A24: Difference between revisions
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{{Short description|American independent entertainment company}} |
{{Short description|American independent entertainment company}} |
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{{Infobox company |
{{Infobox company |
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| name = A24 Films LLC |
| name = A24 Films LLC |
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| logo = A24 logo.svg |
| logo = [[File:A24 logo.svg|frameless|class=skin-invert]] |
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| logo_size = |
| logo_size = |
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| type = [[Privately held company|Private]] |
| type = [[Privately held company|Private]] |
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| homepage = {{URL|a24films.com}} |
| homepage = {{URL|a24films.com}} |
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| foundation = {{Start date and age|2012|8|20}}<ref name="A24">{{cite web |url=https://moviecitynews.com/2012/08/a24-opens-doors-for-film-distribution-finance-and-production/ |last=Pride |first=Ray |title=A24 Open Doors for Film Production, Finance, and Production |date=August 20, 2012 |publisher=Movie City News |access-date=July 30, 2016 |archive-url=https://web.archive.org/web/20160816061824/https://moviecitynews.com/2012/08/a24-opens-doors-for-film-distribution-finance-and-production/ |archive-date=August 16, 2016 |url-status=dead}}</ref> |
| foundation = {{Start date and age|2012|8|20}}<ref name="A24">{{cite web |url=https://moviecitynews.com/2012/08/a24-opens-doors-for-film-distribution-finance-and-production/ |last=Pride |first=Ray |title=A24 Open Doors for Film Production, Finance, and Production |date=August 20, 2012 |publisher=Movie City News |access-date=July 30, 2016 |archive-url=https://web.archive.org/web/20160816061824/https://moviecitynews.com/2012/08/a24-opens-doors-for-film-distribution-finance-and-production/ |archive-date=August 16, 2016 |url-status=dead}}</ref> |
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| former_name = A24 Films (2012–2016) |
| former_name = A24 Films (2012–2016){{cn|date=July 2024}} |
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| location_city = [[Manhattan]], [[New York City]]<!-- A24 was officially founded in New York as confirmed on its official website; DO NOT CHANGE THIS! --> |
| location_city = [[Manhattan]], [[New York City]]<!-- A24 was officially founded in New York as confirmed on its official website; DO NOT CHANGE THIS! --> |
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| location_country = United States |
| location_country = United States |
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}} |
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'''A24''' |
'''A24 Films LLC''', commonly referred to as '''A24''', is an American [[Privately held company|independent]] [[entertainment]] company that specializes in [[film]] and [[television]] production, as well as [[film distribution]]. The company is based in [[Manhattan]].<ref name="A24"/> |
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The company was founded in 2012 by Daniel Katz, David Fenkel, and John Hodges.<ref name="Launch">{{cite web |url=https://variety.com/2012/film/news/katz-fenkel-hodges-launch-a24-1118058061/ |title=Katz, Fenkel, Hodges launch A24 |last=McNary |first=Dave |author-link=Dave McNary |work=[[Variety (magazine)|Variety]] |date=August 20, 2012 |access-date=July 30, 2016 |archive-date=June 25, 2016 |archive-url=https://web.archive.org/web/20160625083810/https://variety.com/2012/film/news/katz-fenkel-hodges-launch-a24-1118058061/ |url-status=live}}</ref> Prior to A24, all had worked extensively in film and production before leaving their positions to co-found the company, originally '''A24 Films''', which specialized in film distribution. Starting off in 2013 with ''[[A Glimpse Inside the Mind of Charles Swan III]]'', the company's growth started with the release of ''[[Spring Breakers]]'' later that year. In 2014, A24 picked up the U.S. rights to ''[[Ex Machina (film)|Ex Machina]]'' and ''[[Room (2015 film)|Room]]'' in 2015, before obtaining worldwide rights to ''[[The Witch (2015 film)|The Witch]]'', which was released theatrically in 2015 |
The company was founded in 2012 by Daniel Katz, David Fenkel, and John Hodges.<ref name="Launch">{{cite web |url=https://variety.com/2012/film/news/katz-fenkel-hodges-launch-a24-1118058061/ |title=Katz, Fenkel, Hodges launch A24 |last=McNary |first=Dave |author-link=Dave McNary |work=[[Variety (magazine)|Variety]] |date=August 20, 2012 |access-date=July 30, 2016 |archive-date=June 25, 2016 |archive-url=https://web.archive.org/web/20160625083810/https://variety.com/2012/film/news/katz-fenkel-hodges-launch-a24-1118058061/ |url-status=live}}</ref> Prior to A24, all had worked extensively in film and production before leaving their positions to co-found the company, originally '''A24 Films''', which specialized in film distribution. Starting off in 2013 with ''[[A Glimpse Inside the Mind of Charles Swan III]]'', the company's growth started with the release of ''[[Spring Breakers]]'' later that year. In 2014, A24 picked up the U.S. rights to ''[[Ex Machina (film)|Ex Machina]]'' and ''[[Room (2015 film)|Room]]'' in 2015, before obtaining worldwide rights to ''[[The Witch (2015 film)|The Witch]]'', which was released theatrically in 2015.<ref name="Rise">{{cite news |title=The rise and rise of A24, a champion of storytelling on screen |newspaper=[[The Economist]] |url=https://www.economist.com/culture/2022/09/01/the-rise-and-rise-of-a24-a-champion-of-storytelling-on-screen |access-date=September 3, 2022 |issn=0013-0613 |url-access=subscription |archive-date=September 4, 2022 |archive-url=https://web.archive.org/web/20220904050925/https://www.economist.com/culture/2022/09/01/the-rise-and-rise-of-a24-a-champion-of-storytelling-on-screen |url-status=live}}</ref> They entered into deals with [[Amazon Prime Video]], and [[DirecTV Cinema]] in late 2013, with some films distributed through them, and the name was changed to just A24 in 2016.{{cn|date=July 2024}} In 2022, A24 distributed the film ''[[Everything Everywhere All at Once]]'', which won the [[Academy Award for Best Picture]] and six more [[Academy Awards|Oscars]]; the film has also received acclaim from both audiences and critics.<ref name="Sperling">{{cite web |last=Sperling |first=Nicole |date=March 13, 2023 |title=A24 Achieves Art-House Supremacy with Triumphant Oscar Night |language=en-US |work=[[The New York Times]] |url=https://www.nytimes.com/2023/03/13/business/media/a24-oscars-everything-everywhere-the-whale.html |access-date=June 18, 2023 |issn=0362-4331 |url-access=subscription |archive-date=March 13, 2023 |archive-url=https://web.archive.org/web/20230313200248/https://www.nytimes.com/2023/03/13/business/media/a24-oscars-everything-everywhere-the-whale.html |url-status=live}}</ref><ref>{{cite web |url=https://www.cosmopolitan.com/uk/entertainment/a40101390/everything-everywhere-all-at-once-twitter-reaction/ |title=Viewers are all saying the same thing about 'Everything Everywhere All at Once' |last=Scott |first=Daniella |work=[[Cosmopolitan (magazine)|Cosmopolitan]] |date=May 25, 2022 |access-date=January 28, 2024}}</ref><ref>{{cite web |url=https://www.rottentomatoes.com/m/everything_everywhere_all_at_once/reviews |title=Everything Everywhere All at Once - Movie Reviews |publisher=[[Rotten Tomatoes]] |access-date=January 28, 2024 |archive-date=January 28, 2024 |archive-url=https://web.archive.org/web/20240128050501/https://www.rottentomatoes.com/m/everything_everywhere_all_at_once/reviews |url-status=live }}</ref> |
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A24's television division has produced [[List of A24 programs|numerous programs]], including ''[[At Home with Amy Sedaris]]'' (2017–2020), ''[[Beef (TV series)|Beef]]'' (2023), ''[[The Carmichael Show]]'' (2015–2017), ''[[Euphoria (American TV series)|Euphoria]]'' (2019–present), ''[[I'm Sorry (TV series)|I'm Sorry]]'' (2017–2019), ''[[Irma Vep (miniseries)|Irma Vep]]'' (2022), ''[[Mo (TV series)|Mo]]'' (2022–present), ''[[Mr. Corman]]'' (2021), ''[[Ramy (TV series)|Ramy]]'' (2019–2022), and ''[[Ziwe]]'' (2021–2022).<ref name="TV">{{cite web |last=Adalian |first=Josef |date=August 25, 2022 |title=The Age of A24 TV is Upon Us |url=https://www.vulture.com/article/a24-tv-strategy.html |url-access=subscription |access-date=May 25, 2023 |work=[[Vulture (website)|Vulture]] |archive-date=May 11, 2023 |archive-url=https://web.archive.org/web/20230511011853/https://www.vulture.com/article/a24-tv-strategy.html |url-status=live}}</ref> |
A24's television division has produced [[List of A24 programs|numerous programs]], including ''[[At Home with Amy Sedaris]]'' (2017–2020), ''[[Beef (TV series)|Beef]]'' (2023), ''[[The Carmichael Show]]'' (2015–2017), ''[[Euphoria (American TV series)|Euphoria]]'' (2019–present), ''[[I'm Sorry (TV series)|I'm Sorry]]'' (2017–2019), ''[[Irma Vep (miniseries)|Irma Vep]]'' (2022), ''[[Mo (TV series)|Mo]]'' (2022–present), ''[[Mr. Corman]]'' (2021), ''[[Ramy (TV series)|Ramy]]'' (2019–2022), and ''[[Ziwe (talk show)|Ziwe]]'' (2021–2022).<ref name="TV">{{cite web |last=Adalian |first=Josef |date=August 25, 2022 |title=The Age of A24 TV is Upon Us |url=https://www.vulture.com/article/a24-tv-strategy.html |url-access=subscription |access-date=May 25, 2023 |work=[[Vulture (website)|Vulture]] |archive-date=May 11, 2023 |archive-url=https://web.archive.org/web/20230511011853/https://www.vulture.com/article/a24-tv-strategy.html |url-status=live}}</ref> |
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The company has also frequently worked with artistically minded writer-directors, including [[Darren Aronofsky]], [[Ari Aster]], [[Sean Baker (filmmaker)|Sean Baker]], the [[Daniels (directors)|Daniels]], [[Robert Eggers]], [[Alex Garland]], [[Rose Glass]], [[Joanna Hogg]], [[Yorgos Lanthimos]], [[David Lowery (director)|David Lowery]] and the [[Safdie brothers]].<ref>{{cite web |last=McKenna |first=Eoin |date=July 15, 2022 |title=Introducing A24's Top Directors |url=https://www.dontdiewondering.com/introducing-a24s-top-directors/ |access-date=August 22, 2023 |work=Don't Die Wondering}}</ref><ref>{{cite web |last1=Saab |first1=Hannah |last2=Merrick |first2=Jeff |date=March 16, 2023 |title=From Ari Aster to the Daniels: A24's 10 Best Reoccurring Directors |url=https://collider.com/a24-directors-ranked/ |access-date=August 22, 2023 |work=[[Collider (website)|Collider]] |url-access=subscription}}</ref><ref name="Flaherty">{{cite web |last=Flaherty |first=Taryn |date=April 6, 2023 |title=How Directors Robert Eggers & Ari Aster Have Influenced Modern Horror |url=https://movieweb.com/robert-eggers-ari-aster-directors-influenced-modern-horror/ |access-date=August 22, 2023 |publisher=[[MovieWeb]] |url-access=subscription}}</ref> |
The company has also frequently worked with artistically minded writer-directors, including [[Darren Aronofsky]], [[Ari Aster]], [[Sean Baker (filmmaker)|Sean Baker]], the [[Daniels (directors)|Daniels]], [[Robert Eggers]], [[Alex Garland]], [[Rose Glass]], [[Joanna Hogg]], [[Yorgos Lanthimos]], [[David Lowery (director)|David Lowery]] and the [[Safdie brothers]].<ref>{{cite web |last=McKenna |first=Eoin |date=July 15, 2022 |title=Introducing A24's Top Directors |url=https://www.dontdiewondering.com/introducing-a24s-top-directors/ |access-date=August 22, 2023 |work=Don't Die Wondering |archive-date=September 29, 2023 |archive-url=https://web.archive.org/web/20230929064444/https://www.dontdiewondering.com/introducing-a24s-top-directors/ |url-status=live }}</ref><ref>{{cite web |last1=Saab |first1=Hannah |last2=Merrick |first2=Jeff |date=March 16, 2023 |title=From Ari Aster to the Daniels: A24's 10 Best Reoccurring Directors |url=https://collider.com/a24-directors-ranked/ |access-date=August 22, 2023 |work=[[Collider (website)|Collider]] |url-access=subscription |archive-date=May 19, 2023 |archive-url=https://web.archive.org/web/20230519105119/https://collider.com/a24-directors-ranked/ |url-status=live }}</ref><ref name="Flaherty">{{cite web |last=Flaherty |first=Taryn |date=April 6, 2023 |title=How Directors Robert Eggers & Ari Aster Have Influenced Modern Horror |url=https://movieweb.com/robert-eggers-ari-aster-directors-influenced-modern-horror/ |access-date=August 22, 2023 |publisher=[[MovieWeb]] |url-access=subscription |archive-date=September 29, 2023 |archive-url=https://web.archive.org/web/20230929051440/https://movieweb.com/robert-eggers-ari-aster-directors-influenced-modern-horror/ |url-status=live }}</ref> |
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A24 has developed a reputation as a powerhouse in [[independent film]] with a passionate fanbase.<ref>{{cite web |last=Jones |first=Nate |date=August 22, 2022 |title=The Cult of A24 |url=https://www.vulture.com/article/a24-movies-cult.html |access-date=June 18, 2023 |work=[[Vulture (website)|Vulture]] |language=en-US |url-access=subscription |archive-date=May 21, 2023 |archive-url=https://web.archive.org/web/20230521114716/https://www.vulture.com/article/a24-movies-cult.html |url-status=live}}</ref><ref>{{cite web |url=https://junkee.com/a24-ultimate-film-cult/324583 |title=How A24 Became the Ultimate Film Cult |last=Salem |first=Merryana |publisher=[[Junkee]] |date=May 25, 2022 |access-date=May 25, 2022}}</ref><ref>{{cite web |last=Sanders |first=Sam |date=August 5, 2022 |title=A24 Knows How to Get People to Watch Its Films |url=https://www.vulture.com/article/a24-films-branding-into-it-podcast.html |access-date=August 15, 2023 |work=[[Vulture (website)|Vulture]] |language=en-US |url-access=subscription}}</ref> Its projects have also had a major influence on style in contemporary horror and arthouse films, among other areas.<ref name="Guerrasio">{{cite web |url=https://www.insider.com/a24-cool-kids-of-hollywood-everything-everywhere-all-at-once-2023-3 |title=A24, the studio behind 'Everything Everywhere All at Once', is the 'cool kid' of Hollywood |last=Guerrasio |first=Jason |publisher=[[Insider Inc.|Insider]] |date=March 8, 2023 |access-date=March 8, 2023}}</ref><ref name="Elevated">{{cite web |last=Bradley |first=Laura |date=December 18, 2019 |title=This Was the Decade Horror Got "Elevated" |url=https://www.vanityfair.com/hollywood/2019/12/rise-of-elevated-horror-decade-2010s |url-access=subscription |access-date=May 1, 2023 |work=[[Vanity Fair (magazine)|Vanity Fair]] |archive-date=November 23, 2020 |archive-url=https://web.archive.org/web/20201123194425/https://www.vanityfair.com/hollywood/2019/12/rise-of-elevated-horror-decade-2010s |url-status=live}}</ref><ref name="Rao">{{cite news |last=Rao |first=Sonia |date=August 5, 2019 |title=How the indie studio behind 'Moonlight', 'Lady Bird' and 'Hereditary' flourished while breaking Hollywood rules |language=en-US |newspaper=[[The Washington Post]] |url=https://www.washingtonpost.com/lifestyle/style/how-the-indie-studio-behind-moonlight-lady-bird-and-hereditary-flourished-while-breaking-hollywood-rules/2019/08/01/47094878-a4dc-11e9-bd56-eac6bb02d01d_story.html |access-date=June 18, 2023 |issn=0190-8286 |url-access=subscription |archive-date=January 26, 2022 |archive-url=https://web.archive.org/web/20220126062634/https://www.washingtonpost.com/lifestyle/style/how-the-indie-studio-behind-moonlight-lady-bird-and-hereditary-flourished-while-breaking-hollywood-rules/2019/08/01/47094878-a4dc-11e9-bd56-eac6bb02d01d_story.html |url-status=live}}</ref> A24 is also known for the originality and artistic style of films it produces, generally shunning the style of films produced or released by the [[major film studios]].<ref name="Sperling"/><ref name="Rao"/><ref>{{cite web |last=Lodge |first=Guy |date=March 11, 2023 |title='A24 finds the zeitgeist and sets the trend': how a small indie producer came to dominate the Oscars |language=en-GB |work=[[The Guardian]] |url=https://www.theguardian.com/film/2023/mar/11/a24-oscars-indie-producer-everything-everywhere-all-at-once |access-date=June 18, 2023 |issn=0261-3077 |archive-date=April 22, 2023 |archive-url=https://web.archive.org/web/20230422180901/https://www.theguardian.com/film/2023/mar/11/a24-oscars-indie-producer-everything-everywhere-all-at-once |url-status=live}}</ref> |
A24 has developed a reputation as a powerhouse in [[independent film]] with a passionate fanbase.<ref>{{cite web |last=Jones |first=Nate |date=August 22, 2022 |title=The Cult of A24 |url=https://www.vulture.com/article/a24-movies-cult.html |access-date=June 18, 2023 |work=[[Vulture (website)|Vulture]] |language=en-US |url-access=subscription |archive-date=May 21, 2023 |archive-url=https://web.archive.org/web/20230521114716/https://www.vulture.com/article/a24-movies-cult.html |url-status=live}}</ref><ref>{{cite web |url=https://junkee.com/a24-ultimate-film-cult/324583 |title=How A24 Became the Ultimate Film Cult |last=Salem |first=Merryana |publisher=[[Junkee]] |date=May 25, 2022 |access-date=May 25, 2022 |archive-date=December 12, 2023 |archive-url=https://web.archive.org/web/20231212015918/https://junkee.com/a24-ultimate-film-cult/324583 |url-status=live }}</ref><ref>{{cite web |last=Sanders |first=Sam |date=August 5, 2022 |title=A24 Knows How to Get People to Watch Its Films |url=https://www.vulture.com/article/a24-films-branding-into-it-podcast.html |access-date=August 15, 2023 |work=[[Vulture (website)|Vulture]] |language=en-US |url-access=subscription |archive-date=November 23, 2023 |archive-url=https://web.archive.org/web/20231123150136/https://www.vulture.com/article/a24-films-branding-into-it-podcast.html |url-status=live }}</ref> Its projects have also had a major influence on style in contemporary horror and arthouse films, among other areas.<ref name="Guerrasio">{{cite web |url=https://www.insider.com/a24-cool-kids-of-hollywood-everything-everywhere-all-at-once-2023-3 |title=A24, the studio behind 'Everything Everywhere All at Once', is the 'cool kid' of Hollywood |last=Guerrasio |first=Jason |publisher=[[Insider Inc.|Insider]] |date=March 8, 2023 |access-date=March 8, 2023 |archive-date=September 23, 2024 |archive-url=https://web.archive.org/web/20240923154324/https://www.businessinsider.com/a24-cool-kids-of-hollywood-everything-everywhere-all-at-once-2023-3 |url-status=live }}</ref><ref name="Elevated">{{cite web |last=Bradley |first=Laura |date=December 18, 2019 |title=This Was the Decade Horror Got "Elevated" |url=https://www.vanityfair.com/hollywood/2019/12/rise-of-elevated-horror-decade-2010s |url-access=subscription |access-date=May 1, 2023 |work=[[Vanity Fair (magazine)|Vanity Fair]] |archive-date=November 23, 2020 |archive-url=https://web.archive.org/web/20201123194425/https://www.vanityfair.com/hollywood/2019/12/rise-of-elevated-horror-decade-2010s |url-status=live}}</ref><ref name="Rao">{{cite news |last=Rao |first=Sonia |date=August 5, 2019 |title=How the indie studio behind 'Moonlight', 'Lady Bird' and 'Hereditary' flourished while breaking Hollywood rules |language=en-US |newspaper=[[The Washington Post]] |url=https://www.washingtonpost.com/lifestyle/style/how-the-indie-studio-behind-moonlight-lady-bird-and-hereditary-flourished-while-breaking-hollywood-rules/2019/08/01/47094878-a4dc-11e9-bd56-eac6bb02d01d_story.html |access-date=June 18, 2023 |issn=0190-8286 |url-access=subscription |archive-date=January 26, 2022 |archive-url=https://web.archive.org/web/20220126062634/https://www.washingtonpost.com/lifestyle/style/how-the-indie-studio-behind-moonlight-lady-bird-and-hereditary-flourished-while-breaking-hollywood-rules/2019/08/01/47094878-a4dc-11e9-bd56-eac6bb02d01d_story.html |url-status=live}}</ref> A24 is also known for the originality and artistic style of films it produces, generally shunning the style of films produced or released by the [[major film studios]].<ref name="Sperling"/><ref name="Rao"/><ref>{{cite web |last=Lodge |first=Guy |date=March 11, 2023 |title='A24 finds the zeitgeist and sets the trend': how a small indie producer came to dominate the Oscars |language=en-GB |work=[[The Guardian]] |url=https://www.theguardian.com/film/2023/mar/11/a24-oscars-indie-producer-everything-everywhere-all-at-once |access-date=June 18, 2023 |issn=0261-3077 |archive-date=April 22, 2023 |archive-url=https://web.archive.org/web/20230422180901/https://www.theguardian.com/film/2023/mar/11/a24-oscars-indie-producer-everything-everywhere-all-at-once |url-status=live}}</ref> |
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==History== |
==History== |
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Guggenheim Partners provided the [[seed money]] for A24. The company was started to share "movies from a distinctive point of view".<ref name="Doster">{{cite web |url=https://www.fastcompany.com/3054918/upstart-distributor-a24-is-making-indie-films-exciting-again |title=Upstart Distributor A24 is Making Indie Films Exciting Again |last=Doster |first=Adam |date=January 11, 2016 |work=[[Fast Company]] |access-date=August 2, 2016 |publisher=Mansueto Ventures, LLC |url-access=subscription |archive-date=July 23, 2016 |archive-url=https://web.archive.org/web/20160723061639/https://www.fastcompany.com/3054918/upstart-distributor-a24-is-making-indie-films-exciting-again |url-status=live}}</ref> In October 2012, Nicolette Aizenberg joined as head of publicity from 42West where she was senior publicity executive.<ref>{{cite web |url=https://www.hollywoodreporter.com/movies/movie-news/nicolette-aizenberg-a24-publicity-376254/ |title=Nicolette Aizenberg Joins A24 as Head of Publicity |date=October 3, 2012 |first=Gregg |last=Kilday |work=[[The Hollywood Reporter]] |access-date=August 2, 2016 |archive-date=October 11, 2016 |archive-url=https://web.archive.org/web/20161011102031/https://www.hollywoodreporter.com/movies/movie-news/nicolette-aizenberg-a24-publicity-376254/ |url-status=live}}</ref> |
