content/library/top50-2005.pdf|title=Top 50 Global Best Selling Albums for 2005|publisher=[[International Federation of the Phonographic Industry|IFPI]]|archive-url=https://web.archive.org/web/20081117003309/http://www.ifpi.org/content/library/top50-2005.pdf|archive-date=17 November 2008}}</ref> |
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!scope="row"| Australian Albums (ARIA)<ref name="ARIA end of Decade">{{cite web|url=https://www.ariacharts.com.au/annual-charts/2009/end-of-decade-albums-chart|title= |
!scope="row"| Australian Albums (ARIA)<ref name="ARIA end of Decade">{{cite web|url=https://www.ariacharts.com.au/annual-charts/2009/end-of-decade-albums-chart|title=ARIA Top 100 Albums of the 00's|publisher=Australian Recording Industry Association|date=January 2010|access-date=16 January 2020|archive-date=May 21, 2021|archive-url=https://web.archive.org/web/20210521191629/https://www.aria.com.au/charts/2000/end-of-decade-albums-chart|url-status=live}}</ref> |
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==Certifications== |
==Certifications== |
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{{certification Table Top}} |
{{certification Table Top|caption=Sales certifications for ''In Your Honor''}} |
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{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=Australia |award=Platinum |number=3|certyear=2006|refname=Australia}} |
{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=Australia |award=Platinum |number=3|certyear=2006|refname=Australia}} |
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{{certification Table Entry|region=Austria|award=Gold|type=album|relyear=2005|artist=Foo Fighters|title=In Your Honor}} |
{{certification Table Entry|region=Austria|award=Gold|type=album|relyear=2005|artist=Foo Fighters|title=In Your Honor}} |
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{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=Brazil |award=Gold | |
{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=Brazil |award=Gold |relyear=2005|certyear=2005}} |
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{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=Canada |award=Platinum |number=3 |relyear=2005 |
{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=Canada |award=Platinum |number=3 |relyear=2005 |refname=Canada}} |
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{{certification Table Entry|region=Germany|award=Gold|type=album|relyear=2005|certyear=2023|artist=Foo Fighters|title=In Your Honor|access-date=January 20, 2023}} |
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{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=Ireland |award=Platinum |number=2 |relyear=2005 |certyear=2005}} |
{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=Ireland |award=Platinum |number=2 |relyear=2005 |certyear=2005}} |
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{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=Japan |award=Gold |relyear=2005 |certyear=2005|certmonth=8}} |
{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=Japan |award=Gold |relyear=2005 |certyear=2005|certmonth=8}} |
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{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=New Zealand |award=Platinum |number=4 | |
{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=New Zealand |award=Platinum |number=4 |id=2006-02-17 |source=newchart |access-date=2024-11-20 |relyear=2005 }} |
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{{Certification Table Entry|region=Norway|type=album|title=In Your Honor |artist=Foo Fighters|award=Gold|relyear=2005|certyear=2006}} |
{{Certification Table Entry|region=Norway|type=album|title=In Your Honor |artist=Foo Fighters|award=Gold|relyear=2005|certyear=2006}} |
||
{{Certification Table Entry|region=Sweden|type=album|title=In Your Honor |artist=Foo Fighters|award=Gold|relyear=2005|certyear=2007}} |
{{Certification Table Entry|region=Sweden|type=album|title=In Your Honor |artist=Foo Fighters|award=Gold|relyear=2005|certyear=2007}} |
||
{{Certification Table Entry|region=United Kingdom|title=In Your Honor|artist=Foo Fighters|type=album|award=Platinum|number=2|relyear=2005 |salesamount=812,000 | salesref=<ref>{{cite news|url=https://www.officialcharts.com/chart-news/foo-fighters-biggest-albums-on-the-official-uk-chart__32362/|title=Foo Fighters' biggest albums on the Official UK Chart|last=Copsey|first=Rob|date=February 3, 2021|work=[[Official Charts]]|publisher=Intent Media|access-date=August 12, 2017|url-access=subscription }}</ref> |refname=BPI|id=3317-569-2|access-date=May 22, 2021}} |
