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{{Short description|Dutch painter (1838–1888)}}
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'''Anthonij (Anton) Rudolf Mauve''' (18 September 1838{{snd}}5 February 1888) was a Dutch [[Realism (arts)|realist]] painter who was a leading member of the [[Hague School]]. He signed his paintings 'A. Mauve' or with a monogrammed 'A.M.'. A master colorist, he was a very significant early influence on his cousin-in-law [[Vincent van Gogh]].
'''Anthonij "Anton" Rudolf Mauve''' (18 September 1838{{snd}}5 February 1888) was a Dutch [[Realism (arts)|realist]] painter who was a leading member of the [[Hague School]]. He signed his paintings 'A. Mauve' or with a monogrammed 'A.M.'. A master colorist, he was a very significant early influence on his cousin-in-law [[Vincent van Gogh]].


His best-known paintings depict peasants working in the fields. His paintings of flocks of sheep were especially popular with American patrons, so popular indeed that a price differential developed between scenes of "sheep coming" and "sheep going".<ref>{{cite web|title=Heath at Laren, 1887|url=http://www.vangoghmuseum.nl/vgm/index.jsp?page=4997&lang=en|work=Online catalogue|publisher=[[Kröller-Müller Museum]]|accessdate=1 March 2012}}</ref>
His best-known paintings depict peasants working in the fields. His paintings of flocks of sheep were especially popular with American patrons, so popular that a price differential developed between scenes of "sheep coming" and "sheep going".<ref>{{cite web|title=Heath at Laren, 1887|url=http://www.vangoghmuseum.nl/vgm/index.jsp?page=4997&lang=en|work=Online catalogue|publisher=[[Kröller-Müller Museum]]|access-date=1 March 2012}}</ref>


==Life and work==
==Life and work==
[[File:Anton Mauve - Morgenrit langs het strand.jpg|thumb|left|''Morning Ride on the Beach'' (1876), oil on canvas, [[Rijksmuseum]]<ref name="rijksmuseum1">{{cite web|author=9 — 17 |url=http://www.rijksmuseum.nl/aria/aria_assets/SK-A-3602?lang=en&context_space=&context_id= |title=Morgenrit langs het strand, Anton Mauve, 1876 - Rijksmuseum |publisher=Rijksmuseum.nl |date= |accessdate=2013-07-08}}</ref>|alt=a group of well dressed equestrians, the lady riding sidesaddle, descend at a leisurly pace from the dunes to the beach at Scheveningen towards the bathing huts, their horses leaving droppings in the sand]]
[[File:Anton Mauve - Morgenrit langs het strand.jpg|thumb|left|''Morning Ride on the Beach'' (1876), oil on canvas, [[Rijksmuseum]]<ref name="rijksmuseum1">{{cite web|url=http://www.rijksmuseum.nl/aria/aria_assets/SK-A-3602?lang=en&context_space=&context_id= |title=Morgenrit langs het strand, Anton Mauve, 1876 – Rijksmuseum |publisher=Rijksmuseum.nl |access-date=2013-07-08}}</ref>|alt=a group of well dressed equestrians, the lady riding sidesaddle, descend at a leisurly pace from the dunes to the beach at Scheveningen towards the bathing huts, their horses leaving droppings in the sand]]


Anton Mauve was born on 18 September 1838 in [[Zaandam]], a town in the [[Netherlands|Dutch]] province of [[North Holland]]. A year after his birth, his father [[Willem Carel Mauve]], a [[Mennonite]] chaplain, was sent to [[Haarlem]], the capital city of the province where Mauve grew up.
Anton Mauve was born on 18 September 1838 in [[Zaandam]], a town in the [[Netherlands|Dutch]] province of [[North Holland]]. A year after his birth, his father [[Willem Carel Mauve]], a [[Mennonite]] chaplain, was sent to [[Haarlem]], the capital city of the province where Mauve grew up.


He was apprenticed to the painter [[Pieter van Os|Pieter Frederik van Os]] followed by [[Wouterus Verschuur|Wouter Verschuur]].<ref>{{Cite book|last=Holme|first=Charles|url=https://books.google.com/books?id=r_oEAAAAYAAJ&pg=PA10&dq=%22anton+mauve%22&hl=en&newbks=1&newbks_redir=0&sa=X&ved=2ahUKEwjXqY-eqp_oAhXKJzQIHSDKAhoQ6AEwBHoECAAQAg#v=onepage&q=%22anton%20mauve%22&f=false|title=The International Studio|last2=Eglington|first2=Guy|last3=Boswell|first3=Peyton|last4=McCormick|first4=William Bernard|last5=Whigham|first5=Henry James|date=1907|publisher=Offices of the International Studio|language=en}}</ref> In his further development he worked with Paul Gabriël, painting from nature, and they regularly stayed and worked together at [[Oosterbeek]], the 'Dutch [[Barbizon]]'. He was a friend of [[Jozef Israëls]] and [[Willem Maris]] and, encouraged by their example, he abandoned his early highly finished manner for a freer, looser method of painting, and the brilliant [[Color scheme|palette]] of his youthful work for a tender lyric harmony which is generally restricted to delicate greys, greens, and light blue.<ref name="EB1911">{{EB1911|inline=y|wstitle=Mauve, Anton|volume=17|page=917}}</ref>
He was apprenticed to the painter [[Pieter van Os|Pieter Frederik van Os]] followed by [[Wouterus Verschuur|Wouter Verschuur]].<ref>{{Cite book|last1=Holme|first1=Charles|url=https://books.google.com/books?id=r_oEAAAAYAAJ&q=%22anton+mauve%22&pg=PA10|title=The International Studio|last2=Eglington|first2=Guy|last3=Boswell|first3=Peyton|last4=McCormick|first4=William Bernard|last5=Whigham|first5=Henry James|date=1907|publisher=Offices of the International Studio|language=en}}</ref> In his further development he worked with Paul Gabriël, painting from nature, and they regularly stayed and worked together at [[Oosterbeek]], the 'Dutch [[Barbizon]]'. He was a friend of renowned Dutch landscape painters [[Jozef Israëls]] and [[Willem Maris]] and, encouraged by their example, he abandoned his early highly finished manner for a freer, looser method of painting, and the brilliant [[Color scheme|palette]] of his youthful work for a tender lyric harmony which is generally restricted to delicate greys, greens, and light blue.<ref name="EB1911">{{EB1911|inline=y|wstitle=Mauve, Anton|volume=17|page=917}}</ref>


