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| name = Perfect
| name = Perfect
| image = Perfect poster.jpg
| image = Perfect poster.jpg

| image_size =
| caption = Promotional poster
| caption = Promotional poster
| director = [[James Bridges]]
| director = [[James Bridges]]
Line 12: Line 12:
* [[John Travolta]]
* [[John Travolta]]
* [[Jamie Lee Curtis]]
* [[Jamie Lee Curtis]]
* Anne De Salvo
* [[Anne De Salvo]]
* [[Marilu Henner]]
* [[Marilu Henner]]
* [[Laraine Newman]]
* [[Laraine Newman]]
Line 18: Line 18:
* [[Jann Wenner]]
* [[Jann Wenner]]
}}
}}
| music = [[Narada Michael Walden]]
| music = [[Ralph Burns]]
| cinematography = [[Gordon Willis]]
| cinematography = [[Gordon Willis]]
| editing = [[Jeff Gourson]]
| editing = [[Jeff Gourson]]
Line 27: Line 27:
| country = United States
| country = United States
| language = English
| language = English
| budget = $20 million<ref>{{cite news|title= Disasters Outnumber Movie Hits|publisher= [[South Florida Sun-Sentinel]]|url= http://articles.sun-sentinel.com/1985-09-04/features/8502060585_1_ticket-million-box-office|access-date=2012-06-05}}</ref>
| budget = $20 million<ref>{{cite news|title= Disasters Outnumber Movie Hits|publisher= [[South Florida Sun-Sentinel]]|url= http://articles.sun-sentinel.com/1985-09-04/features/8502060585_1_ticket-million-box-office|archive-url= https://web.archive.org/web/20130616110125/http://articles.sun-sentinel.com/1985-09-04/features/8502060585_1_ticket-million-box-office|url-status= dead|archive-date= June 16, 2013|access-date=2012-06-05}}</ref>
| gross = $12,918,858 (US)
| gross = $12,918,858 (US)
}}
}}


'''''Perfect''''' is a 1985 American [[romance film|romantic drama film]] directed by [[James Bridges]] and distributed by [[Columbia Pictures]]. It was written by [[Aaron Latham]] and James Bridges and is based on a series of articles that appeared in ''[[Rolling Stone]]'' magazine in the late 1970s, chronicling the popularity of Los Angeles health clubs among single people. Its story follows journalist Adam Lawrence, who is assigned to interview a successful entrepreneur accused of dealing drugs. He is then assigned to cover a second story and decides to do an exposé on fitness clubs, where he meets an aerobics instructor named Jessie Wilson, who does not have a great deal of trust in journalists. It stars [[John Travolta]], [[Jamie Lee Curtis]], Anne De Salvo, [[Marilu Henner]], [[Laraine Newman]], Matthew Reed, and [[Jann Wenner]].
'''''Perfect''''' is a 1985 American [[romance film|romantic drama film]] directed by [[James Bridges]] and distributed by [[Columbia Pictures]]. It was written by [[Aaron Latham]] and James Bridges and is based on a series of articles that appeared in ''[[Rolling Stone]]'' magazine in the late 1970s, chronicling the popularity of [[Los Angeles]] health clubs among single people. Its story follows journalist Adam Lawrence, who is assigned to interview a successful entrepreneur accused of dealing drugs. He is then assigned to cover a second story and decides to do an exposé on fitness clubs, where he meets an aerobics instructor named Jessie Wilson, who does not have a great deal of trust in journalists. It stars [[John Travolta]], [[Jamie Lee Curtis]], [[Anne De Salvo]], [[Marilu Henner]], [[Laraine Newman]], Matthew Reed, and [[Jann Wenner]].


