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{{Unreferenced|date=December 2023}}
{{More citations needed|date=April 2024}}
{{Use dmy dates|date=February 2017}}
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{{Use Indian English|date=February 2017}}
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| music = [[Pendyala Nageswara Rao]]
| music = [[Pendyala Nageswara Rao]]
| studio = Kaumudi Art Pictures
| studio = Kaumudi Art Pictures
| released = {{Film date|df=y|1971|1|11}}<ref>https://indiancine.ma/ODC/info</ref>
| released = {{Film date|df=y|1971|1|11}}<ref>{{cite web | url=https://indiancine.ma/ODC/info | title=Sri Krishna Vijayamu (1971) }}</ref>
| runtime = 148 mins
| runtime = 148 mins
| country = India
| country = India
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==Plot==
==Plot==
The film begins with Lord Krishna sending his brother Satyaki as a mediator to Kalayavana with a gift of a vessel containing a snake, which indicates dealing with he is playing with a snake. Kalayavana sends it as a return gift to Krishna, where the snake has been killed by ants replying that a snake can be killed by ants. But when they open the vessel the snake is alive and Krishna warns them to be careful. Listening to it, Kalayavana is enraged when Sage Narada departs and notifies the whereabouts of Krishna. Kalayavana reaches there, and Krishna cleverly takes him into a cave and makes him kick a saint, Muchikunda. In anger, Muchikunda burns him into ashes with his vision. Knowing it, Mahodara the twin brother of Kalayavana burns for vengeance, but Narada says that it's not the right time and he requires finesse.
[[Krishna]] sends his cousin, [[Satyaki]], to the [[Yavana]] king [[Kalayavana]] with a gift of a vessel containing a snake, indicating that he is playing with a snake. In retaliation, Kalayavana sends his twin, Mahodara, with the same vessel, filled with ants, symbolizing that even ants can kill a snake. Shockingly, it is still alive when Krishna admonishes him. Then, [[Narada]] tells the demon of Krishna's whereabouts, resulting in a cat-and-mouse chase. Kalayavana ends up in a dark cave and kicks a sleeping man he believes to be Krishna. The man turns out to be the former warrior king [[Muchukunda]], whose gaze can reduce he who wakes him up to ashes, thus killing Kalayavana.


Later, on Krishna's birthday, his [[Ashtabharya|eight wives]] present eight gems, to which Narada claims it would be better with [[Navaratna|one more]], implying that Krishna marry again, which Krishna agrees with.
Hence Mahodora performs a huge penance for Lord Siva and acquires a boon that he will not die by any weapon used by others. Meanwhile, on the occasion of Krishna's birthday, his eight wives present eight gems when Narada stirs a quarrel by telling him that it would be more beautiful if it would be one more gem, as an intention that Krishna should have one more wife. Here Lord Krishna assures Narada that his wish will be fulfilled soon. Parallelly, Mahodara wins over the entire universe and creates a lot of atrocities. Hearing the miseries of the victims, Goddess Saraswathi asks Lord Brahma when will be the end to this anarchy and he replies that the time is imminent. Brahma creates a beautiful girl called Vasundhara with a ring, by which she will be a girl to women and a statue to men, except for her fiancé. After her marriage, if any other men try to remove the ring, it transforms into a weapon and kills him.


Meanwhile, Mahodara succeeds Kalayavana and seeks vengeance on Krishna. However, Narada bars him and proclaims that he requires finesse, influencing him to perform an immense penance and acquire a boon from [[Shiva]] that he cannot be injured by any weapon unleashed by another person. With this boon, he becomes almost invincible and wreaks havoc over the universe, molesting many women. Seeing this, [[Brahma]] creates the beautiful Vasundhara, who as long as she wears a specific ring, will appear as a statue to all men, except her soulmate. Plus, after her wedding, if one tries to remove the ring, it will transform into a weapon and kill them. Brahma entrusts Narada to be her father and manage her marriage.
After that, Brahma calls Narada and asks him to be her foster father. Once Mahodara sees Vasundhara and wants to possess her. Being aware of it, Narada takes Vasundhara to Dwaraka and asks Rukmini to safeguard her for a few days, when she is hesitating he tells her the secret of the ring and she agrees. At the same time, Krishna & Satyabhama return after defeating Narakasura. Sri Krishna can see Vasundhara because he is her fiancé, every day he silently meets Vasundhara and they love him mutually. Satyabhama senses it, becomes furious, and keeps Vasundhara in prison. Now Mahodara's ploy provokes Pundarika Vasudeva to keep Kuchela in his custody to eliminate Krishna. Krishna moves to his rescue and safeguards him by eliminating Pundarika Vasudeva. Exploiting it, Mahodara attacks Dwaraka and grabs Vasundhara when Krishna returns and learns about the situation. Eventually, Mahodara is making his marriage arrangements with Vasundhara. Krishna reaches there as a Brahmin cleverly marries Vasundhara and puts the ring back on her finger. Angered, Mahodara throws it away, which turns into a weapon and kills him because it is a weapon used by himself. Finally, Krishna reaches Dwaraka along with Vasundhara and the movie ends on a happy note.