Most of Mauve's work depicts people and animals in outdoor settings. In his ''Morning Ride'' in the [[Rijksmuseum]], for example, fashionable equestrians at the seacoast are seen riding away from the viewer. An unconventional detail, horse droppings in the foreground, attests his commitment to realism.
Most of Mauve's work depicts people and animals in outdoor settings. In his ''Morning Ride'' in the [[Rijksmuseum]], for example, fashionable equestrians at the seacoast are seen riding away from the viewer. An unconventional detail, horse droppings in the foreground, attests his commitment to realism.


In 1872, Mauve settled in [[The Hague]] where he became a leading member of the [[Hague School]] of painters and one of the founders of the [[Hollandsche Teekenmaatschappij]] in 1876, as well as playing a leading role in the development of the [[Pulchri Studio]], The Hague's most influential art society at the time.
In 1872, Mauve settled in [[The Hague]] where he became a leading member of the [[Hague School]] of painters and one of the founders of the [[Hollandsche Teekenmaatschappij]] in 1876, as well as playing a leading role in the development of the [[Pulchri Studio]], The Hague's most influential art society at the time. In November 1874 he married Ariëtte (Jet) Carbentus (1856–1894), and together they had a son, Anton (1876–1962), who also became a painter.<ref> [https://rkd.nl/en/explore/artists/54139 "Anton Mauve"], Dutch R.K.D. Archive</ref>


In the last two years of his life, Mauve settled in the village of [[Laren, North Holland|Laren]] in the region surrounding [[Hilversum]] called [[Gooi|het Gooi]]. The group of painters who settled there, including [[Jozef Israëls]] and Albert Neuhuys, came to be known collectively as the Larense School and the region around het Gooi was dubbed 'Mauve land' as far afield as the United States. Mauve will have influenced many other painters one of whom was the Scottish painter, [[Robert McGregor (1847-1922)|Robert McGregor]] (1847-1922).
In the last two years of his life, Mauve settled in the village of [[Laren, North Holland|Laren]] in the region surrounding [[Hilversum]] called the [[Gooi]] area. The group of painters who settled there, including [[Jozef Israëls]] and Albert Neuhuys, came to be known collectively as the Larense School and the region around the Gooi was dubbed 'Mauve land' as far afield as the United States. Mauve influenced many other painters one of whom was the Scottish painter, [[Robert McGregor (1847–1922)|Robert McGregor]] (1847–1922).


Mauve died suddenly in [[Arnhem]] on 5 February 1888.
Mauve died suddenly in [[Arnhem]] on 5 February 1888.


==Relationship with Vincent van Gogh==
==Relationship with Vincent van Gogh==
[[File:Anton Mauve - Portrait of Ariëtte (Jet) Carbentus, the Artist's Wife. in the Dunes.jpg|alt= An elegant young lady wearing a fancy bonnet is sitting in the dunes dressed in her Sunday best, a black dress with a pale blue smock.|thumb|upright=1.2|''Ariëtte (Jet) Carbentus, the Artist's Wife,in the Dunes''. She was a cousin of van Gogh on his mother's side.<ref>{{cite web|title=IB-nummer 117003 |url=http://ib.rkd.nl/showobject.mhtml?ib=117003 |archive-url=https://web.archive.org/web/20110724163802/http://ib.rkd.nl/showobject.mhtml?ib=117003 |url-status=dead |archive-date=2011-07-24 |work=RKD databases |publisher=[[Netherlands Institute for Art History|Rijksbureau voor Kunsthistorische Documentatie (RKD)]] }}</ref>]]
[[File:Mauve, Anton - A portrait of Ariëtte Mauve-Carbentus.jpg|alt= An elegant young lady wearing a fancy bonnet is sitting in the dunes dressed in her Sunday best, a black dress with a pale blue smock.|thumb|upright=1.2|''Ariëtte (Jet) Carbentus, the Artist's Wife, in the Dunes''. She was a cousin of van Gogh on his mother's side.<ref>{{cite web|title=IB-nummer 117003 |url=http://ib.rkd.nl/showobject.mhtml?ib=117003 |archive-url=https://web.archive.org/web/20110724163802/http://ib.rkd.nl/showobject.mhtml?ib=117003 |url-status=dead |archive-date=2011-07-24 |work=RKD databases |publisher=[[Netherlands Institute for Art History|Rijksbureau voor Kunsthistorische Documentatie (RKD)]] }}</ref>]]
[[File:Vincent Willem van Gogh 113.jpg|thumb|upright|[[Vincent van Gogh]], ''Souvenir de Mauve'' (c. 30 March 1888), oil on canvas, [[Kröller-Müller Museum]]|alt= "a dug-over patch of ground in an orchard, a wicker fence and two peach trees in full bloom, pink against a sparkling blue sky with white clouds and in sunshine" [Van Gogh letter 590 VGM] to the bottom left there is an inscription 'souvenir de Mauve']]
[[File:Vincent Willem van Gogh 113.jpg|thumb|upright|[[Vincent van Gogh]], ''Souvenir de Mauve'' (c. 30 March 1888), oil on canvas, [[Kröller-Müller Museum]]|alt= "a dug-over patch of ground in an orchard, a wicker fence and two peach trees in full bloom, pink against a sparkling blue sky with white clouds and in sunshine" [Van Gogh letter 590 VGM] to the bottom left there is an inscription 'souvenir de Mauve']]


