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{{good article}}
{{Short description|2013 single by Taylor Swift}}
{{Short description|2013 single by Taylor Swift}}
{{good article}}
{{Use mdy dates|date=December 2022}}{{Infobox song
{{Use mdy dates|date=December 2022}}{{Infobox song
| name = 22
| name = 22
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| studio = * [[MXM Studios|MXM]] (Stockholm)
| studio = * [[MXM Studios|MXM]] (Stockholm)
* [[Conway Recording Studios|Conway Recording]] (Los Angeles)
* [[Conway Recording Studios|Conway Recording]] (Los Angeles)
| genre = * [[Pop music|Pop]]
| genre = * [[Bubblegum music|Bubblegum]]
* [[dance-pop]]
* [[disco]]
* [[disco]]
* [[rock music|rock]]
* [[rock music|rock]]
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}}
}}


"'''22'''" is a song by American singer-songwriter [[Taylor Swift]], taken from her fourth studio album, ''[[Red (Taylor Swift album)|Red]]'' (2012). It was released as the album's fourth single on March 12, 2013, by [[Big Machine Records]]. Written and produced by Swift, [[Max Martin]], and [[Shellback (record producer)|Shellback]], "22" combines [[pop music|pop]] styles such as [[dance-pop]] and [[Bubblegum music|bubblegum]] with [[disco]] and 1990s [[Rock music|rock]]. The track begins with an acoustic guitar [[riff]] and progresses into an upbeat [[refrain]] which incorporates pulsing [[synthesizer]]s and [[Syncopation|syncopated]] [[bass drum]]s. The lyrics celebrate being 22 years old while acknowledging the heartache that the narrator experienced in the past.
"'''22'''" is a song by the American singer-songwriter [[Taylor Swift]] from her fourth studio album, ''[[Red (Taylor Swift album)|Red]]'' (2012). It was released as the album's fourth single on March 12, 2013, by [[Big Machine Records]]. Written and produced by Swift, [[Max Martin]], and [[Shellback (record producer)|Shellback]], "22" combines [[pop music|pop]] styles such as [[dance-pop]] and [[Bubblegum music|bubblegum]] with [[disco]] and 1990s [[Rock music|rock]]. The track begins with an acoustic guitar [[riff]] and progresses into an upbeat [[refrain]] which incorporates pulsing [[synthesizer]]s and [[Syncopation|syncopated]] [[bass drum]]s. The lyrics celebrate being 22 years old while acknowledging the heartache that the narrator experienced in the past.


Upon ''Red''{{'s}} release, critics complimented the production of "22" as catchy but some found the lyrics weak and the song repetitive. Retrospectively, some have considered it one of Swift's best pop songs. "22" peaked at number 20 on the US [[Billboard Hot 100|''Billboard'' Hot 100]] and was certified [[RIAA certification|triple platinum]] by the [[Recording Industry Association of America]] (RIAA). It received [[List of music recording certifications|platinum or higher certifications]] in Australia, Canada, and the United Kingdom, peaking in the top 10 on the singles chart in the lattermost country. The accompanying music video was shot in [[Malibu, California]], depicting Swift having a house party with friends. Swift included the song in the set list of [[the Red Tour]] (2013–2014) and [[the Eras Tour]] (2023). She performed it live at the [[2013 Billboard Music Awards|2013 ''Billboard'' Music Awards]].
Upon ''Red''{{'s}} release, critics complimented the production of "22" as catchy but some found the lyrics weak and the song repetitive. Retrospectively, some have considered it one of Swift's best pop songs. "22" peaked at number 20 on the US [[Billboard Hot 100|''Billboard'' Hot 100]] and was certified [[RIAA certification|triple platinum]] by the [[Recording Industry Association of America]] (RIAA). It received [[List of music recording certifications|platinum or higher certifications]] in Australia, Canada, and the United Kingdom, peaking in the top 10 on the singles chart in the lattermost country as well as Israel and South Africa. The accompanying music video was shot in [[Malibu, California]], depicting Swift having a house party with friends. Swift included the song in the set list of [[the Red Tour]] (2013–2014) and [[the Eras Tour]] (2023–2024). She performed it live at the [[2013 Billboard Music Awards|2013 ''Billboard'' Music Awards]].


Some media outlets dub "22" a [[Bandwagon effect|cultural phenomenon]] resulting in the prominence of 22nd birthdays. A [[re-recording (music)|re-recorded]] version of the track, titled "'''22 (Taylor's Version)'''", was released as part of Swift's second re-recorded album, ''[[Red (Taylor's Version)]]'', on November 12, 2021. It peaked at number 30 on the [[Billboard Global 200|''Billboard'' Global 200]] and entered on the charts of Australia, Canada, Singapore, and the United States.
Some media outlets dub "22" a [[Bandwagon effect|cultural phenomenon]] resulting in the prominence of 22nd birthdays. A [[re-recording (music)|re-recorded]] version of the track, titled "'''22 (Taylor's Version)'''", was released as part of Swift's second re-recorded album, ''[[Red (Taylor's Version)]]'', on November 12, 2021. It peaked at number 30 on the [[Billboard Global 200|''Billboard'' Global 200]] and entered on the charts of Australia, Canada, Portugal, Singapore, and the United States.


==Writing and production==
==Writing and production==
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Martin and [[Shellback (record producer)|Shellback]], another Swedish producer, co-wrote and co-produced three songs with Swift on ''Red''—"22", "[[We Are Never Ever Getting Back Together]]", and "[[I Knew You Were Trouble]]"—all of which feature a [[Pop music|pop]] production and programmed [[Keyboard instrument|keyboards]].<ref>{{cite web |last=Griffiths |first=George |date=June 21, 2021 |title=The Biggest Hits And Chart Legacy of Taylor Swift's ''Red'' ahead of its rerelease |url=https://www.officialcharts.com/chart-news/the-biggest-hits-and-chart-legacy-of-taylor-swifts-red-ahead-of-its-rerelease__33407/ |url-status=live |archive-url=https://web.archive.org/web/20210621172529/https://www.officialcharts.com/chart-news/the-biggest-hits-and-chart-legacy-of-taylor-swifts-red-ahead-of-its-rerelease__33407/ |archive-date=June 21, 2021 |access-date=September 22, 2021 |publisher=[[Official Charts Company]]}}</ref><ref>{{cite web |last=Shriver |first=Jerry |date=October 21, 2012 |title=Taylor Swift Glows on Hot ''Red'' |url=https://www.usatoday.com/story/life/music/2012/10/21/taylor-swift-red-album-review/1644735/ |url-status=live |archive-url=https://web.archive.org/web/20130209155310/http://www.usatoday.com/story/life/music/2012/10/21/taylor-swift-red-album-review/1644735/ |archive-date=February 9, 2013 |access-date=September 22, 2021 |work=[[USA Today]]}}</ref> Michael Ilbert and Sam Holland recorded "22" at [[MXM Studios]] in Stockholm and [[Conway Recording Studios]] in Los Angeles, with [[Audio engineer|engineers]] John Hanes, Eric Eylands, and Tim Roberts. [[Serban Ghenea|Şerban Ghenea]] mixed "22" at MixStar Studios in [[Virginia Beach, Virginia|Virginia Beach]]. The instruments used on the track include acoustic guitar (Swift, Shellback), [[Bass guitar|bass]] (Shellback), [[electric guitar]] (Shellback), and keyboards (Martin, Shellback).<ref name="notes" />
Martin and [[Shellback (record producer)|Shellback]], another Swedish producer, co-wrote and co-produced three songs with Swift on ''Red''—"22", "[[We Are Never Ever Getting Back Together]]", and "[[I Knew You Were Trouble]]"—all of which feature a [[Pop music|pop]] production and programmed [[Keyboard instrument|keyboards]].<ref>{{cite web |last=Griffiths |first=George |date=June 21, 2021 |title=The Biggest Hits And Chart Legacy of Taylor Swift's ''Red'' ahead of its rerelease |url=https://www.officialcharts.com/chart-news/the-biggest-hits-and-chart-legacy-of-taylor-swifts-red-ahead-of-its-rerelease__33407/ |url-status=live |archive-url=https://web.archive.org/web/20210621172529/https://www.officialcharts.com/chart-news/the-biggest-hits-and-chart-legacy-of-taylor-swifts-red-ahead-of-its-rerelease__33407/ |archive-date=June 21, 2021 |access-date=September 22, 2021 |publisher=[[Official Charts Company]]}}</ref><ref>{{cite web |last=Shriver |first=Jerry |date=October 21, 2012 |title=Taylor Swift Glows on Hot ''Red'' |url=https://www.usatoday.com/story/life/music/2012/10/21/taylor-swift-red-album-review/1644735/ |url-status=live |archive-url=https://web.archive.org/web/20130209155310/http://www.usatoday.com/story/life/music/2012/10/21/taylor-swift-red-album-review/1644735/ |archive-date=February 9, 2013 |access-date=September 22, 2021 |work=[[USA Today]]}}</ref> Michael Ilbert and Sam Holland recorded "22" at [[MXM Studios]] in Stockholm and [[Conway Recording Studios]] in Los Angeles, with [[Audio engineer|engineers]] John Hanes, Eric Eylands, and Tim Roberts. [[Serban Ghenea|Şerban Ghenea]] mixed "22" at MixStar Studios in [[Virginia Beach, Virginia|Virginia Beach]]. The instruments used on the track include acoustic guitar (Swift, Shellback), [[Bass guitar|bass]] (Shellback), [[electric guitar]] (Shellback), and keyboards (Martin, Shellback).<ref name="notes" />


Talking about the theme of "22", Swift told ''[[Billboard (magazine)|Billboard]]'' that the song captures how she felt about being 22 years old and the "possibilities of how you're still learning, but you know enough. [...] That brings about a carefree feeling that is sort of based on in-decision and fear and at the same time letting loose".<ref name="BB_qa" /> She said during a February 2013 interview with [[Ryan Seacrest]] that the song's inspiration was a group of female friends with whom she often hung out; despite the uncertainty of adulthood, "the one thing that you have is that you have each other".<ref>{{Cite web |last=Monde |first=Chiderah |date=February 13, 2013 |title=Taylor Swift has fun in the sun shooting '22' music video with gal pals in Malibu beach |url=https://www.nydailynews.com/entertainment/music-arts/taylor-swift-beach-day-shooting-music-video-article-1.1262309 |access-date=2022-12-10 |website=[[New York Daily News]] |archive-date=June 3, 2013 |archive-url=https://web.archive.org/web/20130603081238/https://www.nydailynews.com/entertainment/music-arts/taylor-swift-beach-day-shooting-music-video-article-1.1262309 |url-status=live }}</ref><ref name=":5">{{Cite web |last=Vena |first=Jocelyn |date=February 12, 2013 |title=Taylor Swift Hits The Beach For Her '22' Video Shoot |url=https://www.mtv.com/news/8u58ob/taylor-swift-22-video-set |access-date=2022-12-10 |website= |publisher=[[MTV News]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210044748/https://www.mtv.com/news/8u58ob/taylor-swift-22-video-set |url-status=live }}</ref> On March 12, 2013, [[Big Machine Records|Big Machine]] in partnership with [[Republic Records]] released "22" to US [[contemporary hit radio]] as the fourth ''Red'' single.<ref name="fmqb" /> A day later, it was released exclusively to Swift's official website as a limited-edition [[CD single]], which was sold by itself or via an exclusive package with [[the Red Tour]] merchandise.<ref name="single%2520cd%25201">{{cite web |title=Taylor Swift Limited Edition '22' Single CD |url=http://taylorswift.com/LIMITED-EDITION-22-Single-CD/dp/B00BT0PSXE?field_availability=-2&field_browse=3228049011&field_product_site_launch_date_utc=-1y&id=LIMITED+EDITION+22+Single+CD&ie=UTF8&refinementHistory=brandtextbin%2Csubjectbin%2Ccolor_map%2Cprice%2Csize_name&searchNodeID=3228049011&searchPage=1&searchRank=salesrank&searchSize=12 |url-status=dead |archive-url=https://web.archive.org/web/20130319064047/http://store.taylorswift.com/LIMITED-EDITION-22-Single-CD/dp/B00BT0PSXE |archive-date=March 19, 2013 |access-date=March 13, 2013 |publisher=taylorswift.com}}</ref><ref name="single%2520cd%25202">{{cite web |title=Limited Edition '22' Single Package |url=http://taylorswift.com/LIMITED-EDITION-22-Single-Package/dp/B00BT0WAZ8?field_availability=-2&field_browse=3228182011&field_product_site_launch_date_utc=-1y&id=LIMITED+EDITION+22+Single+Package&ie=UTF8&refinementHistory=brandtextbin%2Csubjectbin%2Ccolor_map%2Cprice%2Csize_name&searchNodeID=3228182011&searchPage=1&searchRank=salesrank&searchSize=12 |url-status=dead |archive-url=https://web.archive.org/web/20130316141733/http://store.taylorswift.com/LIMITED-EDITION-22-Single-Package/dp/B00BT0WAZ8 |archive-date=March 16, 2013 |access-date=March 13, 2013 |publisher=taylorswift.com}}</ref> "22" was released in the United Kingdom on March 31, 2013.<ref name="uk">{{cite web |url=http://www.digitalspy.co.uk/music/sitecomponent/a28814/singles-release-diary.html |title=Singles Release Diary |work=[[Digital Spy]] |date=4 February 2006 |access-date=April 28, 2013 |archive-url=https://web.archive.org/web/20130430100420/http://www.digitalspy.co.uk/music/sitecomponent/a28814/singles-release-diary.html |archive-date=April 30, 2013}}</ref>
Talking about the theme of "22", Swift told ''[[Billboard (magazine)|Billboard]]'' that the song captures how she felt about being 22 years old and the "possibilities of how you're still learning, but you know enough. [...] That brings about a carefree feeling that is sort of based on indecision and fear and at the same time letting loose".<ref name="BB_qa" /> She said during a February 2013 interview with [[Ryan Seacrest]] that the song's inspiration was a group of female friends with whom she often hung out; despite the uncertainty of adulthood, "the one thing that you have is that you have each other".<ref>{{Cite web |last=Monde |first=Chiderah |date=February 13, 2013 |title=Taylor Swift has fun in the sun shooting '22' music video with gal pals in Malibu beach |url=https://www.nydailynews.com/entertainment/music-arts/taylor-swift-beach-day-shooting-music-video-article-1.1262309 |access-date=2022-12-10 |website=[[New York Daily News]] |archive-date=June 3, 2013 |archive-url=https://web.archive.org/web/20130603081238/https://www.nydailynews.com/entertainment/music-arts/taylor-swift-beach-day-shooting-music-video-article-1.1262309 |url-status=live }}</ref><ref name="Vena-2013">{{Cite web |last=Vena |first=Jocelyn |date=February 12, 2013 |title=Taylor Swift Hits The Beach For Her '22' Video Shoot |url=https://www.mtv.com/news/8u58ob/taylor-swift-22-video-set |access-date=2022-12-10 |website= |publisher=[[MTV News]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210044748/https://www.mtv.com/news/8u58ob/taylor-swift-22-video-set |url-status=dead }}</ref> On March 12, 2013, [[Big Machine Records|Big Machine]] in partnership with [[Republic Records]] released "22" to US [[contemporary hit radio]] as the fourth ''Red'' single.<ref name="fmqb" /> A day later, it was released exclusively to Swift's official website as a limited-edition [[CD single]], which was sold by itself or via an exclusive package with [[the Red Tour]] merchandise.<ref name="single%2520cd%25201">{{cite web |title=Taylor Swift Limited Edition '22' Single CD |url=http://taylorswift.com/LIMITED-EDITION-22-Single-CD/dp/B00BT0PSXE?field_availability=-2&field_browse=3228049011&field_product_site_launch_date_utc=-1y&id=LIMITED+EDITION+22+Single+CD&ie=UTF8&refinementHistory=brandtextbin%2Csubjectbin%2Ccolor_map%2Cprice%2Csize_name&searchNodeID=3228049011&searchPage=1&searchRank=salesrank&searchSize=12 |url-status=dead |archive-url=https://web.archive.org/web/20130319064047/http://store.taylorswift.com/LIMITED-EDITION-22-Single-CD/dp/B00BT0PSXE |archive-date=March 19, 2013 |access-date=March 13, 2013 |publisher=taylorswift.com}}</ref><ref name="single%2520cd%25202">{{cite web |title=Limited Edition '22' Single Package |url=http://taylorswift.com/LIMITED-EDITION-22-Single-Package/dp/B00BT0WAZ8?field_availability=-2&field_browse=3228182011&field_product_site_launch_date_utc=-1y&id=LIMITED+EDITION+22+Single+Package&ie=UTF8&refinementHistory=brandtextbin%2Csubjectbin%2Ccolor_map%2Cprice%2Csize_name&searchNodeID=3228182011&searchPage=1&searchRank=salesrank&searchSize=12 |url-status=dead |archive-url=https://web.archive.org/web/20130316141733/http://store.taylorswift.com/LIMITED-EDITION-22-Single-Package/dp/B00BT0WAZ8 |archive-date=March 16, 2013 |access-date=March 13, 2013 |publisher=taylorswift.com}}</ref> "22" was released in the United Kingdom on March 31, 2013.<ref name="uk">{{cite web |url=http://www.digitalspy.co.uk/music/sitecomponent/a28814/singles-release-diary.html |title=Singles Release Diary |work=[[Digital Spy]] |date=4 February 2006 |access-date=April 28, 2013 |archive-url=https://web.archive.org/web/20130430100420/http://www.digitalspy.co.uk/music/sitecomponent/a28814/singles-release-diary.html |archive-date=April 30, 2013}}</ref>