{{Certification Table Entry|region=United Kingdom|title=In Your Honor|artist=Foo Fighters|type=album|award=Platinum|number=2|relyear=2005 |salesamount=812,000 | salesref=<ref>{{cite news|url=https://www.officialcharts.com/chart-news/foo-fighters-biggest-albums-on-the-official-uk-chart__32362/|title=Foo Fighters' biggest albums on the Official UK Chart|last=Copsey|first=Rob|date=February 3, 2021|work=[[Official Charts]]|publisher=Intent Media|access-date=August 12, 2017|url-access=subscription|archive-date=February 17, 2021|archive-url=https://web.archive.org/web/20210217195509/https://www.officialcharts.com/chart-news/foo-fighters-biggest-albums-on-the-official-uk-chart__32362/|url-status=live}}</ref> |refname=BPI|id=3317-569-2|access-date=May 22, 2021}} |
||
{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=United States |award=Platinum|refname=US}} |
{{certification Table Entry|title=In Your Honor |artist=Foo Fighters |type=album |region=United States |award=Platinum|refname=US}} |
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{{certification Table Bottom}} |
{{certification Table Bottom|streaming=true}} |
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==References== |
==References== |
Latest revision as of 20:59, 20 November 2024
In Your Honor | ||||
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Studio album by | ||||
Released | June 14, 2005 | |||
Recorded | January–March 2005 | |||
Studio | Studio 606 West (Los Angeles) | |||
Genre | ||||
Length | 83:17 | |||
Label | ||||
Producer |
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Foo Fighters chronology | ||||
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Singles from In Your Honor | ||||
|
In Your Honor is the fifth studio album by American rock band Foo Fighters, released on June 14, 2005, through Roswell and RCA Records. It is a double album, with the first disc containing heavy rock songs and the second containing mellower acoustic songs. Frontman Dave Grohl decided to do a diverse blend of songs, as he felt that after ten years of existence, the band had to break new ground with their music. The album was recorded at a newly built studio in Northridge, Los Angeles, and features guests such as John Paul Jones (Led Zeppelin), Norah Jones, and Josh Homme (Queens of the Stone Age). Its lyrics deal with both resonating and introspective themes, with a major influence from Grohl's involvement on the campaign trail with John Kerry during the 2004 presidential election. It was the first album to feature keyboardist Rami Jaffee, although he would not join the band as full-time member until 2017.
The promotional tour for the album included both rock shows in stadiums and acoustic gigs in smaller venues. Reviews for In Your Honor were mostly positive, praising the composition and sound, although some critics found the album overlong and inconsistent. The album was also nominated for five Grammy Awards, and topped the charts in five countries—including Australia—and reached the top five in five more, including number two in both the United States and the United Kingdom. In Your Honor also broke the band's consecutive streak of Grammy Award for Best Rock Album wins that began in 2001 with There Is Nothing Left to Lose.
Background
[edit]After touring in support of One by One, Dave Grohl was uncertain on what to do next with the Foo Fighters. He felt that rushing to do another record would not be creatively rewarding. Grohl considered a possible film score, and began writing acoustic songs, eventually amassing a full album's worth of songs.[3][4] Grohl, not wanting to make a solo album and accepting the drift from his usual style, brought the songs to the Foo Fighters – "who's to say what we should sound like?".[3] Bassist Nate Mendel replied that the songs' uncharacteristic sound was "why [they] should go on the record."[5] Grohl decided against an acoustic record, saying "I have to have loud rock music in my life somewhere",[6] and decided to make a double album, with "one CD that's all the really heavy rock shit" and another "that's really beautiful, acoustic-based, lower dynamic stuff",[7] which Grohl described as "the bottle and the hangover",[8] and also with the rock record being "my Jack and Coke record" with songs that "I realise I cannot live without that", and the acoustic being "my Sapphire-and-Martini-with-Kylie record".[5] Grohl also stated a decisive moment in making a double album was uploading demos to his computer and realizing he had five hours of music, adding that "we've been a band for 10 years now, this is our fifth record, and I thought it would be boring to just keep making album after album and making videos and playing festivals, so I wanted to do something special."[9]
