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{{short description|Piano rag by Scott Joplin}}
{{Short description|Piano rag by Scott Joplin}}
⚫
{{about||other songs|The Entertainer (disambiguation) }}
{{Use mdy dates|date=January 2015}}
{{Use mdy dates|date=January 2015}}
⚫
{{distinguish|The Entertainer (song) }}
{{Infobox musical composition
{{Infobox musical composition
| name = The Entertainer
| name = The Entertainer
Line 8: Line 8:
| caption = First edition cover of "The Entertainer"
| caption = First edition cover of "The Entertainer"
| composer = [[Scott Joplin]]
| composer = [[Scott Joplin]]
| published = {{start date|1902}}
| published = {{start date and age|1902}}
| form = [[Ragtime]] [[Two-step (dance move)|two step]]
| form = [[Ragtime]], [[Two-step (dance move)|two step]]
| publisher = John Stark & Son
| publisher = John Stark & Son
| duration =Typically {{Duration|m=3|s=53}}
| duration =Typically {{Duration|m=3|s=53}}
Line 15: Line 15:
}}
}}


"'''The Entertainer'''" is a 1902 [[Classic rag|classic piano rag]] written by [[Scott Joplin]].<ref name=cyclo>{{cite book |last=Sullivan |first=Steve |date= 12 May 2017|title= Encyclopedia of Great Popular Song Recordings|volume=3|url=https://books.google.com/books?id=GQglDwAAQBAJ&q=Matthew+Prater+Blues+musician&pg=PA33|publisher=Rowman & Littlefield|pages=32–33|isbn= 9781442254497}}</ref> It was sold first as sheet music, and in the 1910s as piano rolls that would play on [[player piano]]s.<ref name=cyclo /> The first recording was by blues and ragtime musicians the [[Prater & Hayes|Blue Boys]] in 1928, played on [[mandolin]] and guitar.<ref name=cyclo />
"'''The Entertainer'''" is a 1902 [[Classic rag|classic piano rag]] written by [[Scott Joplin]].<ref name=cyclo>{{cite book |last=Sullivan |first=Steve |date= 12 May 2017|title= Encyclopedia of Great Popular Song Recordings|volume=3|url=https://books.google.com/books?id=GQglDwAAQBAJ&q=Matthew+Prater+Blues+musician&pg=PA33|publisher=Rowman & Littlefield|pages=32–33|isbn= 9781442254497}}</ref>


It was sold first as sheet music by [[John Stillwell Stark|John Stark & Son]] of [[St. Louis]], Missouri,<ref name="Jasen and Tichenor" /> and in the 1910s as piano rolls that would play on [[player piano]]s.<ref name="cyclo" /> The first recording was by blues and ragtime musicians the [[Prater & Hayes|Blue Boys]] in 1928, played on [[mandolin]] and guitar.<ref name="cyclo" />
⚫
As one of the classics of [[ragtime]], it returned to international prominence as part of the ragtime revival in the 1970s, when it was used as the [[theme music]] for the 1973 [[Academy Awards|Oscar]]-winning film ''[[The Sting]]''. Composer and pianist [[Marvin Hamlisch]]'s adaptation reached #3 on the ''[[Billboard (magazine)|Billboard]]'' [[Billboard Hot 100|pop chart]] and spent a week at #1 on the [[Adult Contemporary (chart)|easy listening chart]] in 1974.<ref>{{cite book |title= Top Adult Contemporary: 1961–2001|last=Whitburn |first=Joel |author-link=Joel Whitburn |year=2002 |publisher=Record Research |page=110 |isbn= 0-89820-149-7}}</ref> ''The Sting'' was set in the 1930s, a full generation after the end of ragtime's mainstream popularity, thus giving the inaccurate impression that ragtime music was popular at that time.