==Composition and lyrics==
==Composition and lyrics==
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| description = The upbeat [[refrain]] of "22" incorporates [[electronic music|electronic]] vocal processing, pulsing [[synthesizer]]s, and [[syncopation|syncopated]] [[bass drum]]s.
| description = The upbeat [[refrain]] of "22" incorporates [[electronic music|electronic]] vocal processing, pulsing [[synthesizer]]s, and [[syncopation|syncopated]] [[bass drum]]s.
}}
}}
Music critics described "22" as a pop song<ref name="Idolator">{{cite web |author=Lansky |first=Sam |date=February 6, 2013 |title=Taylor Swift Announces '22' As Next ''Red'' Single |url=http://idolator.com/7438222/taylor-swift-22-single |access-date=February 18, 2013 |work=[[Idolator (website)|Idolator]] }}</ref><ref name=":0">{{cite magazine |date=October 19, 2012 |title=Taylor Swift, ''Red'': Track-By-Track Review |url=https://www.billboard.com/music/music-news/taylor-swift-red-track-by-track-review-1066798/ |url-status=dead |magazine=[[Billboard (magazine)|Billboard]] |archive-url=https://web.archive.org/web/20130213012607/https://www.billboard.com/articles/review/1066798/taylor-swift-red-track-by-track-review |archive-date=February 13, 2013 |access-date=November 26, 2012}}</ref> incorporating styles such as [[Bubblegum music|bubblegum]]<ref>{{cite magazine|url=https://www.billboard.com/articles/columns/pop/8533755/taylor-swift-album-poll-favorite-vote|title=Which Taylor Swift Album Is Your Favorite? Vote!|magazine=[[Billboard (magazine)|Billboard]]|first=Glenn|last=Rowley|date=October 22, 2019|access-date=October 30, 2019|archive-date=October 30, 2019|archive-url=https://web.archive.org/web/20191030233644/https://www.billboard.com/articles/columns/pop/8533755/taylor-swift-album-poll-favorite-vote|url-status=live}}</ref><ref name=":1">{{Cite web |last=Mylrea |first=Hannah |date=September 8, 2020 |title=Every Taylor Swift song ranked in order of greatness |url=https://www.nme.com/en_asia/features/every-taylor-swift-song-ranked-2747916 |access-date=September 17, 2020 |website=[[NME]] |language=en |archive-date=September 17, 2020 |archive-url=https://web.archive.org/web/20200917054150/https://www.nme.com/en_asia/features/every-taylor-swift-song-ranked-2747916 |url-status=live }}</ref> and [[dance-pop]].<ref name=":3">{{cite web |last1=Levine |first1=Nick |title=The 20 best Taylor Swift songs |url=https://www.timeout.com/london/music/best-taylor-swift-songs |website=[[Time Out (magazine)|Time Out]] |access-date=July 21, 2020 |date=May 19, 2015 |archive-date=July 21, 2020 |archive-url=https://web.archive.org/web/20200721151852/https://www.timeout.com/london/music/best-taylor-swift-songs |url-status=live }}</ref> [[Rob Sheffield]] from ''[[Rolling Stone]]'' described the genre as [[disco]],<ref name=":2">{{cite magazine|url=https://www.rollingstone.com/music/music-lists/taylor-swift-songs-ranked-rob-sheffield-201800/22-2012-195322/|title=All 153 of Taylor Swift's Songs, Ranked|last=Sheffield|first=Rob|magazine=[[Rolling Stone]]|date=December 12, 2019|access-date=December 16, 2019|archive-date=December 16, 2019|archive-url=https://web.archive.org/web/20191216164251/https://www.rollingstone.com/music/music-lists/taylor-swift-songs-ranked-rob-sheffield-201800/22-2012-195322/|url-status=live}}</ref> and [[Annie Zaleski]] in the ''[[Cleveland Scene]]'' called the track a "spunky '90s-[[rock music|rock]] gem".<ref>{{cite web|archive-url=https://web.archive.org/web/20130428144744/https://www.clevescene.com/scene-and-heard/archives/2013/04/26/concert-review-and-slideshow-taylor-swift-at-quicken-loans-arena|url=https://www.clevescene.com/scene-and-heard/archives/2013/04/26/concert-review-and-slideshow-taylor-swift-at-quicken-loans-arena|title=Concert Review and Slideshow: Taylor Swift at Quicken Loans Arena|first=Annie|last=Zaleski|author-link=Annie Zaleski|date=April 26, 2013|website=[[Cleveland Scene]]|access-date=April 26, 2013|archive-date=April 28, 2013}}</ref> "22" begins with an acoustic guitar [[riff]] and incorporates an acoustic guitar-based arrangement in the [[Verse (music)|verses]].<ref>{{cite web |date=October 18, 2012 |title=Taylor Swift's '22': Listen To The Storming Pop Track |url=http://idolator.com/7204522/taylor-swift-22-listen |access-date=November 26, 2012 |website=[[Idolator (website)|Idolator]] |publisher= }}</ref>{{Sfn|Perone|2017|p=46}} The upbeat [[refrain]] infuses elements of [[Dance music|dance]] and [[electronic music]]; it incorporates pulsing 1980s-pop-influenced [[synthesizer]]s and [[Syncopation|syncopated]] [[bass drum]]s that evoke influences from [[Hip hop music|hip hop]] and [[alternative rock]].{{Sfn|Perone|2017|p=46}}<ref name="The New York Times">{{cite web |last=Caramanica |first=Jon |author-link=Jon Caramanica |date=October 24, 2012 |title=No More Kid Stuff for Taylor Swift |url=https://www.nytimes.com/2012/10/28/arts/music/no-more-kid-stuff-for-taylor-swift.html?_r=0 |url-access=limited |url-status=live |archive-url=https://web.archive.org/web/20200512000832/https://www.nytimes.com/2012/10/28/arts/music/no-more-kid-stuff-for-taylor-swift.html?_r=0 |archive-date=May 12, 2020 |access-date=June 29, 2016 |work=[[The New York Times]]}}</ref><ref name="EW">{{cite magazine |last=Maerz |first=Melissa |date=October 18, 2012 |title=''Red'' – review – Taylor Swift |url=http://www.ew.com/ew/article/0,,20639830,00.html |url-status=live |magazine=[[Entertainment Weekly]] |archive-url=https://archive.today/20131230153750/http://www.ew.com/ew/article/0,,20639830,00.html |archive-date=December 30, 2013 |access-date=October 18, 2012}}</ref> ''Billboard'' said "22" was Swift's "most blatantly 'pop' song" up to that point,<ref name=":0" /> and Perone commented that her vocals, processed by Martin's and Shellback's electronic production, make the track sound radically different compared to her previous songs.{{Sfn|Perone|2017|p=46–47}} According to [[The Boot (website)|''The Boot'']]'s Riane Konc, despite the pop production, "22" remains "[an] essential part of [Swift's] [[Country music|country]] years".<ref>{{Cite web |last=Konc |first=Riane |date=October 23, 2020 |title=All of Taylor Swift's Country Singles, Ranked |url=https://theboot.com/taylor-swift-country-singles/ |url-status=live |archive-url=https://web.archive.org/web/20191028193251/https://theboot.com/taylor-swift-country-singles/ |archive-date=2019-10-28 |access-date=2019-11-20 |website=[[The Boot (website)|The Boot]]}}</ref>. Musically it is written in key of [[G major]] and has a tempo of 104 beats per minute.<ref name="sm">{{cite web|url=http://www.musicnotes.com/sheetmusic/mtdFPE.asp?ppn=MN0111214|title=Digital sheet music - Taylor Swift - 22|work=Musicnotes.com|publisher=[[Alfred Publishing]]|date=November 29, 2012|access-date=March 28, 2013|archive-date=December 24, 2013|archive-url=https://web.archive.org/web/20131224084252/http://www.musicnotes.com/sheetmusic/mtdFPE.asp?ppn=MN0111214|url-status=live}}</ref><ref>{{cite web |url=http://songbpm.com/taylor-swift/22 |title=BPM for '22' by taylor swift |work=songbpm.com |access-date=April 28, 2013 |archive-date=June 10, 2016 |archive-url=https://web.archive.org/web/20160610045758/https://songbpm.com/taylor-swift/22 |url-status=live }}</ref> Swift’s vocals span from G<sub>3</sub> and D<sub>5</sub>.<ref name="sm"/>
Music critics described "22" as a pop song<ref name="Idolator">{{cite web |author=Lansky |first=Sam |date=February 6, 2013 |title=Taylor Swift Announces '22' As Next ''Red'' Single |url=http://idolator.com/7438222/taylor-swift-22-single |access-date=February 18, 2013 |work=[[Idolator (website)|Idolator]] |archive-date=November 16, 2017 |archive-url=https://web.archive.org/web/20171116040430/http://www.idolator.com/7438222/taylor-swift-22-single |url-status=live }}</ref><ref name="Billboard-2012">{{cite magazine |date=October 19, 2012 |title=Taylor Swift, ''Red'': Track-By-Track Review |url=https://www.billboard.com/music/music-news/taylor-swift-red-track-by-track-review-1066798/ |url-status=dead |magazine=[[Billboard (magazine)|Billboard]] |archive-url=https://web.archive.org/web/20130213012607/https://www.billboard.com/articles/review/1066798/taylor-swift-red-track-by-track-review |archive-date=February 13, 2013 |access-date=November 26, 2012}}</ref> incorporating styles such as [[Bubblegum music|bubblegum]]<ref>{{cite magazine|url=https://www.billboard.com/articles/columns/pop/8533755/taylor-swift-album-poll-favorite-vote|title=Which Taylor Swift Album Is Your Favorite? Vote!|magazine=[[Billboard (magazine)|Billboard]]|first=Glenn|last=Rowley|date=October 22, 2019|access-date=October 30, 2019|archive-date=October 30, 2019|archive-url=https://web.archive.org/web/20191030233644/https://www.billboard.com/articles/columns/pop/8533755/taylor-swift-album-poll-favorite-vote|url-status=live}}</ref><ref name="Mylrea-2020">{{Cite web |last=Mylrea |first=Hannah |date=September 8, 2020 |title=Every Taylor Swift song ranked in order of greatness |url=https://www.nme.com/en_asia/features/every-taylor-swift-song-ranked-2747916 |access-date=September 17, 2020 |website=[[NME]] |language=en |archive-date=September 17, 2020 |archive-url=https://web.archive.org/web/20200917054150/https://www.nme.com/en_asia/features/every-taylor-swift-song-ranked-2747916 |url-status=live }}</ref> and [[dance-pop]].<ref name="Levine-2015">{{cite web |last1=Levine |first1=Nick |title=The 20 best Taylor Swift songs |url=https://www.timeout.com/london/music/best-taylor-swift-songs |website=[[Time Out (magazine)|Time Out]] |access-date=July 21, 2020 |date=May 19, 2015 |archive-date=July 21, 2020 |archive-url=https://web.archive.org/web/20200721151852/https://www.timeout.com/london/music/best-taylor-swift-songs |url-status=live }}</ref> [[Rob Sheffield]] from ''[[Rolling Stone]]'' described the genre as [[disco]],<ref name="Sheffield-2019">{{cite magazine|url=https://www.rollingstone.com/music/music-lists/taylor-swift-songs-ranked-rob-sheffield-201800/22-2012-195322/|title=All 153 of Taylor Swift's Songs, Ranked|last=Sheffield|first=Rob|magazine=[[Rolling Stone]]|date=December 12, 2019|access-date=December 16, 2019|archive-date=December 16, 2019|archive-url=https://web.archive.org/web/20191216164251/https://www.rollingstone.com/music/music-lists/taylor-swift-songs-ranked-rob-sheffield-201800/22-2012-195322/|url-status=live}}</ref> and [[Annie Zaleski]] in the ''[[Cleveland Scene]]'' called the track a "spunky '90s-[[rock music|rock]] gem".<ref>{{cite web|archive-url=https://web.archive.org/web/20130428144744/https://www.clevescene.com/scene-and-heard/archives/2013/04/26/concert-review-and-slideshow-taylor-swift-at-quicken-loans-arena|url=https://www.clevescene.com/scene-and-heard/archives/2013/04/26/concert-review-and-slideshow-taylor-swift-at-quicken-loans-arena|title=Concert Review and Slideshow: Taylor Swift at Quicken Loans Arena|first=Annie|last=Zaleski|author-link=Annie Zaleski|date=April 26, 2013|website=[[Cleveland Scene]]|access-date=April 26, 2013|archive-date=April 28, 2013}}</ref> "22" begins with an acoustic guitar [[riff]] and incorporates an acoustic guitar-based arrangement in the [[Verse (music)|verses]].<ref>{{cite web |date=October 18, 2012 |title=Taylor Swift's '22': Listen To The Storming Pop Track |url=http://idolator.com/7204522/taylor-swift-22-listen |access-date=November 26, 2012 |website=[[Idolator (website)|Idolator]] |publisher= |archive-date=October 1, 2017 |archive-url=https://web.archive.org/web/20171001075213/http://www.idolator.com/7204522/taylor-swift-22-listen |url-status=live }}</ref>{{Sfn|Perone|2017|p=46}} The upbeat [[refrain]] infuses elements of [[Dance music|dance]] and [[electronic music]]; it incorporates pulsing 1980s-pop-influenced [[synthesizer]]s and [[Syncopation|syncopated]] [[bass drum]]s that evoke influences from [[Hip hop music|hip hop]] and [[alternative rock]].{{Sfn|Perone|2017|p=46}}<ref name="The New York Times">{{cite web |last=Caramanica |first=Jon |author-link=Jon Caramanica |date=October 24, 2012 |title=No More Kid Stuff for Taylor Swift |url=https://www.nytimes.com/2012/10/28/arts/music/no-more-kid-stuff-for-taylor-swift.html?_r=0 |url-access=limited |url-status=live |archive-url=https://web.archive.org/web/20200512000832/https://www.nytimes.com/2012/10/28/arts/music/no-more-kid-stuff-for-taylor-swift.html?_r=0 |archive-date=May 12, 2020 |access-date=June 29, 2016 |work=[[The New York Times]]}}</ref><ref name="EW">{{cite magazine |last=Maerz |first=Melissa |date=October 18, 2012 |title=''Red'' – review – Taylor Swift |url=https://ew.com/article/2012/10/26/red-review-taylor-swift/ |url-status=live |magazine=[[Entertainment Weekly]] |archive-url=https://archive.today/20131230153750/http://www.ew.com/ew/article/0,,20639830,00.html |archive-date=December 30, 2013 |access-date=October 18, 2012}}</ref> ''Billboard'' said "22" was Swift's "most blatantly 'pop' song" up to that point,<ref name="Billboard-2012" /> and Perone commented that her vocals, processed by Martin's and Shellback's electronic production, make the track sound radically different compared to her previous songs.{{Sfn|Perone|2017|p=46–47}} According to [[The Boot (website)|''The Boot'']]'s Riane Konc, despite the pop production, "22" remains "[an] essential part of [Swift's] [[Country music|country]] years".<ref>{{Cite web |last=Konc |first=Riane |date=October 23, 2020 |title=All of Taylor Swift's Country Singles, Ranked |url=https://theboot.com/taylor-swift-country-singles/ |url-status=live |archive-url=https://web.archive.org/web/20191028193251/https://theboot.com/taylor-swift-country-singles/ |archive-date=2019-10-28 |access-date=2019-11-20 |website=[[The Boot (website)|The Boot]]}}</ref> Musically it is written in key of [[G major]] and has a tempo of 104 beats per minute.<ref name="sm">{{cite web|url=http://www.musicnotes.com/sheetmusic/mtdFPE.asp?ppn=MN0111214|title=Digital sheet music - Taylor Swift - 22|work=Musicnotes.com|publisher=[[Alfred Publishing]]|date=November 29, 2012|access-date=March 28, 2013|archive-date=December 24, 2013|archive-url=https://web.archive.org/web/20131224084252/http://www.musicnotes.com/sheetmusic/mtdFPE.asp?ppn=MN0111214|url-status=live}}</ref><ref>{{cite web |url=http://songbpm.com/taylor-swift/22 |title=BPM for '22' by taylor swift |work=songbpm.com |access-date=April 28, 2013 |archive-date=June 10, 2016 |archive-url=https://web.archive.org/web/20160610045758/https://songbpm.com/taylor-swift/22 |url-status=live }}</ref> Swift's vocals span from G<sub>3</sub> and D<sub>5</sub>.<ref name="sm"/>


