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{{Short description|Italian painter}} |
{{Short description|Italian painter}} |
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Girolamo Cialdieri ''(1593–1680)'' was an [[Italian painter]] of the Baroque period, born in Urbino. He was a pupil of [[Claudio Ridolfi]], a prominent artist of the time. Cialdieri was known for his facility with color and his ability to integrate landscapes and architectural elements into his works, which gave depth and complexity to his compositions. One of his significant works is the [[Martyrdom]] of St. John, located in the [[San Bartolomeo all'Isola|church of San Bartolommeo]]. His artistic style included frescoes and paintings for various churches and convents across Italy, particularly in regions like [[Cagli]] and Acqualagna. Notable commissions include works for the Sanctuary of the Madonna del Pelingo and several churches in towns like Montemaggiore and Urbania. His contributions to religious art, including scenes from the lives of saints and the Holy Family, highlight his deep connection to Baroque themes of spirituality and dramatic expression. |
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'''Girolamo Cialdieri''' (28 October 1593 - 1680) was an Italian painter from the [[Baroque]] period.<ref>[https://books.google.com/books?id=cAUtAAAAYAAJ Arte e storia], article titled: ''Girolamo Cialdieri: Pittore e le sue Opere'', by Ercole Scatazza, page 106-108.</ref> |
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==Biography== |
==Biography== |
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[[Category:Italian male painters]] |
[[Category:Italian male painters]] |
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[[Category:17th-century Italian painters]] |
[[Category:17th-century Italian painters]] |
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{{Italy-painter-17thC-stub}} |
{{Italy-painter-17thC-stub}} |
Latest revision as of 20:43, 2 December 2024
Girolamo Cialdieri (1593–1680) was an Italian painter of the Baroque period, born in Urbino. He was a pupil of Claudio Ridolfi, a prominent artist of the time. Cialdieri was known for his facility with color and his ability to integrate landscapes and architectural elements into his works, which gave depth and complexity to his compositions. One of his significant works is the Martyrdom of St. John, located in the church of San Bartolommeo. His artistic style included frescoes and paintings for various churches and convents across Italy, particularly in regions like Cagli and Acqualagna. Notable commissions include works for the Sanctuary of the Madonna del Pelingo and several churches in towns like Montemaggiore and Urbania. His contributions to religious art, including scenes from the lives of saints and the Holy Family, highlight his deep connection to Baroque themes of spirituality and dramatic expression.
Biography
[edit]He was born in Urbino and there a pupil of the Veronese Claudio Ridolfi.[1] One of his masterworks is the Martyrdom of St. John in San Bartolommeo. Lanzi describes him as possessing great facility of hand and amenity of color, and commends his style of painting landscape and architecture, which he was fond of introducing in the backgrounds of his pictures.
Among his other works are paintings or frescoes for the Sanctuary of the Madonna del Pelingo in Acqualagna; for churches and convents in Cagli, including San Giuseppe, Santa Maria della Misericordia, and the Capuchin church and convent of the Madonna of the Rosary; the church of the Annunziata in Isola del Piano; Santa Maria del Soccorso in Montemaggiore al Metauro; Santa Chiara in Urbania; and San Stefano in Piobbico.[2]
Gallery
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Dream of St. Joseph with the angel inviting him to marry the Virgin and Return of the Holy Family from Egypt
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Adoration of the Shepherds and Visitation
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Circumcision and Adoration of the Shepherds
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Dream of St. Joseph where the angel suggests him to flee and Presentation at the temple
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Saint Joseph with the Virgin and Child Jesus
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Transit of Joseph and Jesus among the doctors of the temple
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San Giuseppe showing the Virgin and Child to San Giovannino and Sant'Elisabetta
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Madonna and Child
References
[edit]- ^ Biblioteca Salaborsa biographical entry.
- ^ Bibliotecca Salaborsa entry.
Attribution:
- This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Cialdieri, Girolamo". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.