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{{For|the Pelle Carlberg album|Pelle Carlberg}}
{{Short description|debut album by English band the Lilac Time}}
{{EngvarB|date=March 2021}}
{{EngvarB|date=March 2021}}
{{Use dmy dates|date=March 2021}}
{{Use dmy dates|date=March 2021}}
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| name = The Lilac Time
| name = The Lilac Time
| type = studio
| type = studio
| artist = [[The Lilac Time]]
| artist = [[the Lilac Time]]
| cover = The Lilac Time (The Lilac Time album) cover.jpeg
| cover = The Lilac Time (The Lilac Time album) cover.jpeg
| alt =
| alt =
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| recorded = August 1986 – August 1987
| recorded = August 1986 – August 1987
| studio = Highbury Studio, Kings Heath, Birmingham
| studio = Highbury Studio, Kings Heath, Birmingham
⚫
| genre =
⚫
| genre = [[Pop rock]], [[jangle pop]],<ref name="allmusic">{{Cite web|url={{Allmusic|id=the-lilac-time-mw0000015185|pure_url=yes}}|title=The Lilac Time album review|last=DiGravina|first=Tim|website=[[AllMusic]]|publisher=Rovi Corp|accessdate=5 March 2021}}</ref> [[folk-pop]]<ref name="Trouser Press">{{cite web |url=http://www.trouserpress.com/entry.php?a=lilac_time |title=Lilac Time|last1=Sheridan |first1=David |last2=Robbins |first2=Ira |last3=Partsch |first3=Bill |website=[[Trouser Press|TrouserPress.com]] |accessdate=1 July 2016}}</ref>
*[[Pop rock]]
⚫
| length = 37:09
*[[jangle pop]]<ref name="allmusic">{{Cite web|url={{Allmusic|id=the-lilac-time-mw0000015185|pure_url=yes}}|title=The Lilac Time album review|last=DiGravina|first=Tim|website=[[AllMusic]]|publisher=Rovi Corp|accessdate=5 March 2021}}</ref>
⚫
| label = {{Flatlist|
⚫
*[[folk-pop]]<ref name="Trouser Press">{{cite web |url=http://www.trouserpress.com/entry.php?a=lilac_time |title=Lilac Time|last1=Sheridan |first1=David |last2=Robbins |first2=Ira |last3=Partsch |first3=Bill |website=[[Trouser Press|TrouserPress.com]] |accessdate=1 July 2016}}</ref>
| length = 37:34
⚫
| label =
*Swordfish
*Swordfish
*[[Fontana Records|Fontana]]
*[[Fontana Records|Fontana]]
*[[Mercury Records|Mercury]]}}
*[[Mercury Records|Mercury]]
| producer = {{flatlist|
| producer =
*The Lilac Time
*The Lilac Time
*Bob Lamb}}
*Bob Lamb
| prev_title =
| prev_title =
| prev_year =
| prev_year =
| next_title = Paradise Circus
| next_title = [[Paradise Circus (album)|Paradise Circus]]
| next_year = 1989
| next_year = 1989
| misc = {{Singles
| misc = {{Singles
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==Background and recording==
==Background and recording==
In early 1987, singer-songwriter [[Stephen Duffy]], who had previously established a career under both his own name and the moniker Tin Tin, was dropped by [[Virgin Records|Virgin]] subsidiary 10 Records.<ref>{{Cite web|url={{Allmusic|id=the-lilac-time-mn0000771894/biography|pure_url=yes}}|title=The Lilac Time biography|last=Donelson|first=Marcy|website=[[AllMusic]]|publisher=Rovi Corp|accessdate=5 March 2021}}</ref><ref name="called">{{Cite AV media notes|title=They Called Him Tintin|others=Stephen Duffy|year=1998|last=Duffy|first=Stephen|authorlink=Stephen Duffy|page=2|type=CD booklet|publisher=[[Virgin Records]]}}</ref> Duffy's first solo album for the label, ''[[The Ups and Downs (album)|The Ups and Downs]]'', had reached number 35 on the [[UK Album Charts]] and had included the Top 5 hit "[[Kiss Me (Tin Tin song)|Kiss Me]]" along with its follow-up "Icing on the Cake", which reached number 14 on the [[UK Singles Chart]].<ref>{{cite book|last=Brown|first=Tony|title=The Complete Book of the British Charts|year=2000|publisher=Omnibus Press|isbn=0-7119-7670-8|page=263}}</ref> Duffy's second solo album, ''Because We Love You'', had been a commercial dissapointment and his third, recorded with Roger Freeman and Francoise Gigandet and released under the moniker Dr. Calculus, had been an experimental sound collage with little commercial potential.<ref name="perfect">{{Cite web|url=https://thenewperfectcollection.com/2018/08/13/the-lilac-time-1987/|title=The New Perfect Collection: 125. The Lilac Time (1987) album review/interview with Stephen Duffy|author=<!--Not stated-->|website=thenewperfectcollection.com|publisher=[[WordPress.com]]|accessdate=15 March 2021}}</ref><ref>{{Cite web|url=http://www.duffypedia.com/DrCalculus.html|title=Dr. Calculus - Designer Beatnik discography entry|last=Squires|first=Chris|website=Duffypedia|accessdate=15 March 2021|url-status=dead|archiveurl=https://web.archive.org/web/20090107025550/http://www.duffypedia.com/DrCalculus.html|archivedate=16 January 2007}}</ref> Duffy had already begun recording his fourth album for the label when he was dropped; he envisaged a folk-flavoured release, but this proposed new direction was met with disapproval from the record company, which played a part in his being let go.<ref name="called"/>{{refn|group=nb|According to Duffy, 10 Records wanted him to find a female singer and record a [[dance music]] album.<ref name="called"/>}}
In early 1987, singer-songwriter [[Stephen Duffy]], who had previously established a career under both his own name and the moniker Tin Tin, was dropped by [[Virgin Records|Virgin]] subsidiary 10 Records.<ref>{{Cite web|url={{Allmusic|id=the-lilac-time-mn0000771894/biography|pure_url=yes}}|title=The Lilac Time biography|last=Donelson|first=Marcy|website=[[AllMusic]]|publisher=Rovi Corp|accessdate=5 March 2021}}</ref><ref name="called">{{Cite AV media notes|title=They Called Him Tintin|others=Stephen Duffy|year=1998|last=Duffy|first=Stephen|authorlink=Stephen Duffy|page=2|type=CD booklet|publisher=[[Virgin Records]]}}</ref> Duffy's first solo album for the label, ''[[The Ups and Downs (album)|The Ups and Downs]]'', had reached number 35 on the [[UK Album Charts]] and had included the hits "[[Kiss Me (Tin Tin song)|Kiss Me]]" and "Icing on the Cake", which reached numbers 4 and 14 respectively on the [[UK Singles Chart]].<ref>{{cite book|last=Brown|first=Tony|title=The Complete Book of the British Charts|year=2000|publisher=Omnibus Press|isbn=0-7119-7670-8|page=263}}</ref> Duffy's second solo album, ''Because We Love You'', had been a commercial disappointment and his third, ''[[Designer Beatnik]]'', recorded with Roger Freeman and Françoise Gigandet and released under the moniker Dr. Calculus, had been an [[Experimental music|experimental]] [[sound collage]] with little commercial potential.<ref name="perfect">{{Cite web|url=https://thenewperfectcollection.com/2018/08/13/the-lilac-time-1987/|title=The New Perfect Collection: 125. The Lilac Time (1987) album review/interview with Stephen Duffy|author=<!--Not stated-->|website=thenewperfectcollection.com|publisher=[[WordPress.com]]|accessdate=15 March 2021}}</ref><ref>{{Cite web|url=http://www.duffypedia.com/DrCalculus.html|title=Dr. Calculus - Designer Beatnik discography entry|last=Squires|first=Chris|website=Duffypedia|accessdate=15 March 2021|url-status=dead|archiveurl=https://web.archive.org/web/20090107025550/http://www.duffypedia.com/DrCalculus.html|archivedate=7 January 2009}}</ref> Duffy had already begun recording his fourth album for the label when he was dropped; he envisaged a [[Folk music|folk]]-flavoured release, but this proposed new direction was met with disapproval from the record company, which played a part in his being let go.<ref name="called"/>{{refn|group=nb|According to Duffy, 10 Records wanted him to find a female singer and record a [[dance music]] album.<ref name="called"/>}}