Mauve was married to van Gogh's cousin Ariëtte (Jet) Sophia Jeannette Carbentus,<ref>{{cite web|url=http://www.vangoghletters.org/vg/family_tree.pdf |title=Family tree of Vincent Van Gogh |format=PDF |date= |accessdate=2013-07-08}}</ref> and he was a major influence on van Gogh, who revered him. He is mentioned, directly or indirectly, in 152 of van Gogh's surviving letters.<ref>{{cite web|url=http://vangoghletters.org/vg/search/advanced?originaltext=original&term=&person_terms=Anton+Rudolf+Mauve&person_code=323&literature_terms=&literature_code=&workofart_terms=&workofart_code=&bibleref_terms=&bibleref_code=&f_number=&jh_number=&periodical=&from=1&id_range=&id_type=jlb_id&date_from=1872-09-29&date_until=1890-07-31&period=&correspondent_name=&correspondent_id=&place_name=&place_id=&order=date&search2.x=5&search2.y=3&search2=Search |title=Vincent van Gogh : The Letters |publisher=Vangoghletters.org |accessdate=2014-02-07}}</ref>
Mauve was married to van Gogh's cousin Ariëtte (Jet) Sophia Jeannette Carbentus,<ref>{{cite web|url=http://www.vangoghletters.org/vg/family_tree.pdf |title=Family tree of Vincent Van Gogh |access-date=2013-07-08}}</ref> and he was a major influence on van Gogh, who revered him. He is mentioned, directly or indirectly, in 152 of van Gogh's surviving letters.<ref>{{cite web|url=http://vangoghletters.org/vg/search/advanced?originaltext=original&term=&person_terms=Anton+Rudolf+Mauve&person_code=323&literature_terms=&literature_code=&workofart_terms=&workofart_code=&bibleref_terms=&bibleref_code=&f_number=&jh_number=&periodical=&from=1&id_range=&id_type=jlb_id&date_from=1872-09-29&date_until=1890-07-31&period=&correspondent_name=&correspondent_id=&place_name=&place_id=&order=date&search2.x=5&search2.y=3&search2=Search |title=Vincent van Gogh : The Letters |publisher=Vangoghletters.org |access-date=2014-02-07}}</ref>


Van Gogh spent three weeks at Mauve's studio at the end of 1881 and during that time he made his first experiments in painting under Mauve's tutelage, first in oils and then early the next year in watercolour (previously he had concentrated on drawing). Mauve continued to encourage him and lent him money to rent and furnish a studio, but later grew cold towards him and did not return a number of letters.<ref>Tralbaut (1981), 96–103</ref><ref name="Letter 196 group = Letters">{{cite web|title= Letter 196: To Theo van Gogh. The Hague, on or about Tuesday, 3 January 1882.|url= http://vangoghletters.org/vg/letters/let196/letter.html|work=Vincent van Gogh: The Letters|publisher=[[Van Gogh Museum]]|at= Paragraph 3|quote= Mauve lent me some money, 100 guilders, to rent it, furnish it and get the window and light fixed up|accessdate= }}</ref>
Van Gogh spent three weeks at Mauve's studio at the end of 1881 and during that time he made his first experiments in painting under Mauve's tutelage, first in oils and then early the next year in watercolour (previously he had concentrated on drawing). Mauve continued to encourage him and lent him money to rent and furnish a studio, but later grew cold towards him and did not return a number of letters.<ref>Tralbaut (1981), 96–103</ref><ref name="Letter 196 group = Letters">{{cite web|title= Letter 196: To Theo van Gogh. The Hague, on or about Tuesday, 3 January 1882.|url= http://vangoghletters.org/vg/letters/let196/letter.html|work=Vincent van Gogh: The Letters|publisher=[[Van Gogh Museum]]|at= Paragraph 3|quote= Mauve lent me some money, 100 guilders, to rent it, furnish it and get the window and light fixed up}}</ref>


In a letter to his brother [[Theo van Gogh (art dealer)|Theo van Gogh]] dated 7 May 1882, van Gogh describes "a very regrettable conversation" in which Mauve told him their association was "over and done with" adding by way of explanation that van Gogh had a vicious character. Van Gogh continued his letter by expressing his sorrow, and then launches defiantly into a passionate defence of his relationship with Clasina "Sien" Maria Hornik [[Sien (Van Gogh series)|(Sien)]], a pregnant prostitute he had befriended.<ref name="Letter 224 group = Letters">{{cite web|title= Letter 224: To Theo van Gogh. The Hague, on or about Sunday, 7 May 1882|url= http://www.vangoghletters.org/vg/letters/let224/letter.html|work=Vincent van Gogh: The Letters|publisher=[[Van Gogh Museum]]|at= |quote= Today I met Mauve and had a very regrettable conversation with him which made it clear to me that Mauve and I have parted ways for ever.|accessdate= }}</ref>
In a letter to his brother [[Theo van Gogh (art dealer)|Theo van Gogh]] dated 7 May 1882, van Gogh describes "a very regrettable conversation" in which Mauve told him their association was "over and done with" adding by way of explanation that van Gogh had a vicious character. Van Gogh continued his letter by expressing his sorrow, and then launches defiantly into a passionate defence of his relationship with Clasina "Sien" Maria Hornik [[Sien (Van Gogh series)|(Sien)]], a pregnant prostitute he had befriended.<ref name="Letter 224 group = Letters">{{cite web|title= Letter 224: To Theo van Gogh. The Hague, on or about Sunday, 7 May 1882|url= http://www.vangoghletters.org/vg/letters/let224/letter.html|work=Vincent van Gogh: The Letters|publisher=[[Van Gogh Museum]]|quote= Today I met Mauve and had a very regrettable conversation with him which made it clear to me that Mauve and I have parted ways for ever.}}</ref>


The presumption must be that Mauve had heard of the relationship (although van Gogh's letter does not say so expressly) and broke off the association because of it. However, their relationship had already become strained by late January.<ref>Naifeh and Smith pp. 254-59</ref> Nevertheless, van Gogh continued to hold Mauve in very high esteem and dedicated one of his most iconic paintings to Mauve's memory after hearing of his sudden death.
The presumption must be that Mauve had heard of the relationship (although van Gogh's letter does not say so expressly) and broke off the association because of it. However, their relationship had already become strained by late January.<ref>Naifeh and Smith pp. 254–59</ref> Nevertheless, van Gogh continued to hold Mauve in very high esteem and dedicated one of his most iconic paintings to Mauve's memory after hearing of his sudden death.