Guggenheim Partners provided the [[seed money]] for A24. The company was started to share "movies from a distinctive point of view".<ref name="Doster">{{cite web |url=https://www.fastcompany.com/3054918/upstart-distributor-a24-is-making-indie-films-exciting-again |title=Upstart Distributor A24 is Making Indie Films Exciting Again |last=Doster |first=Adam |date=January 11, 2016 |work=[[Fast Company]] |access-date=August 2, 2016 |publisher=Mansueto Ventures, LLC |url-access=subscription |archive-date=July 23, 2016 |archive-url=https://web.archive.org/web/20160723061639/https://www.fastcompany.com/3054918/upstart-distributor-a24-is-making-indie-films-exciting-again |url-status=live}}</ref> In October 2012, Nicolette Aizenberg joined as head of publicity from 42West where she was senior publicity executive.<ref>{{cite web |url=https://www.hollywoodreporter.com/movies/movie-news/nicolette-aizenberg-a24-publicity-376254/ |title=Nicolette Aizenberg Joins A24 as Head of Publicity |date=October 3, 2012 |first=Gregg |last=Kilday |work=[[The Hollywood Reporter]] |access-date=August 2, 2016 |archive-date=October 11, 2016 |archive-url=https://web.archive.org/web/20161011102031/https://www.hollywoodreporter.com/movies/movie-news/nicolette-aizenberg-a24-publicity-376254/ |url-status=live}}</ref> |
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The company began its distribution of films in 2013.<!-- Began *what* in 2013? It says founded in 2012 and cite doesn't mention year of "beginning". --><ref>{{cite web |url=https://www.latimes.com/entertainment/movies/la-xpm-2013-jun-14-la-et-mn-bling-ring-brains-20130614-story.html |title=A24: The brains behind 'The Bling Ring' zing |work=[[Los Angeles Times]] |first=Chris |last=Lee |date=June 14, 2013 |url-access=subscription |access-date=April 17, 2020 |archive-date=October 5, 2018 |archive-url=https://web.archive.org/web/20181005162604/https://www.latimes.com/entertainment/movies/la-xpm-2013-jun-14-la-et-mn-bling-ring-brains-20130614-story.html |url-status=live}}</ref> The company's first theatrical release was [[Roman Coppola]]'s ''[[A Glimpse Inside the Mind of Charles Swan III]]'', which had a [[limited theatrical release]]. Other 2013 theatrical releases included [[Sofia Coppola]]'s ''[[The Bling Ring]]'', [[Harmony Korine]]'s ''[[Spring Breakers]]'', [[James Ponsoldt]]'s ''[[The Spectacular Now]]'', and [[Sally Potter]]'s ''[[Ginger & Rosa]]''.<ref name="GQ"/><ref>{{cite web |url=https://www.slate.com/articles/arts/culturebox/2015/09/profile_of_the_independent_film_distributor_a24_the_company_behind_spring.html |title=The Distributor as Auteur |last=Ehrlich |first=David |date=September 30, 2015 |work=[[Slate (magazine)|Slate]] |access-date=January 25, 2018 |language=en-US |issn=1091-2339 |archive-date=January 25, 2018 |archive-url=https://web.archive.org/web/20180125015827/https://www.slate.com/articles/arts/culturebox/2015/09/profile_of_the_independent_film_distributor_a24_the_company_behind_spring.html |url-status=live}}</ref><ref>{{cite web |url=https://screenrant.com/movies-didnt-know-a24/ |title=10 Movies You Didn't Know Were from A24 |last=Indelicato |first=Sophia |work=[[Screen Rant]] |date=August 11, 2022 |access-date=August 11, 2022 |url-access=subscription}}</ref><ref>{{cite web |url=https://movieweb.com/why-sofia-coppolas-the-bling-ring-has-aged-so-well/ |title='The Bling Ring': Why Sofia Coppola's A24 Film Has Aged So Well |last=Bolling |first=Gaius |publisher=[[MovieWeb]] |date=November 3, 2023 |access-date=November 5, 2023 |url-access=subscription}}</ref> |
The company began its distribution of films in 2013.<!-- Began *what* in 2013? It says founded in 2012 and cite doesn't mention year of "beginning". --><ref>{{cite web |url=https://www.latimes.com/entertainment/movies/la-xpm-2013-jun-14-la-et-mn-bling-ring-brains-20130614-story.html |title=A24: The brains behind 'The Bling Ring' zing |work=[[Los Angeles Times]] |first=Chris |last=Lee |date=June 14, 2013 |url-access=subscription |access-date=April 17, 2020 |archive-date=October 5, 2018 |archive-url=https://web.archive.org/web/20181005162604/https://www.latimes.com/entertainment/movies/la-xpm-2013-jun-14-la-et-mn-bling-ring-brains-20130614-story.html |url-status=live}}</ref> The company's first theatrical release was [[Roman Coppola]]'s ''[[A Glimpse Inside the Mind of Charles Swan III]]'', which had a [[limited theatrical release]]. Other 2013 theatrical releases included [[Sofia Coppola]]'s ''[[The Bling Ring]]'', [[Harmony Korine]]'s ''[[Spring Breakers]]'', [[James Ponsoldt]]'s ''[[The Spectacular Now]]'', and [[Sally Potter]]'s ''[[Ginger & Rosa]]''.<ref name="GQ"/><ref>{{cite web |url=https://www.slate.com/articles/arts/culturebox/2015/09/profile_of_the_independent_film_distributor_a24_the_company_behind_spring.html |title=The Distributor as Auteur |last=Ehrlich |first=David |date=September 30, 2015 |work=[[Slate (magazine)|Slate]] |access-date=January 25, 2018 |language=en-US |issn=1091-2339 |archive-date=January 25, 2018 |archive-url=https://web.archive.org/web/20180125015827/https://www.slate.com/articles/arts/culturebox/2015/09/profile_of_the_independent_film_distributor_a24_the_company_behind_spring.html |url-status=live}}</ref><ref>{{cite web |url=https://screenrant.com/movies-didnt-know-a24/ |title=10 Movies You Didn't Know Were from A24 |last=Indelicato |first=Sophia |work=[[Screen Rant]] |date=August 11, 2022 |access-date=August 11, 2022 |url-access=subscription |archive-date=May 5, 2023 |archive-url=https://web.archive.org/web/20230505065432/https://screenrant.com/movies-didnt-know-a24/ |url-status=live }}</ref><ref>{{cite web |url=https://movieweb.com/why-sofia-coppolas-the-bling-ring-has-aged-so-well/ |title='The Bling Ring': Why Sofia Coppola's A24 Film Has Aged So Well |last=Bolling |first=Gaius |publisher=[[MovieWeb]] |date=November 3, 2023 |access-date=November 5, 2023 |url-access=subscription |archive-date=September 23, 2024 |archive-url=https://web.archive.org/web/20240923154252/https://movieweb.com/why-sofia-coppolas-the-bling-ring-has-aged-so-well/ |url-status=live }}</ref> |
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In September 2013, A24 entered a $40 million deal with [[DirecTV Cinema]], where DirecTV Cinema would offer day-and-date releases 30 days prior to a theatrical release by A24; ''[[Enemy (2013 film)|Enemy]]'' was the first film to be distributed under the deal.<ref>{{cite web |url=https://www.wsj.com/articles/SB10001424052702304795804579101510683848666 |title=DirecTV to Help Finance Indie Films |date=September 29, 2013 |first1=Shalini |last1=Ramachandran |first2=Ben |last2=Fritz |work=[[The Wall Street Journal]] |url-access=subscription |archive-url=https://archive.today/20210913004955/https://www.wsj.com/articles/SB10001424052702304795804579101510683848666 |archive-date=September 13, 2021 |url-status=live |access-date=September 13, 2021}}</ref> That same year, A24 entered a deal with [[Amazon Prime]], where A24-distributed films would be available on [[Amazon Prime Video|Amazon Instant Video]] after becoming available on [[Blu-ray]] and [[DVD]].<ref>{{cite web |url=https://www.hollywoodreporter.com/news/general-news/amazon-prime-a24-announce-multi-658584/ |title=Amazon Prime, A24 Announce Exclusive Multi-Year Streaming Deal |work=[[The Hollywood Reporter]] |first=Hilary |last=Lewis |date=November 21, 2013 |access-date=May 17, 2016 |archive-date=May 27, 2016 |archive-url=https://web.archive.org/web/20160527192345/https://www.hollywoodreporter.com/news/general-news/amazon-prime-a24-announce-multi-658584/ |url-status=live}}</ref> |
In September 2013, A24 entered a $40 million deal with [[DirecTV Cinema]], where DirecTV Cinema would offer day-and-date releases 30 days prior to a theatrical release by A24; ''[[Enemy (2013 film)|Enemy]]'' was the first film to be distributed under the deal.<ref>{{cite web |url=https://www.wsj.com/articles/SB10001424052702304795804579101510683848666 |title=DirecTV to Help Finance Indie Films |date=September 29, 2013 |first1=Shalini |last1=Ramachandran |first2=Ben |last2=Fritz |work=[[The Wall Street Journal]] |url-access=subscription |archive-url=https://archive.today/20210913004955/https://www.wsj.com/articles/SB10001424052702304795804579101510683848666 |archive-date=September 13, 2021 |url-status=live |access-date=September 13, 2021}}</ref> That same year, A24 entered a deal with [[Amazon Prime]], where A24-distributed films would be available on [[Amazon Prime Video|Amazon Instant Video]] after becoming available on [[Blu-ray]] and [[DVD]].<ref>{{cite web |url=https://www.hollywoodreporter.com/news/general-news/amazon-prime-a24-announce-multi-658584/ |title=Amazon Prime, A24 Announce Exclusive Multi-Year Streaming Deal |work=[[The Hollywood Reporter]] |first=Hilary |last=Lewis |date=November 21, 2013 |access-date=May 17, 2016 |archive-date=May 27, 2016 |archive-url=https://web.archive.org/web/20160527192345/https://www.hollywoodreporter.com/news/general-news/amazon-prime-a24-announce-multi-658584/ |url-status=live}}</ref> |
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===2018–2019: Management changes and partnerships=== |
===2018–2019: Management changes and partnerships=== |
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On February 28, 2018, A24 launched a [[podcast]] titled "The A24 Podcast".<ref>{{cite web |url=https://www.instagram.com/p/BfwWLZuFgGY/ |title=The @A24 Podcast is here! For the first episode, Greta Gerwig joins @MoonlightMov director Barry Jenkins for a conversation on what it's like to make a movie about the place you grew up — link in bio! #LadyBird |publisher=[[Instagram]] |date=February 28, 2018 |access-date=February 28, 2018}}</ref> Episodes are based around a discussion between two members of the film industry. Guests on the podcast have included [[Bo Burnham]], [[Sofia Coppola]], [[Paul Schrader]], [[Martin Scorsese]], and [[Alia Shawkat]]. Despite lacking any pre-defined structure, episodes generally contain discussions around recent works of the two guests, allowing for branching discussions to other areas. The first two guests were [[Barry Jenkins]] (director of A24's ''[[Moonlight (2016 film)|Moonlight]]'') and [[Greta Gerwig]] (director of A24's ''[[Lady Bird (film)|Lady Bird]]''), who both discussed what it's like to make a movie about the place they grew up.<ref>{{cite web |url=https://a24films.com/notes/2018/02/episode-01-all-the-way-home-with-barry-jenkins-greta-gerwig |title=All The Way Home with Barry Jenkins & Greta Gerwig |publisher=A24 Films |date=February 28, 2018 |access-date=February 28, 2018}}</ref> As of October 18, 2023, 38 episodes have been released.<ref>{{cite web |url=https://a24films.com/notes?f=Podcast |title=Notes {{!}} A24 |publisher=A24 Films |access-date=February 12, 2021 |archive-url=https://web.archive.org/web/20210414085826/https://a24films.com/notes?f=Podcast |archive-date=April 14, 2021 |url-status=live}}</ref><ref>{{cite web |url=https://www.pandora.com/podcast/the-a24-podcast/PC:16529?source=stitcher-sunset |title=The A24 Podcast |publisher=[[Pandora (service)|Pandora]] |access-date=October 1, 2018 |archive-url=https://web.archive.org/web/20181001104026/https://www.stitcher.com/podcast/a-twentyfour-podcast/the-a24-podcast |archive-date=October 1, 2018 |url-status=live}}</ref><ref>{{cite web |url=https://podcasts.apple.com/us/podcast/the-a24-podcast/id1351044991 |title=The A24 Podcast by A24 on Apple Podcasts |publisher=[[Apple Podcasts]] |access-date=October 1, 2018 |archive-url=https://web.archive.org/web/20181001070324/https://podcasts.apple.com/us/podcast/the-a24-podcast/id1351044991 |archive-date=October 1, 2018 |url-status=live}}</ref> |
On February 28, 2018, A24 launched a [[podcast]] titled "The A24 Podcast".<ref>{{cite web |url=https://www.instagram.com/p/BfwWLZuFgGY/ |title=The @A24 Podcast is here! For the first episode, Greta Gerwig joins @MoonlightMov director Barry Jenkins for a conversation on what it's like to make a movie about the place you grew up — link in bio! #LadyBird |publisher=[[Instagram]] |date=February 28, 2018 |access-date=February 28, 2018 |archive-date=September 8, 2023 |archive-url=https://web.archive.org/web/20230908055004/https://www.instagram.com/p/BfwWLZuFgGY/ |url-status=live }}</ref> Episodes are based around a discussion between two members of the film industry. Guests on the podcast have included [[Bo Burnham]], [[Sofia Coppola]], [[Paul Schrader]], [[Martin Scorsese]], and [[Alia Shawkat]]. Despite lacking any pre-defined structure, episodes generally contain discussions around recent works of the two guests, allowing for branching discussions to other areas. The first two guests were [[Barry Jenkins]] (director of A24's ''[[Moonlight (2016 film)|Moonlight]]'') and [[Greta Gerwig]] (director of A24's ''[[Lady Bird (film)|Lady Bird]]''), who both discussed what it's like to make a movie about the place they grew up.<ref>{{cite web |url=https://a24films.com/notes/2018/02/episode-01-all-the-way-home-with-barry-jenkins-greta-gerwig |title=All The Way Home with Barry Jenkins & Greta Gerwig |publisher=A24 Films |date=February 28, 2018 |access-date=February 28, 2018 |archive-date=March 1, 2018 |archive-url=https://web.archive.org/web/20180301130512/https://a24films.com/notes/2018/02/episode-01-all-the-way-home-with-barry-jenkins-greta-gerwig |url-status=live }}</ref> As of October 18, 2023, 38 episodes have been released.<ref>{{cite web |url=https://a24films.com/notes?f=Podcast |title=Notes {{!}} A24 |publisher=A24 Films |access-date=February 12, 2021 |archive-url=https://web.archive.org/web/20210414085826/https://a24films.com/notes?f=Podcast |archive-date=April 14, 2021 |url-status=live}}</ref><ref>{{cite web |url=https://www.pandora.com/podcast/the-a24-podcast/PC:16529?source=stitcher-sunset |title=The A24 Podcast |publisher=[[Pandora (service)|Pandora]] |access-date=October 1, 2018 |archive-url=https://web.archive.org/web/20181001104026/https://www.stitcher.com/podcast/a-twentyfour-podcast/the-a24-podcast |archive-date=October 1, 2018 |url-status=live}}</ref><ref>{{cite web |url=https://podcasts.apple.com/us/podcast/the-a24-podcast/id1351044991 |title=The A24 Podcast by A24 on Apple Podcasts |publisher=[[Apple Podcasts]] |access-date=October 1, 2018 |archive-url=https://web.archive.org/web/20181001070324/https://podcasts.apple.com/us/podcast/the-a24-podcast/id1351044991 |archive-date=October 1, 2018 |url-status=live}}</ref> |
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On March 26, 2018, co-founder John Hodges announced that he was exiting the company.<ref>{{cite web |url=https://deadline.com/2018/03/john-hodges-founder-a24-exits-1202353537/ |title=A24 Founder John Hodges to Part Ways with the Company |last=N'Duka |first=Amanda |date=March 26, 2018 |work=[[Deadline Hollywood]] |access-date=June 13, 2018 |archive-date=June 14, 2018 |archive-url=https://web.archive.org/web/20180614045313/https://deadline.com/2018/03/john-hodges-founder-a24-exits-1202353537/ |url-status=live}}</ref> On November 15, 2018, A24 and [[Apple Inc.|Apple]] announced that they had entered into a multi-year partnership where A24 will produce a slate of original films for Apple. This was not a [[first-look deal]], meaning that A24 can continue to produce and acquire films to release outside of the deal, and that it would not affect previous deals that A24 had signed with other companies. It is currently unknown if this slate of films will have a theatrical release or be exclusive to Apple's streaming service |
On March 26, 2018, co-founder John Hodges announced that he was exiting the company.<ref>{{cite web |url=https://deadline.com/2018/03/john-hodges-founder-a24-exits-1202353537/ |title=A24 Founder John Hodges to Part Ways with the Company |last=N'Duka |first=Amanda |date=March 26, 2018 |work=[[Deadline Hollywood]] |access-date=June 13, 2018 |archive-date=June 14, 2018 |archive-url=https://web.archive.org/web/20180614045313/https://deadline.com/2018/03/john-hodges-founder-a24-exits-1202353537/ |url-status=live}}</ref> On November 15, 2018, A24 and [[Apple Inc.|Apple]] announced that they had entered into a multi-year partnership where A24 will produce a slate of original films for Apple. This was not a [[first-look deal]], meaning that A24 can continue to produce and acquire films to release outside of the deal, and that it would not affect previous deals that A24 had signed with other companies. It is currently unknown if this slate of films will have a theatrical release or be exclusive to Apple's streaming service, [[Apple TV+]].<ref>{{cite web |last=Lang |first=Brent |title=Apple Taps A24 to Produce Slate of Films |url=https://variety.com/2018/film/news/apple-a24-films-1203029800/ |work=[[Variety (magazine)|Variety]] |access-date=November 16, 2018 |date=November 15, 2018 |archive-date=November 16, 2018 |archive-url=https://web.archive.org/web/20181116000538/https://variety.com/2018/film/news/apple-a24-films-1203029800/ |url-status=live}}</ref> |
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On November 13, 2019, A24 entered into a premium cable television broadcast deal with [[Showtime Networks]], covering all film releases through November 1, 2022. The deal excludes films that are already part of the Apple partnership.<ref>{{cite web |last=Andreeva |first=Nellie |title=Showtime Networks Inks Output Film Deal with A24 |url=https://deadline.com/2019/11/showtime-networks-inks-output-feature-deal-a24-films-1202784988/ |work=[[Deadline Hollywood]] |date=November 13, 2019 |access-date=September 16, 2020 |archive-date=December 21, 2019 |archive-url=https://web.archive.org/web/20191221024528/https://deadline.com/2019/11/showtime-networks-inks-output-feature-deal-a24-films-1202784988/ |url-status=live}}</ref> |
On November 13, 2019, A24 entered into a premium cable television broadcast deal with [[Showtime Networks]], covering all film releases through November 1, 2022. The deal excludes films that are already part of the Apple partnership.<ref>{{cite web |last=Andreeva |first=Nellie |title=Showtime Networks Inks Output Film Deal with A24 |url=https://deadline.com/2019/11/showtime-networks-inks-output-feature-deal-a24-films-1202784988/ |work=[[Deadline Hollywood]] |date=November 13, 2019 |access-date=September 16, 2020 |archive-date=December 21, 2019 |archive-url=https://web.archive.org/web/20191221024528/https://deadline.com/2019/11/showtime-networks-inks-output-feature-deal-a24-films-1202784988/ |url-status=live}}</ref> |
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In July 2021, A24 explored a possible buyout for between $2.5 billion to $3 billion.<ref>{{cite web |last=Donnelly |first=Matt |date=July 13, 2021 |title=Indie Film and TV Studio A24 Explored Sale with $3 Billion Asking Price (Exclusive) |url=https://variety.com/2021/film/news/inside-a24-billion-dollar-sale-1235018988/ |access-date=July 30, 2021 |work=[[Variety (magazine)|Variety]] |archive-date=July 30, 2021 |archive-url=https://web.archive.org/web/20210730235009/https://variety.com/2021/film/news/inside-a24-billion-dollar-sale-1235018988/ |url-status=live}}</ref> In January 2022, former [[HBO]] and [[Amazon MGM Studios]] TV executive Nick Hall joined A24 to oversee creative for the company's growing television slate.<ref>{{cite web |last=Andreeva |first=Nellie |date=January 15, 2022 |title=Nick Hall Joins A24 to Oversee Creative for TV |url=https://deadline.com/2022/01/nick-hall-j-a24-oversee-creative-tv-1234912726/ |access-date=April 26, 2023 |work=[[Deadline Hollywood]] |archive-date=January 30, 2022 |archive-url=https://web.archive.org/web/20220130082511/https://deadline.com/2022/01/nick-hall-j-a24-oversee-creative-tv-1234912726/ |url-status=live}}</ref> In April 2022, the company released its membership "AAA24" for [[Subscription business model|subscription]]; members' benefits include early access to merch drops, exclusive merch for members only, monthly merch discounts for members, and a [[zine]] every four months.<ref name="Rise"/> |
In July 2021, A24 explored a possible buyout for between $2.5 billion to $3 billion.<ref>{{cite web |last=Donnelly |first=Matt |date=July 13, 2021 |title=Indie Film and TV Studio A24 Explored Sale with $3 Billion Asking Price (Exclusive) |url=https://variety.com/2021/film/news/inside-a24-billion-dollar-sale-1235018988/ |access-date=July 30, 2021 |work=[[Variety (magazine)|Variety]] |archive-date=July 30, 2021 |archive-url=https://web.archive.org/web/20210730235009/https://variety.com/2021/film/news/inside-a24-billion-dollar-sale-1235018988/ |url-status=live}}</ref> In January 2022, former [[HBO]] and [[Amazon MGM Studios]] TV executive Nick Hall joined A24 to oversee creative for the company's growing television slate.<ref>{{cite web |last=Andreeva |first=Nellie |date=January 15, 2022 |title=Nick Hall Joins A24 to Oversee Creative for TV |url=https://deadline.com/2022/01/nick-hall-j-a24-oversee-creative-tv-1234912726/ |access-date=April 26, 2023 |work=[[Deadline Hollywood]] |archive-date=January 30, 2022 |archive-url=https://web.archive.org/web/20220130082511/https://deadline.com/2022/01/nick-hall-j-a24-oversee-creative-tv-1234912726/ |url-status=live}}</ref> In April 2022, the company released its membership "AAA24" for [[Subscription business model|subscription]]; members' benefits include early access to merch drops, exclusive merch for members only, monthly merch discounts for members, and a [[zine]] every four months.<ref name="Rise"/> |
