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{{short description|German painter}}
{{short description|German painter (1862–1924)}}

{{Infobox artist
{{Infobox artist
| name = Karl Oenike
| name = Karl Oenike
| image = Karl Oenike.jpg
| image = Karl Oenike.jpg
| image_size =
| image_size =
| alt =
| caption =
| caption =
| birth_date = April 9, 1862
| birth_name =
| birth_place = [[Berlin]]
| death_date = {{death date and age|April 11, 1924|April 9, 1862}}
| birth_date = 1862
| birth_place =
| death_place =
| death_date = 1924
| nationality = [[Germany|German]]
| death_place =
| known_for =
⚫
| training =
| nationality = [[Germany|German]]
| known_for =
| movement =
| training =
| notable_works =
| movement =
| patrons =
⚫
| awards =
| notable_works =
⚫
| patrons =
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| awards =
}}
}}
'''Karl Oenike''' (1862&ndash;1924)<ref>(1) Document Nr.188 at the Special Collections section (Abt.2, Ref.1) of the Ibero-Amerikanisches Institut Preussischer Kulturbesitz, Berlin, Germany which includes a cover letter by Mr.K.Oenike’s daughter Mrs.Irmgard Oenike summarizing his expeditions and a detailed diary of the Brackebusch expedition in Argentina in 1888; (2) “Exotisme in de Kunst” (Exotism in Art) by Dr.Herman Ten Kate, p.349-352, Elserevier’s Geillustreerd Maandschrift, Year XXIII, T. XLVI (July–December 1913), Amsterdam, the Netherlands; (3) Vita. Johann Karl Oenike (1862-1924) by Roberto Liebenthal, p.92-105, Cuadernos del Archivo, Year VI.2, Nbr.11/12 (2022), Buenos Aires, Argentina</ref> was a German [[landscape art|landscape painter]], who participated in various scientific expeditions in [[South America]] during the years 1887-1891 as painter and photographer. He wrote detailed diaries and made drawings, sketches, watercolors, oil paintings and photos during these expeditions, which give a valuable perspective of remote regions and populations, and of the difficulties encountered by German [[Exploration|explorers]] in the 1880s. Few artists in the exotic art genre have depicted better the "magic of the forest" in his paintings.<ref name="Dr.Herman Ten Kate p.351">Dr.Herman Ten Kate p.351</ref>
'''Karl Oenike''' (April 9, 1862 – April 11, 1924)<ref>(1) Document Nr.188 at the Special Collections section (Abt.2, Ref.1) of the Ibero-Amerikanisches Institut Preussischer Kulturbesitz, Berlin, Germany which includes a cover letter by Mr. K. Oenike's daughter Mrs. Irmgard Oenike summarizing his expeditions and a detailed diary of the Brackebusch expedition in Argentina in 1888; (2) "Exotisme in de Kunst" (Exotism in Art) by Dr. Herman Ten Kate, pp. 349–352, Elserevier's Geillustreerd Maandschrift, Year XXIII, T. XLVI (July–December 1913), Amsterdam, the Netherlands; (3) Vita. Johann Karl Oenike (1862-1924) by Roberto Liebenthal, pp. 92–105, Cuadernos del Archivo, Year VI.2, Nbr.11/12 (2022), Buenos Aires, Argentina</ref> was a German [[landscape art|landscape painter]]. He participated in various scientific expeditions in [[South America]] during the years 1887–1891 as painter and photographer. He wrote detailed diaries and made drawings, sketches, watercolors, oil paintings and photos during these expeditions, which give a valuable perspective of remote regions and populations, and of the difficulties encountered by German [[Exploration|explorers]] in the 1880s. Few artists in the exotic art genre have depicted better the "magic of the forest" in his paintings.<ref name="Dr.Herman Ten Kate p.351">Dr.Herman Ten Kate p. 351</ref>