For this new album, Duffy was joined by his multi-instrumentalist brother Nick and his girlfriend's best friend Michael Weston on keyboards.<ref name="aee">{{Cite web|url=https://www.aaemusic.com/artist/the-lilac-time/|title=The Lilac Time artist overview|author=<!--Not stated-->|website=AAE Music|publisher=All American Entertainment|accessdate=5 March 2021}}</ref><ref name="duffypedia">{{Cite web|url=http://www.duffypedia.com/discoframe.html|title=The Lilac Time - The Lilac Time discography entry|last=Squires|first=Chris|website=Duffypedia|accessdate=5 March 2021|url-status=dead|archiveurl=https://web.archive.org/web/20080224155059/http://www.duffypedia.com/TheLilacTime.html|archivedate=16 January 2007}}</ref> Christening themselves the Lilac Time (a name taken from the lyrics of [[Nick Drake]]'s song "[[River Man]]"),<ref name="aee"/> the band began recording at producer Bob Lamb's Highbury Studio in Kings Heath, south Birmingham on 26 August 1986.<ref name="duffypedia"/> They recorded five tracks, of which "Rockland", "And the Ship Sails On", and "Return to Yesterday" ended up on the album, while "Reunion Ball" and "Rain on a River" were held over for B-sides on the album's singles.<ref name="duffypedia"/>
For this new album, Duffy was joined by his multi-instrumentalist brother [[Nick Duffy|Nick]] and his girlfriend's best friend Michael Weston on keyboards.<ref name="aee">{{Cite web|url=https://www.aaemusic.com/artist/the-lilac-time/|title=The Lilac Time artist overview|author=<!--Not stated-->|website=AAE Music|publisher=All American Entertainment|accessdate=5 March 2021}}</ref><ref name="duffypedia">{{Cite web|url=http://www.duffypedia.com/discoframe.html|title=The Lilac Time - The Lilac Time discography entry|last=Squires|first=Chris|website=Duffypedia|accessdate=5 March 2021|url-status=dead|archiveurl=https://web.archive.org/web/20080224155059/http://www.duffypedia.com/TheLilacTime.html|archivedate=24 February 2008}}</ref> Christening themselves the Lilac Time (a name taken from the lyrics of [[Nick Drake]]'s song "[[River Man]]"),<ref name="aee"/> the band began recording at [[Record producer|producer]] Bob Lamb's Highbury Studio in Kings Heath, south Birmingham on 26 August 1986.<ref name="duffypedia"/> They recorded five tracks, of which "Rockland", "And the Ship Sails On", and "Return to Yesterday" ended up on the album, while "Reunion Ball" and "Rain on a River" were held over for B-sides on the album's singles.<ref name="duffypedia"/>