The album was recorded in a new recording studio built in a warehouse in Northridge, California, named Studio 606 West in contrast to the original Studio 606 in Grohl's basement in Alexandria, Virginia.[3] Development for In Your Honor took nine months[6] with three and a half months installing equipment in the studio, and songs being written throughout 2004.[10] While waiting for 606 to get finished, the band rehearsed on North Hollywood's Mates Rehearsal Studios, where "we ended up with three or four different versions of about 30 songs", according to Raskulinecz who added that "it got to the point where I didn't want them to play the rock songs anymore. I was afraid they were going to get stale."[11]
Recording
[edit]The sessions ran from January to March 2005,[12] with only two and a half weeks spent on the acoustic record. Forty tracks were recorded – fifteen of them acoustic – with half of them ending on the final track list.[13][14] Studio 606 was not finished as the band moved in, and the band members even helped with the final stages of construction, "hammering, stuffing insulation — doing whatever to speed the process."[11] Eight of the rock songs were last-minute compositions done after the acoustic record was finished, as "Dave started feeling that it was better than the rock record."[11] The songs were recorded on analog tape—which was reused over and over due to a tape shortage and a desire to save money—before being transferred to Pro Tools for overdubs, editing and mixing. Raskulinecz mixed the rock songs, while Elliot Scheiner mixed the stereo and 5.1 versions of the acoustic sides.[11]
The band entered the studio with most of the songs finished and rehearsed;[12] producer Nick Raskulinecz, who also worked on One by One, stated that while "One By One was very loose, "In Your Honor was more planned out. Dave was more meticulous on that one".[15] The electric album was done in segments by instrument, starting with the drums and guitars, then vocals, and finally bass.[11] Mendel would write a bass line on Pro Tools at home before showing it to Grohl and Raskulinecz.[16] The bass was recorded after the vocals, which Raskulinecz said was done because "By doing bass last, you can really tailor it for tuning, parts and sound. If you do the drums and then the guitars, you can fill the hole that's left with bass. And sometimes that hole wants a certain frequency that isn't traditional for bass, but you have to go with it, which is even more fun."[11]
During the last three weeks of work on the rock songs, the band was in the studio "from noon to eight in the morning, making the rock record the most devastating thing we've ever done".[17] After two months on the rock songs, approaching their established deadline, the band held a meeting and decided that, to finish, "Everyone has to be here all day. We need to do one song a day and no one's leaving until that song is done." Grohl would listen to a click track, "We'd find a tempo and I'd just roll an arrangement off the top of my head." As the members recorded their parts, Grohl would write the lyrics.[13] The rushed approach prevented Mendel writing bass lines, so he ended up "concentrating on just finding the notes and getting the rhythm right."[16]
"I look at this album as kind of the end of one chapter and the beginning of something new… With the rock record, we finally got the aggressive, anthemic thing down. With the acoustic album, it offers some kind of look into the future of things we're capable of doing and the direction we could move if we wanted to."
Grohl declared that "making this record revitalized this band", particularly the acoustic songs, as they "showed ourselves what we're capable of doing" and "[made] things scary again. You do something that you've never done, and it makes you feel like a bigger band."[18] The frontman also stated the mellower acoustic disc was an opportunity to use "the acoustic tracks we wrote in the past eight or nine years, but never put on albums because they never seemed to fit",[17] particularly because Grohl felt that "it's hard to put an acoustic song in the middle of a rock record, because sometimes it mucks up the sequence."[18] The tracks include Grohl's first composition "Friend of a Friend" – done in 1990, and previously recorded under the pseudonym 'Late!' on the cassette Pocketwatch; "Razor", which Grohl wrote for a benefit concert at the Wiltern Theatre; and drummer Taylor Hawkins' composition "Cold Day in the Sun", which after an attempt to do an electric version became an unplugged track, featuring Hawkins on vocals and tambourine and Grohl in the drums.[19][20]
Preparing the acoustic album, Grohl decided he would improve it with guest appearances, and made a list of musicians he would like to work with, such as Warren Haynes and Grant Hart.[17] Guests that appeared on the record included Norah Jones, John Paul Jones of Led Zeppelin, and Josh Homme of Queens of the Stone Age.