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In March 2023, A24 became the first independent studio to sweep [[Academy Award for Best Picture|Best Picture]], [[Academy Award for Best Director|Best Director]], and all four acting categories in a single year at the [[95th Academy Awards]].<ref name="Keegan">{{cite web |last=Keegan |first=Rebecca |date=March 14, 2023 |title=How A24 Made Oscars History: "Lovable" Actors, Social Media Savvy and a "Wild West" Season |url=https://www.hollywoodreporter.com/movies/movie-news/oscars-2023-how-a24-won-1235351976/ |access-date=March 15, 2023 |work=[[The Hollywood Reporter]] |archive-date=March 14, 2023 |archive-url=https://web.archive.org/web/20230314234921/https://www.hollywoodreporter.com/movies/movie-news/oscars-2023-how-a24-won-1235351976/ |url-status=live}}</ref><ref name="TheWrap">{{cite web |last=Fuster |first=Jeremy |date=March 12, 2023 |title=Oscars: A24 Becomes First Studio to Win Top 6 Awards in a Single Year |url=https://www.thewrap.com/oscars-a24-record-sweep-top-categories/ |access-date=March 15, 2023 |work=[[TheWrap]] |archive-date=March 13, 2023 |archive-url=https://web.archive.org/web/20230313103243/https://www.thewrap.com/oscars-a24-record-sweep-top-categories/ |url-status=live}}</ref><ref>{{cite web |last1=Lang |first1=Brent |last2=Donnelly |first2=Matt |date=March 15, 2023 |title=A24 Scores Oscars Sweep, Even as Its Secretive Founders Shun the Spotlight |url=https://variety.com/2023/film/awards/a24-oscars-everything-everywhere-all-at-once-secretive-founders-the-whale-1235553835/ |access-date=March 15, 2023 |work=[[Variety (magazine)|Variety]] |archive-date=March 14, 2023 |archive-url=https://web.archive.org/web/20230314222256/https://variety.com/2023/film/awards/a24-oscars-everything-everywhere-all-at-once-secretive-founders-the-whale-1235553835/ |url-status=live}}</ref> That same month, the company bought distribution rights to two older films released before the company's inception, starting with [[Darren Aronofsky]]'s ''[[Pi (film)|Pi]]'' (1998) and [[Jonathan Demme]]'s ''[[Stop Making Sense]]'' (1984), both of which are [[Remaster#Film and television|remastered versions]].<ref>{{cite web |last=Rubin |first=Rebecca |date=March 1, 2023 |title=A24 Acquires Darren Aronofsky's First Film 'Pi', Sets Imax Re-Release on Pi Day |url=https://variety.com/2023/film/news/a24-darren-aronofsky-pi-imax-release-1235539577/ |url-status=live |archive-url=https://web.archive.org/web/20230302100250/https://variety.com/2023/film/news/a24-darren-aronofsky-pi-imax-release-1235539577/ |archive-date=March 2, 2023 |access-date=March 16, 2023 |work=[[Variety (magazine)|Variety]]}}</ref><ref>{{cite web |last=Rubin |first=Rebecca |date=March 16, 2023 |title=A24 Releasing Remastered Version of Talking Heads Classic Concert Film 'Stop Making Sense' |url=https://variety.com/2023/film/news/a24-talking-heads-concert-film-stop-making-sense-1235556326/ |access-date=March 16, 2023 |work=[[Variety (magazine)|Variety]] |archive-date=March 16, 2023 |archive-url=https://web.archive.org/web/20230316132352/https://variety.com/2023/film/news/a24-talking-heads-concert-film-stop-making-sense-1235556326/ |url-status=live}}</ref><ref>{{cite web |last=D'Alessandro |first=Anthony |date=March 16, 2023 |title=A24 Acquires Talking Heads 1984 Concert Film 'Stop Making Sense', Will Restore in 4K for Theatrical Release |url=https://deadline.com/2023/03/stop-making-sense-talking-heads-a24-rerelease-david-byrne-1235301150/ |access-date=March 16, 2023 |work=[[Deadline Hollywood]] |archive-date=March 16, 2023 |archive-url=https://web.archive.org/web/20230316130608/https://deadline.com/2023/03/stop-making-sense-talking-heads-a24-rerelease-david-byrne-1235301150/ |url-status=live}}</ref><ref>{{cite magazine |url=https://www.rollingstone.com/tv-movies/tv-movie-features/stop-making-sense-talking-heads-restoration-david-byrne-a24-40th-anniversary-1234828312/ |title=Big Suits, Lost Tapes, and Dancing Heads: Inside A24's Incredible 'Stop Making Sense' Restoration |last=Fear |first=David |magazine=[[Rolling Stone]] |date=September 27, 2023 |access-date=September 28, 2023 |url-access=subscription}}</ref> |
In March 2023, A24 became the first independent studio to sweep [[Academy Award for Best Picture|Best Picture]], [[Academy Award for Best Director|Best Director]], and all four acting categories in a single year at the [[95th Academy Awards]].<ref name="Keegan">{{cite web |last=Keegan |first=Rebecca |date=March 14, 2023 |title=How A24 Made Oscars History: "Lovable" Actors, Social Media Savvy and a "Wild West" Season |url=https://www.hollywoodreporter.com/movies/movie-news/oscars-2023-how-a24-won-1235351976/ |access-date=March 15, 2023 |work=[[The Hollywood Reporter]] |archive-date=March 14, 2023 |archive-url=https://web.archive.org/web/20230314234921/https://www.hollywoodreporter.com/movies/movie-news/oscars-2023-how-a24-won-1235351976/ |url-status=live}}</ref><ref name="TheWrap">{{cite web |last=Fuster |first=Jeremy |date=March 12, 2023 |title=Oscars: A24 Becomes First Studio to Win Top 6 Awards in a Single Year |url=https://www.thewrap.com/oscars-a24-record-sweep-top-categories/ |access-date=March 15, 2023 |work=[[TheWrap]] |archive-date=March 13, 2023 |archive-url=https://web.archive.org/web/20230313103243/https://www.thewrap.com/oscars-a24-record-sweep-top-categories/ |url-status=live}}</ref><ref>{{cite web |last1=Lang |first1=Brent |last2=Donnelly |first2=Matt |date=March 15, 2023 |title=A24 Scores Oscars Sweep, Even as Its Secretive Founders Shun the Spotlight |url=https://variety.com/2023/film/awards/a24-oscars-everything-everywhere-all-at-once-secretive-founders-the-whale-1235553835/ |access-date=March 15, 2023 |work=[[Variety (magazine)|Variety]] |archive-date=March 14, 2023 |archive-url=https://web.archive.org/web/20230314222256/https://variety.com/2023/film/awards/a24-oscars-everything-everywhere-all-at-once-secretive-founders-the-whale-1235553835/ |url-status=live}}</ref> That same month, the company bought distribution rights to two older films released before the company's inception, starting with [[Darren Aronofsky]]'s ''[[Pi (film)|Pi]]'' (1998) and [[Jonathan Demme]]'s ''[[Stop Making Sense]]'' (1984), both of which are [[Remaster#Film and television|remastered versions]].<ref>{{cite web |last=Rubin |first=Rebecca |date=March 1, 2023 |title=A24 Acquires Darren Aronofsky's First Film 'Pi', Sets Imax Re-Release on Pi Day |url=https://variety.com/2023/film/news/a24-darren-aronofsky-pi-imax-release-1235539577/ |url-status=live |archive-url=https://web.archive.org/web/20230302100250/https://variety.com/2023/film/news/a24-darren-aronofsky-pi-imax-release-1235539577/ |archive-date=March 2, 2023 |access-date=March 16, 2023 |work=[[Variety (magazine)|Variety]]}}</ref><ref>{{cite web |last=Rubin |first=Rebecca |date=March 16, 2023 |title=A24 Releasing Remastered Version of Talking Heads Classic Concert Film 'Stop Making Sense' |url=https://variety.com/2023/film/news/a24-talking-heads-concert-film-stop-making-sense-1235556326/ |access-date=March 16, 2023 |work=[[Variety (magazine)|Variety]] |archive-date=March 16, 2023 |archive-url=https://web.archive.org/web/20230316132352/https://variety.com/2023/film/news/a24-talking-heads-concert-film-stop-making-sense-1235556326/ |url-status=live}}</ref><ref>{{cite web |last=D'Alessandro |first=Anthony |date=March 16, 2023 |title=A24 Acquires Talking Heads 1984 Concert Film 'Stop Making Sense', Will Restore in 4K for Theatrical Release |url=https://deadline.com/2023/03/stop-making-sense-talking-heads-a24-rerelease-david-byrne-1235301150/ |access-date=March 16, 2023 |work=[[Deadline Hollywood]] |archive-date=March 16, 2023 |archive-url=https://web.archive.org/web/20230316130608/https://deadline.com/2023/03/stop-making-sense-talking-heads-a24-rerelease-david-byrne-1235301150/ |url-status=live}}</ref><ref>{{cite magazine |url=https://www.rollingstone.com/tv-movies/tv-movie-features/stop-making-sense-talking-heads-restoration-david-byrne-a24-40th-anniversary-1234828312/ |title=Big Suits, Lost Tapes, and Dancing Heads: Inside A24's Incredible 'Stop Making Sense' Restoration |last=Fear |first=David |magazine=[[Rolling Stone]] |date=September 27, 2023 |access-date=September 28, 2023 |url-access=subscription |archive-date=November 11, 2023 |archive-url=https://web.archive.org/web/20231111030659/https://www.rollingstone.com/tv-movies/tv-movie-features/stop-making-sense-talking-heads-restoration-david-byrne-a24-40th-anniversary-1234828312/ |url-status=live }}</ref> |
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In May 2023, [[Leonine Holding#Leonine Production|Leonine Studios]], a German independent film distributor, partnered with A24 to set up a joint label called "A24 | Leonine Studios", which will distribute films in Austria and Germany.<ref>{{cite web |url=https://variety.com/2023/film/global/leonine-a24-wizards-iron-claw-1235614383/ |title=Leonine, A24 Set Up New Distribution Label in Germany, Austria; 'Wizards!', 'Iron Claw' First Titles to Be Released (Exclusive) |last=Barraclough |first=Leo |work=[[Variety (magazine)|Variety]] |date=May 16, 2023 |access-date=July 5, 2023}}</ref> The next month, it was reported that former [[Disney General Entertainment Content|Disney General Entertainment]] Chairman [[Peter Rice (executive)|Peter Rice]] signed a deal with A24 as an independent producer, agreeing to co-finance films for global distribution.<ref>{{cite web |url=https://www.hollywoodreporter.com/tv/tv-news/peter-rices-next-act-disney-film-tv-producing-deal-a24-1235476165/ |title=Peter Rice's Next Act After Disney: Producing TV, Films for A24 (Exclusive) |last1=Masters |first1=Kim |last2=Goldberg |first2=Lesley |last3=Galuppo |first3=Mia |work=[[The Hollywood Reporter]] |date=June 1, 2023 |access-date=July 5, 2023}}</ref> |
In May 2023, [[Leonine Holding#Leonine Production|Leonine Studios]], a German independent film distributor, partnered with A24 to set up a joint label called "A24 | Leonine Studios", which will distribute films in Austria and Germany.<ref>{{cite web |url=https://variety.com/2023/film/global/leonine-a24-wizards-iron-claw-1235614383/ |title=Leonine, A24 Set Up New Distribution Label in Germany, Austria; 'Wizards!', 'Iron Claw' First Titles to Be Released (Exclusive) |last=Barraclough |first=Leo |work=[[Variety (magazine)|Variety]] |date=May 16, 2023 |access-date=July 5, 2023 |archive-date=June 10, 2023 |archive-url=https://web.archive.org/web/20230610113905/https://variety.com/2023/film/global/leonine-a24-wizards-iron-claw-1235614383/ |url-status=live }}</ref> The next month, it was reported that former [[Disney General Entertainment Content|Disney General Entertainment]] Chairman [[Peter Rice (executive)|Peter Rice]] signed a deal with A24 as an independent producer, agreeing to co-finance films for global distribution.<ref>{{cite web |url=https://www.hollywoodreporter.com/tv/tv-news/peter-rices-next-act-disney-film-tv-producing-deal-a24-1235476165/ |title=Peter Rice's Next Act After Disney: Producing TV, Films for A24 (Exclusive) |last1=Masters |first1=Kim |last2=Goldberg |first2=Lesley |last3=Galuppo |first3=Mia |work=[[The Hollywood Reporter]] |date=June 1, 2023 |access-date=July 5, 2023 |archive-date=June 9, 2023 |archive-url=https://web.archive.org/web/20230609145045/https://www.hollywoodreporter.com/tv/tv-news/peter-rices-next-act-disney-film-tv-producing-deal-a24-1235476165/ |url-status=live }}</ref> |
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During the [[2023 Hollywood labor disputes]], which took place from May 2 to November 9, A24 was approved to continue filming and promotional activities since they do not have ties to the [[Alliance of Motion Picture and Television Producers]] (AMPTP).<ref>{{cite web |url=https://variety.com/2023/film/news/sag-aftra-independent-projects-waivers-1235673546/ |title=SAG-AFTRA Approves 39 Indie Projects to Shoot During Strike, Including Two A24 Films |last=Maddaus |first=Gene |work=[[Variety (magazine)|Variety]] |date=July 18, 2023 |access-date=July 25, 2023}}</ref> |
During the [[2023 Hollywood labor disputes]], which took place from May 2 to November 9, A24 was approved to continue filming and promotional activities since they do not have ties to the [[Alliance of Motion Picture and Television Producers]] (AMPTP).<ref>{{cite web |url=https://variety.com/2023/film/news/sag-aftra-independent-projects-waivers-1235673546/ |title=SAG-AFTRA Approves 39 Indie Projects to Shoot During Strike, Including Two A24 Films |last=Maddaus |first=Gene |work=[[Variety (magazine)|Variety]] |date=July 18, 2023 |access-date=July 25, 2023 |archive-date=July 19, 2023 |archive-url=https://web.archive.org/web/20230719232145/https://variety.com/2023/film/news/sag-aftra-independent-projects-waivers-1235673546/ |url-status=live }}</ref> |
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In October 2023, ''[[TheWrap]]''{{'}}s Umberto Gonzalez exclusively reported that A24 is planning to expand its "strategy from [[Art film|arthouse films]] to more commercial films", including "action and big IP projects". According to one production executive from the company, A24 "took a beating on [[Drama (film and television)|dramas]], especially the ones they made," the top agent said. The production exec added that A24 would still acquire dramas, but would move away from making as many of them. "The [[auteur]] business is a lousy, high-risk business that does not attract potential buyers ... That's a big problem if you're looking to sell or seek additional investment," another top agent told ''TheWrap''. This decision has been met with mixed responses from some journalists |
In October 2023, ''[[TheWrap]]''{{'}}s Umberto Gonzalez exclusively reported that A24 is planning to expand its "strategy from [[Art film|arthouse films]] to more commercial films", including "action and big IP projects". According to one production executive from the company, A24 "took a beating on [[Drama (film and television)|dramas]], especially the ones they made," the top agent said. The production exec added that A24 would still acquire dramas, but would move away from making as many of them. "The [[auteur]] business is a lousy, high-risk business that does not attract potential buyers ... That's a big problem if you're looking to sell or seek additional investment," another top agent told ''TheWrap''. This decision has been met with mixed responses from some journalists.<ref>{{cite web |url=https://www.thewrap.com/a24-shifts-strategy-commercial-film/ |title=A24 Expands Strategy from Arthouse Gems to More Commercial Films {{!}} Exclusive |last1=Gonzalez |first1=Umberto |last2=Taylor |first2=Drew |work=[[TheWrap]] |date=October 11, 2023 |access-date=October 11, 2023 |url-access=subscription |archive-date=December 11, 2023 |archive-url=https://web.archive.org/web/20231211164542/https://www.thewrap.com/a24-shifts-strategy-commercial-film/ |url-status=live }}</ref><ref>{{cite web |url=https://www.vulture.com/2023/10/a24-action-movies-ip.html |title=A24 Looking to Expand into Action and 'Big IP' |last=Squires |first=Bethy |work=[[Vulture (website)|Vulture]] |date=October 11, 2023 |access-date=October 11, 2023 |url-access=subscription |archive-date=December 7, 2023 |archive-url=https://web.archive.org/web/20231207121155/https://www.vulture.com/2023/10/a24-action-movies-ip.html |url-status=live }}</ref> That same month, A24 forged an exclusive output deal with "Happinet Phantom Studios" covering the distribution in Japan of A24's upcoming releases; this marks A24's first major international theatrical output deal. The companies will also build A24 [[brand awareness]] across the region, and deepen relationships with local talent and audiences off screen beyond film releases.<ref>{{cite web |url=https://variety.com/2023/film/asia/a24-happinet-phantom-studios-alex-garland-civil-war-afm-1235772313/ |title=A24 Signs Japanese Output Deal with "Happinet Phantom Studios" Ahead of Launch of Alex Garland's 'Civil War' at AFM (Exclusive) |last=Barraclough |first=Leo |work=[[Variety (magazine)|Variety]] |date=October 30, 2023 |access-date=October 31, 2023 |archive-date=November 12, 2023 |archive-url=https://web.archive.org/web/20231112153613/https://variety.com/2023/film/asia/a24-happinet-phantom-studios-alex-garland-civil-war-afm-1235772313/ |url-status=live }}</ref> |
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In association with [[Amazon Prime Video|Prime Video]] and [[Fox Entertainment]]'s [[Bento Box Entertainment]], A24 launched its first animated project: the adult musical comedy series ''[[Hazbin Hotel]]''. The eight-episode first season premiered on January 19, 2024, on Prime Video; it received a two-season order.<ref name="Hazbin Hotel">{{cite web |url=https://deadline.com/2023/09/hazbin-hotel-animated-series-amazon-vivienne-medrano-1235558187/ |title='Hazbin Hotel' Animated Series from A24 & Bento Box Lands at Amazon |last=White |first=Peter |work=[[Deadline Hollywood]] |date=September 28, 2023 |access-date=September 28, 2023}}</ref><ref>{{cite web |url=https://deadline.com/2023/12/hazbin-hotel-premiere-date-prime-video-guest-cast-trailer-1235635095/ |title='Hazbin Hotel' Trailer: The Princess of Hell is Determined to Rehabilitate Wayward Sinners in Adult Animated Musical Comedy Series |last=Petski |first=Denise |work=[[Deadline Hollywood]] |date=December 13, 2023 |access-date=January 20, 2024}}</ref><ref>{{cite web |url=https://variety.com/2024/tv/tv-reviews/hazbin-hotel-review-a24-amazon-prime-1235843846/ |title=A24 Comedy 'Hazbin Hotel' Falters in Jump from YouTube Pilot to Full-Fledged Series: TV Review |last=Herman |first=Alison |work=[[Variety (magazine)|Variety]] |date=January 18, 2024 |access-date=January 20, 2024}}</ref> However, the first episode was made available to watch, for free, on [[YouTube]] on January 18, with the first four episodes subsequently released on Prime Video the following day as scheduled.<ref>{{cite web |url=https://comicbook.com/anime/news/hazbin-hotel-early-free-premiere-watch/ |title='Hazbin Hotel' is Premiering Early for Free on Amazon |last=Valentine |first=Evan |publisher=ComicBook |date=January 18, 2024 |access-date=January 20, 2024}}</ref> The series, which had been long in the works, is based on series creator [[Vivienne Medrano]]'s animated pilot released on YouTube in 2019. ''Hazbin Hotel'' follows [[Charlie Morningstar]] (voiced by [[Erika Henningsen]]), the princess of [[Hell]], as she pursues her seemingly impossible goal of rehabilitating [[demon]]s to peacefully reduce [[overpopulation]] in her kingdom. After a yearly extermination imposed by [[angel]]s, she opens a [[hotel]] in the hopes that patrons will be "checking out" into [[Heaven]].<ref name="Hazbin Hotel"/><ref>{{cite web |url=https://www.animationmagazine.net/2020/08/a24-checks-in-to-vivziepops-hellish-hazbin-hotel/ |title=A24 Checks in to VivziePop's Hellish 'Hazbin Hotel' |last=Milligan |first=Mercedes |work=[[Animation Magazine]] |date=August 8, 2020 |access-date=September 28, 2023}}</ref><ref>{{cite web |url=https://movieweb.com/hazbin-hotel-a24-animated-series/ |title='Hazbin Hotel': Can A24 Find Success in the Animation Realm? |last=Shuman |first=Sean |publisher=[[MovieWeb]] |date=June 11, 2023 |access-date=July 5, 2023 |url-access=subscription}}</ref> At the 2023 [[New York Comic Con]], the cast was unveiled and it was announced that fans would be able to get digital access to the first two episodes at "HazbinHotel.com" before they were released on Prime Video, plus exclusive merchandise only available during the presale; early access episodes are available to stream for a limited time on the A24 App.<ref>{{cite web |url=https://deadline.com/2023/10/hazbin-hotel-cast-erika-henningsen-stephanie-beatriz-alex-brightman-keith-david-animated-series-teaser-1235573404/ |title='Hazbin Hotel': Erika Henningsen, Stephanie Beatriz, Alex Brightman & Keith David Lead Voice Cast of Prime Video's Adult Animated Series – NYCC |last=Andreeva |first=Nellie |work=[[Deadline Hollywood]] |date=October 15, 2023 |access-date=October 15, 2023}}</ref> |
In association with [[Amazon Prime Video|Prime Video]] and [[Fox Entertainment]]'s [[Bento Box Entertainment]], A24 launched its first animated project: the adult musical comedy series ''[[Hazbin Hotel]]''. The eight-episode first season premiered on January 19, 2024, on Prime Video; it received a two-season order.<ref name="Hazbin Hotel">{{cite web |url=https://deadline.com/2023/09/hazbin-hotel-animated-series-amazon-vivienne-medrano-1235558187/ |title='Hazbin Hotel' Animated Series from A24 & Bento Box Lands at Amazon |last=White |first=Peter |work=[[Deadline Hollywood]] |date=September 28, 2023 |access-date=September 28, 2023 |archive-date=November 21, 2023 |archive-url=https://web.archive.org/web/20231121203810/https://deadline.com/2023/09/hazbin-hotel-animated-series-amazon-vivienne-medrano-1235558187/ |url-status=live }}</ref><ref>{{cite web |url=https://deadline.com/2023/12/hazbin-hotel-premiere-date-prime-video-guest-cast-trailer-1235635095/ |title='Hazbin Hotel' Trailer: The Princess of Hell is Determined to Rehabilitate Wayward Sinners in Adult Animated Musical Comedy Series |last=Petski |first=Denise |work=[[Deadline Hollywood]] |date=December 13, 2023 |access-date=January 20, 2024 |archive-date=November 27, 2023 |archive-url=https://web.archive.org/web/20231127204346/https://deadline.com/2023/11/hazbin-hotel-premiere-date-prime-video-guest-cast-trailer-1235635095/ |url-status=live }}</ref><ref>{{cite web |url=https://variety.com/2024/tv/tv-reviews/hazbin-hotel-review-a24-amazon-prime-1235843846/ |title=A24 Comedy 'Hazbin Hotel' Falters in Jump from YouTube Pilot to Full-Fledged Series: TV Review |last=Herman |first=Alison |work=[[Variety (magazine)|Variety]] |date=January 18, 2024 |access-date=January 20, 2024 |archive-date=January 19, 2024 |archive-url=https://web.archive.org/web/20240119025122/https://variety.com/2024/tv/tv-reviews/hazbin-hotel-review-a24-amazon-prime-1235843846/ |url-status=live }}</ref> However, the first episode was made available to watch, for free, on [[YouTube]] on January 18, with the first four episodes subsequently released on Prime Video the following day as scheduled.<ref>{{cite web |url=https://comicbook.com/anime/news/hazbin-hotel-early-free-premiere-watch/ |title='Hazbin Hotel' is Premiering Early for Free on Amazon |last=Valentine |first=Evan |publisher=ComicBook |date=January 18, 2024 |access-date=January 20, 2024}}</ref> The series, which had been long in the works, is based on series creator [[Vivienne Medrano]]'s animated pilot released on YouTube in 2019. ''Hazbin Hotel'' follows [[Charlie Morningstar]] (voiced by [[Erika Henningsen]]), the princess of [[Hell]], as she pursues her seemingly impossible goal of rehabilitating [[demon]]s to peacefully reduce [[overpopulation]] in her kingdom. After a yearly extermination imposed by [[angel]]s, she opens a [[hotel]] in the hopes that patrons will be "checking out" into [[Heaven]].<ref name="Hazbin Hotel"/><ref>{{cite web |url=https://www.animationmagazine.net/2020/08/a24-checks-in-to-vivziepops-hellish-hazbin-hotel/ |title=A24 Checks in to VivziePop's Hellish 'Hazbin Hotel' |last=Milligan |first=Mercedes |work=[[Animation Magazine]] |date=August 8, 2020 |access-date=September 28, 2023 |archive-date=October 2, 2023 |archive-url=https://web.archive.org/web/20231002165328/https://www.animationmagazine.net/2020/08/a24-checks-in-to-vivziepops-hellish-hazbin-hotel/ |url-status=live }}</ref><ref>{{cite web |url=https://movieweb.com/hazbin-hotel-a24-animated-series/ |title='Hazbin Hotel': Can A24 Find Success in the Animation Realm? |last=Shuman |first=Sean |publisher=[[MovieWeb]] |date=June 11, 2023 |access-date=July 5, 2023 |url-access=subscription |archive-date=June 13, 2023 |archive-url=https://web.archive.org/web/20230613171044/https://movieweb.com/hazbin-hotel-a24-animated-series/ |url-status=live }}</ref> At the 2023 [[New York Comic Con]], the cast was unveiled and it was announced that fans would be able to get digital access to the first two episodes at "HazbinHotel.com" before they were released on Prime Video, plus exclusive merchandise only available during the presale; early access episodes are available to stream for a limited time on the A24 App.<ref>{{cite web |url=https://deadline.com/2023/10/hazbin-hotel-cast-erika-henningsen-stephanie-beatriz-alex-brightman-keith-david-animated-series-teaser-1235573404/ |title='Hazbin Hotel': Erika Henningsen, Stephanie Beatriz, Alex Brightman & Keith David Lead Voice Cast of Prime Video's Adult Animated Series – NYCC |last=Andreeva |first=Nellie |work=[[Deadline Hollywood]] |date=October 15, 2023 |access-date=October 15, 2023 |archive-date=October 19, 2023 |archive-url=https://web.archive.org/web/20231019220543/https://deadline.com/2023/10/hazbin-hotel-cast-erika-henningsen-stephanie-beatriz-alex-brightman-keith-david-animated-series-teaser-1235573404/ |url-status=live }}</ref> |
