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Arthur George "Art" Smith (1917–1982) was one of the leading modernist jewelers of the mid-20th century, and one of the few Afro-Caribbean people working in the field to reach international recognition. He trained at Cooper Union, NYU, and under Winifred Mason.^[1]^[2]

Style

Smith's jewelry has been described as:

Inspired by surrealism, biomorphicism, and primitivism ... dynamic in its size and form.^[3]

Many of his pieces were designed to be worn by avant-garde dancers, which influenced his style. The pieces were often large. Of his own work, he said:

A piece of jewelry is in a sense an object that is not complete in itself. Jewelry is a ‘what is it?’ until you relate it to the body. The body is a component in design just as air and space are. Like line, form, and color, the body is a material to work with. It is one of the basic inspirations in creating form.^[4]

Alexander Calder was also an influence.^[5] Smith was friend and contemporary to many in the downtown New York City arts and fashion scene, such as sandal maker Barbara Shaum and Knobkerry's Sara Penn.^[6]

Biography

Smith was born in Cuba, after his parents emigrated there from Jamaica. They moved to New York City when he was three years old.^[7]^[8]

As an adult, Smith worked in Manhattan's Greenwich Village, running a shop there from 1946 until 1979 (shortly before his death). Smith was a gay Afro-Caribbean, and as a result was subject to attacks shortly after his store opened.^[9] A fan of jazz and modern dance, he was personally acquainted with musicians of the period including Lena Horne, Harry Belafonte, Eartha Kitt and Talley Beatty.^[9]^[10]

Smith died in 1982 of heart disease.^[11]

Exhibitions and holdings

During his life, Smith's work was featured in Vogue and Harper's Bazaar, and exhibited at the Museum of Contemporary Crafts.^[9] Posthumously, Smith's work was the subject of an exhibition at the Brooklyn Museum in 2008-2011,^[3] and is held in the permanent collection of the Cooper Hewitt Museum, Museum of Art and Design, and Boston Museum of Fine Arts.^[1]^[12]

One piece of Smith's sold for $22,000,^[11] and a cufflink collector told the New York Times that Smith's cufflinks were the most expensive pieces in his collection.^[13]

References

^ ^a ^b Cooper Hewitt, Smithsonian Design Museum. "Art Smith". Smithsonian Institution. Retrieved 17 October 2015.
^ Schon, Marbeth. "The Jewelry of Winifred Mason". Modern Silver. Archived from the original on 2015-05-20. Retrieved 2015-10-18.
^ ^a ^b "From the Village to Vogue: The Modernist Jewelry of Art Smith". Brooklyn Museum. Retrieved 2015-10-18.
^ Schrieber, Fran. "Review: From the Village to Vogue, The Modernist Jewelry of Art Smith". Modern Silver. Archived from the original on 2015-11-13. Retrieved 2015-10-18.
^ "Art Smith | Necklace". The Metropolitan Museum of Art. Retrieved 2017-02-12.
^ Kitto, Svetlana (2022). Sara Penn's Knobkerry: An Oral History Sourcebook. Long Island City, NY: SculptureCenter. ISBN 978-1-7377186-0-4.
^ Russell, Charles L. (2015-12-28). Art as Adornment: The Life and Work of Arthur George Smith. Outskirts Press. ISBN 9781478743156.
^ From the Village to Vogue: The Modernist Jewelry of Art Smith. Brooklyn Museum. 2008-01-01.
^ ^a ^b ^c "Biography". Catalog: From the Village to Vogue: The Modernist Jewelry of Art Smith. Brooklyn Museum. 2008-01-01.
^ Tapley, Mel (1982-03-06). "Obituary: Art Smith". www.925-1000.com. New Amsterdam News. Retrieved 2015-10-18.
^ ^a ^b Smith, Nicola (2016-03-10). "Art Notes: Lebanon Resident's Book Memorializes Pioneering Jewelry Designer's Legacy". Valley News. Retrieved 2017-02-12.
^ "Arthur Smith". Museum of Arts and Design Collection Database. Archived from the original on 2016-06-24. Retrieved 2015-10-18.
^ Kahn, Eve M. (2016-07-21). "When Form Meets Function: Cuff Links Throughout the Centuries". The New York Times. ISSN 0362-4331. Retrieved 2017-02-13.