In summer 1987, the band relocated to Searles Cottage, an old dairy, to rehearse and record demos of new material.<ref name="duffypedia"/>{{refn|group=nb|Searles is pictured on the album's front cover.<ref name="duffypedia"/>}} Duffy used what remained of the money he had received as royalties from his hit single "Kiss Me" to complete the album,<ref name="called"/> with sessions finishing at Lamb's in late summer 1987.<ref name="duffypedia"/> In August or September, Duffy telephoned Swordfish Records in Birmingham, a record shop and label, and asked them if they were interested in releasing the album and if they could get it out before Christmas 1987.<ref name="perfect"/> The record company agreed and 2000 vinyl LPs were pressed up along with 1000 CDs.<ref name="duffypedia"/>
In summer 1987, the band relocated to Searles Cottage, an old dairy in the village of [[Mathon, Herefordshire|Mathon]] in the [[Malvern Hills]], to rehearse and record [[Demo (music)|demos]] of new material.<ref name="duffypedia"/><ref>{{Cite AV media notes|title=Paradise Circus|others=The Lilac Time|year=2006|last=Duffy|first=Stephen|authorlink=Stephen Duffy|page=6|type=CD booklet|publisher=[[Mercury Records]]}}</ref>{{refn|group=nb|Searles Cottage is pictured on the album's front cover.<ref name="duffypedia"/>}} Duffy used what remained of the money he had received as royalties from his hit single "Kiss Me" to complete the album,<ref name="called"/> with sessions finishing at Lamb's in late summer 1987.<ref name="duffypedia"/> In August or September, Duffy telephoned Swordfish Records in Birmingham, a record shop and label, and asked them if they were interested in releasing the album and if they could get it out before Christmas 1987.<ref name="perfect"/> The record company agreed and 2000 vinyl LPs were pressed up along with 1000 CDs.<ref name="duffypedia"/>


==Music==
The songs that Duffy and the band recorded for the album blended pop music and folk instrumentation.<ref name="allmusic"/> The uptempo song "Return to Yesterday", which was the lead single from the album, has lyrics that reminisce about England's past, while wondering about its future, and has been described by critic Tim DiGravina as "evocative of a vintage 1800s steam train roaring through green pastures and lush vineyards".<ref name="allmusic"/> DiGravina also described the songs "And the Ship Sails On" and "Love Becomes a Savage" as "dark and moody".<ref name="allmusic"/>
The songs that Duffy and the band recorded for the album blended pop music and folk instrumentation.<ref name="allmusic"/> The delicate and folky album opener, "Black Velvet", finds Duffy singing of an ocean falling to its knees, calling to a lover without words, and spending the night crawling "like a snail on black velvet."<ref name="allmusic3">{{Cite web|url={{Allmusic|class=song|id=black-velvet-mt0047425898|pure_url=yes}}|title=Black Velvet song review|last=DiGravina|first=Tim|website=[[AllMusic]]|publisher=Rovi Corp|accessdate=2021-03-31}}</ref> The song was issued as the third single to be taken from the album and has been described by critic Tim DiGravina as, "brimming with wonderful imagery and full of subtle tones".<ref name="allmusic3"/>

The uptempo song "Return to Yesterday", which was the lead single from the album, has lyrics that reminisce about England's past, while wondering about its future.<ref name="allmusic"/> In 2018, Duffy called the song, "a bit of a mission statement" and a recording that "tells you all you need to know about the band".<ref name="perfect"/> DiGravina noted the song's rolling banjos and political and sociological lyrics, while also describing it as, "evocative of a vintage 1800s steam train roaring through green pastures and lush vineyards".<ref name="allmusic"/><ref>{{Cite web|url={{Allmusic|class=song|id=return-to-yesterday-mt0047425899|pure_url=yes}}|title=Return to Yesterday song review|last=DiGravina|first=Tim|website=[[AllMusic]]|publisher=Rovi Corp|accessdate=2021-03-31}}</ref>