==Life and work==
==Life and work==
Karl Oenike was born in [[Berlin]] on April 9, 1862. He studied art in the [[Berlin University of the Arts|Berliner Kunstakademie]] from 1879 to 1886 under Prof. [[Eugen Bracht]], who was a highly respected landscape painter of "oriental motives". Drawing he studied with Prof. [[Hans Meyer (artist)|Hans Meyer]]
Karl Oenike was born in [[Berlin]] on April 9, 1862. He studied art in the [[Berlin University of the Arts]] from 1879 to 1886 under Prof. [[Eugen Bracht]], who was a highly respected landscape painter of "oriental motives". Drawing he studied with Prof. [[Hans Meyer (artist)|Hans Meyer]]


In 1887 he was invited by Prof. Ludwig Brackebusch to participate in a geographical and geological expedition surveying the [[Andes]] mountains starting in the province of [[San Juan (Argentina)|San Juan]] to the province of [[Salta Province|Salta]] in Argentina’s NW. He later undertook other expeditions on his own to [[Salta Province|Salta]], [[Paraguay]] and [[Brasil]].<ref> A large collection of fotos and drawings from these expeditions are in the Latin America Department at the Linden Museum, Stuttgart, Germany</ref>
In 1887 he was invited by Prof. Ludwig Brackebusch to participate in a geographical and geological expedition surveying the [[Andes]] mountains starting in the province of [[San Juan (Argentina)|San Juan]] to the province of [[Salta Province|Salta]] in Argentina’s NW. He later undertook other expeditions on his own to [[Salta Province|Salta]], [[Paraguay]] and [[Brazil]].<ref> A large collection of fotos and drawings from these expeditions are in the Latin America Department at the Linden Museum, Stuttgart, Germany</ref>


During his stay in [[Buenos Aires]], Argentina, he met Wilhelmine Fehling, whom he married in 1891 and with whom he moved back to Berlin. They had four daughters, Charlotte, Marie Henriette, Wilhelmine Gertrud and Luise Irmgard.
During his stay in [[Buenos Aires]], Argentina, he met Wilhelmine Fehling, whom he married in 1891 and with whom he moved back to Berlin. They had four daughters, Charlotte, Marie Henriette, Wilhelmine Gertrud and Luise Irmgard.
Line 31: Line 28:
Upon his return to Berlin Karl Oenike pursued a career as landscape painter, mainly in northern Europe. He was commissioned to paint castles, sceneries, reproduce historic scenes, etc. and participated in several exhibitions. He was a very prolific artist, using various techniques like engraving, watercolor, oil painting, etc. His best known artwork is "Einzug der Pilger", an engraving showing the entry of pilgrims into the village of Bethlehem around 1894, which has been widely reproduced in diverse publications.<ref>[[:lb:Fichier:Bethlehem1894.png]]</ref> But actually most of his work was landscape painting, where he depicted his "personal vision of nature".<ref name="Dr.Herman Ten Kate p.351"/>
Upon his return to Berlin Karl Oenike pursued a career as landscape painter, mainly in northern Europe. He was commissioned to paint castles, sceneries, reproduce historic scenes, etc. and participated in several exhibitions. He was a very prolific artist, using various techniques like engraving, watercolor, oil painting, etc. His best known artwork is "Einzug der Pilger", an engraving showing the entry of pilgrims into the village of Bethlehem around 1894, which has been widely reproduced in diverse publications.<ref>[[:lb:Fichier:Bethlehem1894.png]]</ref> But actually most of his work was landscape painting, where he depicted his "personal vision of nature".<ref name="Dr.Herman Ten Kate p.351"/>


But his years in the Southern region of South America "occupied a very important position, yes, a good part of his life work".<ref>Dr.Herman Ten Kate p.349</ref> He left various reports on his trips, some of which can be found in the library of the Society for Geography in Berlin and in the Ibero-Amerikanisches Institut in Berlin. And his drawings, engravings and photos appeared in various works about South America and most of them are in the Linden Museum in Stuttgart.<ref>Dr.Herman Ten Kate p.352</ref>
But his years in the Southern region of South America "occupied a very important position, yes, a good part of his life work".<ref>Dr.Herman Ten Kate p.349</ref> He left various reports on his trips, some of which can be found in the library of the Society for Geography in Berlin and in the Ibero-Amerikanisches Institut in Berlin. And his drawings, engravings and photos appeared in various works about South America and most of them are in the Linden Museum in Stuttgart.<ref>Dr.Herman Ten Kate p. 352</ref>