⚫
As one of the classics of [[ragtime]], it returned to international prominence as part of the ragtime revival in the 1970s, when it was used as the [[theme music]] for the 1973 [[Academy Awards|Oscar]]-winning film ''[[The Sting]]''. Composer and pianist [[Marvin Hamlisch]]'s adaptation reached No. 3 on the ''[[Billboard (magazine)|Billboard]]'' [[Billboard Hot 100|pop chart]] and spent a week at No. 1 on the [[Adult Contemporary (chart)|easy listening chart]] in 1974.<ref>{{cite book |title= Top Adult Contemporary: 1961–2001|last=Whitburn |first=Joel |author-link=Joel Whitburn |year=2002 |publisher=Record Research |page=110 |isbn= 0-89820-149-7}}</ref>
⚫
The [[Recording Industry Association of America]] ranked it #10 on its "[[Songs of the Century]]" list.<ref name=cyclo/>

⚫
The [[Recording Industry Association of America]] ranked it at No. 10 on its "[[Songs of the Century]]" list.<ref name=cyclo/>


==Music==
==Music==
"The Entertainer" is sub-titled "A Rag Time [[Two-step (dance move)|Two Step]]", which was a form of dance popular until about 1911, and a style which was common among rags written at the time.
"The Entertainer" is subtitled "A Rag Time [[Two-step (dance move)|Two Step]]", which was a form of dance popular until about 1911, and a style which was common among rags written at the time.


Its structure is: Intro–AA–BB–A–CC–Intro2–DD.<ref name="Jasen and Tichenor">{{cite book
Its structure is: Intro–AA–BB–A–CC–Intro2–DD.<ref name="Jasen and Tichenor">{{cite book
Line 30: Line 32:
|title=Rags and Ragtime: A Musical History
|title=Rags and Ragtime: A Musical History
|publisher=Dover
|publisher=Dover
|year=1978
|year=1977
|location=New York
|location=New York
|pages=[https://archive.org/details/ragsragtimemusic00jasen/page/89 89–90]
|pages=[https://archive.org/details/ragsragtimemusic00jasen/page/89 89–90]
Line 38: Line 40:
}}</ref>
}}</ref>


It is primarily set in the key of [[C major]]; however, for the C section (commonly referred to as the 'Trio'), it [[Modulation (music)|modulates]] to the [[subdominant]], [[F major]], then through a transitional passage modulates back to C major for the D section.{{Technical inline|date=September 2020}} The B section contains an indication that the melody is to be played an octave higher on the repeat.
It is primarily set in the key of [[C major]]; however, for the C section (commonly referred to as the "Trio"), it [[Modulation (music)|modulates]] to [[F major]], then shifts back to C major for the D section. The B section contains an indication that the melody is to be played an octave higher on the repeat.


In the June 7, 1903, ''[[St. Louis Globe-Democrat]]'', contemporary composer [[Monroe H. Rosenfeld]] described "The Entertainer" as "the best and most euphonious" of Joplin's compositions to that point. "It is a jingling work of a very original character, embracing various strains of a retentive character which set the foot in spontaneous action and leave an indelible imprint on the [[Tympanum (anatomy)|tympanum]]".<ref name="Jasen and Tichenor" />
In the June 7, 1903, ''[[St. Louis Globe-Democrat]]'', contemporary composer [[Monroe H. Rosenfeld]] described "The Entertainer" as "the best and most euphonious" of Joplin's compositions to that point. "It is a jingling work of a very original character, embracing various strains of a retentive character which set the foot in spontaneous action and leave an indelible imprint on the [[Tympanum (anatomy)|tympanum]]".<ref name="Jasen and Tichenor" /> Joplin may have performed the piece at a fundraiser in [[Parsons, Kansas]], on April 27, 1904.<ref>{{cite news |last1=Unknown |title="Scott Joplin's Musicale" |url=https://www.newspapers.com/image/419137187 |access-date=August 15, 2022 |work=Evening Herald (Parsons, Kansas) |issue=57 |publisher=W.C. Moore |date=April 27, 1904|volume=12 }}</ref>


Suggested by the rag's dedication to "James Brown and his Mandolin Club", author [[Rudi Blesh]] wrote that "some of the melodies recall the pluckings and the fast tremolos of the little steel-stringed plectrum instruments".<ref>Rudi Blesh, p. xxiv, "Scott Joplin: Black-American Classicist", Introduction to Scott Joplin Collected Piano Works, [[New York Public Library]], 1981</ref> Stark issued an arrangement of the piece for two [[mandolin]]s and a guitar.<ref name="Jasen and Tichenor" />
Suggested by the rag's dedication to "James Brown and his Mandolin Club", author [[Rudi Blesh]] wrote that "some of the melodies recall the pluckings and the fast tremolos of the little steel-stringed plectrum instruments".<ref>Rudi Blesh, p. xxiv, "Scott Joplin: Black-American Classicist", Introduction to Scott Joplin Collected Piano Works, [[New York Public Library]], 1981</ref> Stark issued an arrangement of the piece for two [[mandolin]]s and a guitar.<ref name="Jasen and Tichenor" />