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In January, 2024, it was announced that A24 struck a deal with [[United Talent Agency]] (UTA) to produce scripted and unscripted television via the latter's Civic Center Media banner. The deal will see Civic Center Media given resources for development and production via A24. UTA stressed that Civic Center Media will work with talent from all agencies and UTA will continue to work with all studios, with A24 similarly continuing to work with all agencies. "We are excited to partner with A24," said UTA CEO [[Jeremy Zimmer]]. "Their brand stands for quality and originality, and we believe the Civic Center Media collaboration will provide a great experience for writers, actors, directors and IP holders."<ref>{{cite web |url=https://deadline.com/2024/01/a24-uta-strike-deal-produce-tv-civic-center-media-1235807172/ |title=A24 & UTA Strike Deal to Produce TV via Civic Center Media |last=White |first=Peter |work=[[Deadline Hollywood]] |date=January 30, 2024 |access-date=February 3, 2024}}</ref> |
In January, 2024, it was announced that A24 struck a deal with [[United Talent Agency]] (UTA) to produce scripted and unscripted television via the latter's Civic Center Media banner. The deal will see Civic Center Media given resources for development and production via A24. UTA stressed that Civic Center Media will work with talent from all agencies and UTA will continue to work with all studios, with A24 similarly continuing to work with all agencies. "We are excited to partner with A24," said UTA CEO [[Jeremy Zimmer]]. "Their brand stands for quality and originality, and we believe the Civic Center Media collaboration will provide a great experience for writers, actors, directors and IP holders."<ref>{{cite web |url=https://deadline.com/2024/01/a24-uta-strike-deal-produce-tv-civic-center-media-1235807172/ |title=A24 & UTA Strike Deal to Produce TV via Civic Center Media |last=White |first=Peter |work=[[Deadline Hollywood]] |date=January 30, 2024 |access-date=February 3, 2024 |archive-date=September 23, 2024 |archive-url=https://web.archive.org/web/20240923154252/https://deadline.com/2024/01/a24-uta-strike-deal-produce-tv-civic-center-media-1235807172/ |url-status=live }}</ref> |
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==Film library== |
==Film library== |
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{{Main|1=List of A24 films|2=List of A24 programs}} |
{{Main|1=List of A24 films|2=List of A24 programs}} |
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A24 produces and distributes about 18 to 20 films annually.<ref name="Doster"/> It has also served as producer or distributor for several dozen television shows, including ''[[At Home with Amy Sedaris]]'' (2017–2020), ''[[Beef (TV series)|Beef]]'' (2023), ''[[The Carmichael Show]]'' (2015–2017), ''[[Euphoria (American TV series)|Euphoria]]'' (2019–present), ''[[I'm Sorry (TV series)|I'm Sorry]]'' (2017–2019), ''[[Irma Vep (miniseries)|Irma Vep]]'' (2022), ''[[Mo (TV series)|Mo]]'' (2022–present), ''[[Mr. Corman]]'' (2021), ''[[Ramy (TV series)|Ramy]]'' (2019–2022), and ''[[Ziwe]]'' (2021–2022).<ref name="TV"/> |
A24 produces and distributes about 18 to 20 films annually.<ref name="Doster"/> It has also served as producer or distributor for several dozen television shows, including ''[[At Home with Amy Sedaris]]'' (2017–2020), ''[[Beef (TV series)|Beef]]'' (2023), ''[[The Carmichael Show]]'' (2015–2017), ''[[Euphoria (American TV series)|Euphoria]]'' (2019–present), ''[[I'm Sorry (TV series)|I'm Sorry]]'' (2017–2019), ''[[Irma Vep (miniseries)|Irma Vep]]'' (2022), ''[[Mo (TV series)|Mo]]'' (2022–present), ''[[Mr. Corman]]'' (2021), ''[[Ramy (TV series)|Ramy]]'' (2019–2022), and ''[[Ziwe (talk show)|Ziwe]]'' (2021–2022).<ref name="TV"/> |
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The action thriller ''[[Civil War (film)|Civil War]]'' (2024), written and directed by [[Alex Garland]], is A24's most expensive in-house production yet, holding a budget of $50 million.<ref>{{cite web |url=https://www.indiewire.com/news/breaking-news/alex-garland-civil-war-running-time-not-195-minutes-1234938927/ |title=Alex Garland's 'Civil War' Is Not 195 Minutes Long Despite Reports |last=Welk |first=Brian |publisher=[[IndieWire]] |date=December 28, 2023 |access-date=January 20, 2024}}</ref> The film is described as "an adrenaline-fueled thrill ride through a near-future fractured America balanced on the razor's edge"; [[Kirsten Dunst]] stars in the lead role as a reporter.<ref>{{cite web |url=https://deadline.com/2022/01/civil-war-kirsten-dunst-more-to-star-in-alex-garland-a24-film-1234917411/ |title=Alex Garland Reteams with A24 for Action Epic 'Civil War'; Kirsten Dunst, Wagner Moura & More Set to Star |last=Grobar |first=Matt |work=[[Deadline Hollywood]] |date=January 22, 2022 |access-date=January 20, 2024}}</ref><ref>{{cite web |url=https://a24films.com/films/civil-war |title=Civil War |publisher=A24 Films |access-date=January 20, 2024}}</ref><ref>{{cite web |url=https://deadline.com/video/civil-war-movie-trailer-release-date-a24/ |title='Civil War' Trailer & Release Date: America Becomes a Battleground in Alex Garland's A24 Pic Starring Kirsten Dunst, Wagner Moura & Cailee Spaeny |last=Grobar |first=Matt |work=[[Deadline Hollywood]] |date=December 13, 2023 |access-date=January 20, 2024}}</ref> ''Civil War'' was released in the United States on April 12, 2024, having been moved up from a release date of April 26, 2024.<ref>{{cite web |url=https://deadline.com/2024/01/civil-war-alex-garland-kirsten-dunst-release-date-new-1235795941/ |title=A24 Shifts Release Date for Alex Garland's 'Civil War' to Earlier in April |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=January 18, 2024 |access-date=January 20, 2024}}</ref><ref>{{Cite web |last=Hibberd |first=James |date=2024-03-05 |title=A24's 'Civil War' Movie Provokes Timing Debate Amid Some Fearing Actual Civil War |url=https://www.hollywoodreporter.com/movies/movie-news/civil-war-movie-timing-maga-violence-1235831454/ |access-date=2024-03-05 |website=The Hollywood Reporter |language=en-US}}</ref> |
The action thriller ''[[Civil War (film)|Civil War]]'' (2024), written and directed by [[Alex Garland]], is A24's most expensive in-house production yet, holding a budget of $50 million.<ref>{{cite web |url=https://www.indiewire.com/news/breaking-news/alex-garland-civil-war-running-time-not-195-minutes-1234938927/ |title=Alex Garland's 'Civil War' Is Not 195 Minutes Long Despite Reports |last=Welk |first=Brian |publisher=[[IndieWire]] |date=December 28, 2023 |access-date=January 20, 2024 |archive-date=December 28, 2023 |archive-url=https://web.archive.org/web/20231228190306/https://www.indiewire.com/news/breaking-news/alex-garland-civil-war-running-time-not-195-minutes-1234938927/ |url-status=live }}</ref> The film is described as "an adrenaline-fueled thrill ride through a near-future fractured America balanced on the razor's edge"; [[Kirsten Dunst]] stars in the lead role as a reporter.<ref>{{cite web |url=https://deadline.com/2022/01/civil-war-kirsten-dunst-more-to-star-in-alex-garland-a24-film-1234917411/ |title=Alex Garland Reteams with A24 for Action Epic 'Civil War'; Kirsten Dunst, Wagner Moura & More Set to Star |last=Grobar |first=Matt |work=[[Deadline Hollywood]] |date=January 22, 2022 |access-date=January 20, 2024 |archive-date=April 18, 2022 |archive-url=https://web.archive.org/web/20220418080027/https://deadline.com/2022/01/civil-war-kirsten-dunst-more-to-star-in-alex-garland-a24-film-1234917411/ |url-status=live }}</ref><ref>{{cite web |url=https://a24films.com/films/civil-war |title=Civil War |publisher=A24 Films |access-date=January 20, 2024 |archive-date=December 22, 2023 |archive-url=https://web.archive.org/web/20231222104944/https://a24films.com/films/civil-war |url-status=live }}</ref><ref>{{cite web |url=https://deadline.com/video/civil-war-movie-trailer-release-date-a24/ |title='Civil War' Trailer & Release Date: America Becomes a Battleground in Alex Garland's A24 Pic Starring Kirsten Dunst, Wagner Moura & Cailee Spaeny |last=Grobar |first=Matt |work=[[Deadline Hollywood]] |date=December 13, 2023 |access-date=January 20, 2024 |archive-date=December 13, 2023 |archive-url=https://web.archive.org/web/20231213140340/https://deadline.com/video/civil-war-movie-trailer-release-date-a24/ |url-status=live }}</ref> ''Civil War'' was released in the United States on April 12, 2024, having been moved up from a release date of April 26, 2024.<ref>{{cite web |url=https://deadline.com/2024/01/civil-war-alex-garland-kirsten-dunst-release-date-new-1235795941/ |title=A24 Shifts Release Date for Alex Garland's 'Civil War' to Earlier in April |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=January 18, 2024 |access-date=January 20, 2024 |archive-date=January 21, 2024 |archive-url=https://web.archive.org/web/20240121062919/https://deadline.com/2024/01/civil-war-alex-garland-kirsten-dunst-release-date-new-1235795941/ |url-status=live }}</ref><ref>{{Cite web |last=Hibberd |first=James |date=2024-03-05 |title=A24's 'Civil War' Movie Provokes Timing Debate Amid Some Fearing Actual Civil War |url=https://www.hollywoodreporter.com/movies/movie-news/civil-war-movie-timing-maga-violence-1235831454/ |access-date=2024-03-05 |website=The Hollywood Reporter |language=en-US |archive-date=2024-03-05 |archive-url=https://web.archive.org/web/20240305123834/https://www.hollywoodreporter.com/movies/movie-news/civil-war-movie-timing-maga-violence-1235831454/ |url-status=live }}</ref> |
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===Highest-grossing films=== |
===Highest-grossing films=== |
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''[[Everything Everywhere All at Once]]'' (2022) is currently A24's highest-grossing film and the first film of the company to cross the $100-million mark worldwide.<ref>{{cite web |url=https://deadline.com/2022/09/everything-everywhere-all-at-once-a24-box-office-record-2-1235042399/ |title='Everything Everywhere All at Once' Crosses $70M U.S., $103M Worldwide, Adding to Totals of A24's Highest-Grossing Movie Ever |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=September 30, 2022 |access-date=April 11, 2023 |archive-date=September 30, 2022 |archive-url=https://web.archive.org/web/20220930204427/https://deadline.com/2022/09/everything-everywhere-all-at-once-a24-box-office-record-2-1235042399/ |url-status=live}}</ref> |
''[[Everything Everywhere All at Once]]'' (2022) is currently A24's highest-grossing film and the first film of the company to cross the $100-million mark worldwide.<ref>{{cite web |url=https://deadline.com/2022/09/everything-everywhere-all-at-once-a24-box-office-record-2-1235042399/ |title='Everything Everywhere All at Once' Crosses $70M U.S., $103M Worldwide, Adding to Totals of A24's Highest-Grossing Movie Ever |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=September 30, 2022 |access-date=April 11, 2023 |archive-date=September 30, 2022 |archive-url=https://web.archive.org/web/20220930204427/https://deadline.com/2022/09/everything-everywhere-all-at-once-a24-box-office-record-2-1235042399/ |url-status=live}}</ref> |
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⚫ | |||
⚫ | |||
|+Highest-grossing films in North America |
|+Highest-grossing films in North America |
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|- |
|- |
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Line 111: | Line 108: | ||
| ''[[Everything Everywhere All at Once]]'' |
| ''[[Everything Everywhere All at Once]]'' |
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| 2022 |
| 2022 |
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| style="text-align:right"| $77,191,785<ref name="EEAAO">{{cite web |url=https://www.boxofficemojo.com/title/tt6710474/ |title=Everything Everywhere All at Once (2022) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023}}</ref> |
| style="text-align:right"| $77,191,785<ref name="EEAAO">{{cite web |url=https://www.boxofficemojo.com/title/tt6710474/ |title=Everything Everywhere All at Once (2022) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023 |archive-date=April 3, 2022 |archive-url=https://web.archive.org/web/20220403155641/https://www.boxofficemojo.com/title/tt6710474/ |url-status=live }}</ref> |
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|- |
|- |
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!scope="row"| 2 |
!scope="row"| 2 |
||
| ''[[Civil War (film)|Civil War]]'' |
| ''[[Civil War (film)|Civil War]]'' |
||
| 2024 |
| 2024 |
||
| style="text-align:right"| $ |
| style="text-align:right"| $68,603,430<ref>{{cite web |url=https://www.boxofficemojo.com/title/tt17279496/ |title=Civil War (2024) |publisher=[[Box Office Mojo]] |access-date=July 16, 2024 |archive-date=April 15, 2024 |archive-url=https://web.archive.org/web/20240415024450/https://www.boxofficemojo.com/title/tt17279496/ |url-status=live }}</ref> |
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|- |
|- |
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!scope="row"| 3 |
!scope="row"| 3 |
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Line 126: | Line 123: | ||
| ''[[Lady Bird (film)|Lady Bird]]'' |
| ''[[Lady Bird (film)|Lady Bird]]'' |
||
| 2017 |
| 2017 |
||
| style="text-align:right"| $48,959,272<ref name="Lady Bird">{{cite web |url=https://www.boxofficemojo.com/title/tt4925292/ |title=Lady Bird (2017) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023}}</ref> |
| style="text-align:right"| $48,959,272<ref name="Lady Bird">{{cite web |url=https://www.boxofficemojo.com/title/tt4925292/ |title=Lady Bird (2017) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023 |archive-date=January 30, 2023 |archive-url=https://web.archive.org/web/20230130083526/https://www.boxofficemojo.com/title/tt4925292/ |url-status=live }}</ref> |
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|- |
|- |
||
!scope="row"| 5 |
!scope="row"| 5 |
||
| ''[[Talk to Me (2022 film)|Talk to Me]]'' |
| ''[[Talk to Me (2022 film)|Talk to Me]]'' |
||
| 2023 |
| 2023 |
||
| style="text-align:right"| $48,299,434<ref name="Talk to Me">{{cite web |url=https://www.boxofficemojo.com/title/tt10638522/ |title=Talk to Me (2022) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023}}</ref> |
| style="text-align:right"| $48,299,434<ref name="Talk to Me">{{cite web |url=https://www.boxofficemojo.com/title/tt10638522/ |title=Talk to Me (2022) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023 |archive-date=November 8, 2023 |archive-url=https://web.archive.org/web/20231108225404/https://www.boxofficemojo.com/title/tt10638522/ |url-status=live }}</ref> |
||
|- |
|- |
||
!scope="row"| 6 |
!scope="row"| 6 |
||
| ''[[Hereditary (film)|Hereditary]]'' |
| ''[[Hereditary (film)|Hereditary]]'' |
||
| 2018 |
| 2018 |
||
| style="text-align:right"| $44,069,456<ref name="Hereditary">{{cite web |url=https://www.boxofficemojo.com/title/tt7784604/ |title=Hereditary (2018) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023}}</ref> |
| style="text-align:right"| $44,069,456<ref name="Hereditary">{{cite web |url=https://www.boxofficemojo.com/title/tt7784604/ |title=Hereditary (2018) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023 |archive-date=March 23, 2023 |archive-url=https://web.archive.org/web/20230323225505/https://www.boxofficemojo.com/title/tt7784604/ |url-status=live }}</ref> |
||
|- |
|- |
||
!scope="row"| 7 |
!scope="row"| 7 |
||
| ''[[The Iron Claw (film)|The Iron Claw]]'' |
| ''[[The Iron Claw (film)|The Iron Claw]]'' |
||
| 2023 |
| 2023 |
||
| style="text-align:right"| $34,735,272<ref>{{cite web |url=https://www.boxofficemojo.com/title/tt21064584/ |title=The Iron Claw (2023) |publisher=[[Box Office Mojo]] |access-date=January 6, 2024}}</ref> |
| style="text-align:right"| $34,735,272<ref>{{cite web |url=https://www.boxofficemojo.com/title/tt21064584/ |title=The Iron Claw (2023) |publisher=[[Box Office Mojo]] |access-date=January 6, 2024 |archive-date=December 8, 2023 |archive-url=https://web.archive.org/web/20231208232209/https://www.boxofficemojo.com/title/tt21064584/ |url-status=live }}</ref> |
||
|- |
|- |
||
!scope="row"| 8 |
!scope="row"| 8 |
||
| ''[[Moonlight (2016 film)|Moonlight]]'' |
| ''[[Moonlight (2016 film)|Moonlight]]'' |
||
| 2016 |
| 2016 |
||
| style="text-align:right"| $27,855,933<ref name="Moonlight">{{cite web |url=https://www.boxofficemojo.com/title/tt4975722/ |title=Moonlight (2016) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023}}</ref> |
| style="text-align:right"| $27,855,933<ref name="Moonlight">{{cite web |url=https://www.boxofficemojo.com/title/tt4975722/ |title=Moonlight (2016) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023 |archive-date=February 1, 2023 |archive-url=https://web.archive.org/web/20230201135408/https://www.boxofficemojo.com/title/tt4975722/ |url-status=live }}</ref> |
||
|- |
|- |
||
!scope="row"| 9 |
!scope="row"| 9 |
||
| ''[[Midsommar]]'' |
| ''[[Midsommar]]'' |
||
| 2019 |
| 2019 |
||
| style="text-align:right"| $27,424,363<ref name="Midsommar">{{cite web |url=https://www.boxofficemojo.com/title/tt8772262/ |title=Midsommar (2019) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023}}</ref> |
| style="text-align:right"| $27,424,363<ref name="Midsommar">{{cite web |url=https://www.boxofficemojo.com/title/tt8772262/ |title=Midsommar (2019) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023 |archive-date=August 12, 2019 |archive-url=https://web.archive.org/web/20190812144122/https://www.boxofficemojo.com/movies/?id=ariastorhorror.htm |url-status=live }}</ref> |
||
|- |
|- |
||
!scope="row"| 10 |
!scope="row"| 10 |
||
| ''[[Ex Machina (film)|Ex Machina]]'' |
| ''[[Ex Machina (film)|Ex Machina]]'' |
||
| 2015 |
| 2015 |
||
| style="text-align:right"| $25,444,959<ref name="Ex Machina">{{cite web |url=https://www.boxofficemojo.com/title/tt0470752/ |title=Ex Machina (2014) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023}}</ref> |
| style="text-align:right"| $25,444,959<ref name="Ex Machina">{{cite web |url=https://www.boxofficemojo.com/title/tt0470752/ |title=Ex Machina (2014) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023 |archive-date=September 29, 2023 |archive-url=https://web.archive.org/web/20230929051558/https://www.boxofficemojo.com/title/tt0470752/ |url-status=live }}</ref> |
||
|} |
|} |
||
{| class="wikitable sortable plainrowheaders" style=" |
{| class="wikitable sortable plainrowheaders" style="display: inline-block;" |
||
|+Highest-grossing films worldwide |
|+Highest-grossing films worldwide |
||
|- |
|- |
||
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|- |
|- |
||
!scope="row"| 2 |
!scope="row"| 2 |
||
⚫ | |||
⚫ | |||
⚫ | | style="text-align:right"| $121,740,228<ref>{{cite web |url=https://www.boxofficemojo.com/title/tt17279496/ |title=Civil War (2024) |publisher=[[Box Office Mojo]] |access-date=July 16, 2024 |archive-date=April 15, 2024 |archive-url=https://web.archive.org/web/20240415024450/https://www.boxofficemojo.com/title/tt17279496/ |url-status=live }}</ref> |
||
⚫ | |||
⚫ | |||
| ''[[Talk to Me (2022 film)|Talk to Me]]'' |
| ''[[Talk to Me (2022 film)|Talk to Me]]'' |
||
| 2023 |
| 2023 |
||
| style="text-align:right"| $92,039,205<ref name="Talk to Me"/> |
| style="text-align:right"| $92,039,205<ref name="Talk to Me"/> |
||
|- |
|- |
||
!scope="row"| |
!scope="row"| 4 |
||
| ''[[Hereditary (film)|Hereditary]]'' |
| ''[[Hereditary (film)|Hereditary]]'' |
||
| 2018 |
| 2018 |
||
| style="text-align:right"| $82,850,595<ref name="Hereditary"/> |
| style="text-align:right"| $82,850,595<ref name="Hereditary"/> |
||
|- |
|- |
||
!scope="row"| |
!scope="row"| 5 |
||
| ''[[Lady Bird (film)|Lady Bird]]'' |
| ''[[Lady Bird (film)|Lady Bird]]'' |
||
| 2017 |
| 2017 |
||
| style="text-align:right"| $78,989,474<ref name="Lady Bird"/> |
| style="text-align:right"| $78,989,474<ref name="Lady Bird"/> |
||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
|- |
|- |
||
!scope="row"| 6 |
!scope="row"| 6 |
||
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| ''[[The Whale (2022 film)|The Whale]]'' |
| ''[[The Whale (2022 film)|The Whale]]'' |
||
| 2022 |
| 2022 |
||
| style="text-align:right"| $54,883,205<ref>{{cite web |url=https://www.boxofficemojo.com/title/tt13833688/ |title=The Whale (2022) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023}}</ref> |
| style="text-align:right"| $54,883,205<ref>{{cite web |url=https://www.boxofficemojo.com/title/tt13833688/ |title=The Whale (2022) |publisher=[[Box Office Mojo]] |access-date=August 22, 2023 |archive-date=January 30, 2023 |archive-url=https://web.archive.org/web/20230130145339/https://www.boxofficemojo.com/title/tt13833688/ |url-status=live }}</ref> |
||
|- |
|- |
||
!scope="row"| 8 |
!scope="row"| 8 |
||
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| ''[[The Iron Claw (film)|The Iron Claw]]'' |
| ''[[The Iron Claw (film)|The Iron Claw]]'' |
||
| 2023 |
| 2023 |
||
| style="text-align:right"| $44,012,883<ref>{{cite web |url=https://www.boxofficemojo.com/title/tt21064584/ |title=The Iron Claw (2023) |publisher=[[Box Office Mojo]] |access-date=April 9, 2024}}</ref> |
| style="text-align:right"| $44,012,883<ref>{{cite web |url=https://www.boxofficemojo.com/title/tt21064584/ |title=The Iron Claw (2023) |publisher=[[Box Office Mojo]] |access-date=April 9, 2024 |archive-date=May 1, 2024 |archive-url=https://web.archive.org/web/20240501102131/https://www.boxofficemojo.com/title/tt21064584/ |url-status=live }}</ref> |
||
|} |
|} |
||
==Styles and themes== |
==Styles and themes== |
||
