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{{Short description|German composer and conductor}}
{{about||the East German politician|Siegfried Wagner (politician)|the Danish sculptor|Siegfried Wagner (sculptor)}}
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[[File:Siegfried Wagner (composer).jpg|thumb|Siegfried Wagner]]
[[File:Siegfried Wagner (composer).jpg|thumb|Siegfried Wagner]]
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[[File:Portrait Siegfried Wagner 1896.jpg|thumb|left|upright|Siegfried Wagner in 1896]]
[[File:Portrait Siegfried Wagner 1896.jpg|thumb|left|upright|Siegfried Wagner in 1896]]
Some youthful compositions date from about 1882. After he completed his secondary education in 1889, he studied with Wagner's pupil [[Engelbert Humperdinck (composer)|Engelbert Humperdinck]], but was more strongly drawn to a career as an architect and studied architecture in Berlin and [[Karlsruhe]].
Some youthful compositions date from about 1882. After he completed his secondary education in 1889, he studied with Wagner's assistant [[Engelbert Humperdinck (composer)|Engelbert Humperdinck]], but was more strongly drawn to a career as an architect and studied architecture in Berlin and [[Karlsruhe]].


In 1892 he undertook a trip to Asia with a friend, the English composer [[Clement Harris]]. During the voyage he decided to abandon architecture and commit himself to music. Reputedly, it was also Harris who first aroused his [[homoerotic]] impulses.<ref>[[Jonathan Carr]], ''The Wagner Clan'', Faber and Faber, 2007, pp. 111–130.</ref> While on board, he sketched his first official work, the symphonic poem ''Sehnsucht'', inspired by the poem of the same name by [[Friedrich Schiller]]. This piece was not completed until just before the concert in which Wagner conducted it in London on 6 June 1895.<ref name="ReferenceA">Peter P. Pachl, booklet notes to [[Classic Produktion Osnabrück|cpo]] 999 366-2.</ref> Though his works are numerous, none entered the standard repertory.
In 1892 he undertook a trip to Asia with a friend, the English composer [[Clement Harris]]. During the voyage he decided to abandon architecture and commit himself to music. Reputedly, it was also Harris who first aroused his [[homoerotic]] impulses.<ref>[[Jonathan Carr (writer)|Jonathan Carr]], ''The Wagner Clan'', Faber and Faber, 2007, pp. 111–130.</ref> While on board, he sketched his first official work, the [[symphonic poem]] ''Sehnsucht'', inspired by the poem of the same name by [[Friedrich Schiller]]. This piece was not completed until just before the concert in which Wagner conducted it in London on 6 June 1895.<ref name="ReferenceA">Peter P. Pachl, booklet notes to [[Classic Produktion Osnabrück|cpo]] 999 366-2.</ref> Though his works are numerous, none entered the standard repertory.


He made his conducting debut as an assistant conductor at Bayreuth in 1894; in 1896 he became associate conductor, sharing responsibility for conducting the ''[[Ring Cycle]]'' with [[Felix Mottl]] and [[Hans Richter (conductor)|Hans Richter]], who had conducted its premiere 20 years earlier. In 1908 he took over as Artistic Director of the Bayreuth Festival in succession to his mother, Cosima.
He made his conducting debut as an assistant conductor at Bayreuth in 1894; in 1896 he became associate conductor, sharing responsibility for conducting the ''[[Ring Cycle]]'' with [[Felix Mottl]] and [[Hans Richter (conductor)|Hans Richter]], who had conducted its premiere 20 years earlier. In 1908 he took over as artistic director of the Bayreuth Festival in succession to his mother, Cosima.


Wagner was [[bisexual]].<ref>Jonathan Keates, "[https://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/10/04/bocar130.xml Review of ''The Wagner Clan'' by Jonathan Carr]", ''Daily Telegraph''.</ref> For years, his mother urged him to marry and provide the Wagner dynasty with heirs, but he fought off her increasingly desperate urgings.
Wagner was [[bisexual]].<ref>Jonathan Keates, "[https://www.telegraph.co.uk/culture/books/non_fictionreviews/3668306/Wagners-most-fascinating-work-was-his-family.html Review of ''The Wagner Clan'' by Jonathan Carr]", ''Daily Telegraph''.</ref> For years, his mother urged him to marry and provide the Wagner dynasty with heirs, but he fought off her increasingly desperate urgings.