He died on April 11, 1924, at the age of 62.
He died on April 11, 1924, at the age of 62.
Line 39: Line 36:
*1888 – Expedition to Salta by himself
*1888 – Expedition to Salta by himself
*1889 – Expedition to Paraguay where he met Prof.A.Jordan, an Austrian ethnographer, with whom he climbed the Cerro Tatuy in search of the Guayaki tribe, one of the last Stone Age groups in existence.<ref>Reported in Geographische Gesellschaft, Nr.11 and 12, Viena, Austria (1893) and also quoted by Dr.P.Ehrenreich, see Publications</ref>
*1889 – Expedition to Paraguay where he met Prof.A.Jordan, an Austrian ethnographer, with whom he climbed the Cerro Tatuy in search of the Guayaki tribe, one of the last Stone Age groups in existence.<ref>Reported in Geographische Gesellschaft, Nr.11 and 12, Viena, Austria (1893) and also quoted by Dr.P.Ehrenreich, see Publications</ref>
* 1891 - Expedition to Rio de Janeiro, Brazil
* 1891 – Expedition to Rio de Janeiro, Brazil


==Drawings in publications==
==Drawings in publications==
* Ludwig Brackebusch – "Die Kordillerenpässe zwischen der argentinischen Republik und Chile" (The mountain crossings between Argentina and Chile), ed. Zeitschrift Gesellschat für Erdkunde, t.27, 1892
* Ludwig Brackebusch – "Die Kordillerenpässe zwischen der argentinischen Republik und Chile" (The mountain crossings between Argentina and Chile), ed. Zeitschrift Gesellschat für Erdkunde, t.27, 1892
* Ludwig Brackebusch – "Das Bergmannsleben in der Argentinischen Republik" (The Life of Miners in Argentina), ed. Westermanns Monatshefte, T.75, March 1894, p.&nbsp;749-771 includes 15 drawings by K.Oenike
* Ludwig Brackebusch – "Das Bergmannsleben in der Argentinischen Republik" (The Life of Miners in Argentina), ed. Westermanns Monatshefte, T.75, March 1894, p.&nbsp;749-771 includes 15 drawings by K.Oenike
* Karl Oenike - "Leben und Treiben auf den Steppen und in den Saladeros Südamerikas". Illustrierte Zeitung (Leipzig) Nr.2658 (1894): 623-627
* Karl Oenike – "Leben und Treiben auf den Steppen und in den Saladeros Südamerikas". Illustrierte Zeitung (Leipzig) Nr.2658 (1894): 623-627
* Karl Oenike - "Ein Ausflug in Paraguay". Vom Fels zum Meer 15/1 (1896): 122-129
* Karl Oenike – "Ein Ausflug in Paraguay". Vom Fels zum Meer 15/1 (1896): 122-129
* Karl Oenike – "Skizzen aus Argentinien" (Notes on Argentina); 14 p incl. 20 drawings, pub. Von Fels zum Meer (1896): 109-115