The company distributes and produces artistic, psychologically disturbing, and mind-bending [[horror film]]s often referred to as "[[Art horror|elevated horror]]".<ref name="Elevated"/><ref>{{cite web |last=Ramella |first=Brynne |date=January 15, 2021 |title=How A24 Horror Movies & Arthouse Horror Became Popular in the 2010s |url=https://screenrant.com/a24-horror-movies-2010s-popularity-elevated-horror-trend-explained/ |access-date=August 22, 2023 |work=[[Screen Rant]] |url-access=subscription}}</ref><ref>{{cite web |last=Tsintziras |first=Aya |date=January 25, 2023 |title=Elevated Horror: What Defines the Growing Subgenre |url=https://gamerant.com/elevated-horror-definition-subgenre/ |access-date=August 22, 2023 |work=Game Rant}}</ref><ref>{{cite web |last=Tilakaratne |first=Wishka |date=August 20, 2023 |title=How A24 Has Been a Pioneer in Modern Horror |url=https://movieweb.com/a24-pioneer-in-modern-horror/ |access-date=August 22, 2023 |publisher=[[MovieWeb]] |url-access=subscription}}</ref> Most of these films share a similar approach, including ambiguity, bleak atmosphere, disruptive formulas, outbursts of violence, psychological dilemmas, and realistic character drama; these include ''[[Hereditary (film)|Hereditary]]'' (2018), ''[[It Comes at Night]]'' (2017), ''[[The Killing of a Sacred Deer]]'' (2017), ''[[Men (2022 film)|Men]]'' (2022), ''[[Under the Skin (2013 film)|Under the Skin]]'' (2013), and ''[[The Witch (2015 film)|The Witch]]'' (2015).<ref>{{cite web |last=Goyaz |first=Arthur |date=November 11, 2022 |title=10 Recurring Trademarks in A24 Horror Movies |url=https://screenrant.com/recurring-trademarks-a24-horror-movies/ |access-date=August 22, 2023 |work=[[Screen Rant]] |url-access=subscription}}</ref> The term also refers to [[Film genre|genre films]] with a seemingly more artful sensibility than most fare, plus a focus on dramatic themes such as grief and trauma.<ref name="Sharf">{{cite web |last=Sharf |first=Zack |date=October 31, 2022 |title=Jordan Peele Says He's Not 'Trying to Make Elevated' Genre Movies: 'That's a Trap I Don't Quite Appreciate |url=https://variety.com/2022/film/news/jordan-peele-rejects-elevated-horror-label-trap-1235418851/ |access-date=July 27, 2023 |work=[[Variety (magazine)|Variety]]}}</ref> |
The company distributes and produces artistic, psychologically disturbing, and mind-bending [[horror film]]s often referred to as "[[Art horror|elevated horror]]".<ref name="Elevated"/><ref>{{cite web |last=Ramella |first=Brynne |date=January 15, 2021 |title=How A24 Horror Movies & Arthouse Horror Became Popular in the 2010s |url=https://screenrant.com/a24-horror-movies-2010s-popularity-elevated-horror-trend-explained/ |access-date=August 22, 2023 |work=[[Screen Rant]] |url-access=subscription |archive-date=September 20, 2023 |archive-url=https://web.archive.org/web/20230920052620/https://screenrant.com/a24-horror-movies-2010s-popularity-elevated-horror-trend-explained/ |url-status=live }}</ref><ref>{{cite web |last=Tsintziras |first=Aya |date=January 25, 2023 |title=Elevated Horror: What Defines the Growing Subgenre |url=https://gamerant.com/elevated-horror-definition-subgenre/ |access-date=August 22, 2023 |work=Game Rant |archive-date=September 29, 2023 |archive-url=https://web.archive.org/web/20230929051010/https://gamerant.com/elevated-horror-definition-subgenre/ |url-status=live }}</ref><ref>{{cite web |last=Tilakaratne |first=Wishka |date=August 20, 2023 |title=How A24 Has Been a Pioneer in Modern Horror |url=https://movieweb.com/a24-pioneer-in-modern-horror/ |access-date=August 22, 2023 |publisher=[[MovieWeb]] |url-access=subscription |archive-date=May 1, 2023 |archive-url=https://web.archive.org/web/20230501053544/https://movieweb.com/a24-pioneer-in-modern-horror/ |url-status=live }}</ref> Most of these films share a similar approach, including ambiguity, bleak atmosphere, disruptive formulas, outbursts of violence, psychological dilemmas, and realistic character drama; these include ''[[Hereditary (film)|Hereditary]]'' (2018), ''[[It Comes at Night]]'' (2017), ''[[The Killing of a Sacred Deer]]'' (2017), ''[[Men (2022 film)|Men]]'' (2022), ''[[Under the Skin (2013 film)|Under the Skin]]'' (2013), and ''[[The Witch (2015 film)|The Witch]]'' (2015).<ref>{{cite web |last=Goyaz |first=Arthur |date=November 11, 2022 |title=10 Recurring Trademarks in A24 Horror Movies |url=https://screenrant.com/recurring-trademarks-a24-horror-movies/ |access-date=August 22, 2023 |work=[[Screen Rant]] |url-access=subscription |archive-date=May 3, 2023 |archive-url=https://web.archive.org/web/20230503105046/https://screenrant.com/recurring-trademarks-a24-horror-movies/ |url-status=live }}</ref> The term also refers to [[Film genre|genre films]] with a seemingly more artful sensibility than most fare, plus a focus on dramatic themes such as grief and trauma.<ref name="Sharf">{{cite web |last=Sharf |first=Zack |date=October 31, 2022 |title=Jordan Peele Says He's Not 'Trying to Make Elevated' Genre Movies: 'That's a Trap I Don't Quite Appreciate |url=https://variety.com/2022/film/news/jordan-peele-rejects-elevated-horror-label-trap-1235418851/ |access-date=July 27, 2023 |work=[[Variety (magazine)|Variety]] |archive-date=May 6, 2023 |archive-url=https://web.archive.org/web/20230506210507/https://variety.com/2022/film/news/jordan-peele-rejects-elevated-horror-label-trap-1235418851/ |url-status=live }}</ref> |
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==Influence== |
==Influence== |
||
In October 2023, Scorsese revealed in an interview with ''[[The Irish Times]]'' that Aster's films helped to inspire the tempo of his own film ''[[Killers of the Flower Moon (film)|Killers of the Flower Moon]]'' (2023), adding that timing is crucial for a film that's three-and-a-half hours long, stating: "I very much like the style and pacing of good horror films like Ari Aster's ''Midsommar'' or ''Beau Is Afraid''. The pacing of those films goes back to the [[B movie|B films]] of [[Val Lewton]], [[Jacques Tourneur]]'s ''[[Cat People (1942 film)|Cat People]]'' or ''[[I Walked with a Zombie]]''. Just going a little slower, a little quieter. |
In October 2023, Scorsese revealed in an interview with ''[[The Irish Times]]'' that Aster's films helped to inspire the tempo of his own film ''[[Killers of the Flower Moon (film)|Killers of the Flower Moon]]'' (2023), adding that timing is crucial for a film that's three-and-a-half hours long, stating: "I very much like the style and pacing of good horror films like Ari Aster's ''Midsommar'' or ''Beau Is Afraid''. The pacing of those films goes back to the [[B movie|B films]] of [[Val Lewton]], [[Jacques Tourneur]]'s ''[[Cat People (1942 film)|Cat People]]'' or ''[[I Walked with a Zombie]]''. Just going a little slower, a little quieter".<ref>{{Cite news |date=October 13, 2023|last=Brady|first=Tara |title=Martin Scorsese: 'One has to take chances. At this age, what else can I do?' |url=https://www.irishtimes.com/culture/film/2023/10/14/martin-scorsese-one-has-to-take-chances-at-this-age-what-else-can-i-do/ |access-date=2024-10-05 |newspaper=[[The Irish Times]]}}</ref> |
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==Accolades== |
==Accolades== |
||
As of the [[ |
As of the [[96th Academy Awards]], A24 has received a total of 62 [[Academy Awards|Academy Award]] nominations, winning 18 overall.<ref name="TheWrap"/><ref>{{cite tweet |number=1749807886916796495 |title=Congratulations to Jonathan Glazer's 'The Zone of Interest' and Celine Song's 'Past Lives' on 7 Academy Award nominations including Best Picture (for both!) #Oscars2024 |user=A24 |date=January 23, 2024 |access-date=January 28, 2024}}</ref><ref>{{cite web |url=https://deadline.com/2024/01/oscar-nominations-scorecards-2024-nominees-movies-distributors-1235801990/ |title=Oscar Scorecards: Nominations by Film and Distributor |last=Hipes |first=Patrick |work=[[Deadline Hollywood]] |date=January 23, 2024 |access-date=January 28, 2024 |archive-date=January 28, 2024 |archive-url=https://web.archive.org/web/20240128050501/https://deadline.com/2024/01/oscar-nominations-scorecards-2024-nominees-movies-distributors-1235801990/ |url-status=live }}</ref> |
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* In [[88th Academy Awards|2016]], A24 won [[Academy Award for Best Actress|Best Actress]] ([[Brie Larson]] for ''[[Room (2015 film)|Room]]''), [[Academy Award for Best Documentary Feature Film|Best Documentary Feature Film]] (''[[Amy (2015 film)|Amy]]''), and [[Academy Award for Best Visual Effects|Best Visual Effects]] (''[[Ex Machina (film)|Ex Machina]]'').<ref name="Desta">{{cite web |last=Desta |first=Yohana |date=February 28, 2017 |title=Is A24, the Indie Upstart with a Fresh Best-Picture Win, the Next Miramax? |url=https://www.vanityfair.com/hollywood/2017/02/a24-best-picture-miramax |url-access=subscription |access-date=March 15, 2023 |work=[[Vanity Fair (magazine)|Vanity Fair]] |archive-date=September 13, 2021 |archive-url=https://web.archive.org/web/20210913230221/https://www.vanityfair.com/hollywood/2017/02/a24-best-picture-miramax |url-status=live}}</ref> |
* In [[88th Academy Awards|2016]], A24 won [[Academy Award for Best Actress|Best Actress]] ([[Brie Larson]] for ''[[Room (2015 film)|Room]]''), [[Academy Award for Best Documentary Feature Film|Best Documentary Feature Film]] (''[[Amy (2015 film)|Amy]]''), and [[Academy Award for Best Visual Effects|Best Visual Effects]] (''[[Ex Machina (film)|Ex Machina]]'').<ref name="Desta">{{cite web |last=Desta |first=Yohana |date=February 28, 2017 |title=Is A24, the Indie Upstart with a Fresh Best-Picture Win, the Next Miramax? |url=https://www.vanityfair.com/hollywood/2017/02/a24-best-picture-miramax |url-access=subscription |access-date=March 15, 2023 |work=[[Vanity Fair (magazine)|Vanity Fair]] |archive-date=September 13, 2021 |archive-url=https://web.archive.org/web/20210913230221/https://www.vanityfair.com/hollywood/2017/02/a24-best-picture-miramax |url-status=live}}</ref> |
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* In [[93rd Academy Awards|2021]], A24 won the [[Academy Award for Best Supporting Actress]] ([[Youn Yuh-jung|Yuh-jung Youn]] for ''[[Minari (film)|Minari]]''); Youn became the first Korean actress to win an Oscar for acting.<ref>{{cite web |last=Melas |first=Chloe |author-link=Chloe Melas |date=April 26, 2021 |title=Yuh-jung Youn becomes first Korean to win acting Oscar |url=https://www.cnn.com/2021/04/25/entertainment/yuh-jung-youn-oscar-win/index.html |access-date=March 15, 2023 |publisher=[[CNN]] |archive-date=May 10, 2021 |archive-url=https://web.archive.org/web/20210510193642/https://www.cnn.com/2021/04/25/entertainment/yuh-jung-youn-oscar-win/index.html |url-status=live}}</ref> |
* In [[93rd Academy Awards|2021]], A24 won the [[Academy Award for Best Supporting Actress]] ([[Youn Yuh-jung|Yuh-jung Youn]] for ''[[Minari (film)|Minari]]''); Youn became the first Korean actress to win an Oscar for acting.<ref>{{cite web |last=Melas |first=Chloe |author-link=Chloe Melas |date=April 26, 2021 |title=Yuh-jung Youn becomes first Korean to win acting Oscar |url=https://www.cnn.com/2021/04/25/entertainment/yuh-jung-youn-oscar-win/index.html |access-date=March 15, 2023 |publisher=[[CNN]] |archive-date=May 10, 2021 |archive-url=https://web.archive.org/web/20210510193642/https://www.cnn.com/2021/04/25/entertainment/yuh-jung-youn-oscar-win/index.html |url-status=live}}</ref> |
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* In [[95th Academy Awards|2023]], A24 experienced its most successful [[Oscar season]] when it became the most nominated single studio of that year's ceremony with 18 total nominations between six of their films; ''[[Everything Everywhere All at Once]]'' (11 nominations; the most nominated film that year, including Best Picture), ''[[The Whale (2022 film)|The Whale]]'' (3 nominations), and ''[[Aftersun]]'', ''[[Causeway (film)|Causeway]]'', ''[[Close (2022 film)|Close]]'' and ''[[Marcel the Shell with Shoes On (2021 film)|Marcel the Shell with Shoes On]]'' (each with 1 nomination).<ref>{{cite web |last=Vary |first=Adam B. |date=January 24, 2023 |title=A24 Tops All Other Single Movie Studios with 18 Oscar Nominations, Taking a Victory Lap 10 Years in the Making |url=https://variety.com/2023/film/news/a24-oscar-nominations-everything-everywhere-whale-aftersun-1235501006/ |access-date=January 25, 2023 |work=[[Variety (magazine)|Variety]] |archive-date=January 24, 2023 |archive-url=https://web.archive.org/web/20230124223835/https://variety.com/2023/film/news/a24-oscar-nominations-everything-everywhere-whale-aftersun-1235501006/ |url-status=live}}</ref> A24 would ultimately become the most awarded studio that year with nine awards in total, as well as sweeping seven of the major awards. ''Everything Everywhere All at Once'' won seven—Best Picture, [[Academy Award for Best Director|Best Director]] ([[Daniels (directors)|Daniel Kwan and Daniel Scheinert]]), Best Actress ([[Michelle Yeoh]]), Best Supporting Actor ([[Ke Huy Quan]]), Best Supporting Actress ([[Jamie Lee Curtis]]), [[Academy Award for Best Original Screenplay|Best Original Screenplay]] (Daniel Kwan and Daniel Scheinert), and [[Academy Award for Best Film Editing|Best Film Editing]] ([[Paul Rogers (film editor)|Paul Rogers]]). ''The Whale'' won two—[[Academy Award for Best Actor|Best Actor]] ([[Brendan Fraser]]) and [[Academy Award for Best Makeup and Hairstyling|Best Makeup and Hairstyling]] ([[Adrien Morot]], [[Judy Chin]], and Annemarie Bradley).<ref name="Sperling"/><ref name="Keegan"/><ref name="TheWrap"/><ref>{{cite web |last=Pedersen |first=Erik |date=March 12, 2023 |title=Oscar Scorecards: Wins by Film & Distributor |url=https://deadline.com/2023/03/2023-oscar-wins-by-film-studios-1235296844/ |access-date=March 15, 2023 |work=[[Deadline Hollywood]] |archive-date=March 14, 2023 |archive-url=https://web.archive.org/web/20230314192649/https://deadline.com/2023/03/2023-oscar-wins-by-film-studios-1235296844/ |url-status=live}}</ref> |
* In [[95th Academy Awards|2023]], A24 experienced its most successful [[Oscar season]] when it became the most nominated single studio of that year's ceremony with 18 total nominations between six of their films; ''[[Everything Everywhere All at Once]]'' (11 nominations; the most nominated film that year, including Best Picture), ''[[The Whale (2022 film)|The Whale]]'' (3 nominations), and ''[[Aftersun]]'', ''[[Causeway (film)|Causeway]]'', ''[[Close (2022 film)|Close]]'' and ''[[Marcel the Shell with Shoes On (2021 film)|Marcel the Shell with Shoes On]]'' (each with 1 nomination).<ref>{{cite web |last=Vary |first=Adam B. |date=January 24, 2023 |title=A24 Tops All Other Single Movie Studios with 18 Oscar Nominations, Taking a Victory Lap 10 Years in the Making |url=https://variety.com/2023/film/news/a24-oscar-nominations-everything-everywhere-whale-aftersun-1235501006/ |access-date=January 25, 2023 |work=[[Variety (magazine)|Variety]] |archive-date=January 24, 2023 |archive-url=https://web.archive.org/web/20230124223835/https://variety.com/2023/film/news/a24-oscar-nominations-everything-everywhere-whale-aftersun-1235501006/ |url-status=live}}</ref> A24 would ultimately become the most awarded studio that year with nine awards in total, as well as sweeping seven of the major awards. ''Everything Everywhere All at Once'' won seven—Best Picture, [[Academy Award for Best Director|Best Director]] ([[Daniels (directors)|Daniel Kwan and Daniel Scheinert]]), Best Actress ([[Michelle Yeoh]]), Best Supporting Actor ([[Ke Huy Quan]]), Best Supporting Actress ([[Jamie Lee Curtis]]), [[Academy Award for Best Original Screenplay|Best Original Screenplay]] (Daniel Kwan and Daniel Scheinert), and [[Academy Award for Best Film Editing|Best Film Editing]] ([[Paul Rogers (film editor)|Paul Rogers]]). ''The Whale'' won two—[[Academy Award for Best Actor|Best Actor]] ([[Brendan Fraser]]) and [[Academy Award for Best Makeup and Hairstyling|Best Makeup and Hairstyling]] ([[Adrien Morot]], [[Judy Chin]], and Annemarie Bradley).<ref name="Sperling"/><ref name="Keegan"/><ref name="TheWrap"/><ref>{{cite web |last=Pedersen |first=Erik |date=March 12, 2023 |title=Oscar Scorecards: Wins by Film & Distributor |url=https://deadline.com/2023/03/2023-oscar-wins-by-film-studios-1235296844/ |access-date=March 15, 2023 |work=[[Deadline Hollywood]] |archive-date=March 14, 2023 |archive-url=https://web.archive.org/web/20230314192649/https://deadline.com/2023/03/2023-oscar-wins-by-film-studios-1235296844/ |url-status=live}}</ref> |
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* In 2024, ''[[The Zone of Interest (film)|The Zone of Interest]]'' won the [[Academy Award for Best International Feature Film]] (representing [[List of British submissions for the Academy Award for Best International Feature Film|United Kingdom]]) and [[Academy Award for Best Sound|Best Sound]]. |
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Additionally, A24 has been nominated and won numerous [[British Academy Film Awards]], [[Critics' Choice Movie Awards|Critics' Choice Awards]], [[Golden Globe Awards]], [[Independent Spirit Awards]], and [[Screen Actors Guild Awards]].<ref>{{cite magazine |url=https://ew.com/golden-globes/2017/01/08/golden-globes-2017-moonlight/ |title=Golden Globes 2017: 'Moonlight' wins Best Picture Drama |last=Coggan |first=Devan |magazine=[[Entertainment Weekly]] |date=January 11, 2017 |access-date=January 11, 2017}}</ref><ref>{{cite web |url=https://www.indiewire.com/awards/industry/2020-spirit-awards-winners-list-uncut-gems-1202208889/ |title=2020 Spirit Awards Winners List: 'Farewell' Wins Best Film, 'Uncut Gems' Takes Three Prizes |last=Sharf |first=Zack |publisher=[[IndieWire]] |date=February 8, 2020 |access-date=February 8, 2020}}</ref><ref>{{cite web |url=https://variety.com/2023/film/actors/everything-everywhere-breaks-record-most-wins-sag-awards-a24-1235536654/ |title=A24 Sweeps Film Categories at the 2023 SAG Awards as 'Everything Everywhere All at Once' Breaks Record for Most Wins |last=Woerner |first=Meredith |work=[[Variety (magazine)|Variety]] |date=February 26, 2023 |access-date=February 26, 2023}}</ref> |
Additionally, A24 has been nominated and won numerous [[British Academy Film Awards]], [[Critics' Choice Movie Awards|Critics' Choice Awards]], [[Golden Globe Awards]], [[Independent Spirit Awards]], and [[Screen Actors Guild Awards]].<ref>{{cite magazine |url=https://ew.com/golden-globes/2017/01/08/golden-globes-2017-moonlight/ |title=Golden Globes 2017: 'Moonlight' wins Best Picture Drama |last=Coggan |first=Devan |magazine=[[Entertainment Weekly]] |date=January 11, 2017 |access-date=January 11, 2017 |archive-date=December 12, 2020 |archive-url=https://web.archive.org/web/20201212013354/https://ew.com/golden-globes/2017/01/08/golden-globes-2017-moonlight/ |url-status=live }}</ref><ref>{{cite web |url=https://www.indiewire.com/awards/industry/2020-spirit-awards-winners-list-uncut-gems-1202208889/ |title=2020 Spirit Awards Winners List: 'Farewell' Wins Best Film, 'Uncut Gems' Takes Three Prizes |last=Sharf |first=Zack |publisher=[[IndieWire]] |date=February 8, 2020 |access-date=February 8, 2020 |archive-date=May 24, 2023 |archive-url=https://web.archive.org/web/20230524151507/https://www.indiewire.com/awards/industry/2020-spirit-awards-winners-list-uncut-gems-1202208889/ |url-status=live }}</ref><ref>{{cite web |url=https://variety.com/2023/film/actors/everything-everywhere-breaks-record-most-wins-sag-awards-a24-1235536654/ |title=A24 Sweeps Film Categories at the 2023 SAG Awards as 'Everything Everywhere All at Once' Breaks Record for Most Wins |last=Woerner |first=Meredith |work=[[Variety (magazine)|Variety]] |date=February 26, 2023 |access-date=February 26, 2023 |archive-date=September 23, 2024 |archive-url=https://web.archive.org/web/20240923154352/https://variety.com/2023/film/actors/everything-everywhere-breaks-record-most-wins-sag-awards-a24-1235536654/ |url-status=live }}</ref> |
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==Reception== |
==Reception== |
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"A24 is a business whose aspirations are unlimited," said one high-level Hollywood executive. "They're not trying to become [[Focus Features|Focus [Features]]]. They want to become a big media company."<ref>{{cite web |url=https://www.indiewire.com/features/commentary/a24-peter-rice-production-deal-1234869982/ |title=Peter Rice Didn't Land A24 in New Production Deal — A24 Landed Peter Rice |last=Thompson |first=Anne |author-link=Anne Thompson (film journalist) |publisher=[[IndieWire]] |date=June 3, 2023 |access-date=September 28, 2023}}</ref> |
"A24 is a business whose aspirations are unlimited," said one high-level Hollywood executive. "They're not trying to become [[Focus Features|Focus [Features]]]. They want to become a big media company."<ref>{{cite web |url=https://www.indiewire.com/features/commentary/a24-peter-rice-production-deal-1234869982/ |title=Peter Rice Didn't Land A24 in New Production Deal — A24 Landed Peter Rice |last=Thompson |first=Anne |author-link=Anne Thompson (film journalist) |publisher=[[IndieWire]] |date=June 3, 2023 |access-date=September 28, 2023 |archive-date=September 28, 2023 |archive-url=https://web.archive.org/web/20230928055556/https://www.indiewire.com/features/commentary/a24-peter-rice-production-deal-1234869982/ |url-status=live }}</ref> |
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Filmmaker [[David Lowery (director)|David Lowery]] (director of A24's ''[[A Ghost Story]]'' and ''[[The Green Knight (film)|The Green Knight]]'') praised A24, saying: "The great thing about A24 is that they're always up for a challenge. They remain undaunted; they'll take the most difficult, unsaleable aspect of your movie and turn it into its greatest asset." Fellow filmmaker [[James Ponsoldt]] (director of A24's ''[[The End of the Tour]]'' and ''[[The Spectacular Now]]'') also applauded the company, saying: "A24 is remarkable at championing specific cinematic voices because they genuinely adore their films — and that enthusiasm is reflected in the creativity and laser-like precision of their marketing and releases."<ref name="Guerrasio"/> |
Filmmaker [[David Lowery (director)|David Lowery]] (director of A24's ''[[A Ghost Story]]'' and ''[[The Green Knight (film)|The Green Knight]]'') praised A24, saying: "The great thing about A24 is that they're always up for a challenge. They remain undaunted; they'll take the most difficult, unsaleable aspect of your movie and turn it into its greatest asset." Fellow filmmaker [[James Ponsoldt]] (director of A24's ''[[The End of the Tour]]'' and ''[[The Spectacular Now]]'') also applauded the company, saying: "A24 is remarkable at championing specific cinematic voices because they genuinely adore their films — and that enthusiasm is reflected in the creativity and laser-like precision of their marketing and releases."<ref name="Guerrasio"/> |