John Paul Jones agreed to appear as he was in Los Angeles for the Grammy Awards. Grohl described his appearance as the "second-greatest thing to happen to me in my life" behind his marriage.[21] "I love Dave," Jones said, "and I enjoyed playing on that Foo Fighters album."[22]
Norah Jones was brought for the bossa nova "Virginia Moon" after Grohl heard her record and considered that his song was "her vibe" and Jones' voice "was so smooth and warm that I figured it would work out great with mine."[9] The song features Grohl's guitar technician Joe Beebe on lead guitar, as he was the only one in the crew with jazz experience.[23]
The Wallflowers' keyboard player Rami Jaffee and That Dog.'s violinist Petra Haden also contributed to the album, and were later drafted for the Foo Fighters' touring band.[24] After the album was finished, Grohl stated that he hoped that the Foo Fighters were most remembered for this record. He described it as "just the most fucking kick-ass thing we've ever done"[17] and said, "If someone asked me which Led Zeppelin album to buy, I would tell them Physical Graffiti, because it has such a wide dynamic and it shows the range that band had. And that's what we wanted to do with this album."[9]
Composition
[edit]The double album has a disc of rock songs and another with acoustic ones, which Grohl said demonstrated his artistic freedom – "It's not one specific genre of music, it's not one specific style. I'm just a musician. I can play all these different instruments, I can write a bossa nova, I can write a thrash tune."[6] He also stated that he tried to fit the Foo Fighters sound even with stylistic differences: "It's still the same four guys playing it so it just is a Foo Fighters song, whether it sounds like Carcass or fucking Ry Cooder."[13]
The band tried to do the albums without a "middle ground" sound,[12] with "the acoustic record far more delicate and beautiful and atmospheric", and "the rock CD far more brutal and aggressive" than their previous work.[17] The arrangements were aiming for complexity: "This record is much more elaborate than just an acoustic guitar and a vocal. And the songs were written to hold more orchestration. We've never had accordions and pump organs and cellos and stand up bass."[24] The acoustic guitar sound has influences of Rush guitarist Alex Lifeson, with open notes in conjunction with fretted notes.[13]
The lyrics on the rock album tried to focus on "general themes that everyone can get their hands on", while the acoustic had introspective lyrics that are "vulnerable and revealing", with things Grohl "wouldn't say out loud, wouldn't even admit to myself."[4] Grohl declared that "when you're writing songs that have a sort of anthemic quality, you can't really go lighthearted and sing about bullshit. You have to dig into a deeper place to find the words",[25] and that "I don't know what it is about, this album, that makes it sound more heartfelt or deeper or more emotional, but when I listen to it, it really is."[18] These include "Friend of a Friend", a song which Grohl wrote in the 1990s about himself and his former Nirvana bandmate Kurt Cobain during the time they shared an apartment together in 1990,[5] and "Still", talking about a suicide Grohl saw when he was ten in Virginia, by a boy who jumped on the train tracks.[21] Much of the album's theme and content, including the title, came after Grohl spent time on the campaign trail with John Kerry during the 2004 presidential election. "We'd pull in to small towns, and thousands of people would come to be rescued by this man", said Grohl. "It's not a political record, but what I saw inspired me."[21]
Release and promotion
[edit]The price of the album was just one dollar above what is paid for a regular single-disc CD, as Grohl thought the albums "complemented each other in one package, and I don't need any more money". The first 25,000 US copies were in a special edition DualDisc set containing a "making of" documentary in the first disc, and the second disc in 5.1 surround sound. RCA also issued 5,000 copies of a quadruple vinyl LP record.[4] Distributor Sony BMG issued the album with the copy protection software MediaMax CD-3,[26] which later led to a scandal as its rootkit-like nature made computers vulnerable to malware.[27]
The promotional campaign included the MTV special 24 Hours of Foo.[4] Lead single "Best of You" was released on May 30, 2005, and became the band's highest-charting single at the main American,[28] British,[29] and Australian charts.[30] Follow-up "DOA" was released on August 22, after an early debut as a ringtone for Cingular cell phones.[31] Like "Best of You" it proceeded to top Billboard's Modern Rock Songs chart.[32] "Resolve"[33] and a double A-side of "No Way Back" and "Cold Day in the Sun" were also issued as singles.[34] "No Way Back" was included in the video games Madden NFL 06 and Guitar Hero: Warriors of Rock.[35] In addition, the song "Resolve" and "Miracle" in the TV series The West Wing where the band performed the latter two songs in "Election Day, Part 1" and "Election Day, Part 2" respectively. Nearly fifteen years after the album's release, "Razor" appeared on an episode of The Flash.