DiGravina has also remarked on the aggressive political stance of the lyrics of "Rockland",<ref>{{Cite web|url={{Allmusic|class=song|id=rockland-mt0047425900|pure_url=yes}}|title=Rockland song review|last=DiGravina|first=Tim|website=[[AllMusic]]|publisher=Rovi Corp|accessdate=2021-03-31}}</ref> the "easygoing and carefree melodies" of "You've Got to Love",<ref>{{Cite web|url={{Allmusic|class=song|id=youve-got-to-love-mt0047425901|pure_url=yes}}|title=You've Got to Love song review|last=DiGravina|first=Tim|website=[[AllMusic]]|publisher=Rovi Corp|accessdate=2021-03-31}}</ref> the "light orchestral Pop flourishes" heard in "Too Sooner Late than Better",<ref>{{Cite web|url={{Allmusic|class=song|id=too-sooner-late-than-better-mt0047425905|pure_url=yes}}|title=Too Sooner Late than Better song review|last=DiGravina|first=Tim|website=[[AllMusic]]|publisher=Rovi Corp|accessdate=2021-03-31}}</ref> and the fact that the instrumental "Trumpets from Montparnasse" doesn't feature any trumpets.<ref>{{Cite web|url={{Allmusic|class=song|id=trumpets-from-montparnasse-mt0047425907|pure_url=yes}}|title=Trumpets from Montparnassee song review|last=DiGravina|first=Tim|website=[[AllMusic]]|publisher=Rovi Corp|accessdate=2021-03-31}}</ref> DiGravina also described the songs "And the Ship Sails On" and "Love Becomes a Savage" as being "dark and moody",<ref name="allmusic"/> concluding that, "so much of the Lilac Time's debut album is concerned with the passing or the passage of time."<ref>{{Cite web|url={{Allmusic|class=song|id=and-the-ship-sails-on-mt0047425906|pure_url=yes}}|title=And the Ship Sails On song review|last=DiGravina|first=Tim|website=[[AllMusic]]|publisher=Rovi Corp|accessdate=2021-03-31}}</ref>


==Release==
==Release==
⚫
''The Lilac Time'' was released by Swordfish Records on 2 November 1987, but it didn't reach the [[UK Albums Chart]]. The first single taken from the album was "Return to Yesterday", which was also released by Swordfish in November 1987, but this too failed to chart.<ref name="sound">{{cite book|last=Binnie|first=Steve|title=Sound of the Crowd: A Discography of the '80s|edition=4th|year=2018|isbn=9-780-244-12965-1|page=86}}</ref>
⚫
{{album ratings
⚫
| rev1 = [[AllMusic]]
⚫
| rev1score = {{rating|4.5|5}}<ref name="allmusic"/>
⚫
| rev2 = ''[[Trouser Press]]''
⚫
| rev2score = favourable<ref name="Trouser Press"/>
⚫
}}
⚫
''The Lilac Time'' was released by Swordfish Records on 2 November 1987, but it didn't reach the [[UK Albums Chart]]. The first single taken from the album was "Return to Yesterday", which was also released by Swordfish in November 1987, but it again failed to chart.<ref name="sound">{{cite book|last=Binnie|first=Steve|title=Sound of the Crowd: A Discography of the '80s|edition=4th|year=2018|isbn=9-780-244-12965-1|page=86}}</ref> In a 2018 interview, Duffy called "Return to Yesterday", "a bit of a mission statement" and a recording that "tells you all you need to know about the band".<ref name="perfect"/>


The Lilac Time were subsequently signed to [[Fontana Records]], who re-released the album with four of its tracks remixed in 1988.<ref name="sound"/><ref name="fontana">{{Cite web|url=https://i.postimg.cc/3Rnt7BxD/s-l1600.jpg|title=Fontana trade advertisement for The Lilac Time album|author=<!--Not stated-->|website=Post Images|accessdate=5 March 2021}}</ref> A remixed version of "Return to Yesterday" was re-released by Fontana in July 1988 and this time it reached number 82 on the [[UK Singles Chart]].<ref name="sound"/><ref name="ukchart">{{Cite web|url=https://www.officialcharts.com/artist/25029/lilac-time/|title=Lilac Time UK Singles Chart positions |author=<!--Not stated-->|website=[[UK Singles Chart|Official Singles Chart]]|publisher=The Official UK Charts Company|accessdate=8 March 2021}}</ref> Two more singles were taken from the album, with "You've Got to Love" appearing in October 1988 and reaching number 79 in the UK charts, and "Black Velvet" being issued in November 1988 and reaching number 99.<ref name="sound"/><ref name="ukchart"/>
The Lilac Time were subsequently signed to [[Fontana Records]],<ref name="sound"/> who re-released the album on CD, LP and cassette on 20 June 1988, with four of its tracks remixed.<ref>{{Cite tweet|author=The Lilac Time|author-link=The Lilac Time|user=TheLilacTime|number=1406230489439014913|title=33 tomorrow}}</ref><ref name="fontana">{{Cite web|url=https://i.postimg.cc/3Rnt7BxD/s-l1600.jpg|title=Fontana trade advertisement for The Lilac Time album|author=<!--Not stated-->|website=Post Images|accessdate=5 March 2021}}</ref> A remixed version of "Return to Yesterday" was re-released by Fontana in July 1988 and this time it reached number 82 on the [[UK Singles Chart]].<ref name="sound"/><ref name="ukchart">{{Cite web|url=https://www.officialcharts.com/artist/25029/lilac-time/|title=Lilac Time UK Singles Chart positions |author=<!--Not stated-->|website=[[UK Singles Chart|Official Singles Chart]]|publisher=The Official UK Charts Company|accessdate=8 March 2021}}</ref> Two more singles were taken from the album, with "You've Got to Love" appearing in October 1988 and reaching number 79 in the UK charts, and "Black Velvet" being issued in November 1988 and reaching number 99.<ref name="sound"/><ref name="ukchart"/>