The film was produced by Delphi III and Pluperfect and was released on June 7, 1985. It grossed $4.2 million during its opening weekend and $12.9 million worldwide, against a budget of $20 million.<ref>{{Cite web|url=https://www.boxofficemojo.com/release/rl107513345/weekend/|title=Perfect|website=Box Office Mojo|access-date=2020-02-21}}</ref>
The film was produced by Delphi III and Pluperfect and was released on June 7, 1985. It grossed $4.2 million during its opening weekend and $12.9 million worldwide, against a budget of $20 million.<ref>{{Cite web|url=https://www.boxofficemojo.com/release/rl107513345/weekend/|title=Perfect|website=Box Office Mojo|access-date=2020-02-21}}</ref>


==Plot==
==Plot==
''[[Rolling Stone]]'' reporter Adam Lawrence (John Travolta) is sent from [[New York City|New York]] to [[Los Angeles]] to write an article about a businessman arrested for dealing drugs. During his stay in L.A., Adam sees a chance to collect material for another story about how "Fitness clubs are the singles bars of the '80s". He visits "The Sport Connection," a popular gym where he meets workout instructor Jessie Wilson (Jamie Lee Curtis) and asks her for an interview. Because of a previous bad experience with the press when she was a competitive swimmer, Jessie declines.
''[[Rolling Stone]]'' reporter Adam Lawrence (John Travolta) is sent from [[New York City|New York]] to [[Los Angeles]] to write an article about a businessman arrested for dealing drugs. During his stay in L.A., Adam sees a chance to collect material for another story about how "Fitness clubs are the singles bars of the '80s". He visits "The Sports Connection" a popular gym where he meets workout instructor Jessie Wilson (Jamie Lee Curtis) and asks her for an interview. Because of a previous bad experience with the press when she was a competitive swimmer, Jessie declines.


Adam joins the fitness club and soon coaxes other club members to tell him about the gym and its impact on their love lives. Some, such as fun-loving Linda and Sally, are all too candid about their experiences with the opposite sex. Although she doesn't agree to be a part of his story, a romance does ultimately develop between Jessie and Adam, resulting in a [[moral dilemma]]; as a journalist he has lost his [[Objectivity (journalism)|objective point of view]].
Adam joins the fitness club and soon coaxes other club members to tell him about the gym and its impact on their love lives. Some, such as fun-loving Linda and Sally, are all too candid about their experiences with the opposite sex. Although she doesn't agree to be a part of his story, a romance does ultimately develop between Jessie and Adam, resulting in a [[moral dilemma]]; as a journalist he has lost his [[Objectivity (journalism)|objective point of view]].


Jessie comes to trust him. Less cynical than before, Adam makes a concerted effort to show Jessie that not all journalists are out for the cheap sensation. He writes an in-depth, fair-minded analysis of fitness clubs as a singles meeting scene. But it is deemed unacceptable by his boss, Rolling Stone's editor in chief Mark Roth ([[Jann Wenner]]).
Jessie comes to trust him. Less cynical than before, Adam makes a determined effort to show Jessie that not all journalists are out for the cheap sensation. He writes an in-depth, fair-minded analysis of fitness clubs as a singles meeting scene. But it is deemed unacceptable by his boss, Rolling Stone's editor in chief Mark Roth ([[Jann Wenner]]).


Adam's article is turned over to others for editing, using material supplied by his colleague Frankie, a photographer. She finds an old magazine article featuring embarrassing details about a romance involving Jessie. Adam travels to [[Morocco]] for another assignment, unaware of the changes being made in his story; he finds out too late to stop it. This has devastating impact on Jessie, as well as on others like Sally and Linda, described as "the most used piece of equipment in the gym."
Adam's article is turned over to others for editing, using material supplied by his colleague Frankie, a photographer. She finds an old magazine article featuring embarrassing details about a romance involving Jessie. Adam travels to [[Morocco]] for another assignment, unaware of the changes being made in his story; he finds out too late to stop it. This has devastating impact on Jessie, as well as on others like Sally and Linda, the latter of which was described as "the most used piece of equipment in the gym."


Adam tries to explain the whole situation to Jessie, but can't. Meanwhile, he must attend a trial at which he's supposed to testify. As a reporter, using rights granted by [[First Amendment to the United States Constitution|the First Amendment]], he decides not to comply with a judge who orders Adam to hand over tapes from the businessman's interview. Adam is jailed for contempt of court.
Adam tries to explain the whole situation to Jessie, but can't. Meanwhile, he must attend a trial at which he's supposed to testify. As a reporter, using rights granted by [[First Amendment to the United States Constitution|the First Amendment]], he decides not to comply with a judge who orders Adam to hand over tapes from the businessman's interview. Adam is jailed for [[contempt of court]].