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Many of the performances in A24 films have received widespread critical acclaim, with many critics and reviewers describing these actor/actress' performances as some of the best of their career.<ref>{{cite web |url=https://movieweb.com/a24-best-performances-ranked/ |title=The Best Performances in A24 Films, Ranked |last1=Boladeras |first1=Rafa |last2=Raul |first2=Danilo |publisher=[[MovieWeb]] |date=August 22, 2023 |access-date=September 28, 2023 |url-access=subscription}}</ref> Such performances include: [[Mahershala Ali]]'s in ''[[Moonlight (2016 film)|Moonlight]]'' (2016),<ref>{{cite web |url=https://www.cinemablend.com/news/2561362/ranking-mahershala-alis-best-roles-so-far |title=Ranking Mahershala Ali's Best Roles So Far |last=Tisdale |first=Jerrica |publisher=CinemaBlend |date=July 22, 2022 |access-date=September 28, 2023}}</ref> [[Awkwafina]]'s in ''[[The Farewell (2019 film)|The Farewell]]'' (2019),<ref>{{cite web |url=https://www.goldderby.com/article/2019/the-farewell-reviews-critics-awkwafina-oscars-news/ |title='The Farewell' reviews: Awkwafina is 'superb' in a breakthrough dramatic performance with historic Oscar potential |last=Montgomery |first=Daniel |publisher=GoldDerby |date=July 11, 2019 |access-date=September 28, 2023}}</ref> [[Toni Collette]]'s in ''[[Hereditary (film)|Hereditary]]'' (2018),<ref>{{cite web |url=https://movieweb.com/toni-collette-deserved-and-oscar-for-hereditary/ |title=Why Toni Collette Deserved an Oscar for Her Performance in 'Hereditary' |last=Tilakaratne |first=Wishka |publisher=[[MovieWeb]] |date=February 25, 2023 |access-date=September 28, 2023 |url-access=subscription}}</ref> [[Brendan Fraser]]'s in ''[[The Whale (2022 film)|The Whale]]'' (2022),<ref>{{cite web |url=https://www.comingsoon.net/movies/reviews/1256312-the-whale-review-brendan-fraser-gives-the-best-performance-of-the-year |title='The Whale' Review: Brendan Fraser Gives the Best Performance of the Year |last=Sim |first=Jonathan |publisher=ComingSoon.net |date=December 22, 2022 |access-date=September 28, 2023}}</ref> [[Mia Goth]]'s in ''[[X (2022 film)|X]]'' (2022) and ''[[Pearl (2022 film)|Pearl]]'' (2022),<ref>{{cite web |url=https://movieweb.com/why-mia-goth-is-perfect-in-x-and-pearl/ |title=Why Pearl and X's Mia Goth is One of the Best Genre Actors Today |last=Johnson |first=Nicholas |publisher=[[MovieWeb]] |date=October 8, 2022 |access-date=September 28, 2023 |url-access=subscription}}</ref> [[Tom Hardy]]'s in ''[[Locke (film)|Locke]]'' (2013),<ref>{{cite web |url=https://slate.com/culture/2014/05/locke-movie-review-tom-hardy-is-thrilling-in-this-existential-road-movie.html |title='Locke' movie review: Tom Hardy is thrilling in this existential road movie |last=Stevens |first=Dana |work=[[Slate (magazine)|Slate]] |date=May 1, 2014 |access-date=September 28, 2023}}</ref> [[Brie Larson]]'s in ''[[Room (2015 film)|Room]]'' (2015),<ref>{{cite web |url=https://www.theguardian.com/film/2016/jan/14/room-review-brie-larson-shines-in-a-dark-dungeon |title='Room' review – Brie Larson shines in a dark dungeon |last=Bradshaw |first=Peter |author-link=Peter Bradshaw |work=[[The Guardian]] |date=January 15, 2016 |access-date=September 28, 2023}}</ref> [[Greta Lee]]'s in ''[[Past Lives (film)|Past Lives]]'' (2023),<ref>{{cite web |url=https://faroutmagazine.co.uk/greta-lee-past-lives/ |title=Greta Lee's heartbreaking performance in 'Past Lives' |last=Leatham |first=Thomas |work=[[Far Out (website)|Far Out]] |date=January 8, 2024 |access-date=January 28, 2024}}</ref> [[Robert Pattinson]]'s in ''[[Good Time (film)|Good Time]]'' (2017) and ''[[The Lighthouse (2019 film)|The Lighthouse]]'' (2019),<ref>{{cite web |url=https://www.cbr.com/robert-pattinson-best-performances-not-batman/ |title=Robert Pattinson's 5 Best Performances (That Aren't Batman) |last=Iraniem |first=Hugo |work=[[Comic Book Resources|CBR]] |date=April 8, 2022 |access-date=September 28, 2023}}</ref> [[Joaquin Phoenix]]'s in ''[[C'mon C'mon (film)|C'mon C'mon]]'' (2021) and ''[[Beau Is Afraid]]'' (2023),<ref>{{cite web |url=https://www.thewrap.com/beau-is-afraid-review-ari-aster-joaquin-phoenix/ |title='Beau Is Afraid' Review: Ari Aster's Stunning, Unknowable and Fearless Opus |last=Laffly |first=Tomris |work=[[TheWrap]] |date=April 10, 2023 |access-date=September 28, 2023}}</ref><ref>{{cite web |url=https://www.vulture.com/article/cmon-cmon-movie-review-joaquin-phoenix-at-career-best.html |title=Joaquin Phoenix Gives a Career-Best Performance in 'C'mon C'mon' |last=Bastién |first=Angelica Jade |author-link=Angelica Jade Bastién |work=[[Vulture (website)|Vulture]] |date=November 25, 2021 |access-date=September 28, 2023 |url-access=subscription}}</ref> [[Florence Pugh]]'s in ''[[Midsommar]]'' (2019),<ref>{{cite web |url=https://editorial.rottentomatoes.com/article/midsommar-first-reviews-florence-pugh-goes-full-toni-collette-in-ari-asters-gory-surreal-divisive-second-film/ |title='Midsommar' First Reviews: Florence Pugh Goes Full Toni Collette in Ari Aster's Gory, Surreal, Divisive Second Film |last=Campbell |first=Christopher |publisher=[[Rotten Tomatoes]] |date=June 19, 2019 |access-date=September 28, 2023}}</ref> [[Saoirse Ronan]]'s in ''[[Lady Bird (film)|Lady Bird]]'' (2017),<ref>{{cite web |url=https://www.indiewire.com/features/general/lady-bird-review-saoirse-ronan-greta-gerwig-telluride-2017-1201872501/ |title=Saoirse Ronan Scores Her Greatest Role in Greta Gerwig's Winning Directorial Debut 'Lady Bird' — Review |last=Kohn |first=Eric |publisher=[[IndieWire]] |date=September 1, 2017 |access-date=September 28, 2023}}</ref> [[Adam Sandler]]'s in ''[[Uncut Gems]]'' (2019),<ref>{{cite web |url=https://www.avclub.com/adam-sandler-delivers-the-performance-of-his-career-in-1840375231 |title=Adam Sandler delivers the performance of his career in the audacious stress-machine comedy 'Uncut Gems' |last=Dowd |first=A.A. |work=[[The A.V. Club]] |date=December 11, 2019 |access-date=September 28, 2023}}</ref> [[Anya Taylor-Joy]]'s in ''[[The Witch (2015 film)|The Witch]]'' (2015),<ref>{{cite web |url=https://faroutmagazine.co.uk/anya-taylor-joys-showstopping-performance-the-witch/ |title=Anya Taylor-Joy's showstopping performance in 'The Witch' |last=Ferrier |first=Aimee |work=[[Far Out (website)|Far Out]] |date=April 18, 2023 |access-date=September 28, 2023}}</ref> [[Alicia Vikander]]'s in ''[[Ex Machina (film)|Ex Machina]]'' (2014),<ref>{{cite web |url=https://www.avclub.com/alicia-vikander-deserved-her-oscar-for-ex-machina-not-1846685408 |title=Alicia Vikander deserved her Oscar for 'Ex Machina', not 'The Danish Girl' |last=Hassenger |first=Jesse |work=[[The A.V. Club]] |date=April 18, 2021 |access-date=September 28, 2023}}</ref> and [[Ke Huy Quan]], [[Michelle Yeoh]], and [[Stephanie Hsu]]'s in ''Everything Everywhere All at Once'' (2022).<ref>{{cite web |url=https://filmhounds.co.uk/2022/10/the-greatest-performance-of-all-time-michelle-yeoh-in-everything-everywhere-all-at-once/ |title=The Greatest Performance of All Time: Michelle Yeoh in 'Everything Everywhere All at Once' |last=Ehenulo |first=Kelechi |work=Filmhounds Magazine |date=October 30, 2022 |access-date=September 28, 2023}}</ref><ref>{{cite web |url=https://movieweb.com/ke-huy-quan-best-performances/ |title=Ke Huy Quan's 5 Best Performances, Ranked |last=McGrotty |first=Andrew |publisher=[[MovieWeb]] |date=April 22, 2022 |access-date=February 3, 2024 |url-access=subscription}}</ref> |
Many of the performances in A24 films have received widespread critical acclaim, with many critics and reviewers describing these actor/actress' performances as some of the best of their career.<ref>{{cite web |url=https://movieweb.com/a24-best-performances-ranked/ |title=The Best Performances in A24 Films, Ranked |last1=Boladeras |first1=Rafa |last2=Raul |first2=Danilo |publisher=[[MovieWeb]] |date=August 22, 2023 |access-date=September 28, 2023 |url-access=subscription |archive-date=September 13, 2023 |archive-url=https://web.archive.org/web/20230913033404/https://movieweb.com/a24-best-performances-ranked/ |url-status=live }}</ref> Such performances include: [[Mahershala Ali]]'s in ''[[Moonlight (2016 film)|Moonlight]]'' (2016),<ref>{{cite web |url=https://www.cinemablend.com/news/2561362/ranking-mahershala-alis-best-roles-so-far |title=Ranking Mahershala Ali's Best Roles So Far |last=Tisdale |first=Jerrica |publisher=CinemaBlend |date=July 22, 2022 |access-date=September 28, 2023 |archive-date=October 10, 2023 |archive-url=https://web.archive.org/web/20231010103745/https://www.cinemablend.com/news/2561362/ranking-mahershala-alis-best-roles-so-far |url-status=live }}</ref> [[Awkwafina]]'s in ''[[The Farewell (2019 film)|The Farewell]]'' (2019),<ref>{{cite web |url=https://www.goldderby.com/article/2019/the-farewell-reviews-critics-awkwafina-oscars-news/ |title='The Farewell' reviews: Awkwafina is 'superb' in a breakthrough dramatic performance with historic Oscar potential |last=Montgomery |first=Daniel |publisher=GoldDerby |date=July 11, 2019 |access-date=September 28, 2023 |archive-date=October 10, 2023 |archive-url=https://web.archive.org/web/20231010103913/https://www.goldderby.com/article/2019/the-farewell-reviews-critics-awkwafina-oscars-news/ |url-status=live }}</ref> [[Toni Collette]]'s in ''[[Hereditary (film)|Hereditary]]'' (2018),<ref>{{cite web |url=https://movieweb.com/toni-collette-deserved-and-oscar-for-hereditary/ |title=Why Toni Collette Deserved an Oscar for Her Performance in 'Hereditary' |last=Tilakaratne |first=Wishka |publisher=[[MovieWeb]] |date=February 25, 2023 |access-date=September 28, 2023 |url-access=subscription |archive-date=September 13, 2023 |archive-url=https://web.archive.org/web/20230913093631/https://movieweb.com/toni-collette-deserved-and-oscar-for-hereditary/ |url-status=live }}</ref> [[Brendan Fraser]]'s in ''[[The Whale (2022 film)|The Whale]]'' (2022),<ref>{{cite web |url=https://www.comingsoon.net/movies/reviews/1256312-the-whale-review-brendan-fraser-gives-the-best-performance-of-the-year |title='The Whale' Review: Brendan Fraser Gives the Best Performance of the Year |last=Sim |first=Jonathan |publisher=ComingSoon.net |date=December 22, 2022 |access-date=September 28, 2023 |archive-date=October 10, 2023 |archive-url=https://web.archive.org/web/20231010103558/https://www.comingsoon.net/movies/reviews/1256312-the-whale-review-brendan-fraser-gives-the-best-performance-of-the-year |url-status=live }}</ref> [[Mia Goth]]'s in ''[[X (2022 film)|X]]'' (2022) and ''[[Pearl (2022 film)|Pearl]]'' (2022),<ref>{{cite web |url=https://movieweb.com/why-mia-goth-is-perfect-in-x-and-pearl/ |title=Why Pearl and X's Mia Goth is One of the Best Genre Actors Today |last=Johnson |first=Nicholas |publisher=[[MovieWeb]] |date=October 8, 2022 |access-date=September 28, 2023 |url-access=subscription |archive-date=May 8, 2024 |archive-url=https://web.archive.org/web/20240508054140/https://movieweb.com/why-mia-goth-is-perfect-in-x-and-pearl/ |url-status=live }}</ref> [[Tom Hardy]]'s in ''[[Locke (film)|Locke]]'' (2013),<ref>{{cite web |url=https://slate.com/culture/2014/05/locke-movie-review-tom-hardy-is-thrilling-in-this-existential-road-movie.html |title='Locke' movie review: Tom Hardy is thrilling in this existential road movie |last=Stevens |first=Dana |work=[[Slate (magazine)|Slate]] |date=May 1, 2014 |access-date=September 28, 2023 |archive-date=October 10, 2023 |archive-url=https://web.archive.org/web/20231010104001/https://slate.com/culture/2014/05/locke-movie-review-tom-hardy-is-thrilling-in-this-existential-road-movie.html |url-status=live }}</ref> [[Brie Larson]]'s in ''[[Room (2015 film)|Room]]'' (2015),<ref>{{cite web |url=https://www.theguardian.com/film/2016/jan/14/room-review-brie-larson-shines-in-a-dark-dungeon |title='Room' review – Brie Larson shines in a dark dungeon |last=Bradshaw |first=Peter |author-link=Peter Bradshaw |work=[[The Guardian]] |date=January 15, 2016 |access-date=September 28, 2023 |archive-date=October 10, 2023 |archive-url=https://web.archive.org/web/20231010103517/https://www.theguardian.com/film/2016/jan/14/room-review-brie-larson-shines-in-a-dark-dungeon |url-status=live }}</ref> [[Greta Lee]]'s in ''[[Past Lives (film)|Past Lives]]'' (2023),<ref>{{cite web |url=https://faroutmagazine.co.uk/greta-lee-past-lives/ |title=Greta Lee's heartbreaking performance in 'Past Lives' |last=Leatham |first=Thomas |work=[[Far Out (website)|Far Out]] |date=January 8, 2024 |access-date=January 28, 2024 |archive-date=January 28, 2024 |archive-url=https://web.archive.org/web/20240128050501/https://faroutmagazine.co.uk/greta-lee-past-lives/ |url-status=live }}</ref> [[Robert Pattinson]]'s in ''[[Good Time (film)|Good Time]]'' (2017) and ''[[The Lighthouse (2019 film)|The Lighthouse]]'' (2019),<ref>{{cite web |url=https://www.cbr.com/robert-pattinson-best-performances-not-batman/ |title=Robert Pattinson's 5 Best Performances (That Aren't Batman) |last=Iraniem |first=Hugo |work=[[Comic Book Resources|CBR]] |date=April 8, 2022 |access-date=September 28, 2023 |archive-date=May 18, 2023 |archive-url=https://web.archive.org/web/20230518232306/https://www.cbr.com/robert-pattinson-best-performances-not-batman/ |url-status=live }}</ref> [[Joaquin Phoenix]]'s in ''[[C'mon C'mon (film)|C'mon C'mon]]'' (2021) and ''[[Beau Is Afraid]]'' (2023),<ref>{{cite web |url=https://www.thewrap.com/beau-is-afraid-review-ari-aster-joaquin-phoenix/ |title='Beau Is Afraid' Review: Ari Aster's Stunning, Unknowable and Fearless Opus |last=Laffly |first=Tomris |work=[[TheWrap]] |date=April 10, 2023 |access-date=September 28, 2023 |archive-date=April 24, 2023 |archive-url=https://web.archive.org/web/20230424152348/https://www.thewrap.com/beau-is-afraid-review-ari-aster-joaquin-phoenix/ |url-status=live }}</ref><ref>{{cite web |url=https://www.vulture.com/article/cmon-cmon-movie-review-joaquin-phoenix-at-career-best.html |title=Joaquin Phoenix Gives a Career-Best Performance in 'C'mon C'mon' |last=Bastién |first=Angelica Jade |author-link=Angelica Jade Bastién |work=[[Vulture (website)|Vulture]] |date=November 25, 2021 |access-date=September 28, 2023 |url-access=subscription |archive-date=November 24, 2021 |archive-url=https://web.archive.org/web/20211124135709/https://www.vulture.com/article/cmon-cmon-movie-review-joaquin-phoenix-at-career-best.html |url-status=live }}</ref> [[Florence Pugh]]'s in ''[[Midsommar]]'' (2019),<ref>{{cite web |url=https://editorial.rottentomatoes.com/article/midsommar-first-reviews-florence-pugh-goes-full-toni-collette-in-ari-asters-gory-surreal-divisive-second-film/ |title='Midsommar' First Reviews: Florence Pugh Goes Full Toni Collette in Ari Aster's Gory, Surreal, Divisive Second Film |last=Campbell |first=Christopher |publisher=[[Rotten Tomatoes]] |date=June 19, 2019 |access-date=September 28, 2023 |archive-date=November 7, 2020 |archive-url=https://web.archive.org/web/20201107231316/https://editorial.rottentomatoes.com/article/midsommar-first-reviews-florence-pugh-goes-full-toni-collette-in-ari-asters-gory-surreal-divisive-second-film/ |url-status=live }}</ref> [[Saoirse Ronan]]'s in ''[[Lady Bird (film)|Lady Bird]]'' (2017),<ref>{{cite web |url=https://www.indiewire.com/features/general/lady-bird-review-saoirse-ronan-greta-gerwig-telluride-2017-1201872501/ |title=Saoirse Ronan Scores Her Greatest Role in Greta Gerwig's Winning Directorial Debut 'Lady Bird' — Review |last=Kohn |first=Eric |publisher=[[IndieWire]] |date=September 1, 2017 |access-date=September 28, 2023 |archive-date=May 6, 2023 |archive-url=https://web.archive.org/web/20230506205005/https://www.indiewire.com/features/general/lady-bird-review-saoirse-ronan-greta-gerwig-telluride-2017-1201872501/ |url-status=live }}</ref> [[Adam Sandler]]'s in ''[[Uncut Gems]]'' (2019),<ref>{{cite web |url=https://www.avclub.com/adam-sandler-delivers-the-performance-of-his-career-in-1840375231 |title=Adam Sandler delivers the performance of his career in the audacious stress-machine comedy 'Uncut Gems' |last=Dowd |first=A.A. |work=[[The A.V. Club]] |date=December 11, 2019 |access-date=September 28, 2023 |archive-date=March 27, 2023 |archive-url=https://web.archive.org/web/20230327200929/https://www.avclub.com/adam-sandler-delivers-the-performance-of-his-career-in-1840375231 |url-status=live }}</ref> [[Anya Taylor-Joy]]'s in ''[[The Witch (2015 film)|The Witch]]'' (2015),<ref>{{cite web |url=https://faroutmagazine.co.uk/anya-taylor-joys-showstopping-performance-the-witch/ |title=Anya Taylor-Joy's showstopping performance in 'The Witch' |last=Ferrier |first=Aimee |work=[[Far Out (website)|Far Out]] |date=April 18, 2023 |access-date=September 28, 2023 |archive-date=October 10, 2023 |archive-url=https://web.archive.org/web/20231010103603/https://faroutmagazine.co.uk/anya-taylor-joys-showstopping-performance-the-witch/ |url-status=live }}</ref> [[Alicia Vikander]]'s in ''[[Ex Machina (film)|Ex Machina]]'' (2014),<ref>{{cite web |url=https://www.avclub.com/alicia-vikander-deserved-her-oscar-for-ex-machina-not-1846685408 |title=Alicia Vikander deserved her Oscar for 'Ex Machina', not 'The Danish Girl' |last=Hassenger |first=Jesse |work=[[The A.V. Club]] |date=April 18, 2021 |access-date=September 28, 2023 |archive-date=October 10, 2023 |archive-url=https://web.archive.org/web/20231010104001/https://www.avclub.com/alicia-vikander-deserved-her-oscar-for-ex-machina-not-1846685408 |url-status=live }}</ref> and [[Ke Huy Quan]], [[Michelle Yeoh]], and [[Stephanie Hsu]]'s in ''Everything Everywhere All at Once'' (2022).<ref>{{cite web |url=https://filmhounds.co.uk/2022/10/the-greatest-performance-of-all-time-michelle-yeoh-in-everything-everywhere-all-at-once/ |title=The Greatest Performance of All Time: Michelle Yeoh in 'Everything Everywhere All at Once' |last=Ehenulo |first=Kelechi |work=Filmhounds Magazine |date=October 30, 2022 |access-date=September 28, 2023 |archive-date=October 25, 2023 |archive-url=https://web.archive.org/web/20231025132948/https://filmhounds.co.uk/2022/10/the-greatest-performance-of-all-time-michelle-yeoh-in-everything-everywhere-all-at-once/ |url-status=live }}</ref><ref>{{cite web |url=https://movieweb.com/ke-huy-quan-best-performances/ |title=Ke Huy Quan's 5 Best Performances, Ranked |last=McGrotty |first=Andrew |publisher=[[MovieWeb]] |date=April 22, 2022 |access-date=February 3, 2024 |url-access=subscription |archive-date=March 28, 2023 |archive-url=https://web.archive.org/web/20230328081450/https://movieweb.com/ke-huy-quan-best-performances/ |url-status=live }}</ref> |
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A24 has frequently worked with many artistically minded writer-directors, for most of which the films released by the company pivoted their careers, including [[Ari Aster]], [[Sean Baker (filmmaker)|Sean Baker]], the [[Daniels (directors)|Daniels]], [[Robert Eggers]], [[Alex Garland]], [[Rose Glass]], [[Joanna Hogg]], [[Yorgos Lanthimos]], [[David Lowery (director)|David Lowery]], and the [[Safdie brothers]].<ref name="Elevated"/><ref>{{cite web |last=McKenna |first=Eoin |date=July 15, 2022 |title=Introducing A24's Top Directors |url=https://www.dontdiewondering.com/introducing-a24s-top-directors/ |access-date=July 27, 2023 |work=Don't Die Wondering}}</ref><ref>{{cite web |last1=Saab |first1=Hannah |last2=Merrick |first2=Jeff |date=March 16, 2023 |title=From Ari Aster to the Daniels: A24's 10 Best Reoccurring Directors |url=https://collider.com/a24-directors-ranked/ |access-date=July 27, 2023 |work=[[Collider (website)|Collider]]}}</ref><ref name="Flaherty"/> |
A24 has frequently worked with many artistically minded writer-directors, for most of which the films released by the company pivoted their careers, including [[Ari Aster]], [[Sean Baker (filmmaker)|Sean Baker]], the [[Daniels (directors)|Daniels]], [[Robert Eggers]], [[Alex Garland]], [[Rose Glass]], [[Joanna Hogg]], [[Yorgos Lanthimos]], [[David Lowery (director)|David Lowery]], and the [[Safdie brothers]].<ref name="Elevated"/><ref>{{cite web |last=McKenna |first=Eoin |date=July 15, 2022 |title=Introducing A24's Top Directors |url=https://www.dontdiewondering.com/introducing-a24s-top-directors/ |access-date=July 27, 2023 |work=Don't Die Wondering |archive-date=September 29, 2023 |archive-url=https://web.archive.org/web/20230929064444/https://www.dontdiewondering.com/introducing-a24s-top-directors/ |url-status=live }}</ref><ref>{{cite web |last1=Saab |first1=Hannah |last2=Merrick |first2=Jeff |date=March 16, 2023 |title=From Ari Aster to the Daniels: A24's 10 Best Reoccurring Directors |url=https://collider.com/a24-directors-ranked/ |access-date=July 27, 2023 |work=[[Collider (website)|Collider]] |archive-date=May 19, 2023 |archive-url=https://web.archive.org/web/20230519105119/https://collider.com/a24-directors-ranked/ |url-status=live }}</ref><ref name="Flaherty"/> |