* Karl Oenike – "Skizzen aus Argentinien" (Notes on Argentina); 14 p incl. 20 drawings, pub. Von Fels zum Meer (1896): 109-115
* Karl Oenike - "Skizzen aus Paraguay". Über Land und Meer Nr.87 Jhg 44/14 (1902). 227-229
* Karl Oenike – "Skizzen aus Paraguay". Über Land und Meer Nr.87 Jhg 44/14 (1902). 227-229
* Karl Oenike - "Kakteen Landschaft in Argentinien". Illustrierte Welt 50/26 (1902): 609
* Karl Oenike – "Kakteen Landschaft in Argentinien". Illustrierte Welt 50/26 (1902): 609
* Dr.P.Ehrenreich – "Neue Mitteilungen ueber die Guayaki (Steinzeitmenschen) in Paraguay" (New reports on the Guayaki (Stone Age tribe) in Paraguay) in Globus Zeitschrift, T.LXXIII, Nr.5, p.&nbsp;1-6, Ed. By F.Vieweg & Son, Braunschweig, Germany (1898) includes 1 drawing by K.Oenike
* Dr.P.Ehrenreich – "Neue Mitteilungen ueber die Guayaki (Steinzeitmenschen) in Paraguay" (New reports on the Guayaki (Stone Age tribe) in Paraguay) in Globus Zeitschrift, T.LXXIII, Nr.5, p.&nbsp;1-6, Ed. By F.Vieweg & Son, Braunschweig, Germany (1898) includes 1 drawing by K.Oenike
* Moritz Kronfeld – "Bilder-Atlas zur Pflanzengeographie" (Picture Atlas of Plants), Bibliographisches Institut, 1908, 192 pp, includes drawings by K.Oenike
* Moritz Kronfeld – "Bilder-Atlas zur Pflanzengeographie" (Picture Atlas of Plants), Bibliographisches Institut, 1908, 192 pp, includes drawings by K.Oenike
* Dr. Herman Ten Kate - "Exotisme in de Kunst" (Exotism in Art), Elserevier’s Geillustreerd Maandschrift, Year XXIII, T. XLVI (July–December 1913), Amsterdam, the Netherlands
* Dr. Herman Ten Kate – "Exotisme in de Kunst" (Exotism in Art), Elserevier’s Geillustreerd Maandschrift, Year XXIII, T. XLVI (July–December 1913), Amsterdam, the Netherlands
* Roberto Liebenthal and translations of Karl Oenike artichles by Regula Rohland and Beatriz Romero - "Johann Karl Oenike (1862-1924) Testimonios", p.89-145, Cuadernos del Archivo, Año VI.2, Nbr.11/12 (2022), Buenos Aires, Argentina
* Roberto Liebenthal and translations of Karl Oenike artichles by Regula Rohland and Beatriz Romero – "Johann Karl Oenike (1862–1924) Testimonios", p.89-145, Cuadernos del Archivo, Año VI.2, Nbr.11/12 (2022), Buenos Aires, Argentina
* Wilhelm Sievers - "Süd- und Mittelamerika" (3. Auflage), Bibliographisches Institut, Leipzig & Wien, 1914, 660 pp, includes drawings by K.Oenike pp.231, 241, 373
* Wilhelm Sievers – "Süd- und Mittelamerika" (3. Auflage), Bibliographisches Institut, Leipzig & Wien, 1914, 660 pp, includes drawings by K.Oenike pp. 231, 241, 373