{{quote|Now here, for instance, at this moment, I have 6 paintings of blossoming fruit trees. And the one I brought home today would possibly appeal to you — it’s a dug-over patch of ground in an orchard, a wicker fence and two peach trees in full bloom, pink against a sparkling blue sky with white clouds and in sunshine. You may well see it, since I’ve decided to send this one to Jet Mauve. I’ve written on it 'Souvenir de Mauve Vincent & Theo'.<ref name="Letter 590 group = Letters" >{{cite web|title= Letter 590: To Willemien van Gogh. Arles, on or about Friday, 30 March 1888.|url= http://vangoghletters.org/vg/letters/let590/letter.html|work=Vincent van Gogh: The Letters|publisher=[[Van Gogh Museum]]|at= Note 5|quote= Now here, for instance, at this moment, I have 6 paintings of blossoming fruit trees.|accessdate= }}</ref>}}
{{blockquote|Now here, for instance, at this moment, I have 6 paintings of blossoming fruit trees. And the one I brought home today would possibly appeal to you — it’s a dug-over patch of ground in an orchard, a wicker fence and two peach trees in full bloom, pink against a sparkling blue sky with white clouds and in sunshine. You may well see it, since I’ve decided to send this one to Jet Mauve. I’ve written on it 'Souvenir de Mauve Vincent & Theo'.<ref name="Letter 590 group = Letters" >{{cite web|title= Letter 590: To Willemien van Gogh. Arles, on or about Friday, 30 March 1888.|url= http://vangoghletters.org/vg/letters/let590/letter.html|work=Vincent van Gogh: The Letters|publisher=[[Van Gogh Museum]]|at= Note 5|quote= Now here, for instance, at this moment, I have 6 paintings of blossoming fruit trees.}}</ref>}}


Mauve's mother Elisabeth Margaretha Hirschig was a [[Cousin|first cousin twice removed]] of [[Anton Hirschig]], the young Dutch artist who was a fellow lodger with van Gogh at the [[Auberge Ravoux]] at the time of van Gogh's death.<ref>{{cite journal |author1=C.E.G. ten Houte de Lange |title=Hirschig |journal=de Nederlandsche Leeuw |date=1994 |volume=111 |pages=206-213}}</ref>
Mauve's mother Elisabeth Margaretha Hirschig was a [[Cousin|first cousin twice removed]] of [[Anton Hirschig]], the young Dutch artist who was a fellow lodger with van Gogh at the [[Auberge Ravoux]] at the time of van Gogh's death.<ref>{{cite journal |first=C.E.G. |last=ten Houte de Lange |title=Hirschig |journal=De Nederlandsche Leeuw |date=1994 |volume=111 |pages=206–213}}</ref>