Several sets of lyrics have been set to "The Entertainer". The most popular version appeared on [[the Muppet Show]] in Episode 203, sung by [[Milton Berle]], who explains to the viewers that few are aware that there were lyrics for the song, which according to him are about "the performers, the entertainers during the heyday of Vaudeville". He is then joined in singing by several Muppets.<ref>{{Cite AV media |url=https://www.youtube.com/watch?v=p9gSvM4uR3s |title=Muppet Songs: Milton Berle - The Entertainer |date=2018-09-21 |last=Muppet Songs |access-date=2024-08-02 |via=YouTube}}</ref> More recently in 2020, Oscar Brown Jr. wrote a new set of lyrics to "The Entertainer" as a tribute to Joplin.<ref>{{Cite web |last=Jr |first=Oscar Brown |date=2020-10-08 |title=THE ENTERTAINER |url=https://www.oscarbrownjr.org/post/the-entertainer |access-date=2024-08-02 |website=Oscar Brown jr |language=en}}</ref>


==Publication==
==Publication==
The copyright on "The Entertainer" was registered December 29, 1902, along with two other Joplin rags, "A Breeze from Alabama" and "[[Elite Syncopations]]", all three of which were published by [[John Stillwell Stark|John Stark & Son]] of [[St. Louis]], Missouri.<ref name="Jasen and Tichenor"/> The centerpiece of the original cover art featured a [[minstrel show]] caricature of a black man in formal attire on a theater stage.{{Citation needed|date=June 2021}}
The copyright on "The Entertainer" was registered December 29, 1902, along with two other Joplin rags, "A Breeze from Alabama" and "[[Elite Syncopations]]", all three of which were published by Stark.<ref name="Jasen and Tichenor"/> The centerpiece of the original cover art featured a [[minstrel show]] caricature of a black man in formal attire on a theater stage.{{Citation needed|date=June 2021}}


==Popularity and legacy==
==Popularity and legacy==
In November 1970, [[Joshua Rifkin]] released a recording called ''[[Scott Joplin: Piano Rags]]''<ref>{{cite web|url=http://nonesuch.com/albums/piano-rags |title= ''Scott Joplin Piano Rags'' Nonesuch Records CD (w/bonus tracks)|website=Nonesuch.com |access-date=2009-03-19}}</ref> on the [[Classical music|classical]] label [[Nonesuch Records|Nonesuch]], which featured as its second track "The Entertainer". It sold 100,000 copies in its first year and eventually became Nonesuch's first million-selling record.<ref>{{cite web |url= http://nonesuch.com/about |title= Nonesuch Records |website= Nonesuch.com |access-date= 2009-03-19}}</ref> The ''[[Billboard (magazine)|Billboard]]'' "Best-Selling Classical LPs" chart for September 28, 1974, has the record at #5, with the follow-up ''Volume 2'' at #4, and a combined set of both volumes at #3. Separately both volumes had been on the chart for sixty-four weeks.{{sfn|Billboard|1974a|p=61}} The album was nominated in 1971 for two [[Grammy Award]] categories, [[Grammy Award for Best Album Notes|Best Album Notes]] and [[Grammy Award for Best Instrumental Soloist Performance (without orchestra)|Best Instrumental Soloist Performance (without orchestra)]], but at the ceremony on March 14, 1972, Rifkin did not win in any category.{{sfn|LA Times|n.d.}} In 1979 [[Alan Rich]] in the ''[[New York Magazine]]'' wrote that by giving artists like Rifkin the opportunity to put Joplin's music on disk, [[Nonesuch Records]] "created, almost alone, the Scott Joplin revival".{{sfn|Rich|1979}}
In November 1970, [[Joshua Rifkin]] released a recording called ''[[Scott Joplin: Piano Rags]]''<ref>{{cite web|url=http://nonesuch.com/albums/piano-rags |title= ''Scott Joplin Piano Rags'' Nonesuch Records CD (w/bonus tracks)|website=Nonesuch.com |access-date=2009-03-19}}</ref> on the [[Classical music|classical]] label [[Nonesuch Records|Nonesuch]], which featured as its second track "The Entertainer". It sold 100,000 copies in its first year and eventually became Nonesuch's first million-selling record.<ref>{{cite web |url= http://nonesuch.com/about |title= Nonesuch Records |website= Nonesuch.com |access-date= 2009-03-19}}</ref> The ''[[Billboard (magazine)|Billboard]]'' Best-Selling Classical LPs chart for September 28, 1974, has the record at No. 5, with the follow-up, ''Volume 2'', at No. 4, and a combined set of both volumes at No. 3. Separately both volumes had been on the chart for sixty-four weeks.{{sfn|Billboard|1974a|p=61}} The album was nominated in 1971 for two [[Grammy Award]] categories, [[Grammy Award for Best Album Notes|Best Album Notes]] and [[Grammy Award for Best Instrumental Soloist Performance (without orchestra)|Best Instrumental Soloist Performance (without orchestra)]], but at the ceremony on March 14, 1972, Rifkin did not win in any category.{{sfn|LA Times|n.d.}} In 1979 [[Alan Rich]] in the ''[[New York Magazine]]'' wrote that by giving artists like Rifkin the opportunity to put Joplin's music on disk, [[Nonesuch Records]] "created, almost alone, the Scott Joplin revival".{{sfn|Rich|1979}}