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Auteur filmmakers Aster—director/writer of ''[[Hereditary (film)|Hereditary]]'' (2018), ''[[Midsommar]]'' (2019), and ''[[Beau Is Afraid]]'' (2023)—and Eggers—director/writer of ''[[The Lighthouse (2019 film)|The Lighthouse]]'' (2019) and ''[[The Witch (2015 film)|The Witch]]'' (2015)—are both notable for their contribution to and influence on modern horror, and partial reinvention and redefining of the genre.<ref name="Flaherty"/><ref>{{cite web |last=Ehrlich |first=David |date=November 6, 2019 |title=How Ari Aster, Robert Eggers, and Jordan Peele are Using Horror Movies to Fix Hollywood |url=https://www.indiewire.com/awards/consider-this/oscar-worthy-horror-movies-midsommar-lighthouse-us-1202187720/ |access-date=July 27, 2023 |publisher=[[IndieWire]]}}</ref><ref>{{cite web |last=Stipidis |first=Julieann |date=December 5, 2019 |title=How Ari Aster Embraces Horror Conventions to Create His Own Unique Contributions to the Genre |url=https://bloody-disgusting.com/editorials/3596195/ari-aster-expertly-leaning-genre/ |access-date=July 27, 2023 |publisher=[[Bloody Disgusting]]}}</ref><ref>{{cite web |last=Tobias |first=Scott |date=April 22, 2022 |title=Three Films in, Robert Eggers is Already a Singular Director |url=https://www.theringer.com/movies/2022/4/19/23030834/northman-robert-eggers-career-witch-lighthouse |access-date=July 27, 2023 |work=[[The Ringer (website)|The Ringer]]}}</ref><ref>{{cite web |last=Embree |first=J.C. |date=May 13, 2023 |title=Ari Aster: How He Redefines Horror |url=https://culturedvultures.com/ari-aster-redefining-horror/ |access-date=July 27, 2023 |work=Cultured Vultures}}</ref><ref>{{cite web |last=Kleinman |first=Jake |date=June 8, 2023 |title=How a First-Time Director Redefined the Entire Horror Movie Genre |url=https://www.inverse.com/culture/hereditary-5-year-anniversary |access-date=July 27, 2023 |work=[[Inverse (website)|Inverse]]}}</ref> Their films have dealt with and share a lot of similarities in some way, including [[folklore]] or [[supernatural]] forces. Even with their strong similarities, there are differences as well; all three of Eggers' films are [[Historical drama|period pieces]] while Aster's all take place in modern times. Aster also seems to take conventional horror and put his own modern spin on it to inspire some genuinely uncomfortable fear in viewers while Eggers takes conventional horror and throws it out the window to transport viewers to another world with his unique [[dialogue]] and [[cinematography]].<ref name="Flaherty"/><ref>{{cite web |last=Bachman |first=Mara |date=September 8, 2020 |title=Why Folk Horror Movies are More Popular Than Ever in 2020 |url=https://screenrant.com/folk-horror-movies-popular-explained-2020/ |access-date=July 27, 2023 |work=[[Screen Rant]]}}</ref><ref>{{cite web |last=Dutta |first=Debopriyaa |date=January 15, 2021 |title=How to Know You're Watching an A24 Horror Movie |url=https://screenrant.com/a24-horror-movies-themes-cinematography-similarities-explained/ |access-date=July 27, 2023 |work=[[Screen Rant]]}}</ref> Both have been cited as two of the top horror directors of the 2010s while their films have received widespread critical acclaim and deemed as some of the best horror films of the 2010s.<ref>{{cite web |last=Tanenbaum |first=Ross |date=October 25, 2021 |title=Best Horror Directors of the 2010s |url=https://collider.com/best-horror-directors-of-the-2010s/ |access-date=July 27, 2023 |work=[[Collider (website)|Collider]]}}</ref><ref>{{cite web |last=Flowers |first=Maisy |date=January 5, 2023 |title=Every A24 Horror Movie Ranked from Worst to Best |url=https://screenrant.com/a24-horror-movies-ranked-best-worst/ |access-date=July 27, 2023 |work=[[Screen Rant]]}}</ref><ref>{{cite web |last=Cusson |first=Katie |date=April 5, 2023 |title=Best A24 Horror Movies, Ranked |url=https://movieweb.com/a24-horror-movies/ |access-date=July 27, 2023 |publisher=[[MovieWeb]]}}</ref> During a Q&A for ''Beau Is Afraid'' in 2023, renowned and veteran filmmaker [[Martin Scorsese]] dubbed Aster "one of the most extraordinary new voices in world cinema".<ref>{{cite web |last=Rindner |first=Jack |date=May 1, 2023 |title=Martin Scorsese Praises Ari Aster as "One of the Most Extraordinary New Voices in Cinema" |url=https://www.gq.com/story/ari-aster-martin-scorsese-interview-beau-is-afraid-a24 |access-date=July 27, 2023 |work=[[GQ]]}}</ref> |
Auteur filmmakers Aster—director/writer of ''[[Hereditary (film)|Hereditary]]'' (2018), ''[[Midsommar]]'' (2019), and ''[[Beau Is Afraid]]'' (2023)—and Eggers—director/writer of ''[[The Lighthouse (2019 film)|The Lighthouse]]'' (2019) and ''[[The Witch (2015 film)|The Witch]]'' (2015)—are both notable for their contribution to and influence on modern horror, and partial reinvention and redefining of the genre.<ref name="Flaherty"/><ref>{{cite web |last=Ehrlich |first=David |date=November 6, 2019 |title=How Ari Aster, Robert Eggers, and Jordan Peele are Using Horror Movies to Fix Hollywood |url=https://www.indiewire.com/awards/consider-this/oscar-worthy-horror-movies-midsommar-lighthouse-us-1202187720/ |access-date=July 27, 2023 |publisher=[[IndieWire]] |archive-date=September 29, 2023 |archive-url=https://web.archive.org/web/20230929052800/https://www.indiewire.com/awards/consider-this/oscar-worthy-horror-movies-midsommar-lighthouse-us-1202187720/ |url-status=live }}</ref><ref>{{cite web |last=Stipidis |first=Julieann |date=December 5, 2019 |title=How Ari Aster Embraces Horror Conventions to Create His Own Unique Contributions to the Genre |url=https://bloody-disgusting.com/editorials/3596195/ari-aster-expertly-leaning-genre/ |access-date=July 27, 2023 |publisher=[[Bloody Disgusting]] |archive-date=September 29, 2023 |archive-url=https://web.archive.org/web/20230929052425/https://bloody-disgusting.com/editorials/3596195/ari-aster-expertly-leaning-genre/ |url-status=live }}</ref><ref>{{cite web |last=Tobias |first=Scott |date=April 22, 2022 |title=Three Films in, Robert Eggers is Already a Singular Director |url=https://www.theringer.com/movies/2022/4/19/23030834/northman-robert-eggers-career-witch-lighthouse |access-date=July 27, 2023 |work=[[The Ringer (website)|The Ringer]] |archive-date=April 25, 2022 |archive-url=https://web.archive.org/web/20220425151221/https://www.theringer.com/movies/2022/4/19/23030834/northman-robert-eggers-career-witch-lighthouse |url-status=live }}</ref><ref>{{cite web |last=Embree |first=J.C. |date=May 13, 2023 |title=Ari Aster: How He Redefines Horror |url=https://culturedvultures.com/ari-aster-redefining-horror/ |access-date=July 27, 2023 |work=Cultured Vultures |archive-date=September 29, 2023 |archive-url=https://web.archive.org/web/20230929051232/https://culturedvultures.com/ari-aster-redefining-horror/ |url-status=live }}</ref><ref>{{cite web |last=Kleinman |first=Jake |date=June 8, 2023 |title=How a First-Time Director Redefined the Entire Horror Movie Genre |url=https://www.inverse.com/culture/hereditary-5-year-anniversary |access-date=July 27, 2023 |work=[[Inverse (website)|Inverse]] |archive-date=June 9, 2023 |archive-url=https://web.archive.org/web/20230609170517/https://www.inverse.com/culture/hereditary-5-year-anniversary |url-status=live }}</ref> Their films have dealt with and share a lot of similarities in some way, including [[folklore]] or [[supernatural]] forces. Even with their strong similarities, there are differences as well; all three of Eggers' films are [[Historical drama|period pieces]] while Aster's all take place in modern times. Aster also seems to take conventional horror and put his own modern spin on it to inspire some genuinely uncomfortable fear in viewers while Eggers takes conventional horror and throws it out the window to transport viewers to another world with his unique [[dialogue]] and [[cinematography]].<ref name="Flaherty"/><ref>{{cite web |last=Bachman |first=Mara |date=September 8, 2020 |title=Why Folk Horror Movies are More Popular Than Ever in 2020 |url=https://screenrant.com/folk-horror-movies-popular-explained-2020/ |access-date=July 27, 2023 |work=[[Screen Rant]] |archive-date=February 17, 2023 |archive-url=https://web.archive.org/web/20230217215120/https://screenrant.com/folk-horror-movies-popular-explained-2020/ |url-status=live }}</ref><ref>{{cite web |last=Dutta |first=Debopriyaa |date=January 15, 2021 |title=How to Know You're Watching an A24 Horror Movie |url=https://screenrant.com/a24-horror-movies-themes-cinematography-similarities-explained/ |access-date=July 27, 2023 |work=[[Screen Rant]] |archive-date=May 16, 2023 |archive-url=https://web.archive.org/web/20230516205002/https://screenrant.com/a24-horror-movies-themes-cinematography-similarities-explained/ |url-status=live }}</ref> Both have been cited as two of the top horror directors of the 2010s while their films have received widespread critical acclaim and deemed as some of the best horror films of the 2010s.<ref>{{cite web |last=Tanenbaum |first=Ross |date=October 25, 2021 |title=Best Horror Directors of the 2010s |url=https://collider.com/best-horror-directors-of-the-2010s/ |access-date=July 27, 2023 |work=[[Collider (website)|Collider]] |archive-date=May 22, 2023 |archive-url=https://web.archive.org/web/20230522052621/https://collider.com/best-horror-directors-of-the-2010s/ |url-status=live }}</ref><ref>{{cite web |last=Flowers |first=Maisy |date=January 5, 2023 |title=Every A24 Horror Movie Ranked from Worst to Best |url=https://screenrant.com/a24-horror-movies-ranked-best-worst/ |access-date=July 27, 2023 |work=[[Screen Rant]] |archive-date=September 12, 2023 |archive-url=https://web.archive.org/web/20230912231602/https://screenrant.com/a24-horror-movies-ranked-best-worst/ |url-status=live }}</ref><ref>{{cite web |last=Cusson |first=Katie |date=April 5, 2023 |title=Best A24 Horror Movies, Ranked |url=https://movieweb.com/a24-horror-movies/ |access-date=July 27, 2023 |publisher=[[MovieWeb]] |archive-date=July 31, 2023 |archive-url=https://web.archive.org/web/20230731005404/https://movieweb.com/a24-horror-movies/ |url-status=live }}</ref> During a Q&A for ''Beau Is Afraid'' in 2023, renowned and veteran filmmaker [[Martin Scorsese]] dubbed Aster "one of the most extraordinary new voices in world cinema".<ref>{{cite web |last=Rindner |first=Jack |date=May 1, 2023 |title=Martin Scorsese Praises Ari Aster as "One of the Most Extraordinary New Voices in Cinema" |url=https://www.gq.com/story/ari-aster-martin-scorsese-interview-beau-is-afraid-a24 |access-date=July 27, 2023 |work=[[GQ]] |archive-date=May 19, 2023 |archive-url=https://web.archive.org/web/20230519091637/https://www.gq.com/story/ari-aster-martin-scorsese-interview-beau-is-afraid-a24 |url-status=live }}</ref> |
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Later in 2023, ''[[Talk to Me (2022 film)|Talk to Me]]'' (2022), directed by twin brothers [[RackaRacka|Danny and Michael Philippou]], and released theatrically in the United States on July 28, became a triumphant success at the [[box office]] and surpassed ''Hereditary'' as A24's highest-grossing horror film domestically with a running total of $44.5 million on September 3.<ref>{{cite web |last=Northrup |first=Ryan |date=August 13, 2023 |title=Talk to Me's Box Office is Going to Leave A24's Other Horror Movies in the Dust |url=https://screenrant.com/talk-to-me-box-office-update-a24-horror/ |access-date=September 22, 2023 |work=[[Screen Rant]]}}</ref><ref>{{cite news |last=Butler |first=Bethonie |date=August 26, 2023 |title=A24's 'Talk to Me' is a triumph for the box office and the horror genre |url=https://www.washingtonpost.com/arts-entertainment/2023/08/26/talk-to-me-horror-movie-a24/ |access-date=September 22, 2023 |newspaper=[[The Washington Post]]}}</ref><ref>{{cite web |last=Goldsmith |first=Jill |date=September 3, 2023 |title='Talk to Me' Tops 'Hereditary' as A24's Highest-Grossing Horror; 'Bottoms' Nails Nationwide Expansion – Specialty Box Office |url=https://deadline.com/2023/09/bottoms-talk-to-me-a24-hereditary-ari-aster-golda-indie-box-office-1235535445/ |access-date=September 22, 2023 |work=[[Deadline Hollywood]]}}</ref> The film received positive reviews from critics, who praised its story, direction, horror sequences, practical effects, sound design, and performances.<ref>Multiple sources: |
Later in 2023, ''[[Talk to Me (2022 film)|Talk to Me]]'' (2022), directed by twin brothers [[RackaRacka|Danny and Michael Philippou]], and released theatrically in the United States on July 28, became a triumphant success at the [[box office]] and surpassed ''Hereditary'' as A24's highest-grossing horror film domestically with a running total of $44.5 million on September 3.<ref>{{cite web |last=Northrup |first=Ryan |date=August 13, 2023 |title=Talk to Me's Box Office is Going to Leave A24's Other Horror Movies in the Dust |url=https://screenrant.com/talk-to-me-box-office-update-a24-horror/ |access-date=September 22, 2023 |work=[[Screen Rant]] |archive-date=August 17, 2023 |archive-url=https://web.archive.org/web/20230817161423/https://screenrant.com/talk-to-me-box-office-update-a24-horror/ |url-status=live }}</ref><ref>{{cite news |last=Butler |first=Bethonie |date=August 26, 2023 |title=A24's 'Talk to Me' is a triumph for the box office and the horror genre |url=https://www.washingtonpost.com/arts-entertainment/2023/08/26/talk-to-me-horror-movie-a24/ |access-date=September 22, 2023 |newspaper=[[The Washington Post]]}}</ref><ref>{{cite web |last=Goldsmith |first=Jill |date=September 3, 2023 |title='Talk to Me' Tops 'Hereditary' as A24's Highest-Grossing Horror; 'Bottoms' Nails Nationwide Expansion – Specialty Box Office |url=https://deadline.com/2023/09/bottoms-talk-to-me-a24-hereditary-ari-aster-golda-indie-box-office-1235535445/ |access-date=September 22, 2023 |work=[[Deadline Hollywood]] |archive-date=September 3, 2023 |archive-url=https://web.archive.org/web/20230903200544/https://deadline.com/2023/09/bottoms-talk-to-me-a24-hereditary-ari-aster-golda-indie-box-office-1235535445/ |url-status=live }}</ref> The film received positive reviews from critics, who praised its story, direction, horror sequences, practical effects, sound design, and performances.<ref>Multiple sources: |
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* {{cite web |url=https://www.latimes.com/entertainment-arts/movies/story/2023-07-27/talk-to-me-review-a24-horror-danny-michael-philippou |title='Talk to Me' review: A24's latest shocker grabs you |last=Chang |first=Justin |author-link=Justin Chang |work=[[Los Angeles Times]] |date=July 27, 2023 |access-date=November 15, 2023}} |
* {{cite web |url=https://www.latimes.com/entertainment-arts/movies/story/2023-07-27/talk-to-me-review-a24-horror-danny-michael-philippou |title='Talk to Me' review: A24's latest shocker grabs you |last=Chang |first=Justin |author-link=Justin Chang |work=[[Los Angeles Times]] |date=July 27, 2023 |access-date=November 15, 2023 |archive-date=September 15, 2023 |archive-url=https://web.archive.org/web/20230915170651/https://www.latimes.com/entertainment-arts/movies/story/2023-07-27/talk-to-me-review-a24-horror-danny-michael-philippou |url-status=live }} |
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* {{cite web |url=https://www.nytimes.com/2023/07/27/movies/talk-to-me-review.html |title='Talk to Me' Review: Letting the Wrong One In |last=Catsoulis |first=Jeannette |work=[[The New York Times]] |date=July 27, 2023 |access-date=November 15, 2023}} |
* {{cite web |url=https://www.nytimes.com/2023/07/27/movies/talk-to-me-review.html |title='Talk to Me' Review: Letting the Wrong One In |last=Catsoulis |first=Jeannette |work=[[The New York Times]] |date=July 27, 2023 |access-date=November 15, 2023 |archive-date=September 15, 2023 |archive-url=https://web.archive.org/web/20230915170650/https://www.nytimes.com/2023/07/27/movies/talk-to-me-review.html |url-status=live }} |
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* {{cite magazine |url=https://www.rollingstone.com/tv-movies/tv-movie-reviews/talk-to-me-review-philippou-brothers-rackaracka-a24-horror-1234793245/ |title='Talk to Me' Is a Thrillingly Weird Horror-Movie Debut From A24 |last=Fear |first=David |magazine=[[Rolling Stone]] |date=July 27, 2023 |access-date=November 15, 2023}} |
* {{cite magazine |url=https://www.rollingstone.com/tv-movies/tv-movie-reviews/talk-to-me-review-philippou-brothers-rackaracka-a24-horror-1234793245/ |title='Talk to Me' Is a Thrillingly Weird Horror-Movie Debut From A24 |last=Fear |first=David |magazine=[[Rolling Stone]] |date=July 27, 2023 |access-date=November 15, 2023 |archive-date=September 23, 2024 |archive-url=https://web.archive.org/web/20240923154254/https://www.rollingstone.com/tv-movies/tv-movie-reviews/talk-to-me-review-philippou-brothers-rackaracka-a24-horror-1234793245/ |url-status=live }} |
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* {{cite web |url=https://www.vulture.com/article/talk-to-me-review-an-impressively-slick-a24-horror-movie.html |title='Talk to Me' Review: An Impressively Slick A24 Horror Movie |last=Willmore |first=Alison |work=[[Vulture (website)|Vulture]] |date=July 28, 2023 |access-date=November 15, 2023}} |
* {{cite web |url=https://www.vulture.com/article/talk-to-me-review-an-impressively-slick-a24-horror-movie.html |title='Talk to Me' Review: An Impressively Slick A24 Horror Movie |last=Willmore |first=Alison |work=[[Vulture (website)|Vulture]] |date=July 28, 2023 |access-date=November 15, 2023 |archive-date=November 15, 2023 |archive-url=https://web.archive.org/web/20231115052529/https://www.vulture.com/article/talk-to-me-review-an-impressively-slick-a24-horror-movie.html |url-status=live }} |
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* {{cite web |url=https://www.theguardian.com/film/2023/jul/30/talk-to-me-review-danny-and-michael-philippou-an-evil-dead-for-the-snapchat-generation-danny-michael-philippou |title='Talk to Me' review – an 'Evil Dead' for the Snapchat generation |last=Kermode |first=Matt |author-link=Mark Kermode |work=[[The Guardian]] |date=July 30, 2023 |access-date=November 15, 2023}}</ref> In a statement to ''[[Newshub]]'', filmmaker [[Peter Jackson]] highly praised the film, saying: "''Talk to Me'' isn't just good – it's very very good. The best, most intense, horror movie I've enjoyed in years." Aster, [[Stephen King]], [[George Miller (filmmaker)|George Miller]], and [[Steven Spielberg]] have all praised the film as well.<ref>{{cite news |last=Rutledge |first=Daniel |date=August 11, 2023 |title=Peter Jackson heralds 'Talk to Me' as 'the best, most intense horror movie in years' |url=https://www.newshub.co.nz/home/entertainment/2023/08/peter-jackson-heralds-talk-to-me-as-the-best-most-intense-horror-movie-in-years.html |access-date=September 22, 2023 |work=[[Newshub]]}}</ref> A sequel is currently in development.<ref>{{cite web |last=Vlessing |first=Etan |date=August 8, 2023 |title='Talk to Me' Sequel in the Works from A24, Danny and Michael Philippou |url=https://www.hollywoodreporter.com/movies/movie-news/talk-to-me-sequel-talk-2-me-1235558604/ |access-date=September 22, 2023 |work=[[The Hollywood Reporter]]}}</ref> |
* {{cite web |url=https://www.theguardian.com/film/2023/jul/30/talk-to-me-review-danny-and-michael-philippou-an-evil-dead-for-the-snapchat-generation-danny-michael-philippou |title='Talk to Me' review – an 'Evil Dead' for the Snapchat generation |last=Kermode |first=Matt |author-link=Mark Kermode |work=[[The Guardian]] |date=July 30, 2023 |access-date=November 15, 2023 |archive-date=September 23, 2024 |archive-url=https://web.archive.org/web/20240923154352/https://www.theguardian.com/film/2023/jul/30/talk-to-me-review-danny-and-michael-philippou-an-evil-dead-for-the-snapchat-generation-danny-michael-philippou |url-status=live }}</ref> In a statement to ''[[Newshub]]'', filmmaker [[Peter Jackson]] highly praised the film, saying: "''Talk to Me'' isn't just good – it's very very good. The best, most intense, horror movie I've enjoyed in years." Aster, [[Stephen King]], [[George Miller (filmmaker)|George Miller]], and [[Steven Spielberg]] have all praised the film as well.<ref>{{cite news |last=Rutledge |first=Daniel |date=August 11, 2023 |title=Peter Jackson heralds 'Talk to Me' as 'the best, most intense horror movie in years' |url=https://www.newshub.co.nz/home/entertainment/2023/08/peter-jackson-heralds-talk-to-me-as-the-best-most-intense-horror-movie-in-years.html |access-date=September 22, 2023 |work=[[Newshub]] |archive-date=August 17, 2023 |archive-url=https://web.archive.org/web/20230817042300/https://www.newshub.co.nz/home/entertainment/2023/08/peter-jackson-heralds-talk-to-me-as-the-best-most-intense-horror-movie-in-years.html |url-status=live }}</ref> A sequel is currently in development.<ref>{{cite web |last=Vlessing |first=Etan |date=August 8, 2023 |title='Talk to Me' Sequel in the Works from A24, Danny and Michael Philippou |url=https://www.hollywoodreporter.com/movies/movie-news/talk-to-me-sequel-talk-2-me-1235558604/ |access-date=September 22, 2023 |work=[[The Hollywood Reporter]] |archive-date=November 23, 2023 |archive-url=https://web.archive.org/web/20231123035013/https://www.hollywoodreporter.com/movies/movie-news/talk-to-me-sequel-talk-2-me-1235558604/ |url-status=live }}</ref> |
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However, [[John Carpenter]] and [[Jordan Peele]], filmmakers most commonly associated with horror, have denounced and rejected this term and style of horror. In an interview with ''[[The A.V. Club]]'', Carpenter was perplexed by the topic, saying: "I don't know what that means ... There's metaphorical horror. But all movies have. They don't have messages. They have themes. Thematic material and some horror films have thematic material. The good ones do."<ref>{{cite web |last=Lattanzio |first=Ryan |date=October 11, 2022 |title=John Carpenter Has No Idea What 'Elevated Horror' Means |url=https://www.indiewire.com/features/general/john-carpenter-elevated-horror-1234771814/ |access-date=July 27, 2023 |publisher=[[IndieWire]]}}</ref> In a separate conversion, Peele told ''[[The Verge]]'': "I don't want people to think that I'm trying to make 'elevated' films. I think that's a trap that I don't quite appreciate."<ref name="Sharf"/> |
However, [[John Carpenter]] and [[Jordan Peele]], filmmakers most commonly associated with horror, have denounced and rejected this term and style of horror. In an interview with ''[[The A.V. Club]]'', Carpenter was perplexed by the topic, saying: "I don't know what that means ... There's metaphorical horror. But all movies have. They don't have messages. They have themes. Thematic material and some horror films have thematic material. The good ones do."<ref>{{cite web |last=Lattanzio |first=Ryan |date=October 11, 2022 |title=John Carpenter Has No Idea What 'Elevated Horror' Means |url=https://www.indiewire.com/features/general/john-carpenter-elevated-horror-1234771814/ |access-date=July 27, 2023 |publisher=[[IndieWire]] |archive-date=June 29, 2023 |archive-url=https://web.archive.org/web/20230629011915/https://www.indiewire.com/features/general/john-carpenter-elevated-horror-1234771814/ |url-status=live }}</ref> In a separate conversion, Peele told ''[[The Verge]]'': "I don't want people to think that I'm trying to make 'elevated' films. I think that's a trap that I don't quite appreciate."<ref name="Sharf"/> |
||
==References== |
==References== |
Revision as of 00:02, 28 November 2024
A24 | |
Formerly | A24 Films (2012–2016)[citation needed] |
Company type | Private |
Industry | Entertainment |
Founded | August 20, 2012[1] |
Founders |
|
Headquarters | 31 West 27th Street, , United States |
Number of locations | 2 (2016) |
Area served | Worldwide |
Key people | |
Products | |
Services | |
Owner | Daniel Katz |
Number of employees | 295[2] (2021) |
Divisions | A24 Music A24 Television A24 International A24 All Access (AAA24) |
Subsidiaries | 2AM (backing) |
Website | a24films |
A24 Films LLC, commonly referred to as A24, is an American independent entertainment company that specializes in film and television production, as well as film distribution. The company is based in Manhattan.[1]