==Selected works==
==Selected works==
[[File:Anton Mauve - Landscape with Cattle - Google Art Project.jpg|thumb|''Landscape with cattle'']]
[[File:Anton Mauve - Landscape with Cattle - Google Art Project.jpg|thumb|''Landscape with cattle'']]
[[File:Anton Mauve - The Return of the Flock, Laren - Google Art Project.jpg|thumb|''The Return of the Flock, Laren'']]
[[File:Anton Mauve - The Return of the Flock, Laren - Google Art Project.jpg|thumb|''The Return of the Flock, Laren'']]
*''Entering the Fold'' (c. 1885-8), drawing and watercolour, [[Tate Gallery]]<ref>{{cite web|url=http://www.tate.org.uk/servlet/ViewWork?workid=9407&searchid=23259 |title='Entering the Fold', Anton Mauve |publisher=Tate |date= |accessdate=2013-07-08}}</ref>
*''Entering the Fold'' (c. 1885–8), drawing and watercolour, [[Tate Gallery]]<ref>{{cite web|url=http://www.tate.org.uk/servlet/ViewWork?workid=9407&searchid=23259 |title='Entering the Fold', Anton Mauve |publisher=Tate |access-date=2013-07-08}}</ref>
*''Milking Time'' (c. 1875), oil on canvas, [[National Gallery]]<ref>{{Cite web|url=https://www.nationalgallery.org.uk/paintings/anton-mauve-milking-time|title=Anton Mauve {{!}} Milking Time {{!}} L716 {{!}} National Gallery, London|website=www.nationalgallery.org.uk|access-date=2019-01-21}}</ref>
*''Milking Time'' (c. 1875), oil on canvas, [[National Gallery]]<ref>{{Cite web|url=https://www.nationalgallery.org.uk/paintings/anton-mauve-milking-time|title=Anton Mauve {{!}} Milking Time {{!}} L716 {{!}} National Gallery, London|website=www.nationalgallery.org.uk|access-date=2019-01-21}}</ref>
*''Landscape with cattle'', chalk on paper, [[Courtauld Institute of Art]]<ref>{{cite web|url=http://www.artandarchitecture.org.uk/images/gallery/c35f4acc.html |title=A&A &#124; Landscape with cattle |publisher=Artandarchitecture.org.uk |date= |accessdate=2013-07-08}}</ref>
*''Landscape with cattle'', chalk on paper, [[Courtauld Institute of Art]]<ref>{{cite web|url=http://www.artandarchitecture.org.uk/images/gallery/c35f4acc.html |title=A&A &#124; Landscape with cattle |publisher=Artandarchitecture.org.uk |access-date=2013-07-08}}</ref>
*''Landscape with Cattle'', oil on canvas, [[Museum of Fine Arts, Houston]]<ref>{{cite web|url=https://www.mfah.org/art/detail/14332|title=Landscape with Cattle |publisher=Mfah.org |date= |accessdate=2018-09-18}}</ref>
*''Landscape with Cattle'', oil on canvas, [[Museum of Fine Arts, Houston]]<ref>{{cite web|url=https://www.mfah.org/art/detail/14332|title=Landscape with Cattle |publisher=Mfah.org |access-date=2018-09-18}}</ref>
*''Shepherdess'', oil on canvas, [[National Museum of Wales]]<ref>{{cite web |url=http://www.museumwales.ac.uk/en/art/online/?action=show_item&item=1299 |title=Art Collections Online &#124; National Museum Wales |publisher=Museumwales.ac.uk |date= |accessdate=2013-07-08 |archive-url=https://web.archive.org/web/20121002145744/http://www.museumwales.ac.uk/en/art/online/?action=show_item&item=1299 |archive-date=2012-10-02 |url-status=dead }}</ref>
*''Shepherdess'', oil on canvas, [[National Museum of Wales]]<ref>{{cite web |url=http://www.museumwales.ac.uk/en/art/online/?action=show_item&item=1299 |title=Art Collections Online &#124; National Museum Wales |publisher=Museumwales.ac.uk |access-date=2013-07-08 |archive-url=https://web.archive.org/web/20121002145744/http://www.museumwales.ac.uk/en/art/online/?action=show_item&item=1299 |archive-date=2012-10-02 |url-status=dead }}</ref>
*''Morning Ride along the Beach'' (1876), oil on canvas, [[Rijksmuseum Amsterdam]]<ref>{{Cite web|url=https://www.rijksmuseum.nl/nl/collectie/SK-A-3602|title=Morgenrit langs het strand, Anton Mauve, 1876|website=Rijksmuseum|language=nl|access-date=2019-01-21}}</ref>
*''Morning Ride along the Beach'' (1876), oil on canvas, [[Rijksmuseum Amsterdam]]<ref>{{Cite web|url=https://www.rijksmuseum.nl/nl/collectie/SK-A-3602|title=Morgenrit langs het strand, Anton Mauve, 1876|website=Rijksmuseum|language=nl|access-date=2019-01-21}}</ref>
*''Riders in the Snow in the Haagse Bos'' (1879), watercolour and gouache, [[Rijksmuseum]] [[Amsterdam]]<ref>{{Cite web|url=https://www.rijksmuseum.nl/nl/collectie/SK-A-2443|title=Ruiters in de sneeuw in het Haagse Bos, Anton Mauve, 1880|website=Rijksmuseum|language=nl|access-date=2019-01-21}}</ref>
*''Riders in the Snow in the Haagse Bos'' (1879), watercolour and gouache, [[Rijksmuseum]] [[Amsterdam]]<ref>{{Cite web|url=https://www.rijksmuseum.nl/nl/collectie/SK-A-2443|title=Ruiters in de sneeuw in het Haagse Bos, Anton Mauve, 1880|website=Rijksmuseum|language=nl|access-date=2019-01-21}}</ref>
*''De Torenlaan te Laren'' (1886), oil on canvas, Rijksmuseum, Amsterdam<ref>[https://www.rijksmuseum.nl/en/collection/SK-A-3143 ] {{webarchive |url=https://web.archive.org/web/20121010234128/http://www.rijksmuseum.nl/collectie/zoeken/asset.jsp?id=SK-A-3143&lang=en |date=October 10, 2012 }}</ref>
*''De Torenlaan te Laren'' (1886), oil on canvas, Rijksmuseum, Amsterdam<ref>[https://www.rijksmuseum.nl/en/collection/SK-A-3143] {{webarchive|url=https://web.archive.org/web/20121010234128/http://www.rijksmuseum.nl/collectie/zoeken/asset.jsp?id=SK-A-3143&lang=en|date=October 10, 2012}}</ref>
*''Ariëtte Carbentus, wife of the artist, sitting in the dunes'' (c. 1876), oil on canvas, [[Netherlands Institute for Art History|Rijksbureau voor Kunsthistorische Documentatie]], The Hague (private collection)<ref>{{cite web|author=Echelon BV |url=http://ib.rkd.nl/showobject.mhtml?ib=117003 |archive-url=https://web.archive.org/web/20110724163802/http://ib.rkd.nl/showobject.mhtml?ib=117003 |url-status=dead |archive-date=2011-07-24 |title=Rijksbureau voor Kunsthistorische Documentatie - databases |publisher=Ib.rkd.nl |accessdate=2013-07-08 }}</ref>
*''Ariëtte Carbentus, wife of the artist, sitting in the dunes'' (c. 1876), oil on canvas, [[Netherlands Institute for Art History|Rijksbureau voor Kunsthistorische Documentatie]], The Hague (private collection)<ref>{{cite web|author=Echelon BV |url=http://ib.rkd.nl/showobject.mhtml?ib=117003 |archive-url=https://web.archive.org/web/20110724163802/http://ib.rkd.nl/showobject.mhtml?ib=117003 |url-status=dead |archive-date=2011-07-24 |title=Rijksbureau voor Kunsthistorische Documentatie – databases |publisher=Ib.rkd.nl |access-date=2013-07-08 }}</ref>
*''Gathering Seaweed'', oil on canvas, [[Musée d'Orsay]], [[Paris]]<ref>{{cite web|url=http://www.musee-orsay.fr/en/collections/index-of-works/notice.html?no_cache=1&zsz=5&lnum= |title=Musee d'Orsay |publisher=Musee-orsay.fr |accessdate=2014-02-07}}</ref>
*''Gathering Seaweed'', oil on canvas, [[Musée d'Orsay]], [[Paris]]<ref>{{cite web|url=http://www.musee-orsay.fr/en/collections/index-of-works/notice.html?no_cache=1&zsz=5&lnum= |title=Musee d'Orsay |publisher=Musee-orsay.fr |access-date=2014-02-07}}</ref>
*''Changing Pasture'' (c. 1880s), oil on canvas, [[Metropolitan Museum of Art]], New York<ref>{{cite web|url=http://www.metmuseum.org/works_of_art/collection_database/european_paintings/changing_pasture_anton_mauve/objectview_enlarge.aspx?page=23&sort=0&sortdir=asc&keyword=&fp=1&dd1=11&dd2=0&vw=1&collID=11&OID=110001486&vT=1&hi=0&ov=0 |title=The Metropolitan Museum of Art - Changing Pasture |publisher=Metmuseum.org |date= |accessdate=2013-07-08}}</ref>
*''Changing Pasture'' (c. 1880s), oil on canvas, [[Metropolitan Museum of Art]], New York<ref>{{cite web|url=http://www.metmuseum.org/works_of_art/collection_database/european_paintings/changing_pasture_anton_mauve/objectview_enlarge.aspx?page=23&sort=0&sortdir=asc&keyword=&fp=1&dd1=11&dd2=0&vw=1&collID=11&OID=110001486&vT=1&hi=0&ov=0 |title=The Metropolitan Museum of Art – Changing Pasture |publisher=Metmuseum.org |access-date=2013-07-08}}</ref>
*''The Return of the Flock, Laren'' (c. 1886 -1887), oil on canvas, [[Philadelphia Museum of Art]], Philadelphia<ref>{{cite web|url=http://www.philamuseum.org/collections/permanent/102977.html?mulR=21138 |title=Philadelphia Museum of Art - Collections Object : The Return of the Flock, Laren |publisher=Philamuseum.org |date= |accessdate=2013-07-08}}</ref>
*''The Return of the Flock, Laren'' (c. 1886 -1887), oil on canvas, [[Philadelphia Museum of Art]], Philadelphia<ref>{{cite web|url=http://www.philamuseum.org/collections/permanent/102977.html?mulR=21138 |title=Philadelphia Museum of Art – Collections Object : The Return of the Flock, Laren |publisher=Philamuseum.org |access-date=2013-07-08}}</ref>
*''Digging up a Tree'', watercolor, [[Museum of Fine Arts, Boston]]<ref>{{Cite web|url=https://www.mfa.org/collections/object/digging-up-a-tree-245841|title=Digging up a Tree|date=2018-06-04|website=Museum of Fine Arts, Boston|language=en|access-date=2019-01-21}}</ref>
*''Digging up a Tree'', watercolor, [[Museum of Fine Arts, Boston]]<ref>{{Cite web|url=https://www.mfa.org/collections/object/digging-up-a-tree-245841|title=Digging up a Tree|date=2018-06-04|website=Museum of Fine Arts, Boston|language=en|access-date=2019-01-21}}</ref>
*''Returning Home'', oil on wood, [[Art Gallery of New South Wales]]<ref>{{Cite web|url=https://www.artgallery.nsw.gov.au/collection/works/7642/|title=Returning home: end of the day by Anton Mauve :: The Collection :: Art Gallery NSW|last=Deutsch|last2=Français|website=www.artgallery.nsw.gov.au|access-date=2019-01-21|last3=日本語|last4=中文|last5=Español|last6=Italiano|last7=한국어|last8=العربية|last9=us|first9=Contact}}</ref>
*''Returning Home'', oil on wood, [[Art Gallery of New South Wales]]<ref>{{Cite web|url=https://www.artgallery.nsw.gov.au/collection/works/7642/|title=Returning home: end of the day by Anton Mauve :: The Collection :: Art Gallery NSW|website=www.artgallery.nsw.gov.au|access-date=2019-01-21}}</ref>
*''A Shepherdess and Her Flock'', oil on canvas, [[Metropolitan Museum of Art]]<ref>{{cite web | url=https://www.metmuseum.org/art/collection/search/437043 | title=Anton Mauve &#124; A Shepherdess and Her Flock }}</ref>