External links

[CH-1] Cooper Hewitt, Smithsonian Design Museum. "Art Smith". Smithsonian Institution. Retrieved 17 October 2015.

[2] Schon, Marbeth. "The Jewelry of Winifred Mason". Modern Silver. Archived from the original on 2015-05-20. Retrieved 2015-10-18.

[:0-3] "From the Village to Vogue: The Modernist Jewelry of Art Smith". Brooklyn Museum. Retrieved 2015-10-18.

[4] Schrieber, Fran. "Review: From the Village to Vogue, The Modernist Jewelry of Art Smith". Modern Silver. Archived from the original on 2015-11-13. Retrieved 2015-10-18.

[5] "Art Smith | Necklace". The Metropolitan Museum of Art. Retrieved 2017-02-12.

[6] Kitto, Svetlana (2022). Sara Penn's Knobkerry: An Oral History Sourcebook. Long Island City, NY: SculptureCenter. ISBN 978-1-7377186-0-4.

[7] Russell, Charles L. (2015-12-28). Art as Adornment: The Life and Work of Arthur George Smith. Outskirts Press. ISBN 9781478743156.

[8] From the Village to Vogue: The Modernist Jewelry of Art Smith. Brooklyn Museum. 2008-01-01.

[:1-9] "Biography". Catalog: From the Village to Vogue: The Modernist Jewelry of Art Smith. Brooklyn Museum. 2008-01-01.

[10] Tapley, Mel (1982-03-06). "Obituary: Art Smith". www.925-1000.com. New Amsterdam News. Retrieved 2015-10-18.

[:2-11] Smith, Nicola (2016-03-10). "Art Notes: Lebanon Resident's Book Memorializes Pioneering Jewelry Designer's Legacy". Valley News. Retrieved 2017-02-12.

[12] "Arthur Smith". Museum of Arts and Design Collection Database. Archived from the original on 2016-06-24. Retrieved 2015-10-18.

[13] Kahn, Eve M. (2016-07-21). "When Form Meets Function: Cuff Links Throughout the Centuries". The New York Times. ISSN 0362-4331. Retrieved 2017-02-13.