In the lyrics, the narrator celebrates the experience of being 22 years old, inviting friends to dress up, hang out, and "make fun of [their] exes" after having gone through a heartbreak.{{Sfn|Perone|2017|p=46}}<ref name="A.V. Club">{{cite web |last=Gallucci |first=Michael |date=October 24, 2012 |title=Taylor Swift: ''Red'' |url=http://www.avclub.com/articles/taylor-swift-red,87872/ |url-status=live |archive-url=https://web.archive.org/web/20131105045049/http://www.avclub.com/articles/taylor-swift-red,87872/ |archive-date=November 5, 2013 |access-date=January 8, 2015 |work=[[The A.V. Club]]}}</ref> When she and the friends are at the party, she realizes the place has "too many cool kids" (who murmur, "‘Who's Taylor Swift anyway, ew?").<ref name=":3" /><ref name=":4" /> The group then decides to "ditch the whole scene". Towards the song's conclusion, the narrator dances with a man who "looks like bad news", but whom she "has to have".{{Sfn|Perone|2017|p=46}}
In the lyrics, the narrator celebrates the experience of being 22 years old, inviting friends to dress up, hang out, and "make fun of [their] exes" after having gone through a heartbreak.{{Sfn|Perone|2017|p=46}}<ref name="A.V. Club">{{cite web |last=Gallucci |first=Michael |date=October 24, 2012 |title=Taylor Swift: ''Red'' |url=https://www.avclub.com/taylor-swift-red-1798174734 |url-status=live |archive-url=https://web.archive.org/web/20131105045049/http://www.avclub.com/articles/taylor-swift-red,87872/ |archive-date=November 5, 2013 |access-date=January 8, 2015 |work=[[The A.V. Club]]}}</ref> When she and the friends are at the party, she realizes the place has "too many cool kids" (who murmur, "‘Who's Taylor Swift anyway, ew?").<ref name="Levine-2015" /><ref name="Petridis-2019" /> The group then decides to "ditch the whole scene". Towards the song's conclusion, the narrator dances with a man who "looks like bad news", but whom she "has to have".{{Sfn|Perone|2017|p=46}}


Critics observed the conflicting emotions of early adulthood. Jordan Sargent of [[Spin (magazine)|''Spin'']] said the refrain's bass has a "fleeting upward sweep" that reflects the lyrical sentiment of "feeling young and invincible" while facing the impending "doom of growing up".<ref name="spinpop2">{{cite web |last=Sargent |first=Jordan |date=June 16, 2017 |title=Listen to Taylor Swift's ''Red'', One of the Best Pop Albums of Our Time |url=https://www.spin.com/2017/06/taylor-swift-red-essay/ |url-status=live |archive-url=https://web.archive.org/web/20201101062952/https://www.spin.com/2017/06/taylor-swift-red-essay/ |archive-date=November 1, 2020 |access-date=December 25, 2020 |work=[[Spin (magazine)|Spin]]}}</ref> For ''Billboard'', although the production is upbeat with "the most sugary [[Hook (music)|hooks]] available", the lyrics are rather contemplative.<ref name=":0" /> [[NPR Music]]'s J. English wrote that the contradictory feelings ("We're happy, free, confused and lonely at the same time / It's miserable and magical") serve as a mission statement for ''Red''{{'s}} depiction of a wide array of emotions, from the wide-eyed optimism on "[[Begin Again (Taylor Swift song)|Begin Again]]" to the cautionary tale of celebrity on "The Lucky One".<ref name="npr">{{cite web |last=English |first=J. |date=August 28, 2017 |title=Shocking Omissions: Taylor Swift's ''Red'', A Canonical Coming-Of-Age Album |url=https://www.npr.org/2017/08/28/546359653/shocking-omissions-taylor-swift-s-red-a-canonical-coming-of-age-album |url-status=live |archive-url=https://web.archive.org/web/20210412213355/https://www.npr.org/2017/08/28/546359653/shocking-omissions-taylor-swift-s-red-a-canonical-coming-of-age-album |archive-date=April 12, 2021 |access-date=December 25, 2020 |work=[[NPR]]}}</ref> Perone otherwise found the track to be [[Escapism|escapist]] and carefree; whereas the narrators of Swift's previous songs ponder about lost love in her own headspace, the narrator of "22" hangs out at parties and gets along with a man she just met.{{Sfn|Perone|2017|p=46}}
Critics observed the conflicting emotions of early adulthood. Jordan Sargent of [[Spin (magazine)|''Spin'']] said the refrain's bass has a "fleeting upward sweep" that reflects the lyrical sentiment of "feeling young and invincible" while facing the impending "doom of growing up".<ref name="spinpop2">{{cite web |last=Sargent |first=Jordan |date=June 16, 2017 |title=Listen to Taylor Swift's ''Red'', One of the Best Pop Albums of Our Time |url=https://www.spin.com/2017/06/taylor-swift-red-essay/ |url-status=live |archive-url=https://web.archive.org/web/20201101062952/https://www.spin.com/2017/06/taylor-swift-red-essay/ |archive-date=November 1, 2020 |access-date=December 25, 2020 |work=[[Spin (magazine)|Spin]]}}</ref> For ''Billboard'', although the production is upbeat with "the most sugary [[Hook (music)|hooks]] available", the lyrics are rather contemplative.<ref name="Billboard-2012" /> [[NPR Music]]'s J. English wrote that the contradictory feelings ("We're happy, free, confused and lonely at the same time / It's miserable and magical") serve as a mission statement for ''Red''{{'s}} depiction of a wide array of emotions, from the wide-eyed optimism on "[[Begin Again (Taylor Swift song)|Begin Again]]" to the cautionary tale of celebrity on "The Lucky One".<ref name="npr">{{cite web |last=English |first=J. |date=August 28, 2017 |title=Shocking Omissions: Taylor Swift's ''Red'', A Canonical Coming-Of-Age Album |url=https://www.npr.org/2017/08/28/546359653/shocking-omissions-taylor-swift-s-red-a-canonical-coming-of-age-album |url-status=live |archive-url=https://web.archive.org/web/20210412213355/https://www.npr.org/2017/08/28/546359653/shocking-omissions-taylor-swift-s-red-a-canonical-coming-of-age-album |archive-date=April 12, 2021 |access-date=December 25, 2020 |work=[[NPR]]}}</ref> Perone otherwise found the track to be [[Escapism|escapist]] and carefree; whereas the narrators of Swift's previous songs ponder about lost love in her own headspace, the narrator of "22" hangs out at parties and gets along with a man she just met.{{Sfn|Perone|2017|p=46}}


==Critical reception==
==Critical reception==


''Billboard''{{'s}} review of ''Red'' appreciated Swift's songwriting on "22" for "succinctly communicating conflicting emotion" despite the upbeat production.<ref name=":0" /> [[Digital Spy]]'s Lewis Corner deemed the single another "pop smash" for Swift's career.<ref>{{cite web |last=Corner |first=Lewis |date=March 14, 2013 |title=Taylor Swift: '22' – Single review |url=http://www.digitalspy.co.uk/music/singlesreviews/a465359/taylor-swift-22-single-review.html |url-status=dead |archive-url=https://web.archive.org/web/20130515131800/http://www.digitalspy.co.uk/music/singlesreviews/a465359/taylor-swift-22-single-review.html |archive-date=May 15, 2013 |access-date=April 28, 2013 |work=[[Digital Spy]]}}</ref> Reviewers that highlighted "22" as one of the album's best tracks included [[Idolator (website)|''Idolator'']]'s Sam Lansky,<ref>{{cite web |last=Lansky |first=Sam |date=October 22, 2012 |title=Taylor Swift's ''Red'': Album Review |url=http://idolator.com/7210192/taylor-swift-red-album-review |accessdate=December 3, 2012 |website=[[Idolator (website)|Idolator]] |archive-date=January 17, 2014 |archive-url=https://archive.today/20140117064439/http://www.idolator.com/7210192/taylor-swift-red-album-review |url-status=live }}</ref> ''[[USA Today]]''{{'s}} Jerry Shriver,<ref>{{Cite web |last=Shriver |first=Jerry |date=October 22, 2012 |title=Taylor Swift has a glow on ''Red'' |url=https://www.proquest.com/docview/1114045262 |url-access=registration |access-date=2022-12-09 |website=[[USA Today]] |id={{ProQuest|1114045262}} |archive-date=February 7, 2023 |archive-url=https://web.archive.org/web/20230207164630/https://www.proquest.com/docview/1114045262 |url-status=live }}</ref> and the ''[[Tampa Bay Times]]''{{'}} Max Asayesh-Brown, all of whom complimented the production.<ref>{{Cite web |last=Asayesh-Brown |first=Max |date=November 1, 2012 |title=Taylor Swift: ''Red'' |url=https://www.proquest.com/docview/1125079781 |url-access=registration |access-date=2022-12-09 |website=[[Tampa Bay Times]] |id={{ProQuest|1125079781}} |archive-date=December 9, 2022 |archive-url=https://web.archive.org/web/20221209124537/https://www.proquest.com/docview/1125079781 |url-status=live }}</ref> Mesfin Fekadu of the [[Associated Press]] found it better than the lead single "We Are Never Ever Getting Back Together" but deemed the lyrics weak.<ref>{{Cite news |last=Fekadu |first=Mesfin |date=October 24, 2012 |title=Taylor Swift's ''Red'' fades to mediocrity |pages=E10 |agency=[[Associated Press]] |url=https://www.newspapers.com/clip/81966343/taylor-swifts-red-fades-to-mediocrity/ |url-status=live |access-date=July 22, 2021 |archive-url=https://web.archive.org/web/20210724154608/https://www.newspapers.com/clip/81966343/taylor-swifts-red-fades-to-mediocrity/ |archive-date=July 24, 2021}}</ref> Some viewed the song as derivative of the chart hits by Swift's contemporaries such as [[Katy Perry]] and [[Kesha]], including ''[[The Boston Globe]]''<nowiki/>'s James Reed,<ref>{{Cite web |last=Reed |first=James |date=October 22, 2012 |title=Golden, but no longer a girl: On her new album, Taylor Swift pursues pop hits and more mature songwriting |url=https://www.proquest.com/docview/1113963946 |url-access=registration |access-date=2022-12-09 |website=[[Boston Globe]] |id={{ProQuest|1113963946}} |archive-date=February 7, 2023 |archive-url=https://web.archive.org/web/20230207164631/https://www.proquest.com/docview/1113963946 |url-status=live }}</ref> ''[[Telegram & Gazette]]''{{'s}} Craig S. Semon,<ref>{{Cite web |last=Semon |first=Craig S. |date=November 29, 2012 |title=Taylor Swift seeing ''Red'' on new album |url=https://www.proquest.com/docview/1220768531 |url-access=registration |access-date=2022-12-09 |website=[[Telegram & Gazette]] |id={{ProQuest|1220768531}} |archive-date=December 9, 2022 |archive-url=https://web.archive.org/web/20221209130349/https://www.proquest.com/docview/1220768531 |url-status=live }}</ref> and ''[[Slant Magazine]]''{{'s}} Jonathan Keefe, who labelled it as a "shrill, deliberately vapid {{Sic|Ke$ha}} knockoff".<ref name="Slant2">{{cite web |last=Keefe |first=Jonathan |date=October 22, 2012 |title=Taylor Swift: ''Red'' |url=http://www.slantmagazine.com/music/review/taylor-swift-red/2900 |url-status=live |archive-url=https://web.archive.org/web/20131012014408/http://www.slantmagazine.com/music/review/taylor-swift-red/2900 |archive-date=October 12, 2013 |access-date=December 27, 2012 |work=[[Slant Magazine]]}}</ref> [[AllMusic]]'s [[Stephen Thomas Erlewine]] dubbed it a "cheerfully ludicrous club-filler".<ref>{{Cite web |last=Erlewine |first=Stephen Thomas |author-link=Stephen Thomas Erlewine |title=Taylor Swift&nbsp;– ''Red'' |url=https://www.allmusic.com/album/red-mw0002414735 |access-date=December 10, 2022 |website=[[AllMusic]] |archive-date=November 26, 2017 |archive-url=https://web.archive.org/web/20171126153103/https://www.allmusic.com/album/red-mw0002414735 |url-status=live }}</ref>
''Billboard''{{'s}} review of ''Red'' appreciated Swift's songwriting on "22" for "succinctly communicating conflicting emotion" despite the upbeat production.<ref name="Billboard-2012" /> [[Digital Spy]]'s Lewis Corner deemed the single another "pop smash" for Swift's career.<ref>{{cite web |last=Corner |first=Lewis |date=March 14, 2013 |title=Taylor Swift: '22' – Single review |url=http://www.digitalspy.co.uk/music/singlesreviews/a465359/taylor-swift-22-single-review.html |url-status=dead |archive-url=https://web.archive.org/web/20130515131800/http://www.digitalspy.co.uk/music/singlesreviews/a465359/taylor-swift-22-single-review.html |archive-date=May 15, 2013 |access-date=April 28, 2013 |work=[[Digital Spy]]}}</ref> Reviewers that highlighted "22" as one of the album's best tracks included [[Idolator (website)|''Idolator'']]'s Sam Lansky,<ref>{{cite web |last=Lansky |first=Sam |date=October 22, 2012 |title=Taylor Swift's ''Red'': Album Review |url=http://idolator.com/7210192/taylor-swift-red-album-review |accessdate=December 3, 2012 |website=[[Idolator (website)|Idolator]] |archive-date=January 17, 2014 |archive-url=https://archive.today/20140117064439/http://www.idolator.com/7210192/taylor-swift-red-album-review |url-status=live }}</ref> ''[[USA Today]]''{{'s}} Jerry Shriver,<ref>{{Cite web |last=Shriver |first=Jerry |date=October 22, 2012 |title=Taylor Swift has a glow on ''Red'' |url=https://www.proquest.com/docview/1114045262 |url-access=registration |access-date=2022-12-09 |website=[[USA Today]] |id={{ProQuest|1114045262}} |archive-date=February 7, 2023 |archive-url=https://web.archive.org/web/20230207164630/https://www.proquest.com/docview/1114045262 |url-status=live }}</ref> and the ''[[Tampa Bay Times]]''{{'}} Max Asayesh-Brown, all of whom complimented the production.<ref>{{Cite web |last=Asayesh-Brown |first=Max |date=November 1, 2012 |title=Taylor Swift: ''Red'' |url=https://www.proquest.com/docview/1125079781 |url-access=registration |access-date=2022-12-09 |website=[[Tampa Bay Times]] |id={{ProQuest|1125079781}} |archive-date=December 9, 2022 |archive-url=https://web.archive.org/web/20221209124537/https://www.proquest.com/docview/1125079781 |url-status=live }}</ref> Mesfin Fekadu of the [[Associated Press]] found it better than the lead single "We Are Never Ever Getting Back Together" but deemed the lyrics weak.<ref>{{Cite news |last=Fekadu |first=Mesfin |date=October 24, 2012 |title=Taylor Swift's ''Red'' fades to mediocrity |pages=E10 |agency=[[Associated Press]] |url=https://www.newspapers.com/clip/81966343/taylor-swifts-red-fades-to-mediocrity/ |url-status=live |access-date=July 22, 2021 |archive-url=https://web.archive.org/web/20210724154608/https://www.newspapers.com/clip/81966343/taylor-swifts-red-fades-to-mediocrity/ |archive-date=July 24, 2021}}</ref> Some viewed the song as derivative of the chart hits by Swift's contemporaries such as [[Katy Perry]] and [[Kesha]], including ''[[The Boston Globe]]''<nowiki/>'s James Reed,<ref>{{Cite web |last=Reed |first=James |date=October 22, 2012 |title=Golden, but no longer a girl: On her new album, Taylor Swift pursues pop hits and more mature songwriting |url=https://www.proquest.com/docview/1113963946 |url-access=registration |access-date=2022-12-09 |website=[[Boston Globe]] |id={{ProQuest|1113963946}} |archive-date=February 7, 2023 |archive-url=https://web.archive.org/web/20230207164631/https://www.proquest.com/docview/1113963946 |url-status=live }}</ref> ''[[Telegram & Gazette]]''{{'s}} Craig S. Semon,<ref>{{Cite web |last=Semon |first=Craig S. |date=November 29, 2012 |title=Taylor Swift seeing ''Red'' on new album |url=https://www.proquest.com/docview/1220768531 |url-access=registration |access-date=2022-12-09 |website=[[Telegram & Gazette]] |id={{ProQuest|1220768531}} |archive-date=December 9, 2022 |archive-url=https://web.archive.org/web/20221209130349/https://www.proquest.com/docview/1220768531 |url-status=live }}</ref> and ''[[Slant Magazine]]''{{'s}} Jonathan Keefe, who labelled it as a "shrill, deliberately vapid {{Sic|Ke$ha}} knockoff".<ref name="Slant2">{{cite web |last=Keefe |first=Jonathan |date=October 22, 2012 |title=Taylor Swift: ''Red'' |url=http://www.slantmagazine.com/music/review/taylor-swift-red/2900 |url-status=live |archive-url=https://web.archive.org/web/20131012014408/http://www.slantmagazine.com/music/review/taylor-swift-red/2900 |archive-date=October 12, 2013 |access-date=December 27, 2012 |work=[[Slant Magazine]]}}</ref> [[AllMusic]]'s [[Stephen Thomas Erlewine]] dubbed it a "cheerfully ludicrous club-filler".<ref>{{Cite web |last=Erlewine |first=Stephen Thomas |author-link=Stephen Thomas Erlewine |title=Taylor Swift&nbsp;– ''Red'' |url=https://www.allmusic.com/album/red-mw0002414735 |access-date=December 10, 2022 |website=[[AllMusic]] |archive-date=November 26, 2017 |archive-url=https://web.archive.org/web/20171126153103/https://www.allmusic.com/album/red-mw0002414735 |url-status=live }}</ref>