Around 1913, pressure on him increased due to the [[Harden–Eulenburg affair]] (1907–1909), in which the journalist [[Maximilian Harden]] accused several public figures, most notably [[Philipp, Prince of Eulenburg-Hertefeld]], a friend of [[Kaiser Wilhelm II]], of [[homosexuality]]. In this climate, the family found it suitable to arrange a marriage with a 17-year-old Englishwoman, [[Winifred Wagner|Winifred Klindworth]], and at the Bayreuth Festival of 1914 she was introduced to the then-45-year-old Wagner. The two married on 22 September 1915.<ref name="Hamann">[[Brigitte Hamann]]. ''Winifred Wagner: A Life at the Heart of Hitler's Bayreuth''. Harcourt, Orlando, Florida (2005).{{Page needed|date=July 2020}}</ref>
Around 1913, pressure on him increased due to the [[Harden–Eulenburg affair]] (1907–1909), in which the journalist [[Maximilian Harden]] accused several public figures, most notably [[Philipp, Prince of Eulenburg]], a friend of [[Kaiser Wilhelm II]], of [[homosexuality]]. In this climate, the family found it suitable to arrange a marriage with a 17-year-old Englishwoman, [[Winifred Wagner|Winifred Klindworth]], and at the Bayreuth Festival of 1914 she was introduced to the then-45-year-old Wagner. The two married on 22 September 1915.<ref name="Hamann">[[Brigitte Hamann]]. ''Winifred Wagner: A Life at the Heart of Hitler's Bayreuth''. Harcourt, Orlando, Florida (2005).{{Page needed|date=July 2020}}</ref>


The couple had four children:
The couple had four children:
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# [[Wolfgang Wagner|Wolfgang]] (1919–2010)
# [[Wolfgang Wagner|Wolfgang]] (1919–2010)
# [[Verena Wagner|Verena]] (1920–2019)
# [[Verena Wagner|Verena]] (1920–2019)
[[File:Cosima and Siegfried Wagner Fel 090656-RE.tiff|thumb|Cosima and Siegfried Wagner, c. 1929]]
[[File:Cosima and Siegfried Wagner Fel 090656-RE.tiff|thumb|Cosima and Siegfried Wagner, {{circa|1929}}]]
Though the marriage provided for the dynastic succession, the hope that it would also bring an end to his homosexual encounters and the associated costly scandals was disappointed, as Wagner remained sexually active with other men.<ref name=nytimes>[[Geoffrey Wheatcroft]]. [https://www.nytimes.com/2007/03/11/books/review/Wheatcroft.t.html?ex=1184299200&en=9fa3d5e9b37fe9cc&ei=5070 "A Widow's Might"], ''[[The New York Times]]'', 11 March 2007.</ref>
Though the marriage provided for the dynastic succession, the hope that it would also bring an end to his homosexual encounters and the associated costly scandals was disappointed, as Wagner remained sexually active with other men.<ref name=nytimes>[[Geoffrey Wheatcroft]]. [https://www.nytimes.com/2007/03/11/books/review/Wheatcroft.t.html?ex=1184299200&en=9fa3d5e9b37fe9cc&ei=5070 "A Widow's Might"], ''[[The New York Times]]'', 11 March 2007.</ref>


{{ill|Peter P. Pachl|de}}, one of Siegfried's biographers, asserted that Siegfried had sired an illegitimate son, Walter Aign (1901–1977); several recent authors, such as Frederic Spotts and [[Brigitte Hamann]], have taken it up.<ref name="Hamann"/><ref>{{cite journal|jstor=823643|title=Review: Frederic Spotts: ''Bayreuth: A History of the Wagner Festival''|first=Stephen|last= McClatchie|journal=Cambridge Opera Journal|volume=7|number=3|date=November 1995|pages=277–284}}</ref>
{{ill|Peter P. Pachl|de}}, one of Siegfried's biographers, asserted that Siegfried had sired an illegitimate son, Walter Aign (1901–1977); several recent authors, such as Frederic Spotts and [[Brigitte Hamann]], have taken it up.<ref name="Hamann"/><ref>{{cite journal|jstor=823643|title=Review: Frederic Spotts: ''Bayreuth: A History of the Wagner Festival''|first=Stephen|last= McClatchie|journal=Cambridge Opera Journal|volume=7|number=3|date=November 1995|pages=277–284}}</ref>