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+[[File:Art smith, spirali in diminuzione, 1958 ca.jpg|thumb|Spiral necklace, 1958 ca.]]
-[[File:Artportrait.JPG|thumb]]
-'''Art Smith''' (1917-1982) was one of the leading modernist jewelers of the mid-20th century. He trained at [[Cooper Union]], [[New York University|NYU]], and under [[Winifred Mason]].<ref name=CH>{{cite web |url=https://collection.cooperhewitt.org/people/18049319/ |title=Art Smith |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=17 October 2015 |publisher=Smithsonian Institution}}</ref><ref>{{Cite web|title = The Jewelry of Winifred Mason|url = http://www.modernsilver.com/winifredmason.html|accessdate = 2015-10-18|publisher = Modern Silver|last = Schon|first = Marbeth}}</ref>
+'''Arthur George "Art" Smith''' (1917–1982) was one of the leading modernist jewelers of the mid-20th century, and one of the few Afro-Caribbean people working in the field to reach international recognition. He trained at [[Cooper Union]], [[New York University|NYU]], and under [[Winifred Mason]].<ref name=CH>{{cite web |url=https://collection.cooperhewitt.org/people/18049319/ |title=Art Smith |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=17 October 2015 |publisher=Smithsonian Institution}}</ref><ref>{{Cite web|title = The Jewelry of Winifred Mason|url = http://www.modernsilver.com/winifredmason.html|accessdate = 2015-10-18|publisher = Modern Silver|last = Schon|first = Marbeth|archive-url = https://web.archive.org/web/20150520013619/http://www.modernsilver.com/winifredmason.html|archive-date = 2015-05-20|url-status = dead}}</ref>
 == Style ==
 [[File:Galaxy Necklace, ca. 1962.jpg|thumb|Galaxy Necklace, ca. 1962, from the collection of the [[Brooklyn Museum]]]]
+[[File:Art Smith "modern cuff" bracelet on model.jpg|thumb|Model wearing a Smith bracelet designed c. 1948]]
-Smith's jewelry has been described as:<blockquote>Inspired by surrealism, biomorphicism, and primitivism ... dynamic in its size and form.<ref name=":0" /></blockquote>Many of his pieces were extremely large, and designed to be worn by avant-garde dancers. This influenced his style. Of his own work, he said:<blockquote>A piece of jewelry is in a sense an object that is not complete in itself. Jewelry is a ‘what is it?’ until you relate it to the body. The body is a component in design just as air and space are. Like line, form, and color, the body is a material to work with. It is one of the basic inspirations in creating form.<ref>{{Cite web|title = Review: From the Village to Vogue, The Modernist Jewelry of Art Smith|url = http://www.modernsilver.com/villagetovogue/villagetovogue.htm|website = Modern Silver|accessdate = 2015-10-18|last = Schrieber|first = Fran}}</ref></blockquote>
+Smith's jewelry has been described as:<blockquote>Inspired by surrealism, biomorphicism, and primitivism ... dynamic in its size and form.<ref name=":0" /></blockquote>Many of his pieces were designed to be worn by avant-garde dancers, which influenced his style. The pieces were often large. Of his own work, he said:<blockquote>A piece of jewelry is in a sense an object that is not complete in itself. Jewelry is a ‘what is it?’ until you relate it to the body. The body is a component in design just as air and space are. Like line, form, and color, the body is a material to work with. It is one of the basic inspirations in creating form.<ref>{{Cite web|title = Review: From the Village to Vogue, The Modernist Jewelry of Art Smith|url = http://www.modernsilver.com/villagetovogue/villagetovogue.htm|website = Modern Silver|accessdate = 2015-10-18|last = Schrieber|first = Fran|archive-url = https://web.archive.org/web/20151113053653/http://www.modernsilver.com/villagetovogue/villagetovogue.htm|archive-date = 2015-11-13|url-status = dead}}</ref></blockquote>[[Alexander Calder]] was also an influence.<ref>{{Cite web|url=http://www.metmuseum.org/art/collection/search/497596|title=Art Smith {{!}} Necklace|website=The Metropolitan Museum of Art|access-date=2017-02-12}}</ref> Smith was friend and contemporary to many in the downtown New York City arts and fashion scene, such as sandal maker Barbara Shaum and Knobkerry's [[Sara Penn]].<ref>{{cite book |last1= Kitto|first1= Svetlana|author-link= |date= 2022 |title= Sara Penn's Knobkerry: An Oral History Sourcebook|url= http://www.sculpture-center.org/publications/13233/sara-penn-s-knobkerry-an-oral-history-sourcebook|location= Long Island City, NY|publisher= [[SculptureCenter]]|page= |isbn=978-1-7377186-0-4}}</ref>