The album was issued in the U.S. by [[Mercury Records]] in 1988, with a re-arranged track listing and the songs "Gone For a Burton" and "Railway Bazaar" added as bonus tracks on the CD. It also underwent further remixes and changes for its Mercury release, with the album version of "Black Velvet" being replaced by the single remix and Duffy adding additional backing vocals and new bass parts to some songs.<ref name="perfect"/>
The album was issued in the U.S. by [[Mercury Records]] in 1988, with a re-arranged track listing and the songs "Gone For a Burton" and "Railway Bazaar" added as bonus tracks on the CD. It also underwent further remixes and changes for its Mercury release, with the album version of "Black Velvet" being replaced by the single remix and Duffy adding additional backing vocals and new bass parts to some songs.<ref name="perfect"/>


In 2005, the song "Trumpets from Montparnasse" was used in a [[Flora (spread)|Flora]] margarine televison advertisment in the UK, and it also appeared the following year in the [[BBC Three]] documentary series, ''[[Honey, We're Killing the Kids]]''.<ref>{{Cite web|url=https://audiovigilance.wordpress.com/2009/11/22/an-afternoon-with-nick-duffy-from-the-lilac-time/|title=An Afternoon with Nick Duffy [From The Lilac Time]|author=<!--Not stated-->|website=Audio Vigilance|publisher=[[WordPress.com]]|accessdate=17 March 2021}}</ref> As a result, Duffy would later call it the band's "most heard song".<ref name="perfect"/> The song's author, Nick Duffy, told ''[[The Times]]'' newspaper in April 2006 that the Flora advert had so far earned him £37,000, adding, "I celebrated by buying two pairs of shoes from the same shop, on the same day."<ref>{{cite news|last=Paphides|first=Peter|author-link=Peter Paphides|date=28 April 2006|title=Should rock 'n' roll sell its soul?|url=https://www.thetimes.co.uk/article/should-rocknroll-sell-its-soul-3ss0mggqthn|work=The Times|location=London|publisher=Times Newspapers|access-date=17 March 2021|url-access=subscription}}</ref>
In 2005, the song "Trumpets from Montparnasse" was used in a [[Flora (spread)|Flora]] margarine television advertisement in the UK, and it also appeared the following year in the [[BBC Three]] documentary series, ''[[Honey, We're Killing the Kids]]''.<ref>{{Cite web|url=https://audiovigilance.wordpress.com/2009/11/22/an-afternoon-with-nick-duffy-from-the-lilac-time/|title=An Afternoon with Nick Duffy [From The Lilac Time]|author=<!--Not stated-->|website=Audio Vigilance|publisher=[[WordPress.com]]|accessdate=17 March 2021}}</ref> As a result, Duffy would later call it the band's "most heard song".<ref name="perfect"/> The song's author, Nick Duffy, told ''[[The Times]]'' newspaper in April 2006 that the Flora advert had so far earned him £37,000, adding, "I celebrated by buying two pairs of shoes from the same shop, on the same day."<ref>{{cite news|last=Paphides|first=Peter|author-link=Peter Paphides|date=28 April 2006|title=Should rock 'n' roll sell its soul?|url=https://www.thetimes.co.uk/article/should-rocknroll-sell-its-soul-3ss0mggqthn|work=The Times|location=London|publisher=Times Newspapers|access-date=17 March 2021|url-access=subscription}}</ref>


''The Lilac Time'' was reissued in an expanded and remastered edition by Fontana in 2006, with the addition of nine bonus tracks, including five previouly unreleased BBC Radio 1 recordings first broadcast in 1988.
''The Lilac Time'' was reissued in an expanded and remastered edition by Fontana in 2006, with the addition of nine bonus tracks, including five previously unreleased BBC Radio 1 recordings first broadcast in 1988.


==Reception==
==Reception==
⚫
{{album ratings
⚫
In a contemporary review, ''[[Time Out (magazine)|Time Out]]'' magazine made note of the album's "melody choruses that charm and stick like sweet glue", while descrbing its contents as, "sensitive" and "witty".<ref name="fontana"/> In the 20 February 1988 edition of ''[[Melody Maker]]'', John Wilde called the album "quietly delightful" and singled out the songs "Return to Yesterday and "You've Got to Love" as highlights, describing them as "internally combustible" and "ravishing" respectively.<ref>{{Cite tweet|user=nothingelseon|number=1345615726372028416|date=3 January 2021|title=Albums! @⁦Woodentopsmusic! Bad News! The Lilac Time! And more! Melody Maker, 20 February 1988.|access-date=16 March 2021|link=https://twitter.com/nothingelseon/status/1345615726372028416}}</ref>
⚫
| rev1 = [[AllMusic]]
⚫
| rev1score = {{rating|4.5|5}}<ref name="allmusic"/>
⚫
| rev2 = ''[[Trouser Press]]''
⚫
| rev2score = favourable<ref name="Trouser Press"/>
⚫
}}
⚫
Contemporary reviews for the album were almost universally positive, with ''[[Time Out (magazine)|Time Out]]'' magazine making note of the album's "melody choruses that charm and stick like sweet glue", while describing its contents as, "sensitive" and "witty".<ref name="fontana"/> In the 20 February 1988 edition of ''[[Melody Maker]]'', John Wilde called the album "quietly delightful" and singled out the songs "Return to Yesterday" and "You've Got to Love" as highlights, describing them as "internally combustible" and "ravishing" respectively.<ref>{{Cite tweet|user=nothingelseon|number=1345615726372028416|date=3 January 2021|title=Albums! @⁦Woodentopsmusic! Bad News! The Lilac Time! And more! Melody Maker, 20 February 1988.|access-date=16 March 2021|link=https://twitter.com/nothingelseon/status/1345615726372028416}}</ref>


