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{{short description|French painter}}

{{more citations needed|date=July 2019}}
[[File:Jacques Auguste Regnier, Old Mortality, 1833. Paris Musée du Louvre. Inv. 7398.jpg|thumb|275px|''[[Old Mortality]]'']]
[[File:Jacques Auguste Regnier, Old Mortality, 1833. Paris Musée du Louvre. Inv. 7398.jpg|thumb|275px|''[[Old Mortality]]'']]
[[File:AugusteRegnier-LaVouteDuQuaiDeGesvres.JPG|thumb|350px|The Vault of the {{ill|Quai de Gesvres|fr}}]]
[[File:AugusteRegnier-LaVouteDuQuaiDeGesvres.JPG|thumb|350px|The Vault of the {{ill|Quai de Gesvres|fr}}]]
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== Biography ==
== Biography ==
He was trained at the school of [[Pierre-Henri de Valenciennes]], where he was a student of [[Jean-Victor Bertin]], who influenced him to become a painter of landscapes and historical scenes. He began exhibiting at the [[Salon (Paris)|Salon]] in 1812 and travelled widely throughout France; visiting [[Auvergne]], [[Dauphiné]], [[Normandy]] and [[Picardy]]. Following these travels, he produced rural scenes that attracted the attention of the [[Marie-Caroline of Bourbon-Two Sicilies, Duchess of Berry|Duchess of Berry]] and [[Louis-Philippe I]].
He was trained at the school of [[Pierre-Henri de Valenciennes]], where he was a student of [[Jean-Victor Bertin]], who influenced him to become a painter of landscapes and historical scenes. He began exhibiting at the [[Salon (Paris)|Salon]] in 1812 and travelled widely throughout France; visiting [[Auvergne]], [[Dauphiné]], [[Normandy]] and [[Picardy]]. Following these travels, he produced rural scenes that attracted the attention of the [[Marie-Caroline of Bourbon-Two Sicilies, Duchess of Berry|Duchess of Berry]] and [[Louis-Philippe I]].


In addition to these scenes, he produced works illustrating the history of France; notably a depiction of [[Joan of Arc]], swearing her devotion to the salvation of France, which is now at the [[Palais de Fontainebleau]], and works inspired by literature; [[Walter Scott]] in particular. His "Old Mortality" is on display at the [[Louvre]].
In addition to these scenes, he produced works illustrating the history of France; notably a depiction of [[Joan of Arc]], swearing her devotion to the salvation of France, which is now at the [[Palais de Fontainebleau]], and works inspired by literature; [[Walter Scott]] in particular. His "Old Mortality" is on display at the [[Louvre]].
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He was also influenced by the young [[Victor Hugo]], and was inspired to pursue his romantic vision of Old Paris. In 1825, with the help of his student, [[Jean-Jacques Champin]], he began creating an illustrated book on the subject, which would be called ''Vues pittoresques des principaux châteaux et des maisons de plaisance des environs de Paris et des départements lithographié par Auguste Regnier''. This was followed by ''La Seine et ses abords'' (1836), ''Habitations des personnages les plus célèbres de France depuis 1790 jusqu'à nos jours'' and ''Promenade dans les rues de Paris, Dessins d’Auguste Regnier, Lithographiés Jean Jacques Champin. Notices de Charles Nodier'' (1838). As a result, he was named a Chevalier in the [[Legion of Honor]] in 1837 and received commissions from King Louis-Philippe to do illustrations of the {{ill|Château de Bizy|fr}} and the [[Château de Versailles]].
He was also influenced by the young [[Victor Hugo]], and was inspired to pursue his romantic vision of Old Paris. In 1825, with the help of his student, [[Jean-Jacques Champin]], he began creating an illustrated book on the subject, which would be called ''Vues pittoresques des principaux châteaux et des maisons de plaisance des environs de Paris et des départements lithographié par Auguste Regnier''. This was followed by ''La Seine et ses abords'' (1836), ''Habitations des personnages les plus célèbres de France depuis 1790 jusqu'à nos jours'' and ''Promenade dans les rues de Paris, Dessins d’Auguste Regnier, Lithographiés Jean Jacques Champin. Notices de Charles Nodier'' (1838). As a result, he was named a Chevalier in the [[Legion of Honor]] in 1837 and received commissions from King Louis-Philippe to do illustrations of the {{ill|Château de Bizy|fr}} and the [[Château de Versailles]].


Despite this success with the aristocracy, he fell victim to the increasing fashion for [[Realism]] and his career effectively came to an end together with the [[July Monarchy]] in 1848.
Despite this success with the aristocracy, he fell victim to the increasing fashion for [[Realism (arts)|Realism]] and his career effectively came to an end together with the [[July Monarchy]] in 1848.