Jessie can see that Adam is a man of his word and believes him that he did not write the article the way it appeared in ''Rolling Stone''.
Jessie can see that Adam is a man of his word and believes him that he did not write the article the way it appeared in ''Rolling Stone''.
Line 55: Line 55:
* [[Marilu Henner]] as Sally Marcus
* [[Marilu Henner]] as Sally Marcus
* [[Laraine Newman]] as Linda Slater
* [[Laraine Newman]] as Linda Slater
* Anne De Salvo as Frankie
* [[Anne De Salvo]] as Frankie
* Mathew Reed as Roger
* Mathew Reed as Roger
* John Napierala as City News Editor
* John Napierala as City News Editor
Line 72: Line 72:
* Laurie Burton as Mrs. McKenzie
* Laurie Burton as Mrs. McKenzie
* Ann Travolta as Mary
* Ann Travolta as Mary
* Nanette Pattee-Francini as Nanette
* Nanette Pattee-Francini as Nanete
* Steven J. Zmed as hypochondriacal hustler
* Steven J. Zmed as hypochondriacal hustler
* Robin Samuel as Robin
* Robin Samuel as Robin
* [[Robert Parr]] as Robert
* Robert Parr as Robert
* [[Rosalind Allen|Rosalind Ingledew]] as Sterling
* [[Rosalind Allen|Rosalind Ingledew]] as Sterling
* [[Chelsea Field]] as Randy
* [[Chelsea Field]] as Randy
Line 82: Line 82:
* [[Ronnie Claire Edwards]] as Melody Wilson
* [[Ronnie Claire Edwards]] as Melody Wilson
* [[Julie Fulton]] as Marta Young
* [[Julie Fulton]] as Marta Young
* [[Carly Simon]] as Herself
* [[Carly Simon]] as herself
* [[Lauren Hutton]] as Herself
* [[Lauren Hutton]] as herself
{{Div col end}}
{{Div col end}}