A later review by Tim DiGravina for the [[AllMusic]] website described the album as "a fascinating debut", "a minimasterpiece", and "the start of a perfect career". DiGravina also commented, "Right off the bat, Stephen Duffy and company mix poetry, pop melodies, and folk instrumentation to create songs of endless charm, mesmerizing passion, and tantalizing atmosphere."<ref name="allmusic"/> ''[[Trouser Press]]'' described the album as "unfailingly delightful" and an "unprepossessing gem", while making note of its "jaunty love songs, small-town contemplations and skeptical bits of philosophy brought to life with simple delicacy...".<ref name="Trouser Press"/>
A later review by Tim DiGravina for the [[AllMusic]] website described the album as "a fascinating debut", "a minimasterpiece", and "the start of a perfect career". DiGravina also commented, "Right off the bat, Stephen Duffy and company mix poetry, pop melodies, and folk instrumentation to create songs of endless charm, mesmerizing passion, and tantalizing atmosphere."<ref name="allmusic"/> ''[[Trouser Press]]'' described the album as "unfailingly delightful" and an "unprepossessing gem", while making note of its "jaunty love songs, small-town contemplations and skeptical bits of philosophy brought to life with simple delicacy...".<ref name="Trouser Press"/>

In 2024, ''[[The Independent]]'' ranked ''The Lilac Time'' as 13th on their list of 20 most underrated albums.<ref>{{Cite web |last=Beaumont |first=Mark |author-link=Mark Beaumont (journalist) |last2=O'Connor |first2=Roisin |date=2024-10-19 |title=The 20 most underrated albums ever |url=https://www.independent.co.uk/arts-entertainment/music/features/underrated-albums-britney-spears-charli-xcx-b2631613.html |access-date=2024-11-01 |website=[[The Independent]] |language=en}}</ref>


==Track listing==
==Track listing==
Line 113: Line 123:
==Personnel==
==Personnel==
*[[Stephen Duffy]]&nbsp;- acoustic guitar, electric guitar, bass guitar, vocals
*[[Stephen Duffy]]&nbsp;- acoustic guitar, electric guitar, bass guitar, vocals
*[[Nick Duffy]]&nbsp;- [[banjo]], [[accordian]]
*[[Nick Duffy]]&nbsp;- [[banjo]], [[accordion]], violin
*[[Michael Weston]]&nbsp;- keyboards
*Michael Weston&nbsp;- keyboards


==Notes==
==Notes==
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{{DEFAULTSORT:Lilac Time}}
{{DEFAULTSORT:Lilac Time}}
[[Category:1987 debut albums]]
[[Category:1987 debut albums]]
[[Category:The Lilac Time albums]]
[[Category:Fontana Records albums]]
[[Category:Mercury Records albums]]

Latest revision as of 10:10, 21 November 2024

For the Pelle Carlberg album, see Pelle Carlberg.

The Lilac Time
Studio album by
the Lilac Time
Released2 November 1987
RecordedAugust 1986 – August 1987
StudioHighbury Studio, Kings Heath, Birmingham
Genre
Length37:34
Label
Producer
  • The Lilac Time
  • Bob Lamb
The Lilac Time chronology
The Lilac Time
(1987) 		Paradise Circus
(1989)
Singles from The Lilac Time
  1. "Return to Yesterday"
    Released: November 1987
  2. "You've Got to Love"
    Released: October 1988
  3. "Black Velvet"
    Released: November 1988

The Lilac Time is the debut album by English band the Lilac Time and was released in 1987 by Swordfish Records. The album was partially remixed and re-released by Fontana Records in 1988.

Background and recording

[edit]

In early 1987, singer-songwriter Stephen Duffy, who had previously established a career under both his own name and the moniker Tin Tin, was dropped by Virgin subsidiary 10 Records.[3][4] Duffy's first solo album for the label, The Ups and Downs, had reached number 35 on the UK Album Charts and had included the hits "Kiss Me" and "Icing on the Cake", which reached numbers 4 and 14 respectively on the UK Singles Chart.[5] Duffy's second solo album, Because We Love You, had been a commercial disappointment and his third, Designer Beatnik, recorded with Roger Freeman and Françoise Gigandet and released under the moniker Dr. Calculus, had been an experimental sound collage with little commercial potential.[6][7] Duffy had already begun recording his fourth album for the label when he was dropped; he envisaged a folk-flavoured release, but this proposed new direction was met with disapproval from the record company, which played a part in his being let go.[4][nb 1]

For this new album, Duffy was joined by his multi-instrumentalist brother Nick and his girlfriend's best friend Michael Weston on keyboards.[8][9] Christening themselves the Lilac Time (a name taken from the lyrics of Nick Drake's song "River Man"),[8] the band began recording at producer Bob Lamb's Highbury Studio in Kings Heath, south Birmingham on 26 August 1986.[9] They recorded five tracks, of which "Rockland", "And the Ship Sails On", and "Return to Yesterday" ended up on the album, while "Reunion Ball" and "Rain on a River" were held over for B-sides on the album's singles.[9]