==Paintings==
==Paintings==
Line 61: Line 58:
This is only a partial listing.
This is only a partial listing.
* Südamerika. Bilder und Studien. Collectivausttelung bei Gurlitt. Berlin. Ausstellungskatalog Gurlitt (1891)<ref>https://sondersammlungen.iai.spk-berlin.de/es/colecciones-especiales/legados/lista-a-z/sammlung/466/act/show/ctl/ImgArchieve.html</ref>
* Südamerika. Bilder und Studien. Collectivausttelung bei Gurlitt. Berlin. Ausstellungskatalog Gurlitt (1891)<ref>https://sondersammlungen.iai.spk-berlin.de/es/colecciones-especiales/legados/lista-a-z/sammlung/466/act/show/ctl/ImgArchieve.html</ref>
* 63. Ausstellung der Kgl. Akademie der Kuenste in Berlin (1892)<ref>[http://digiview.gbv.de/viewer/image/733572006/1/ Catalog of the 63. exhibition, 1892, p.69]</ref>
* 63. Ausstellung der Kgl. Akademie der Kuenste in Berlin (1892)<ref>[http://digiview.gbv.de/viewer/image/733572006/1/ Catalog of the 63. exhibition, 1892, p. 69]</ref>
* Grosse Berliner Kunstausstellung, from 1893-1924 he regularly participated this annual Art Exhibition<ref>[http://digiview.gbv.de/viewer/image/71859374X-1893/1/ Catalog of the Great Berlin Art Exhibition, 1893, p.64, for example]
* Grosse Berliner Kunstausstellung, from 1893–1924 he regularly participated this annual Art Exhibition<ref>[http://digiview.gbv.de/viewer/image/71859374X-1893/1/ Catalog of the Great Berlin Art Exhibition, 1893, p. 64, for example]
</ref>
</ref>
* Kunstverein Bremen, Germany, 28. Grosse Gemalde Ausstellung (3.1 to 4.18.1892)
* Kunstverein Bremen, Germany, 28. Grosse Gemalde Ausstellung (3.1 to 4.18.1892)
Line 69: Line 66:
* Kunstverein Bremen, 30. Grosse Gemalde Ausstellung (3.1 to 4.15.1896)
* Kunstverein Bremen, 30. Grosse Gemalde Ausstellung (3.1 to 4.15.1896)
* Thuringer Ausstellungsverein Bildender Kunstler, Jena, Germany (May 1902)
* Thuringer Ausstellungsverein Bildender Kunstler, Jena, Germany (May 1902)
* Kunstverein Wiesbaden, Germany, Ausstellung Internationaler Graphik des 19.Jahrhunderts (1912)
* Kunstverein Wiesbaden, Germany, Ausstellung Internationaler Graphik des 19. Jahrhunderts (1912)

==References==
{{reflist}}


==External links==
==External links==
Line 79: Line 79:
* [https://www.lindenmuseum.de/ Linden Museum, Stuttgart, Germany]
* [https://www.lindenmuseum.de/ Linden Museum, Stuttgart, Germany]


==Notes==
<references/>
{{commons category}}
{{commons category}}
{{Authority control}}
{{Authority control}}

Latest revision as of 11:07, 27 November 2024

Karl Oenike
BornApril 9, 1862
Berlin
DiedApril 11, 1924(1924-04-11) (aged 62)
NationalityGerman

Karl Oenike (April 9, 1862 – April 11, 1924)[1] was a German landscape painter. He participated in various scientific expeditions in South America during the years 1887–1891 as painter and photographer. He wrote detailed diaries and made drawings, sketches, watercolors, oil paintings and photos during these expeditions, which give a valuable perspective of remote regions and populations, and of the difficulties encountered by German explorers in the 1880s. Few artists in the exotic art genre have depicted better the "magic of the forest" in his paintings.[2]

Life and work

[edit]

Karl Oenike was born in Berlin on April 9, 1862. He studied art in the Berlin University of the Arts from 1879 to 1886 under Prof. Eugen Bracht, who was a highly respected landscape painter of "oriental motives". Drawing he studied with Prof. Hans Meyer

In 1887 he was invited by Prof. Ludwig Brackebusch to participate in a geographical and geological expedition surveying the Andes mountains starting in the province of San Juan to the province of Salta in Argentina’s NW. He later undertook other expeditions on his own to Salta, Paraguay and Brazil.[3]

During his stay in Buenos Aires, Argentina, he met Wilhelmine Fehling, whom he married in 1891 and with whom he moved back to Berlin. They had four daughters, Charlotte, Marie Henriette, Wilhelmine Gertrud and Luise Irmgard.