At the 2015 Pop Awards held by [[Broadcast Music, Inc.]], "22" was one of the three songs (with "[[Everything Has Changed]]" and "[[Shake It Off]]") that helped Swift earn recognition as one of the "Songwriters of the Year".<ref>{{cite web |date=May 13, 2015 |title=P!nk Receives President's Award at 63rd Annual BMI Pop Awards |url=http://www.bmi.com/news/entry/2015_bmi_pop_awards |url-status=live |archive-url=https://web.archive.org/web/20160408002639/http://www.bmi.com/news/entry/2015_bmi_pop_awards |archive-date=April 8, 2016 |access-date=May 11, 2016 |publisher=[[Broadcast Music, Inc.]]}}</ref> Retrospective reviews have been generally positive, with welcoming comments from Lansky, who highlighted the "millennial pink fizz" and "neutered naughtiness",<ref>{{Cite magazine |last=Lansky |first=Sam |date=2017-11-08 |title=Why Taylor Swift's ''Red'' Is Her Best Album |url=https://www.billboard.com/music/pop/taylor-swift-red-best-album-8030142/ |access-date=2022-12-09 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=October 30, 2022 |archive-url=https://web.archive.org/web/20221030220907/https://www.billboard.com/music/pop/taylor-swift-red-best-album-8030142/ |url-status=live }}</ref> and Sheffield, who said the song is "[approximately] 22,000 times more fun than actually being 22".<ref name=":2" /> Nate Jones from [[Vulture (website)|''Vulture'']] hailed "22" for simultaneously being "absurdly catchy" and having "enough personality",<ref name="vulture">{{cite web |last=Jones |first=Nate |date=January 11, 2021 |title=Taylor Swift Songs, Ranked From Worst to Best |url=https://www.vulture.com/article/all-taylor-swift-songs-ranked-from-worst-to-best.html |url-access=limited |access-date=December 6, 2021 |website=[[Vulture (website)|Vulture]] |archive-date=September 13, 2019 |archive-url=https://web.archive.org/web/20190913234630/https://www.vulture.com/article/all-taylor-swift-songs-ranked-from-worst-to-best.html |url-status=live }}</ref> and Nick Levine from [[Time Out (magazine)|''Time Out'']]'s deemed it "far smarter" than an average dance-pop song.<ref name=":3" /> In a 2019 ranking of Swift's 44 singles, ''[[The Guardian]]''{{'s}} [[Alexis Petridis]] placed the song at number four, and lauded its catchiness and contemplative lyrics about early adulthood.<ref name=":4">{{cite web |last=Petridis |first=Alexis |author-link=Alexis Petridis |date=April 26, 2019 |title=Taylor Swift's Singles – Ranked |url=https://www.theguardian.com/music/2019/apr/26/taylor-swifts-singles-ranked |access-date=January 24, 2021 |website=[[The Guardian]] |archive-date=April 27, 2019 |archive-url=https://web.archive.org/web/20190427062612/https://www.theguardian.com/music/2019/apr/26/taylor-swifts-singles-ranked |url-status=live }}</ref> Perone nonetheless deemed "22" not as sophisticated and grounded as Swift's previous songs about heartbreak, specifically "[[Fifteen (song)|Fifteen]]" (2009).{{Sfn|Perone|2017|p=46}}
At the 2015 Pop Awards held by [[Broadcast Music, Inc.]], "22" was one of the three songs (with "[[Everything Has Changed]]" and "[[Shake It Off]]") that helped Swift earn recognition as one of the "Songwriters of the Year".<ref>{{cite web |date=May 13, 2015 |title=P!nk Receives President's Award at 63rd Annual BMI Pop Awards |url=http://www.bmi.com/news/entry/2015_bmi_pop_awards |url-status=live |archive-url=https://web.archive.org/web/20160408002639/http://www.bmi.com/news/entry/2015_bmi_pop_awards |archive-date=April 8, 2016 |access-date=May 11, 2016 |publisher=[[Broadcast Music, Inc.]]}}</ref> Retrospective reviews have been generally positive, with welcoming comments from Lansky, who highlighted the "millennial pink fizz" and "neutered naughtiness",<ref>{{Cite magazine |last=Lansky |first=Sam |date=2017-11-08 |title=Why Taylor Swift's ''Red'' Is Her Best Album |url=https://www.billboard.com/music/pop/taylor-swift-red-best-album-8030142/ |access-date=2022-12-09 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=October 30, 2022 |archive-url=https://web.archive.org/web/20221030220907/https://www.billboard.com/music/pop/taylor-swift-red-best-album-8030142/ |url-status=live }}</ref> and Sheffield, who said the song is "[approximately] 22,000 times more fun than actually being 22".<ref name="Sheffield-2019" /> Nate Jones from [[Vulture (website)|''Vulture'']] hailed "22" for simultaneously being "absurdly catchy" and having "enough personality",<ref name="vulture">{{cite web |last=Jones |first=Nate |date=January 11, 2021 |title=Taylor Swift Songs, Ranked From Worst to Best |url=https://www.vulture.com/article/all-taylor-swift-songs-ranked-from-worst-to-best.html |url-access=limited |access-date=December 6, 2021 |website=[[Vulture (website)|Vulture]] |archive-date=September 13, 2019 |archive-url=https://web.archive.org/web/20190913234630/https://www.vulture.com/article/all-taylor-swift-songs-ranked-from-worst-to-best.html |url-status=live }}</ref> and Nick Levine from [[Time Out (magazine)|''Time Out'']]'s deemed it "far smarter" than an average dance-pop song.<ref name="Levine-2015" /> In a 2019 ranking of Swift's 44 singles, ''[[The Guardian]]''{{'s}} [[Alexis Petridis]] placed the song at number four, and lauded its catchiness and contemplative lyrics about early adulthood.<ref name="Petridis-2019">{{cite web |last=Petridis |first=Alexis |author-link=Alexis Petridis |date=April 26, 2019 |title=Taylor Swift's Singles – Ranked |url=https://www.theguardian.com/music/2019/apr/26/taylor-swifts-singles-ranked |access-date=January 24, 2021 |website=[[The Guardian]] |archive-date=April 27, 2019 |archive-url=https://web.archive.org/web/20190427062612/https://www.theguardian.com/music/2019/apr/26/taylor-swifts-singles-ranked |url-status=live }}</ref> Perone nonetheless deemed "22" not as sophisticated and grounded as Swift's previous songs about heartbreak, specifically "[[Fifteen (song)|Fifteen]]" (2009).{{Sfn|Perone|2017|p=46}}


Some media publications dubbed "22" a [[Bandwagon effect|cultural phenomenon]] resulting in the prominence of 22nd birthdays;<ref>{{cite magazine |last=Lash |first=Jolie |date=June 18, 2021 |title=Taylor Swift to rerelease ''Red'' with all 30 of its original songs |url=https://ew.com/music/taylor-swift-to-rerelease-red-album-november-2021/ |magazine=[[Entertainment Weekly]] |access-date=July 24, 2021 |archive-date=July 24, 2021 |archive-url=https://web.archive.org/web/20210724093217/https://ew.com/music/taylor-swift-to-rerelease-red-album-november-2021/ |url-status=live }}</ref> according to ''[[NME]]''{{'s}} Hannah Mylrea, "Before '22' nobody cared when you celebrated your 22nd birthday [...] and somehow Swift turned it into a milestone."<ref name=":1" />
Some media publications dubbed "22" a [[Bandwagon effect|cultural phenomenon]] resulting in the prominence of 22nd birthdays;<ref>{{cite magazine |last=Lash |first=Jolie |date=June 18, 2021 |title=Taylor Swift to rerelease ''Red'' with all 30 of its original songs |url=https://ew.com/music/taylor-swift-to-rerelease-red-album-november-2021/ |magazine=[[Entertainment Weekly]] |access-date=July 24, 2021 |archive-date=July 24, 2021 |archive-url=https://web.archive.org/web/20210724093217/https://ew.com/music/taylor-swift-to-rerelease-red-album-november-2021/ |url-status=live }}</ref> according to ''[[NME]]''{{'s}} Hannah Mylrea, "Before '22' nobody cared when you celebrated your 22nd birthday [...] and somehow Swift turned it into a milestone."<ref name="Mylrea-2020" />


==Commercial performance==
==Commercial performance==
For the week ending October 28, 2012, "22" debuted at number 44 on the US [[Billboard Hot 100|''Billboard'' Hot 100]] and number seven on [[Hot Digital Songs]] with first-week sales of 108,000 digital copies; it was the week's highest debut position.<ref>{{cite web |last=Grein |first=Paul |date=October 31, 2012 |title=Week Ending Oct. 28, 2012. Songs: Chris Brown's Comeback |url=http://music.yahoo.com/blogs/chart-watch/week-ending-oct-28-2012-songs-chris-brown-213026172.html |url-status=dead |archive-url=https://web.archive.org/web/20141112041335/https://music.yahoo.com/blogs/chart-watch/week-ending-oct-28-2012-songs-chris-brown-213026172.html |archive-date=November 12, 2014 |access-date=January 25, 2013 |publisher=[[Yahoo! Music]]}}</ref> After its single release, the song peaked at number 20 on the ''Billboard'' Hot 100 and was the sixth track from ''Red'' to reach the top 20.<ref>{{Cite magazine |date=2022-03-23 |title=Taylor Swift's 40 Biggest Hot 100 Hits |url=https://www.billboard.com/lists/top-taylor-swift-songs-top-100-hits/ |access-date=2022-12-10 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=December 14, 2022 |archive-url=https://web.archive.org/web/20221214072657/https://www.billboard.com/lists/top-taylor-swift-songs-top-100-hits/ |url-status=live }}</ref> The [[Recording Industry Association of America]] (RIAA) certified the single [[RIAA certification|triple platinum]], denoting three million track-equivalent [[Album-equivalent unit|units]] based on digital sales and streaming.<ref name="RIAA"/> In the United Kingdom, "22" peaked at number nine on the [[UK Singles Chart]] and was certified platinum by the [[British Phonographic Industry]] (BPI).<ref name="BPI"/> The single also received sales certifications in Australia (double platinum),<ref name="ARIA"/> Canada (platinum),<ref name="MC"/> New Zealand (gold),<ref name="RMNZ"/> and Japan (gold),<ref name="RIAJ"/> and peaked within the top 30 in the first three countries.<ref name="AUS"/><ref name="canada"/>
For the week ending October 28, 2012, "22" debuted at number 44 on the US [[Billboard Hot 100|''Billboard'' Hot 100]] and number seven on [[Hot Digital Songs]] with first-week sales of 108,000 digital copies; it was the week's highest debut position.<ref>{{cite web |last=Grein |first=Paul |date=October 31, 2012 |title=Week Ending Oct. 28, 2012. Songs: Chris Brown's Comeback |url=http://music.yahoo.com/blogs/chart-watch/week-ending-oct-28-2012-songs-chris-brown-213026172.html |url-status=dead |archive-url=https://web.archive.org/web/20141112041335/https://music.yahoo.com/blogs/chart-watch/week-ending-oct-28-2012-songs-chris-brown-213026172.html |archive-date=November 12, 2014 |access-date=January 25, 2013 |publisher=[[Yahoo! Music]]}}</ref> After its single release, the song peaked at number 20 on the ''Billboard'' Hot 100 and was the sixth track from ''Red'' to reach the top 20.<ref>{{Cite magazine |date=2022-03-23 |title=Taylor Swift's 40 Biggest Hot 100 Hits |url=https://www.billboard.com/lists/top-taylor-swift-songs-top-100-hits/ |access-date=2022-12-10 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=December 14, 2022 |archive-url=https://web.archive.org/web/20221214072657/https://www.billboard.com/lists/top-taylor-swift-songs-top-100-hits/ |url-status=live }}</ref> The [[Recording Industry Association of America]] (RIAA) certified the single [[RIAA certification|triple platinum]], denoting three million track-equivalent [[Album-equivalent unit|units]] based on digital sales and streaming.<ref name="RIAA"/> In the United Kingdom, "22" peaked at number nine on the [[UK Singles Chart]] and was certified platinum by the [[British Phonographic Industry]] (BPI).<ref name="BPI"/> The single also received sales certifications in Australia (four-times platinum),<ref name="ARIA"/> Canada (platinum),<ref name="MC"/> New Zealand (gold),<ref name="RMNZ"/> and Japan (gold),<ref name="RIAJ"/> and peaked within the top 30 in the first three countries.<ref name="AUS"/><ref name="canada"/>