-== Personal life ==
+== Biography ==
+Smith was born in Cuba, after his parents emigrated there from Jamaica. They moved to New York City when he was three years old.<ref>{{Cite book|title = Art as Adornment: The Life and Work of Arthur George Smith|url = https://books.google.com/books?id=yKpUCwAAQBAJ|publisher = Outskirts Press|date = 2015-12-28|isbn = 9781478743156|language = en|first = Charles L.|last = Russell}}</ref><ref>{{Cite book|title = From the Village to Vogue: The Modernist Jewelry of Art Smith|url = https://books.google.com/books?id=O5KqNwAACAAJ|publisher = Brooklyn Museum|date = 2008-01-01|language = en}}</ref>
-Arthur Smith was born to Jamaican parents in Cuba in 1917. His family settled in Brooklyn in 1920 and Smith showed artistic talent at an early age, winning honorable mention as an eighth grader in a poster contest held by the American Society for the Prevention of Cruelty to Animals. Encouraged to apply to art school, he received a scholarship to Cooper Union for the Advancement of Science and Art. There he was one of only a handful of black students, and his advisors tried to steer him towards architecture, suggesting he might readily find a job in the civil sector of that profession. His lack of proclivity for mathematics eventually forced him to abandon this path, however, and he turned to commercial art and a major in sculpture, training that would prove invaluable. After graduating in 1940, Smith worked first with the National Youth Administration and later for Junior Achievement, an organization devoted to helping teenagers find employment. He also took a night course in jewelry making at New York University. That and the friendship with Winifred Mason, a black jewelry designer who became his mentor, set him on the course of his adult artistic life. Mason had a small jewelry studio and store in Greenwich Village, and Smith became her full time assistant. He subsequently moved from Brooklyn to the Village’s Bank Street. In 1946 Smith opened his own studio and shop on Cornelia Street in the village with the financial assistance of a near-stranger who wished to undermine Mason because of bad feelings over business transactions. Cornelia Street was an “Italian block” then, and Smith suffered racial violence from some of his neighbors. His store-front windows were smashed on one occasion and he was made to feel dangerously unwanted. Soon after, he moved to 140 West Fourth Street just 1/2 block from Washington Square park, the heart of Greenwich Village where as an openly gay black artist he felt more at home.The new store was better located business-wise and socially, and Smith’s career began to take off. In addition to selling from this new location, he started to sell his wares to craft stores in Boston, San Francisco, and Chicago, and by the mid-1950’s he had business relationships with Bloomingdale’s and Milton Heffing in Manhattan, James Boutique in Houston, L’Unique in Minneapolis, and Black Tulip in Dallas. An important early influence on Smith’s career was Tally Beatty, a young black dancer and choreographer. Beatty introduced Smith to the dance world “salon” of Frank and Dorcas Neal, where he became acquainted with some of the city’s leading black artists including writer James Baldwin, composer and pianist Billy Strayhorn, singers Lena Horne and Harry Belfonte, actor Brock Peters, and expressionist painter Charles Sebree. Through Beatty, Smith also began to design jewelry for several avant-garde black dance companies, including, in addition to Beatty’s own, those of Pearl Primus and Claude Marchant. These