In summer 1987, the band relocated to Searles Cottage, an old dairy in the village of Mathon in the Malvern Hills, to rehearse and record demos of new material.[9][10][nb 2] Duffy used what remained of the money he had received as royalties from his hit single "Kiss Me" to complete the album,[4] with sessions finishing at Lamb's in late summer 1987.[9] In August or September, Duffy telephoned Swordfish Records in Birmingham, a record shop and label, and asked them if they were interested in releasing the album and if they could get it out before Christmas 1987.[6] The record company agreed and 2000 vinyl LPs were pressed up along with 1000 CDs.[9]

Music

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The songs that Duffy and the band recorded for the album blended pop music and folk instrumentation.[1] The delicate and folky album opener, "Black Velvet", finds Duffy singing of an ocean falling to its knees, calling to a lover without words, and spending the night crawling "like a snail on black velvet."[11] The song was issued as the third single to be taken from the album and has been described by critic Tim DiGravina as, "brimming with wonderful imagery and full of subtle tones".[11]

The uptempo song "Return to Yesterday", which was the lead single from the album, has lyrics that reminisce about England's past, while wondering about its future.[1] In 2018, Duffy called the song, "a bit of a mission statement" and a recording that "tells you all you need to know about the band".[6] DiGravina noted the song's rolling banjos and political and sociological lyrics, while also describing it as, "evocative of a vintage 1800s steam train roaring through green pastures and lush vineyards".[1][12]

DiGravina has also remarked on the aggressive political stance of the lyrics of "Rockland",[13] the "easygoing and carefree melodies" of "You've Got to Love",[14] the "light orchestral Pop flourishes" heard in "Too Sooner Late than Better",[15] and the fact that the instrumental "Trumpets from Montparnasse" doesn't feature any trumpets.[16] DiGravina also described the songs "And the Ship Sails On" and "Love Becomes a Savage" as being "dark and moody",[1] concluding that, "so much of the Lilac Time's debut album is concerned with the passing or the passage of time."[17]

Release

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The Lilac Time was released by Swordfish Records on 2 November 1987, but it didn't reach the UK Albums Chart. The first single taken from the album was "Return to Yesterday", which was also released by Swordfish in November 1987, but this too failed to chart.[18]

The Lilac Time were subsequently signed to Fontana Records,[18] who re-released the album on CD, LP and cassette on 20 June 1988, with four of its tracks remixed.[19][20] A remixed version of "Return to Yesterday" was re-released by Fontana in July 1988 and this time it reached number 82 on the UK Singles Chart.[18][21] Two more singles were taken from the album, with "You've Got to Love" appearing in October 1988 and reaching number 79 in the UK charts, and "Black Velvet" being issued in November 1988 and reaching number 99.[18][21]

The album was issued in the U.S. by Mercury Records in 1988, with a re-arranged track listing and the songs "Gone For a Burton" and "Railway Bazaar" added as bonus tracks on the CD. It also underwent further remixes and changes for its Mercury release, with the album version of "Black Velvet" being replaced by the single remix and Duffy adding additional backing vocals and new bass parts to some songs.[6]

In 2005, the song "Trumpets from Montparnasse" was used in a Flora margarine television advertisement in the UK, and it also appeared the following year in the BBC Three documentary series, Honey, We're Killing the Kids.[22] As a result, Duffy would later call it the band's "most heard song".[6] The song's author, Nick Duffy, told The Times newspaper in April 2006 that the Flora advert had so far earned him £37,000, adding, "I celebrated by buying two pairs of shoes from the same shop, on the same day."[23]

The Lilac Time was reissued in an expanded and remastered edition by Fontana in 2006, with the addition of nine bonus tracks, including five previously unreleased BBC Radio 1 recordings first broadcast in 1988.

Reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusic[1]
Trouser Pressfavourable[2]

Contemporary reviews for the album were almost universally positive, with Time Out magazine making note of the album's "melody choruses that charm and stick like sweet glue", while describing its contents as, "sensitive" and "witty".[20] In the 20 February 1988 edition of Melody Maker, John Wilde called the album "quietly delightful" and singled out the songs "Return to Yesterday" and "You've Got to Love" as highlights, describing them as "internally combustible" and "ravishing" respectively.[24]

A later review by Tim DiGravina for the AllMusic website described the album as "a fascinating debut", "a minimasterpiece", and "the start of a perfect career". DiGravina also commented, "Right off the bat, Stephen Duffy and company mix poetry, pop melodies, and folk instrumentation to create songs of endless charm, mesmerizing passion, and tantalizing atmosphere."[1] Trouser Press described the album as "unfailingly delightful" and an "unprepossessing gem", while making note of its "jaunty love songs, small-town contemplations and skeptical bits of philosophy brought to life with simple delicacy...".[2]

In 2024, The Independent ranked The Lilac Time as 13th on their list of 20 most underrated albums.[25]

Track listing

[edit]

Track listing is for the original 1987 Swordfish Records' release; the 1988 Fontana Records re-release places "Return to Yesterday" and "Rockland" in reverse order.

All songs written and arranged by the Lilac Time.