==Reception==
==Reception==
[[Vincent Canby]] of ''[[The New York Times]]'' wrote that the film "is too superficially knowing to be a camp classic, but it's an unintentionally hilarious mixture of muddled moralizing and all-too-contemporary self-promotion," and noted that "Rolling Stone receives more reverent treatment in 'Perfect' than [[The Washington Post]] received in '[[All the President's Men (film)|All the President's Men]].'"<ref>Canby, Vincent (June 7, 1985). [https://www.nytimes.com/1985/06/07/movies/film-perfect-gym-and-journalism.html "Film: 'Perfect,' Gym and Journalism".] ''[[The New York Times]]''. C18.</ref> ''[[Variety (magazine)|Variety]]'' wrote, "Set in the world of journalism, pic is guilty of the sins it condemns — superficiality, manipulation and smugness. On any level, 'Perfect' is an embarrassment and unlikely to satisfy any audience."<ref>"Film Reviews: Perfect". ''[[Variety (magazine)|Variety]]''. June 5, 1985. 16.</ref> [[Gene Siskel]] of the ''[[Chicago Tribune]]'' gave the film two-and-a-half stars out of four and wrote, "What's missing is any real development of a relationship between Travolta and Curtis. Yes, she bawls him out a couple of times about his journalism techniques, but all is forgotten in the film's happy-go-lucky ending that also cheaps out what has gone on before."<ref>Siskel, Gene (June 7, 1985). "As an exercise in commentary, 'Perfect' doesn't live up to its name". ''[[Chicago Tribune]]''. Section 7, Page A.</ref> [[Sheila Benson]] of the ''[[Los Angeles Times]]'' stated of the film that "any claim its makers, producer-director James Bridges and co-writer Aaron Latham, have to seriousness dissolves as the film becomes more voyeuristic and manipulative than the profession it indicts," adding that "Travolta performs with no edge to his character whatsoever, and the direction further confuses things by never letting us understand whether he's generally unprincipled or just a regular guy who from time to time does lousy things."<ref>Benson, Sheila (June 7, 1985). [https://www.latimes.com/archives/la-xpm-1985-06-07-ca-16177-story.html "An Exercise in Imperfection".] ''[[Los Angeles Times]]''. Part VI, p. 1, 10.</ref> [[Paul Attanasio]] of ''[[The Washington Post]]'' called the film "a trashy movie about women jumping up and down in leotards, but it's also more (and less) than that, a look at the wages of the free press. Despite a number of fine performances, a few good hoots and more daunting bodies, it's far from perfect. It touts the First Amendment like a corny romance from the '40s—stars and stripes in spandex."<ref>Attanasio, Paul (June 7, 1985). [http://www.washingtonpost.com/archive/lifestyle/1985/06/07/movies/3c1bb1c6-7664-4dd7-b3c5-fbd9758f9d95/ "Not So 'Perfect,' Starting With Travolta".] ''[[The Washington Post]]''. D1.</ref> Paul Willistein of ''[[The Morning Call]]'' wrote, "'Perfect' isn't perfect, but it at least tries to inject some serious themes into a movie that is essentially summer fluff."<ref>{{cite news|title= Nothing Is Perfect, Not Even This Travolta Movie Movie Reviews|publisher=[[The Morning Call]]|last=Willistein|first=Paul|date=June 8, 1985|url= http://articles.mcall.com/1985-06-08/entertainment/2468069_1_aerobics-rolling-perfect|access-date=2012-06-05}}</ref>
[[Vincent Canby]] of ''[[The New York Times]]'' wrote that the film "is too superficially knowing to be a camp classic, but it's an unintentionally hilarious mixture of muddled moralizing and all-too-contemporary self-promotion," and noted that "Rolling Stone receives more reverent treatment in 'Perfect' than [[The Washington Post]] received in '[[All the President's Men (film)|All the President's Men]].'"<ref>{{cite news|last=Canby|first=Vincent|date=June 7, 1985|url=https://www.nytimes.com/1985/06/07/movies/film-perfect-gym-and-journalism.html|title=Film: 'Perfect,' Gym and Journalism|work=[[The New York Times]]|page=C18}}</ref> ''[[Variety (magazine)|Variety]]'' wrote, "Set in the world of journalism, pic is guilty of the sins it condemns — superficiality, manipulation and smugness. On any level, 'Perfect' is an embarrassment and unlikely to satisfy any audience."<ref>{{cite news|title=Film Reviews: Perfect|work=[[Variety (magazine)|Variety]]|date=June 5, 1985|page=16}}</ref> [[Gene Siskel]] of the ''[[Chicago Tribune]]'' gave the film two-and-a-half stars out of four and wrote, "What's missing is any real development of a relationship between Travolta and Curtis. Yes, she bawls him out a couple of times about his journalism techniques, but all is forgotten in the film's happy-go-lucky ending that also cheaps out what has gone on before."<ref>{{cite news|last=Siskel|first=Gene|date=June 7, 1985|title=As an exercise in commentary, 'Perfect' doesn't live up to its name|work=[[Chicago Tribune]]|page=A7}}</ref> [[Sheila Benson]] of the ''[[Los Angeles Times]]'' stated of the film that "any claim its makers, producer-director James Bridges and co-writer Aaron Latham, have to seriousness dissolves as the film becomes more voyeuristic and manipulative than the profession it indicts," adding that "Travolta performs with no edge to his character whatsoever, and the direction further confuses things by never letting us understand whether he's generally unprincipled or just a regular guy who from time to time does lousy things."<ref>{{cite news |date=June 7, 1985 |first=Sheila |last=Benson |pages=VI1, VI10 |title=An Exercise in Imperfection |url=https://www.latimes.com/archives/la-xpm-1985-06-07-ca-16177-story.html |work=[[Los Angeles Times]]}}</ref> [[Paul Attanasio]] of ''[[The Washington Post]]'' called the film "a trashy movie about women jumping up and down in leotards, but it's also more (and less) than that, a look at the wages of the free press. Despite a number of fine performances, a few good hoots and more daunting bodies, it's far from perfect. It touts the First Amendment like a corny romance from the '40s—stars and stripes in spandex."<ref>{{cite news|last=Attanasio|first=Paul|date=June 7, 1985|url=http://www.washingtonpost.com/archive/lifestyle/1985/06/07/movies/3c1bb1c6-7664-4dd7-b3c5-fbd9758f9d95/|title=Not So 'Perfect,' Starting With Travolta|work=[[The Washington Post]]|page=D1}}</ref> Paul Willistein of ''[[The Morning Call]]'' wrote, "'Perfect' isn't perfect, but it at least tries to inject some serious themes into a movie that is essentially summer fluff."<ref>{{cite news|title= Nothing Is Perfect, Not Even This Travolta Movie Movie Reviews|publisher=[[The Morning Call]]|last=Willistein|first=Paul|date=June 8, 1985|url= https://www.mcall.com/1985/06/08/nothing-is-perfect-not-even-this-travolta-movie-movie-reviews/|access-date=2012-06-05}}</ref>