==Bibliography==
==Bibliography==
* Dorn, Roland, Schröder, Klaus Albrecht & Sillevis, John, ed.: ''Van Gogh und die Haager Schule'' (exh. cat. Kunstforum, Wien 1996), Skira, Milan 1996 {{ISBN|88-8118-072-3}}
* Dorn, Roland, Schröder, Klaus Albrecht & Sillevis, John, ed.: ''Van Gogh und die Haager Schule'' (exh. cat. Kunstforum, Wien 1996), Skira, Milan 1996 {{ISBN|88-8118-072-3}}
* [https://books.google.com/books/about/Anton_Mauve_1838_1888.html?id=SmLrAAAAMAAJ&redir_esc=y Engel, E. P. "Anton Mauve". Academische Uitgeverij Haentjens Dekker & Gumbert, 1967 (University of Michigan)]
* [https://books.google.com/books?id=SmLrAAAAMAAJ Engel, E. P. "Anton Mauve". Academische Uitgeverij Haentjens Dekker & Gumbert, 1967 (University of Michigan)]
* Naifeh, Steven; Smith, Gregory White. Van Gogh: The Life. Profile Books, 2011. {{ISBN|978-1-84668-010-6}}
* Naifeh, Steven; Smith, Gregory White. Van Gogh: The Life. Profile Books, 2011. {{ISBN|978-1-84668-010-6}}
* Tralbaut, Marc Edo. ''Vincent van Gogh, le mal aimé''. Edita, Lausanne (French) & Macmillan, London 1969 (English); reissued by Macmillan, 1974 and by Alpine Fine Art Collections, 1981. {{ISBN|0-933516-31-2}}.
* Tralbaut, Marc Edo. ''Vincent van Gogh, le mal aimé''. Edita, Lausanne (French) & Macmillan, London 1969 (English); reissued by Macmillan, 1974 and by Alpine Fine Art Collections, 1981. {{ISBN|0-933516-31-2}}.
Line 89: Line 91:
* De Valk Lexicon, kunstenaars Laren-Blaricum [http://www.devalk.com/kunstenaars/mauve/mauve.html Larense School]
* De Valk Lexicon, kunstenaars Laren-Blaricum [http://www.devalk.com/kunstenaars/mauve/mauve.html Larense School]
* Singer Laren en Teylers Museum duo-tentoonstelling [https://web.archive.org/web/20090910043611/http://www.anton-mauve.nl/ Anton Mauve retrospective]
* Singer Laren en Teylers Museum duo-tentoonstelling [https://web.archive.org/web/20090910043611/http://www.anton-mauve.nl/ Anton Mauve retrospective]
* The Hague School and young Van Gogh at the [http://www.gemeentemuseum.nl/index.php?id=031791, Gemeentemuseum, The Hague]
* The Hague School and young Van Gogh at the [http://www.gemeentemuseum.nl/index.php?id=031791, Gemeentemuseum, The Hague] {{Webarchive|url=https://web.archive.org/web/20120308145311/http://www.gemeentemuseum.nl/index.php?id=031791, |date=2012-03-08 }}
{{Vincent van Gogh}}
{{Vincent van Gogh}}
*[http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll1/id/2506/rec/1 Anton Mauve exhibition catalog]
*[http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll1/id/2506/rec/1 Anton Mauve exhibition catalog]
* [https://www.rijksmuseum.nl/nl/rijksstudio/kunstenaars/anton-mauve many free images of Mauve's paintings] in the Rijksmuseum, Amsterdam
* [https://www.rijksmuseum.nl/nl/rijksstudio/kunstenaars/anton-mauve many free images of Mauve's paintings] in the Rijksmuseum, Amsterdam


