Medea (Reimann): Difference between revisions
Changing short description from "opera by Aribert Reimann" to "Opera by Aribert Reimann" |
Uriahheep228 (talk | contribs) removed Category:Adaptations of works by Franz Grillparzer; added Category:Operas based on works by Franz Grillparzer using HotCat |
||
| (7 intermediate revisions by 5 users not shown) | |||
| Line 13: | Line 13: | ||
| premiere_location = [[Vienna State Opera]] |
| premiere_location = [[Vienna State Opera]] |
||
}} |
}} |
||
'''''Medea''''' is a German-language opera by [[Aribert Reimann]] after the play by [[Franz Grillparzer]]. It was premiered at the [[Vienna State Opera]] in February 2010. The German premiere was at the [[Oper Frankfurt]] in August 2010. |
'''''Medea''''' is a German-language opera by [[Aribert Reimann]] after the play by [[Franz Grillparzer]]. It was premiered at the [[Vienna State Opera]] in February 2010. The German premiere was at the [[Oper Frankfurt]] in August 2010. |
||
| Line 83: | Line 84: | ||
| first2 = Irene |
| first2 = Irene |
||
| title = Ancient Magic and the Supernatural in the Modern Visual and Performing Arts |
| title = Ancient Magic and the Supernatural in the Modern Visual and Performing Arts |
||
| publisher = |
| publisher = Bloomsbury Academic |
||
| year = 2016 |
| year = 2016 |
||
| isbn = 978-1350007949 |
| isbn = 978-1350007949 |
||
| Line 128: | Line 129: | ||
| year = 2017 |
| year = 2017 |
||
| accessdate = 22 July 2017 |
| accessdate = 22 July 2017 |
||
| archive-date = 8 October 2017 |
|||
| archive-url = https://web.archive.org/web/20171008000534/https://www.komische-oper-berlin.de/programm/a-z/medea/ |
|||
| url-status = dead |
|||
}}</ref> |
}}</ref> |
||
| Line 146: | Line 150: | ||
== External links == |
== External links == |
||
* [https://bachtrack.com/review-reimann-medea-boder-marelli-wiener-staatsoper-april-2017 The wrath of a woman scorned: Reimann’s murderous Medea at the Wiener Staatsoper] bachtrack.com 2017 |
* [https://bachtrack.com/review-reimann-medea-boder-marelli-wiener-staatsoper-april-2017 The wrath of a woman scorned: Reimann’s murderous Medea at the Wiener Staatsoper] bachtrack.com 2017 |
||
* {{YouTube|qeZrUg37eUA|Medea / Trailer / Komische Oper Berlin (2017)}} |
|||
{{Aribert Reimann}} |
{{Aribert Reimann}} |
||
| Line 151: | Line 156: | ||
{{Authority control}} |
{{Authority control}} |
||
| ⚫ | |||
[[Category:2010 operas]] |
[[Category:2010 operas]] |
||
[[Category: |
[[Category:Operas based on works by Franz Grillparzer]] |
||
| ⚫ | |||
| ⚫ | |||
| ⚫ | |||
[[Category:Operas based on plays]] |
[[Category:Operas based on plays]] |
||
[[Category:Operas by Aribert Reimann]] |
[[Category:Operas by Aribert Reimann]] |
||
[[Category: |
[[Category:Works based on the Argonautica]] |
||
| ⚫ | |||
| ⚫ | |||
Latest revision as of 23:08, 27 November 2024
| Medea | |
|---|---|
| Opera by Aribert Reimann | |
 The composer in 2010 | |
| Language | German |
| Based on | Medea by Franz Grillparzer |
| Premiere | 28 February 2010 |
Medea is a German-language opera by Aribert Reimann after the play by Franz Grillparzer. It was premiered at the Vienna State Opera in February 2010. The German premiere was at the Oper Frankfurt in August 2010.