The release was promoted with the In Your Honor Tour. The tour began in the summer of 2005, and ran through to June 2006. It featured two shows per city, an electric one in arenas and an acoustic in smaller venues.[21] The late 2005 concerts were part of the Foozer Tour, co-headlined with Weezer.[36] Among the additional band for the acoustic shows was guitarist Pat Smear, who had been in the Foo Fighters from 1995 to 1997, and followed the In Your Honor Tour with another five years as a touring musician before rejoining as a full-time member for the recording of Wasting Light.[7] The acoustic shows from August 29, 30 and 31, 2006 at the Pantages Theater in Los Angeles were turned into the live album Skin and Bones.[37]
Critical reception
[edit]Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 70/100[38] |
Review scores | |
Source | Rating |
AllMusic | [39] |
Entertainment Weekly | A[40] / B+[40] |
The Guardian | [41] |
Los Angeles Times | [42] |
NME | 7/10[43] |
Pitchfork | 6.8/10[44] |
Q | [45] |
Rolling Stone | [46] |
Spin | B+[47] |
USA Today | [48] |
In Your Honor was generally met with positive reviews. At Metacritic, a website that assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 70, based on 26 reviews.[38]
Writing for The New York Times, Jon Pareles considered the album "an unexpected magnum opus", and while Pareles felt that "the rock CD overpowers the acoustic one", he considered that "among the quieter songs, there are enough supple melodies and hypnotic guitar patterns to suggest fine prospects for a follow-through album".[49] Tom Sinclair of Entertainment Weekly described the discs of In Your Honor as "the outdoors and indoors sides", with the rockers "pack[ing] an intoxicating wallop: 90-proof rock for 90-degree weather, they'll sound terrific blasting from convertibles, open windows, boom boxes, and at barbecues and beach parties" and the acoustic songs "all very pretty—sometimes scarily so", ultimately concluding that "you'll probably revisit the rockin' half more often".[40] AllMusic's Stephen Thomas Erlewine considered that the record "showcases a reinvigorated band that is eager to stretch out and experiment", with the rock record having a "fluid musicality and a new found sense of drama that gives it a nearly cinematic sense of scope", and the acoustic album being "quieter, but it also has a similar flow and easy grace that makes it a fitting complement to the harder first record."[39] Reviewer Joe Gross of Spin described the hard rock disc as "the most consistent rockers of Grohl's career" and considered that the album as a whole "chronicle[s] the physical and mental graffiti of figuring out how to emerge from some very large shadows, including his own, with nerve and power"[50] While Mike Schiller of PopMatters considered that "In Your Honor has some great tunes, but it is by no means perfect", he praised the rock songs for "indications of just how loud this band can get", and regarding the acoustic tracks, wrote that "despite the down-tempo feel, the songs are infectious".[1]
Some reviewers found In Your Honor overlong and inconsistent. Writing for Rolling Stone, Barry Walters praised the acoustic songs, while considering that In Your Honor "could have been easily pruned down to one disc", claiming the rock songs besides "Resolve" "strain so hard that the melody gets lost" and went in a "cartoonish headbanging fashion" that "accentuates the band's self-inflicted one-dimensionality", and that the "sameness and vagueness of [Grohl's] love lyrics blunt their impact".[46] Noel Murray of The A.V. Club criticized the acoustic disc as "gooey, undercooked, and embarrassingly unpalatable" and "reveal[ing] Dave Grohl's songwriting shortcomings", but praised the rock songs which are "as loud and assaultive as just about anything Grohl has ever recorded", and considered that the "first 10-song set sounds especially tight and ferocious; it's not all that diminished by the unfortunate revelations of disc two".[2] BBC Music reviewer Tanya Byrne found the track list lacking, with "several songs on this double disk that stand head and shoulders above the rest and truly represent how the Foo Fighters have developed" while others "let the album down" and the record ultimately "doesn't live up to the hype."