Wagner died in [[Bayreuth]] in 1930, having outlived his mother by only four months. Since his two sons were still only adolescents, he was succeeded at the helm of the Bayreuth Festival by his widow Winifred.
Wagner died in [[Bayreuth]] in 1930 aged 61, having outlived his mother by only four months. Since his two sons were still only adolescents, he was succeeded at the helm of the Bayreuth Festival by his widow Winifred.


==Works==
==Works==
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===Orchestral works===
===Orchestral works===
* March for ''Gottfried der Spielmann'' (c. 1882)<ref name="ReferenceA"/>
* March for ''Gottfried der Spielmann'' ({{circa|1882}})<ref name="ReferenceA"/>
* Orchestration of ''Ekloge'' from Liszt's ''Années de Pèlerinage'' (1890)
* Orchestration of ''Ekloge'' from Liszt's ''Années de Pèlerinage'' (1890)
* ''Sehnsucht'', symphonic poem after Schiller (1892–5)
* ''Sehnsucht'', symphonic poem after Schiller (1892–1895)
* Concertino for flute and small orchestra (1913)
* Concertino for flute and small orchestra (1913)
* Violin Concerto (1915)
* Violin Concerto (1915)
* ''Und wenn die Welt voll Teufel wär'', scherzo for orchestra (1922)
* ''Und wenn die Welt voll Teufel wär'', scherzo for orchestra (1922)
* ''Glück'', symphonic poem (1922–23) [dedicated to the memory of Clement Harris]
* ''Glück'', symphonic poem (1922–23) [dedicated to the memory of Clement Harris]
* Symphony in C major (1925, rev. 1927). (First version used the Prelude to ''Der Friedensengel'' as the slow movement, whereas a new movement was composed for the revised version. The scherzo is based on the sketches for an unfinished orchestral tone-poem, ''Hans im Glück''<ref>Peter P. Pachl, notes to Classic Produktion Osnabrück cpo 999 531-2</ref>)
* Symphony in C major (1925, rev. 1927). (First version used the Prelude to ''Der Friedensengel'' as the slow movement, whereas a new movement was composed for the revised version. The scherzo is based on the sketches for an unfinished orchestral tone poem, ''Hans im Glück''<ref>Peter P. Pachl, notes to Classic Produktion Osnabrück cpo 999 531-2</ref>)


=== Vocal music ===
=== Vocal music ===
* 1890 ''Abend auf dem Meere'', for soprano and piano – text: Henry Thode
* 1890 "Abend auf dem Meere", for soprano and piano – text: Henry Thode
* 1890 ''Frühlingsglaube'', for soprano and piano – text: [[Ludwig Uhland]]
* 1890 "Frühlingsglaube", for soprano and piano – text: [[Ludwig Uhland]]
* 1890 ''Abend am Meer'' – text: [[Alfred Meissner]]
* 1890 "Abend am Meer" – text: [[Alfred Meissner]]
* 1897 ''Schäfer und Schäferin''
* 1897 "Schäfer und Schäferin"
* 1913 ''Das Märchen vom dicken fetten Pfannekuchen'', for solo voice and orchestra
* 1913 "Das Märchen vom dicken fetten Pfannekuchen", for solo voice and orchestra
* 1918 ''Wahnfried-Idyll''
* 1918 "Wahnfried-Idyll"
* 1919 ''Nacht am [[Lake Narach|Narocz]]'', for tenor and piano – text: Günther Holstein
* 1919 "Nacht am [[Lake Narach|Narocz]]", for tenor and piano – text: Günther Holstein
* 1922 ''Ein Hochzeitslied für unseren Erich und seine liebe "Dusi"''
* 1922 "Ein Hochzeitslied für unseren Erich und seine liebe 'Dusi{{'"}}
* 1927 ''Dryadenlied''
* 1927 "Dryadenlied"
* 1927 ''Weihnacht''
* 1927 "Weihnacht"
* ''Frühlingsblick'' – text: [[Nikolaus Lenau]]
* "Frühlingsblick" – text: [[Nikolaus Lenau]]
* ''Frühlingstod'' – text: Nikolaus Lenau
* "Frühlingstod" – text: Nikolaus Lenau