After Mahodara attempts to pursue Vasundhara, Narada brings her to Dwaraka under [[Rukmini]]'s protection and reveals the ring's secret to Rukmini, assuring her that Vasundhara will not attract Krishna's attention. Ironically Krishna is Vasundhara's soulmate and discovers her secret when she drops her ring. Vasundhara falls in love at first sight, to the apprehension of Rukmini and [[Satyabhama]], influencing the latter to lock the ring onto Vasundhara's finger.

Meanwhile, Narada encourages Mahodara to get married and reveals to him that Vasundhara is in Dwaraka, encouraging his conflict with Krishna and desire for Vasundhara. Krishna disguises himself as an old Brahmin and tells Mahodara that he is the father of Vasundhara, who Krishna kidnaped after he proclaimed Mahodara to be his future son-in-law. Krishna continues to disguise himself as Vasundhara and later Kalayavana to instigate Mahodara.

In Dwaraka, Krishna lulls Satyabhama to sleep, steals the key, frees Vasundhara, and the two romance in the garden. Satyabhama wakes up to find the key gone and discovers the affair in the garden. Parallelly, Mahodara provokes [[Paundraka Vasudeva]], a king who believes himself to be the real Krishna, who then imprisons and tortures [[Kuchela]] and his family, who refuse to believe he is their lord. Krishna hears his friend's pleas and heads to Pundra to defeat Vasudeva.

The furious Satyabhama then imprisons Vasundhara, who also pleas for her lover's help. After being torn between the two, Krishna decides to go to Pundra and kills Vasudeva. Mahodara then attacks the defenseless Dwaraka and abducts Vasundhara. Krishna returns to Mahodara in the form of the Brahmin and enters Vasundhara's chambers revealing himself and his secret plan to save them.

On the wedding day, Krishna (as the Brahmin) acts frustrated at the clueless Mahodara, performing the [[Hindu wedding#Key rituals|wedding rituals]] as if frustratingly showing Mahodara. Finally, while Mahodara is distracted reciting a mantra, Krishna goes to his original form and ties the [[mangala sutra]] around Vasundhara's neck. Realizing the betrayal, Mahodara goes to attack Krishna, but is astonished when he places the ring on Vasundhara's finger, and she becomes a statue. Believing it to be some of Krishna's mischievous illusions, he takes the ring off and grabs Vasundhara. As foretold, the ring transforms into a large [[Sudarshana Chakra|chakra]] and heads towards Mahodara, who is unafraid until Krishna reminds him that by taking off the ring, he, not another person, has unleashed the weapon, thus undefeated by Shiva's boon. Mahodara escapes with Vasundhara in his [[vimana]], but is eventually beheaded while Vasundhara falls out and is caught by Krishna on the ground.

Krishna and Vasundhara return to Dwaraka where Narada reveals to Satyabhama, Rukmini, and Vasundhara that her creation and life was all a ploy to defeat and kill Mahodara, to the disappointment and confusion of Vasundhara. Krishna then reveals that although this was the plan, the two are linked eternally, as she is the [[avatar]] of [[Bhudevi]], born as Vasundhara to defeat Mahodara.