==Music video and live performances==
==Music video and live performances==
[[File:Taylor Swift IMG 0248 (9926956034).jpg|alt=Taylor Swift on stage with backup dancers|thumb|Swift performing "22" on [[the Red Tour]] (2013)]]
[[File:Taylor Swift IMG 0248 (9926956034).jpg|alt=Taylor Swift on stage with backup dancers|thumb|Swift performing "22" on [[the Red Tour]] (2013)]]
Swift travelled to [[Malibu, California]], in February 2013, and filmed the music video for "22" there a day after she attended the [[55th Annual Grammy Awards]].<ref name=":5" /> She premiered the video on March 13, 2013, on ''[[Good Morning America]]''.<ref name=":6">{{Cite magazine |last=Carlson |first=Adam |date=March 13, 2013 |title=Taylor Swift debuts '22' video, has more fun than you |url=https://ew.com/article/2013/03/13/taylor-swift-22-video/ |access-date=2022-12-10 |magazine=[[Entertainment Weekly]] |archive-date=March 25, 2015 |archive-url=https://web.archive.org/web/20150325061505/https://ew.com/article/2013/03/13/taylor-swift-22-video/ |url-status=live }}</ref> Directed by [[Anthony Mandler]], the video for "22" departs from the narrative-driven video for Swift's previous single, "I Knew You Were Trouble"; it features scenes of Swift and her friends baking in the kitchen, sunbathing on the beach, bouncing on trampolines, and throwing a house party which ends with Swift diving into the pool, clothes on.<ref>{{Cite magazine |last=Payne |first=Chris |date=March 13, 2013 |title=Taylor Swift Debuts Malibu-Shot '22' Music Video |url=https://www.billboard.com/articles/columns/pop-shop/1551792/taylor-swift-debuts-malibu-shot-22-music-video |url-status=live |magazine=[[Billboard (magazine)|Billboard]] |archive-url=https://web.archive.org/web/20160511093903/http://www.billboard.com/articles/columns/pop-shop/1551792/taylor-swift-debuts-malibu-shot-22-music-video |archive-date=May 11, 2016 |access-date=April 16, 2020}}</ref><ref>{{Cite web |last=Montgomery |first=James |date=March 13, 2013 |title=Taylor Swift's '22' Video: The Diary of A Normal Girl |url=https://www.mtv.com/news/0jgt64/taylor-swift-22-music-video |access-date=2022-12-10 |publisher=[[MTV News]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210050600/https://www.mtv.com/news/0jgt64/taylor-swift-22-music-video |url-status=live }}</ref><ref>{{Cite web |last=Maresca |first=Rachel |date=March 13, 2013 |title=Taylor Swift debuts '22' music video: Singer has a beach day before kicking off ''Red'' tour |url=https://www.nydailynews.com/entertainment/music-arts/taylor-swift-debuts-world-premiere-22-article-1.1287228 |access-date=2022-12-10 |website=[[New York Daily News]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210050606/https://www.nydailynews.com/entertainment/music-arts/taylor-swift-debuts-world-premiere-22-article-1.1287228 |url-status=live }}</ref> Some media publications noticed Swift's fashion as [[Hipster (contemporary subculture)|hipster]]-inspired, particularly her [[Chambray (fabric)|chambray]] shirt and plastic glasses,<ref>{{Cite web |last=L. |first=Darwin |date=March 13, 2013 |title=Taylor Swift's '22' Music Video: Look By Look |url=https://www.mtv.com/news/k0nvnc/taylor-swift-22-music-video-2 |access-date=2022-12-10 |publisher=[[MTV News]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210050605/https://www.mtv.com/news/k0nvnc/taylor-swift-22-music-video-2 |url-status=live }}</ref> while [[Cosmopolitan (magazine)|''Cosmopolitan'']] and ''[[Entertainment Weekly]]'' deemed the aesthetics reminiscent of [[Instagram]]'s.<ref name=":6" /><ref>{{Cite web |last=Dray |first=Kayleigh |date=2013-03-14 |title=Taylor's girl power video! |url=http://www.cosmopolitan.co.uk/celebs/celebrity-gossip/rss/taylor-swift-22-music-video-watch |access-date=2022-12-10 |website=[[Cosmopolitan (magazine)|Cosmopolitan]] |archive-date=May 27, 2013 |archive-url=https://web.archive.org/web/20130527230357/http://www.cosmopolitan.co.uk/celebs/celebrity-gossip/rss/taylor-swift-22-music-video-watch |url-status=live }}</ref>
Swift travelled to [[Malibu, California]], in February 2013, and filmed the music video for "22" there a day after she attended the [[55th Annual Grammy Awards]].<ref name="Vena-2013" /> She premiered the video on March 13, 2013, on ''[[Good Morning America]]''.<ref name="Carlson-2013">{{Cite magazine |last=Carlson |first=Adam |date=March 13, 2013 |title=Taylor Swift debuts '22' video, has more fun than you |url=https://ew.com/article/2013/03/13/taylor-swift-22-video/ |access-date=2022-12-10 |magazine=[[Entertainment Weekly]] |archive-date=March 25, 2015 |archive-url=https://web.archive.org/web/20150325061505/https://ew.com/article/2013/03/13/taylor-swift-22-video/ |url-status=live }}</ref> Directed by [[Anthony Mandler]], the video for "22" departs from the narrative-driven video for Swift's previous single, "I Knew You Were Trouble"; it features scenes of Swift and her friends baking in the kitchen, sunbathing on the beach, bouncing on trampolines, and throwing a house party which ends with Swift diving into the pool, clothes on.<ref>{{Cite magazine |last=Payne |first=Chris |date=March 13, 2013 |title=Taylor Swift Debuts Malibu-Shot '22' Music Video |url=https://www.billboard.com/articles/columns/pop-shop/1551792/taylor-swift-debuts-malibu-shot-22-music-video |url-status=live |magazine=[[Billboard (magazine)|Billboard]] |archive-url=https://web.archive.org/web/20160511093903/http://www.billboard.com/articles/columns/pop-shop/1551792/taylor-swift-debuts-malibu-shot-22-music-video |archive-date=May 11, 2016 |access-date=April 16, 2020}}</ref><ref>{{Cite web |last=Montgomery |first=James |date=March 13, 2013 |title=Taylor Swift's '22' Video: The Diary of A Normal Girl |url=https://www.mtv.com/news/0jgt64/taylor-swift-22-music-video |access-date=2022-12-10 |publisher=[[MTV News]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210050600/https://www.mtv.com/news/0jgt64/taylor-swift-22-music-video |url-status=dead }}</ref><ref>{{Cite web |last=Maresca |first=Rachel |date=March 13, 2013 |title=Taylor Swift debuts '22' music video: Singer has a beach day before kicking off ''Red'' tour |url=https://www.nydailynews.com/entertainment/music-arts/taylor-swift-debuts-world-premiere-22-article-1.1287228 |access-date=2022-12-10 |website=[[New York Daily News]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210050606/https://www.nydailynews.com/entertainment/music-arts/taylor-swift-debuts-world-premiere-22-article-1.1287228 |url-status=live }}</ref> Some media publications noticed Swift's fashion as [[Hipster (contemporary subculture)|hipster]]-inspired, particularly her [[Chambray (fabric)|chambray]] shirt and plastic glasses,<ref>{{Cite web |last=L. |first=Darwin |date=March 13, 2013 |title=Taylor Swift's '22' Music Video: Look By Look |url=https://www.mtv.com/news/k0nvnc/taylor-swift-22-music-video-2 |access-date=2022-12-10 |publisher=[[MTV News]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210050605/https://www.mtv.com/news/k0nvnc/taylor-swift-22-music-video-2 |url-status=dead }}</ref> while [[Cosmopolitan (magazine)|''Cosmopolitan'']] and ''[[Entertainment Weekly]]'' deemed the aesthetics reminiscent of [[Instagram]]'s.<ref name="Carlson-2013" /><ref>{{Cite web |last=Dray |first=Kayleigh |date=2013-03-14 |title=Taylor's girl power video! |url=http://www.cosmopolitan.co.uk/celebs/celebrity-gossip/rss/taylor-swift-22-music-video-watch |access-date=2022-12-10 |website=[[Cosmopolitan (magazine)|Cosmopolitan]] |archive-date=May 27, 2013 |archive-url=https://web.archive.org/web/20130527230357/http://www.cosmopolitan.co.uk/celebs/celebrity-gossip/rss/taylor-swift-22-music-video-watch |url-status=live }}</ref>


[[File:Eras Tour - Inglewood, California - Red act 12.jpg|thumb|Swift performing "22" at [[the Eras Tour]] (2023)]]
[[File:Eras Tour - Inglewood, California - Red act 12.jpg|thumb|Swift performing "22" at [[the Eras Tour]] (2023)]]
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It was later included on the set list to Swift's private concert held on a [[Péniche (barge)|péniche]] on the [[Seine]] on January 28, 2013.<ref>{{Cite web |last=Decant |first=Charles |date=January 29, 2013 |title=Taylor Swift a brillé sur la Seine |trans-title=Taylor Swift shined on the Seine |url=http://www.chartsinfrance.net/Taylor-Swift/news-84055.html |access-date=2022-12-10 |website=Pure Charts |language=fr |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210095545/http://www.chartsinfrance.net/Taylor-Swift/news-84055.html |url-status=live }}</ref> Her first televised performance of "22" was on May 19, 2013, at the [[2013 Billboard Music Awards|''Billboard'' Music Awards]].<ref>{{cite web |last=Acuna |first=Kristen |date=May 20, 2013 |title=Taylor Swift's Brilliant '22' ''Billboard'' Music Awards Performance |url=http://www.sfgate.com/technology/businessinsider/article/Taylor-Swift-s-Brilliant-22-Billboard-Music-4531752.php |url-status=dead |archive-url=https://web.archive.org/web/20171112015129/http://www.sfgate.com/technology/businessinsider/article/Taylor-Swift-s-Brilliant-22-Billboard-Music-4531752.php |archive-date=November 12, 2017 |access-date=May 20, 2013 |work=[[San Francisco Chronicle]]}}</ref> Dressed in silver shoes, black high-waisted shorts, and a unicorn T-shirt saying "Haters Gonna Hate", Swift sang the first verse and chorus, and the second verse in the dressing room backstage. She appeared onstage for the rest of the song, joined by ''[[America's Got Talent]]'' winners and the dance crew [[Jabbawockeez]]; the performances ended with red balloons falling from the ceiling.<ref>{{Cite magazine |last=Benjamin |first=Jeff |date=2013-05-20 |title=Taylor Swift Brings the Party Backstage & Onstage at ''Billboard'' Music Awards |url=https://www.billboard.com/music/music-news/taylor-swift-brings-the-party-backstage-onstage-at-billboard-music-awards-1562896/ |access-date=2022-12-10 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210054652/https://www.billboard.com/music/music-news/taylor-swift-brings-the-party-backstage-onstage-at-billboard-music-awards-1562896/ |url-status=live }}</ref><ref>{{Cite magazine |last=Rogers |first=Ray |date=2013-05-25 |title=Taylor Swift: ''Billboard'' Music Award Wins Were a 'Wonderful Feeling' |url=https://www.billboard.com/music/music-news/taylor-swift-billboard-music-award-wins-were-a-wonderful-feeling-1563860/ |access-date=2022-12-10 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210054651/https://www.billboard.com/music/music-news/taylor-swift-billboard-music-award-wins-were-a-wonderful-feeling-1563860/ |url-status=live }}</ref> The song was part of the set list to [[the Red Tour]] (2013–2014), where Swift performed it with a dance troupe.<ref>{{Cite web |last=Levy |first=Piet |date=August 11, 2013 |title=Concert review: Taylor Swift's ''Red'' tour brings color, spectacle to Chicago's Soldier Field |url=http://www.jsonline.com/entertainment/musicandnightlife/concert-review-taylor-swifts-red-tour-brings-color-spectacle-to-chicagos-soldier-field-b9968845z1-219170441.html |access-date=2022-12-10 |website=[[Milwaukee Journal Sentinel]] |archive-date=May 6, 2016 |archive-url=https://web.archive.org/web/20160506154240/http://www.jsonline.com/entertainment/musicandnightlife/concert-review-taylor-swifts-red-tour-brings-color-spectacle-to-chicagos-soldier-field-b9968845z1-219170441.html |url-status=live }}</ref>
It was later included on the set list to Swift's private concert held on a [[Péniche (barge)|péniche]] on the [[Seine]] on January 28, 2013.<ref>{{Cite web |last=Decant |first=Charles |date=January 29, 2013 |title=Taylor Swift a brillé sur la Seine |trans-title=Taylor Swift shined on the Seine |url=http://www.chartsinfrance.net/Taylor-Swift/news-84055.html |access-date=2022-12-10 |website=Pure Charts |language=fr |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210095545/http://www.chartsinfrance.net/Taylor-Swift/news-84055.html |url-status=live }}</ref> Her first televised performance of "22" was on May 19, 2013, at the [[2013 Billboard Music Awards|''Billboard'' Music Awards]].<ref>{{cite web |last=Acuna |first=Kristen |date=May 20, 2013 |title=Taylor Swift's Brilliant '22' ''Billboard'' Music Awards Performance |url=http://www.sfgate.com/technology/businessinsider/article/Taylor-Swift-s-Brilliant-22-Billboard-Music-4531752.php |url-status=dead |archive-url=https://web.archive.org/web/20171112015129/http://www.sfgate.com/technology/businessinsider/article/Taylor-Swift-s-Brilliant-22-Billboard-Music-4531752.php |archive-date=November 12, 2017 |access-date=May 20, 2013 |work=[[San Francisco Chronicle]]}}</ref> Dressed in silver shoes, black high-waisted shorts, and a unicorn T-shirt saying "Haters Gonna Hate", Swift sang the first verse and chorus, and the second verse in the dressing room backstage. She appeared onstage for the rest of the song, joined by ''[[America's Got Talent]]'' winners and the dance crew [[Jabbawockeez]]; the performances ended with red balloons falling from the ceiling.<ref>{{Cite magazine |last=Benjamin |first=Jeff |date=2013-05-20 |title=Taylor Swift Brings the Party Backstage & Onstage at ''Billboard'' Music Awards |url=https://www.billboard.com/music/music-news/taylor-swift-brings-the-party-backstage-onstage-at-billboard-music-awards-1562896/ |access-date=2022-12-10 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210054652/https://www.billboard.com/music/music-news/taylor-swift-brings-the-party-backstage-onstage-at-billboard-music-awards-1562896/ |url-status=live }}</ref><ref>{{Cite magazine |last=Rogers |first=Ray |date=2013-05-25 |title=Taylor Swift: ''Billboard'' Music Award Wins Were a 'Wonderful Feeling' |url=https://www.billboard.com/music/music-news/taylor-swift-billboard-music-award-wins-were-a-wonderful-feeling-1563860/ |access-date=2022-12-10 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=December 10, 2022 |archive-url=https://web.archive.org/web/20221210054651/https://www.billboard.com/music/music-news/taylor-swift-billboard-music-award-wins-were-a-wonderful-feeling-1563860/ |url-status=live }}</ref> The song was part of the set list to [[the Red Tour]] (2013–2014), where Swift performed it with a dance troupe.<ref>{{Cite web |last=Levy |first=Piet |date=August 11, 2013 |title=Concert review: Taylor Swift's ''Red'' tour brings color, spectacle to Chicago's Soldier Field |url=http://www.jsonline.com/entertainment/musicandnightlife/concert-review-taylor-swifts-red-tour-brings-color-spectacle-to-chicagos-soldier-field-b9968845z1-219170441.html |access-date=2022-12-10 |website=[[Milwaukee Journal Sentinel]] |archive-date=May 6, 2016 |archive-url=https://web.archive.org/web/20160506154240/http://www.jsonline.com/entertainment/musicandnightlife/concert-review-taylor-swifts-red-tour-brings-color-spectacle-to-chicagos-soldier-field-b9968845z1-219170441.html |url-status=live }}</ref>