commissions encouraged him to design on a grander scale than he might otherwise have done, and the theatricality of many of his larger pieces may well reflect this experience. In the early 1950’s Smith received feature pictorial coverage in both Vogue and Harper’s Bazaar and was also mentioned in The New Yorker shopper’s guide, “On the Avenue.” For many years thereafter he ran a small advertisement in the back of The New Yorker. By the 1960’s he had begun to use silver more readily in his jewelry, and as his client base increased so did his custom designs. He received a prestigious commission from the Peekskill, New York, chapter of the National Association for Advancement of Colored People, for example, to design a brooch for Eleanor Roosevelt, and he made cufflinks for Duke Ellington that incorporated the first notes of Ellington’s famous 1930 song “Mood Indigo.” In 1969 he was honored with a one-man exhibition at New York’s Museum of Contemporary Crafts (now the Museum of Art and Design), and in 1970 he was included in Objects: USA, a large traveling exhibition organized by Lee Nordness, an influential early dealer in craft objects. After his death 3 major exhibits were organized celebrating his work; "Authur Smith A Jeweler's Retrospective" at the Jamacia Arts Center in Queens NY, 1990, "Sculpture to Wear; Art Smith and his Contemporaries", at the Gansevoort Gallery, NYC, 1998, and "From the Village to Vogue" at the Brooklyn Museum., 2008. Small catalogues from the 2 museum shows are available. The definitive collection and exhibit of all the artist jewelers of Art Smith's generation is beautifully illustrated and discussed in "Messengers on Modernism American Studio Jewelry 1940-1960", written by Toni Greenbaum published by Flammarion and the Montreal Museum in 1996. Smith had had a heart attack in the 1960s, and by the late 1970s his health had declined. The shop on West Fourth was closed in 1979 and Art Smith died in 1982<ref>excerpted from the Brooklyn Museum's FROM THE VILLAGE TO VOGUE: THE MODERNIST JEWELRY OF ART SMITH show catalogue. 2008</ref>.
-Smith worked in Manhattan's [[Greenwich Village]], running a shop there from 1946 until 1979 (shortly before his death). Smith was a gay African-American, and as a result was subject to attacks shortly after his store opened.<ref name=":1">{{Cite book|title = Catalog: From the Village to Vogue: The Modernist Jewelry of Art Smith|url = https://books.google.com/books?id=O5KqNwAACAAJ|publisher = Brooklyn Museum|date = 2008-01-01|chapter-url = http://artsmithjewelry.com/as20.html|chapter = Biography}}</ref> A fan of jazz and modern dance, he was personally acquainted with musicians of the period including [[Lena Horne]], [[Harry Belafonte]], and [[Talley Beatty]].<ref name=":1" /><ref>{{Cite web|title = Obituary: Art Smith|url = http://www.925-1000.com/amx_smithA.html|website = www.925-1000.com|accessdate = 2015-10-18|date = 1982-03-06|last = Tapley|first = Mel|publisher = New Amsterdam News}}</ref>.
+As an adult, Smith worked in Manhattan's [[Greenwich Village]], running a shop there from 1946 until 1979 (shortly before his death). Smith was a gay Afro-Caribbean, and as a result was subject to attacks shortly after his store opened.<ref name=":1">{{Cite book|title = Catalog: From the Village to Vogue: The Modernist Jewelry of Art Smith|url = https://books.google.com/books?id=O5KqNwAACAAJ|publisher = Brooklyn Museum|date = 2008-01-01|chapter-url = http://artsmithjewelry.com/as20.html|chapter = Biography}}</ref> A fan of jazz and modern dance, he was personally acquainted with musicians of the period including [[Lena Horne]], [[Harry Belafonte]], [[Eartha Kitt]] and [[Talley Beatty]].<ref name=":1" /><ref>{{Cite web|title = Obituary: Art Smith|url = http://www.925-1000.com/amx_smithA.html|website = www.925-1000.com|accessdate = 2015-10-18|date = 1982-03-06|last = Tapley|first = Mel|publisher = New Amsterdam News}}</ref>