[51] Bram Teitelman of Billboard felt that "by isolating the electric and acoustic sides, the concept comes off as repetitious" and ultimately concluding that "by scaling back their ambitions, the Foos could have made one great album instead of two average ones."[52] Pitchfork's Amanda Petrusich described the record as "sterile and controlled", the double disc conceit as "heavy handed, the segregation too deliberate" and the rock songs as repetitive.[44] Edna Gundersen of USA Today gave the album two-and-a-half stars out of four and said, "Though its most smartly crafted tunes and liveliest performances don't measure up to the band's finest, Honor is an honorable effort, full of the brawn and vigor that keeps the Foos in fighting shape."[48]
Commercial performance
[edit]The album entered the Billboard 200 and the UK Albums Chart at number two behind Coldplay's X&Y (the worldwide best selling album of 2005) with the strongest initial sales of their entire career this far–310,500 copies in the United States and 159,179 in the UK.[53][54] In Your Honor also topped the charts in Australia, Finland, New Zealand and Ireland, and reached the top five in Canada, Austria and Denmark.[55]
As of December 2011, In Your Honor has sold 1,442,000 units in North America, being their third most successful album behind Foo Fighters and The Colour and the Shape.[56] It was also certified Platinum by the RIAA.[57] The album reached multi-platinum status in Canada,[58] Australia[59] and the United Kingdom.[60]
Accolades
[edit]The album was up for five Grammy Awards at the 48th Grammy Awards: Best Rock Album, Best Surround Sound Album, both Best Rock Song and Best Rock Performance by a Duo or Group with Vocal for "Best of You", and Best Pop Collaboration with Vocals for "Virginia Moon".[61] It ultimately lost all awards, the band's first album since The Colour and the Shape to not receive a Grammy. Kerrang! ranked In Your Honor as the 9th best album of 2005,[62] while Rolling Stone put it as 30th best.[63]
Track listing
[edit]All tracks are written by Dave Grohl, Taylor Hawkins, Nate Mendel and Chris Shiflett except where noted
No. | Title | Length |
---|---|---|
1. | "In Your Honor" | 3:50 |
2. | "No Way Back" | 3:17 |
3. | "Best of You" | 4:16 |
4. | "DOA" | 4:12 |
5. | "Hell" | 1:57 |
6. | "The Last Song" | 3:19 |
7. | "Free Me" | 4:39 |
8. | "Resolve" | 4:49 |
9. | "The Deepest Blues Are Black" | 3:58 |
10. | "End Over End" | 5:52 |
Total length: | 40:02 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Still" | 5:15 | |
2. | "What If I Do?" | 5:02 | |
3. | "Miracle" | 3:29 | |
4. | "Another Round" | 4:25 | |
5. | "Friend of a Friend" | Grohl | 3:13 |
6. | "Over and Out" | 5:16 | |
7. | "On the Mend" | 4:31 | |
8. | "Virginia Moon" | 3:49 | |
9. | "Cold Day in the Sun" | Hawkins | 3:20 |
10. | "Razor" | Grohl | 4:53 |
Total length: | 43:15 (83:17) |
No. | Title | Length |
---|---|---|
11. | "The Sign" | 4:02 |
Personnel
[edit]Foo Fighters
- Dave Grohl – lead and backing vocals, rhythm guitar, percussion, drums on "Cold Day in the Sun", production
- Nate Mendel – bass, production
- Taylor Hawkins – drums, percussion, lead vocals and rhythm guitar on "Cold Day in the Sun", production
- Chris Shiflett – lead guitar, production
Additional musicians
|
Production
|
Design
|
Managerial
|
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
Decade-end chart[edit]
|
Certifications
[edit]Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[59] | 3× Platinum | 210,000^ |
Austria (IFPI Austria)[105] | Gold | 15,000* |
Brazil (Pro-Música Brasil)[106] | Gold | 50,000* |
Canada (Music Canada)[58] | 3× Platinum | 300,000^ |
Germany (BVMI)[107] | Gold | 100,000‡ |
Ireland (IRMA)[108] | 2× Platinum | 30,000^ |
Japan (RIAJ)[109] | Gold | 100,000^ |
New Zealand (RMNZ)[110] | 4× Platinum | 60,000^ |
Norway (IFPI Norway)[111] | Gold | 20,000* |
Sweden (GLF)[112] | Gold | 30,000^ |
United Kingdom (BPI)[60] | 2× Platinum | 812,000[113] |
United States (RIAA)[57] | Platinum | 1,000,000^ |
* Sales figures based on certification alone. |
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External links
[edit]- In Your Honor at Discogs (list of releases)