Swift later included "22" as part of the set lists to her other concerts and shows, including at the [[iHeartRadio Music Festival]] in September 2014,<ref>{{cite magazine |last=Lipshutz |first=Jason |date=September 20, 2014 |title=Taylor Swift Shakes Off the 'Frenemies' During iHeartRadio Fest Performance: Watch |url=https://www.billboard.com/articles/columns/music-festivals/6259021/taylor-swift-iheartradio-festival-performance-shake-it-off |url-status=live |magazine=[[Billboard (magazine)|Billboard]] |archive-url=https://web.archive.org/web/20140920202759/http://www.billboard.com/articles/columns/music-festivals/6259021/taylor-swift-iheartradio-festival-performance-shake-it-off |archive-date=September 20, 2014 |access-date=December 9, 2019}}</ref> at the [[United States Grand Prix|Formula 1 United States Grand Prix]] at the [[Circuit of the Americas]] in October 2016,<ref>{{cite web |date=October 23, 2016 |title=Taylor Swift Takes The Stage For First Concert In Almost A Year, Performs Song She Wrote For Calvin Harris |url=https://etcanada.com/news/175995/taylor-swift-takes-the-stage-for-first-concert-in-almost-a-year-performs-song-she-wrote-for-calvin-harris/ |url-status=dead |archive-url=https://web.archive.org/web/20191228102417/https://etcanada.com/news/175995/taylor-swift-takes-the-stage-for-first-concert-in-almost-a-year-performs-song-she-wrote-for-calvin-harris/ |archive-date=December 28, 2019 |access-date=December 28, 2019 |website=[[ET Canada]]}}</ref> and at the [[DirecTV]] Super Saturday Night, as part of a series of pre-[[Super Bowl]] concerts, in February 2017.<ref name="Kayleigh">{{cite news |last=Roberts |first=Kayleigh |date=February 5, 2017 |title=Here's What Happened at Taylor Swift's Alleged Only Performance of 2017 |work=[[Elle (magazine)|Elle]] |url=http://www.elle.com/culture/celebrities/news/a42698/taylor-swifts-alleged-only-performance-of-2017/ |url-status=live |access-date=October 29, 2017 |archive-url=https://web.archive.org/web/20171107015252/http://www.elle.com/culture/celebrities/news/a42698/taylor-swifts-alleged-only-performance-of-2017/ |archive-date=November 7, 2017}}</ref> She performed "22" on the [[Reputation Stadium Tour]] (2018) as a "surprise song" for the second show in Chicago, the first show in [[Foxborough, Massachusetts|Foxborough]], and the show in Sydney.<ref>{{cite magazine |last1=Iasimone |first1=Ashley |date=November 20, 2018 |title=All the Surprise Songs Taylor Swift Has Performed On Her Reputation Stadium Tour B-Stage (So Far) |url=https://www.billboard.com/articles/columns/pop/8458025/taylor-swift-reputation-tour-b-stage-songs-list |url-status=live |magazine=[[Billboard (magazine)|Billboard]] |archive-url=https://web.archive.org/web/20191008113110/https://www.billboard.com/articles/columns/pop/8458025/taylor-swift-reputation-tour-b-stage-songs-list |archive-date=8 October 2019 |access-date=19 December 2018}}</ref> On December 8, 2019, Swift performed the song at [[Capital (radio network)|Capital FM]]'s [[Jingle Bell Ball#2019|Jingle Bell Ball 2019]] in London.<ref>{{cite magazine|url=https://www.billboard.com/articles/columns/pop/8545722/taylor-swift-christmas-tree-farm-live-video-capital-fm-jingle-bell-ball|title=Taylor Swift Performs 'Christmas Tree Farm' Live for the First Time at Capital FM's Jingle Bell Ball: Watch|last=Iasimone|first=Ashley|magazine=[[Billboard (magazine)|Billboard]]|date=December 8, 2019|access-date=December 9, 2019|archive-date=December 8, 2019|archive-url=https://web.archive.org/web/20191208234825/https://www.billboard.com/articles/columns/pop/8545722/taylor-swift-christmas-tree-farm-live-video-capital-fm-jingle-bell-ball|url-status=live}}</ref> In March 2023, Swift embarked on [[the Eras Tour]], as a tribute to her discography.<ref>{{Cite web |last=Barnes |first=Kelsey |date=March 20, 2023 |title=Taylor Swift's Eras tour is a career-defining spectacle full of surprises – review |url=https://www.independent.co.uk/arts-entertainment/music/reviews/taylor-swift-eras-tour-review-b2303820.html |access-date=November 30, 2023 |website=[[The Independent]]}}</ref> The tour consisted of ten acts, including the ''Red'' set, where "22" was the opening track.<ref name="Yahr-2023">{{Cite news |last=Yahr |first=Emily |date=March 18, 2023 |title=Analysis {{!}} Taylor Swift's Eras Tour opener: A complete recap of all 44 songs |newspaper=[[The Washington Post]] |url=https://www.washingtonpost.com/music/2023/03/18/taylor-swift-eras-tour-setlist-costumes-recap/ |access-date=November 30, 2023 |issn=0190-8286 |archive-date=March 18, 2023 |archive-url=https://web.archive.org/web/20230318162008/https://www.washingtonpost.com/music/2023/03/18/taylor-swift-eras-tour-setlist-costumes-recap/ |url-status=live }}</ref> Swift performs the song while wearing a version of the white T-shirt and black hat from the song's music video.<ref name="Yahr-2023" /> Towards the end of the song, she greets a fan pre-selected from the audience and gives them the hat.<ref>{{Cite web |last=Wood |first=Mikael |last2=Exposito |first2=Suzy |date=August 3, 2023 |title=Taylor Swift delivers emotional catharsis and anthems galore in epic, three-hour-plus show |url=https://www.latimes.com/entertainment-arts/music/story/2023-08-03/taylor-swift-sofi-stadium-opening-night-concert-eras-tour-live-updates |access-date=November 30, 2023 |website=[[Los Angeles Times]]}}</ref>
Swift later included "22" as part of the set lists to her other concerts and shows, including at the [[iHeartRadio Music Festival]] in September 2014,<ref>{{cite magazine |last=Lipshutz |first=Jason |date=September 20, 2014 |title=Taylor Swift Shakes Off the 'Frenemies' During iHeartRadio Fest Performance: Watch |url=https://www.billboard.com/articles/columns/music-festivals/6259021/taylor-swift-iheartradio-festival-performance-shake-it-off |url-status=live |magazine=[[Billboard (magazine)|Billboard]] |archive-url=https://web.archive.org/web/20140920202759/http://www.billboard.com/articles/columns/music-festivals/6259021/taylor-swift-iheartradio-festival-performance-shake-it-off |archive-date=September 20, 2014 |access-date=December 9, 2019}}</ref> at the [[United States Grand Prix|Formula 1 United States Grand Prix]] at the [[Circuit of the Americas]] in October 2016,<ref>{{cite web |date=October 23, 2016 |title=Taylor Swift Takes The Stage For First Concert In Almost A Year, Performs Song She Wrote For Calvin Harris |url=https://etcanada.com/news/175995/taylor-swift-takes-the-stage-for-first-concert-in-almost-a-year-performs-song-she-wrote-for-calvin-harris/ |url-status=dead |archive-url=https://web.archive.org/web/20191228102417/https://etcanada.com/news/175995/taylor-swift-takes-the-stage-for-first-concert-in-almost-a-year-performs-song-she-wrote-for-calvin-harris/ |archive-date=December 28, 2019 |access-date=December 28, 2019 |website=[[ET Canada]]}}</ref> and at the [[DirecTV]] Super Saturday Night, as part of a series of pre-[[Super Bowl]] concerts, in February 2017.<ref name="Kayleigh">{{cite news |last=Roberts |first=Kayleigh |date=February 5, 2017 |title=Here's What Happened at Taylor Swift's Alleged Only Performance of 2017 |work=[[Elle (magazine)|Elle]] |url=http://www.elle.com/culture/celebrities/news/a42698/taylor-swifts-alleged-only-performance-of-2017/ |url-status=live |access-date=October 29, 2017 |archive-url=https://web.archive.org/web/20171107015252/http://www.elle.com/culture/celebrities/news/a42698/taylor-swifts-alleged-only-performance-of-2017/ |archive-date=November 7, 2017}}</ref> She performed "22" on the [[Reputation Stadium Tour]] (2018) as a "surprise song" for the second show in Chicago, the first show in [[Foxborough, Massachusetts|Foxborough]], and the show in Sydney.<ref>{{cite magazine |last1=Iasimone |first1=Ashley |date=November 20, 2018 |title=All the Surprise Songs Taylor Swift Has Performed On Her Reputation Stadium Tour B-Stage (So Far) |url=https://www.billboard.com/articles/columns/pop/8458025/taylor-swift-reputation-tour-b-stage-songs-list |url-status=live |magazine=[[Billboard (magazine)|Billboard]] |archive-url=https://web.archive.org/web/20191008113110/https://www.billboard.com/articles/columns/pop/8458025/taylor-swift-reputation-tour-b-stage-songs-list |archive-date=8 October 2019 |access-date=19 December 2018}}</ref> On December 8, 2019, Swift performed the song at [[Capital (radio network)|Capital FM]]'s [[Jingle Bell Ball#2019|Jingle Bell Ball 2019]] in London.<ref>{{cite magazine|url=https://www.billboard.com/articles/columns/pop/8545722/taylor-swift-christmas-tree-farm-live-video-capital-fm-jingle-bell-ball|title=Taylor Swift Performs 'Christmas Tree Farm' Live for the First Time at Capital FM's Jingle Bell Ball: Watch|last=Iasimone|first=Ashley|magazine=[[Billboard (magazine)|Billboard]]|date=December 8, 2019|access-date=December 9, 2019|archive-date=December 8, 2019|archive-url=https://web.archive.org/web/20191208234825/https://www.billboard.com/articles/columns/pop/8545722/taylor-swift-christmas-tree-farm-live-video-capital-fm-jingle-bell-ball|url-status=live}}</ref> In March 2023, Swift embarked on [[the Eras Tour]], as a tribute to her discography.<ref>{{Cite web |last=Barnes |first=Kelsey |date=March 20, 2023 |title=Taylor Swift's Eras tour is a career-defining spectacle full of surprises – review |url=https://www.independent.co.uk/arts-entertainment/music/reviews/taylor-swift-eras-tour-review-b2303820.html |access-date=November 30, 2023 |website=[[The Independent]] |archive-date=July 5, 2023 |archive-url=https://web.archive.org/web/20230705125732/https://www.independent.co.uk/arts-entertainment/music/reviews/taylor-swift-eras-tour-review-b2303820.html |url-status=live }}</ref> The tour consisted of ten acts, including the ''Red'' set, where "22" was the opening track.<ref name="Yahr-2023">{{Cite news |last=Yahr |first=Emily |date=March 18, 2023 |title=Analysis {{!}} Taylor Swift's Eras Tour opener: A complete recap of all 44 songs |newspaper=[[The Washington Post]] |url=https://www.washingtonpost.com/music/2023/03/18/taylor-swift-eras-tour-setlist-costumes-recap/ |access-date=November 30, 2023 |issn=0190-8286 |archive-date=March 18, 2023 |archive-url=https://web.archive.org/web/20230318162008/https://www.washingtonpost.com/music/2023/03/18/taylor-swift-eras-tour-setlist-costumes-recap/ |url-status=live }}</ref> Swift performs the song while wearing a version of the white T-shirt and black hat from the song's music video.<ref name="Yahr-2023" /> Towards the end of the song, she greets a fan pre-selected from the audience and gives them the hat.<ref>{{Cite web |last1=Wood |first1=Mikael |last2=Exposito |first2=Suzy |date=August 3, 2023 |title=Taylor Swift delivers emotional catharsis and anthems galore in epic, three-hour-plus show |url=https://www.latimes.com/entertainment-arts/music/story/2023-08-03/taylor-swift-sofi-stadium-opening-night-concert-eras-tour-live-updates |access-date=November 30, 2023 |website=[[Los Angeles Times]] |archive-date=August 4, 2023 |archive-url=https://web.archive.org/web/20230804075610/https://www.latimes.com/entertainment-arts/music/story/2023-08-03/taylor-swift-sofi-stadium-opening-night-concert-eras-tour-live-updates |url-status=live }}</ref>


==Credits and personnel==
==Credits and personnel==
Line 128: Line 129:
{{single chart|Billboardjapanhot100|53|artist=Taylor Swift|access-date=November 5, 2023|rowheader=true}}
{{single chart|Billboardjapanhot100|53|artist=Taylor Swift|access-date=November 5, 2023|rowheader=true}}
|-
|-
! scope="row"| Japan Adult Contemporary (''[[Billboard Japan|Billboard]]'')<ref>{{cite web|url=https://www.billboard-japan.com/charts/detail?a=adult_airplay&year=2013&month=05&day=13|title=Japan Adult Contemporary Airplay Chart|website=[[Billboard Japan]]|language=ja|access-date=November 6, 2023}}</ref>
! scope="row"| Japan Adult Contemporary (''[[Billboard Japan|Billboard]]'')<ref>{{cite web|url=https://www.billboard-japan.com/charts/detail?a=adult_airplay&year=2013&month=05&day=13|title=Japan Adult Contemporary Airplay Chart|website=[[Billboard Japan]]|language=ja|access-date=November 6, 2023|archive-date=November 6, 2023|archive-url=https://web.archive.org/web/20231106045708/https://www.billboard-japan.com/charts/detail?a=adult_airplay&year=2013&month=05&day=13|url-status=live}}</ref>
| 45
| 45
|-
|-
Line 179: Line 180:
==Certifications==
==Certifications==
{{Certification Table Top|caption=Certifications for "22"}}
{{Certification Table Top|caption=Certifications for "22"}}
{{Certification Table Entry|region=Australia|relyear=2013|certyear=2013|title=22|artist=Taylor Swift|type=single|access-date=December 10, 2022|refname="ARIA"|award=Platinum|number=2}}
{{Certification Table Entry|region=Australia|award=Platinum|number=4|type=single|relyear=2012|certyear=2024|access-date=June 14, 2024|refname="ARIA"}}
{{Certification Table Entry|region=Brazil|type=single|artist=Taylor Swift|title=22|award=Platinum|number=2|relyear=2013|certyear=2024|access-date=May 1, 2024}}
{{Certification Table Entry|region=Canada|relyear=2013|certyear=2013|title=22|artist=Taylor Swift|type=single|refname="MC"|award=Platinum|digital=true|access-date=November 10, 2022}}
{{Certification Table Entry|region=Canada|relyear=2013|certyear=2013|title=22|artist=Taylor Swift|type=single|refname="MC"|award=Platinum|digital=true|access-date=November 10, 2022}}
{{Certification Table Entry|region=Japan|type=single|digital=true|title=22|artist=Taylor Swift|refname="RIAJ"|award=Gold|relyear=2012|certyear=2022|certmonth=9|access-date=November 17, 2022}}
{{Certification Table Entry|region=Japan|type=single|digital=true|title=22|artist=Taylor Swift|refname="RIAJ"|award=Gold|relyear=2012|certyear=2022|certmonth=9|access-date=November 17, 2022}}
{{Certification Table Entry|region=New Zealand|relyear=2013|id=2181|access-date=December 10, 2022|title=22|artist=Taylor Swift|type=single|award=Gold|refname="RMNZ"}}
{{Certification Table Entry|region=New Zealand|relyear=2013|title=22|artist=Taylor Swift|type=single|award=Gold|id=2013-04-19|source=newchart|access-date=2024-11-20|refname="RMNZ"}}
{{Certification Table Entry|region=United Kingdom|relyear=2013|certyear=2021|id=12488-1598-1|access-date=December 10, 2022|artist=Taylor Swift|type=single|refname="BPI"|award=Platinum}}
{{Certification Table Entry|region=United Kingdom|relyear=2013|certyear=2021|id=12488-1598-1|access-date=December 10, 2022|artist=Taylor Swift|type=single|refname="BPI"|award=Platinum}}
{{Certification Table Entry|region=United States|relyear=2012|certyear=2015|title=22|artist=Taylor Swift|type=single|access-date=December 10, 2022|refname="RIAA"|award=Platinum|number=3}}
{{Certification Table Entry|region=United States|relyear=2012|certyear=2015|title=22|artist=Taylor Swift|type=single|access-date=December 10, 2022|refname="RIAA"|award=Platinum|number=3}}
{{Certification Table Separator|title=Streaming}}
{{Certification Table Separator|title=Streaming}}
{{Certification Table Entry|region=Denmark|certyear=2013|relyear=2013|artist=Taylor Swift|title=22|award=Gold|type=single|certmonth=8|id=6100|streamsonly=true}}
{{Certification Table Entry|region=Denmark|certyear=2013|relyear=2013|artist=Taylor Swift|title=22|award=Gold|type=single|certmonth=8|id=6100|streamsonly=true}}
{{Certification Table Bottom | streaming=true|streamsonly=true}}
{{Certification Table Bottom | streaming=true|streamsonly=true|noshipments=true}}