== References ==
== References ==
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== Further reading ==
== Further reading ==
* Véronique Miltgen, ''Peintures du XIXe siècle 1800-1914'', [[Musée des beaux-arts de Tours]], 2001. ISBN 978-2-90333-110-8
* Véronique Miltgen, ''Peintures du XIXe siècle 1800-1914'', [[Musée des beaux-arts de Tours]], 2001. {{ISBN|978-2-90333-110-8}}
* [[Eugène Delacroix]], ''Journal'', new edition, restored by Michèle Hannoosh, Éditions Corti, 2009, pgs.106 and 2314 ISBN 978-2-7143-0999-0
* [[Eugène Delacroix]], ''Journal'', new edition, restored by Michèle Hannoosh, Éditions Corti, 2009, pgs.106 and 2314 {{ISBN|978-2-7143-0999-0}}


== External links ==
== External links ==
{{commonscat|Jacques Auguste Régnier}}
{{commons category|Auguste-Jacques Régnier}}
* [http://www.artnet.com/artists/auguste-jacques-régnier/ More works by Regnier] @ ArtNet
* [http://www.artnet.com/artists/auguste-jacques-régnier/ More works by Regnier] @ ArtNet
* [http://www.photo.rmn.fr/C.aspx?VP3=SearchResult&VBID=2CO5PCDA2GPM&SMLS=1&RW=1344&RH=766 "Jacques Auguste Regnier"], works @ L'Agence Photo
* [http://www.photo.rmn.fr/C.aspx?VP3=SearchResult&VBID=2CO5PCDA2GPM&SMLS=1&RW=1344&RH=766 "Jacques Auguste Regnier"], works @ L'Agence Photo
* [http://www.culture.gouv.fr/public/mistral/joconde_fr?ACTION=CHERCHER&FIELD_2=AUTR&VALUE_2=REGNIER%20AUGUSTE%20JACQUES "Jacques Auguste Regnier"] @ the [[Joconde|Base Joconde]].
* [http://www.culture.gouv.fr/public/mistral/joconde_fr?ACTION=CHERCHER&FIELD_2=AUTR&VALUE_2=REGNIER%20AUGUSTE%20JACQUES "Jacques Auguste Regnier"] @ the [[Joconde|Base Joconde]].


{{Authority control}}
{{Authority control (arts)}}
{{DEFAULTSORT:Regnier, Jacques Auguste}}


{{DEFAULTSORT:Regnier, Jacques Auguste}}
[[Category:1787 births]]
[[Category:1787 births]]
[[Category:1860 deaths]]
[[Category:1860 deaths]]
[[Category:French painters]]
[[Category:19th-century French painters]]
[[Category:French landscape painters]]
[[Category:French landscape painters]]
[[Category:French lithographers]]
[[Category:French lithographers]]
[[Category:Artists from Paris]]
[[Category:Painters from Paris]]

Latest revision as of 13:53, 22 November 2024

Old Mortality
The Vault of the Quai de Gesvres [fr]

Jacques Auguste Regnier, sometimes given as Auguste Jacques (26 August 1787, Paris - 2 June 1860, Paris) was a French artist who painted in the Romantic style. He also helped introduce the Troubadour style and was heavily influenced by English literature.

Biography

[edit]

He was trained at the school of Pierre-Henri de Valenciennes, where he was a student of Jean-Victor Bertin, who influenced him to become a painter of landscapes and historical scenes. He began exhibiting at the Salon in 1812 and travelled widely throughout France; visiting Auvergne, Dauphiné, Normandy and Picardy. Following these travels, he produced rural scenes that attracted the attention of the Duchess of Berry and Louis-Philippe I.

In addition to these scenes, he produced works illustrating the history of France; notably a depiction of Joan of Arc, swearing her devotion to the salvation of France, which is now at the Palais de Fontainebleau, and works inspired by literature; Walter Scott in particular. His "Old Mortality" is on display at the Louvre.

He was, in fact, generally an enthusiast for the Anglomania that developed in France in the 1830s; becoming a member of the circle that surrounded Richard Parkes Bonington, and was one of the first French artists to become interested in the works of John Constable. His friend, Eugène Delacroix, subsequently became a great admirer of Constable after Regnier presented him with some lithographs from his collection.[1]

He was also influenced by the young Victor Hugo, and was inspired to pursue his romantic vision of Old Paris. In 1825, with the help of his student, Jean-Jacques Champin, he began creating an illustrated book on the subject, which would be called Vues pittoresques des principaux châteaux et des maisons de plaisance des environs de Paris et des départements lithographié par Auguste Regnier. This was followed by La Seine et ses abords (1836), Habitations des personnages les plus célèbres de France depuis 1790 jusqu'à nos jours and Promenade dans les rues de Paris, Dessins d’Auguste Regnier, Lithographiés Jean Jacques Champin. Notices de Charles Nodier (1838). As a result, he was named a Chevalier in the Legion of Honor in 1837 and received commissions from King Louis-Philippe to do illustrations of the Château de Bizy [fr] and the Château de Versailles.

Despite this success with the aristocracy, he fell victim to the increasing fashion for Realism and his career effectively came to an end together with the July Monarchy in 1848.

References

[edit]
  1. ^ Eugène Delacroix, Journal, p. 106, Nouvelle édition intégrale établie par Michèle Hannoosh, « Domaine romantique », Éditions Corti, 2009.

Further reading

[edit]
  • Véronique Miltgen, Peintures du XIXe siècle 1800-1914, Musée des beaux-arts de Tours, 2001. ISBN 978-2-90333-110-8
  • Eugène Delacroix, Journal, new edition, restored by Michèle Hannoosh, Éditions Corti, 2009, pgs.106 and 2314 ISBN 978-2-7143-0999-0
[edit]