{{Authority control}}
{{Authority control (arts)}}

{{DEFAULTSORT:Mauve, Anton}}
{{DEFAULTSORT:Mauve, Anton}}
[[Category:1838 births]]
[[Category:1838 births]]
[[Category:1888 deaths]]
[[Category:1888 deaths]]
[[Category:People from Zaanstad]]
[[Category:Artists from Zaanstad]]
[[Category:Hague School]]
[[Category:Hague School]]
[[Category:19th-century Dutch painters]]
[[Category:19th-century Dutch painters]]
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[[Category:Realist painters]]
[[Category:Realist painters]]
[[Category:Van Gogh family]]
[[Category:Van Gogh family]]
[[Category:Mennonite artists]]

Latest revision as of 01:12, 29 November 2024

Anton Mauve
Born(1838-09-18)18 September 1838
Zaandam, Netherlands
Died5 February 1888(1888-02-05) (aged 49)
Arnhem, Netherlands
NationalityDutch
Known forPainting
MovementRealism
Patron(s)Goupil & Cie

Anthonij "Anton" Rudolf Mauve (18 September 1838 – 5 February 1888) was a Dutch realist painter who was a leading member of the Hague School. He signed his paintings 'A. Mauve' or with a monogrammed 'A.M.'. A master colorist, he was a very significant early influence on his cousin-in-law Vincent van Gogh.

His best-known paintings depict peasants working in the fields. His paintings of flocks of sheep were especially popular with American patrons, so popular that a price differential developed between scenes of "sheep coming" and "sheep going".[1]

Life and work

[edit]
a group of well dressed equestrians, the lady riding sidesaddle, descend at a leisurly pace from the dunes to the beach at Scheveningen towards the bathing huts, their horses leaving droppings in the sand
Morning Ride on the Beach (1876), oil on canvas, Rijksmuseum[2]

Anton Mauve was born on 18 September 1838 in Zaandam, a town in the Dutch province of North Holland. A year after his birth, his father Willem Carel Mauve, a Mennonite chaplain, was sent to Haarlem, the capital city of the province where Mauve grew up.

He was apprenticed to the painter Pieter Frederik van Os followed by Wouter Verschuur.[3] In his further development he worked with Paul Gabriël, painting from nature, and they regularly stayed and worked together at Oosterbeek, the 'Dutch Barbizon'. He was a friend of renowned Dutch landscape painters Jozef Israëls and Willem Maris and, encouraged by their example, he abandoned his early highly finished manner for a freer, looser method of painting, and the brilliant palette of his youthful work for a tender lyric harmony which is generally restricted to delicate greys, greens, and light blue.[4]

Most of Mauve's work depicts people and animals in outdoor settings. In his Morning Ride in the Rijksmuseum, for example, fashionable equestrians at the seacoast are seen riding away from the viewer. An unconventional detail, horse droppings in the foreground, attests his commitment to realism.

In 1872, Mauve settled in The Hague where he became a leading member of the Hague School of painters and one of the founders of the Hollandsche Teekenmaatschappij in 1876, as well as playing a leading role in the development of the Pulchri Studio, The Hague's most influential art society at the time. In November 1874 he married Ariëtte (Jet) Carbentus (1856–1894), and together they had a son, Anton (1876–1962), who also became a painter.[5]

In the last two years of his life, Mauve settled in the village of Laren in the region surrounding Hilversum called the Gooi area. The group of painters who settled there, including Jozef Israëls and Albert Neuhuys, came to be known collectively as the Larense School and the region around the Gooi was dubbed 'Mauve land' as far afield as the United States. Mauve influenced many other painters one of whom was the Scottish painter, Robert McGregor (1847–1922).

Mauve died suddenly in Arnhem on 5 February 1888.

Relationship with Vincent van Gogh

[edit]
An elegant young lady wearing a fancy bonnet is sitting in the dunes dressed in her Sunday best, a black dress with a pale blue smock.
Ariëtte (Jet) Carbentus, the Artist's Wife, in the Dunes. She was a cousin of van Gogh on his mother's side.[6]
"a dug-over patch of ground in an orchard, a wicker fence and two peach trees in full bloom, pink against a sparkling blue sky with white clouds and in sunshine" [Van Gogh letter 590 VGM] to the bottom left there is an inscription 'souvenir de Mauve'
Vincent van Gogh, Souvenir de Mauve (c. 30 March 1888), oil on canvas, Kröller-Müller Museum

Mauve was married to van Gogh's cousin Ariëtte (Jet) Sophia Jeannette Carbentus,[7] and he was a major influence on van Gogh, who revered him. He is mentioned, directly or indirectly, in 152 of van Gogh's surviving letters.[8]

Van Gogh spent three weeks at Mauve's studio at the end of 1881 and during that time he made his first experiments in painting under Mauve's tutelage, first in oils and then early the next year in watercolour (previously he had concentrated on drawing). Mauve continued to encourage him and lent him money to rent and furnish a studio, but later grew cold towards him and did not return a number of letters.[9][10]

In a letter to his brother Theo van Gogh dated 7 May 1882, van Gogh describes "a very regrettable conversation" in which Mauve told him their association was "over and done with" adding by way of explanation that van Gogh had a vicious character. Van Gogh continued his letter by expressing his sorrow, and then launches defiantly into a passionate defence of his relationship with Clasina "Sien" Maria Hornik (Sien), a pregnant prostitute he had befriended.[11]

The presumption must be that Mauve had heard of the relationship (although van Gogh's letter does not say so expressly) and broke off the association because of it. However, their relationship had already become strained by late January.[12] Nevertheless, van Gogh continued to hold Mauve in very high esteem and dedicated one of his most iconic paintings to Mauve's memory after hearing of his sudden death.