==Cast==
==Cast==
{{colbegin}}
{{colbegin}}
*[[N. T. Rama Rao]] as [[Lord Krishna]]
*[[N. T. Rama Rao]] as [[Lord Krishna]]
*[[Jayalalithaa]] as Vasundhara<ref>{{cite web|url=https://www.thehindu.com/news/cities/Hyderabad/Jayalalithaa%E2%80%99s-tryst-with-Telugu-films/article16765354.ece|title=Jayalalithaa's tryst with Telugu films|work=The Hindu|access-date=3 April 2024|archive-url=https://web.archive.org/web/20240403111040/https://www.thehindu.com/news/cities/Hyderabad/Jayalalithaa%E2%80%99s-tryst-with-Telugu-films/article16765354.ece|archive-date=3 April 2024}}</ref>
*[[Jayalalithaa]] as Vasundhara<ref>{{cite news|url=https://www.thehindu.com/news/cities/Hyderabad/Jayalalithaa%E2%80%99s-tryst-with-Telugu-films/article16765354.ece|title=Jayalalithaa's tryst with Telugu films|work=The Hindu|date=5 December 2016 |access-date=3 April 2024|archive-url=https://web.archive.org/web/20240403111040/https://www.thehindu.com/news/cities/Hyderabad/Jayalalithaa%E2%80%99s-tryst-with-Telugu-films/article16765354.ece|archive-date=3 April 2024 |last1=Krishnamoorthy |first1=Suresh }}</ref>
*[[S. V. Ranga Rao]] as Mahodara & [[Kalayavana]] (dual role)
*[[S. V. Ranga Rao]] as Mahodara & [[Kalayavana]] (dual role)
*[[Kanta Rao]] as [[Narada|Narada Maharshi]]
*[[Kanta Rao]] as [[Narada|Narada Maharshi]]
Line 49: Line 61:
*[[Jamuna (actress)|Jamuna]] as [[Satyabhama]]<ref>{{cite web|work=The Hindu|url=https://www.thehindu.com/news/national/tamil-nadu/First-among-equals/article16767750.ece|title=First among equals|date=6 December 2016|archive-url=https://web.archive.org/web/20240403111713/https://www.thehindu.com/news/national/tamil-nadu/First-among-equals/article16767750.ece|archive-date=3 April 2024}}</ref>
*[[Jamuna (actress)|Jamuna]] as [[Satyabhama]]<ref>{{cite web|work=The Hindu|url=https://www.thehindu.com/news/national/tamil-nadu/First-among-equals/article16767750.ece|title=First among equals|date=6 December 2016|archive-url=https://web.archive.org/web/20240403111713/https://www.thehindu.com/news/national/tamil-nadu/First-among-equals/article16767750.ece|archive-date=3 April 2024}}</ref>
*[[Devika]] as [[Rukmini]]
*[[Devika]] as [[Rukmini]]
*[[Hema Malini]] as [[Rambha (apsara)|Rambha]]<ref>https://web.archive.org/web/20240403112257/https://www.thehindu.com/news/cities/Hyderabad/anr-national-award-for-hema-malini/article2704616.ece</ref>
*[[Hema Malini]] as [[Rambha (apsara)|Rambha]]<ref>{{cite news | url=https://www.thehindu.com/news/cities/Hyderabad/anr-national-award-for-hema-malini/article2704616.ece | archive-url=https://web.archive.org/web/20240403112257/https://www.thehindu.com/news/cities/Hyderabad/anr-national-award-for-hema-malini/article2704616.ece | archive-date=3 April 2024 | title=ANR National Award for Hema Malini | newspaper=The Hindu | date=10 December 2011 }}</ref>
*[[Rama Prabha]] as [[Saraswati|Goddess Saraswati]]
*[[Rama Prabha]] as [[Saraswati|Goddess Saraswati]]
*Sandhya Rani as [[Lakshmana (Krishna's wife)|Lakshana]]
*Sandhya Rani as [[Lakshmana (Krishna's wife)|Lakshana]]
Line 56: Line 68:
*Jayasri as [[Jambavati]]
*Jayasri as [[Jambavati]]
{{colend}}
{{colend}}

==Production==
Though the film was primarily in black-and-white, few scenes were filmed in colour too. This was Ramarao's 210th film as an actor. The film's art director Madhavapeddi Gokhale made a sketch of "each and every set prior to execution". He put in similar background work for all jewelry and costumes too, matching them to the character being portrayed by the person who wears them. Hema Malini initially refused to act in this film as she was busy with Hindi films, but agreed after seeing the sketches of her character and listening to the song. She decided to spare five sundays for the song due to her busy schedule and did it within a month's time.<ref>{{cite web |date=4 October 2006 |title=Articles: Movie Retrospect: Sreekrishna Vijayam (1971) |url=http://www.telugucinema.com/tc/movies/retro_SreekRshNavijayam.php |archive-url=https://web.archive.org/web/20070104004713/http://www.telugucinema.com/tc/movies/retro_SreekRshNavijayam.php |archive-date=4 January 2007 |access-date=22 May 2024 |work=[[Telugucinema.com]]}}</ref>