[[Marvin Hamlisch]] lightly adapted and orchestrated Joplin's music for the 1973 film ''[[The Sting]]'', for which he won an [[Academy Award for Best Original Score#1970s|Academy Award for Best Original Song Score and Adaptation]] on April 2, 1974.{{sfn|LA Times|n.d.}} His version of "The Entertainer" reached #3 on the [[Billboard Hot 100|''Billboard'' Hot 100]] on May 18, 1974,<ref>{{cite web |url= http://www.charismusicgroup.com/Cue%20Sheets/05-18-74.pdf |title= Charis Music Group, compilation of cue sheets from the American Top 40 radio Show |access-date= 2009-09-05}}</ref>{{sfn|Billboard|1974b|p=64}} prompting ''[[The New York Times]]'' to write, "the whole nation has begun to take notice".<ref name=NYT74>{{cite news|url=http://select.nytimes.com/mem/archive/pdf?res=F20A17F63A5C1A7A93C3A81783D85F408785F9|title=The Ragtime Revival—A Belated Ode to Composer Scott|work=[[The New York Times]]|last=Kronenberger|first=John|date=1974-08-11}}</ref> Thanks to the film and its score, Joplin's work became appreciated in both the popular and classical music worlds, becoming (in the words of music magazine ''[[Record World]]''), the "classical phenomenon of the decade".<ref>''Record World Magazine''. July 1974, quoted in: Berlin, Edward A. (1996). ''King of Ragtime: Scott Joplin and His Era'', p. 251.</ref> In the United States, "The Entertainer" is one of many songs commonly played by [[ice cream truck]]s to attract attention.<ref>{{cite journal
[[Marvin Hamlisch]] lightly adapted and orchestrated Joplin's music for the 1973 film ''[[The Sting]]'', for which he won an [[Academy Award for Best Original Score#1970s|Academy Award for Best Original Song Score and Adaptation]] on April 2, 1974.{{sfn|LA Times|n.d.}} His version of "The Entertainer" reached No. 3 on the [[Billboard Hot 100|''Billboard'' Hot 100]] on May 18, 1974,<ref>{{cite web |url= http://www.charismusicgroup.com/Cue%20Sheets/05-18-74.pdf |title= Charis Music Group, compilation of cue sheets from the American Top 40 radio Show |access-date= 2009-09-05}}</ref>{{sfn|Billboard|1974b|p=64}} prompting ''[[The New York Times]]'' to write, "the whole nation has begun to take notice".<ref name=NYT74>{{cite news|url=http://select.nytimes.com/mem/archive/pdf?res=F20A17F63A5C1A7A93C3A81783D85F408785F9|title=The Ragtime Revival—A Belated Ode to Composer Scott|work=[[The New York Times]]|last=Kronenberger|first=John|date=1974-08-11}}</ref> Thanks to the film and its score, Joplin's work became appreciated in both the popular and classical music worlds, becoming (in the words of music magazine ''[[Record World]]''), the "classical phenomenon of the decade".<ref>''Record World Magazine''. July 1974, quoted in: [[Edward A. Berlin|Berlin, Edward A.]] (1996). ''King of Ragtime: Scott Joplin and His Era'', p. 251.</ref>
|last=Neely |first= Daniel Tannehill
|title= Soft Serve: Charting the aural promise of ice cream truck music
|journal=[[Esopus (magazine)|Esopus]]|number=4
|date= Spring 2005
|location= New York City
|url=http://homepages.nyu.edu/~dtn2008/NeelySoftServe.pdf
|archive-url=https://web.archive.org/web/20090205035547/http://homepages.nyu.edu/~dtn2008/NeelySoftServe.pdf
|archive-date=2009-02-05}}</ref>