Upon his return to Berlin Karl Oenike pursued a career as landscape painter, mainly in northern Europe. He was commissioned to paint castles, sceneries, reproduce historic scenes, etc. and participated in several exhibitions. He was a very prolific artist, using various techniques like engraving, watercolor, oil painting, etc. His best known artwork is "Einzug der Pilger", an engraving showing the entry of pilgrims into the village of Bethlehem around 1894, which has been widely reproduced in diverse publications.[4] But actually most of his work was landscape painting, where he depicted his "personal vision of nature".[2]

But his years in the Southern region of South America "occupied a very important position, yes, a good part of his life work".[5] He left various reports on his trips, some of which can be found in the library of the Society for Geography in Berlin and in the Ibero-Amerikanisches Institut in Berlin. And his drawings, engravings and photos appeared in various works about South America and most of them are in the Linden Museum in Stuttgart.[6]

He died on April 11, 1924, at the age of 62.

Expeditions

[edit]
  • 1888 – Geological Expedition in the Andean region of Argentina led by Prof. Ludwig Brackebusch covering the provinces of San Luis, San Juan, La Rioja, Catamarca, Jujuy and Salta.[7]
  • 1888 – Expedition to Salta by himself
  • 1889 – Expedition to Paraguay where he met Prof.A.Jordan, an Austrian ethnographer, with whom he climbed the Cerro Tatuy in search of the Guayaki tribe, one of the last Stone Age groups in existence.[8]
  • 1891 – Expedition to Rio de Janeiro, Brazil

Drawings in publications

[edit]
  • Ludwig Brackebusch – "Die Kordillerenpässe zwischen der argentinischen Republik und Chile" (The mountain crossings between Argentina and Chile), ed. Zeitschrift Gesellschat für Erdkunde, t.27, 1892
  • Ludwig Brackebusch – "Das Bergmannsleben in der Argentinischen Republik" (The Life of Miners in Argentina), ed. Westermanns Monatshefte, T.75, March 1894, p. 749-771 includes 15 drawings by K.Oenike
  • Karl Oenike – "Leben und Treiben auf den Steppen und in den Saladeros Südamerikas". Illustrierte Zeitung (Leipzig) Nr.2658 (1894): 623-627
  • Karl Oenike – "Ein Ausflug in Paraguay". Vom Fels zum Meer 15/1 (1896): 122-129
  • Karl Oenike – "Skizzen aus Argentinien" (Notes on Argentina); 14 p incl. 20 drawings, pub. Von Fels zum Meer (1896): 109-115
  • Karl Oenike – "Skizzen aus Paraguay". Über Land und Meer Nr.87 Jhg 44/14 (1902). 227-229
  • Karl Oenike – "Kakteen Landschaft in Argentinien". Illustrierte Welt 50/26 (1902): 609
  • Dr.P.Ehrenreich – "Neue Mitteilungen ueber die Guayaki (Steinzeitmenschen) in Paraguay" (New reports on the Guayaki (Stone Age tribe) in Paraguay) in Globus Zeitschrift, T.LXXIII, Nr.5, p. 1-6, Ed. By F.Vieweg & Son, Braunschweig, Germany (1898) includes 1 drawing by K.Oenike
  • Moritz Kronfeld – "Bilder-Atlas zur Pflanzengeographie" (Picture Atlas of Plants), Bibliographisches Institut, 1908, 192 pp, includes drawings by K.Oenike
  • Dr. Herman Ten Kate – "Exotisme in de Kunst" (Exotism in Art), Elserevier’s Geillustreerd Maandschrift, Year XXIII, T. XLVI (July–December 1913), Amsterdam, the Netherlands
  • Roberto Liebenthal and translations of Karl Oenike artichles by Regula Rohland and Beatriz Romero – "Johann Karl Oenike (1862–1924) Testimonios", p.89-145, Cuadernos del Archivo, Año VI.2, Nbr.11/12 (2022), Buenos Aires, Argentina
  • Wilhelm Sievers – "Süd- und Mittelamerika" (3. Auflage), Bibliographisches Institut, Leipzig & Wien, 1914, 660 pp, includes drawings by K.Oenike pp. 231, 241, 373

Paintings

[edit]