History
[edit]Aribert Reimann had already written seven literary operas, including Melusine, Lear and Troades, when he received a commission from the Vienna State Opera to write an opera for the conclusion of the era of Ioan Holender as General Director of the opera house. He chose the play Medea by Franz Grillparzer as a basis for the work,[1] the last part of Grillparzer's trilogy Das goldene Vließ (The Golden Fleece) which is focused on Greek mythology and based on the Argonautica by Apollonius of Rhodes and Medea by Euripides.[1][2]
The opera was successfully premiered at the Vienna State Opera in February 2010,[1] staged by Marco Arturo Marelli, conducted by Michael Boder, with Marlis Petersen in the title role.[1] The German premiere was at the Oper Frankfurt in August 2010.[3]
Roles
[edit]| Role | Voice type | Premiere cast, 28 February 2010 Conductor: Michael Boder[1][4] |
|---|---|---|
| Medea | coloratura soprano | Marlis Petersen |
| Kreusa | mezzo-soprano | Michaela Selinger |
| Gora | contralto | Elisabeth Kulman |
| Kreon | tenor | Michael Roider |
| Jason | baritone | Adrian Eröd |
| The Herald | countertenor | Max Emanuel Cenčić |
Music
[edit]Grillparzer showed Medea as a foreigner without protection who becomes the victim of powerful men, a view of the tragedy appealing to Reimann.[5] In a performance at the Komische Oper Berlin, staged by Benedict Andrews with Nicole Chevalier in the title role, Medea is shown as a barbarian woman, a stranger to the society and therefore expelled.[6]
A reviewer of the premiere notes that the vocal lines are highly ornamented, full of melisma, and with sharply jagged contours ("wild gezackt, scharf geschnitten"), demanding virtuosity from the singers. The metre changes without rest, also in the orchestra. The strings are divided multiple times, while the winds often have solo function. The vocal style was described as highly artificial ("hochartifiziell").[1]
Recordings
[edit]- DVD (cast of the premiere): Marlis Petersen, Michaela Selinger, Elisabeth Kulman, Michael Roider, Orchestra of the Vienna State Opera, Michael Boder, 2010[7][8]
- CD (cast of the German premiere): Claudia Barainsky, Tanja Ariane Baumgartner, Michael Nagy, Michael Baba, Paula Murrihy, Tim Severloh, Frankfurter Opern- und Museumsorchester, Erik Nielsen. Oehms, 2CDs 2010[2][9]
References
[edit]- ^ a b c d e f Büning, Eleonore (1 March 2010). "Oper: "Medea" in Wien. Eine antike Brünnhilde" [Opera: 'Medea' in Vienna. An ancient Brünnhilde]. Frankfurter Allgemeine Zeitung (in German). Retrieved 22 July 2017.
- ^ a b Clements, Andrew (26 May 2011). "Medea – review Barainsky/Baumgartner/Nagy/Baba/Frankfurt Opera/Nielsen (Oehms, two CDs)". The Guardian. Retrieved 22 July 2017.
- ^ Carlà, Filippo; Berti, Irene (2016). Ancient Magic and the Supernatural in the Modern Visual and Performing Arts. Bloomsbury Academic. ISBN 978-1350007949.
Reimann's work, following Franz Grillparzer's Medea (1820), the primary source for the libretto, can safely be ascribed to the second type. Reimann's social and political interpretation of Medea's magical abilities allows him to reflect on the violence of the power that fears and distrusts – but at the same time needs – the unknown, the foreigner.
- ^ "Medea". Schott Music. 2010. Retrieved 27 July 2019.
Uraufführung: 28. Februar 2010 Wien, Staatsoper (A)
- ^ "Aribert Reimann / Medea". Komische Oper Berlin. 2017. Archived from the original on 8 October 2017. Retrieved 22 July 2017.
- ^ Ossowski, Maria (22 May 2011). ""Medea" an der Komischen Oper – "Erarmt bin ich an Macht"" [Reviews: "Medea" at the Komische Oper – "I am in power"]. rbb-online.de (in German). Rundfunk Berlin-Brandenburg. Retrieved 24 July 2017.
- ^ Whittall, Arnold (2010). "Reimann Medea / Reimann's take on a bloodthirsty tale, filmed during its Vienna premiere run". Gramophone. Retrieved 22 July 2017.
- ^ OCLC 867911287
- ^ OCLC 871957922
External links
[edit]- The wrath of a woman scorned: Reimann’s murderous Medea at the Wiener Staatsoper bachtrack.com 2017
- Medea / Trailer / Komische Oper Berlin (2017) on YouTube
| Operas |
|
|---|---|
| International | |
|---|---|
| National | |