==See also==
==See also==
* [[Wagner family]]
* [[Wagner family]]


== Notes==
== References ==
{{reflist}}
{{reflist}}


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{{Authority control}}
{{Authority control}}

{{DEFAULTSORT:Wagner, Siegfried}}
{{DEFAULTSORT:Wagner, Siegfried}}
[[Category:1869 births]]
[[Category:1869 births]]
[[Category:1930 deaths]]
[[Category:1930 deaths]]
[[Category:19th-century classical composers]]
[[Category:19th-century German classical composers]]
[[Category:19th-century German composers]]
[[Category:19th-century German male musicians]]
[[Category:19th-century male musicians]]
[[Category:20th-century German classical composers]]
[[Category:20th-century classical composers]]
[[Category:20th-century German male musicians]]
[[Category:20th-century German composers]]
[[Category:Bisexual male musicians]]
[[Category:20th-century male musicians]]
[[Category:Bisexual composers]]
[[Category:Bisexual men]]
[[Category:Bisexual musicians]]
[[Category:German classical composers]]
[[Category:German male classical composers]]
[[Category:German opera composers]]
[[Category:German opera composers]]
[[Category:German Romantic composers]]
[[Category:German Romantic composers]]
[[Category:LGBT classical musicians]]
[[Category:German people of French descent]]
[[Category:LGBT composers]]
[[Category:German people of Hungarian descent]]
[[Category:LGBT musicians from Germany]]
[[Category:LGBTQ classical composers]]
[[Category:Male opera composers]]
[[Category:LGBTQ conductors (music)]]
[[Category:German bisexual men]]
[[Category:German bisexual musicians]]
[[Category:German LGBTQ composers]]
[[Category:German male opera composers]]
[[Category:Pupils of Engelbert Humperdinck]]
[[Category:Pupils of Engelbert Humperdinck]]
[[Category:Wagner family|Siegfried]]
[[Category:Wagner family|Siegfried]]

Latest revision as of 16:31, 2 December 2024

Siegfried Wagner

Siegfried Helferich Richard Wagner (6 June 1869 – 4 August 1930) was a German composer and conductor, the son of Richard Wagner. He was an opera composer and the artistic director of the Bayreuth Festival from 1908 to 1930.

Life

[edit]

Siegfried Wagner was born in 1869 to Richard Wagner and his future wife Cosima (née Liszt), at Tribschen on Lake Lucerne in Switzerland. Through his mother, he was a grandson of Franz Liszt, from whom he received some instruction in harmony.

Siegfried Wagner in 1896

Some youthful compositions date from about 1882. After he completed his secondary education in 1889, he studied with Wagner's assistant Engelbert Humperdinck, but was more strongly drawn to a career as an architect and studied architecture in Berlin and Karlsruhe.

In 1892 he undertook a trip to Asia with a friend, the English composer Clement Harris. During the voyage he decided to abandon architecture and commit himself to music. Reputedly, it was also Harris who first aroused his homoerotic impulses.[1] While on board, he sketched his first official work, the symphonic poem Sehnsucht, inspired by the poem of the same name by Friedrich Schiller. This piece was not completed until just before the concert in which Wagner conducted it in London on 6 June 1895.[2] Though his works are numerous, none entered the standard repertory.

He made his conducting debut as an assistant conductor at Bayreuth in 1894; in 1896 he became associate conductor, sharing responsibility for conducting the Ring Cycle with Felix Mottl and Hans Richter, who had conducted its premiere 20 years earlier. In 1908 he took over as artistic director of the Bayreuth Festival in succession to his mother, Cosima.