The company was founded in 2012 by Daniel Katz, David Fenkel, and John Hodges.[3] Prior to A24, all had worked extensively in film and production before leaving their positions to co-found the company, originally A24 Films, which specialized in film distribution. Starting off in 2013 with A Glimpse Inside the Mind of Charles Swan III, the company's growth started with the release of Spring Breakers later that year. In 2014, A24 picked up the U.S. rights to Ex Machina and Room in 2015, before obtaining worldwide rights to The Witch, which was released theatrically in 2015.[4] They entered into deals with Amazon Prime Video, and DirecTV Cinema in late 2013, with some films distributed through them, and the name was changed to just A24 in 2016.[citation needed] In 2022, A24 distributed the film Everything Everywhere All at Once, which won the Academy Award for Best Picture and six more Oscars; the film has also received acclaim from both audiences and critics.[5][6][7]
A24's television division has produced numerous programs, including At Home with Amy Sedaris (2017–2020), Beef (2023), The Carmichael Show (2015–2017), Euphoria (2019–present), I'm Sorry (2017–2019), Irma Vep (2022), Mo (2022–present), Mr. Corman (2021), Ramy (2019–2022), and Ziwe (2021–2022).[8]
The company has also frequently worked with artistically minded writer-directors, including Darren Aronofsky, Ari Aster, Sean Baker, the Daniels, Robert Eggers, Alex Garland, Rose Glass, Joanna Hogg, Yorgos Lanthimos, David Lowery and the Safdie brothers.[9][10][11]
A24 has developed a reputation as a powerhouse in independent film with a passionate fanbase.[12][13][14] Its projects have also had a major influence on style in contemporary horror and arthouse films, among other areas.[15][16][17] A24 is also known for the originality and artistic style of films it produces, generally shunning the style of films produced or released by the major film studios.[5][17][18]
History
2012–2013: Founding and early years
A24 was founded on August 20, 2012, by film veterans Daniel Katz, David Fenkel, and John Hodges.[3] Katz formerly led the film finance group at Guggenheim Partners, Fenkel was the president, co-founder and partner at Oscilloscope, and Hodges served as "Head of Production and Development" at Big Beach.[3] The name "A24" was inspired by the Italian A24 motorway Katz was driving on when he decided to found the company.[19]
Guggenheim Partners provided the seed money for A24. The company was started to share "movies from a distinctive point of view".[20] In October 2012, Nicolette Aizenberg joined as head of publicity from 42West where she was senior publicity executive.[21]
The company began its distribution of films in 2013.[22] The company's first theatrical release was Roman Coppola's A Glimpse Inside the Mind of Charles Swan III, which had a limited theatrical release. Other 2013 theatrical releases included Sofia Coppola's The Bling Ring, Harmony Korine's Spring Breakers, James Ponsoldt's The Spectacular Now, and Sally Potter's Ginger & Rosa.[19][23][24][25]
In September 2013, A24 entered a $40 million deal with DirecTV Cinema, where DirecTV Cinema would offer day-and-date releases 30 days prior to a theatrical release by A24; Enemy was the first film to be distributed under the deal.[26] That same year, A24 entered a deal with Amazon Prime, where A24-distributed films would be available on Amazon Instant Video after becoming available on Blu-ray and DVD.[27]
2014–2017: Television and later productions
In May 2015, A24 announced that it would start a television division and began producing the USA Network series Playing House, as well as working to develop a television series that would later become Comrade Detective, produced by Channing Tatum. The company also announced that they would also finance and develop pilots.[28]
In January 2016, Sasha Lloyd joined the company to handle all film, television distribution and business development in the international marketplace.[29] The company, with cooperation from Bank of America, J.P. Morgan & Co. and SunTrust Banks, also raised its line of credit from $50 million to $125 million a month later to build upon its operations.[30] In April, the company acquired all foreign rights to Swiss Army Man, distributing the film in all territories, and partnering with distributors who previously acquired rights to the film, a first for the company.[31] In June, the company, along with Oscilloscope and distributor Honora, joined BitTorrent Now to distribute the work of their portfolio across the ad-supported service.[32]
In January 2017, the company acquired the United States and Chinese distribution rights for their first foreign language film: Menashe.[33]
2018–2019: Management changes and partnerships
On February 28, 2018, A24 launched a podcast titled "The A24 Podcast".[34] Episodes are based around a discussion between two members of the film industry. Guests on the podcast have included Bo Burnham, Sofia Coppola, Paul Schrader, Martin Scorsese, and Alia Shawkat. Despite lacking any pre-defined structure, episodes generally contain discussions around recent works of the two guests, allowing for branching discussions to other areas. The first two guests were Barry Jenkins (director of A24's Moonlight) and Greta Gerwig (director of A24's Lady Bird), who both discussed what it's like to make a movie about the place they grew up.[35] As of October 18, 2023, 38 episodes have been released.[36][37][38]
On March 26, 2018, co-founder John Hodges announced that he was exiting the company.[39] On November 15, 2018, A24 and Apple announced that they had entered into a multi-year partnership where A24 will produce a slate of original films for Apple. This was not a first-look deal, meaning that A24 can continue to produce and acquire films to release outside of the deal, and that it would not affect previous deals that A24 had signed with other companies. It is currently unknown if this slate of films will have a theatrical release or be exclusive to Apple's streaming service, Apple TV+.[40]
On November 13, 2019, A24 entered into a premium cable television broadcast deal with Showtime Networks, covering all film releases through November 1, 2022. The deal excludes films that are already part of the Apple partnership.[41]
2020s–present: Academy Awards triumph, further agreements, and expansion
In July 2021, A24 explored a possible buyout for between $2.5 billion to $3 billion.[42] In January 2022, former HBO and Amazon MGM Studios TV executive Nick Hall joined A24 to oversee creative for the company's growing television slate.[43] In April 2022, the company released its membership "AAA24" for subscription; members' benefits include early access to merch drops, exclusive merch for members only, monthly merch discounts for members, and a zine every four months.[4]
In March 2023, A24 became the first independent studio to sweep Best Picture, Best Director, and all four acting categories in a single year at the 95th Academy Awards.[44][45][46] That same month, the company bought distribution rights to two older films released before the company's inception, starting with Darren Aronofsky's Pi (1998) and Jonathan Demme's Stop Making Sense (1984), both of which are remastered versions.[47][48][49][50]
In May 2023, Leonine Studios, a German independent film distributor, partnered with A24 to set up a joint label called "A24 | Leonine Studios", which will distribute films in Austria and Germany.[51] The next month, it was reported that former Disney General Entertainment Chairman Peter Rice signed a deal with A24 as an independent producer, agreeing to co-finance films for global distribution.[52]
During the 2023 Hollywood labor disputes, which took place from May 2 to November 9, A24 was approved to continue filming and promotional activities since they do not have ties to the Alliance of Motion Picture and Television Producers (AMPTP).[53]
In October 2023, TheWrap's Umberto Gonzalez exclusively reported that A24 is planning to expand its "strategy from arthouse films to more commercial films", including "action and big IP projects". According to one production executive from the company, A24 "took a beating on dramas, especially the ones they made," the top agent said. The production exec added that A24 would still acquire dramas, but would move away from making as many of them. "The auteur business is a lousy, high-risk business that does not attract potential buyers ... That's a big problem if you're looking to sell or seek additional investment," another top agent told TheWrap. This decision has been met with mixed responses from some journalists.[54][55] That same month, A24 forged an exclusive output deal with "Happinet Phantom Studios" covering the distribution in Japan of A24's upcoming releases; this marks A24's first major international theatrical output deal. The companies will also build A24 brand awareness across the region, and deepen relationships with local talent and audiences off screen beyond film releases.[56]
In association with Prime Video and Fox Entertainment's Bento Box Entertainment, A24 launched its first animated project: the adult musical comedy series Hazbin Hotel. The eight-episode first season premiered on January 19, 2024, on Prime Video; it received a two-season order.[57][58][59] However, the first episode was made available to watch, for free, on YouTube on January 18, with the first four episodes subsequently released on Prime Video the following day as scheduled.[60] The series, which had been long in the works, is based on series creator Vivienne Medrano's animated pilot released on YouTube in 2019. Hazbin Hotel follows Charlie Morningstar (voiced by Erika Henningsen), the princess of Hell, as she pursues her seemingly impossible goal of rehabilitating demons to peacefully reduce overpopulation in her kingdom. After a yearly extermination imposed by angels, she opens a hotel in the hopes that patrons will be "checking out" into Heaven.[57][61][62] At the 2023 New York Comic Con, the cast was unveiled and it was announced that fans would be able to get digital access to the first two episodes at "HazbinHotel.com" before they were released on Prime Video, plus exclusive merchandise only available during the presale; early access episodes are available to stream for a limited time on the A24 App.[63]
In January, 2024, it was announced that A24 struck a deal with United Talent Agency (UTA) to produce scripted and unscripted television via the latter's Civic Center Media banner. The deal will see Civic Center Media given resources for development and production via A24. UTA stressed that Civic Center Media will work with talent from all agencies and UTA will continue to work with all studios, with A24 similarly continuing to work with all agencies. "We are excited to partner with A24," said UTA CEO Jeremy Zimmer. "Their brand stands for quality and originality, and we believe the Civic Center Media collaboration will provide a great experience for writers, actors, directors and IP holders."[64]
Film library
A24 produces and distributes about 18 to 20 films annually.[20] It has also served as producer or distributor for several dozen television shows, including At Home with Amy Sedaris (2017–2020), Beef (2023), The Carmichael Show (2015–2017), Euphoria (2019–present), I'm Sorry (2017–2019), Irma Vep (2022), Mo (2022–present), Mr. Corman (2021), Ramy (2019–2022), and Ziwe (2021–2022).[8]
The action thriller Civil War (2024), written and directed by Alex Garland, is A24's most expensive in-house production yet, holding a budget of $50 million.[65] The film is described as "an adrenaline-fueled thrill ride through a near-future fractured America balanced on the razor's edge"; Kirsten Dunst stars in the lead role as a reporter.[66][67][68] Civil War was released in the United States on April 12, 2024, having been moved up from a release date of April 26, 2024.[69][70]
Highest-grossing films
Everything Everywhere All at Once (2022) is currently A24's highest-grossing film and the first film of the company to cross the $100-million mark worldwide.[71]
Rank | Title | Year | Domestic gross |
---|---|---|---|
1 | Everything Everywhere All at Once | 2022 | $77,191,785[72] |
2 | Civil War | 2024 | $68,603,430[73] |
3 | Uncut Gems | 2019 | $50,022,787[74] |
4 | Lady Bird | 2017 | $48,959,272[75] |
5 | Talk to Me | 2023 | $48,299,434[76] |
6 | Hereditary | 2018 | $44,069,456[77] |
7 | The Iron Claw | 2023 | $34,735,272[78] |
8 | Moonlight | 2016 | $27,855,933[79] |
9 | Midsommar | 2019 | $27,424,363[80] |
10 | Ex Machina | 2015 | $25,444,959[81] |
Rank | Title | Year | Box office gross |
---|---|---|---|
1 | Everything Everywhere All at Once | 2022 | $144,414,740[72] |
2 | Civil War | 2024 | $121,740,228[82] |
3 | Talk to Me | 2023 | $92,039,205[76] |
4 | Hereditary | 2018 | $82,850,595[77] |
5 | Lady Bird | 2017 | $78,989,474[75] |
6 | Moonlight | 2016 | $65,171,616[79] |
7 | The Whale | 2022 | $54,883,205[83] |
8 | Uncut Gems | 2019 | $50,022,787[74] |
9 | Midsommar | 2019 | $48,060,188[80] |
10 | The Iron Claw | 2023 | $44,012,883[84] |
Styles and themes
The company distributes and produces artistic, psychologically disturbing, and mind-bending horror films often referred to as "elevated horror".[16][85][86][87] Most of these films share a similar approach, including ambiguity, bleak atmosphere, disruptive formulas, outbursts of violence, psychological dilemmas, and realistic character drama; these include Hereditary (2018), It Comes at Night (2017), The Killing of a Sacred Deer (2017), Men (2022), Under the Skin (2013), and The Witch (2015).[88] The term also refers to genre films with a seemingly more artful sensibility than most fare, plus a focus on dramatic themes such as grief and trauma.[89]
Influence
In October 2023, Scorsese revealed in an interview with The Irish Times that Aster's films helped to inspire the tempo of his own film Killers of the Flower Moon (2023), adding that timing is crucial for a film that's three-and-a-half hours long, stating: "I very much like the style and pacing of good horror films like Ari Aster's Midsommar or Beau Is Afraid. The pacing of those films goes back to the B films of Val Lewton, Jacques Tourneur's Cat People or I Walked with a Zombie. Just going a little slower, a little quieter".[90]
Accolades
As of the 96th Academy Awards, A24 has received a total of 62 Academy Award nominations, winning 18 overall.[45][91][92]
- In 2016, A24 won Best Actress (Brie Larson for Room), Best Documentary Feature Film (Amy), and Best Visual Effects (Ex Machina).[93]
- In 2017, Moonlight won the Academy Award for Best Picture (the first such accolade for the studio), Best Adapted Screenplay (Barry Jenkins and Tarell Alvin McCraney), and Best Supporting Actor (Mahershala Ali).[93]
- In 2021, A24 won the Academy Award for Best Supporting Actress (Yuh-jung Youn for Minari); Youn became the first Korean actress to win an Oscar for acting.[94]
- In 2023, A24 experienced its most successful Oscar season when it became the most nominated single studio of that year's ceremony with 18 total nominations between six of their films; Everything Everywhere All at Once (11 nominations; the most nominated film that year, including Best Picture), The Whale (3 nominations), and Aftersun, Causeway, Close and Marcel the Shell with Shoes On (each with 1 nomination).[95] A24 would ultimately become the most awarded studio that year with nine awards in total, as well as sweeping seven of the major awards. Everything Everywhere All at Once won seven—Best Picture, Best Director (Daniel Kwan and Daniel Scheinert), Best Actress (Michelle Yeoh), Best Supporting Actor (Ke Huy Quan), Best Supporting Actress (Jamie Lee Curtis), Best Original Screenplay (Daniel Kwan and Daniel Scheinert), and Best Film Editing (Paul Rogers). The Whale won two—Best Actor (Brendan Fraser) and Best Makeup and Hairstyling (Adrien Morot, Judy Chin, and Annemarie Bradley).[5][44][45][96]
- In 2024, The Zone of Interest won the Academy Award for Best International Feature Film (representing United Kingdom) and Best Sound.
Additionally, A24 has been nominated and won numerous British Academy Film Awards, Critics' Choice Awards, Golden Globe Awards, Independent Spirit Awards, and Screen Actors Guild Awards.[97][98][99]
Reception
"A24 is a business whose aspirations are unlimited," said one high-level Hollywood executive. "They're not trying to become Focus [Features]. They want to become a big media company."[100]
Filmmaker David Lowery (director of A24's A Ghost Story and The Green Knight) praised A24, saying: "The great thing about A24 is that they're always up for a challenge. They remain undaunted; they'll take the most difficult, unsaleable aspect of your movie and turn it into its greatest asset." Fellow filmmaker James Ponsoldt (director of A24's The End of the Tour and The Spectacular Now) also applauded the company, saying: "A24 is remarkable at championing specific cinematic voices because they genuinely adore their films — and that enthusiasm is reflected in the creativity and laser-like precision of their marketing and releases."[15]
Many of the performances in A24 films have received widespread critical acclaim, with many critics and reviewers describing these actor/actress' performances as some of the best of their career.[101] Such performances include: Mahershala Ali's in Moonlight (2016),[102] Awkwafina's in The Farewell (2019),[103] Toni Collette's in Hereditary (2018),[104] Brendan Fraser's in The Whale (2022),[105] Mia Goth's in X (2022) and Pearl (2022),[106] Tom Hardy's in Locke (2013),[107] Brie Larson's in Room (2015),[108] Greta Lee's in Past Lives (2023),[109] Robert Pattinson's in Good Time (2017) and The Lighthouse (2019),[110] Joaquin Phoenix's in C'mon C'mon (2021) and Beau Is Afraid (2023),[111][112] Florence Pugh's in Midsommar (2019),[113] Saoirse Ronan's in Lady Bird (2017),[114] Adam Sandler's in Uncut Gems (2019),[115] Anya Taylor-Joy's in The Witch (2015),[116] Alicia Vikander's in Ex Machina (2014),[117] and Ke Huy Quan, Michelle Yeoh, and Stephanie Hsu's in Everything Everywhere All at Once (2022).[118][119]
A24 has frequently worked with many artistically minded writer-directors, for most of which the films released by the company pivoted their careers, including Ari Aster, Sean Baker, the Daniels, Robert Eggers, Alex Garland, Rose Glass, Joanna Hogg, Yorgos Lanthimos, David Lowery, and the Safdie brothers.[16][120][121][11]
Auteur filmmakers Aster—director/writer of Hereditary (2018), Midsommar (2019), and Beau Is Afraid (2023)—and Eggers—director/writer of The Lighthouse (2019) and The Witch (2015)—are both notable for their contribution to and influence on modern horror, and partial reinvention and redefining of the genre.[11][122][123][124][125][126] Their films have dealt with and share a lot of similarities in some way, including folklore or supernatural forces. Even with their strong similarities, there are differences as well; all three of Eggers' films are period pieces while Aster's all take place in modern times. Aster also seems to take conventional horror and put his own modern spin on it to inspire some genuinely uncomfortable fear in viewers while Eggers takes conventional horror and throws it out the window to transport viewers to another world with his unique dialogue and cinematography.[11][127][128] Both have been cited as two of the top horror directors of the 2010s while their films have received widespread critical acclaim and deemed as some of the best horror films of the 2010s.[129][130][131] During a Q&A for Beau Is Afraid in 2023, renowned and veteran filmmaker Martin Scorsese dubbed Aster "one of the most extraordinary new voices in world cinema".[132]
Later in 2023, Talk to Me (2022), directed by twin brothers Danny and Michael Philippou, and released theatrically in the United States on July 28, became a triumphant success at the box office and surpassed Hereditary as A24's highest-grossing horror film domestically with a running total of $44.5 million on September 3.[133][134][135] The film received positive reviews from critics, who praised its story, direction, horror sequences, practical effects, sound design, and performances.[136] In a statement to Newshub, filmmaker Peter Jackson highly praised the film, saying: "Talk to Me isn't just good – it's very very good. The best, most intense, horror movie I've enjoyed in years." Aster, Stephen King, George Miller, and Steven Spielberg have all praised the film as well.[137] A sequel is currently in development.[138]
However, John Carpenter and Jordan Peele, filmmakers most commonly associated with horror, have denounced and rejected this term and style of horror. In an interview with The A.V. Club, Carpenter was perplexed by the topic, saying: "I don't know what that means ... There's metaphorical horror. But all movies have. They don't have messages. They have themes. Thematic material and some horror films have thematic material. The good ones do."[139] In a separate conversion, Peele told The Verge: "I don't want people to think that I'm trying to make 'elevated' films. I think that's a trap that I don't quite appreciate."[89]
References
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- ^ "A24". LinkedIn. Retrieved October 7, 2021.
- ^ a b c McNary, Dave (August 20, 2012). "Katz, Fenkel, Hodges launch A24". Variety. Archived from the original on June 25, 2016. Retrieved July 30, 2016.
- ^ a b "The rise and rise of A24, a champion of storytelling on screen". The Economist. ISSN 0013-0613. Archived from the original on September 4, 2022. Retrieved September 3, 2022.
- ^ a b c Sperling, Nicole (March 13, 2023). "A24 Achieves Art-House Supremacy with Triumphant Oscar Night". The New York Times. ISSN 0362-4331. Archived from the original on March 13, 2023. Retrieved June 18, 2023.
- ^ Scott, Daniella (May 25, 2022). "Viewers are all saying the same thing about 'Everything Everywhere All at Once'". Cosmopolitan. Retrieved January 28, 2024.
- ^ "Everything Everywhere All at Once - Movie Reviews". Rotten Tomatoes. Archived from the original on January 28, 2024. Retrieved January 28, 2024.
- ^ a b Adalian, Josef (August 25, 2022). "The Age of A24 TV is Upon Us". Vulture. Archived from the original on May 11, 2023. Retrieved May 25, 2023.
- ^ McKenna, Eoin (July 15, 2022). "Introducing A24's Top Directors". Don't Die Wondering. Archived from the original on September 29, 2023. Retrieved August 22, 2023.
- ^ Saab, Hannah; Merrick, Jeff (March 16, 2023). "From Ari Aster to the Daniels: A24's 10 Best Reoccurring Directors". Collider. Archived from the original on May 19, 2023. Retrieved August 22, 2023.
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