Side one

[edit]
  1. "Black Velvet" – 3:21
  2. "Rockland" – 4:06
  3. "Return to Yesterday" – 3:43
  4. "You've Got to Love" – 4:36
  5. "Love Becomes a Savage" – 3:50

Side two

[edit]
  1. "Together" – 2:53
  2. "The Road to Happiness" – 3:59
  3. "Too Sooner Late than Better" – 3:39
  4. "And the Ship Sails On" – 3:01
  5. "Trumpets from Montparnasse" – 3:45

U.S. Mercury CD bonus tracks

[edit]
  1. "Gone For a Burton" – 3:43
  2. "Railway Bazaar" – 3:56

2006 remastered CD bonus tracks

[edit]
  1. "Black Velvet" (Remix) – 3:25
  2. "Reunion Ball" – 3:35
  3. "Gone For a Burton" – 3:43
  4. "Streetcorner" – 4:10
  5. "The King and Queen of Carioca" (BBC Session) – 4:50
  6. "Take Time" (BBC Session) – 3:16
  7. "Hargeesha" (BBC Session) – 2:51
  8. "Return to Yesterday" (BBC Session) – 3:34
  9. "You've Got to Love" (BBC Session) – 4:14

Personnel

[edit]

Notes

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  1. ^ According to Duffy, 10 Records wanted him to find a female singer and record a dance music album.[4]
  2. ^ Searles Cottage is pictured on the album's front cover.[9]

References

[edit]
  1. ^ a b c d e f g DiGravina, Tim. "The Lilac Time album review". AllMusic. Rovi Corp. Retrieved 5 March 2021.
  2. ^ a b c Sheridan, David; Robbins, Ira; Partsch, Bill. "Lilac Time". TrouserPress.com. Retrieved 1 July 2016.
  3. ^ Donelson, Marcy. "The Lilac Time biography". AllMusic. Rovi Corp. Retrieved 5 March 2021.
  4. ^ a b c d Duffy, Stephen (1998). They Called Him Tintin (CD booklet). Stephen Duffy. Virgin Records. p. 2.
  5. ^ Brown, Tony (2000). The Complete Book of the British Charts. Omnibus Press. p. 263. ISBN 0-7119-7670-8.
  6. ^ a b c d e "The New Perfect Collection: 125. The Lilac Time (1987) album review/interview with Stephen Duffy". thenewperfectcollection.com. WordPress.com. Retrieved 15 March 2021.
  7. ^ Squires, Chris. "Dr. Calculus - Designer Beatnik discography entry". Duffypedia. Archived from the original on 7 January 2009. Retrieved 15 March 2021.
  8. ^ a b "The Lilac Time artist overview". AAE Music. All American Entertainment. Retrieved 5 March 2021.
  9. ^ a b c d e f g Squires, Chris. "The Lilac Time - The Lilac Time discography entry". Duffypedia. Archived from the original on 24 February 2008. Retrieved 5 March 2021.
  10. ^ Duffy, Stephen (2006). Paradise Circus (CD booklet). The Lilac Time. Mercury Records. p. 6.
  11. ^ a b DiGravina, Tim. "Black Velvet song review". AllMusic. Rovi Corp. Retrieved 31 March 2021.
  12. ^ DiGravina, Tim. "Return to Yesterday song review". AllMusic. Rovi Corp. Retrieved 31 March 2021.
  13. ^ DiGravina, Tim. "Rockland song review". AllMusic. Rovi Corp. Retrieved 31 March 2021.
  14. ^ DiGravina, Tim. "You've Got to Love song review". AllMusic. Rovi Corp. Retrieved 31 March 2021.
  15. ^ DiGravina, Tim. "Too Sooner Late than Better song review". AllMusic. Rovi Corp. Retrieved 31 March 2021.
  16. ^ DiGravina, Tim. "Trumpets from Montparnassee song review". AllMusic. Rovi Corp. Retrieved 31 March 2021.
  17. ^ DiGravina, Tim. "And the Ship Sails On song review". AllMusic. Rovi Corp. Retrieved 31 March 2021.
  18. ^ a b c d Binnie, Steve (2018). Sound of the Crowd: A Discography of the '80s (4th ed.). p. 86. ISBN 9-780-244-12965-1.
  19. ^ The Lilac Time [@TheLilacTime] (19 June 2021). "33 tomorrow" (Tweet) – via Twitter.
  20. ^ a b "Fontana trade advertisement for The Lilac Time album". Post Images. Retrieved 5 March 2021.
  21. ^ a b "Lilac Time UK Singles Chart positions". Official Singles Chart. The Official UK Charts Company. Retrieved 8 March 2021.
  22. ^ "An Afternoon with Nick Duffy [From The Lilac Time]". Audio Vigilance. WordPress.com. Retrieved 17 March 2021.
  23. ^ Paphides, Peter (28 April 2006). "Should rock 'n' roll sell its soul?". The Times. London: Times Newspapers. Retrieved 17 March 2021.
  24. ^ @nothingelseon (3 January 2021). "Albums! @⁦Woodentopsmusic! Bad News! The Lilac Time! And more! Melody Maker, 20 February 1988" (Tweet). Retrieved 16 March 2021 – via Twitter.
  25. ^ Beaumont, Mark; O'Connor, Roisin (19 October 2024). "The 20 most underrated albums ever". The Independent. Retrieved 1 November 2024.
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