There is no complete listing of his work, but we can mention the following paintings which are mentioned in recent auction house listings:[9] The arrival of the Pilgrims (Einzug der Pilger); By the water’s edge; Summer lake with lilies and reeds; High Mountain grove; Botanical Gardens- Rio de Janeiro; Landscape with river and figure; French river landscape with large trees and woman walking; Palms in the jungle of Paraguay (Palmenlichtung im Urwald von Paraguay); Figures in Paraguayan landscape; Old oaks; Oven by the wood; Bavarian moor; San Bernardino-Paraguay; Landscape of Argentina, Big Tree and some men (Motiv aus Argentinien); Oberburg Manderscheid; Hain im Riesengebirge; William Tell; Bondgard; Am Waldsaum; Waldlichtung; Pappeln am Menkiner See; Bispinger, Feldweg auf einer Bergkuppe und Bauernhaus; Dorfschmiede by Menkin, Uckermark; Schloss Dyck; Brazilian Mountain Lake (Brasilianischer Bergsee);[10] In the mountains of Cordoba in Argentina (In den Bergen von Cordoba in Argentinien);

Exhibitions

[edit]

This is only a partial listing.

  • Südamerika. Bilder und Studien. Collectivausttelung bei Gurlitt. Berlin. Ausstellungskatalog Gurlitt (1891)[11]
  • 63. Ausstellung der Kgl. Akademie der Kuenste in Berlin (1892)[12]
  • Grosse Berliner Kunstausstellung, from 1893–1924 he regularly participated this annual Art Exhibition[13]
  • Kunstverein Bremen, Germany, 28. Grosse Gemalde Ausstellung (3.1 to 4.18.1892)
  • Deutsche Kunstabteilung, Chicago World Exhibition (1893)
  • Kunstverein Bremen, 29. Grosse Gemalde Ausstellung (March 1894)
  • Kunstverein Bremen, 30. Grosse Gemalde Ausstellung (3.1 to 4.15.1896)
  • Thuringer Ausstellungsverein Bildender Kunstler, Jena, Germany (May 1902)
  • Kunstverein Wiesbaden, Germany, Ausstellung Internationaler Graphik des 19. Jahrhunderts (1912)

References

[edit]
  1. ^ (1) Document Nr.188 at the Special Collections section (Abt.2, Ref.1) of the Ibero-Amerikanisches Institut Preussischer Kulturbesitz, Berlin, Germany which includes a cover letter by Mr. K. Oenike's daughter Mrs. Irmgard Oenike summarizing his expeditions and a detailed diary of the Brackebusch expedition in Argentina in 1888; (2) "Exotisme in de Kunst" (Exotism in Art) by Dr. Herman Ten Kate, pp. 349–352, Elserevier's Geillustreerd Maandschrift, Year XXIII, T. XLVI (July–December 1913), Amsterdam, the Netherlands; (3) Vita. Johann Karl Oenike (1862-1924) by Roberto Liebenthal, pp. 92–105, Cuadernos del Archivo, Year VI.2, Nbr.11/12 (2022), Buenos Aires, Argentina
  2. ^ a b Dr.Herman Ten Kate p. 351
  3. ^ A large collection of fotos and drawings from these expeditions are in the Latin America Department at the Linden Museum, Stuttgart, Germany
  4. ^ lb:Fichier:Bethlehem1894.png
  5. ^ Dr.Herman Ten Kate p.349
  6. ^ Dr.Herman Ten Kate p. 352
  7. ^ Reported by L.Brackebusch see Publications
  8. ^ Reported in Geographische Gesellschaft, Nr.11 and 12, Viena, Austria (1893) and also quoted by Dr.P.Ehrenreich, see Publications
  9. ^ http://www.artnet.de, www.web.artprice.com
  10. ^ Catalog of the intl. art exhibition Berlin, 1896, pict.65
  11. ^ https://sondersammlungen.iai.spk-berlin.de/es/colecciones-especiales/legados/lista-a-z/sammlung/466/act/show/ctl/ImgArchieve.html
  12. ^ Catalog of the 63. exhibition, 1892, p. 69
  13. ^ Catalog of the Great Berlin Art Exhibition, 1893, p. 64, for example
[edit]
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