==Release history==
{| class="wikitable plainrowheaders"
|+ Release dates and formats for "22"
! scope="col"| Country
! scope="col"| Date
! scope="col"| Format
! scope="col"| Label
! scope="col"| Ref.
|-
! scope="row" rowspan="2"| United States
| March 12, 2013
| [[Contemporary hit radio]]
| {{hlist|[[Big Machine Records|Big Machine]]|[[Republic Records|Republic]]}}
| style="text-align:center;"| <ref name="fmqb">{{cite web|url=http://www.fmqb.com/Article.asp?id=69239 |title=Airplay Archive |work=[[FMQB]] |access-date=February 3, 2014 |url-status=dead |archive-url=https://web.archive.org/web/20131101095739/http://www.fmqb.com/Article.asp?id=69239 |archive-date=November 1, 2013 }}</ref>
|-
| March 13, 2013
|[[CD single]]
| Big Machine
| style="text-align:center;"| <ref name="single%2520cd%25201" /><ref name="single%2520cd%25202" />
|-
! scope="row"| United Kingdom
| March 31, 2013
| Contemporary hit radio
| {{hlist|Big Machine|[[Mercury Records|Mercury]]}}
| style="text-align:center;"| <ref name="uk"/>
|}


=="22 (Taylor's Version)"==
=="22 (Taylor's Version)"==
Line 195: Line 224:
| album = [[Red (Taylor's Version)]]
| album = [[Red (Taylor's Version)]]
| released = {{start date|2021|11|12}}
| released = {{start date|2021|11|12}}
| genre = * [[Pop music|Pop]]
| genre =
* [[disco]]
* [[Rock music|rock]]
| studio = * Kitty Committee ([[Belfast]])
| studio = * Kitty Committee ([[Belfast]])
* Prime Recording (Nashville)
* Prime Recording (Nashville)
Line 215: Line 242:
"22 (Taylor's Version)" was produced by Swift, Shellback, and [[Chris Rowe|Christopher Rowe]].<ref name="redtv"/> In reviews of ''Red (Taylor's Version)'', some critics remarked that "22" was one of Swift's best pop songs, with Olivia Horn from [[Pitchfork (website)|''Pitchfork'']] deeming it one of her "great masterpieces".<ref>{{cite web|url=https://www.popmatters.com/taylor-swift-red-taylors-version|title=Taylor Swift Re-Immortalizes Classic ''Red (Taylor's Version)''|first=Ana|last=Clara Ribeiro|date=December 16, 2021|website=[[PopMatters]]|access-date=July 17, 2022|archive-date=July 17, 2022|archive-url=https://web.archive.org/web/20220717103640/https://www.popmatters.com/taylor-swift-red-taylors-version|url-status=live}}</ref><ref name="pitchfork">{{cite web|last=Horn|first=Olivia|url=https://pitchfork.com/reviews/albums/taylor-swift-red-taylors-version/|title=Taylor Swift: ''Red (Taylor's Version)''|website=[[Pitchfork (website)|Pitchfork]]|date=November 15, 2021|access-date=November 15, 2021|archive-date=November 15, 2021|archive-url=https://web.archive.org/web/20211115143729/https://pitchfork.com/reviews/albums/taylor-swift-red-taylors-version/|url-status=live}}</ref> In ''Slant Magazine'', Jonathan Keefe commented that though the 2012 version was indiscernible from the music of other pop stars of the era, the 2021 re-recorded version improved with a wistful tone.<ref>{{cite web|last=Keefe|first=Jonathan|date=November 17, 2021|title=Review: Taylor Swift's ''Red'' Redux Flaunts the Singer's Refined Pop Instincts|url=https://www.slantmagazine.com/music/taylor-swift-red-taylors-version-album-review/|access-date=November 17, 2021|website=[[Slant Magazine]]|archive-date=November 17, 2021|archive-url=https://web.archive.org/web/20211117163448/https://www.slantmagazine.com/music/taylor-swift-red-taylors-version-album-review/|url-status=live}}</ref>
"22 (Taylor's Version)" was produced by Swift, Shellback, and [[Chris Rowe|Christopher Rowe]].<ref name="redtv"/> In reviews of ''Red (Taylor's Version)'', some critics remarked that "22" was one of Swift's best pop songs, with Olivia Horn from [[Pitchfork (website)|''Pitchfork'']] deeming it one of her "great masterpieces".<ref>{{cite web|url=https://www.popmatters.com/taylor-swift-red-taylors-version|title=Taylor Swift Re-Immortalizes Classic ''Red (Taylor's Version)''|first=Ana|last=Clara Ribeiro|date=December 16, 2021|website=[[PopMatters]]|access-date=July 17, 2022|archive-date=July 17, 2022|archive-url=https://web.archive.org/web/20220717103640/https://www.popmatters.com/taylor-swift-red-taylors-version|url-status=live}}</ref><ref name="pitchfork">{{cite web|last=Horn|first=Olivia|url=https://pitchfork.com/reviews/albums/taylor-swift-red-taylors-version/|title=Taylor Swift: ''Red (Taylor's Version)''|website=[[Pitchfork (website)|Pitchfork]]|date=November 15, 2021|access-date=November 15, 2021|archive-date=November 15, 2021|archive-url=https://web.archive.org/web/20211115143729/https://pitchfork.com/reviews/albums/taylor-swift-red-taylors-version/|url-status=live}}</ref> In ''Slant Magazine'', Jonathan Keefe commented that though the 2012 version was indiscernible from the music of other pop stars of the era, the 2021 re-recorded version improved with a wistful tone.<ref>{{cite web|last=Keefe|first=Jonathan|date=November 17, 2021|title=Review: Taylor Swift's ''Red'' Redux Flaunts the Singer's Refined Pop Instincts|url=https://www.slantmagazine.com/music/taylor-swift-red-taylors-version-album-review/|access-date=November 17, 2021|website=[[Slant Magazine]]|archive-date=November 17, 2021|archive-url=https://web.archive.org/web/20211117163448/https://www.slantmagazine.com/music/taylor-swift-red-taylors-version-album-review/|url-status=live}}</ref>


"22 (Taylor's Version)" peaked within the top 40 of singles charts in Australia,<ref name=":7" /> Canada,<ref name="Canada2021" /> and Singapore.<ref name=":8" /> It peaked at number 52 on the US ''Billboard'' Hot 100 and number 30 on the [[Billboard Global 200|''Billboard'' Global 200]].<ref name="hot100"/><ref>{{Cite magazine |title=Taylor Swift |url=https://www.billboard.com/artist/taylor-swift/ |access-date=2022-12-20 |magazine=Billboard |language=en-US |archive-date=December 3, 2021 |archive-url=https://web.archive.org/web/20211203132011/https://www.billboard.com/artist/taylor-swift/ |url-status=live }}</ref>
Commercially, "22 (Taylor's Version)" entered the countries of Singapore (17),<ref name="RIAS Top Charts Week 46-2021" /> Australia (27),<ref name="Australian Recording Industry Association-2021" /> Canada (33),<ref name="Canada2021" /> and Portugal (151).<ref name="Portugal2023" /> In the United States, the song debuted and peaked at number 52 on the ''Billboard'' Hot 100, where it extended her record of most chart entries among women.<ref name="hot100" /><ref>{{Cite magazine |last=Zellner |first=Xander |date=November 22, 2023 |title=Taylor Swift Charts 26 Songs From ''Red (Taylor's Version)'' on ''Billboard'' Hot 100 |url=https://www.billboard.com/music/chart-beat/taylor-swift-26-songs-hot-100-red-taylors-version-1235001484/ |access-date=November 30, 2023 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=November 24, 2021 |archive-url=https://web.archive.org/web/20211124035344/https://www.billboard.com/music/chart-beat/taylor-swift-26-songs-hot-100-red-taylors-version-1235001484/ |url-status=live }}</ref> On non-national charts, the song reached number 36 on New Zealand's [[Recorded Music NZ#Hot Singles chart|Hot Singles Chart]]<ref name="NZHotSingles" /> and number 49 on the United Kingdom's [[Official Audio Streaming Chart|Audio Streaming Chart]].<ref name="UKstreaming" /> It also peaked at number 30 on the [[Billboard Global 200|''Billboard'' Global 200]].<ref name="Global200" />


===Personnel===
===Personnel===
Line 241: Line 268:
! scope="col"| Peak<br />position
! scope="col"| Peak<br />position
|-
|-
! scope="row"| Australia ([[ARIA Charts|ARIA]])<ref name=":7">{{cite web|url=https://www.aria.com.au/charts/singles-chart/2021-11-22|title=ARIA Top 50 Singles Chart|publisher=[[Australian Recording Industry Association]]|date=November 22, 2021|access-date=November 19, 2021|archive-date=November 19, 2021|archive-url=https://web.archive.org/web/20211119060857/https://www.aria.com.au/charts/singles-chart/2021-11-22|url-status=live}}</ref>
! scope="row"| Australia ([[ARIA Charts|ARIA]])<ref name="Australian Recording Industry Association-2021">{{cite web|url=https://www.aria.com.au/charts/singles-chart/2021-11-22|title=ARIA Top 50 Singles Chart|publisher=[[Australian Recording Industry Association]]|date=November 22, 2021|access-date=November 19, 2021|archive-date=November 19, 2021|archive-url=https://web.archive.org/web/20211119060857/https://www.aria.com.au/charts/singles-chart/2021-11-22|url-status=live}}</ref>
| 27
| 27
|-
|-
{{single chart|Canada|33|artist=Taylor Swift|rowheader=true|access-date=November 23, 2021|refname=Canada2021}}
{{single chart|Canada|33|artist=Taylor Swift|rowheader=true|access-date=November 23, 2021|refname=Canada2021}}
|-
|-
{{single chart|Billboardglobal200|30|artist=Taylor Swift|rowheader=true|access-date=November 23, 2021}}
{{single chart|Billboardglobal200|30|artist=Taylor Swift|rowheader=true|access-date=November 23, 2021|refname="Global200"}}
|-
|-
! scope="row"| New Zealand Hot Singles ([[Recorded Music NZ|RMNZ]])<ref>{{cite web|url=https://nztop40.co.nz/chart/hotsingles?chart=5260|title=NZ Hot Singles Chart|publisher=[[Recorded Music NZ]]|date=January 10, 2022|access-date=January 8, 2022|archive-date=January 8, 2022|archive-url=https://web.archive.org/web/20220108133606/https://nztop40.co.nz/chart/hotsingles?chart=5260|url-status=live}}</ref>
! scope="row"| New Zealand Hot Singles ([[Recorded Music NZ|RMNZ]])<ref name="NZHotSingles">{{cite web|url=https://aotearoamusiccharts.co.nz/archive/hot-singles/2022-01-07|title=NZ Hot Singles Chart|publisher=[[Recorded Music NZ]]|date=January 10, 2022|access-date=January 8, 2022|archive-date=January 8, 2022|archive-url=https://web.archive.org/web/20220108133606/https://nztop40.co.nz/chart/hotsingles?chart=5260|url-status=live}}</ref>
| 36
| 36
|-
|-
{{single chart|Portugal|151|artist=Taylor Swift|song=22|rowheader=true|access-date=February 9, 2022}}
{{single chart|Portugal|151|artist=Taylor Swift|song=22|rowheader=true|access-date=February 9, 2022|refname="Portugal2023"}}
|-
|-
! scope="row" | Singapore ([[Recording Industry Association Singapore|RIAS]])<ref name=":8">{{cite web|url=https://www.rias.org.sg/rias-top-charts|title=RIAS Top Charts Week 46 (12 – 18 Nov 2021)|date=November 23, 2021|archive-url=https://web.archive.org/web/20211123121350/https://www.rias.org.sg/rias-top-charts/|archive-date=November 23, 2021|access-date=November 23, 2021}}</ref>
! scope="row" | Singapore ([[Recording Industry Association Singapore|RIAS]])<ref name="RIAS Top Charts Week 46-2021">{{cite web|url=https://www.rias.org.sg/rias-top-charts|title=RIAS Top Charts Week 46 (12 – 18 Nov 2021)|date=November 23, 2021|archive-url=https://web.archive.org/web/20211123121350/https://www.rias.org.sg/rias-top-charts/|archive-date=November 23, 2021|access-date=November 23, 2021}}</ref>
| 17
| 17
|-
|-
{{single chart|UKstreaming|49|date=20211119|rowheader=true|access-date=November 19, 2021}}
{{single chart|UKstreaming|49|date=20211119|rowheader=true|access-date=November 19, 2021|refname="UKstreaming"}}
|-
|-
! scope="row"| US [[Billboard Hot 100|''Billboard'' Hot 100]]<ref name="hot100"/>
! scope="row"| US [[Billboard Hot 100|''Billboard'' Hot 100]]<ref name="hot100"/>
Line 262: Line 289:
|}
|}


==Release history==
===Certification===
{{Certification Table Top|caption=Certification "22 (Taylor's Version)"}}
{| class="wikitable plainrowheaders"
{{Certification Table Entry|region=Australia|type=single|award=Platinum|relyear=2021|certyear=2024|certref=<ref name="ARIA"/>}}
|+ Release dates and formats for "22"
{{Certification Table Entry|region=Brazil|artist=Taylor Swift|title=22 (Taylor's Version)|award=Gold|type=single|relyear=2021|certyear=2024|access-date=July 23, 2024}}
! scope="col"| Country
{{Certification Table Entry|region=United Kingdom|artist=Taylor Swift|title=22 (Taylor's Version)|award=Silver|id=19888-1598-1|type=single|relyear=2021|certyear=2024|accessdate=April 12, 2024}}
! scope="col"| Date
{{Certification Table Bottom|nosales=true|noshipments=true|streaming=true}}
! scope="col"| Format
! scope="col"| Label
! scope="col"| Ref.
|-
! scope="row" rowspan="2"| United States
| March 12, 2013
| [[Contemporary hit radio]]
| {{hlist|[[Big Machine Records|Big Machine]]|[[Republic Records|Republic]]}}
| style="text-align:center;"| <ref name="fmqb">{{cite web|url=http://www.fmqb.com/Article.asp?id=69239 |title=Airplay Archive |work=[[FMQB]] |access-date=February 3, 2014 |url-status=dead |archive-url=https://web.archive.org/web/20131101095739/http://www.fmqb.com/Article.asp?id=69239 |archive-date=November 1, 2013 }}</ref>
|-
| March 13, 2013
|[[CD single]]
| Big Machine
| style="text-align:center;"| <ref name="single%2520cd%25201" /><ref name="single%2520cd%25202" />
|-
! scope="row"| United Kingdom
| March 31, 2013
| Contemporary hit radio
| {{hlist|Big Machine|[[Mercury Records|Mercury]]}}
| style="text-align:center;"| <ref name="uk"/>
|}


==References==
==References==
Line 313: Line 320:
[[Category:Bubblegum pop songs]]
[[Category:Bubblegum pop songs]]
[[Category:American disco songs]]
[[Category:American disco songs]]
[[Category:American dance-pop songs]]

Latest revision as of 21:07, 2 December 2024

"22"
Cover artwork of "22" by Taylor Swift
Single by Taylor Swift
from the album Red
ReleasedMarch 12, 2013 (2013-03-12)
Studio
Genre
Length3:52
LabelBig Machine
Songwriter(s)
Producer(s)
  • Max Martin
  • Shellback
Taylor Swift singles chronology
"I Knew You Were Trouble"
(2012)
"22"
(2013)
"Highway Don't Care"
(2013)
Music video
"22" on YouTube

"22" is a song by the American singer-songwriter Taylor Swift from her fourth studio album, Red (2012). It was released as the album's fourth single on March 12, 2013, by Big Machine Records. Written and produced by Swift, Max Martin, and Shellback, "22" combines pop styles such as dance-pop and bubblegum with disco and 1990s rock. The track begins with an acoustic guitar riff and progresses into an upbeat refrain which incorporates pulsing synthesizers and syncopated bass drums. The lyrics celebrate being 22 years old while acknowledging the heartache that the narrator experienced in the past.