''Perfect'' was nominated for three [[Golden Raspberry Awards]]: Worst Actor (John Travolta), Worst Supporting Actress (Marilu Henner) and Worst Screenplay. The movie was nominated for a [[Stinkers Bad Movie Awards]] for Worst Picture.<ref>{{Cite web|url=http://theenvelope.latimes.com/extras/lostmind/year/1985/1985st.htm |title=1985 8th Hastings Bad Cinema Society Stinkers Awards |access-date=April 2, 2013 |work=[[Stinkers Bad Movie Awards]] |publisher=[[Los Angeles Times]] |url-status=dead |archive-url=https://web.archive.org/web/20061017164515/http://theenvelope.latimes.com/extras/lostmind/year/1985/1985st.htm |archive-date=October 17, 2006 }}</ref> As of May 2022, it holds a 19% rating on [[Rotten Tomatoes]] based on sixteen reviews.<ref>{{cite web |url=https://www.rottentomatoes.com/m/perfect |title=Perfect |website=[[Rotten Tomatoes]] |access-date=August 20, 2021 }}</ref> In a 1994 interview with ''Rolling Stone'' magazine, [[Quentin Tarantino]] called the movie "greatly underappreciated."<ref>{{cite magazine |last= Wild|first= David|date= 1994-11-03|title= Quentin Tarantino: The Madman of Movie Mayhem|url= https://www.rollingstone.com/movies/news/quentin-tarantino-the-madman-of-movie-mayhem-19941103|magazine= Rolling Stone|access-date= 2016-01-16}}</ref>
''Perfect'' was nominated for three [[Golden Raspberry Awards]]: Worst Actor (John Travolta), Worst Supporting Actress (Marilu Henner) and Worst Screenplay. The movie was nominated for a [[Stinkers Bad Movie Awards]] for Worst Picture.<ref>{{Cite web|url=http://theenvelope.latimes.com/extras/lostmind/year/1985/1985st.htm |title=1985 8th Hastings Bad Cinema Society Stinkers Awards |access-date=April 2, 2013 |work=[[Stinkers Bad Movie Awards]] |publisher=[[Los Angeles Times]] |url-status=dead |archive-url=https://web.archive.org/web/20061017164515/http://theenvelope.latimes.com/extras/lostmind/year/1985/1985st.htm |archive-date=October 17, 2006 }}</ref> As of November 2023, it holds an 18% rating on [[Rotten Tomatoes]] based on 17 reviews.<ref>{{cite web |url=https://www.rottentomatoes.com/m/perfect |title=Perfect |website=[[Rotten Tomatoes]] |access-date=August 20, 2021 }}</ref> In a 1994 interview with ''Rolling Stone'' magazine, [[Quentin Tarantino]] called the movie "greatly underappreciated."<ref>{{cite magazine |last= Wild|first= David|date= 1994-11-03|title= Quentin Tarantino: The Madman of Movie Mayhem|url= https://www.rollingstone.com/movies/news/quentin-tarantino-the-madman-of-movie-mayhem-19941103|magazine= Rolling Stone|access-date= 2016-01-16}}</ref>


