Daniel Gillette Olney: Difference between revisions
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{{Infobox artist |
{{Infobox artist |
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| name = Daniel Gillette Olney |
| name = Daniel Gillette Olney |
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| image = |
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| birth_name = |
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| birth_date = August 24, 1909 |
| birth_date = August 24, 1909 |
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| birth_place = New York City, |
| birth_place = [[New York City]], US |
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| death_date = |
| death_date = {{Death date and age|1980|7|2|1909|8|24}} |
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| death_place = |
| death_place = [[Veracruz]], Mexico |
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| nationality = |
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| movement = |
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| spouse = |
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| field = Sculptor |
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| training = [[Yale University]]<br>[[Beaux Arts Institute of Design]] |
| training = [[Yale University]]<br>[[Beaux Arts Institute of Design]] |
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| known_for = [[Sculpture]] |
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| notable_works = [[Langston Terrace Dwellings]] |
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'''Daniel Gillette Olney''' (1909 |
'''Daniel Gillette Olney''' (August 24, 1909 – July 2, 1980), was an American [[sculptor]] active in Washington, D.C., in the 1930s. A native of New York, he is primarily known for his [[bas-relief]] panels at the [[Langston Terrace Dwellings]], one of only fourteen works on the [[list of artworks commemorating African Americans in Washington, D.C.]] |
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== Early life and education == |
== Early life and education == |
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Olney was born in [[New York City]], on August 24, 1909, the second son of George H. Olney and Amy Olney ([[née]] Gillette). Olney graduated from [[Yale University]] and attended the [[Beaux-Arts Institute of Design]] in New York.<ref>{{cite web |url=https://dchistory.org/manage/assets/uploads/ms0846.pdf/ |title=Legacy Finding Aid for Manuscript and Photograph Collections |website=Historical Society of Washington, D.C., p. 13 |access-date=November 14, 2022}}</ref> During the Second World War, he was a lieutenant with the [[United States Coast Guard Reserve]].<ref>{{cite web |url=https://www.facebook.com/legacy/notes/897604870281803/ |title=Veterans of Dresden |website=Dresden, NY in Washington County |access-date=November 14, 2022}}</ref> |
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== Notable works == |
== Notable works == |
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In addition to his works at the [[Langston Terrace Dwellings]], Olney sculpted |
In addition to his works at the [[Langston Terrace Dwellings]], Olney sculpted "Lady and Unicorn", in Dumbarton Oaks neighbourhood of Washington,<ref>{{cite web |url=https://www.washingtonpost.com/local/the-story-of-a-lady-and-her-unicorn-a-statue-on-the-move-at-dumbarton-oaks/2014/06/28/bdd7ce7e-fd5d-11e3-b1f4-8e77c632c07b_story.htm/ |title=The story of a lady and her unicorn, a statue on the move at Dumbarton Oaks |website=The Washington Post |access-date=November 14, 2022}}</ref> and a relief sculpture for the [[Berryville Post Office]] in Berryville, Arkansas.<ref>{{cite web |url=https://uca.edu/postofficemurals/berryville/ |title=Berryville Post Office |website=University of Central Arkansas |access-date=November 14, 2022}}</ref> |
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=== |
=== "The Progress of the Negro Race" and "Madonna and Children" === |
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[[Langston Terrace Dwellings]], designed by African American architect [[Hilyard Robinson]], was the first public housing project in Washington D.C., and the second in the United States. |