==See also==
==See also==
Line 69: Line 65:
===Sources===
===Sources===
*{{cite news|ref={{harvid|LA Times|n.d.}}|url=http://theenvelope.latimes.com/factsheets/awardsdb/env-awards-db-search,0,7169155.htmlstory?target=article&searchtype=all&Query=|title=Entertainment Awards Database|access-date=2009-03-17|work=[[Los Angeles Times]]|archive-url=https://web.archive.org/web/20120118133641/http://theenvelope.latimes.com/factsheets/awardsdb/env-awards-db-search,0,7169155.htmlstory?target=article&searchtype=all&Query=|archive-date=January 18, 2012|url-status=dead|df=mdy-all}}
*{{cite news|ref={{harvid|LA Times|n.d.}}|url=http://theenvelope.latimes.com/factsheets/awardsdb/env-awards-db-search,0,7169155.htmlstory?target=article&searchtype=all&Query=|title=Entertainment Awards Database|access-date=2009-03-17|work=[[Los Angeles Times]]|archive-url=https://web.archive.org/web/20120118133641/http://theenvelope.latimes.com/factsheets/awardsdb/env-awards-db-search,0,7169155.htmlstory?target=article&searchtype=all&Query=|archive-date=January 18, 2012|url-status=dead|df=mdy-all}}
*{{cite journal|ref={{harvid|Billboard|1974a}}|year=1974a|title=Best Selling Classical LPs|journal=[[Billboard (magazine)|Billboard]]|issue=September 28, 1974|url=https://books.google.com/books?id=twcEAAAAMBAJ&q=billboard+1975+joplin+perlman&pg=PT51|publisher= Nielsen Business Media, Inc.|access-date=July 29, 2011}}
*{{cite magazine|ref={{harvid|Billboard|1974a}}|year=1974a|title=Best Selling Classical LPs|magazine=[[Billboard (magazine)|Billboard]]|issue=September 28, 1974|url=https://books.google.com/books?id=twcEAAAAMBAJ&q=billboard+1975+joplin+perlman&pg=PT51|publisher= Nielsen Business Media, Inc.|access-date=July 29, 2011}}
*{{cite journal|ref={{harvid|Billboard|1974b}}|year=1974b|title=Hot 100|journal=[[Billboard (magazine)|Billboard]]|issue=May 18, 1974|publisher=Nielsen Business Media|url=https://books.google.com/books?id=bQkEAAAAMBAJ&q=entertainer&pg=PA64|access-date=August 5, 2011}}
*{{cite magazine|ref={{harvid|Billboard|1974b}}|year=1974b|title=Hot 100|magazine=[[Billboard (magazine)|Billboard]]|issue=May 18, 1974|publisher=Nielsen Business Media|url=https://books.google.com/books?id=bQkEAAAAMBAJ&q=entertainer&pg=PA64|access-date=August 5, 2011}}
*{{cite journal|last=Rich|first=Alan|author-link=Alan Rich|year=1979|title=Music|journal=[[New York (magazine)|New York]]|issue=December 24, 1979|page=81|url=https://books.google.com/books?id=j-ECAAAAMBAJ&q=joplin&pg=PA81|access-date=August 5, 2011}}
*{{cite journal|last=Rich|first=Alan|author-link=Alan Rich|year=1979|title=Music|journal=[[New York (magazine)|New York]]|issue=December 24, 1979|page=81|url=https://books.google.com/books?id=j-ECAAAAMBAJ&q=joplin&pg=PA81|access-date=August 5, 2011}}