Upon Red's release, critics complimented the production of "22" as catchy but some found the lyrics weak and the song repetitive. Retrospectively, some have considered it one of Swift's best pop songs. "22" peaked at number 20 on the US Billboard Hot 100 and was certified triple platinum by the Recording Industry Association of America (RIAA). It received platinum or higher certifications in Australia, Canada, and the United Kingdom, peaking in the top 10 on the singles chart in the lattermost country as well as Israel and South Africa. The accompanying music video was shot in Malibu, California, depicting Swift having a house party with friends. Swift included the song in the set list of the Red Tour (2013–2014) and the Eras Tour (2023–2024). She performed it live at the 2013 Billboard Music Awards.

Some media outlets dub "22" a cultural phenomenon resulting in the prominence of 22nd birthdays. A re-recorded version of the track, titled "22 (Taylor's Version)", was released as part of Swift's second re-recorded album, Red (Taylor's Version), on November 12, 2021. It peaked at number 30 on the Billboard Global 200 and entered on the charts of Australia, Canada, Portugal, Singapore, and the United States.

Writing and production

[edit]

Swift released her third studio album, the self-written Speak Now, in October 2010.[1] Produced by Swift and Nathan Chapman, Speak Now expands on the country-pop production style of its predecessor, Fearless (2008).[2][3] On her fourth studio album, Red (2012), Swift wanted to experiment with other musical styles.[4] To this end, she worked with producers outside of her career base in Nashville, Tennessee, and went to Los Angeles to collaborate with Swedish producer Max Martin.[2][5] Swift cited Martin's ability to "just land a chorus" as an inspiration.[6]

Martin and Shellback, another Swedish producer, co-wrote and co-produced three songs with Swift on Red—"22", "We Are Never Ever Getting Back Together", and "I Knew You Were Trouble"—all of which feature a pop production and programmed keyboards.[7][8] Michael Ilbert and Sam Holland recorded "22" at MXM Studios in Stockholm and Conway Recording Studios in Los Angeles, with engineers John Hanes, Eric Eylands, and Tim Roberts. Şerban Ghenea mixed "22" at MixStar Studios in Virginia Beach. The instruments used on the track include acoustic guitar (Swift, Shellback), bass (Shellback), electric guitar (Shellback), and keyboards (Martin, Shellback).[9]

Talking about the theme of "22", Swift told Billboard that the song captures how she felt about being 22 years old and the "possibilities of how you're still learning, but you know enough. [...] That brings about a carefree feeling that is sort of based on indecision and fear and at the same time letting loose".[6] She said during a February 2013 interview with Ryan Seacrest that the song's inspiration was a group of female friends with whom she often hung out; despite the uncertainty of adulthood, "the one thing that you have is that you have each other".[10][11] On March 12, 2013, Big Machine in partnership with Republic Records released "22" to US contemporary hit radio as the fourth Red single.[12] A day later, it was released exclusively to Swift's official website as a limited-edition CD single, which was sold by itself or via an exclusive package with the Red Tour merchandise.[13][14] "22" was released in the United Kingdom on March 31, 2013.[15]

Composition and lyrics

[edit]

Music critics described "22" as a pop song[16][17] incorporating styles such as bubblegum[18][19] and dance-pop.[20] Rob Sheffield from Rolling Stone described the genre as disco,[21] and Annie Zaleski in the Cleveland Scene called the track a "spunky '90s-rock gem".[22] "22" begins with an acoustic guitar riff and incorporates an acoustic guitar-based arrangement in the verses.[23][24] The upbeat refrain infuses elements of dance and electronic music; it incorporates pulsing 1980s-pop-influenced synthesizers and syncopated bass drums that evoke influences from hip hop and alternative rock.[24][25][26] Billboard said "22" was Swift's "most blatantly 'pop' song" up to that point,[17] and Perone commented that her vocals, processed by Martin's and Shellback's electronic production, make the track sound radically different compared to her previous songs.[27] According to The Boot's Riane Konc, despite the pop production, "22" remains "[an] essential part of [Swift's] country years".[28] Musically it is written in key of G major and has a tempo of 104 beats per minute.[29][30] Swift's vocals span from G3 and D5.[29]

In the lyrics, the narrator celebrates the experience of being 22 years old, inviting friends to dress up, hang out, and "make fun of [their] exes" after having gone through a heartbreak.[24][31] When she and the friends are at the party, she realizes the place has "too many cool kids" (who murmur, "‘Who's Taylor Swift anyway, ew?").[20][32] The group then decides to "ditch the whole scene". Towards the song's conclusion, the narrator dances with a man who "looks like bad news", but whom she "has to have".[24]

Critics observed the conflicting emotions of early adulthood. Jordan Sargent of Spin said the refrain's bass has a "fleeting upward sweep" that reflects the lyrical sentiment of "feeling young and invincible" while facing the impending "doom of growing up".[33] For Billboard, although the production is upbeat with "the most sugary hooks available", the lyrics are rather contemplative.[17] NPR Music's J. English wrote that the contradictory feelings ("We're happy, free, confused and lonely at the same time / It's miserable and magical") serve as a mission statement for Red's depiction of a wide array of emotions, from the wide-eyed optimism on "Begin Again" to the cautionary tale of celebrity on "The Lucky One".[34] Perone otherwise found the track to be escapist and carefree; whereas the narrators of Swift's previous songs ponder about lost love in her own headspace, the narrator of "22" hangs out at parties and gets along with a man she just met.[24]

Critical reception

[edit]

Billboard's review of Red appreciated Swift's songwriting on "22" for "succinctly communicating conflicting emotion" despite the upbeat production.[17] Digital Spy's Lewis Corner deemed the single another "pop smash" for Swift's career.[35] Reviewers that highlighted "22" as one of the album's best tracks included Idolator's Sam Lansky,[36] USA Today's Jerry Shriver,[37] and the Tampa Bay Times' Max Asayesh-Brown, all of whom complimented the production.[38] Mesfin Fekadu of the Associated Press found it better than the lead single "We Are Never Ever Getting Back Together" but deemed the lyrics weak.[39] Some viewed the song as derivative of the chart hits by Swift's contemporaries such as Katy Perry and Kesha, including The Boston Globe's James Reed,[40] Telegram & Gazette's Craig S. Semon,[41] and Slant Magazine's Jonathan Keefe, who labelled it as a "shrill, deliberately vapid Ke$ha [sic] knockoff".[42] AllMusic's Stephen Thomas Erlewine dubbed it a "cheerfully ludicrous club-filler".[43]

At the 2015 Pop Awards held by Broadcast Music, Inc., "22" was one of the three songs (with "Everything Has Changed" and "Shake It Off") that helped Swift earn recognition as one of the "Songwriters of the Year".[44] Retrospective reviews have been generally positive, with welcoming comments from Lansky, who highlighted the "millennial pink fizz" and "neutered naughtiness",[45] and Sheffield, who said the song is "[approximately] 22,000 times more fun than actually being 22".[21] Nate Jones from Vulture hailed "22" for simultaneously being "absurdly catchy" and having "enough personality",[46] and Nick Levine from Time Out's deemed it "far smarter" than an average dance-pop song.[20] In a 2019 ranking of Swift's 44 singles, The Guardian's Alexis Petridis placed the song at number four, and lauded its catchiness and contemplative lyrics about early adulthood.[32] Perone nonetheless deemed "22" not as sophisticated and grounded as Swift's previous songs about heartbreak, specifically "Fifteen" (2009).[24]

Some media publications dubbed "22" a cultural phenomenon resulting in the prominence of 22nd birthdays;[47] according to NME's Hannah Mylrea, "Before '22' nobody cared when you celebrated your 22nd birthday [...] and somehow Swift turned it into a milestone."[19]

Commercial performance

[edit]

For the week ending October 28, 2012, "22" debuted at number 44 on the US Billboard Hot 100 and number seven on Hot Digital Songs with first-week sales of 108,000 digital copies; it was the week's highest debut position.[48] After its single release, the song peaked at number 20 on the Billboard Hot 100 and was the sixth track from Red to reach the top 20.[49] The Recording Industry Association of America (RIAA) certified the single triple platinum, denoting three million track-equivalent units based on digital sales and streaming.[50] In the United Kingdom, "22" peaked at number nine on the UK Singles Chart and was certified platinum by the British Phonographic Industry (BPI).[51] The single also received sales certifications in Australia (four-times platinum),[52] Canada (platinum),[53] New Zealand (gold),[54] and Japan (gold),[55] and peaked within the top 30 in the first three countries.[56][57]

Music video and live performances

[edit]
Taylor Swift on stage with backup dancers
Swift performing "22" on the Red Tour (2013)

Swift travelled to Malibu, California, in February 2013, and filmed the music video for "22" there a day after she attended the 55th Annual Grammy Awards.[11] She premiered the video on March 13, 2013, on Good Morning America.[58] Directed by Anthony Mandler, the video for "22" departs from the narrative-driven video for Swift's previous single, "I Knew You Were Trouble"; it features scenes of Swift and her friends baking in the kitchen, sunbathing on the beach, bouncing on trampolines, and throwing a house party which ends with Swift diving into the pool, clothes on.[59][60][61] Some media publications noticed Swift's fashion as hipster-inspired, particularly her chambray shirt and plastic glasses,[62] while Cosmopolitan and Entertainment Weekly deemed the aesthetics reminiscent of Instagram's.[58][63]

Swift performing "22" at the Eras Tour (2023)

Before the release of Red on August 13, 2012, Swift performed an acoustic rendition of "22" for her "YouTube Webchat" in Nashville.[64] It was later included on the set list to Swift's private concert held on a péniche on the Seine on January 28, 2013.[65] Her first televised performance of "22" was on May 19, 2013, at the Billboard Music Awards.[66] Dressed in silver shoes, black high-waisted shorts, and a unicorn T-shirt saying "Haters Gonna Hate", Swift sang the first verse and chorus, and the second verse in the dressing room backstage. She appeared onstage for the rest of the song, joined by America's Got Talent winners and the dance crew Jabbawockeez; the performances ended with red balloons falling from the ceiling.[67][68] The song was part of the set list to the Red Tour (2013–2014), where Swift performed it with a dance troupe.[69]

Swift later included "22" as part of the set lists to her other concerts and shows, including at the iHeartRadio Music Festival in September 2014,[70] at the Formula 1 United States Grand Prix at the Circuit of the Americas in October 2016,[71] and at the DirecTV Super Saturday Night, as part of a series of pre-Super Bowl concerts, in February 2017.[72] She performed "22" on the Reputation Stadium Tour (2018) as a "surprise song" for the second show in Chicago, the first show in Foxborough, and the show in Sydney.[73] On December 8, 2019, Swift performed the song at Capital FM's Jingle Bell Ball 2019 in London.[74] In March 2023, Swift embarked on the Eras Tour, as a tribute to her discography.[75] The tour consisted of ten acts, including the Red set, where "22" was the opening track.[76] Swift performs the song while wearing a version of the white T-shirt and black hat from the song's music video.[76] Towards the end of the song, she greets a fan pre-selected from the audience and gives them the hat.[77]

Credits and personnel

[edit]

Adapted from Red album liner notes[9]

Charts

[edit]

Certifications

[edit]
Certifications for "22"
Region Certification Certified units/sales
Australia (ARIA)[52] 4× Platinum 280,000
Brazil (Pro-Música Brasil)[105] 2× Platinum 120,000
Canada (Music Canada)[53] Platinum 80,000*
Japan (RIAJ)[55] Gold 100,000*
New Zealand (RMNZ)[54] Gold 7,500*
United Kingdom (BPI)[51] Platinum 600,000
United States (RIAA)[50] 3× Platinum 3,000,000
Streaming
Denmark (IFPI Danmark)[106] Gold 900,000

* Sales figures based on certification alone.
Sales+streaming figures based on certification alone.
Streaming-only figures based on certification alone.

Release history

[edit]
Release dates and formats for "22"
Country Date Format Label Ref.
United States March 12, 2013 Contemporary hit radio [12]
March 13, 2013 CD single Big Machine [13][14]
United Kingdom March 31, 2013 Contemporary hit radio
[15]

"22 (Taylor's Version)"

[edit]
"22 (Taylor's Version)"
Song by Taylor Swift
from the album Red (Taylor's Version)
ReleasedNovember 12, 2021 (2021-11-12)
Studio
  • Kitty Committee (Belfast)
  • Prime Recording (Nashville)
Length3:52
LabelRepublic
Songwriter(s)
Producer(s)
Lyric video
"22 (Taylor's Version)" on YouTube

Swift re-recorded "22" for her second re-recorded album, Red (Taylor's Version) (2021). She posted a snippet of the re-recorded song, titled "22 (Taylor's Version)", on her Instagram on August 5, 2021.[107] Red (Taylor's Version) was released on November 12, 2021, by Republic Records; it is part of Swift's move to claim the ownership to her master recordings after a public dispute with her former label Big Machine and talent manager Scooter Braun.[108]

"22 (Taylor's Version)" was produced by Swift, Shellback, and Christopher Rowe.[109] In reviews of Red (Taylor's Version), some critics remarked that "22" was one of Swift's best pop songs, with Olivia Horn from Pitchfork deeming it one of her "great masterpieces".[110][111] In Slant Magazine, Jonathan Keefe commented that though the 2012 version was indiscernible from the music of other pop stars of the era, the 2021 re-recorded version improved with a wistful tone.[112]

Commercially, "22 (Taylor's Version)" entered the countries of Singapore (17),[113] Australia (27),[114] Canada (33),[115] and Portugal (151).[116] In the United States, the song debuted and peaked at number 52 on the Billboard Hot 100, where it extended her record of most chart entries among women.[97][117] On non-national charts, the song reached number 36 on New Zealand's Hot Singles Chart[118] and number 49 on the United Kingdom's Audio Streaming Chart.[119] It also peaked at number 30 on the Billboard Global 200.[120]

Personnel

[edit]

Adapted from Red (Taylor's Version) album liner notes[109]

  • Taylor Swift – lead vocals, background vocals, songwriter, producer
  • Christopher Rowe – producer, lead vocals engineer
  • Shellback – producer, songwriter
  • Max Martin – songwriter
  • Dan Burns – additional programming, additional engineer
  • Matt Billingslea – drums
  • Bryce Bordone – engineer
  • Derek Garten – engineer, editor
  • Şerban Ghenea – mixer
  • Max Bernstein – synths
  • Mike Meadows – acoustic guitar, synths
  • Amos Heller – bass guitar, bass synthesizer
  • Paul Sidoti – electric guitar

Charts

[edit]
Chart performance for "22 (Taylor's Version)"
Chart (2021–2022) Peak
position
Australia (ARIA)[114] 27
Canada (Canadian Hot 100)[115] 33
Global 200 (Billboard)[120] 30
New Zealand Hot Singles (RMNZ)[118] 36
Portugal (AFP)[116] 151
Singapore (RIAS)[113] 17
UK Audio Streaming (OCC)[119] 49
US Billboard Hot 100[97] 52

Certification

[edit]
Certification "22 (Taylor's Version)"
Region Certification Certified units/sales
Australia (ARIA)[52] Platinum 70,000
Brazil (Pro-Música Brasil)[121] Gold 20,000
United Kingdom (BPI)[122] Silver 200,000

Sales+streaming figures based on certification alone.

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[edit]
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Sources

[edit]
  • Perone, James E. (2017). The Words and Music of Taylor Swift. The Praeger Singer-Songwriter Collection. ABC-Clio. ISBN 978-1440852947.