==Soundtrack==
==Soundtrack==
Music composed by [[Pendyala Nageswara Rao]].<ref>{{cite web | url=https://music.apple.com/co/album/sri-krishna-vijayamu-original-motion-picture-soundtrack/1360863621?l=en-GB | title=Sri Krishna Vijayamu (Original Motion Picture Soundtrack) by Pendyala on Apple Music }}</ref> The song "Joharu Sikhi Pincha Mouli" is based on Athana raga.<ref>{{cite web|url=https://www.thehindu.com/entertainment/the-hindu-friday-review-hyderabad-books-ragalu-cine-geetalu-dr-kodati-sambaiah-carnatic-ragas-in-telugu-films/article26553378.ece|archive-url=https://web.archive.org/web/20240403103423/https://www.thehindu.com/entertainment/the-hindu-friday-review-hyderabad-books-ragalu-cine-geetalu-dr-kodati-sambaiah-carnatic-ragas-in-telugu-films/article26553378.ece|archive-date=3 April 2024|access-date=3 April 2024|date=16 March 2019|work=[[The Hindu]]|title=Ragalu, Cine Geetalu: Confluence of two genres|last=Chandaraju|first=Aruna}}</ref>
{{Infobox album
| name = Sri Krishna Vijayamu
| type = film
| artist = [[Pendyala Nageswara Rao]]
| cover =
| alt =
| released = 1971
| recorded =
| venue =
| studio =
| genre = Soundtrack
| length = 31:15
| label =
| producer = [[Pendyala Nageswara Rao]]
| prev_title = Pelli Sambandham
| prev_year = 1970
| next_title = [[Sri Krishna Satya]]
| next_year = 1971
}}

Music composed by [[Pendyala Nageswara Rao]].<ref>https://music.apple.com/co/album/sri-krishna-vijayamu-original-motion-picture-soundtrack/1360863621?l=en-GB</ref> The song "Joharu Sikhi Pincha Mouli" is based on Athana raga.<ref>{{cite web|url=https://www.thehindu.com/entertainment/the-hindu-friday-review-hyderabad-books-ragalu-cine-geetalu-dr-kodati-sambaiah-carnatic-ragas-in-telugu-films/article26553378.ece|archive-url=https://web.archive.org/web/20240403103423/https://www.thehindu.com/entertainment/the-hindu-friday-review-hyderabad-books-ragalu-cine-geetalu-dr-kodati-sambaiah-carnatic-ragas-in-telugu-films/article26553378.ece|archive-date=3 April 2024|access-date=3 April 2024|date=16 March 2019|work=[[The Hindu]]|title=Ragalu, Cine Geetalu: Confluence of two genres|last=Chandaraju|first=Aruna}}</ref>
{|class="wikitable"
{|class="wikitable"
|-
|-
!S. No.!!Song Title !!Lyrics !!Singers !!length
!Song Title !!Lyrics !!Singers !!length
|-
|-
|1
|"Jayaho Nava Neela Megha Shyama"
|"Jayaho Nava Neela Megha Shyama"
|[[Dasaradhi Krishnamacharyulu|Dasaradhi]]
|[[Dasaradhi Krishnamacharyulu|Dasaradhi]]
Line 89: Line 83:
|4:00
|4:00
|-
|-
|2
|"Joharu"
|"Joharu"
|C. Narayana Reddy
|C. Narayana Reddy
Line 95: Line 88:
|5:28
|5:28
|-
|-
|3
|"Haayi Haayi"
|"Haayi Haayi"
|[[Pingali Nagendra Rao]]
|[[Pingali Nagendra Rao]]
Line 101: Line 93:
|4:45
|4:45
|-
|-
|4
|"Aadinchi Jananu"
|"Aadinchi Jananu"
|Pingali Nagendra Rao
|Pingali Nagendra Rao
Line 107: Line 98:
|2:53
|2:53
|-
|-
|5
|"Je Jela Talliki"
|"Je Jela Talliki"
|Kondamacharya
|Kondamacharya
Line 113: Line 103:
|4:27
|4:27
|-
|-
|6
|"Pillana Grovi Pilupu"
|"Pillana Grovi Pilupu"
|[[C. Narayana Reddy]]
|[[C. Narayana Reddy]]
Line 119: Line 108:
|5:22
|5:22
|-
|-
|7
|"Krishna Premamaya"
|"Krishna Premamaya"
|[[Acharya Aatreya]]
|[[Acharya Aatreya]]
Line 138: Line 126:
[[Category:Hindu mythological films]]
[[Category:Hindu mythological films]]
[[Category:Films directed by Kamalakara Kameswara Rao]]
[[Category:Films directed by Kamalakara Kameswara Rao]]
[[Category:Films scored by Pendyala Nageswara Rao]]
[[Category:Films scored by Pendyala (composer)]]
[[Category:Films about Krishna]]
[[Category:Films about Krishna]]
[[Category:Films based on the Bhagavata Purana]]
[[Category:Films based on the Bhagavata Purana]]
[[Category:Films partially in color]]