Wagner was bisexual.[3] For years, his mother urged him to marry and provide the Wagner dynasty with heirs, but he fought off her increasingly desperate urgings.

Around 1913, pressure on him increased due to the Harden–Eulenburg affair (1907–1909), in which the journalist Maximilian Harden accused several public figures, most notably Philipp, Prince of Eulenburg, a friend of Kaiser Wilhelm II, of homosexuality. In this climate, the family found it suitable to arrange a marriage with a 17-year-old Englishwoman, Winifred Klindworth, and at the Bayreuth Festival of 1914 she was introduced to the then-45-year-old Wagner. The two married on 22 September 1915.[4]

The couple had four children:

  1. Wieland (1917–1966)
  2. Friedelind (1918–1991)
  3. Wolfgang (1919–2010)
  4. Verena (1920–2019)
Cosima and Siegfried Wagner, c. 1929

Though the marriage provided for the dynastic succession, the hope that it would also bring an end to his homosexual encounters and the associated costly scandals was disappointed, as Wagner remained sexually active with other men.[5]

Peter P. Pachl [de], one of Siegfried's biographers, asserted that Siegfried had sired an illegitimate son, Walter Aign (1901–1977); several recent authors, such as Frederic Spotts and Brigitte Hamann, have taken it up.[4][6]

Wagner died in Bayreuth in 1930 aged 61, having outlived his mother by only four months. Since his two sons were still only adolescents, he was succeeded at the helm of the Bayreuth Festival by his widow Winifred.

Works

[edit]

Operas

[edit]

See List of operas by Siegfried Wagner

Orchestral works

[edit]
  • March for Gottfried der Spielmann (c. 1882)[2]
  • Orchestration of Ekloge from Liszt's Années de Pèlerinage (1890)
  • Sehnsucht, symphonic poem after Schiller (1892–1895)
  • Concertino for flute and small orchestra (1913)
  • Violin Concerto (1915)
  • Und wenn die Welt voll Teufel wär, scherzo for orchestra (1922)
  • Glück, symphonic poem (1922–23) [dedicated to the memory of Clement Harris]
  • Symphony in C major (1925, rev. 1927). (First version used the Prelude to Der Friedensengel as the slow movement, whereas a new movement was composed for the revised version. The scherzo is based on the sketches for an unfinished orchestral tone poem, Hans im Glück[7])

Vocal music

[edit]
  • 1890 "Abend auf dem Meere", for soprano and piano – text: Henry Thode
  • 1890 "Frühlingsglaube", for soprano and piano – text: Ludwig Uhland
  • 1890 "Abend am Meer" – text: Alfred Meissner
  • 1897 "Schäfer und Schäferin"
  • 1913 "Das Märchen vom dicken fetten Pfannekuchen", for solo voice and orchestra
  • 1918 "Wahnfried-Idyll"
  • 1919 "Nacht am Narocz", for tenor and piano – text: Günther Holstein
  • 1922 "Ein Hochzeitslied für unseren Erich und seine liebe 'Dusi'"
  • 1927 "Dryadenlied"
  • 1927 "Weihnacht"
  • "Frühlingsblick" – text: Nikolaus Lenau
  • "Frühlingstod" – text: Nikolaus Lenau

See also

[edit]

References

[edit]
  1. ^ Jonathan Carr, The Wagner Clan, Faber and Faber, 2007, pp. 111–130.
  2. ^ a b Peter P. Pachl, booklet notes to cpo 999 366-2.
  3. ^ Jonathan Keates, "Review of The Wagner Clan by Jonathan Carr", Daily Telegraph.
  4. ^ a b Brigitte Hamann. Winifred Wagner: A Life at the Heart of Hitler's Bayreuth. Harcourt, Orlando, Florida (2005).[page needed]
  5. ^ Geoffrey Wheatcroft. "A Widow's Might", The New York Times, 11 March 2007.
  6. ^ McClatchie, Stephen (November 1995). "Review: Frederic Spotts: Bayreuth: A History of the Wagner Festival". Cambridge Opera Journal. 7 (3): 277–284. JSTOR 823643.
  7. ^ Peter P. Pachl, notes to Classic Produktion Osnabrück cpo 999 531-2
[edit]