The film is listed in [[Golden Raspberry Award]] founder [[John J. B. Wilson|John Wilson]]'s book ''[[The Official Razzie Movie Guide]]'' as one of The 100 Most Enjoyably Bad Movies Ever Made.<ref>{{cite book|last=Wilson|first=John|title=The Official Razzie Movie Guide: Enjoying the Best of Hollywood's Worst |year=2005|publisher=Grand Central Publishing|isbn=0-446-69334-0}}</ref> On October 16, 2015, the film was covered on the podcast for bad movies ''[[How Did This Get Made?]]''<ref>{{cite web|title=How Did This Get Made? Episode 121|url=http://www.earwolf.com/episode/perfect-live/|website=Earwolf|publisher=Earwolf}}</ref>
The film is listed in [[Golden Raspberry Award]] founder [[John J. B. Wilson|John Wilson]]'s book ''[[The Official Razzie Movie Guide]]'' as one of The 100 Most Enjoyably Bad Movies Ever Made.<ref>{{cite book|last=Wilson|first=John|title=The Official Razzie Movie Guide: Enjoying the Best of Hollywood's Worst |year=2005|publisher=Grand Central Publishing|isbn=0-446-69334-0}}</ref> On October 16, 2015, the film was covered on the podcast for bad movies ''[[How Did This Get Made?]]''<ref>{{cite web|title=How Did This Get Made? Episode 121|url=http://www.earwolf.com/episode/perfect-live/|website=Earwolf}}</ref>


==Soundtrack==
==Soundtrack==
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| alt =
| alt =
| released = June 4, 1985
| released = June 4, 1985
| recorded = 1981-1985
| recorded = 1981–1985
| venue =
| venue =
| studio =
| studio =
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==Filming locations==
==Filming locations==
* "Sports Connection" fitness centre scenes were filmed in actual [[Sports Club/LA|Sports Connection]] fitness club (now Sports Club/LA, a gigantic athletic facility in West [[Los Angeles]]), known as a place for singles to meet.
* "Sports Connection" fitness center scenes were filmed in the actual [[Sports Club/LA|Sports Connection]] fitness club in Santa Monica located at 2929 31st Street, now a 24 Hour Fitness.
* In the opening scene, the camera pans in on [[The Jersey Journal]] sign in [[Jersey City, New Jersey|Jersey City]].
* In the opening scene, the camera pans in on [[The Jersey Journal]] sign in [[Jersey City, New Jersey|Jersey City]].


Line 152: Line 152:
[[Category:Rolling Stone]]
[[Category:Rolling Stone]]
[[Category:Films directed by James Bridges]]
[[Category:Films directed by James Bridges]]
[[Category:Films scored by Ralph Burns]]
[[Category:Films set in Los Angeles]]
[[Category:Films set in Los Angeles]]
[[Category:Columbia Pictures films]]
[[Category:Columbia Pictures films]]
Line 157: Line 158:
[[Category:Films about the 1980 Summer Olympics]]
[[Category:Films about the 1980 Summer Olympics]]
[[Category:Films about computing]]
[[Category:Films about computing]]
[[Category:1980s American films]]
[[Category:English-language romantic drama films]]

Latest revision as of 17:20, 23 November 2024

Perfect
Promotional poster
Directed byJames Bridges
Written byAaron Latham
James Bridges
Produced byJames Bridges
Starring
CinematographyGordon Willis
Edited byJeff Gourson
Music byRalph Burns
Production
companies
Delphi III
Pluperfect
Distributed byColumbia Pictures
Release date
  • June 7, 1985 (1985-06-07)
Running time
119 minutes
CountryUnited States
LanguageEnglish
Budget$20 million[1]
Box office$12,918,858 (US)

Perfect is a 1985 American romantic drama film directed by James Bridges and distributed by Columbia Pictures. It was written by Aaron Latham and James Bridges and is based on a series of articles that appeared in Rolling Stone magazine in the late 1970s, chronicling the popularity of Los Angeles health clubs among single people. Its story follows journalist Adam Lawrence, who is assigned to interview a successful entrepreneur accused of dealing drugs. He is then assigned to cover a second story and decides to do an exposé on fitness clubs, where he meets an aerobics instructor named Jessie Wilson, who does not have a great deal of trust in journalists. It stars John Travolta, Jamie Lee Curtis, Anne De Salvo, Marilu Henner, Laraine Newman, Matthew Reed, and Jann Wenner.