Now here, for instance, at this moment, I have 6 paintings of blossoming fruit trees. And the one I brought home today would possibly appeal to you — it’s a dug-over patch of ground in an orchard, a wicker fence and two peach trees in full bloom, pink against a sparkling blue sky with white clouds and in sunshine. You may well see it, since I’ve decided to send this one to Jet Mauve. I’ve written on it 'Souvenir de Mauve Vincent & Theo'.[13]

Mauve's mother Elisabeth Margaretha Hirschig was a first cousin twice removed of Anton Hirschig, the young Dutch artist who was a fellow lodger with van Gogh at the Auberge Ravoux at the time of van Gogh's death.[14]

Selected works

[edit]
Landscape with cattle
The Return of the Flock, Laren

Bibliography

[edit]
  • Dorn, Roland, Schröder, Klaus Albrecht & Sillevis, John, ed.: Van Gogh und die Haager Schule (exh. cat. Kunstforum, Wien 1996), Skira, Milan 1996 ISBN 88-8118-072-3
  • Engel, E. P. "Anton Mauve". Academische Uitgeverij Haentjens Dekker & Gumbert, 1967 (University of Michigan)
  • Naifeh, Steven; Smith, Gregory White. Van Gogh: The Life. Profile Books, 2011. ISBN 978-1-84668-010-6
  • Tralbaut, Marc Edo. Vincent van Gogh, le mal aimé. Edita, Lausanne (French) & Macmillan, London 1969 (English); reissued by Macmillan, 1974 and by Alpine Fine Art Collections, 1981. ISBN 0-933516-31-2.

See also

[edit]

References

[edit]
  1. ^ "Heath at Laren, 1887". Online catalogue. Kröller-Müller Museum. Retrieved 1 March 2012.
  2. ^ "Morgenrit langs het strand, Anton Mauve, 1876 – Rijksmuseum". Rijksmuseum.nl. Retrieved 2013-07-08.
  3. ^ Holme, Charles; Eglington, Guy; Boswell, Peyton; McCormick, William Bernard; Whigham, Henry James (1907). The International Studio. Offices of the International Studio.
  4. ^  One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Mauve, Anton". Encyclopædia Britannica. Vol. 17 (11th ed.). Cambridge University Press. p. 917.
  5. ^ "Anton Mauve", Dutch R.K.D. Archive
  6. ^ "IB-nummer 117003". RKD databases. Rijksbureau voor Kunsthistorische Documentatie (RKD). Archived from the original on 2011-07-24.
  7. ^ "Family tree of Vincent Van Gogh" (PDF). Retrieved 2013-07-08.
  8. ^ "Vincent van Gogh : The Letters". Vangoghletters.org. Retrieved 2014-02-07.
  9. ^ Tralbaut (1981), 96–103
  10. ^ "Letter 196: To Theo van Gogh. The Hague, on or about Tuesday, 3 January 1882". Vincent van Gogh: The Letters. Van Gogh Museum. Paragraph 3. Mauve lent me some money, 100 guilders, to rent it, furnish it and get the window and light fixed up
  11. ^ "Letter 224: To Theo van Gogh. The Hague, on or about Sunday, 7 May 1882". Vincent van Gogh: The Letters. Van Gogh Museum. Today I met Mauve and had a very regrettable conversation with him which made it clear to me that Mauve and I have parted ways for ever.
  12. ^ Naifeh and Smith pp. 254–59
  13. ^ "Letter 590: To Willemien van Gogh. Arles, on or about Friday, 30 March 1888". Vincent van Gogh: The Letters. Van Gogh Museum. Note 5. Now here, for instance, at this moment, I have 6 paintings of blossoming fruit trees.
  14. ^ ten Houte de Lange, C.E.G. (1994). "Hirschig". De Nederlandsche Leeuw. 111: 206–213.
  15. ^ "'Entering the Fold', Anton Mauve". Tate. Retrieved 2013-07-08.
  16. ^ "Anton Mauve | Milking Time | L716 | National Gallery, London". www.nationalgallery.org.uk. Retrieved 2019-01-21.
  17. ^ "A&A | Landscape with cattle". Artandarchitecture.org.uk. Retrieved 2013-07-08.
  18. ^ "Landscape with Cattle". Mfah.org. Retrieved 2018-09-18.
  19. ^ "Art Collections Online | National Museum Wales". Museumwales.ac.uk. Archived from the original on 2012-10-02. Retrieved 2013-07-08.
  20. ^ "Morgenrit langs het strand, Anton Mauve, 1876". Rijksmuseum (in Dutch). Retrieved 2019-01-21.
  21. ^ "Ruiters in de sneeuw in het Haagse Bos, Anton Mauve, 1880". Rijksmuseum (in Dutch). Retrieved 2019-01-21.
  22. ^ [1] Archived October 10, 2012, at the Wayback Machine
  23. ^ Echelon BV. "Rijksbureau voor Kunsthistorische Documentatie – databases". Ib.rkd.nl. Archived from the original on 2011-07-24. Retrieved 2013-07-08.
  24. ^ "Musee d'Orsay". Musee-orsay.fr. Retrieved 2014-02-07.
  25. ^ "The Metropolitan Museum of Art – Changing Pasture". Metmuseum.org. Retrieved 2013-07-08.
  26. ^ "Philadelphia Museum of Art – Collections Object : The Return of the Flock, Laren". Philamuseum.org. Retrieved 2013-07-08.
  27. ^ "Digging up a Tree". Museum of Fine Arts, Boston. 2018-06-04. Retrieved 2019-01-21.
  28. ^ "Returning home: end of the day by Anton Mauve :: The Collection :: Art Gallery NSW". www.artgallery.nsw.gov.au. Retrieved 2019-01-21.
  29. ^ "Anton Mauve | A Shepherdess and Her Flock".
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