==External links==
==External links==
{{Wikisource|The Entertainer}}
{{Wikisource|The Entertainer}}
* {{Commons category-inline|Scott Joplin The Entertainer}}
* {{Commons category-inline|The Entertainer}}
* [http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=263 Musical score and MIDI file] at the [[Mutopia Project]]
* [http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=263 Musical score and MIDI file] at the [[Mutopia Project]]
* [http://www.mfiles.co.uk/scores/The-Entertainer.htm Sheet music and mp3] at mfiles.co.uk (interactive version requires [http://www.sibelius.com/products/scorch/index.html Sibelius Scorch])
* [http://www.mfiles.co.uk/scores/The-Entertainer.htm Sheet music and mp3] at mfiles.co.uk (interactive version requires [http://www.sibelius.com/products/scorch/index.html Sibelius Scorch])
Line 91: Line 87:
[[Category:Rags by Scott Joplin]]
[[Category:Rags by Scott Joplin]]
[[Category:Compositions in C major]]
[[Category:Compositions in C major]]
[[Category:Works about entertainers]]

Latest revision as of 00:24, 2 December 2024

For other songs, see The Entertainer (disambiguation).

The Entertainer
by Scott Joplin
The front cover of "The Entertainer"'s sheet music. It has a green background and in the center is a red ink drawing of a caricatured African-American performer on stage in top hat and tails
First edition cover of "The Entertainer"
FormRagtime, two step
Published1902; 122 years ago (1902)
PublisherJohn Stark & Son
DurationTypically 3:53
Live performance of "The Entertainer" in 2007

"The Entertainer" is a 1902 classic piano rag written by Scott Joplin.[1]

It was sold first as sheet music by John Stark & Son of St. Louis, Missouri,[2] and in the 1910s as piano rolls that would play on player pianos.[1] The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar.[1]

As one of the classics of ragtime, it returned to international prominence as part of the ragtime revival in the 1970s, when it was used as the theme music for the 1973 Oscar-winning film The Sting. Composer and pianist Marvin Hamlisch's adaptation reached No. 3 on the Billboard pop chart and spent a week at No. 1 on the easy listening chart in 1974.[3]

The Recording Industry Association of America ranked it at No. 10 on its "Songs of the Century" list.[1]

Music

[edit]

"The Entertainer" is subtitled "A Rag Time Two Step", which was a form of dance popular until about 1911, and a style which was common among rags written at the time.

Its structure is: Intro–AA–BB–A–CC–Intro2–DD.[2]

It is primarily set in the key of C major; however, for the C section (commonly referred to as the "Trio"), it modulates to F major, then shifts back to C major for the D section. The B section contains an indication that the melody is to be played an octave higher on the repeat.

In the June 7, 1903, St. Louis Globe-Democrat, contemporary composer Monroe H. Rosenfeld described "The Entertainer" as "the best and most euphonious" of Joplin's compositions to that point. "It is a jingling work of a very original character, embracing various strains of a retentive character which set the foot in spontaneous action and leave an indelible imprint on the tympanum".[2] Joplin may have performed the piece at a fundraiser in Parsons, Kansas, on April 27, 1904.[4]

Suggested by the rag's dedication to "James Brown and his Mandolin Club", author Rudi Blesh wrote that "some of the melodies recall the pluckings and the fast tremolos of the little steel-stringed plectrum instruments".[5] Stark issued an arrangement of the piece for two mandolins and a guitar.[2]

Several sets of lyrics have been set to "The Entertainer". The most popular version appeared on the Muppet Show in Episode 203, sung by Milton Berle, who explains to the viewers that few are aware that there were lyrics for the song, which according to him are about "the performers, the entertainers during the heyday of Vaudeville". He is then joined in singing by several Muppets.[6] More recently in 2020, Oscar Brown Jr. wrote a new set of lyrics to "The Entertainer" as a tribute to Joplin.[7]