The film was produced by Delphi III and Pluperfect and was released on June 7, 1985. It grossed $4.2 million during its opening weekend and $12.9 million worldwide, against a budget of $20 million.[2]

Plot

[edit]

Rolling Stone reporter Adam Lawrence (John Travolta) is sent from New York to Los Angeles to write an article about a businessman arrested for dealing drugs. During his stay in L.A., Adam sees a chance to collect material for another story about how "Fitness clubs are the singles bars of the '80s". He visits "The Sports Connection" a popular gym where he meets workout instructor Jessie Wilson (Jamie Lee Curtis) and asks her for an interview. Because of a previous bad experience with the press when she was a competitive swimmer, Jessie declines.

Adam joins the fitness club and soon coaxes other club members to tell him about the gym and its impact on their love lives. Some, such as fun-loving Linda and Sally, are all too candid about their experiences with the opposite sex. Although she doesn't agree to be a part of his story, a romance does ultimately develop between Jessie and Adam, resulting in a moral dilemma; as a journalist he has lost his objective point of view.

Jessie comes to trust him. Less cynical than before, Adam makes a determined effort to show Jessie that not all journalists are out for the cheap sensation. He writes an in-depth, fair-minded analysis of fitness clubs as a singles meeting scene. But it is deemed unacceptable by his boss, Rolling Stone's editor in chief Mark Roth (Jann Wenner).

Adam's article is turned over to others for editing, using material supplied by his colleague Frankie, a photographer. She finds an old magazine article featuring embarrassing details about a romance involving Jessie. Adam travels to Morocco for another assignment, unaware of the changes being made in his story; he finds out too late to stop it. This has devastating impact on Jessie, as well as on others like Sally and Linda, the latter of which was described as "the most used piece of equipment in the gym."

Adam tries to explain the whole situation to Jessie, but can't. Meanwhile, he must attend a trial at which he's supposed to testify. As a reporter, using rights granted by the First Amendment, he decides not to comply with a judge who orders Adam to hand over tapes from the businessman's interview. Adam is jailed for contempt of court.

Jessie can see that Adam is a man of his word and believes him that he did not write the article the way it appeared in Rolling Stone.

Cast

[edit]

Reception

[edit]

Vincent Canby of The New York Times wrote that the film "is too superficially knowing to be a camp classic, but it's an unintentionally hilarious mixture of muddled moralizing and all-too-contemporary self-promotion," and noted that "Rolling Stone receives more reverent treatment in 'Perfect' than The Washington Post received in 'All the President's Men.'"[3] Variety wrote, "Set in the world of journalism, pic is guilty of the sins it condemns — superficiality, manipulation and smugness. On any level, 'Perfect' is an embarrassment and unlikely to satisfy any audience."[4] Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and wrote, "What's missing is any real development of a relationship between Travolta and Curtis. Yes, she bawls him out a couple of times about his journalism techniques, but all is forgotten in the film's happy-go-lucky ending that also cheaps out what has gone on before."[5] Sheila Benson of the Los Angeles Times stated of the film that "any claim its makers, producer-director James Bridges and co-writer Aaron Latham, have to seriousness dissolves as the film becomes more voyeuristic and manipulative than the profession it indicts," adding that "Travolta performs with no edge to his character whatsoever, and the direction further confuses things by never letting us understand whether he's generally unprincipled or just a regular guy who from time to time does lousy things."[6] Paul Attanasio of The Washington Post called the film "a trashy movie about women jumping up and down in leotards, but it's also more (and less) than that, a look at the wages of the free press. Despite a number of fine performances, a few good hoots and more daunting bodies, it's far from perfect. It touts the First Amendment like a corny romance from the '40s—stars and stripes in spandex."[7] Paul Willistein of The Morning Call wrote, "'Perfect' isn't perfect, but it at least tries to inject some serious themes into a movie that is essentially summer fluff."[8]