Latest revision as of 09:31, 2 December 2024

Sri Krishna Vijayamu
Theatrical release poster
Directed byKamalakara Kameswara Rao
Written byPingali Nagendra Rao (dialogues)
Screenplay byM. S. Reddy
Story byM. S. Reddy
Produced byM. S. Reddy
StarringN. T. Rama Rao
Jayalalithaa
CinematographyEllappa
Edited byB. Gopala Rao
Music byPendyala Nageswara Rao
Production
company
Kaumudi Art Pictures
Release date
  • 11 January 1971 (1971-01-11)
[1]
Running time
148 mins
CountryIndia
LanguageTelugu

Sri Krishna Vijayamu (transl. Victory of Lord Krishna) is a 1971 Indian Telugu-language Hindu mythological film produced by M. S. Reddy under the Kaumudi Art Pictures banner and directed by Kamalakara Kameswara Rao. It stars N. T. Rama Rao and Jayalalithaa, with music composed by Pendyala Nageswara Rao. The film was recorded as a flop at the box office. It was dubbed into Hindi as Hare Krishna in 1974.[2]

Plot

[edit]

Krishna sends his cousin, Satyaki, to the Yavana king Kalayavana with a gift of a vessel containing a snake, indicating that he is playing with a snake. In retaliation, Kalayavana sends his twin, Mahodara, with the same vessel, filled with ants, symbolizing that even ants can kill a snake. Shockingly, it is still alive when Krishna admonishes him. Then, Narada tells the demon of Krishna's whereabouts, resulting in a cat-and-mouse chase. Kalayavana ends up in a dark cave and kicks a sleeping man he believes to be Krishna. The man turns out to be the former warrior king Muchukunda, whose gaze can reduce he who wakes him up to ashes, thus killing Kalayavana.

Later, on Krishna's birthday, his eight wives present eight gems, to which Narada claims it would be better with one more, implying that Krishna marry again, which Krishna agrees with.

Meanwhile, Mahodara succeeds Kalayavana and seeks vengeance on Krishna. However, Narada bars him and proclaims that he requires finesse, influencing him to perform an immense penance and acquire a boon from Shiva that he cannot be injured by any weapon unleashed by another person. With this boon, he becomes almost invincible and wreaks havoc over the universe, molesting many women. Seeing this, Brahma creates the beautiful Vasundhara, who as long as she wears a specific ring, will appear as a statue to all men, except her soulmate. Plus, after her wedding, if one tries to remove the ring, it will transform into a weapon and kill them. Brahma entrusts Narada to be her father and manage her marriage.

After Mahodara attempts to pursue Vasundhara, Narada brings her to Dwaraka under Rukmini's protection and reveals the ring's secret to Rukmini, assuring her that Vasundhara will not attract Krishna's attention. Ironically Krishna is Vasundhara's soulmate and discovers her secret when she drops her ring. Vasundhara falls in love at first sight, to the apprehension of Rukmini and Satyabhama, influencing the latter to lock the ring onto Vasundhara's finger.

Meanwhile, Narada encourages Mahodara to get married and reveals to him that Vasundhara is in Dwaraka, encouraging his conflict with Krishna and desire for Vasundhara. Krishna disguises himself as an old Brahmin and tells Mahodara that he is the father of Vasundhara, who Krishna kidnaped after he proclaimed Mahodara to be his future son-in-law. Krishna continues to disguise himself as Vasundhara and later Kalayavana to instigate Mahodara.

In Dwaraka, Krishna lulls Satyabhama to sleep, steals the key, frees Vasundhara, and the two romance in the garden. Satyabhama wakes up to find the key gone and discovers the affair in the garden. Parallelly, Mahodara provokes Paundraka Vasudeva, a king who believes himself to be the real Krishna, who then imprisons and tortures Kuchela and his family, who refuse to believe he is their lord. Krishna hears his friend's pleas and heads to Pundra to defeat Vasudeva.