+Smith died in 1982 of heart disease.<ref name=":2">{{Cite news|url=http://www.vnews.com/Articles/2016/03/From-Archives/ArtNotes-ns-vn-031016|title=Art Notes: Lebanon Resident’s Book Memorializes Pioneering Jewelry Designer’s Legacy|last=Smith|first=Nicola|date=2016-03-10|newspaper=Valley News|access-date=2017-02-12}}</ref>
 == Exhibitions and holdings ==
-During his life, Smith's work was featured in Vogue and Harper's Bazaar, and exhibited at the [[Museum of Arts and Design|Museum of Contemporary Crafts]].<ref name=":1" /> Posthumously, Smith's work was the subject of an exhibition at the [[Brooklyn Museum]] in 2008-2011,<ref name=":0">{{Cite web|title = From the Village to Vogue: The Modernist Jewelry of Art Smith|url = https://www.brooklynmuseum.org/exhibitions/art_smith/|accessdate = 2015-10-18|publisher = Brooklyn Museum}}</ref> and is held in the permanent collection of the [[Cooper Hewitt, Smithsonian Design Museum|Cooper Hewitt Museum]], [[Museum of Arts and Design|Museum of Art and Design]], and [[Museum of Fine Arts, Boston|Boston Museum of Fine Arts]].<ref name="CH" /><ref>{{Cite web|title = Arthur Smith|url = http://collections.madmuseum.org/code/emuseum.asp?emu_action=searchrequest&moduleid=2&profile=people&currentrecord=1&searchdesc=Arthur%2520Smith&style=single&rawsearch=constituentid/,/is/,/1252/,/false/,/true|accessdate = 2015-10-18|publisher = Museum of Arts and Design Collection Database}}</ref>
+During his life, Smith's work was featured in Vogue and Harper's Bazaar, and exhibited at the [[Museum of Arts and Design|Museum of Contemporary Crafts]].<ref name=":1" /> Posthumously, Smith's work was the subject of an exhibition at the [[Brooklyn Museum]] in 2008-2011,<ref name=":0">{{Cite web|title = From the Village to Vogue: The Modernist Jewelry of Art Smith|url = https://www.brooklynmuseum.org/exhibitions/art_smith/|accessdate = 2015-10-18|publisher = Brooklyn Museum}}</ref> and is held in the permanent collection of the [[Cooper Hewitt, Smithsonian Design Museum|Cooper Hewitt Museum]], [[Museum of Arts and Design|Museum of Art and Design]], and [[Museum of Fine Arts, Boston|Boston Museum of Fine Arts]].<ref name="CH" /><ref>{{Cite web|title = Arthur Smith|url = http://collections.madmuseum.org/code/emuseum.asp?emu_action=searchrequest&moduleid=2&profile=people&currentrecord=1&searchdesc=Arthur%2520Smith&style=single&rawsearch=constituentid/,/is/,/1252/,/false/,/true|accessdate = 2015-10-18|publisher = Museum of Arts and Design Collection Database|archive-url = https://web.archive.org/web/20160624195551/http://collections.madmuseum.org/code/emuseum.asp?emu_action=searchrequest&moduleid=2&profile=people&currentrecord=1&searchdesc=Arthur%20Smith&style=single&rawsearch=constituentid%2F%2C%2Fis%2F%2C%2F1252%2F%2C%2Ffalse%2F%2C%2Ftrue|archive-date = 2016-06-24|url-status = dead}}</ref>
+One piece of Smith's sold for $22,000,<ref name=":2" /> and a cufflink collector told the New York Times that Smith's cufflinks were the most expensive pieces in his collection.<ref>{{Cite news|url=https://www.nytimes.com/2016/07/22/arts/design/when-form-meets-function-cuff-links-throughout-the-centuries.html|title=When Form Meets Function: Cuff Links Throughout the Centuries|last=Kahn|first=Eve M.|date=2016-07-21|newspaper=The New York Times|access-date=2017-02-13|issn=0362-4331}}</ref>
+== References ==
+{{Reflist|2}}
 == External links ==
 * [https://www.youtube.com/watch?v=yGQqfY4bZ6A Video of Brooklyn Museum exhibition]
 * [http://www.aaa.si.edu/collections/interviews/oral-history-interview-art-smith-11454 Oral history interview with Art Smith, 1971 August 24-31, Archives of American Art, Smithsonian Institution.]
+* [http://www.archivedauctions.com/s/301525/art-smith-diminishing-spirals/ Prices, and images, of Smith pieces sold at auction].
+{{Authority control}}
-== References ==
-{{Reflist}}
 {{DEFAULTSORT:Smith, Art}}
 [[Category:Cooper Union alumni]]
 [[Category:New York University alumni]]
-[[Category:American jewellers]]
+[[Category:20th-century American jewellers]]
+[[Category:1917 births]]
+[[Category:1982 deaths]]

Authority control databases
International	VIAF FAST
National	United States
Artists	ULAN KulturNav