Publication

[edit]

The copyright on "The Entertainer" was registered December 29, 1902, along with two other Joplin rags, "A Breeze from Alabama" and "Elite Syncopations", all three of which were published by Stark.[2] The centerpiece of the original cover art featured a minstrel show caricature of a black man in formal attire on a theater stage.[citation needed]

Popularity and legacy

[edit]

In November 1970, Joshua Rifkin released a recording called Scott Joplin: Piano Rags[8] on the classical label Nonesuch, which featured as its second track "The Entertainer". It sold 100,000 copies in its first year and eventually became Nonesuch's first million-selling record.[9] The Billboard Best-Selling Classical LPs chart for September 28, 1974, has the record at No. 5, with the follow-up, Volume 2, at No. 4, and a combined set of both volumes at No. 3. Separately both volumes had been on the chart for sixty-four weeks.[10] The album was nominated in 1971 for two Grammy Award categories, Best Album Notes and Best Instrumental Soloist Performance (without orchestra), but at the ceremony on March 14, 1972, Rifkin did not win in any category.[11] In 1979 Alan Rich in the New York Magazine wrote that by giving artists like Rifkin the opportunity to put Joplin's music on disk, Nonesuch Records "created, almost alone, the Scott Joplin revival".[12]

Marvin Hamlisch lightly adapted and orchestrated Joplin's music for the 1973 film The Sting, for which he won an Academy Award for Best Original Song Score and Adaptation on April 2, 1974.[11] His version of "The Entertainer" reached No. 3 on the Billboard Hot 100 on May 18, 1974,[13][14] prompting The New York Times to write, "the whole nation has begun to take notice".[15] Thanks to the film and its score, Joplin's work became appreciated in both the popular and classical music worlds, becoming (in the words of music magazine Record World), the "classical phenomenon of the decade".[16]

See also

[edit]

References

[edit]
  1. ^ a b c d Sullivan, Steve (May 12, 2017). Encyclopedia of Great Popular Song Recordings. Vol. 3. Rowman & Littlefield. pp. 32–33. ISBN 9781442254497.
  2. ^ a b c d e Jasen, David A.; Trebor Jay Tichenor (1977). Rags and Ragtime: A Musical History. New York: Dover. pp. 89–90. ISBN 0-486-25922-6.
  3. ^ Whitburn, Joel (2002). Top Adult Contemporary: 1961–2001. Record Research. p. 110. ISBN 0-89820-149-7.
  4. ^ Unknown (April 27, 1904). ""Scott Joplin's Musicale"". Evening Herald (Parsons, Kansas). Vol. 12, no. 57. W.C. Moore. Retrieved August 15, 2022.
  5. ^ Rudi Blesh, p. xxiv, "Scott Joplin: Black-American Classicist", Introduction to Scott Joplin Collected Piano Works, New York Public Library, 1981
  6. ^ Muppet Songs (September 21, 2018). Muppet Songs: Milton Berle - The Entertainer. Retrieved August 2, 2024 – via YouTube.
  7. ^ Jr, Oscar Brown (October 8, 2020). "THE ENTERTAINER". Oscar Brown jr. Retrieved August 2, 2024.
  8. ^ "Scott Joplin Piano Rags Nonesuch Records CD (w/bonus tracks)". Nonesuch.com. Retrieved March 19, 2009.
  9. ^ "Nonesuch Records". Nonesuch.com. Retrieved March 19, 2009.
  10. ^ Billboard 1974a, p. 61.
  11. ^ a b LA Times n.d.
  12. ^ Rich 1979.
  13. ^ "Charis Music Group, compilation of cue sheets from the American Top 40 radio Show" (PDF). Retrieved September 5, 2009.
  14. ^ Billboard 1974b, p. 64.
  15. ^ Kronenberger, John (August 11, 1974). "The Ragtime Revival—A Belated Ode to Composer Scott". The New York Times.
  16. ^ Record World Magazine. July 1974, quoted in: Berlin, Edward A. (1996). King of Ragtime: Scott Joplin and His Era, p. 251.

Sources

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