The furious Satyabhama then imprisons Vasundhara, who also pleas for her lover's help. After being torn between the two, Krishna decides to go to Pundra and kills Vasudeva. Mahodara then attacks the defenseless Dwaraka and abducts Vasundhara. Krishna returns to Mahodara in the form of the Brahmin and enters Vasundhara's chambers revealing himself and his secret plan to save them.

On the wedding day, Krishna (as the Brahmin) acts frustrated at the clueless Mahodara, performing the wedding rituals as if frustratingly showing Mahodara. Finally, while Mahodara is distracted reciting a mantra, Krishna goes to his original form and ties the mangala sutra around Vasundhara's neck. Realizing the betrayal, Mahodara goes to attack Krishna, but is astonished when he places the ring on Vasundhara's finger, and she becomes a statue. Believing it to be some of Krishna's mischievous illusions, he takes the ring off and grabs Vasundhara. As foretold, the ring transforms into a large chakra and heads towards Mahodara, who is unafraid until Krishna reminds him that by taking off the ring, he, not another person, has unleashed the weapon, thus undefeated by Shiva's boon. Mahodara escapes with Vasundhara in his vimana, but is eventually beheaded while Vasundhara falls out and is caught by Krishna on the ground.

Krishna and Vasundhara return to Dwaraka where Narada reveals to Satyabhama, Rukmini, and Vasundhara that her creation and life was all a ploy to defeat and kill Mahodara, to the disappointment and confusion of Vasundhara. Krishna then reveals that although this was the plan, the two are linked eternally, as she is the avatar of Bhudevi, born as Vasundhara to defeat Mahodara.

Cast

[edit]

Production

[edit]

Though the film was primarily in black-and-white, few scenes were filmed in colour too. This was Ramarao's 210th film as an actor. The film's art director Madhavapeddi Gokhale made a sketch of "each and every set prior to execution". He put in similar background work for all jewelry and costumes too, matching them to the character being portrayed by the person who wears them. Hema Malini initially refused to act in this film as she was busy with Hindi films, but agreed after seeing the sketches of her character and listening to the song. She decided to spare five sundays for the song due to her busy schedule and did it within a month's time.[6]

Soundtrack

[edit]

Music composed by Pendyala Nageswara Rao.[7] The song "Joharu Sikhi Pincha Mouli" is based on Athana raga.[8]

Song Title Lyrics Singers length
"Jayaho Nava Neela Megha Shyama" Dasaradhi Ghantasala 4:00
"Joharu" C. Narayana Reddy P. Susheela 5:28
"Haayi Haayi" Pingali Nagendra Rao P. Susheela 4:45
"Aadinchi Jananu" Pingali Nagendra Rao P. Susheela 2:53
"Je Jela Talliki" Kondamacharya P. Susheela, S. Janaki 4:27
"Pillana Grovi Pilupu" C. Narayana Reddy Ghantasala, P. Susheela 5:22
"Krishna Premamaya" Acharya Aatreya Ghantasala, P. Susheela 4:20

References

[edit]
  1. ^ "Sri Krishna Vijayamu (1971)".
  2. ^ Joshi, Namrata (7 December 2016). "Jayalalithaa's fleeting Hindi cinema connect". The Hindu. Archived from the original on 20 December 2017. Retrieved 11 February 2018.
  3. ^ Krishnamoorthy, Suresh (5 December 2016). "Jayalalithaa's tryst with Telugu films". The Hindu. Archived from the original on 3 April 2024. Retrieved 3 April 2024.
  4. ^ "First among equals". The Hindu. 6 December 2016. Archived from the original on 3 April 2024.
  5. ^ "ANR National Award for Hema Malini". The Hindu. 10 December 2011. Archived from the original on 3 April 2024.
  6. ^ "Articles: Movie Retrospect: Sreekrishna Vijayam (1971)". Telugucinema.com. 4 October 2006. Archived from the original on 4 January 2007. Retrieved 22 May 2024.
  7. ^ "Sri Krishna Vijayamu (Original Motion Picture Soundtrack) by Pendyala on Apple Music".
  8. ^ Chandaraju, Aruna (16 March 2019). "Ragalu, Cine Geetalu: Confluence of two genres". The Hindu. Archived from the original on 3 April 2024. Retrieved 3 April 2024.
[edit]