Perfect was nominated for three Golden Raspberry Awards: Worst Actor (John Travolta), Worst Supporting Actress (Marilu Henner) and Worst Screenplay. The movie was nominated for a Stinkers Bad Movie Awards for Worst Picture.[9] As of November 2023, it holds an 18% rating on Rotten Tomatoes based on 17 reviews.[10] In a 1994 interview with Rolling Stone magazine, Quentin Tarantino called the movie "greatly underappreciated."[11]

The film is listed in Golden Raspberry Award founder John Wilson's book The Official Razzie Movie Guide as one of The 100 Most Enjoyably Bad Movies Ever Made.[12] On October 16, 2015, the film was covered on the podcast for bad movies How Did This Get Made?[13]

Soundtrack

[edit]
Perfect
Soundtrack album by
Various Artists
ReleasedJune 4, 1985
Recorded1981–1985
GenrePop
Length41:20
LabelArista Records
ProducerRalph Burns

The soundtrack to Perfect was initially released in 1985 as a 12" vinyl record, and later re-released on CD.

Side A
  1. "(Closest Thing To) Perfect" (Jermaine Jackson) – 3:50
  2. "I Sweat (Going Through the Motions)" (Nona Hendryx) – 3:54
  3. "All Systems Go" (Pointer Sisters) – 3:48
  4. "Shock Me" (Jermaine Jackson and Whitney Houston) – 5:08
  5. "Wham Rap! (Enjoy What You Do)" (Wham!) – 4:43
Side B
  1. "Wear Out the Grooves" (Jermaine Stewart) – 4:33
  2. "Hot Hips" (Lou Reed) – 3:33
  3. "Talking to the Wall" (Dan Hartman) – 3:59
  4. "Masquerade" (Berlin) – 3:48
  5. "Lay Your Hands on Me" (Thompson Twins) – 4:11

Filming locations

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  • "Sports Connection" fitness center scenes were filmed in the actual Sports Connection fitness club in Santa Monica located at 2929 31st Street, now a 24 Hour Fitness.
  • In the opening scene, the camera pans in on The Jersey Journal sign in Jersey City.

References

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  1. ^ "Disasters Outnumber Movie Hits". South Florida Sun-Sentinel. Archived from the original on June 16, 2013. Retrieved 2012-06-05.
  2. ^ "Perfect". Box Office Mojo. Retrieved 2020-02-21.
  3. ^ Canby, Vincent (June 7, 1985). "Film: 'Perfect,' Gym and Journalism". The New York Times. p. C18.
  4. ^ "Film Reviews: Perfect". Variety. June 5, 1985. p. 16.
  5. ^ Siskel, Gene (June 7, 1985). "As an exercise in commentary, 'Perfect' doesn't live up to its name". Chicago Tribune. p. A7.
  6. ^ Benson, Sheila (June 7, 1985). "An Exercise in Imperfection". Los Angeles Times. pp. VI1, VI10.
  7. ^ Attanasio, Paul (June 7, 1985). "Not So 'Perfect,' Starting With Travolta". The Washington Post. p. D1.
  8. ^ Willistein, Paul (June 8, 1985). "Nothing Is Perfect, Not Even This Travolta Movie Movie Reviews". The Morning Call. Retrieved 2012-06-05.
  9. ^ "1985 8th Hastings Bad Cinema Society Stinkers Awards". Stinkers Bad Movie Awards. Los Angeles Times. Archived from the original on October 17, 2006. Retrieved April 2, 2013.
  10. ^ "Perfect". Rotten Tomatoes. Retrieved August 20, 2021.
  11. ^ Wild, David (1994-11-03). "Quentin Tarantino: The Madman of Movie Mayhem". Rolling Stone. Retrieved 2016-01-16.
  12. ^ Wilson, John (2005). The Official Razzie Movie Guide: Enjoying the Best of Hollywood's Worst. Grand Central Publishing. ISBN 0-446-69334-0.
  13. ^ "How Did This Get Made? Episode 121". Earwolf.
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