[[Langston Terrace Dwellings]], designed by African American architect [[Hilyard Robinson]], was the first public housing project in Washington D.C., and the second in the United States. Olney was commissioned to create a frieze depicting African American history from enslavement to the [[Great Migration (African American)|Great Migration following World War I]]. Another Olney sculpture, "Madonna and Children", is also located at Langston Terrace Dwellings.<ref>{{cite web|url=https://livingnewdeal.org/projects/langston-terrace-dwellings-olney-frieze-washington-dc/ | title=Langston Terrace Dwellings | website=The Living New Deal | accessdate=November 14, 2022}}</ref> Kelly Ann Quinn describes the importance of the Olney's work: "In five major figurative terra-cotta panels, Olney rendered a version of history that traced African Americans from slavery to freedom, through Reconstruction and the Great Migration. The frieze features themes of labor, family, leadership, and urbanization; the narrative arc of this ensemble suggests that progress is predicated on each of these elements".<ref>{{cite web|url=https://drum.lib.umd.edu/bitstream/handle/1903/7177/umi-umd-4557.pdf?sequence=1&isAllowed=y | title=Making Modern Homes: A History of Langston Terrace Dwellings, A New Deal Housing Program in Washington, D.C., p. 147 | website=Kelly Ann Quinn, Ph.D., The University of Maryland | accessdate=November 14, 2022}}</ref> |
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==References== |
==References== |
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[[Category:American sculptors]] |
[[Category:American sculptors]] |
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[[Category:Yale University alumni]] |
[[Category:Yale University alumni]] |
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[[Category: |
[[Category:Sculptors from New York City]] |
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[[Category:20th-century American sculptors]] |
[[Category:20th-century American sculptors]] |
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Latest revision as of 03:36, 2 December 2024
Daniel Gillette Olney | |
|---|---|
| Born | August 24, 1909 New York City, US |
| Died | July 2, 1980 (aged 70) Veracruz, Mexico |
| Education | Yale University Beaux Arts Institute of Design |
| Known for | Sculpture |
| Notable work | Langston Terrace Dwellings |
Daniel Gillette Olney (August 24, 1909 – July 2, 1980), was an American sculptor active in Washington, D.C., in the 1930s. A native of New York, he is primarily known for his bas-relief panels at the Langston Terrace Dwellings, one of only fourteen works on the list of artworks commemorating African Americans in Washington, D.C.
Early life and education
[edit]Olney was born in New York City, on August 24, 1909, the second son of George H. Olney and Amy Olney (née Gillette). Olney graduated from Yale University and attended the Beaux-Arts Institute of Design in New York.[1] During the Second World War, he was a lieutenant with the United States Coast Guard Reserve.[2]
Notable works
[edit]In addition to his works at the Langston Terrace Dwellings, Olney sculpted "Lady and Unicorn", in Dumbarton Oaks neighbourhood of Washington,[3] and a relief sculpture for the Berryville Post Office in Berryville, Arkansas.[4]
"The Progress of the Negro Race" and "Madonna and Children"
[edit]Langston Terrace Dwellings, designed by African American architect Hilyard Robinson, was the first public housing project in Washington D.C., and the second in the United States. Olney was commissioned to create a frieze depicting African American history from enslavement to the Great Migration following World War I. Another Olney sculpture, "Madonna and Children", is also located at Langston Terrace Dwellings.[5] Kelly Ann Quinn describes the importance of the Olney's work: "In five major figurative terra-cotta panels, Olney rendered a version of history that traced African Americans from slavery to freedom, through Reconstruction and the Great Migration. The frieze features themes of labor, family, leadership, and urbanization; the narrative arc of this ensemble suggests that progress is predicated on each of these elements".[6]
References
[edit]- ^ "Legacy Finding Aid for Manuscript and Photograph Collections". Historical Society of Washington, D.C., p. 13. Retrieved November 14, 2022.
- ^ "Veterans of Dresden". Dresden, NY in Washington County. Retrieved November 14, 2022.
- ^ "The story of a lady and her unicorn, a statue on the move at Dumbarton Oaks". The Washington Post. Retrieved November 14, 2022.
- ^ "Berryville Post Office". University of Central Arkansas. Retrieved November 14, 2022.
- ^ "Langston Terrace Dwellings". The Living New Deal. Retrieved November 14, 2022.
- ^ "Making Modern Homes: A History of Langston Terrace Dwellings, A New Deal Housing Program in Washington, D.C., p. 147" (PDF). Kelly Ann Quinn, Ph.D., The University of Maryland. Retrieved November 14, 2022.